Search results for ""university of pennsylvania press""

Regarded as one of the most important sociological and business commentaries of modern times, The Organization Man developed the first thorough description of the impact of mass organization on American society. During the height of the Eisenhower administration, corporations appeared to provide a blissful answer to postwar life with the marketing of new technologies—television, affordable cars, space travel, fast food—and lifestyles, such as carefully planned suburban communities centered around the nuclear family. William H. Whyte found this phenomenon alarming. As an editor for Fortune magazine, Whyte was well placed to observe corporate America; it became clear to him that the American belief in the perfectibility of society was shifting from one of individual initiative to one that could be achieved at the expense of the individual. With its clear analysis of contemporary working and living arrangements, The Organization Man rapidly achieved bestseller status. Since the time of the book's original publication, the American workplace has undergone massive changes. In the 1990s, the rule of large corporations seemed less relevant as small entrepreneurs made fortunes from new technologies, in the process bucking old corporate trends. In fact this "new economy" appeared to have doomed Whyte's original analysis as an artifact from a bygone day. But the recent collapse of so many startup businesses, gigantic mergers of international conglomerates, and the reality of economic globalization make The Organization Man all the more essential as background for understanding today's global market. This edition contains a new foreword by noted journalist and author Joseph Nocera. In an afterword Jenny Bell Whyte describes how The Organization Man was written.

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Selected by Choice magazine as an Outstanding Academic Title The experiences of children in America have long been a source of scholarly fascination and general interest. In American Childhoods, Joseph Illick brings together his own extensive research and a synthesis of literature from a range of disciplines to present the first comprehensive cross-cultural history of childhood in America. Beginning with American Indians, European settlers, and African slaves and their differing perceptions of how children should be raised, American Childhoods moves to the nineteenth century and the rise of industrialization to introduce the offspring of the emerging urban middle and working classes. Illick reveals that while rural and working-class children continued to toil from an early age, as they had in the colonial period, childhood among the urban middle class became recognized as a distinct phase of life, with a continuing emphasis on gender differences. Illick then discusses how the public school system was created in the nineteenth century to assimilate immigrants and discipline all children, and observes its major role in age-grouping children as well as drawing working-class youngsters from factories to classrooms. At the same time, such social problems as juvenile delinquency were confronted by private charities and, ultimately, by the state. Concluding his sweeping study, the author presents the progeny of suburban, inner-city, and rural Americans in the twentieth century, highlighting the growing disparity of opportunities available to children of decaying cities and the booming suburbs. Consistently making connections between economics, psychology, commerce, sociology, and anthropology, American Childhoods is rich with insight into the elusive world of children. Grounded firmly in social and cultural history and written in lucid, accessible prose, the book demonstrates how children's experiences have varied dramatically through time and across space, and how the idea of childhood has meant vastly different things to different groups in American society.

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The remaining corner of an old farm, unclaimed by developers. The brook squeezed between housing plans. Abandoned railroad lines. The stand of woods along an expanded highway. These are the outposts of what was once a larger pattern of forests and farms, the "last landscape." According to William H. Whyte, the place to work out the problems of our metropolitan areas is within those areas, not outside them. The age of unchecked expansion without consequence is over, but where there is waste and neglect there is opportunity. Our cities and suburbs are not jammed; they just look that way. There are in fact plenty of ways to use this existing space to the benefit of the community, and The Last Landscape provides a practical and timeless framework for making informed decisions about its use. Called "the best study available on the problems of open space" by the New York Times when it first appeared in 1968, The Last Landscape introduced many cornerstone ideas for land conservation, urging all of us to make better use of the land that has survived amid suburban sprawl. Whyte's pioneering work on easements led to the passage of major open space statutes in many states, and his argument for using and linking green spaces, however small the areas may be, is a recommendation that has more currency today than ever before.

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The seventeen essays in Women and Power in the Middle East analyze the social, political, economic, and cultural forces that shape gender systems in the Middle East and North Africa. Published at different times in Middle East Report, the journal of the Middle East Research and Information Project, the essays document empirically the similarities and differences in the gendering of relations of power in twelve countries—Morocco, Algeria, Tunisia, Egypt, Sudan, Palestine, Lebanon, Turkey, Kuwait, Saudi Arabia, Yemen, and Iran. Together they seek to build a framework for understanding broad patterns of gender in the Arab-Islamic world. Challenging questions are addressed throughout. What roles have women played in politics in this region? When and why are women politically mobilized, and which women? Does the nature and impact of their mobilization differ if it is initiated by the state, nationalist movements, revolutionary parties, or spontaneous revolt? And what happens to women when those agents of mobilization win or lose? In investigating these and other issues, the essays take a look at the impact of rapid social change in the Arab-Islamic world. They also analyze Arab disillusionment with the radical nationalisms of the 1950s and 1960s and with leftist ideologies, as well as the rise of political Islamist movements. Indeed the essays present rich new approaches to assessing what political participation has meant for women in this region and how emerging national states there have dealt with organized efforts by women to influence the institutions that govern their lives. Designed for courses in Middle East, women's, and cultural studies, Women and Power in the Middle East offers to both students and scholars an excellent introduction to the study of gender in the Arab-Islamic world.

