Search results for ""touchstone""

Information regarding epigraphy, both early Christian and medieval, in the province of Burgos was scarce and spread around in inaccessible publications. This Corpus contains and analyses all entries between IV and XIII centuries, located in the province of Burgos in various monuments like Quintanilla de las Viñas, San Pedro de Arlanza, Santo Domingo de Silos, The Real Huelgas, Burgos Cathedral, etc. To this end, starting from a review of the bibliography which has been published, a detailed fieldwork was performed resulting in the collection of 326 entries, 45 of which have never been published before, providing new and corrected readings to many of them. Indeed, the description of each item; its edition, both epigraphic and paleographic; its translation; the metric study of the inscriptions; its historical context; the paleographic study of its characters and analysis of the literary texts, All of that gives the ability to specify many dates in history of the creation of the corresponding monuments the inscriptions are part of, and the recognition of numerous analogies among several of these constructions. Therefore, this work stands as a valuable landmark and touchstone for the fields of History, Art and Medieval Studies.

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This anthology collects the texts that defined the concept of biopolitics, which has become so significant throughout the humanities and social sciences today. The far-reaching influence of the biopolitical—the relation of politics to life, or the state to the body—is not surprising given its centrality to matters such as healthcare, abortion, immigration, and the global distribution of essential medicines and medical technologies.Michel Foucault gave new and unprecedented meaning to the term "biopolitics" in his 1976 essay "Right of Death and Power over Life." In this anthology, that touchstone piece is followed by essays in which biopolitics is implicitly anticipated as a problem by Hannah Arendt and later altered, critiqued, deconstructed, and refined by major political and social theorists who explicitly engaged with Foucault's ideas. By focusing on the concept of biopolitics, rather than applying it to specific events and phenomena, this Reader provides an enduring framework for assessing the central problematics of modern political thought.Contributors. Giorgio Agamben, Hannah Arendt, Alain Badiou, Timothy Campbell, Gilles Deleuze, Roberto Esposito, Michel Foucault, Donna Haraway, Michael Hardt, Achille Mbembe, Warren Montag, Antonio Negri, Jacques Rancière, Adam Sitze, Peter Sloterdijk, Paolo Virno, Slavoj Žižek

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In comparing the ways in which China, Taiwan and Hong Kong punish religious claims and practices considered by the state to be false or fraudulent, Jianlin Chen presents a seminal contribution to the interdisciplinary study of religious freedom. The book not only reveals how these legal tools sustain a hierarchy of religion, but also the political dynamic behind the design and utilization of these legal tools.Adopting a novel, comparative approach, Chen adeptly investigates various legal tools employed to regulate religious fraud in China, Taiwan and Hong Kong. Through a systematic survey of court judgments, he identifies the surprising convergences among the religious fraud regulations across the three jurisdictions. He further employs public choice analysis to tease out the reasons behind these often unconstitutional religious fraud regulations, and highlights the complicity of individuals who otherwise advocate for liberal democratic values. With its wealth of legal and political analysis, the book critically interjects in the global inquiry of religious freedom and democratic backsliding.This progressive book is an important touchstone for scholars and students in Asian studies, law and religion, criminal law and justice, and law and society.

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This anthology collects the texts that defined the concept of biopolitics, which has become so significant throughout the humanities and social sciences today. The far-reaching influence of the biopolitical—the relation of politics to life, or the state to the body—is not surprising given its centrality to matters such as healthcare, abortion, immigration, and the global distribution of essential medicines and medical technologies.Michel Foucault gave new and unprecedented meaning to the term "biopolitics" in his 1976 essay "Right of Death and Power over Life." In this anthology, that touchstone piece is followed by essays in which biopolitics is implicitly anticipated as a problem by Hannah Arendt and later altered, critiqued, deconstructed, and refined by major political and social theorists who explicitly engaged with Foucault's ideas. By focusing on the concept of biopolitics, rather than applying it to specific events and phenomena, this Reader provides an enduring framework for assessing the central problematics of modern political thought.Contributors. Giorgio Agamben, Hannah Arendt, Alain Badiou, Timothy Campbell, Gilles Deleuze, Roberto Esposito, Michel Foucault, Donna Haraway, Michael Hardt, Achille Mbembe, Warren Montag, Antonio Negri, Jacques Rancière, Adam Sitze, Peter Sloterdijk, Paolo Virno, Slavoj Žižek

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A touchstone for understanding how we behave on the job "This is a stimulating and provocative book in bringing together important ideas from different fields, and, thereby, giving us a whole new slant on 'human nature.'" --Edgar H. Schein, Sloan Fellows Professor of Management Emeritus and Senior Lecturer, MIT In this astonishing, provocative, and solidly researched book, two Harvard Business School professors synthesize 200 years of thought along with the latest research drawn from the biological and social sciences to propose a new theory, a unified synthesis of human nature. Paul Lawrence and Nitin Nohria have studied the way people behave in that most fascinating arena of human behavior-the workplace-and from their work they produce a book that examines the four separate and distinct emotive drives that guide human behavior and influence the choices people make: the drives to acquire, bond, learn, and defend. They ultimately show that, just as advances in information technology have spurred the New Economy in the last quarter of the twentieth century, current advances in biology will be the key to understanding humans and organizations in the new millennium.

