Search results for ""Author Painters"

‘A mesmerising story of love and hope…the best book that I have read this year’ Penny, Reader Review The most heartbreaking historical fiction novel you will read this year from the USA Today bestseller! A train journey into the past A love that echoes through time Paddington Station, present day A young woman boards the sleeper train to Cornwall with only a beautiful emerald silk evening dress and an old, well-read diary full of sketches. Ellie Nightingale is a shy violinist who plays like her heart is broken. But when she meets fellow passenger Joe she feels like she has been given that rarest of gifts…a second chance. Paddington Station, 1944 Beneath the shadow of the war which rages across Europe, Alex and Eliza meet by chance. She is a gutsy painter desperate to get to the frontline as a war artist and he is a wounded RAF pilot now commissioned as a war correspondent. With time slipping away they make only one promise: to meet in Berlin when this is all over. But this is a time when promises are hard to keep, and hope is all you can hold in your heart. From a hidden Cornish cove to the blood-soaked beaches of Normandy in June 1944, this is an epic love story like no other. Perfect for fans of Pam Jenoff, Kate Quinn, Rachel Hore and Kate Furnivall. Readers are absolutely loving this book: ‘Everyone needs to get aboard, The Night Train to Berlin! It is a fascinating tale that keeps you riveted to the very last page’ Jenny ‘This book just caught me by the heart…I felt so caught up in the lives of these wonderful women that I was gutted when it came to the end. I wanted more!’ Jenn ‘I made it five sentences into this story, and I knew I would be hooked…exceptional’ Mikkayla ‘Toot! Toot! All aboard! In every chapter there’s a giant hug reaching out from the pages…You MUST read this book – it’s historical fiction at its finest!’ Norma ‘Paints a vivid picture not only of beautiful Cornwall but of the horrors of WWII …The danger and uncertainty, the fatigue, the pain, the love, the loss – all seem real’ Sally

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Jane Grigson wrote of Italian Food ‘Basil was no more than the name of bachelor uncles, courgette was printed in italics as an alien word, and few of us knew how to eat spaghetti or pick a globe artichoke to pieces. ... Then came Elizabeth David like sunshine, writing with brief elegance about good food, that is, about food well contrived, well cooked. She made us understand that we could do better with what we had.’ Published in 1954 the importance of this book, which required a full year's research in Italy, can only be appreciated when you realise that she was working in a post-rationing England which regarded Italian cuisine as nothing more than variations on pasta and veal. What she discovered was an enormous wealth of regional diversity in ingredients, methods, and even language, where the same pasta shape can be called three or four names in different parts of the country. She understood that all Italian cooking is regional; there is no 'national' cuisine and so there are eight recipes for aubergines, fourteen for artichokes, five for fennel and seven for lentils, all from different regions. But if such descriptions seem to today’s reader overly thorough it is because many of her 1950's audience would have never heard of risotto, gorgonzola, prosciutto or even olive oil, let alone been able to purchase them. This is a critical and analytical look at Italian food – her personality and point of view come out on almost every page – organised by type of dish rather than by region and is full of details of kitchens and cooking by painters from the 14th, 15th and 18th centuries. The book is filled with asides and quotes from Italian writers and thinkers and as confirmation that this is more a work of scholarship than a simple book on cookery, there are appendices of bibliographies and notes on wine. If you want to explore the authentic regional roots of the Italian kitchen, Elizabeth David's masterpiece is the place to start. And the joy and relevance of this book today is that recipes that could only be read 60 years ago can now be cooked and savoured. Elizabeth David’s acclaimed writings are often cited as an inspiration by many of today’s leading chefs, as well as home cooks, and are essential to any serious cookery book collection.

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In her vibrant works, the Brazilian painter Beatriz Milhazes fuses two very different worldviews. Her abstract compositions, which can be seen in a line with modernist masters from Henri Matisse to Bridget Riley, are saturated with the colors and light of her native country. Her paintings are strewn with symbols of everyday life in Brazil, invoking carnival, traditional craftsmanship, and motifs from baroque to pop, all choreographed in an exuberant visual rhythm. The colorful atmosphere has an irresistible exotic allure, but as in the works of Paul Gauguin, we find a broken paradise in which darker, more melancholic tones resonate, both in the promises of tropical life and those of modernist abstraction. In seeking this balance, Milhazes developed a special transfer technique in the late eighties, painting her motifs onto plastic sheets, gluing these to the canvas and letting them dry, and then peeling away the plastic once dry so that the paint remains on the canvas. This method allows the artist to layer surface upon surface and to achieve an iridescence somewhere between radiant aura and shimmering melancholy. Since her breakthrough in the early 1990s, Milhazes has extended the scope of her work to other media, producing screen prints, collages made of chocolate and candy wrappers, sculptures such as giant mobiles made of carnival decorations, site-specific projects that transform building façades into stained glass windows, and experiments with body and rhythm in collaboration with her sister Marcia’s ballet ensemble. This updated edition, which has been expanded to include works made as recently as 2020, explores all of the artist’s creative phases, from her beginnings to the present, with over 300 of her works. The book was created in close collaboration with the artist, in both the selection of images and specially designed pages between chapters. It includes a conversation with editor Hans Werner Holzwarth in which the artist unravels her working methods and talks about the ideas and cultural background behind her work. An art historical essay by David Ebony, a poetic dictionary of Milhazes’s key motifs by Adriano Pedrosa, and a detailed, updated artist biography by Luiza Interlenghi round off this comprehensive work. Also available in an Art Edition with a silkscreen print signed by Beatriz Milhazes

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In Imagination from Fantasy to Delusion, Lois Oppenheim illustrates the enhancement of self that creativity affords, the relationship of imagination to the self as agent. The premise of this book is twofold: First, that the imaginary is real. Where it differs from what we commonly take to be reality is in structure and in form. The imaginary of art, for example, is not illusionary for it is phenomenologically describable and even depictable, as demonstrated by the self-reflexive efforts of modernist painters and writers. No less real than the imaginary of art, and thus fantasy, is the imaginary of delusion, ascertainable in the very function it serves. Though fundamentally different, fantasy and delusion do share a significant feature: a preoccupation with agency. Second is that change, the enhancement of self through an increase in agency, is facilitated by the biology of reward: The pleasure of increased self-cohesion—the efficacy acquired through knowledge of, and the attribution of meaning to, the world—is ultimately the sine qua non of imaginative thought.Oppenheim emphasizes the idea that imagination generates knowledge. Our sensory systems, like our higher cognitive functions, give the human brain knowledge to maintain the homeostatic balance required for survival and to enrich the sense of self required for agency. And, she suggests, imagination is a function of their doing so. Moreover, she explores the construct by which we apprehend the workings of imagination—fantasy—and considers in what the mental imagery that endows it consists, how fantasy may be transmitted transgenerationally, and how delusion can be an impediment to imagination while also being a product of it. Additionally, she likens psychoanalysis to the making of art as a process of acquiring knowledge and looks at creativity itself as a coming-to-know.Throughout this book, there run several opposing threads. The first is that of the intra- and interpsychic psychoanalytic paradigms. This theoretical contrast bears on our understanding of aesthetic experience as sublimatory versus object relational and on our understanding of the construction of meaning. A second opposition resides in the notion of agency (with its implication of self-cohesion) which has everything to do with ego function and, seemingly, the usefulness of "unconscious fantasy," a cornerstone of psychoanalysis now thrown into question by the postmodern favoring of dissociation over repression and other mechanisms of defense. Last, but no less significant, is the contrast interwoven between the empiricism of neuroscience and the metaphysics of philosophical thought. Oppenheim's underlying effort is to explore the validity of these oppositions, which seem not to hold as steadfastly as we tend to suppose.

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This volume is the fifth volume of A Corpus of Rembrandt Paintings, a project devoted to all Rembrandt’s paintings. This is the work of ‘The Rembrandt Research Project’, consisting of a group of scholars led since 1993 by Professor Ernst van de Wetering. The project began in 1968 with the aim of separating Rembrandt’s own paintings from the vast number of Rembrandtesque paintings made by his many apprentices and followers. Having opted for a chronological approach to the cataloguing of Rembrandt’s paintings (from 1625 till 1642) in the first three volumes, it was decided in 1993 to adopt a thematic approach for further volumes. This was largely to facilitate the recognition of different hands. The new approach yielded much more information not only about Rembrandt’s working methods but also about the function and meaning of his works. This expanded field of view meant that etchings and drawings with similar themes also needed to be included. In 2005 Volume IV appeared, devoted to Rembrandt’s self-portraits, in painting, etching and drawing. Volume V consists of a catalogue and analysis of the so-called small-scale history and genre paintings. That theme was chosen because this type of complex work shows a variety of full-length protagonists acting in different narrative settings. For this reason, in the 17th century, painting, etching or drawing biblical and mythological scenes was looked upon as an artist’s greatest challenge. The choice of this theme proved to be highly fruitful in several ways. Small-scale history pieces reveal Rembrandt’s artistic ambitions most clearly. They also offer the authors a much more accurate view of the daily routine in Rembrandt’s studio; his apprentices mostly copied this type of work or used it as a starting point for their own. As a result it was easier to distinguish the works by the master himself from those of his pupils. All aspects of the skills necessary to create a pictorial illusion play a part in the creation of small-figured history paintings. These aspects were referred to as ‘the basis of the noble art of painting’ in Rembrandt’s days. Two seventeenth century painter/theoreticians discussed these principles systematically in two books which up till now have only sporadically been consulted in the context of 17th century studio practice. Karel van Mander wrote his Grond der edel vry schilder-const [Basis of the Art of Painting] in 1604 and Samuel van Hoogstraten produced his Inleyding tot de hooge schoole der schilderkonst [Academy of Painting] in 1678. Van Hoogstraten was a pupil of Rembrandt between 1642 and ’48. Comparing the two books and considering them in relation to Rembrandt’s oeuvre, gradually reveals his original views on painting and how these had developed during his career. Thus, the authors of this new Volume of A Corpus have gained an unexpected and profound insight into Rembrandt’s ideas and approach to his art. The ‘basic aspects’ of painting included the following topics: function and methods of drawing; human proportions; various positions, poses and gestures of figures; ways of arranging a scene’s protagonists in a composition; facial expressions of a variety of emotions; light, shadows and reflected light; landscape and animals; draperies and articles of clothing; methods of painting, and various characteristics and uses of colours. The way these ‘basic aspects’ were selected and dealt with presumed that the more practical side to the art of painting would be learned by the apprentice in the daily routine of his master’s studio. With the development of art history in the nineteenth century the ‘basic aspects’ of the art of painting listed above acquired the vague label of ‘style’. However, the seventeenth century categorization of the ‘basic aspects’ provides a much more acute means of probing the views and criteria for judging a painting by Rembrandt and his contemporaries than the concept of ‘style’. Volume V in the series A Corpus of Rembrandt Paintings breaks new ground from the point of view of art history, not only in its approach to Rembrandt as an artist, but more particularly to his thinking about painting. Moreover, a detailed comparison of Rembrandt’s works and those by his apprentices who based their works on his, led to a profound and detailed understanding of Rembrandt’s views on pictorial quality. In art historical literature quality usually does not feature prominently since it is regarded as being too subjective. This comparative approach, together with the analysis of seventeenth century categories of thought about painting, have given the research on Rembrandt a new impetus, at the same time allowing us to see more clearly through seventeenth century eyes. That is why the new volume of the ‘Corpus’ is an important publication – not only for art historians but also for all who want to fully enjoy the numerous works of art that date back to the Dutch Golden Age, now scattered in museums around the world.

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Text in English & German. Klaus R Uhlig, born in 1932 in Altenburg near Leipzig, is at first and foremost a painter of people. His upright figures, with a strong vertical emphasis and often depicted in groups, represent the emerging XXL generation. With his "Structurels", Uhlig created a painting style that combines classical realistic with modern abstract painting. Linking and overlapping numerous individual pictures to form a composite creates configurations that can be interpreted in many ways. Gil E Stein shows other aspects of his output in this publication. This includes works such as Das letzte Blatt der Welt or 9-11, which was actual-ly painted in 2001, and the group of pictures called "Arborel". The most striking feature of Uhlig's pictures is the positive impact they make. One contributing factor here is that a clear working philosophy lies behind their creation. Uhlig's work is intended to show "that our life and our social associations are wonderful because the things that connect us are wonderful and mysterious". He uses very many graphic and painting techniques to achieve this, including decalomania. The colour range of his work is defined by the Bauhaus colour theory. Uhlig's colourism and structurelism emerged on the basis of a classical training in art and architecture, moving through the stages of stonemason, Dipl.-Ing., Master of Arts, government building officer and Dr.-Ing. His professors in Weimar included Otto Herbig, who was close to Die Brücke, in Berlin the architect Hans Scharoun and the sculptor Erich F Reuter, and at Harvard University Le Corbusier when present at seminars. Here Uhlig also met Walter Gropius and Ludwig Mies van der Rohe. After teaching at the Hochschule für Bildende Künste in Hamburg, Uhlig worked as a town planner in various German cities. He devised zoning maps for Göttingen, Heidelberg and finally for Cologne, where he worked as Stadtbaudirektor for many years. Uhlig lives in Cologne as a free-lance artist. Solo exhibitions have been devoted to his work in Europe and China, in cities including Berlin, Bologna, Brussels, Dresden, Hangshou, Leipzig, Cologne, Paris and Weimar. His work is to be found in state museum, public buildings and in institutional and private collections.