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The pursuit of health and wellness has become a fundamental and familiar part of everyday life in America. We are surrounded by an enticing world of products, practices, and promotions assuring health and happiness—cereal boxes claim that their contents can reduce the risk of heart disease, bars of aromatherapy soap seek to wash away our stresses, newspapers celebrate the wonders of the latest superfoods and herbal remedies. No longer confined to the domain of Western medicine, suggestions for healthy living often turn to alternatives originating in distant times and places, in cultures very different from our own. Diets from ancient or remote groups are presented as cures for everything from colds to cancer; exercise regimens based on Eastern philosophies are heralded as paths to physical health and spiritual wellbeing. In New Age Capitalism, Kimberly Lau examines the ideological work that has created this billion-dollar business and allowed "Eastern" and other non-Western traditions to be coopted by Western capitalism. Extending the orientalist logic to the business of health and wellness, American companies have created a lucrative and competitive market for their products, encouraging consumers to believe that they are making the right choices for personal as well as planetary health. In reality, alternative health practices have been commodified for an American public longing not only for health and wellness but also for authenticity, tradition, and a connection to the cultures of an imagined Edenic past. Although consumers might prefer to buy into "authentic" non-Western therapies, New Age Capitalism argues that the market economy makes this goal unattainable.

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If, as many argue, movies and television have become Western culture's premier storytelling media, so too have they become, for most members of society, the primary source of encounters with the natural world—particularly wild animals. The television fare offered nightly by national and cable networks such as PBS and the Discovery Channel provides millions of viewers with their only experience of the wilderness and its inhabitants. The very films that so many viewers take as accurate portrayals of wildlife, however, have evolved primarily as a form of entertainment, following the established codes and conventions of narrative exposition. The result has been not the representation of nature, but its wholesale reconstruction and reconfiguration according to film and television conventions, audience expectations, and the demands of competition in the media marketplace. Wildlife Films traces the genealogy of the nature film, from its origins as the "animal locomotion" studies that mark the very beginnings of motion pictures themselves, to the founding of the Animal Planet cable channel that boasts "all animals, all the time." The narrative and thematic elements that unite wildlife films as a genre have their roots not in the documentary film tradition, but in the older traditions of oral and written animal fables as reflections of human society. Derek Bousé contends that classic wildlife films often portray animal protagonists living in families modeled on an ideal of the human nuclear family and working in communities that resemble an ideal of bucolic human society. In these stories—presented as documentaries—animals are motivated by human emotions and conduct relationships according to human customs. This imposition of culturally satisfying narrative patterns upon the lives of animals has not only led to the misrepresentation of the natural world; it has promoted the notion that our values, our moral vision, our models of society and family structure derive from nature, rather than being cultural formations.

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The popular image of the Viking as a horn-helmeted berserker plying the ocean in a dragon-headed long boat is firmly fixed in history. Imagining Viking "conquerors" as much more numerous, technologically superior, and somehow inherently more warlike than their neighbors has overshadowed the cooperation and cultural exchange which characterized much of the Viking Age. In actuality, the Norse explorers and traders were players in a complex exchange of technology, customs, and religious beliefs between the ancient pre-Christian societies of northern Europe and the Christian-dominated nations surrounding the Mediterranean. DuBois examines Anglo-Saxon, Celtic, and Mediterranean traditions to locate significant Nordic parallels in conceptions of supernatural beings, cults of the dead, beliefs in ghosts, and magical practices. These beliefs were actively held alongside Christianity for many years, and were finally incorporated into the vernacular religious practice. The Icelandic sagas reflect this complex process in their inclusion of both Christian and pagan details. This work differs from previous examinations in its inclusion of the Christian thirteenth century as part of the evolution of Nordic religions from localized pagan cults to adherents of a larger Roman faith. Thomas DuBois unravels for the first time the history of the Nordic religions in the Viking Age and shows how these ancient beliefs and their oral traditions incorporated both a myriad of local beliefs and aspects of foreign religions, most notably Christianity.