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'One the foremost writers and participants in the Kurdish women's movement' - Harsha Walia The Kurdish women's movement is at the heart of one of the most exciting revolutionary experiments in the world today: Rojava. Forged over decades of struggle, most recently in the fight against ISIS, Rojava embodies a radical commitment to ecology, democracy and women's liberation. But while striking images of Kurdish women in military fatigues proliferate, a true understanding of the women's movement remains elusive. Taking apart the superficial and Orientalist frameworks that dominate, Dilar Dirik offers instead an empirically rich account of the women's movement in Kurdistan. Drawing on original research and ethnographic fieldwork, she surveys the movement's historical origins, ideological evolution, and political practice over the past forty years. Going beyond abstract ideas, Dirik locates the movement's culture and ideology in its concrete work for women's revolution in the here and now. Taking the reader from the guerrilla camps in the mountains to radical women's academies and self-organised refugee camps, readers around the world can engage with the revolution in Kurdistan, both theoretically and practically, as a vital touchstone in the wider struggle for a militant anti-fascist, anti-capitalist feminist internationalism.

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'One the foremost writers and participants in the Kurdish women's movement' - Harsha Walia The Kurdish women's movement is at the heart of one of the most exciting revolutionary experiments in the world today: Rojava. Forged over decades of struggle, most recently in the fight against ISIS, Rojava embodies a radical commitment to ecology, democracy and women's liberation. But while striking images of Kurdish women in military fatigues proliferate, a true understanding of the women's movement remains elusive. Taking apart the superficial and Orientalist frameworks that dominate, Dilar Dirik offers instead an empirically rich account of the women's movement in Kurdistan. Drawing on original research and ethnographic fieldwork, she surveys the movement's historical origins, ideological evolution, and political practice over the past forty years. Going beyond abstract ideas, Dirik locates the movement's culture and ideology in its concrete work for women's revolution in the here and now. Taking the reader from the guerrilla camps in the mountains to radical women's academies and self-organised refugee camps, readers around the world can engage with the revolution in Kurdistan, both theoretically and practically, as a vital touchstone in the wider struggle for a militant anti-fascist, anti-capitalist feminist internationalism.

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Animation variously entertains, enchants, and offends, yet there have been no convincing explanations of how these films do so. Shadow of a Mouse proposes performance as the common touchstone for understanding the principles underlying the construction, execution, and reception of cartoons. Donald Crafton's interdisciplinary methods draw on film and theater studies, art history, aesthetics, cultural studies, and performance studies to outline a personal view of animated cinema that illuminates its systems of belief and world making. He wryly asks: Are animated characters actors and stars, just like humans? Why do their performances seem live and present, despite our knowing that they are drawings? Why is animation obsessed with distressing the body? Why were California regional artists and Stanislavsky so influential on Disney? Why are the histories of animation and popular theater performance inseparable? How was pictorial space constructed to accommodate embodied acting? Do cartoon performances stimulate positive or negative behaviors in audiences? Why is there so much extreme eating? And why are seemingly insignificant shadows vitally important? Ranging from classics like The Three Little Pigs to contemporary works by Svankmajer and Plympton, these essays will engage the reader's imagination as much as the subject of animation performance itself.

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Feminist Interpretations of Thomas Hobbes features the work of feminist scholars who are centrally engaged with Hobbes’s ideas and texts and who view Hobbes as an important touchstone in modern political thought. Bringing together scholars from the disciplines of philosophy, history, political theory, and English literature who embrace diverse theoretical and philosophical approaches and a range of feminist perspectives, this interdisciplinary collection aims to appeal to an audience of Hobbes scholars and nonspecialists alike.As a theorist whose trademark is a compelling argument for absolute sovereignty, Hobbes may seem initially to have little to offer twenty-first-century feminist thought. Yet, as the contributors to this collection demonstrate, Hobbesian political thought provides fertile ground for feminist inquiry. Indeed, in engaging Hobbes, feminist theory engages with what is perhaps the clearest and most influential articulation of the foundational concepts and ideas associated with modernity: freedom, equality, human nature, authority, consent, coercion, political obligation, and citizenship.Aside from the editors, the contributors are Joanne Boucher, Karen Detlefsen, Karen Green, Wendy Gunther-Canada, Jane S. Jaquette, S. A. Lloyd, Su Fang Ng, Carole Pateman, Gordon Schochet, Quentin Skinner, and Susanne Sreedhar.