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Whatever our job title, our work will always benefit from new ideas and fresh ways of thinking. We’re used to regarding inspiration as something that arrives more or less at random; it is in fact a skill that we can learn to develop in ourselves and call on whenever we need it. Inspiration is a toolkit for generating new ideas: 52 exercises designed to foster an inventive frame of mind. With this to hand, we have no more need to wait for inspiration to strike; we can kindle it and deploy it as we require it. Each exercise prompts us to work on a particular creative muscle and helps us to establish the psychological conditions for original work. Drawing insights from the worlds of art, music, psychotherapy and innovation, this is an invaluable resource for creatives and professionals alike, helping our minds to become more reliable lightning rods for our numerous flashes of inspiration. Examples Sensory Deprivation Removing distractions and external stimuli can allow our mind to wander more freely. That’s why ideas tend to come to us in the shower, or just before we fall asleep. Sensory deprivation tanks are an extreme (and expensive) way of quieting the outside world. Create your own makeshift sensory deprivation tank. Find a spare office or free room and close the door. Turn out the lights, close the shutters or blinds, and switch off any electrical appliances. If it’s still noisy, use ear plugs or play white noise through some headphones. Stay in there for at least 10 minutes, or as long as you like. Use the time and space to think about your project – or try to think about nothing at all, and allow your mind to drift. Paint Like a Child Pablo Picasso spent his career developing his painting in an increasingly abstract direction. Near the end of his life, he remarked that although he was a technically accomplished painter at fifteen, ‘it look me a lifetime to paint like a child.’ Try to recall the person you were at five years old. How might you look at your work differently? What might strike you as humdrum, and what as exciting? What rules might you be prepared to break to honour the fiveyear-old you? company biography

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2018 Eisner Award winner, Best Writer2018 Eisner Award winner, Best Painter/Multimedia Artist2018 Eisner Award winner, Best Continuing Series2018 Eisner Award winner, Best Publication for Teens2018 Eisner Award winner, Best Cover Artist2018 Harvey Award winner, Book of the Year2018 Hugo Award winner, Best Graphic Story2018 British Fantasy Award winner, Best Comic/Graphic Novel2018, 2016, 2015 Entertainment Weekly's The Best Comic Books of the Year2018, Newsweek's Best Comic Books of the Year2018, The Washington Post's 10 Best Graphic Novels of the Year2018, Barnes & Noble's Best Books of the Year2018, YALSA's Great Graphic Novels for Teens2018, Thrillist's Best Comics & Graphic Novels of the Year2018, Powell's Best Science-Fiction, Fantasy, Horror, and Graphic Novels of the YearSet in an alternate matriarchal 1900's Asia, in a richly imagined world of art deco-inflected steam punk, MONSTRESS tells the story of a teenage girl who is struggling to survive the trauma of war, and who shares a mysterious psychic link with a monster of tremendous power, a connection that will transform them both and make them the target of both human and otherworldly powers.About the Creators:New York Times bestselling and award-winning writer Marjorie Liu is best known for her fiction and comic books. She teaches comic book writing at MIT, and leads a class on Popular Fiction at the Voices of Our Nation (VONA) workshop. Ms. Liu's extensive work includes the bestselling "Astonishing X-Men" for Marvel Comics, which featured the gay wedding of X-Man Northstar and was subsequently nominated for a GLAAD Media Award for outstanding media images of the lesbian, gay, bisexual and transgender community. Prior to writing full-time, Liu was a lawyer. She currently resides in Boston.Sana Takeda is an illustrator and comic book artist who was born in Niigata, and now resides in Tokyo, Japan. At age 20 she started out as a 3D CGI designer for SEGA, a Japanese video game company, and became a freelance artist when she was 25. She is still an artist, and has worked on titles such as "X-23" and "Ms. Marvel" for Marvel Comics, and is an illustrator for trading card games in Japan.

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Louisiana is in a desperate battle to save what remains of its coastal wetlands, which are disappearing at the rate of a football field--size area every 38 minutes. Most people are unaware of the devastating transformation of this remote region, though the effects are detrimental for the entire country economically, culturally, and environmentally. Hoping that art will inspire concern where statistics have not, and focusing on the marshlands' beauty rather than their destruction, nature photographer C. C. Lockwood and painter Rhea Gary have joined together in Marsh Mission to show that a picture is worth at least a thousand words. Their rapturous thirty photographs and thirty paintings may well leave one speechless.For an entire year, C.C. immersed himself in the wetlands, living on a houseboat -- the Wetland Wanderer -- with his wife, Sue, a schoolteacher, who created an interactive classroom from the boat via the Internet. They covered more than 5,000 miles, taking the pulse of their environs and documenting everything from oil rigs to egrets and vivid setting suns. Rhea sometimes joined the Lockwoods and other times ventured out in her own bateau, designed to hold an easel for making oil-on-paper sketches. She produced the final oil paintings on canvas in her studio.In his photographs, C.C. captures the quiet, hidden activity of the wetlands in all their paradisaical aspects. Breathtaking detail -- the reward of day-in and day-out vigilance. Rhea conveys her emotional response to the light, color, and mood of the landscape with bold impressionistic strokes in raspberry, tangerine, lime, fuchsia, azure, and yellow. Hot -- like the culture and the climate of south Louisiana. Together, the two impart an aesthetic experience that explains better than any map or scientific data the irreplaceable treasure being lost. A narrative by each artist enhances their visual testimony and gives a rare glimpse into the creative process.Formed by silt deposits from the Mississippi River, Louisiana's coastal region constitutes 40 percent of all U.S. marshlands, but it is sinking at an alarming rate because the river's leveed banks -- while essential for flood control and ship navigation -- obstruct silt replenishment. With Marsh Mission, C. C. Lockwood and Rhea Gary offer a visionary tribute to this endangered, national natural resource. Their images should arouse awareness, appreciation, and, especially, action.

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LONGLISTED FOR THE WALTER SCOTT HISTORICAL FICTION PRIZE 2021SHORTLISTED FOR THE HWA GOLD CROWN AWARD 2020'A STRIKINGLY SHARP AND SUBTLE WRITER' Guardian'SUPERB...BEAUTIFULLY WRITTEN...UNFORGETTABLE' FT Weekend'SKILFUL' Sunday Times 'RICH, INTRICATE, IMPRESSIVELY REALISED' Observer 'VIVIDLY REALISED' The Times'A VISION OF THE PAST AND A VISION OF THE FUTURE' Irish Times'A VIVID SLICE OF HISTORICAL FICTION' Sunday Express1815, Sumbawa Island, IndonesiaMount Tambora explodes in a cataclysmic eruption, killing thousands. Sent to investigate, ship surgeon Henry Hoggcan barely believe his eyes. Once a paradise, the island is now solid ash, the surrounding sea turned to stone. But worse is yet to come: as the ash cloud rises and covers the sun, the seasons will fail.1816In Switzerland, Mary Shelley finds dark inspiration. Confined inside by the unseasonable weather, thousands of famine refugees stream past her door. In Vermont, preacher Charles Whitlock begs his followers to keep faith as drought dries their wells and their livestock starve.In Suffolk, the ambitious and lovesick painter John Constable struggles to reconcile the idyllic England he paints with the misery that surrounds him. In the Fens, farm labourer Sarah Hobbs has had enough of going hungry while the farmers flaunt their wealth. And Hope Peter, returned from the Napoleonic wars, finds his family home demolished and a fence gone up in its place. He flees to London, where he falls in with a group of revolutionaries who speak of a better life, whatever the cost. As desperation sets in, Britain becomes beset by riots - rebellion is in the air.The Year Without Summer is the story of the books written, the art made; of the journeys taken, of the love longed for and the lives lost during that fateful year. Six separate lives, connected only by an event many thousands of miles away. Few had heard of Tambora - but none could escape its effects.'VIVID, VIBRANT, HARD TO PUT DOWN' Hilary Spurling'THOUGHT-PROVOKING, BEAUTIFULLY WRITTEN AND VERY COMPELLING' Harriet Tyce'INGENIOUS AND ABSORBING' Kirsty Wark 'ASTONISHING, RIVETING, MASTERFUL, POETIC' Emily Rapp Black 'A WORLDWIDE CANVAS BROUGHT TO LIFE IN VIVID, HEARTBREAKING DETAIL' Marianne Kavanagh

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The Essential Haiku brings together Robert Hass's beautifully fresh translations of the three great masters of the Japanese haiku tradition: Matsuo Basho (1644-94), the ascetic and seeker, and the haiku poet most familiar to English readers; Yosa Buson (1716-83), the artist, a painter renowned for his visually expressive poetry; and Kobayashi Issa (1763-1827), the humanist, whose haiku are known for their poignant or ironic wit. Each haiku master's section of the book is prefaced with an eloquent and informative introduction by Robert Hass, followed by a selection of over 100 poems and then by other poetry or prose by the poet, including journals and nature writing. Opening with Hass's superb introductory essay on haiku, the book concludes with a section devoted to Basho's writings and conversations on poetry. The seventeen-syllable haiku form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Each haiku is a meditation, a centring, a crystalline moment of realisation. Reading them has a way of bringing about calm and peace within the reader. The symbolism of the seasons and the Japanese habit of mind blend together in these poems to create an alchemy of reflection that is unsurpassed in literature. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams as well as an example of spontaneity and Zen alertness to the new poets of post-war America and Britain. Universal in its appeal, Robert Hass's The Essential Haiku is the definitive introduction to haiku and its greatest poets, and has been a bestseller in America for twenty years. 'I know that for years I didn't see how deeply personal these poems were or, to say it another way, how much they have the flavour - Basho might have said "the scent" - of particular human life, because I had been told and wanted to believe that haiku were never subjective. I think it was D.H. Lawrence who said the soul can get to heaven in one leap but that, if it does, it leaves a demon in its place. Better to sink down through the level of these poems - their attention to the year, their ideas about it, the particular human consciousness the poems reflect, Basho's profound loneliness and sense of suffering, Buson's evenness of temper, his love for the materials of art and for the colour and shape of things, Issa's pathos and comedy and anger' - Robert Hass.

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In Mrs Dalloway, Virginia Woolf explores the events of one day, impression by impression, minute by minute, as Clarissa Dalloway's and Septimus Smith's worlds look set to collide - this classic novel is beautifully repackaged as part of the Penguin Essentials range.'She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day.'On a June morning in 1923, Clarissa Dalloway, the glittering wife of a Member of Parliament, is preparing for a party she is giving that evening. As she walks through London, buying flowers, observing life, her thoughts are of the past and she remembers the time when she was as young as her own daughter Elizabeth, her romance with Peter Walsh, now recently returned from India; and the friends of her youth. Elsewhere in London Septimus Smith is being driven mad by shell shock. As the day draws to its end, his world and Clarissa's collide in unexpected ways.In Mrs Dalloway Virginia Woolf explored the events of one day, impression by impression, minute by minute, and recorded the feel of life itself.'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham'Woolf is Modern. She feels close to us.' Jeanette WintersonBorn in 1882, Virginia Woolf was the daughter of the editor and critic Leslie Stephen, and suffered a traumatic adolescence after the deaths of her mother, in 1895, and her step-sister Stella, in 1897, leaving her subject to breakdowns for the rest of her life. With her sister, the painter Vanessa Bell, she was drawn into the company of writers and artists such as Lytton Strachey and Roger Fry, later known as the Bloomsbury Group. Among them she met Leonard Woolf, whom she married in 1912, and together they founded the Hogarth Press in 1917. Her first novel, The Voyage Out, appeared in 1915, and her major novels include Mrs Dalloway (1925), the historical fantasy Orlando (1928), written for Vita Sackville-West, the extraordinarily poetic vision of The Waves (1931), and Between the Acts (1941). Woolf lived an energetic life, reviewing and writing and dividing her time between London and the Sussex Downs. In 1941, fearing another attack of mental illness, she drowned herself.

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A COMPANION TO THE GLOBAL RENAISSANCE An innovative collection of original essays providing an expansive picture of globalization across the early modern world, now in its second editionA Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, Second Edition provides readers with a deeper and more nuanced understanding of both macro and micro perspectives on the commercial and cross-cultural interactions of the sixteenth and seventeenth centuries. Covering a uniquely broad range of literary and cultural materials, historical contexts, and geographical regions, the Companion’s varied chapters offer interdisciplinary perspectives on the implications of early modern concepts of commerce, material and artistic culture, sexual and cross-racial encounters, conquest and enslavement, social, artistic, and religious cross-pollinations, geographical “discoveries,” and more.Building upon the success of its predecessor, this second edition of A Companion to the Global Renaissance radically extends its scope by moving beyond England and English culture. Newly-commissioned essays investigate intercultural and intra-cultural exchanges, transactions, and encounters involving England, European powers, Eastern kingdoms, Africa, Islamic empires, and the Americas, within cross-disciplinary frameworks. Offering a complex and multifaceted view of early modern globalization, this new edition: Demonstrates the continuing global “turn” in Early Modern Studies through original essays exploring interconnected exchanges, transactions, and encounters Provides significantly expanded coverage of global interactions involving England, European powers such as Portugal, Spain, and The Netherlands, Eastern empires such as Japan, and the Ottoman, Safavid, and Mughal empires Includes a Preface and Afterword, as well as a revised and expanded Introduction summarizing the evolving field of Global Early Modern Studies and describing the motifs and methodologies informing the essays within the volume Explores an array of new subjects, including an exceptional woman traveler in Eurasia, the Jesuit presence in Mughal India and sixteenth-century Japan, the influence of Mughal art on an Amsterdam painter-cum-poet, the cultural impact of Eastern trade on plays and entertainments in early modern London, Safavid cultural disseminations, English and Portuguese slaving practices, the global contexts of English pattern poetry, and global lyric transmissions across cultures A wide-ranging account of the global expansions and interactions of the period, A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500–1700, Second Edition remains essential reading for early modern scholars and students ranging from undergraduate and graduate students to more advanced scholars and specialists in the field.