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Describing Early America is a study of William Bartram's Travels, Thomas Jefferson's Notes on the State of Virginia, and J. Hector St. John de Crèvecoeur's Letters from an American Farmer that situates them within two important intellectual traditions: the literature of travel and the science of natural history. Pamela Regis contends that the travel genre provided the narrative framework on which these texts were built, but that natural history offered much more: a way of looking at the world, a way of describing what the authors saw, and an overarching scheme in which to fit what they had seen.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. Aristophanes wrote most of his comedic masterpieces during the Peloponnesian War, parodying the tumultuous politics and society of that time with trademark innuendoes and bawdy stagings and dialogue. In these plays, Aristophanes brings every rhetorical strategem into play to treat the reader to stories of one man's attempt to create a "war-free zone," the rescue of the imprisoned Peace on the back of a giant dung beetle, a satire of Euripides's sympathies for women, and the hustling and healing of a blind and destitute Wealth in order to redistribute the world's riches. Translations are by Jack Flavin (Acharnians), Fred Beake (Peace), David Slavitt (Celebrating Ladies), and Palmer Bovie (Wealth). The volume includes an introduction by Ralph Rosen, Professor of Classics at the University of Pennsylvania.

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The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. The translations in this volume are by Sheila D'Atri, Palmer Bovie, and Richard Elman.

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"Ours is largely an ahistorical world. And yet we take history very seriously. The more remote the past becomes, the more we seem to concern ourselves with understanding it. We are no longer linked to our ancestors through common material conditions. If earlier ages still have a hold on us, it is through our thoughts about them. "The essays in this volume are about a segment of the past that runs roughly from the end of antiquity to the thirteenth century. More generally, they are about recollecting the past by putting words into writings. They are equally about the past that is written about and the writing that brings it to life. In other words, they deal with the creation of the past as text."—from the Introduction

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Human rights violations are perpetrated in all parts of the world, and the universal reaction to such atrocities is overwhelmingly one of horror and sadness. Yet, as Abdullahi Ahmed An-Na'im and his contributors attest, our viewpoint is clouded and biased by the expectations native to our own culture. How do other cultures view human rights issues? Can an analysis of these issues through multiple viewpoints, both cross-cultural and indigenous, help us reinterpret and reconstruct prevailing theories of human rights?

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In Demographic Vistas, David Marc shows how we can take television seriously within the humanist tradition while enjoying it on its own terms. To deal with the barrage of messages from television's chaotic history, Marc adapts tools of theatrical and literary criticism to focus on key personalities and genres in ways that reward serious students and casual viewers alike. This updated edition includes a new foreword by Horace Newcomb and a new introduction by the author that discusses the ways in which the nature of television criticism has changed since the book's original publication in 1984. A new final chapter explores the paradox of the diminishing importance of over-the-air broadcasting during the period of television's greatest expansion, which has been brought about by complex technologies such as cable, videocassette recorders, and online services.

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William Langland's Piers Plowman is one of the major poetic monuments of medieval England and of world literature. Probably composed between 1372 and 1389, the poem survives in three distinct versions. It is known to modern readers largely through the middle of the three, the so-called B-text. Now, George Economou's verse translation of the poet's third version makes available for the first time in modern English the final revision of a work that many have regarded as the greatest Christian poem in our language. Langland's remarkable powers of invention and his passionate involvement with the spiritual, social, and political crises of his time lay claim to our attention, and demand serious comparison with Dante's Divine Comedy. Economou's translation preserves the intensity of the poet's verse and the narrative energy of his alliterative long line, the immediacy of the original's story of the quest for salvation, and the individuality of its language and wordplay.

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In a century that has taken us from the horse and buggy to the world wide web, science fiction has established itself as the literature to explore the ways in which technology transforms society while its counterpart, genre fantasy, insistently reminds us of the magical transformations of the individual in response to the demands of the social. So it should come as no surprise that the fans and producers of these genres come together to create the culture of the future around the ideal that tales of wonder about the future and the imaginary past can be shared as both symbolic communication and social capital. In Science Fiction Culture, Camille Bacon-Smith explores the science fiction community and its relationships with the industries that sustain it, including the publishing, computer, and hotel/convention industries, and explores the issue of power in those relationships: Who seems to have it? Who does have it? How do they use it? What are the results of that use? In the process, Bacon-Smith rejects the two major theoretical perspectives on mass culture reception. Consumers are not passive receivers of popular culture produced by the hegemonic ideology machine that is the mass media industry, nor are they rebels valiantly resisting that machine by reading against the grain of the interpretation designed into the products they consume. Bacon-Smith argues that the relationship between consumers of science fiction and producers is much more complex than either of these theories suggests. Using a wide range of theoretical perspectives, she shows that this relationship is based on a series of continuing negotiations across a broad spectrum of cultural interests.

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Rebecca J. Cook and the contributors to this volume seek to analyze how international human rights law applies specifically to women in various cultures worldwide, and to develop strategies to promote equitable application of human rights law at the international, regional, and domestic levels. Their essays present a compelling mixture of reports and case studies from various regions in the world, combined with scholarly assessments of international law as these rights specifically apply to women.