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Both a precursor to and a critical member of the French New Wave, Agnès Varda weaves documentary and fiction into tapestries that portray distinctive places and complex human beings. Critics and aficionados have celebrated Varda's independence and originality since the New Wave touchstone Cleo from 5 to 7 (1962) brought her a level of international acclaim she has yet to relinquish. Film historian Kelley Conway traces Varda's works from her 1954 debut La Pointe Courte through a varied career that includes nonfiction and fiction shorts and features, installation art, and the triumphant 2008 documentary The Beaches of Agnès . Drawing on Varda's archives and conversations with the filmmaker, Conway focuses on the concrete details of how Varda makes films: a project's emergence, its development and the shifting forms of its screenplay, the search for financing, and the execution from casting through editing and exhibition. In the process, she departs from film history's traditional view of the French New Wave and reveals one artist's nontraditional trajectory through independent filmmaking. The result is an intimate consideration that reveals the artistic consistencies and bold changes in the career of one of the world's most exuberant and intriguing directors.

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When we speak of mystics, we normally think of people who have confessed extraordinary experiences of divine presence. But mysticism can also refer to the ways that people have described and explained such phenomena—ways that challenge our normal modes of thinking and believing. And the study of mystics can show problems inherent to experience and language—how to speak and think about what affects people but lies beyond language or thought.Mystics presents a collection of previously unpublished essays by prominent scholars that consider both the idea of mystics and mysticism. The contributors offer detailed discussions of a variety of mystics from history, including Dionysius the Areopagite, Thomas Aquinas, Joan of Arc, Nicholas of Cusa, Saint Teresa of Avila, Martin Luther, and George Herbert. Essays on mysticism in George Bataille, Maurice Blanchot, and contemporary technology bring the volume into the twenty-first century.For anyone interested in the state of current thinking about mysticism, this collection will be an essential touchstone.Contributors:Thomas A. Carlson, Alexander Golitzin, Kevin Hart, Amy Hollywood, Michael Kessler, Jean-Luc Marion, Bernard McGinn, Françoise Meltzer, Susan Schreiner, Regina M. Schwartz, Christian Sheppard, David Tracy

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In 1929, ten years before James Joyce completed "Finnegans Wake", Sylvia Beach published a strange book with a stranger title: "Our Exagmination Round His Factification for Incamination of Work in Progress". Worried by the confusion and attacks that constituted the general reception of his "Work in Progress" (the working title for "Finnegans Wake"), Joyce orchestrated this collection of twelve essays and two 'letters of protest' from such writers as Samuel Beckett, Stuart Gilbert, Eugene Jolas, Robert McAlmon, and William Carlos Williams. "Our Exagmination" represents an altogether unusual hybrid of criticism and advertisement, and since its first appearance has remained a touchstone as well as a point of contention for Joyce scholars. Eighty years later, Joyce's "Disciples Disciplined" reads the "Exagmination" as an integral part of the larger composition history and interpretive context of "Finnegans Wake" itself. This new collection of essays by fourteen outstanding Joycean scholars offers one essay in response to each of the original "Exagmination" contributions. From philosophically informed exegeses and new conceptions of international modernism to considerations of dance, film, and the flourishing field of genetic studies, these essays together exemplify an interdisciplinary criticism that is also a lively and ongoing conversation with that criticism's history.

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From the moment Stephenie Meyer published Twilight in 2005, the series has captivated readers. Through three subsequent novels and the blockbuster movie series, the Twilight Saga quickly became more than just a hit series – it’s now a cultural touchstone. This new entry in the Fan Phenomena series brings together scholars and fans to explore the vibrant fan culture and lasting legacy of the saga. Contributors address such topics as the role of mythology in the appeal of the series; the distinct fan groups drawn in by the books and films; the vast world of Twilight fan fiction (including a discussion of Fifty Shades of Grey, the blockbuster novel that began as Twilight fan fiction); the role of gender in Twilight’s global acceptance; and much more. As with all the books in the series, the essays included here are sophisticated and richly analytic, yet aimed as much at fans as at scholars. Whether you’re interested in analysing its initial popularity or its impact on society more than a decade later, there’s no question you’ll find plenty in Fan Phenomena: The Twilight Saga to sink your teeth into.