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Newly reprinted, Against the Wall includes large-scale works primarily based on media imagery and newspaper clippings documenting the conflict between Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting. Originally published in 2010 on the occasion of Against the Wall, Dumas’s first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue—which sold out shortly after publication—has been reprinted to coincide with the artist’s 2014–2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel. Described by Deborah Solomon in a New York Times profile as “one of contemporary art’s most compelling painters,” Marlene Dumas has continuously explored the complex range of human emotions, often probing questions of gender, race, sexuality, and economic inequality through her dramatic and at times haunting figural compositions. Throughout her career, the internationally renowned artist has continually created lyrically charged compositions that eulogize the frailties of the human body, probing issues of love and melancholy. At times her subjects are more topical, merging socio-political themes with personal experience and art-historical antecedents to reflect unique perspectives on the most salient and controversial issues facing contemporary society. The large-scale works included in Against the Wall are primarily based on media imagery and newspaper clippings documenting the conflict between Israel and Palestine, exploring the tension between the photographic documentation of reality and the constructed, imaginary space of painting. The Wall, the painting that began the series, at first appears to present a scene at the Western Wall (also known as the Wailing Wall), an important site of religious pilgrimage located in Jerusalem. However, this work is based upon a photograph from a newspaper that portrayed a group of Orthodox Jews on their way to pray at Rachel’s Tomb in Bethlehem. Through her delicate treatment of every scene, Dumas destabilizes preconceived notions about what, in fact, is being pictured—engaging the often ambiguous nature of ideas like truth or justice. “In a sense they are my first landscape paintings,” Dumas further notes in the catalogue, “or should I say ‘territory paintings.’ That is why they are so big.” The somber color plates reproduced in the publication are given context by Dumas’s own musings, a text framed as a letter to David Zwirner in which she tries to tell him “about the ‘why’ ” of this powerful series.

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Elizabeth Osborne (born 1936) is a painter who responds with awe and religiosity to the grandeur, the frightening power, and the rich fluid diversity of nature. Early she painted the same landscapes -- particularly in Maine and New Mexico -- that have attracted many generations of American artists such as Frederic Church and Thomas Moran in the nineteenth century as well as Robert Henri, John Marin, Georgia O'Keeffe, Marsden Hartley, Alex Katz and others in the twentieth. Osborne's translations of nature through the methods of soaked-in, saturated pigment, ecstatic and hallucinatory chroma, and evocative brush gestures conjure the touch, taste, and scent of the landscape. This subjective, experiential exploration reveals her place in the lineage of American landscape painting as well as her compelling role in the history of postwar abstraction. Osborne made her mark with monumental, hallucinatory landscapes of the early and mid-1970s and with virtuoso, glowing realist watercolors of the late 1970s but her recent work has included boldly-painted ruminations of nature in its micro- and macrocosm. Osborne's oeuvre is full of surprises, stylistically experimental yet cohesive, hauntingly introspective and complex in its artistic and personal associations. The Color of Light brings together paintings from all periods in her career, from a provocative series of 1960s interiors, to those innovative land- and sea-scapes of the 1970s, ambitious large still-lifes of the late 1970s and early 1980s and increasingly abstract work of the past two decades. Richly illustrated, this monograph features eighty-two full-color plates, comparative material illuminating the artist's processes, and a comprehensive chronology with numerous documentary photographs. Long recognized by critics and her peers as one of the most innovative and daring Philadelphia-based artists of the last forty years, Osborne has tirelessly explored the psychologically-charged space between abstraction and realism. Osborne studied at the Pennsylvania Academy of the Fine Arts (PAFA) in the mid-1950s and has been a faculty member there since 1963. A prolific artist and frequent exhibitor in New York, Philadelphia, Washington D.C. and throughout the United States, Osborne has produced a multivalent and challenging body of work that has shifted tone and content gradually since the 1960s. Although she is well-known, there has never been a full survey of her work. This book, published on the occasion of her first painting retrospective reveals the range, depth, and importance of Osborne's art.

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The No 1 Bestseller'Compelling ... colourful, thoughtful' Sunday Independent'Tubridy's compassionate, no-nonsense approach makes him a comforting guide through the landscape of neurological medicine' Irish Times__________As a medical student Niall Tubridy fell in love with neurology. Figuring out how the brain and nervous system signal problems was a form of high stakes detective work and answers could be life-changing.Just One More Question is the story of Niall Tubridy's career in neurology. He shares the stories of encounters that are, by turn, poignant, dramatic and funny, such as...- The chef who goes for his usual morning walk, and loses his memory for the next six hours- The painter who believes her left hand is her guardian angel- The eager young lover whose head 'explodes' every time he orgasmsUsing simple and illuminating language Tubridy also explains well-known conditions like multiple sclerosis, motor neuron disease and Parkinson's and and brings us into the examining room as he accompanies patients with these diagnoses on their challenging path.In addition, he reflects candidly on the reasons he, a doctor's son, went into medicine, how he has been tested, and what he has learned about people - and about himself - along the way.Revealing, gripping and moving, Just One More Question will make you think in a new way about the human brain - and about what it's like to be a doctor.__________'Fascinating ... teems with interesting characters' Sunday Business Post '[Oliver] Sacks hoped that his neurological tales ... could bring us closer to where the psychic and the physical meet ... Tubridy's concerns are less rarefied. He wants us to understand the human toll that illness takes' Sunday Times'It's a most readable book. There's no jargon in it' Seán O'Rourke, RTÉ'[My brother] has written a book which has to be one of the most extraordinary books written in Irish medical history! I would say that, wouldn't I? But it is great. It's really good, really accessible, a super read. We're all very proud of him' Ryan Tubridy, RTÉ 'Fascinating' Liz Nugent'Very interesting and very entertaining' Pat Kenny'Niall's sense of wonder at the human brain is enormously clear even with almost three decades of work in the field under his belt' RTÉ Lifestyle'Will make you think in a whole new way about the human brain' Ireland AM'A book that will fascinate you with the patients' tales but leave you at the end pondering the notion of what life really is' Journal.ie'Simple and illuminating' Irish News'Written in a very accessible way for non-medical people, like myself' Dave Fanning, RTÉ

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Brendan Kennelly was one of Ireland’s most popular and prolific poets. Over five decades he wrote thousands of poems published in over 30 books of poetry, including three previous editions of Selected Poems. Published on his 75th birthday, this new selection presents just over a hundred of Kennelly’s most essential poems, with a QR code giving readers access to an online album of readings by Brendan Kennelly of many poems from the book. The e-book with audio edition incorporates the same recordings. The Essential Brendan Kennelly has been edited by two lifelong admirers of his work. Like Kennelly, Terence Brown studied at Trinity College, Dublin, where he taught until 2009; he is now Fellow Emeritus of the college. Michael Longley, who also studied at Trinity College, went on to become one of Ireland’s leading poets and was Ireland Professor of Poetry in 2007-10. Terence Brown & Michael Longley write (from their foreword): 'Brendan Kennelly is a poet of rare gifts, who at all stages of his career has written distinctive, memorable and powerful poems. We hope that this selection will allow readers to appreciate anew, or for the first time, a body of work that ranges from tender lyricism to the bleakest despair at the human condition, from bawdily comic narrative to the pleasingly epigrammatic squib, from mythic consciousness to social satire… Yet each literary mode – the lyrical and its obverse, a reductively satiric assault on "the poetic" – shares what has seemed the basis of all of Kennelly’s poetry: a quest for authenticity of emotion undertaken with high moral intent. In each, as Beckett said of the painter Jack Yeats, the poet "stakes his being".’ The audio selection draws on four classic recordings made by Brendan Kennelly in Dublin in 1982, 1998, 1999 and 2002 of 32 individual poems as well as four extracts from his book-length poem The Man Made of Rain. ‘Ten years ago Terence Brown and I edited for Bloodaxe Books a selection of his poems, The Essential Brendan Kennelly: a labour of love. We delighted in bringing into sharper focus the lyric grace of his genius, its rage and its rapture. To our relief Brendan gave our choices the thumbs-up. It remains for me one of the best things I’ve ever done. I loved and revered the man and his words.’ – Michael Longley, The Irish Times, paying tribute to Brendan Kennelly

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Addressing the heterogeneity of and interplay between important concepts guiding modern regional economic development, this volume presents a rich variety of state-of-the-art empirical research. Focusing simultaneously on the meso- and micro-level implications of globalization, drawing attention to incumbent new market seeking in entrepreneurship, and highlighting the various forms innovation can take, the chapters contribute to our understanding of geography as a facilitator of regional dynamics. The comprehensive approach to agglomeration economies, the life-cycle development of industries, proximities and policy responses comes recommended.'- Frank van Oort, Erasmus University Rotterdam and Utrecht University, the Netherlands'I would encourage all researchers interested in entrepreneurship and innovation to read this volume. It provides a new conceptual approach to the link between global economic trends and entrepreneurship, through the role of local space as an important source for innovation. Readers can find old and new issues on the formation of entrepreneurship elegantly linked together, so as to provide new insights into this important field of research.'- Roberta Capello, Politecnico di Milano, ItalyWe have, in recent decades, been able to witness a veritable revolution in the world economy, known as 'globalization'. Generally, the term is connected to the rapid increase of the free movement of goods, capital, people, ideas, information and knowledge around the globe. This book contributes to the meso- and micro-economic literature on innovation and entrepreneurship in the global economy.Extending our understanding of the many different ways that innovation and entrepreneurship contribute to economic development and growth in a globalized economy, the expert contributors highlight that the current wave of globalization has been a period of exceptional entrepreneurship both among large multinational firms and among independent entrepreneurs. They demonstrate that location matters for creativity, innovation and entrepreneurship, and clarify that public policy in a globalized economy must stress knowledge and ideas as the source of competitiveness and economic growth.Both graduates and post graduates, along with university researchers, will find this book to be useful in their studies, particularly those with an interest in innovation and entrepreneurship research, regional economics, economic geography and international economics.Contributors: M.J.Abellán Madrid, J. Abrahamsson, M. Andersson, S. Anokhin, R. Antonietti, D.B. Audretsch, M. Belitski, H. Boter, A. Broström, M.R. Ferrante, A. García-Tabuenca, N.M.George, U. Gråsjö, K.E. Haynes, V. Jienwatcharamongkhol, C. Karlsson, B. Kianian, T.C. Larsson, R. Leoncini, C.Y. Liu, M. McKelvey, G. Painter, J. Parajuli, V. Parida, C. Suárez Gálvez, M.G.A. Svensson, S. Tavassoli, V. Vanyushyn, Q. Wang, K.I. Westeren, J. Wincent, S. Wixe

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Arnold Marsh, son of Belfast tin-factory owner born in 1890, is best remembered as an educationist and headmaster of Newtown Quaker School in Waterford, Ireland. His life also saw him travel widely, leaving Canada to work in a gold mine in Northern Ontario, on railway construction in British Columbia, and in a lumber camp in Alaska where he met Scandinavians, Chinese and Japanese, Russians and a Finn who learned language after language so that he could read different versions of the Bible. There he encountered the racism experienced by native Alaskans treated as foreigners in their own country. In 1917, once war was declared in the United States, Marsh sailed from Alaska to California where he played an extra in the Douglas Fairbanks movie A Modern Musketeer. He was eventually ‘inducted’ into the US Army at Camp Lewis, Washington, and was sent to France to join the front line beset by Spanish Flu. After peace was declared, Marsh returned to Ireland where he cycled 1200 miles around Ireland on a ‘Grand Tour’. Returning to his first love, education, he got a job in the Friends School, Lisburn, becoming headmaster in 1926. At that time, he observed that Irish Protestants were pessimistic about their future, many sending their children to English schools. Numbers at Newtown had fallen to twenty pupils and the buildings were dilapidated. In sympathy with the new post-1916 independent Ireland, Marsh took immediate steps to improve the school’s conditions, and during his tenure, numbers grew to 300–400 pupils. His fresh ideas about multi-denominational education took inspiration from his own schooldays at Sidcot in England: ‘The masters were our friends. We could look up to them and enjoy their company. … I got a great deal out of being away for those years, doing other work and getting to know other people. With my students I discussed the whole social system, trying to get people to think things out afresh.’ He married the distinguished portrait painter Hilda Roberts and they, with their daughter Eithne, settled at the foot of the Dublin mountains in Woodtown Park during the late 1930s, building a community of like-minded tenants and idealists drawn from all over Europe. In his later years, he was inspired to write his memoir, illustrated with postcards, letters and photographs describing his journeys and adventures in North America, and his experiences as a headmaster. In 1976, a year before his death aged eighty-six, he was still splitting and sawing logs for the fire, recalling his early career as a lumberjack in Alaska those fateful years ago.