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The romance novel has the strange distinction of being the most popular but least respected of literary genres. While it remains consistently dominant in bookstores and on best-seller lists, it is also widely dismissed by the critical community. Scholars have alleged that romance novels help create subservient readers, who are largely women, by confining heroines to stories that ignore issues other than love and marriage. Pamela Regis argues that such critical studies fail to take into consideration the personal choice of readers, offer any true definition of the romance novel, or discuss the nature and scope of the genre. Presenting the counterclaim that the romance novel does not enslave women but, on the contrary, is about celebrating freedom and joy, Regis offers a definition that provides critics with an expanded vocabulary for discussing a genre that is both classic and contemporary, sexy and entertaining. Taking the stance that the popular romance novel is a work of literature with a brilliant pedigree, Regis asserts that it is also a very old, stable form. She traces the literary history of the romance novel from canonical works such as Richardson's Pamela through Austen's Pride and Prejudice, Brontë's Jane Eyre, and E. M. Hull's The Sheik, and then turns to more contemporary works such as the novels of Georgette Heyer, Mary Stewart, Janet Dailey, Jayne Ann Krentz, and Nora Roberts.

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Victor Doyno offers a new, accessible, and innovative approach to America's favorite novel. Doyno presents new material from the revised manuscript of Huckleberry Finn and also draws on Samuel Clemens's unpublished family journal, his correspondence, and his concerns about the lack of international copyright law.

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Carol Lazzaro-Weiss studies the fiction of twenty-five contemporary Italian women writers. Arguing for a notion of gender and genre, she runs counter to many Anglo-American and French feminist theorists who contend that traditional genres cannot readily serve as vehicles for feminist expression.

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In his extraordinarily influential book Orientalism, Edward Said argued that Western knowledge about the Orient in the Post-Enlightenment period has been "a systematic discourse by which Europe was able to manage—even produce—the Orient politically, sociologically, militarily, ideologically, scientifically, and imaginatively." According to Said, European and American views of the Orient created a reality in which the Oriental was forced to live. Although Said's work deals primarily with discourse about the Arab world, much of his argument has been applied to other regions of "the Orient." Drawing on Said's book, Carol A. Breckenridge, Peter van der Veer, and the contributors to this book explore the ways colonial administrators constructed knowledge about the society and culture of India and the processes through which that knowledge has shaped past and present Indian reality. One common theme that links the essays in Orientalism and the Postcolonial Predicament is the proposition that Orientalist discourse is not just restricted to the colonial past but continues even today. The contributors argue that it is still extremely difficult for both Indians and outsiders to think about India in anything but strictly Orientalist terms. They propose that students of society and history rethink their methodologies and the relation between theories, methods, and the historical conditions that produced them. Orientalism and the Postcolonial Predicament provides new and important insights into the cultural embeddedness of power in the colonial and postcolonial world.

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In Body, Movement, and Culture, Sally Ann Ness provides an original interpretive account of three forms of sinulog dancing practiced in Cebu City in the Philippines: a healing ritual, a dance drama, and a "cultural" exhibition dance. Ness's examination of these dance forms yields rich insights into the cultural predicament of this Philippine city and the way in which kinesthetic and visual symbols interact to create meaning. Ness scrutinizes the patterns of movement, the use of the body and of objects, and the shaping of space common to all three versions of the sinulog. She then relates these elements to the fundamental ways the culture bearers of Cebu City experience their world. For example, she shows how each of the dance forms functions to reinforce class distinctions and to establish a code of authenticated "cultural" action. At the same time, Ness demonstrates, the dances manifest and actualize widely applied notions about the nature of "devotion," "sincerity," "naturalness," and "beauty." Throughout the text, Ness provides a close analysis of movement that is all too often missing from anthropological studies of dance. Most significantly, she works to relate the movements used in dance to everyday movement and to interpret the attitudes and values that are embodied in both choreographed and quotidian movement. Important and illuminating, Body, Movement, and Culture is of particular interest to students and scholars of anthropology, folklore, dance, and Asian studies.

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Pierre Riché traces the emergence of Europe from the seventh to the early eleventh century, the period that witnessed the rise, fall, and revival of the Carolinian Empire. It was during this time the first contours of a broad new civilization and the first visible signs of European unity are discernable. Until the seventh century Europe was simply a geographic term; as Isidore of Seville defined it, Europe was "the space that extended from the river Don to Spain and the Atlantic." By the ninth century, however, Europe had gradually acquired a collective being with a shared identity. The political, cultural, and spiritual activity of laymen and churchmen had fostered the creation of a common European fold, which stretched from the Atlantic to the Vistula, and the plains of the middle Danube. The transformation was due in large part to the Carolinians, their relations, and their allies, who together became the masters of Gaul and then much of the West. Riché traces the destiny of the Carolingians and the parallel history of Europe, stressing the roles of the leaders who imposed themselves by force, diplomacy, and culture.