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For more than two thousand years, Sun-tzu's The Art of War has provided leaders with essential advice on battlefield tactics, managing troops and terrain, and employing cunning and deception. An elemental part of Chinese culture, it has also become a touchstone for the Western struggle for survival and success, whether in battle, in business or in relationships. Now, in this crisp, accessible new translation, John Minford brings this seminal work to life for today's readers. Capturing the literary quality of The Art of War - its lucid, epigrammatic, almost poetic style - as well as its philosophical and strategic content, Minford present the core text in two different formats. First, the unadorned thirteen chapters allow readers to form their own first impressions of the ancient words of wisdom ascribed to Sun-tzu. Then the same text appears with extensive running commentary from the canon of traditional Chinese commentators and others, providing context and subtext to the work. A lively, learned introduction, chronologies, suggested readings, and other valuable apparatus round this authoritative volume. Even those readers familiar with The Art of War will experience it anew, finding it more fascinating - and more chilling - than ever.

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Running a Creative Company in the Digital Age helps you navigate the landscape and learn from seasoned professionals, understanding the mistakes they made so you don't have to make them too! Running a Creative Company in the Digital Age helps you navigate the landscape and learn from seasoned professionals, understanding the mistakes they made so you don't have to make them too! In the modern media industry digital content production is cheaper, more democratic and accessible and it's becoming more attractive - and easier - to do things your own way. So what if you want to set up on your own? This book will guide you through the joys and pitfalls of running your own creative company in today's diverse media climate. This is a nuts and bolts guide to company set up, structure, management and content production for digital platforms, TV, festivals, charities, education, brands and businesses. Full of tips for creating innovative business models and platforms, handling tricky people and situations, funding and networking, these pages are your touchstone for making that bold first move into founder/managing director status. Featuring interviews with industry experts including digital agency and production company CEOs, creative entrepreneurs, crowd funding platforms, investors, film makers, media lawyers and accountants.

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A reimagining of Buechner’s classic play Woyzeck, the tale of jealousy, love turned to hate, and murder and its consequences propels this internationally acclaimed novelThe novel W. is a literary prequel to one of modern literature’s touchstone texts, the play Woyzeck—the basis of films, operas, and numerous translations and adaptations. Considered the first modern drama, Woyzeck tells the story of a loyal foot soldier who, in a fit of jealous rage, kills the woman he loves. In 1836 this true story inspired Georg Buechner to write the play, unfinished at his death at just 23 years old. W., the astonishing new novel by August Prize–winning author Steve Sem-Sandberg, grippingly recounts the lovers’ relationship, the murder case, and the solder’s execution, while digging deeper into the world and motivations of the characters.Taking this classic and enduring work as his starting point, in poetic and controlled prose, Sem-Sandberg reveals a ruthless, moving, and unforgettable story of human vulnerability and the abyss that Buechner felt was a part of every person. Larger forces such as the horrors of war and the dehumanizing nature of psychiatry collide with the soldier’s own small world, and love devolves into hatred as Woyzeck desperately and humanly struggles to make something of the life given to him.

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Transnational customer service workers are an emerging touchstone of globalization given their location at the intersecting borders of identity, class, nation, and production. Unlike outsourced manufacturing jobs, call center work requires voice-to-voice conversation with distant customers; part of the product being exchanged in these interactions is a responsive, caring, connected self. In Phone Clones, Kiran Mirchandani explores the experiences of the men and women who work in Indian call centers through one hundred interviews with workers in Bangalore, Delhi, and Pune. As capital crosses national borders, colonial histories and racial hierarchies become inextricably intertwined. As a result, call center workers in India need to imagine themselves in the eyes of their Western clients—to represent themselves both as foreign workers who do not threaten Western jobs and as being "just like" their customers in the West. In order to become these imagined ideal workers, they must be believable and authentic in their emulation of this ideal. In conversation with Western clients, Indian customer service agents proclaim their legitimacy, an effort Mirchandani calls "authenticity work," which involves establishing familiarity in light of expectations of difference. In their daily interactions with customers, managers and trainers, Indian call center workers reflect and reenact a complex interplay of colonial histories, gender practices, class relations, and national interests.

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Though it wasn't successful at its first performance, in the centuries since then, Euripides's Medea has established itself as one of the most powerful and influential of the Greek tragedies. The story of the wronged wife who avenges herself upon her unfaithful husband by murdering their children is lodged securely in the popular imagination, a touchstone for politics, law, and psychoanalysis and the subject of constant retellings and reinterpretations. This new translation of Medea by classicist Oliver Taplin, originally published as part of the acclaimed third edition of Chicago's Complete Greek Tragedies, brilliantly replicates the musicality and strength of Euripides's verse while retaining the play's dramatic and emotional power. Medea was made to be performed in front of large audiences by the light of the Mediterranean sun, and Taplin infuses his translation with a poetry, color, and movement suitable to that setting. By highlighting the contrasts between the spoken dialogues and the sung choral passages, Taplin has created an edition of Medea that is particularly suited to performance, while not losing any of the power it has long held as an object of reading or study. This edition is poised to become the new standard, and to introduce a new generation of readers to the moving heights of Greek tragedy.