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TWO-VOLUME SET!Buy volume 4, I & 4, II together and receive € 20 discount.You only pay €109 instead of € 129! > Ce quatrième volume dans la collection dédiée aux écrits de Jean-François Lyotard sur l'art contemporain et les artistes contient neuf essais sur l'esthétique générale et la théorie de l'art. Ces essais sont publiés en français, la langue originale, avec les traductions en anglais. La plupart de ces textes, préservés à la Bibliothèque Littéraire Jacques Doucet à Paris, sont publiés en ce lieu pour la première fois. Ils ne manifestent pas un « autre » Lyotard que celui que nous connaissons de ses écrits majeurs. Mais ils couvrent l'entière période de sa production, de 1969 à 1997, et rendent le développement de sa philosophie de l'art plus explicite. Après la conception « libidinale » dans ses premiers écrits sur l'art, on constate chez Lyotard vers 1980 le « tournant kantien » qui place sa philosophie de l'art sous l'égide du sublime. Ces essais suggèrent ce que signifient, pour Jean-François Lyotard, la main du peintre tout comme le regard de l'amoureux de la résonance des couleurs.This fourth volume in the series devoted to Jean-François Lyotard's writings on contemporary art and artists presents nine essays on general aesthetics and the theory of art. They are published in the original French along with English translations on facing pages. Most of these texts, preserved in the Lyotard archives of the Bibliothèque Littéraire Jacques Doucet in Paris, are published here for the first time. They do not reveal ‘another Lyotard' than the one whom we know through his major writings. Nevertheless, they cover the whole period of his production, from 1969 to 1997; and they make the development of his philosophy of art explicit. After the ‘libidinal' conception of art in his early writings, the ‘Kantian twist' of around 1980 places his view on art under the aegis of the sublime.These essays specify what, for Jean-François Lyotard, the hand of the painter means, as well as the gaze of the viewer, enamoured with resonant colours.This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

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The pioneering character and continuing success of Schaal's scenic compositions for stage sets and exhibitions is significantly due to this field allowing him to take full advantage of his multiple talents. He succeeds equally in the thinking and practical skills of an architect, a painter, a sculptor, a landscape designer, an urban visionary, cineast, and a man of literature, and this allows him to discover, through his space-embracing scenographic installations, unique three-dimensional equivalents for his paper-drawn 'thought spaces' and 'path spaces' or 'thought buildings' from the 1970s. His renowned compendium entitled Architektonische Situationen, published in 1980 and containing, the essence of his early spatial studies, in fact contains within it the seeds of all his later stage set and exhibition configurations. The symbiotic relationship between legendary director Ruth Berghaus and spatial visionary Schaal first began producing history-making stage sets in the early 1980s. Working with Berghaus, Schaal created elementary spatial compositions possessed of great suggestive power for Les Troyens (1983), Wozzeck (1984), Orpheus (1986), Elektra (1986), Moses und Aron (1987), Tristan und Isolde (1988), Lulu (1988), Fierrabras (1988), Ariane et Barbe-Bleue (1991) and Nachtwache (1993), and also working with other directors to do the same for countless other operas and theatre pieces. In creating his installations and their powerful images, Schaal has never solely been concerned with creating suitable illustrations for scene-related plot action. Instead, he always adds something more, as it were, in the form of a boldly independent interpretation. The same is true of his concepts for temporary or permanent ex-hibitions. Before undertaking any of the individual projects on his long list of exhibition projects, Schaal has always researched archive material, historic background, and repercussions, but also the emotional and psychoanalytical implications of the exhibitions' theme and the exhibits concerned, with the meticulousness of a scientific specialist. In works such as his installations for Berlin Berlin (1987) or Prometheus (1998), for the Filmmuseum Berlin (2000), and for the memorials of the former concentration camps Mittelbau-Dora (2006), Bergen-Belsen (2007) or Esterwegen (2011), he always presents his own view of the world, his own view of things. Frank R. Werner studied painting, architecture and architectural history in Mainz, Hanover and Stuttgart. From 1990 to 1994 he was professor of history and theory of architecture at the Staatliche Akademie der Bildenden Künste Stuttgart, from 1994 until his retirement in 2011 he was director of the Institut für Architekturgeschichte und Architekturtheorie at the Bergische Universität in Wuppertal.

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Diego Rivera offers young readers unique insight into the life and artwork of the famous Mexican painter and muralist. The book follows Rivera&;s career, looking at his influences and tracing the evolution of his style. His work often called attention to the culture and struggles of the Mexican working class. Believing that art should be for the people, he created public murals in both the United States and Mexico, examples of which are included. The book contains a list of museums where you can see Rivera&;s art, a historical note, a glossary, and a bibliography. Praise for Diego Rivera: An Artist for the People STARRED REVIEWS "With engaging prose that is beautifully illustrated with Diego Rivera&;s paintings and murals, this spacious volume introduces the great Mexican artist to young people. Accompanied by crisply reproduced color images of both the bright, minutely detailed murals as well as archival photos of the artist at work, the accessible account discusses how Diego constructed his art..." --Booklist, starred review "The stunning illustrations include images of Rivera&;s murals, his &;cartoon&; drawings, reproductions of art that he found influential, and photographs. The design, with scrollwork along the top and bottom and an unusual placement of page numbers, exudes style. The text is clearly written, straightforward, and attention-grabbing, with a good number of quotes interspersed throughout." --School Library Journal, starred review "A carefully researched, cogently argued and handsomely produced appreciation." --Kirkus Reviews "There is life to these pages, and breadth to its subject. Short enough to reward a wary reader but with enough context and clarity to bring Diego to life, Rubin takes a tricky guy for kids to know about and makes him precisely what he was: bigger than life." --School Library Journal, Fuse 8 Blog "Enhanced by gorgeously reproduced photos and artwork, Rubin&;s account follows the Mexican artist from his early drawings &; as a small child, he was given free rein in a room &;covered with black canvas as high as he could reach&; &; through his eventful, productive life." --The Washington Post "Rubin traces Rivera&;s life from his emergent boyhood talent, through the formal studio education that left him restless and professionally unsatisfied, to realizing his calling to create massive public artworks for the common people, celebrating the dignity of their labor." --Bulletin of the Center for Children's Books Award School Library Journal Best Book of 2013 Best Multicultural Children's Books 2013 (Center for the Study of Multicultural Children's Literature) Notable Children's Books from ALSC 2014 Notable Books for a Global Society Book Award 2014

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Portraits of the Last Golden Age is the latest major monograph on the work of Budapest-based artist Attila Szűcs (b.1967, Miskolc, Hungary), one of the leading painters in Hungary today. Following on from his 2016 monograph, Specters and Experiments, published by Hatje Cantz, Portraits of the Last Golden Age features a substantial in-conversation between Szűcs and Sándor Hornyik, an art historian, curator and senior research fellow at the Hungarian Academy of Sciences, Budapest. ‘Mankind is in an extremely tense situation,’ Szűcs asserts, ‘with the escalation of natural disasters, with artificial intelligence getting out of hand, the world can easily take a dystopian turn.’ During the course of the conversation, the two men discuss topics ranging from portraiture to posthumanism, meditation to metaphysics, intuition to the irrational.In addition to presenting examples of Szűcs’ accomplished and haunting monochrome works on paper employing materials such as acrylic, charcoal and graphite, the publication features over seventy oil paintings made between 2019 and 2023 depicting dark dreamscapes and transcendental scenes of alternate realities. Disembodied hands grab or caress, as if apparitions from another dimension; sleeping figures exhale multi-coloured breath that verges on the supernatural; long golden hair flows down the side of a bed, pooling on the floor like an uncanny waterfall; heads float in dark water as if decapitated; otherworldly fires rage while apocalyptic explosions highlight environmental disasters and humankind’s seemingly unstoppable drive towards auto-destruction. Szűcs’ work is both an exploration into the human psyche and into the universe itself, much of which is as-yet unknown: quantum worlds and multiverses, the complexities of time and space, and the possibilities of an afterlife. Bleak yet beautiful, dark yet dazzling, Szűcs’ practice asks what painting can bring to twenty-first century thinking and image-making.Produced by Erika Deák Gallery, Budapest, and co-published by Anomie Publishing, London, the publication features texts in English and Hungarian (translated by Dániel Sipos), was designed by Géza Ipacs, and printed and bound by EPC Nyomda, Budaörs.Attila Szűcs (b.1967, Miskolc, Hungary) is an artist based in Budapest. Solo shows include Portraits of the Last Golden Age, Erika Deák Gallery, Budapest, 2023; Duplicated Dreamer, FL Gallery/Wizard, Milan, 2022; Transhuman Etudes, Centrul de Interes, Cluj-Napoca, 2020; Preparing for Lightness, Emmanuel Walderdorff Galerie, Düsseldorf, 2017; and Specters and Experiments, Ludwig Museum, Budapest, 2016. Group exhibitions include Becoming. The force of existence, HAB, Art Center Budapest, 2023; Men, The male body in Robert Runtak's collection, The South Bohemian Gallery, Hluboká nad Vltavou, Czech Republic, 2022; You know who, Ömer Koç Collection, Abdülmecid Efendi Mansion, Istanbul, 2022; and Ludwig-30-Costumize/Testreszabás, Ludwig Museum, Budapest, 2019.

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Hogarth’s Britons explores how the English painter and graphic satirist William Hogarth (1697–1764) set out to define British nationhood and identity at a time of division at home and conflict abroad. With notions of community cohesion, good citizenship and patriotism, wrapped up in a unifying idea of British national character and spirit in all its variety, and set alongside the ongoing national debate on Britain’s past, present and future within European and World affairs, Hogarth and his art has never been more relevant.In the summer of 1745, Prince Charles Edward Stuart ‘Bonnie Prince Charlie’ landed with his supporters, the ‘Jacobites’, in a remote corner of Scotland. This signalled the start of his audacious military campaign, with the backing of Britain’s global adversary France andduring a Europe-wide war, to topple the Hanoverian, Protestant monarch George II and restore the Catholic Stuarts, exiled in France and then Rome since 1688, to the throne. The country descended into turmoil, with regional, local and family loyalty for these rival royal dynasties severely tested, and opposing visions for the new nation of Great Britain – since the Union of England and Scotland in 1707 – laid bare. By early December the prince and his 6,000 troops arrived in Derby, just 120 miles and five days’ march from London. For both sides everything was at stake.From the 1720s, through the crises of the early 1740s, to the civil war called the 1745 Jacobite Rebellion or Rising, Prince Charles’s defeat at Culloden in April 1746 and beyond, Hogarth created some of the most iconic images in British and European art, including Marriage A-La-Mode, O the Roast Beef of Old England (The Gate of Calais) and The March of the Guards to Finchley. Through such vibrant scenes, rich in topical commentary, he conveyed a sense of external threat (real and imagined) from foreign powers and internal political, social and cultural upheaval. At the same time he offered his fellow Britons a confident, reassuring idea of the rights and liberties they enjoyed under King George and his government: a flawed status quo, as Hogarth would readily admit, yet certainly better, he would argue, than the regime that would replace it under the ‘popish’ Stuarts as client monarchs of the self-serving French king, Louis XV.With British society and politics in flux, and the Union between Scotland and England arguably more vulnerable now than at any moment since 1746, the themes explored in Hogarth’s Britons have profound resonance with our own time.

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"A witty, toothy, family saga, unashamedly intellectual . . . that, like youth, seems to have it all—energy, aspiration, and self-delusion." —Catherine Taylor, Financial Times"MEET SWEDEN'S SALLY ROONEY" —The Times of London"A wry bestseller that reads like the effortlessly chic European cousin of Fleishman is in Trouble." —The Telegraph of London"Poised at the intersection of life and art, reality and imagination, [Collected Works] blends the thrill of mystery with the curiosity and depth of philosophical inquiry." —The New Yorker"Collected Works . . . is as insatiable in its read as it is insightful to modern challenges of family, memory, and finding purpose." —Matthew Bedard, Flaunt"[A] sweeping and complex drama of family, art, and sacrifice . . . Readers will be captivated." —Publishers Weekly, Starred Review"A richly evocative work from a major new talent." —Kirkus Reviews, Starred Review A compelling mystery and poignant bildungsroman for readers of Karl Ove Knausgård, Collected Works is a novel about love, power, and art—and what leads us to make the pivotal decisions that change the course of our lives.Martin Berg’s wife, Cecilia, disappeared years ago. His memories of their carefree college days seem ever out of reach, and the intellectual curiosities that once made him the object of her desire have given way to midlife uncertainty. The methodical and quiet life he’s made for himself and his adult children couldn’t be further from the one he dreamed of in his youth, when the manuscripts lying around his apartment were flush with promise and his ailing publishing house was still new.Perhaps nothing reminds Martin of these failures more than his friend Gustav Becker, a wildly successful painter who’s returned to Gothenburg on the eve of his career-defining retrospective. Gustav, meanwhile, is hurting too. His obsession with Cecilia’s inexplicable disappearance had made his art hagiographic, fixated on her image. When posters for Gustav’s retrospective plaster Cecilia’s face on major billboards across the city, Martin’s daughter Rakel learns a haunting fact that points toward her mother’s whereabouts. She and her brother chase this clue across time, memory, and Europe to discover why Cecilia abandoned her family, with the imagined hope that the question of what makes a person leave can ever be answered.Collected Works, a major hit in Sweden, sold over 100,000 copies in its first year in print, instantly making Lydia Sandgren a literary sensation. Winner of the 2020 August Prize for Fiction, the novel is set to publish in 17 territories.