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The authors cross the boundaries between anthropology, folklore, and history to cast new light on the relation between songs and stories, reality and realism, and rhythm and rhetoric in the expressive traditions of South Asia.

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This book offers new and provocative readings of Milan Kundera's Book of Laughter and Forgetting, J.M. Coetzee's Waiting for the Barbarians and Life and Times of Michael K, selected short fiction of Nadine Gordimer and Grace Paley, Ibuse Masuji's Black Rain, John Hawkes's Travesty, and others.

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John Kultgen explores the ways morality and professional ideals are connected. In assessing the moral impact of professionalism in our society, he examines both the structure and organization of occupations and the ideals and ideology associated with professions. Differing from standard treatments of professional ethics, Ethics and Professionalism recognizes that it is the practices within the professions that determine whether rules and ideals are used as masks for self-interest or for genuinely moral purposes.

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Argues that anyone—anthropologist, psychologist, or policeman—who uses what people say to find out what people think had better know how speech itself is organized.

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In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world. Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.

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In the Andalusian communities throughout the olive-growing region of southeastern Spain men show themselves to be primarily concerned with two problems of identity: their place in the social hierarchy, and the maintenance of their masculinity in the context of their culture. In this study of projective behavior as found in the folklore of an Andalusian town, Stanley Brandes is careful to support psychological interpretations with ethnographic evidence. His emphasis on male folklore provides a timely complement to current research on women.

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Throughout the Middle Ages and early modern Europe theological uniformity was synonymous with social cohesion in societies that regarded themselves as bound together at their most fundamental levels by a religion. To maintain a belief in opposition to the orthodoxy was to set oneself in opposition not merely to church and state but to a whole culture in all of its manifestations. From the eleventh century to the fifteenth, however, dissenting movements appeared with greater frequency, attracted more followers, acquired philosophical as well as theological dimensions, and occupied more and more the time and the minds of religious and civil authorities. In the perception of dissent and in the steps taken to deal with it lies the history of medieval heresy and the force it exerted on religious, social, and political communities long after the Middle Ages. In this volume, Edward Peters makes available the most compact and wide-ranging collection of source materials in translation on medieval orthodoxy and heterodoxy in social context.

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In the early Middle Ages, magic was considered a practical science, requiring study and skill. But as European society became more articulate and self-conscious, the old tradition of magic as a science became associated with heresy and sorcery. Thereafter the Middle Ages knew no safe, learned magic that was not subject to accusation of diabolism in one form or another, and the magician, like the later witch, could be punished for both spiritual and temporal offenses. Through Peters's analysis of the legal, ecclesiastical, and literary responses to this problem, magic and witchcraft are located more accurately in the cultural context of the time, providing important insight into medieval history.

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With the recent controversy in the Oakland, California school district about Ebonics—or as it is referred to in sociolinguistic circles, African American Vernacular English or Black English Vernacular—much attention has been paid to the patterns of speech prevalent among African Americans in the inner city. In January 1997, at the height of the Ebonics debate, author and prominent sociolinguist William Labov testified before a Senate subcommittee that for most inner city African American children, the relation of sound to spelling is different, and more complicated than for speakers of other dialects. He suggested that it was time to apply this knowledge to the teaching of reading. The testimony harkened back to research contained in his groundbreaking book Language in the Inner City, originally published in 1972. In it, Labov probed the question "Does 'Black English' exist?" and emerged with an answer that was well ahead of his time, and that remains essential to our contemporary understanding of the subject. Language in the Inner City firmly establishes African American Vernacular English not simply as slang but as a well-formed set of rules of pronunciation and grammar capable of conveying complex logic and reasoning. Studying not only the normal processes of communication in the inner city but such art forms as the ritual insult and ritualized narrative, Labov confirms the Black vernacular as a separate and independent dialect of English. His analysis goes on to clarify the nature and processes of linguistic change in the context of a changing society. Perhaps even more today than two decades ago, Labov's conclusions are mandatory reading for anyone concerned with education and social change, with African American culture, and with the future of race relations in this country.