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The odore Rousseau (1812-1867), arguably the most important French landscape artist of the mid-nineteenth century and a leader of the so-called Barbizon School, occupies a crucial moment of transition from the idealizing effects of academic painting to the radically modern vision of the Impressionists. He was an experimental artist who rejected the traditional historical, biblical, or literary subject matter in favor of "unruly nature," a Romantic naturalism that confounded his contemporaries with its "bizarre" compositional and coloristic innovations. Lavishly illustrated and thoroughly documented, this volume includes five essays by experts in the field. Scott Allan and Edouard Kopp alternately examine Rousseau's diverse techniques and working procedures as a painter and as a draftsman, as well as his art's mixed economic and critical fortunes on the art market and at the Salon. Line Clausen Pedersen's essay focuses on Mont Blanc Seen from La Faucille, Storm Effect, an early touchstone for the artist and a spectacular example of the Romantic sublime in the Ny Carlsberg Glyptotek's collection. This catalogue accompanies an eponymous exhibition on view at the J. Paul Getty Museum from June 21 to September 11, 2016, and at the Ny Carlsberg Glyptotek from October 13, 2016, to January 8, 2017.

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In resource-challenged Athens County, Ohio, staff and volunteers at the nonprofit Athens County Foundation came up with a daring idea: to host a locally sourced, gourmet dinner for four hundred people. The meal would be held on the brick-paved main street of the city of Athens, to raise funds for the food bank, and increase awareness of the persistent local struggle with food insecurity, as well as raise the visibility of the foundation. The logistical challenges were daunting, but the plan would unite the community around the common theme of providing for its own. Since then, Bounty on the Bricks has become a touchstone event that raises close to one hundred thousand dollars for the food bank. In The Community Table, Athens County Foundation executive director Susan Urano translates her years of nonprofit experience with large-scale annual fundraisers into a step-by-step guide for development professionals, community leaders, and volunteers. Urano guides readers to consider when to mount a fundraiser, who the stakeholders are, what social and financial value the event will bring to the community, and how partnerships might augment the payoff. Using real-life examples, she explains how organizers can learn from mistakes and illustrates methods of team building, conflict resolution, and problem solving. Sample ideas, timelines, budgets, publicity plans, and committee structures round out The Community Table.

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A few minutes after noon on the 24th April, 1916, Patrick Pearse stepped outside the newly occupied GPO on Sackville Street with a copy of the Proclamation of the Irish Republic. Reading aloud, he declared a strike for Irish freedom against the world’s greatest imperial power. The Easter Rising, as the six days of intense, bloody fighting that followed came to be known, set the course for the next 100 years of Irish history; the ‘Heroes of ‘16’ becoming a national cultural and political touchstone down the generations. But today, canonised and mummified, the radical visions of Pearse and the socialist James Connolly are an awkward encumbrance on an Irish state that has its roots in the counter-revolution of the civil war, and which has emerged as a haven of economic neoliberalism. In this fascinating alternative history of modern Ireland, Kieran Allen follows the thread of 1916’s ‘revolutionary tradition’ - an uneasy marriage of Socialism and Republicanism - as it has unravelled across the century. From the strikes, boycotts, occupations and land redistribution that accompanied the war of independence; to the ‘carnival of reaction’ that followed; all the way up to the current movement against water charges and austerity, Allen reveals the complexities, ruptures and continuities of a revolutionary tradition that continues to haunt the establishment today.

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Doreen Massey (1944–2016) changed geography. Her ideas on space, region, labour, identity, ethics and capital transformed the field itself, while also attracting a wide audience in sociology, planning, political economy, cultural studies, gender studies and beyond. The significance of her contributions is difficult to overstate. Far from a dry defence of disciplinary turf, her claim that “geography matters” possessed both scholarly substance and political salience. Through her most influential concepts – such as power-geometries and a “global sense of place” – she insisted on the active role of regions and places not simply in bearing the brunt of political-economic restructuring, but in reshaping the uneven geographies of global capitalism and the horizons of politics. In capturing how global forces articulated with the particularities of place, Massey’s work, right up until her death, was an inspiration for critical social sciences and political activists alike. It integrated theory and politics in the service of challenging and transforming both. This collection of Massey’s writings brings together for the first time the full span of her formative contributions, showcasing the continuing relevance of her ideas to current debates on globalization, immigration, nationalism and neoliberalism, among other topics. With introductions from the editors, the collection represents an unrivalled distillation of the range and depth of Massey’s thinking. It is sure to remain an essential touchstone for social theory and critical geography for generations to come.