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One of the most creative minds of the 20th century, Walt Disney built a unique and unrivaled imaginative universe. Like scarcely any other classics of cinema, his astonishing collection of animated cartoons revolutionized storytelling on screen and enchant to this day across geographies and generations. In this most expansive illustrated publication on Disney animation, some 1,500 images and essays by eminent Disney experts take us to the beating heart of the studio’s “Golden Age of Animation.” This landmark book traces Disney’s complete animation journey from the silent film era, through his first full-length feature Snow White and the Seven Dwarfs (1937) and the pioneering artistic experiment Fantasia (1940), right up to his last masterpieces Winnie the Pooh and the Honey Tree (1966) and The Jungle Book (1967). With extensive research conducted through the historical collections of the Walt Disney Company, as well as private collections, editor Daniel Kothenschulte curates some of the most precious concept paintings and storyboards to reveal just how these animation masterpieces came to life. Masterful cel setups provide highly detailed illustrations of famous film scenes while rare pictures taken by Disney photographers and excerpts from story conferences between Walt and his staff bring a privileged insider’s view to the studio’s creative process. Each of the major animated features that were made during Walt’s lifetime—including Pinocchio, Fantasia, Dumbo, Bambi, Cinderella, Peter Pan, Lady and the Tramp, and One Hundred and One Dalmatians—are given their own focus chapter, without forgetting less familiar gems such as the experimental short films of the Silly Symphonies series and underappreciated episodic musical films such as Make Mine Music and Melody Time, all of which receive the same meticulous research and attention. Many unfinished projects, among them the proposed sequels to the legendary musical Fantasia or a homage to Davy Crockett by painter Thomas Hart Benton, are also highlighted with rarely seen artworks, many of them previously unpublished. Throughout, contributions from leading Disney specialists detail the evolution of each respective film. Realizing the Disney style was a collective project and, as much as the master himself, The Walt Disney Film Archives acknowledges the outstanding animators and designers who influenced the style of the studio, among them Albert Hurter, Gustaf Tenggren, Kay Nielsen, Carl Barks, Mary Blair, Sylvia Holland, Tyrus Wong, Ken Anderson, Eyvind Earle, and Walt Peregoy. Copyright © 2021 by Disney Enterprises, Inc.

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Emily Hobhouse, 1860-1926, was one of the first great women of the twentieth century. She was a feminist, a pacifist and an internationalist, and above all a humanitarian. She worked tirelessly for the disadvantaged and, in the case of the South African women and children who were herded into concentration camps by Lord Kitchener, was relentless in expounding their cause. This took great courage. She was deported from Cape Town, and was unable to get legal redress. Emily Hobhouse's young life was spent in a tiny village in east Cornwall where her father was Rector and it was only when he died that she was able to expand her horizons. She was 35 and untrained. She went to Minnesota, U.S.A., to do welfare work for Cornish miners and formed an unfortunate relationship with a man who became Mayor of the town. They planned to marry and live in Mexico. Emily spent a trying time until the engagement was broken off just before the Boer War started. After the war she travelled through the ravaged areas of South Africa and devised a successful scheme of home industries for young girls on isolated farms. Illness forced her to seek refuge in Italy where she remained almost to the beginning of World War I, and began her famous correspondence first with J C Smuts and then with Isabel Steyn. Her comments on the events of the day show unusual foresight. She was loved by the people of South Africa and admired by those like Mahatma Gandhi who asked for her help. She was a bit of a painter, a writer and an entertainer, and in spite of ill-health travelled easily between countries, even in the midst of the first World War when she went to Germany, and hoped to obtain peace. Returning to Europe after that war Emily Hobhouse put into a place a number of schemes to help the impoverished, but the cry of the children of Leipzig won her particular sympathy, and with the help of the Save the Children Fund and later the South Africans she devised a feeding scheme for them. The South Africans so admired her that they clubbed together to buy her a little house in Cornwall, at St. Ives. Later Emily moved to London where she died, 8th June 1926. Her remains were cremated and the ashes buried at the foot of the memorial for the women and children who died in the Anglo Boer War for whom she had worked so hard. This book contains an outline of Emily Hobhouse's life and work including much new material; official and unofficial records of the Concentration Camps set up by Lord Kitchener in the Anglo Boer War; many letters, and correspondence with J C Smuts and Isabel Steyn, wife of the ex-President of the Orange Free State.

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The New York paintings and pastels of Yvonne Jacquette, one of America's most distinguished contemporary painters, and the New York photographs of her late husband Rudy Burckhardt, whose unconventional art has spawned a large and devoted following, are the subjects of this intriguing look at a slice of the New York art world from the 1930s to the present. Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt explores this remarkable pair of artists whose work celebrates New York's streets and skyline, capturing both the intimacy and the expansiveness of the city.Yvonne Jacquette and Rudy Burckhardt were creative and personal partners for nearly forty years, from the time of their meeting in 1961 until Burckhardt's death in 1999. Burckhardt, born in 1914 in Basel, Switzerland, came to New York in 1935, and Jacquette, a Pittsburgh native twenty years his junior, arrived in 1955. Although they traveled broadly for artistic subject matter, they were based in New York City, spending most of their careers in the West 20s, where Jacquette's studio still is. They sometimes collaborated, usually on films, but mostly each pursued independent work in photography and painting. Despite this independence, their approaches to representing the city share visual and philosophical parallels.The dazzling urban nocturne is Jacquette's primary subject. For thirty years, she has made night paintings from aerial vantage points of such cities as Tokyo, San Francisco, Washington, Hong Kong, and Chicago-along with bird's-eye views of Maine and Midwestern farmland-but her images of New York City are without question the strongest and most celebrated. These dramatic and glittering canvases are striking for their bold compositions, surface richness, and the powerful presence of their grand scale. Jacquette has described herself as a portraitist of American cities, and none has been more frequently or more affectionately depicted than New York-its splendid architecture, neon signage, bridges, streets, and waterways-and indirectly, the electricity that makes it all visible at night.Burckhardt, whose photographs and films of New York have inspired a cult following, made images of the city's architecture, streets, and inhabitants in a singular style-apolitical and seemingly uncomposed-that broke with tradi­tion and influenced younger generations of photographers. From iconic views of New York's skyscrapers, to close-up architectural details, to storefronts splashed with advertising signage, to New Yorkers walking their streets and riding their subways, the variety of Burckhardt's subject matter conveys his never-ending fascination with the city's scale and diversity. His images convey his own sense of wonder about New York and invite viewers to share in his pleasure of the city's unexpected moments and unexplored places.Coinciding with exhibitions on both artists at the Museum of the City of New York, Picturing New York: The Art of Yvonne Jacquette and Rudy Burckhardt offers a unique look at the work of this important creative couple side by side and the place they hold in the New York art world.

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'Sharply observed, snappily written and thoroughly researched, She Merchants provides a fabulous panorama of a largely ignored area of social history. Katie Hickman successfully challenges the stereotype of the snobbish, matron-like memsahib by deploying a riveting gallery of powerful and often eccentric women ranging from stowaways and runaways through courtesans and society beauties to Generals' feisty wives and Viceroys' waspish sisters. It is full of surprises and new material and completely engaging from beginning to end' William Dalrymple The first British women to set foot in India did so in the very early seventeenth century, two and a half centuries before the Raj. Women made their way to India for exactly the same reasons men did - to carve out a better life for themselves. In the early days, India was a place where the slates of 'blotted pedigrees' were wiped clean; bankrupts given a chance to make good; a taste for adventure satisfied - for women. They went and worked as milliners, bakers, dress-makers, actresses, portrait painters, maids, shop-keepers, governesses, teachers, boarding house proprietors, midwives, nurses, missionaries, doctors, geologists, plant-collectors, writers, travellers, and - most surprising of all - traders. As wives, courtesans and she-merchants, these tough adventuring women were every bit as intrepid as their men, the buccaneering sea captains and traders in whose wake they followed; their voyages to India were extraordinarily daring leaps into the unknown. The history of the British in India has cast a long shadow over these women; Memsahibs, once a word of respect, is now more likely to be a byword for snobbery and even racism. And it is true: prejudice of every kind - racial, social, imperial, religious - did cloud many aspects of British involvement in India. But was not invariably the case. In this landmark book, celebrated chronicler, Katie Hickman, uncovers stories, until now hidden from history: here is Charlotte Barry, who in 1783 left London a high-class courtesan and arrived in India as Mrs William Hickey, a married 'lady'; Poll Puff who sold her apple puffs for 'upwards of thirty years, growing grey in the service'; Mrs Hudson who in 1617 was refused as a trader in indigo by the East Indian Company, and instead turned a fine penny in cloth; Julia Inglis, a survivor of the siege of Lucknow; Amelia Horne, who witnessed the death of her entire family during the Cawnpore massacres of 1857; and Flora Annie Steel, novelist and a pioneer in the struggle to bring education to purdah women. For some it was painful exile, but for many it was exhilarating. Through diaries, letters and memoirs (many still in manuscript form), this exciting book reveals the extraordinary life and times of hundreds of women who made their way across the sea and changed history.

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Uncertain Swimmer is the second monograph on the work of British artist Jonathan Wateridge (b. 1972, Lusaka, Zambia), presenting around eighty paintings and works on paper made between 2019 and 2022. Following on from the bodies of work Enclave and Expatria (2016–18), Uncertain Swimmer develops the artist’s interest in modes of representation and the legacies of twentieth-century modernist painting through a visual and social exploration of the motif of the pool, depicting swimmers and sunbathers, often by night. Far from being an escapist environment of aspiration and privilege, Wateridge imbues the pool with a disquieting atmosphere, creating a cumulative feeling of unease and ennui among those present, now seemingly unsure of their world.The publication charts a marked evolution in the artist’s style from the realism of his earlier paintings with complex multi-figure compositions to more solitary, gestural and expressive works. His masterly application of paint takes new forms in the beautiful, curious and often haunting paintings and works on paper showcased here. Art historian and curator Marco Livingstone’s essay considers the change from Wateridge’s naturalistic paintings to the flattened, reduced shapes, forms and lines of the modernism- and abstraction-infused pieces he is making today. Francis Bacon, Edvard Munch and Paul Cézanne are among numerous art historical influences cited by Livingstone, who ruminates on the identity of the people in Wateridge’s portraits and the mercurial spaces they occupy, examining how Wateridge’s current critical preoccupations have transitioned from the autobiographical to more formal concerns.In the featured conversation between Wateridge and fellow painter Caroline Walker, the two artists discuss their overlapping experiences studying painting at Glasgow, as well as Wateridge’s fourteen-year break from painting until 2005. He eventually returned to the medium when he realised it excited him more than anything else. Wateridge elaborates on his fascinating painting process, staging shoots in studios with hired actors and using elements from the photographs in the paintings, often over a period of years. On his canvases, he will scrape back the paint and reapply it, frequently taking pictures of the paintings in their various stages; he will then print the photographs and draw over them to continue working out what he will do with the final paintings. For Wateridge, a painting works when it stops failing, and he embraces unforeseen conclusions.Jonathan Wateridge has recently exhibited with the Hayward Gallery, London; Nino Mier Gallery, Los Angeles, New York and Brussels; TJ Boulting, London; Galerie Haas, Zurich; Pace Gallery and HENI, London. Wateridge's art is in the collections of institutions worldwide, including Aïshti Foundation, Lebanon; Pinault Foundation, Venice; the Saatchi Collection, London; the Rennie Collection, Vancouver; and Simmons & Simmons, London. He has been featured in publications such as The Sunday Times, The Independent, Fad Magazine, Artforum and Artnet. Wateridge is represented by Nino Mier Gallery.

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Discover, or return to, the world's greatest heroic fantasy artist, Frank Frazetta in this landmark art collection entitled, Fantastic Paintings of Frazetta. The New York Times said, "Frazetta helped define fantasy heroes like Conan, Tarzan and John Carter of Mars with signature images of strikingly fierce, hard-bodied heroes and bosomy, callipygian damsels" Frazetta took the sex and violence of the pulp fiction of his youth and added even more action, fantasy and potency, but rendered with a panache seldom seen outside of major works of Fine Art. Despite his fantastic subject matter, the quality of Frazetta’s work has not only drawn comparisons to the most brilliant of illustrators, Maxfield Parrish, Frederic Remington, Norman Rockwell, N.C. Wyeth but, even to the most brilliant of fine artists including Rembrandt and Michelangelo and, major Frazetta works sell for millions of dollars, breaking numerous records. This innovator’s work has not only inspired generations of artists, but also movies and directors including the Conan films, John Carter of Mars, the sensationally successful Lord of the Rings trilogy, Robert Rodriguez’ films including From Dusk Till Dawn, Ralph Bakshi films, the epic, award-winning Game of Thrones series, Tim Burton’s Sleepy Hollow, Disney’s animated Tarzan films, Francis Ford Coppola’s Apocalypse Now and George Lucas’ Star Wars series. The Forbes magazine article Schwarzenegger's Sargent led with the line, "Which artist helped make Arnold governor? Frank Frazetta, the Rembrandt of barbarians." J. David Spurlock started crafting this book by reviving the original million-selling 1970s mass market art book, Fantastic Art of Frank Frazetta. But, he expanded and revised to include twice as many images and, presents them at a much larger coffee-table book size of 10.5 x 14.625”! The collection is brimming with both classic and previously unpublished works of the subjects Frazetta is best remembered for including barbarians, beasts, and buxom beauties. Game of Thrones creator George R. R. Martin said, “Though he bears only a passing resemblance to the Cimmerian as Robert E. Howard described him, Frazetta’s covers of the Conan paperback collections became the definitive picture of the character… still is.” Schwarzenegger said, “I have not been intimidated that often in my life. But when I looked at Frazetta’s paintings, I tell you, it was intimidating.” Game of Thrones, Conan and Aquaman film star Jason Momoa said, “I am a huge Frank Frazetta fan. Both of my parents are painters, so I'd known Frazetta's paintings, that's what I wanted to bring to life.” See the revolutionary art that helped inspire Schwarzenegger, Momoa, the Lord of the Rings films and Game of Thrones: FRAZETTA!