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Are human rights universal? The immediate response is "yes, of course." However, that simple affirmation assumes agreement about definitions of the "human" as well as what a human is entitled to under law, bringing us quickly to concepts such as freedom, property, and the inalienability of both. The assumption that we all mean the same things by these terms carries much political import, especially given that different communities (national, ethnic, religious, gendered) enact some of the most basic categories of human experience (self, home, freedom, sovereignty) differently. But whereas legal definitions often seek to eliminate ambiguity in order to define and protect the rights of humanity, ambiguity is in fact inherently human, especially in performances of heritage where the rights to sense, to imagine, and to claim cultural identities that resist circumscription are at play. Cultural Heritage in Transit examines the intangibilities of human rights in the realm of heritage production, focusing not only on the ephemeral culture of those who perform it but also on the ambiguities present in the idea of cultural property in general—who claims it? who may use it? who should not but does? In this volume, folklorists, ethnologists, and anthropologists analyze the practice and performance of culture in particular contexts—including Roma wedding music, Trinidadian wining, Moroccan verbal art, and Neopagan rituals—in order to draw apart the social, political, and aesthetic materialities of heritage production, including inequities and hierarchies that did not exist before. The authors collectively craft theoretical frameworks to make sense of the ways the rights of nations interact with the rights of individuals and communities when the public value of artistic creations is constituted through international law. Contributors: Valdimar Tr. Hafstein, Deborah Kapchan, Barbro Klein, Sabina Magliocco, Dorothy Noyes, Philip W. Scher, Carol Silverman.

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Volume 3 presents the supplementary materials that support the settlement history of the Vrokastro region, derived from intensive and systematic survey. The book presents brief summaries of regional pottery of the Bronze Age, Roman, and medieval to modern periods (with tables). Illustrations include maps, plans, pottery profiles, and photographs of sites, features, and pottery. The CD-ROM pottery catalogue is divided into four main units: Neolithic-Geometric, Orientalizing-Hellenistic, Early Roman-Late Roman, and Late Byzantine through Turkish-Modern. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/project/376591. Many of the sites have been damaged or destroyed by recent development, and this publication will remain their only record. University Museum Monograph, 123

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Written to celebrate the centennial of the Sphinx's arrival in Philadelphia, The Sphinx That Traveled to Philadelphia tells the fascinating story of the colossal sphinx that is a highlight of the Penn Museum's Egyptian galleries and an iconic object for the Museum as a whole. The narrative covers the original excavations and archaeological history of the Sphinx, how it came to Philadelphia, and the unexpected ways in which the Sphinx's story intersects with the history of Philadelphia, the University of Pennsylvania, and the Museum just before World War I. The book features ample illustrations—photographs, letters, newspaper stories, postcards, maps, and drawings—drawn largely from the extensive materials in the Museum Archives. Images of related artifacts in the Penn Museum's Egyptian collection and other objects from the Egyptian, Near East, and Mediterranean Sections (many not on view and some never before published), as well as pieces in museums in the United States, Europe, and Egypt, place the story of the Penn Museum Sphinx in a wider context. The writing style is informal and text is woven around the graphics that form the backbone of the narrative. The book is designed to be of interest to a wide audience of adult readers but accessible and engaging to younger readers as well.

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For almost three thousand years, Egypt and Mesopotamia were each ruled by the single sacred office of kingship. Though geographically near, these ancient civilizations were culturally distinct, and scholars have historically contrasted their respective conceptualizations of the ultimate authority, imagining Egyptian kings as invested with cosmic power and Mesopotamian kings as primarily political leaders. In fact, both kingdoms depended on religious ideals and political resources to legitimate and exercise their authority. Cross-cultural comparison reveals the sophisticated and varied strategies that ancient kings used to unify and govern their growing kingdoms. Experiencing Power, Generating Authority draws on rich material records left behind by both kingdoms, from royal monuments and icons to the written deeds and commissions of kings. Thirteen essays provocatively juxtapose the relationships Egyptian and Mesopotamian kings had with their gods and religious mediators, as well as their subjects and court officials. They also explore the ideological significance of landscape in each kingdom, since the natural and built environment influenced the economy, security, and cosmology of these lands. The interplay of religion, politics, and territory is dramatized by the everyday details of economy, trade, and governance, as well as the social crises of war or the death of a king. Reexamining established notions of cosmic and political rule, Experiencing Power, Generating Authority challenges and deepens scholarly approaches to rulership in the ancient world. Contributors: Mehmet-Ali Ataç, Miroslav Bárta, Dominique Charpin, D. Bruce Dickson, Eckart Frahm, Alan B. Lloyd, Juan Carlos Moreno Garcia, Ludwig D. Morenz, Ellen Morris, Beate Pongratz-Leisten, Michael Roaf, Walther Sallaberger, JoAnn Scurlock. PMIRC, volume 6