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Winner: CHOICE Outstanding Academic Book Award, CHOICE Magazine (2008) Winner: Morris D. Forkosch Prize for the best book in intellectual history, Journal of the History of Ideas (2008) The French revolts of May 1968, the largest general strike in twentieth-century Europe, were among the most famous and colourful episodes of the twentieth century. Julian Bourg argues that during the subsequent decade the revolts led to a remarkable paradigm shift in French thought - the concern for revolution in the 1960s was transformed into a fascination with ethics. Challenging the prevalent view that the 1960s did not have any lasting effect, From Revolution to Ethics shows how intellectuals and activists turned to ethics as the touchstone for understanding interpersonal, institutional, and political dilemmas. In absorbing and scrupulously researched detail Bourg explores the developing ethical fascination as it emerged among student Maoists courting terrorism, anti-psychiatric celebrations of madness, feminists mobilizing against rape, and pundits and philosophers championing humanitarianism. From Revolution to Ethics provides a compelling picture of how May 1968 helped make ethics a compass for navigating contemporary global concerns. In a new preface for the second edition published to mark the fiftieth anniversary of the events, Bourg assessses the worldwide influence of the ethical turn, from human rights to the return of religion and the new populism.

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A dynamically written visual history of the world's largest transit system in all its intriguing, colorful, and even seedy glory packed with compelling information, as well as fascinating graphics and illustrations.New York wouldn't be New York without the subway. This one-time engineering marvel that united and expanded the city has been a cultural touchstone for the last 114 years. Subway is a complete, concise history of the transit system, from the technical obstacles and corruption which impeded plans for an underground rail line in the late 1800s, to the current state of the systems and plans for the future. Interspersed throughout are sidebars and stand-alone sections including profiles of characters who helped make the subway what it is today; graphics and imagery showing the evolution of subway cars, tokens and MetroCards, graffiti, and even subway etiquette ads; how the subway has been characterized in movies, television, and music; a look at abandoned cars and stations and more. A passion project for writer and train-buff John Morris, he brings wit and a journalist's instinct to the book, grabbing readers' attention with fascinating facts and anecdotes, conveying a sense of wonder and fun about the world's largest transit system. With engrossing imagery and a dynamic design, Subway will be a visual feast and must-have gift book for history buffs and train fanatics.

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The Book of Forgiving, written together by the Nobel Peace Laureate Archbishop Desmond Tutu, and his daughter Revd Mpho Tutu, offers a deeply personal testament and guide to the process of forgiveness. All of us have at times needed both to forgive and be forgiven – whether small, everyday harms or real traumas. But the path to forgiveness is not easy, and the process unclear. How do we let go of resentment when we have been harmed, at times irreparably? How do we forgive and still pursue justice? How do we heal our hearts, and move on? How do we forgive ourselves for the harm we have caused others? Drawing on his memories of reconciliation in post-apartheid South Africa, Archbishop Desmond Tutu has identified four concrete steps to forgiveness through which we must all pass if we are to reach our destination: 1) Admitting the wrong and acknowledging the harm2) Telling one’s story and witnessing the anguish3) Asking for forgiveness and granting forgiveness4) Renewing or releasing the relationship Each chapter contains reflections and personal stories, as well as exercises for practising each step of the path. The Book of Forgiving is a touchstone and tool for anyone seeking the freedom of forgiveness: an inspiring guide to healing ourselves and creating a more united world.

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For eight years before the First World War, a young Georges Braque and his friend Pablo Picasso shaped what was perhaps the most revolutionary stage in the history of modern painting: Cubism. This catalog of the accompanying exhibition focuses on Braque’s turbulent pre-WWI period to reveal the processes by which the artist developed or reinvented his style in rapid succession— from Fauvism, Proto-Cubism, Analytical Cubism, papier collé to Synthetic Cubism. The amazing speed and intensity of Braque’s evolution stands as a remarkable parallel to modern art’s shifting focus from representation to abstraction. Bringing together sixty works from museums and private collections around the world, this book offers scholarly assessments that contextualise Braque’s career amidst unprecedented technological advances, new schools of thought, and an overall acceleration of everyday life in Western Europe. This includes the invention of moving pictures, which held a particular fascination for the young artist. Film stills and documentary and archival material help readers make the connection between dynamization and the development of aesthetic forms in the visual arts, between the visual innovations of the pre-war period and the flood of media images in which we live today. More than half a century after Braque’s death, this exploration of his remarkable career brings us closer to understanding the artist whom Guillaume Apollinaire considered the “touchstone” of Cubist art.