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Can everyone’s favourite insurance mathematician, Henri, combine the increasingly dangerous world of adventure parks with the unpredictability of blended-family life? He’s about to find out in the final instalment of the hilarious, nail-biting Rabbit Factor Trilogy. 'A joyous, triumphant conclusion to Tuomainen’s trilogy … the comic thriller of the year' Sunday Times THRILLER OF THE YEAR ‘Quirky crime capers don’t come more left field than the Rabbit trilogy … extremely funny, with a wicked line in social satire’ Daily Mail ‘One of those rare writers who manages to deftly balance intrigue, noir and a deliciously ironic sense of humour’ Vaseem Khan _______ Henri Koskinen, intrepid insurance mathematician and adventure-park entrepreneur, firmly believes in the power of common sense and order. That is until he moves in with painter Laura Helanto and her daughter… As Henri realises he has inadvertently become part of a group of local dads, a competing adventure park is seeking to expand their operations, not always sticking to the law in the process… Is it possible to combine the increasingly dangerous world of the adventure-park business with the unpredictability of life in a blended family? At first glance, the two appear to have only one thing in common: neither deals particularly well with a mounting body count. In order to solve this seemingly impossible conundrum, Henri is forced to step far beyond the mathematical precision of his comfort zone … and the stakes have never been higher… Warmly funny, quirky, touching, and a nail-biting triumph of a thriller, The Beaver Theory is the final instalment in the award-winning Rabbit Factor Trilogy, as Henri encounters the biggest challenge of his career, with hair-raising results… Soon to be a major motion picture starring Steve Carell ––––––––– Praise for the Rabbit Factor Trilogy: ‘Finland's greatest export’ M.J. Arlidge ‘The funniest writer in Europe’ The Times ‘Thrilling and warmly human. In these uncertain times, what better hero than an actuary?' Chris Brookmyre ‘Delightfully funny’ Guardian ‘Unlike anything else out there' The Times ‘A thrilling and hilarious read’ Liz Nugent ‘Charming, funny and clever, this is a novel to cheer up anyone who is finding life a little tough’ Literary Review ‘A delight from start to finish’ Big Issue 'Original and brilliant story-telling' Helen FitzGerald ‘A coruscating comedy’ Sunday Times 'You don’t expect to laugh when you’re reading about terrible crimes, but that’s what you’ll do when you pick up one of Tuomainen’s decidedly quirky thrillers' New York Times ‘A refreshing change from the decidedly gloomier crime fiction for which Scandinavia is known’ Publishers Weekly Right up there with the best’ Times Literary Supplement ‘A thriller with black comedy worth of Nabokov’ Telegraph

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Doris Chase has achieved international stature as a pioneer in the field of video art since she moved from Seattle to New York City in 1972. An artist of remarkable and continuous creativity, Chase now divides her time between her video headquarters in New York and a Seattle studio where she works on new projects in painting and sculpture. Beginning as an innovative painter and sculptor in Seattle in the 1950s, Chase created sculpture that was meant to be touched and manipulated by the viewer. Chase then developed large-scale kinetic sculptures in collaboration with choreographers, and her art was set in motion by dancers. In New York, her majors contribution to the evolution of artists' video has been her work in videodance. On videotape, dancers and sculpture evolve into luminous abstract forms which represent some of the most sophisticated employments of video technology by an artist of the 1970s. In the 1980s, Chase began working in the nascent genre of video theater. In these productions, she uses the imtimacy of the video screen to achieve a new synthesis of visual and dramatic art. Her video theatre compositions present multicultural and social commentary, utilizing scripts by writers such as Lee Breuer, Thulani Davis, and Jessica Hagedorn in the "Concepts" series. Collaborating with actresses Geralding Page, Ann Jackson, Roberta Wallach, Joan Plowright, and Luise Riner in the "By Herself" series, she focuses on the viewpoints and experiences of older women. Today, coming full circle, Doris Chase in Seattle is exploring a renewed interest in painting and sculpture as well as in the modernist aesthetic she never really ceased pursuing, even during her most adventuresome multimedia years. This profile by art historian Patricia Failing is both a celebration of a distinguished artists and a historical summary of the development of video as an art form from the early seventies to the present day. The making of Chase's widely acclaimed filmdance, Circles II (1972), is discussed within the context of her own artists evolution and also as exemplary of an artistic milieu shaped by McLuhanism and a growing interest in multimedia experimentation. An entire chapter focuses on the institutional and theoretical working environment for video artists in the 1970s, outlining the circumstances under which New York became the best-endowed center for the production of artists' video. Attention is also paid to the specific manner in which Chase learned to employ video technology, the mechanisms of exhibition and distribution of independent video art, and the theoretical and practical issues raised in collaborations among artists from different art forms. Centering upon first-hand commentary by Chase and her colleagues, Doris Chase, Artist in Motion is an accessible introduction to a pioneering artist and her milieu. The Foreword by noted critic and teacher of video art Ann-Sargent Wooster adds a valuable dimension to the volume. Doris Chase, Artist in Motion is illustrated with representative examples of Chase's work and includes selected lists of her videotapes and films as well as her works in public collections. It will appeal to students of video art as well as to those intersted in women artists and feminist performance.

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Insight Guides Explore AmsterdamTravel made easy. Ask local experts.Focused travel guide featuring the very best routes and itineraries, now with free eBook.Part of our UEFA Euro 2020 guidebook series. If you're planning to visit the Johan Cruijff Arena to watch Amsterdam for Euro 2020 matches, then this pocket guidebook provides all the information you need to make the most of your trip, from ready-made itineraries to help you explore the city when you're not at the game, to essential advice about getting around. Discover the best of Amsterdam with this unique travel guide, packed full of insider information and stunning images. From making sure you don't miss out on must-see, top attractions like Anne Frank's House, the Van Gogh Museum and the Old Centre, to discovering cultural gems, including a trip in time to the Rembrandt House Museum, which has been restored to how it looked in the painter's lifetime, a family day out at the Artis Royal Zoo and a visit to the Oude Kerk (Old Church), one of Amsterdam's most impressive churches ,the easy-to-follow, ready-made walking routes will save you time, and help you plan and enhance your visit to Amsterdam.Features of this travel guide to Amsterdam:- 18 walks and tours: detailed itineraries feature all the best places to visit, including where to eat and drink along the way- Local highlights: discover the area's top attractions and unique sights, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Amsterdam's rich history and culture, and learn all about its people, art and traditions- Insider recommendations: discover the best hotels, restaurants and nightlife using our comprehensive listings- Practical full-colour map: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- Key tips and essential information: packed full of important travel information, from transport and tipping to etiquette and hours of operation- The ultimate travel tool: download the free app and eBook to access all this and more from your phone or tablet- Covers: The Golden Age Canals; The Principal Squares; The Museum Quarter; The Old Centre (The Wallen); The Zoo Disctrict; The Harbour; The Canals by Pedal Bike; Amsterdam by Tram; By Bicycle along the River Amstel; The Jordaan; The Jewish Quarter; Amsterdam Bos; Leidseplein; Rembrandtplein; Red-Light District; Haarlen and Zandvoort; The Usselmeer by Bike; The HagueLooking for a comprehensive guide to the Netherlands? Check out Insight Guides the Netherlands for a detailed and entertaining look at all the country has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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France's most alluring region promises fragrant fields of lavender, incredible ancient relics and celebrated art collections. Sandy Riviera beaches, glitzy resorts and hilltop villages may come to mind when you think of Provence and the Côte d'Azur, but this region is also a haven for lovers of the great outdoors. Its array of stunning natural landscapes includes the alpine wilderness of Parc National du Mercantour, the rugged coastal cliffs of the Calanques and the dramatic Gorges du Verdon - Europe's deepest canyon.Immortalised on canvas by the likes of Cézanne and Van Gogh, Provence and the Côte d'Azur is a region resplendent with Roman ruins, stunning beaches, glamorous towns and beautiful countryside. Make the most of your trip to this dazzling corner of France with DK Eyewitness Top 10. Planning is a breeze with our simple lists of ten, covering the very best that Provence and the Côte d'Azur have to offer and ensuring that you don't miss a thing. Best of all, thepocket-friendly format is light and easily portable; the perfect companion while out and about. DK Eyewitness Top 10 Provence and the Cote d'Azur is your ticket to the trip of a lifetime. Inside DK Eyewitness Top 10 Provence and the Cote d'Azur you will find: - Detailed Top 10 lists of Provence and the Cote d'Azur's must-sees including Gorges du Verdon, Aix-en-Provence, St-Tropez, the Camargue and Casino Monte Carlo- Easy-to-follow itineraries including ideas for day trips, weekends and a week's worth of plans to make the most out of each and every day- Expert advice: honest recommendations on Provence and the Côte d'Azur's most interesting areas, with the best places for shopping, eating out and sightseeing, with top tips on getting ready, getting around and staying safe- Themed lists including the best art galleries, beaches, vineyards and distilleries, gourmet restaurants and much more- Detailed maps including a laminated pull-out map of Provence and the Côte d'Azur, plus eight full-colour area maps- Covers: Palais des Papes, Gorges du Verdon, Roman Arles, Aix-en-Provence, Vieux Nice, St-Tropez, The Camargue, Vaison-la-Romaine, Abbaye Notre-Dame de, Sénanque, Casino de Monte Carlo, Moments in History, Provençal Legends, Painters in Provence, Roman Sights, Art Galleries, Places of Worship, Provence Villages, Areas of Natural Beauty, Gardens of Provence, Beaches in Provence, Offshore Islands, Places to See and Be Seen, Vineyards and Distilleries, Children's Activities, Sporting Activities, Gourmet Restaurants, Provence for Free, Festivals and Events, Provence and the Côte d'Azur, Marseille, Bouches-du-Rhône, The Var and Provençal Coast, Nice, Monaco and the Riviera, Alpes-Maritimes, Alpes-de-Haute-Provence, Vaucluse, Streetsmart, Getting Around Provence and the, Côte d'Azur and Practical InformationLooking for more on Provence and the Côte d'Azur's culture, history and attractions? Try our DK Eyewitness Provenceand the Côte d'Azur or DK Eyewitness France.About DK Eyewitness: At DK Eyewitness, we believe in the power of discovery. We make it easy for you to explore your dream destinations. DK Eyewitness travel guides have been helping travellers to make the most of their breaks since 1993. Filled with expert advice, striking photography and detailed illustrations, our highly visual DK Eyewitness guides will get you closer to your next adventure. We publish guides to more than 200 destinations, from pocket-sized city guides to comprehensive country guides. Named Top Guidebook Series at the 2020 Wanderlust Reader Travel Awards, we know that wherever you go next, your DK Eyewitness travel guides are the perfect companion.

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"Frank Lima is an American Villon."--David Shapiro "Highly recommended for -reasons that go beyond historical -completeness."--Library Journal, starred review "This collection is not to be missed."--Publishers Weekly, starred review Protege of Frank O'Hara, Kenneth Koch, and Allen Ginsberg, Frank Lima (1939-2013) was the only Latino member of the New York School during its historical heyday. After enduring a difficult and violent childhood, he discovered poetry as an inmate of a juvenile drug treatment center under the tutelage of the painter, Sherman Drexler, who introduced him to his poet friends. After his poetry debut in the Evergreen Review in 1962, Lima appeared in key New York School anthologies and published two full-length collections of his own. In the late 1970s, Lima left the poetry world to pursue a successful career as a chef, though he returned intermittently and continued to write a poem a day until his death. Incidents of Travel in Poetry is a landmark re-introduction to the work of this major Latino poet. Beginning with poems from Inventory (1964), his installment in the legendary Tibor de Nagy poetry series, Incidents includes selections from Lima's previous volumes, tracing his development from his early snapshots of street life to his later surrealist-influenced abstract lyricism. The bulk of the collection comes from his later unpublished manuscripts, and thus Incidents represents the full range of Lima's work for the very first time. Praise for Incidents of Travel in Poetry: "Finally. Finally. Finally. Here's the Frank Lima collection that poetry lovers worldwide have been waiting for. Lima was an authentic outlier and Incidents of Travel transcends and decolonizes any attempt at easy categorization. With this new body of work, we are reaping the price Lima paid for being ostracized. Our reward? The dream we wish we could have, whispers that hint of a new waste land, and we'll always be in his debt for having Lima as a guide."--Willie Perdomo, The Essential Hits of Shorty Bon Bon. "Frank Lima is a masterful writer of ecstatic, devastating, and hauntingly personal poetry. His candor is irresistible and transformative, as cuttingly witty in one poem as elegiac and sorrowful in the next. Complete with its nuances and disappointments, nobody writes the poetry of domestic reverence quite like Lima. In this generous selection of work from the poet's life, including poetry from 1997 onward, we can finally solidify Lima as a figure of crucial importance to our understanding of the New York School writers. This work shines with all the love and labor of Lima's thoroughly American experience, one which is inextricable from the trauma of cultural duality. Lima's voice speaks to us like an intimate friend, a co-conspirator in hope. 'Blessed are the poets who invented us as poets,' he writes in a poem for David Shapiro, an ode to both his best friend and to poetry. Blessed are we now to have this landmark collection of work from Frank Lima. This book is a long overdue treasure." --Wendy Xu From his first contact with poetry while incarcerated as a juvenile offender in Harlem, through his meetings with Langston Hughes and Frank O'Hara, his years with Berkson and Padgett and Berrigan, his stint as a chef, and his years of living his Vow to Poetry when he wrote at least a poem a day in total obscurity--Lima's life is an epic of contradictions. Frank Lima is a poet the world has been waiting to discover. Now we can."--Bob Holman