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Persian has been a written language since the sixth century B.C. Only Chinese, Greek, and Latin have comparable histories of literacy. Although Persian script changed—first from cuneiform to a modified Aramaic, then to Arabic—from the ninth to the nineteenth centuries it served a broader geographical area than any language in world history. It was the primary language of administration and belles lettres from the Balkans under the earlier Ottoman Empire to Central China under the Mongols, and from the northern branches of the Silk Road in Central Asia to southern India under the Mughal Empire. Its history is therefore crucial for understanding the function of writing in world history. Each of the chapters of Literacy in the Persianate World opens a window onto a particular stage of this history, starting from the reemergence of Persian in the Arabic script after the Arab-Islamic conquest in the seventh century A.D., through the establishment of its administrative vocabulary, its literary tradition, its expansion as the language of trade in the thirteenth century, and its adoption by the British imperial administration in India, before being reduced to the modern role of national language in three countries (Afghanistan, Iran, and Tajikistan) in the twentieth century. Two concluding chapters compare the history of written Persian with the parallel histories of Chinese and Latin, with special attention to the way its use was restricted and channeled by social practice. This is the first comparative study of the historical role of writing in three languages, including two in non-Roman scripts, over a period of two and a half millennia, providing an opportunity for reassessment of the work on literacy in English that has accumulated over the past half century. The editors take full advantage of this opportunity in their introductory essay. PMIRC, volume 4

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The Himalaya, Asia's jagged backbone, lured photographer Andrea Baldeck on four journeys covering thousands of miles from northern India to western China, the distillation of which is Himalaya: Land of the Snow Lion. This volume opens a window onto an ancient enduring culture, bound by shared ethnicity and religion and challenged by daunting geography. Portraits, landscapes, architecture, and still-life images convey the texture and rhythm of this mountain life, which is ever more threatened by the forces of geopolitics, migration, and modernization. In a series of succinct essays accompanying the images, the artist invites the viewer to imagine aspects of life and travel in a region where a remote, starkly beautiful environment test and tempers all who call it home.

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Baba Rexheb, a Muslim mystic from the Balkans, founded the first Bektashi community in America. This is his life story and the story of his communities: the traditional Bektashi tekke in Albania where he first served, the displaced persons camps to which he escaped after the war, the centuries-old tekke in Cairo where he waited, and the Bektashi community that he founded in Michigan in 1954 and led until his passing in 1995. Baba Rexheb lived through the twentieth century, its wars, disruptions, and dislocations, but still at a profound level was never displaced. Through Bektashi stories, oral histories, and ethnographic experience, Frances Trix recounts the life and times of this modern Sufi leader. She studied with Baba Rexheb in his community for more than twenty years. As a linguistic anthropologist, she taped twelve years of their weekly meetings in Turkish, Albanian, and Arabic. She draws extensively on Baba's own words, as well as interactions at the Michigan Bektashi center, for a remarkable perspective on our times. You come to know Baba Rexheb and his gentle way of teaching through example and parable, poetry and humor. The book also documents the history of the 700-year-old Bektashi order in the nineteenth and twentieth centuries in the Balkans and Egypt and its transposition to America. It attests to the role of Sufi centers in Islamic community life and their interaction with people of other faiths.

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The site of Dún Ailinne is one of four major ritual sites from the Irish Iron Age, each said to form the center of a political kingdom and thus described as "royal." Excavation has produced artifacts ranging from the Neolithic (about 5,000 years ago) through the later Iron Age (fourth century CE), when the site was the focus of repeated rituals, probably related to the creation and maintenance of political hegemony. A series of timber structures were built and replaced as each group of leaders sought to claim ancient descent from a deep past and still create something unique and lasting. Pam J. Crabtree and Ronald Hicks provide analyses on, respectively, biological remains and Dún Ailinne's role in folklore, myth, and the sacred landscape, while Katherine Moreau examines bronze and iron artifacts and Elizabeth Hamilton, slag. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/project/376584. University Museum Monograph, 129

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The Penn Museum's first archaeological expedition to Iran took place in 1931, when Erich F. Schmidt excavated the Bronze Age site of Tepe Hissar near the town of Damghan and the monumental buildings of the pre-Islamic Sasanian Palace. In this part of his adventurous and courageous life Schmidt, then a young German WWI veteran who had received his Ph.D. degree under Franz Boas at Columbia University, documented the project with nearly 2,600 culturally significant photos—many under far from ideal conditions—of desert and mountain tribes, the sites, government administrators, and a full panoply of the people he encountered from Fara (Iraq), Damghan, Tepe Hissar, Persepolis, including aerial reconnaissance. Gürsan-Salzmann has selected 64 memorable and instructive prints from the Museum's archives for the book's interior and has assembled dozens more from the Schmidt Collection, Chicago's Oriental Institute, and from family members for an accompanying CD-ROM. She helps readers interpret the cultural and physical landscapes of the Iran and Iraq of nearly 75 years ago as their ethnographic and historical treasures came to light. Content of the book's CD-ROM may be found online at this location: http://core.tdar.org/project/376583.