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A pioneering examination of the impact of new communications technologies and media practices on the religious life of American Jewry Engaging media has been an ongoing issue for American Jews, as it has been for other religious communities in the United States, for several generations. Shandler’s examples range from early recordings of cantorial music to Hasidic outreach on the Internet. In between he explores mid-twentieth-century ecumenical radio and television broadcasting, video documentation of life cycle rituals, museum displays and tourist practices as means for engaging the Holocaust as a moral touchstone, and the role of mass-produced material culture in Jews’ responses to the American celebration of Christmas. Shandler argues that the impact of these and other media on American Judaism is varied and extensive: they have challenged the role of clergy and transformed the nature of ritual; facilitated innovations in religious practice and scholarship, as well as efforts to maintain traditional observance and teachings; created venues for outreach, both to enhance relationships with non-Jewish neighbors and to promote greater religiosity among Jews; even redefined the notion of what might constitute a Jewish religious community or spiritual experience. As Jews, God, and Videotape demonstrates, American Jews’ experiences are emblematic of how religious communities’ engagements with new media have become central to defining religiosity in the modern age.

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A wide-ranging exploration of the story of Ruth, a foreigner who became the founding mother of the Davidic dynasty “[A]n insightful exploration of the book’s themes of otherness, kindness, and loyalty. This is a valuable contribution to the literature on Ruth.”—Publishers Weekly “A virtuoso exploration of the Book of Ruth as an admirable touchstone in the realms of literature, art, and human values. Ilana Pardes foregrounds the timeless emergency of migrants and refugees with compassion and depth.”—Galit Hasan-Rokem, author of Web of Life The biblical Ruth has inspired numerous readers from diverse cultural backgrounds across many centuries. In this insightful volume, Ilana Pardes invites us to marvel at the ever-changing perspectives on Ruth’s foreignness. She explores the rabbis’ lauding of Ruth as an exemplary convert, and the Zohar’s insistence that Ruth’s Moabite background is vital to her redemptive powers. In moving to early modern French art, she looks at pastoral paintings in which Ruth becomes a local gleaner, holding sheaves in her hands. Pardes concludes with contemporary adaptations in literature, photography, and film in which Ruth is admired for being a paradigmatic migrant woman. Ruth’s afterlives not only reveal much about their own times but also shine new light on this remarkable ancient tale and point to its enduring significance. In our own era of widespread migration and dislocation, Ruth remains as relevant as ever.

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From the beginning, the Beatles acknowledged in interviews their debt to Black music, apparent in their covers of and written original songs inspired by Chuck Berry, Little Richard, Fats Domino, the Shirelles, and other giants of R&B. Blackbird goes deeper, appreciating unacknowledged forerunners, as well as Black artists whose interpretations keep the Beatles in play.Drawing on interviews with Black musicians and using the song “Blackbird” as a touchstone, Katie Kapurch and Jon Marc Smith tell a new history. They present unheard stories and resituate old ones, offering the phrase “transatlantic flight” to characterize a back-and-forth dialogue shaped by Black musicians in the United States and elsewhere, including Liverpool. Kapurch and Smith find a lineage that reaches back to the very origins of American popular music, one that involves the original twentieth-century blackbird, Florence Mills, and the King of the Twelve String, Lead Belly. Continuing the circular flight path with Nina Simone, Billy Preston, Jimi Hendrix, Aretha Franklin, Sylvester, and others, the authors take readers into the twenty-first century, when Black artists like Bettye LaVette harness the Beatles for today.Detailed, thoughtful, and revelatory, Blackbird explores musical and storytelling legacies full of rich but contested symbolism. Appealing to those interested in developing a deep understanding of the evolution of popular music, this book promises that you’ll never hear “Blackbird”—and the Beatles—the same way again.

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A powerful work by the heralded writer, this collection is a touchstone event in German literature of the post-war era. On April 8, 1945, several American bomber squadrons were informed that their German targets were temporarily unavailable due to cloud cover. As it was too late to turn back, the assembled ordnance of more than two hundred bombers was diverted to nearby Halberstadt. A mid-sized cathedral town of no particular industrial or strategic importance, Halberstadt was almost totally destroyed, and a then-thirteen-year-old Alexander Kluge watched his town burn to the ground. Incorporating photographs, diagrams, and drawings, Kluge captures the overwhelming rapidity and totality of the organized destruction of his town from numerous perspectives, bringing to life both the strategy from above and the futility of the response on the ground. Originally published in German in 1977, this exquisite report, fragmentary and unfinished, is one of Kluge’s most personal works and one of the best examples of his literary technique. The English edition of Air Rair includes additional new stories by the author and features an appreciation of the work by W. G. Sebald. “More than a few of Kluge’s many books are essential, brilliant achievements. None are without great interest.”—Susan Sontag