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Since 1920, Architectural Digest has celebrated design talents, innovative homes, and products--providing endless decoration, lifestyle, and travel inspiration. With ten global editions, the magazine is an authority renowned all over the world for publishing only the very best of today's interior design. In this new volume--spearheaded by AD France's editor in chief, Marie Kalt--the editors of Architectural Digest's international editions have teamed up to thoughtfully curate a collection of today's most exceptional interiors around the globe. These diverse residential spaces span from the United States and China, to France, Italy, Germany, Russia, Spain, India, Mexico, and the Middle East, presenting each country's unique AD style manifesto and the work of design luminaries such as Peter Marino, Martyn Lawrence Bullard, Jacques Grange, Joseph Dirand, and Bijoy Jain, to name a few. The featured projects range from Marc Jacobs's New York townhouse to Tommy Hilfiger's Connecticut abode and Seth Meyers's Manhattan duplex; a sumptuous eighteenth-century Italian villa and a Moroccan palace; Pierre Berge's apartment and a hotel particulier in Paris; a Majorca summer home; and a country house in Russia. Brimming with stunning images and rich international inspirations, this unparalleled compendium of global interiors is a must for every library of interior design. Interior designer Mark D. Sikes burst onto the publishing scene with his New York Times best-selling first book, Beautiful. His new book, aptly titled More Beautiful, picks up where the first left off, in a celebration of classic, all-American decorating. The rooms featured in More Beautiful are divided into five distinct styles, all of which exude the happiness that comes with surrounding oneself with things you love. Traditional is chockablock with vibrant color, antique furniture, and heady doses of trim and pattern. Country is a new take on the style, where distressed finishes and modern silhouettes mingle for a warm welcome. Coastal is streamlined, with natural woven fibers, sun-faded linen and neutrals, and blues and whites galore. Mediterranean evokes faraway lands, with a saturated palette, ornate tiles and ikats, and iron details. Finally, there's Beautiful: a peek inside Mark's own Hollywood Hills home, which nods to all of his favorite design signatures--including Italian wicker, blue and white, Anglo-Indian antiques, and more. With all-new photography by Amy Neunsinger, the book will inspire with rooms that are light-filled and crisply patterned, chic yet comfortable, and just the way people want to live today. Every Pierce and Ward home tells a story. Emily and Louisa believe that there is a beauty in the unfolding of a room that takes the eye dancing from one piece to the next, swirling over velvets of peach and gold, gliding over glass and marble, and stopping to take in the homeowner's precious sentimental favorites. As the designers for such Hollywood powerhouses, supermodels, and rock stars as Brie Larson, Leonardo DiCaprio, Dakota Johnson, Kate Hudson, and Karen Elson, Pierce and Ward artfully blend classic elements and fanciful touches, creating an irresistible kaleidoscope of patterns, textures, art, and objects. Stately striped wallpaper mixes with French florals. Brass-lion bookends sit beside trays inlaid with glinting mother-of-pearl. Milk-glass globes hang down hallways like glowing moons to guide one's path. Humble finds from eBay and lovingly worn textiles mix with museum-quality art and family photos. This book will teach readers about organized abundance and un-gaudy decadence, with a dash of restraint for good measure: it's an evocative and inspiring ode to the art of more. With a focus on Schumacher's greatest contemporary patterns--everything from classic stripes and exuberant florals to edgy animal prints--this accessible and highly useful style guide is organized thematically by chapters such as Sensual and Spare; Preppy; Ladylike; Exuberant; and Opulent, with each featuring a stunning selection of patterns along with inspiring interiors designed in the same spirit. To help readers better understand their style preferences, every chapter begins with a questionnaire, for example: Are You an Acolyte of High Style? Do You Prefer a Midnight Supper to a Power Lunch?; Consider Jewel Tones Neutral?; Think Champagne Is Not Just for Special Occasions? Page after page after page of lavish imagery and pattern details are juxtaposed alongside beautiful interiors designed by such luminaries as Miles Redd, Tom Scheerer, Amanda Lindroth, Celerie Kemble, Veere Grenney, and Mark D. Sikes, to name a few, illustrating how Schumacher's iconic patterns can be integrated into a wide range of chic and stylish room designs. The texts provide insights and tips on how patterns can be used in your decor, along with guidance for deciding what style is best for you and your home. Full of inspiring design ideas, as well as an unparalled resource of prints and patterns, S Is for Style is a visual feast of interior design for all styles and tastes. In their first book, Stamps and Stamps share their passion for historical references and attention to detail, showing you how to create a mood with floral patterns, brimming bookshelves, and overstuffed armchairs. These images inspire you to incorporate vintage treasures into your interiors, and the text explains where to find and buy the decor--such as fabrics, wallpaper, and lighting--featured in these pages. Above all, Stamps and Stamps show you how to make your home comfortable, as they believe houses are for living in, not just for looking at. With a focus on Southern California, where they live, Stamps and Stamps specialize in designing, decorating, and restoring historic homes and gardens. From an Andalusian riad in Hancock Park restored and decorated for Ellen deGeneres, to a newly built old California ranch in Rolling Hills, to a collector's cottage in Pasadena to their own compound in South Pasadena designed around a Greene and Greene carriage house, Stamps and Stamps have built their style on an aesthetic foundation rooted in the past but with a lightness and wit that's very much of the present. With its beautiful photography and practical tips, Stamps and Stamps is sure to inspire you to embrace cozy and comfortable interior design, while showing you how to create a home that's easy to live in. Since the 1990s, Watson has been one of the most prolific chroniclers of remarkable interiors and portraits, gracing the pages of W magazine, Vanity Fair, AD, and T Magazine. From hard-edged modernity and historical exoticism to pure classicism, the photographer has documented rooms of note in cities, atop mountains, and by the sea. Complementing his masterful images, Watson gives an intimate description of each location. On this journey with the photographer, one experiences the Duchess of Alba's Palacio Liria in Madrid, filled with sixteenth- and seventeenth-century masterpieces; interior designer Roberto Peregalli's splendid riad in Tangier; the magnificent and vast Castello Gardena in the Italian Alps owned by the Franchetti clan; Guinness heir Garech de Brun's hillside retreat in County Wicklow, Ireland; the Renaissance Palazzo Massimo alle Colonne in Rome, designed by Baldassarre Peruzzi in the sixteenth century; shoe designer Christian Louboutin's fanciful Parisian apartment; and many other splendid places around the world. Designer extraordinaire Stephen Shadley began his working life as a scenic artist at 20th Century Fox. Throughout a celebrated career (landing a coveted spot on the AD100), his work has been marked continually by the glamour of Hollywood as well as by a kind of visual storytelling that is richly informed by the world of the movie screen and by the artifice and allure of film's great cinematographers. Notable for their expression of an exquisite sense of style, his designed homes--including the interiors for a classic Beverly Hills abode for Diane Keaton, an apartment for Robert Altman in the legendary Pythian building on New York's Upper West Side, as well as a luxurious contemporary home for Jennifer Aniston--are all expressions of a masterful sense of scale and an appreciation for understated beauty and refined materials that are ultimately warm, inviting, and serene. The book features numerous beautifully designed homes of Hollywood royalty, primarily in Southern California, though with notable projects in New York and beyond, as well as three greenrooms, which Shadley designed for the Oscars and the Emmy Awards. Wouldn't it be amazing if we could knock on the most talented people's doors and prowl through their homes for inspiration? Chosen and curated by London-based creative director Alex Eagle, this collection of stylish interiors is the next best thing. With a spotlight on objects that personalize each home, this playful volume is rich in inspiration for creating that perfect blend of modern luxury and bohemian chic. Practicing what she preaches, Eagle's light-filled loft in London's Soho is a showhouse for the objects, vintage furniture, and art she deals in at her boutique, where natural materials, rare books, original art, and vintage furniture create the warmth and personality of a well-lived home. Exploring the homes, tastes, and lifestyles of brilliant creatives around the world--from adventurer David de Rothschild to heiress Marie Louise Scio (owner of Il Pellicano), this book pairs vibrant photos of interiors with texts about their owners' worlds, providing insight into how these spaces cultivate unique ways of living, working, and socializing. Eagle's warm curation of her subjects and her personal relationships with each allows the book to transcend the boundaries of a traditional interiors tome, giving us all access to aspire. The French woodwork purveyor Feau and Cie has supplied architects, designers, and museums with period paneling since 1875. Featuring documents, drawings, plaster models, panels, and antique boiserie rooms, its archive of 25,000 pieces--many from the eighteenth century and Art Deco era--is an unrivaled source of inspiration for re-creating heirloom spaces as well as for constructing spectacular contemporary pieces. Though the house remains best known for its magical historic rooms, it has collaborated with architects and decorators on original projects since its beginnings, and today's design greats--including Michael S. Smith, Brian J. McCarthy, and Robert Couturier, among others-- regularly call upon the firm for elaborate projects. In this first book of the firm's work, Feau and Cie reveals a selection of its most exceptional projects, from magnificent historical abodes to daring modern creations, including a palace in Tuscany and residences in Paris, London, New York, Malibu, and Atlanta. Dazzling images of finished interiors are accompanied by details of panels, doors, and decor, while exclusive photographs by lensman Robert Polidori explore the house's Parisian atelier. The unique savoir faire of joiners, sculptors, gilders, and painter-decorators shines through in this visual celebration of decorative masterpieces, which is bound to delight design masters and art lovers alike. Through his long and crowded life, polyglot designer Federico Forquet has been by turns a couturier who learned his craft at Balenciaga's side and whose creations for his eponymous house clothed the best-dressed women of the day; a decorator of interiors of singular style and charm; a discriminating collector of rare and beautiful objects, furnishings, and pictures; and a creator of magical gardens. For the first time, the many worlds of this creative visionary are brought together in a richly illustrated celebration of style: from imagery of his lavish haute-couture gowns featured in 1960s and '70s Vogue, Harper's Bazaar, and other fashionable publications and worn by trendsetters such as Marella Agnelli, Sophia Loren, and Diana Vreeland to picturesque scenes of verdant Tuscan gardens and opulent, old-world Roman villas and palazzos decorated by Forquet. Accompanied by insightful texts from the design world's authoritative voices, this inspiring and utterly enchanting tome will appeal to readers fascinated by fashion, social history, gardens, interior design, and Italian style. From New York to London, Paris to Monaco, the private residences of the greatest and most illustrious names in the art world boast some of the world's most outstanding collections. Antique masterpieces, modern chefs d'oeuvre, and contemporary creations are set against exquisite--and at times audacious--interiors exuding bold, unique style. A first of its kind, this elegant volume grants readers exclusive access to these houses and gives life to enthralling contrasts, echoes, and unexpected dialogues by juxtaposing unparalleled art collections with interiors designed by the most renowned names, such as Peter Marino, Francois Marcq, Jacques Grange, and Toshiko Mori. The result is a gallery of striking beauty, most of which is revealed to the public eye for the very first time and captured by photographer Jean-Francois Jaussaud. Demirdjian's texts guide the reader through these private spaces, while excerpts from exclusive interviews with some of the spaces' owners, such as Dominique Levy, Brett Gorvy, Almine Rech, Barbara Gladstone, Kamel Mennour, and Axel and May Vervoordt, enrich this volume. Spanish landscape designer Fernando Caruncho has spent over four decades impressing the world with his breathtaking garden designs, which create a perfect union of architectural design within nature. His sources of inspiration are as diverse as Islamic design, Zen Buddhism, and European Classicism, and the control of light, geometrical scale, and use of local materials are key principles of his design approach. In this book, Caruncho personally curates a selection of twenty-six of his international garden projects ranging from private residences to large agricultural estates and public spaces, including a vineyard in Italy, a private garden in Biarritz, France, and an expansive estate in New Jersey. Caruncho gives readers a glimpse at his creative thought process through inspirational images, ephemera, and selections from his sketches. Rattan evokes the glamour and exoticism of the Riviera, grand yachts, and tropical verandas. It appeared in Impressionist paintings, and dazzling celebrities like Marilyn Monroe and Gina Lollobrigida were photographed lounging on it. Now, rattan is regaining its allure and becoming increasingly fashionable in interior design and fashion spreads--a reflection of beauty, craftsmanship, and sustainability. Heywood-Wakefield furniture from the nineteenth century is highly collectible, as are pieces created by giants of modern design such as Josef Hoffmann for Thonet, Josef Frank for Svenskt Tenn, Jean-Michel Frank for Ecart, Renzo Mongiardino for Bonacina, and Arne Jacobsen for Sika. Paul Frankl and Donald Deskey designed sleek Art Deco rattan furniture. Rattan pieces have become iconic and highly prized, including Hiroomi Tahara's Wrap Sofa, Franca Helg's Primavera Chair, and the many iterations of the Peacock Chair. The glamour of rattan shines through in seductive and beautiful interiors--Madeleine Castaing's house in Chartres, Michael Taylor's California beach houses, the Titanic's Cafe Parisien. The book also showcases tastemakers who have embraced rattan, from Marella Agnelli and Cecil Beaton to design leaders of today, including Jeffrey Bilhuber, Veere Grenney, Axel Vervoordt, and Bunny Williams. This exquisite book showcases the stunning properties of the world's leading design connoisseurs, including Jasper Conran, Lynn Guinness, Vanessa Branson, and Helen and Brice Marden, who have transformed Marrakesh's exotic style into unexpected but elegant expressions. The story of design in Marrakesh begins with the contributions of Bill Willis, Yves Saint Laurent, and Pierre Berge, who fearlessly fused Moroccan elements--zellige tilework, rugs, pottery, fountains, woodwork, metalwork, and tadelakt wall treatments--with a luxuriant mix of furnishings from around the world. We are invited into such lush private places as the gardens of the Villa Oasis, designed by Madison