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This volume is the first comprehensive account of Etruscan mythology, an elusive and difficult subject because no Etruscan textual narratives have survived from antiquity. In order to interpret the myths and make the Etruscans come alive for us today, Nancy Thomson de Grummond acts as an archaeological detective piecing together evidence from representations in art, from archaeological sites, and from indirect accounts of Etruscan lore in Greek and Roman texts. She starts with the purely Etruscan material, beginning with their stories of the prophets and ending with their very particular view of the underworld. She probes the relationship between myth and ritual, as well as what myth reveals of Etruscan attitudes about politics and in particular about their society, as well as statements about gender and the human body made through myth and art. Specific topics include an overview of the Etruscan geographical setting; a review of questions of origins and of general Etruscan chronology, especially as it relates to the development of myth; our written sources, with a short discussion about what is known of the Etruscan language (largely through inscriptions), and the media in art that are most useful for the study of Etruscan myth, especially engraved bronze mirrors. Annotated representations in art and of other evidence from archaeology illuminate Etruscan mythology, and an appendix essay on studying Etruscan mythology lays out the history of the study of Etruscan myth and the principal publications on the subject. Authorities and students involved with front-line research on the Etruscans, classicists who study and teach the mythology of ancient Greece and Italy, and scholars of world myth interested not only in the comparanda but also in the methodology for studying myth without the illumination of local written narrative will benefit from this book. Content of this book's CD-ROM may be found online at this location: http://core.tdar.org/project/376539.

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The Black Sea coast is different from the rest of Turkey. For more than 5,000 years Sinop, the central point on the Turkish coast, has seemed more remote from the rest of the Anatolian land mass than from Greece, Italy, Africa, the Crimea, Istanbul, and Rome. How was Sinop connected to them? The Black Sea Trade Project explores the perception of connectedness: how connected did people feel to those in other upland villages, coastal villages, ports, the big port of Sinop, and to distant shores? How did economic, infrastructural, and political institutions bind local populations to larger systems, and how were various institutional processes situated in landscapes? In this first volume from the Sinop Regional Archaeological Project, Owen P. Doonan rigorously explores connection through Sinop and its hinterland, from precolonial Greek settlements through ages of empires, Roman, Russian, and Ottoman conquests to the present day.

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Poised in delicate, often hazardous balance with the liquid natural world the fabric of the man-made city rises out of the water and is reflected in it. The earth of Venice, a tissue of alluvial silt, is upheld and given form by a vast subterranean endoskeleton of wooden pilings supporting buildings of splendor with their feet in the mud. The air of Venice carries both heat and swells from North Africa's deserts and envelops life like liquid gauze. And fire, the most volatile of the four elements, has both destroyed and redrawn swaths of the city and fed the industry and commerce of a trading nation.

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G. M. FitzGerald's Deep Cut at Beth Shan, a large-scale research project in the southern Levant, is a window to the earliest civilization at this major tell, documenting human activity during the Neolithic and Bronze Age. In 1933, his last season excavating at Beth Shan, FitzGerald gave us a preliminary picture of a series of late prehistoric events that reflects the chronological progression of cultures within the region. His pioneering research effort left us with a tantalizing but incomplete story. In 1998, Eliot Braun researched FitzGerald's field notes at the University of Pennsylvania Museum and reveals in this final excavation report some of the mound's earliest secrets, including chrono-cultural and historical-stratigraphic phasing. He has integrated his work with FitzGerald's original publications, reinterpreting the data and synthetic studies of the site's major features for a more comprehensive story. Copious illustrations such as field photos and documents give the reader the aura of the 1933 excavation and a view of Beth Shan as its deepest levels were probed. Braun reviews architectural remains and stratigraphy and includes broad typological comparisons of material remains, with reference to those of other regional sites and ceramic sequences. Two appendices offer one of the earliest archaeobotanical studies in the Near East and raw data derived from FitzGerald's field notes. University Museum Monograph, 121

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Totaling approximately 40,000 objects, the University Museum's ethnographic holdings represent native peoples from ten North American culture areas—the Arctic, Subarctic, Northwest Coast, California, Plateau, Great Basin, Southwest, Great Plains, Northeast, and the Southeast. This guide highlights the strength of the collections and demonstrates how objects are tied to history and people living within different cultural and social contexts. It also underscores that objects have different multiple meanings. Some objects illustrate intertribal relations; others best reflect collecting attitudes at the turn of the century when much of the Museum's collections was acquired. Visitors and off-site readers will learn about such related archival resources as documentation and photographs, past and present Museum exhibitions, current research, repatriation, and contemporary collections development.

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This book brings together several new ways of thinking about pigs in the past, creating a dialogue by drawing on several kinds of approaches—from geography, ethnography, zoology, history, and archaeology—to enrich the way we all understand the evidence found in archaeological sites. MASCA Research Papers in Science and Archaeology 15

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Paleobotanical studies are assuming an increasingly important role in archaeology, providing information on prehistoric social structures, environments, and economic concerns. This volume presents the latest applications of phytolith analysis in archaeology and paleoecology. It demonstrates the versatility of the discipline. MASCA Vol. 10

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