Cox, and the Bulgaris' tranquil riad. Full of personal insights, Loum-Martin explores how international design-savvy individuals continue to incorporate such exuberant designs in their work. Today's Marrakesh style appeals to a wide variety of tastes--from formal to quirky, from rustic to refined--and is suitable for diverse settings. Eco-friendly materials, including earthenware and natural fibers, contribute to these appealing interiors and gardens. Superbly photographed, Inside Marrakesh abounds with a wealth of unique design ideas. The great appeal of Spanish Style homes lies in their aura of romance and drama, a sense of story, of magic, as well as in their very comfortable and engaging proportions and the great livability of the interior spaces. Deep shadow, arched doorways, trickling courtyard fountains, climbing bougainvillea on wrought-iron window grilles, wood-beamed ceilings, and white-plaster walls are all hallmarks of the style. Here, through a celebration of contemporary and historic homes in Southern California, as well as existing historic precedents in Andalusia, Spain--most notably the intricatedly detailed Casa de Pilatos in Seville and the Alhambra of Granada--The Spanish Style House presents the definitive picture of the style as it exists today. Featured homes include the George Washington Smith-designed Casa Blanca--a fantasy made real in stone and stucco replete with the romance of old Morocco in its horseshoe arches, its domes, and evocative tile murals--and a Marc Appleton-designed beach house in Del Mar, California, which is a dream on the sea and an eloquent testament to the virtues of the style for today. Native Houstonians Lucas and Eilers's aesthetic marries the entrepreneurial, can-do spirit of the West with Southern grace. The distinctive influences of their hometown--from the architecture of John Staub to the textures and color palettes of the surrounding Texas ranches and expansive landscapes to the impact of futuristic NASA--infuse their design choices. Whether traditional, contemporary, or transitional in style, the rooms they create are timeless. The duo's seasoned insight into the principles and elements of interior design forms the book's heart. Touching on such topics as scale and proportion, color and light, and pattern and texture, they explore their pragmatic, imaginative approach to creating expressive living spaces in a diverse range of projects from coast to coast. They then tour us through several homes, including a comfortable family ski compound in Utah with repurposed rough-hewn wooden beams and custom forged-steel fireplace surrounds; a Houston shotgun home rich with patina; and a charming Gulf Coast beach house. For those passionate about interiors, this wealth of design fundamentals is inspirational. The sensibility of interior design firm Nickey Kehoe ranges from minimal to maximal, quiet to baroque, but always seeks to express the ephemeral feeling of a space. Designers Todd Nickey and Amy Kehoe are fascinated by how a room can come together to express its own persona, as though the design just happened. Describing themselves as object-obsessed observers, Nickey and Kehoe pay keen attention to their clients' passions, preferences, and beloved pieces, juxtaposing elements and styles in deceptively simple ways. The result is interior design that appears as if it were a personal collection randomly put together, when in fact it is the product of their very mindful curating. Nickey Kehoe's studied but unfussy design is elegant but never staid, proud but humble, full of detail but resplendent with negative space. And then they add a bit of the unexpected--a combination of layered patterns and palettes, different time periods, humorous gestures, clever lighting--any element that keeps their impeccable sense of balance from becoming predictable or formulaic. This collection of residential interiors is for the curious, for lovers of studied but unfussy design, and for those who appreciate being surrounded by beautiful things with a story to tell. Nicole Hollis's approach to contemporary living is to create timeless interiors that blend seamlessly with the environment. Featured is a wide range of residences in city, country, and coastal settings that masterfully mix the simplicity of line with organic complexity to create refined spaces. A striking home in the Marin County town of Tiburon features natural materials and dramatic touches that embrace the property's sweeping views of the San Francisco Bay. A Kona Coast property set on a lava field reimagines a Hawaiian open-plan sanctuary with a modern design scheme of rich textures, including lava-basalt floor tiles and coral wall blocks. Michele Oka Doner's lighting employs the shape of Kiawe tree branches. A San Francisco pied-a-terre is an elegant contrast study in black and white, infused with historical nuances. These curated spaces are comprised of art, found objects, and bespoke furnishings that underscore Nicole's appreciation of texture, craft, and nature. The fascinating story of this business starts in the small village of Pella, on the shores of Lake Orta, in northern Italy, yet its high-end design products created by the best-known designers, including Piero Lissoni, Michael Anastassiades, Matteo Thun, Antonio Rodriguez, Vincent Van Duysen, Naoto Fukasawa, and Paik Sun Kim, went on to travel the world in an international circuit. Water is the common thread running through the whole book. This is the water of Lake Orta, found in the images of great photographers such as Gianni Basso, Franco Fontana, Giorgio Lotti, Gabriele Basilico, Gianni Berengo Gardin, Ferdinando Scianna, Gabriele Croppi, and Walter Zerla, who have interpreted it over time at the invitation of Fantini. However, water is also the main element of the jewellike taps produced by the company, small everyday masterpieces that bring it to our homes, renewing this great magic every day. This book takes the reader through Estel's history from the future to the past, working backward in five major phases of the company's progress. These phases are related through various illustrations, best called dioramas, covering double spreads that fold out, making four full-size pages. Especially created for the book by Pierluigi Longo, these dioramas emerge like modern-day frescoes in which the leading figures of the business world can be observed, along with the production panorama and market environment around them. They represent a sort of visualized concept that not only illustrates and tracks a path through the book, but also lends it concept and structure. The texts that follow each theme-diorama pivot successively on the company philosophy, the protagonists, the products, and a brief text classifying the furniture-manufacturing sector itself. Hence, the tale unfolds on two fronts simultaneously, interweaving the company's history with the ongoing developments in the sector and in methods of production. This volume offers beautifully photographed and printed views of these sumptuous carpets in rooms designed by some of the world's leading interior designers. The carpets have been collected by luminaries in the design, fashion, and art worlds including curators Mark Rosenthal and Allan Schwartzman, Joseph Ettedgui, founder of the Joseph brand, Pierre Alexis-Dumas, creative director of Hermes, and celebrities such as Steve Martin, Madonna, and Brad Pitt, among others. Experience the highs and humorous lows of Davis and Provisor's adventures in Asia as they track down the best in materials and craftsmanship, as well as the most authentic cuisine in each region. Specializing in retail and hotel design, Virgile + Partners is a key global player with a wide scope of international projects, from luxury retail, restaurants, and hotel interiors to department stores and malls. The agency has works across the United States, India, Korea, Japan, Hong Kong, the Middle East, China, and Russia, as well as extensive work throughout Europe and the UK. Virgile + Partners' approach to global design is to decode and absorb various cultures, avoiding classic reinterpretations by presenting an unexpected twist to traditions and conventions. As a result, the diversity between each project avoids a uniform response and instead sparks a desire to communicate the individuality of each brand's vision, as well as to bring their values to life. The book's narrative structure gives a clear insight into the essence of the work shown. It offers a glimpse into the making-of process and the backstage thinking that inspired the ideas, not just the aesthetic vocabulary, that led to the final design outcome. This is the story in pictures of a dimension of living that differs from every other. While there have been attempts to create a philosophy of interior design, there has rarely been an effort to discover the soul of furniture and objects. That is what Paolo Roversi has tried to do with his camera in these pages, which are devoted to Poliform, the Italian company that has successfully transformed ancient Italian artisanal traditions into contemporary furniture. By using what have always been his raw materials--time, light, space--Roversi leads us on a photographic journey to the middle of the Poliform universe, helping us to relive the company's story and capture the mysterious, unmistakable soul that makes the surfaces and volumes of its objects vibrate. A virtuoso of volumes and a master of light, Brussels-based architect Olivier Dwek shapes buildings and interiors that are inhabited by a timeless aura. Fluid lines and varied perspectives define monumental structures, enhancing details and contemporary art pieces in both private and public spaces, all imbued with serene elegance. Ranging from Greek vacation homes to Parisian townhouses, this volume celebrates the refined approach that marks Dwek's style while taking the reader on a journey across Europe and the world. Vibrant photographs showcase Dwek's fascination with textures and new uses for materials developed in collaboration with artists and artisans. His skilled use of light, his innate sense of symmetry, and his effortless merging of architectural elements with design details are all apparent in this volume. With texts by architecture expert Philip Jodidio, this printed journey through Dwek's buildings and interiors is bound to seduce architecture connoisseurs and curious spirits alike. Visit Los Angeles with a photographer who knows how to get the lighting right to highlight the spectacular architecture of the city. Stylish museums, such as the Broad, and a flourishing Arts District illustrate the explosive art scene, while Hollywood's Chateau Marmont and the historic Beverly Hills neighborhood add a chic dynamism. Across town, Culver City, home to the tech industry, features blocks of futuristic architecture by Eric Owen Moss. The modernist homes by Richard Neutra and John Lautner, as well as Frank Lloyd Wright's Hollyhock House, are shown against dramatic backdrops of sky and sea. The visual sweep of this oversize book also encompasses the Los Angeles of film and television. Los Angeles is a city of dreams, and Los Angeles Today is a glorious portrait of the city in its infinite variety. From a ranch in the U.S. and a Finnish farmstead to a Spanish hacienda and Australian outback home, Stables is a celebration of horses and their extraordinary lodgings. International in scope, ranging from traditional to contemporary in flavor, these stables--built of wood, metal, and stone--are exemplars of the finest taste in design. The allure of housing horses is a story of architecture, design, landscape, and a unique way of living in magnificent places--and spaces--that are made exclusively for horses and for those who love them. The book also explores indoor and outdoor arenas, paddocks, and gardens, providing a humane face to the otherwise functional buildings. Social spaces for the horses, riders, and visitors also play an important role in filling out the projects, making stables not just places for sport but also for entertainment and leisure. There is a beauty here that reflects the majesty of these animals, the distinctive landscapes in which they are set, and the creative visions of the owners, architects, and designers who have all brought them into being. Beautifully photographed, the book is sure to interest horse aficionados as well as all those interested in engaging, clean, human-scaled design. Throughout their twenty-five-year commitment to modern design, Barnes Coy Architects have specialized in one-of-a-kind dream houses designed for those who prefer to live in highly spatial and modern ways. Assembled in Light is the first exclusive look at this firm's previously unpublished body of high-end residential work. These leisure homes gleam in the sun like sleek, finely tuned machines. Everything has been custom designed, custom made, custom treated. The houses are tastefully furnished with one-of-a-kind artisanal pieces (by Wendell Castle, Chris Lehrecke, etc.) and museum-quality collections of contemporary art hanging on the walls (such as works by Anselm Kiefer, Barbara Kruger, Richard Prince, and Cindy Sherman). They feature infinity pools, outdoor and indoor kitchens, roof decks, temperature-controlled wine cellars, and numerous guest rooms, as well as ten-foot-high doorways and floor-to-ceiling swathes of tempered glass to better gaze out at the dunes and ocean views. The new photography beautifully captures the architects' attention to detail and love of specialized materials, whether it's Carrara marble from Italy or teak from Bali. While most of the houses are located in the Hamptons in New York, a few are found as far afield as Costa Rica, California, Georgia, and Westchester County. All but three homes were built on commanding waterfront sites. In 2012, Danish architect Lise Juel completed the restoration of fellow Dane Jorn Utzon's magnificent residence on the Spanish island of Mallorca, known as Can Lis. Uncovering Utzon is a series of pensees by Juel describing the process of restoring the beloved architect's unique and magnificent construction for the Utzon Foundation. Accompanying Juel's evocative account are the equally evocative images of the house by eminent architectural photographer Helene Binet. Known for her powerful black-and-white photographs of the work of the world's most important architects, past and present, Binet brings her unique eye to Can Lis to produce a breathtaking portrait of Utzon's spectacular, elemental masterpiece. Together, Juel's personal account and Binet's inimitable photography illustrate the undeniable power of this rough-hewn Modernist architectural landmark. Miguel Angel Aragones has gained international attention with his spectacular private residences and buildings throughout Mexico and beyond. This lavish volume features eleven of his stunning interiors and residences that show off his spare aesthetics and sophisticated principles of all-white, uncluttered interiors during the day that light up with cinematic neon colors at night. Considered an important member of the Mexican and Latin American architectural vanguard, Aragones is known for his modernist sensibilities and creative use of lighting. Aragones has a knack for creating harmonious spaces in overwrought environments. Rombo is a series of private houses located in a central, tree-lined neighborhood in Mexico City, which light up with color bursts of neon to transform the properties from day to night. Mar Adentro is a luxury resort in Cabo San Lucas that adopts his principles with an archipelago of stark white cubes fanning toward the horizon and various platforms connected by paths that appear to float on mirrored saltwater pools. This dual-language volume will appeal to those interested in greats such as Legorreta and Barragan, as well as the Latin American school of modernism. Koichi Takada is part of a new generation of architects striving to bring nature back into the urban environment--an approach he developed after living in Tokyo, New York, and London. His architecture reconnects people to the natural environment, drawing inspiration from organic forms and local contexts. This elegant volume

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