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Jason Priestley, star of the iconic hit television series Beverly Hills, 90210 and one of the biggest teen idols of the 1990s, chronicles the highs and lows of his life and career in this charming and honest memoir. The hit Fox show Beverly Hills, 90210 became a cultural touchstone of the 1990s and propelled its young cast to mega-stardom, including Jason Priestley, who played honorable Midwestern transplant Brandon Walsh. Yet despite more than twenty years in and out of the limelight, Priestley has carefully maintained his privacy. In this compelling memoir, the actor, director, and race-car aficionado invites us into his private world for the first time. With humor, sincerity, and charm, Priestley offers little-known details about his life and stories of his nine years in America's most famous zip code. He talks candidly about celebrity, marriage, fatherhood, and his passion for car racing. He does not shy away from the devastating lows-his brief jail sentence for drunk driving and the crash at the Kentucky Speedway that nearly took his life. Priestley shares his innermost thoughts about life as a '90s icon, and goes beyond the Brandon Walsh squeaky-clean image, revealing the tumultuous events that have shaped him, and where he finds his greatest happiness today.

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From art school student to designer for Nike, Topshop, and Google, Kate Moross has lived the life that young graphic artists dream of. But it hasn't always been a smooth ride, and in this informative memoir and guide Moross offers true insider's tips on how to make it in a highly competitive field. Written in an approachable, forthright, and refreshingly honest tone, Make Your Own Luck features chapters on how to thrive in art school, developing your own style, how to self-promote, collaboration with other artists, how to deal with "copycats," and when to consider working for free. She also touches on the fine points of music packaging and videos, how to find an agent, and looks back on the touchstone moments that helped shape her career. Designed to mimic Moross's signature bold, brightly coloured style, this book is filled with dozens of examples of her work for companies such as Google, Adidas, and Nokia, as well as musicians including Simian Mobile Disco, Jessie Ware, Zomby, and Pictureplane. Irreverent and packed with enormously helpful tips for designers of all stripes, Make Your Own Luck is certain to become an indispensable guide for anyone interested in graphic art as a vocation or hobby.

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Between 1910 and 1920, thousands of Mexican Americans and Mexican nationals were killed along the Texas border. The killers included strangers and neighbors, vigilantes and law enforcement officers-in particular, Texas Rangers. Despite a 1919 investigation of the state-sanctioned violence, no one in authority was ever held responsible.Reverberations of Racial Violence gathers fourteen essays on this dark chapter in American history. Contributors explore the impact of civil rights advocates, such as Jose Tomas Canales, the sole Mexican-American representative in the Texas State Legislature between 1905 and 1921. The investigation he spearheaded emerges as a historical touchstone, one in which witnesses testified in detail to the extrajudicial killings carried out by state agents. Other chapters situate anti-Mexican racism in the context of the era's rampant and more fully documented violence against African Americans. Contributors also address the roles of women in responding to the violence, as well as the many ways in which the killings have continued to weigh on communities of color in Texas. Taken together, the essays provide an opportunity to move beyond the more standard Black-white paradigm in reflecting on the broad history of American nation-making, the nation's rampant racial violence, and civil rights activism.

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The Aperture Masters of Photography Series has become a touchstone of Aperture’s longstanding commitment to introducing the history and art of photography to a broader public. Each volume provides an ongoing comprehensive view of the artists who have helped shape the medium. Initially presented as the History of Photography Series in 1976, the first volume featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture’s own Michael Hoffman. Twenty volumes have been published in total, each of them devoted to an image-maker whose achievements have accorded them vital importance in the history of photography. Each volume presents an evocative selection of the photographer’s life’s work, introduced with a foreword by a notable curator or historian of each artist. The series will be relaunched in Fall 2014, beginning with books on Paul Strand and Dorothea Lange, elegantly updated and refreshed for today’s photography-hungry audiences, and introducing new, image-by-image commentary and chronologies of the artists’ lives for each of the previously published titles. The series will also include entirely new titles on individual artists. The Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compilation for anyone studying the history of photography.

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Talent Management (TM) is an issue of critical importance for today’s senior managers. Employers acknowledge that an engaged, skilled and motivated workforce is key to achieving growth and competitive advantage. Organizations are hiring TM officers and implementing TM strategies and programs to attract and retain the best employees. Yet many organizations still find it difficult to develop a coherent and successful TM approach. Academic research does not give much support in finding the right solutions: despite the enormous expansion of research on the topic, ambiguity about definitions and conceptual boundaries remains. Moreover, there is little knowledge about the nature of TM in practice and how it evolves over time. Talent Management in Practice offers an integrated and contextualized framework that addresses both the nature of TM in organizations and its ever-changing dynamics. The approach is based, on the one hand, upon lessons learned from previous empirical research on TM, and on the other hand, upon established theoretical frameworks from related academic fields. The result is a unique bridge between theory and TM in practice. This volume develops a model that can guide TM researchers in their future research, and since it is presented in an accessible and jargon-free format, it provides a touchstone for managers and practitioners as they implement and improve their TM approaches.

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Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986-the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler's tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects-from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden-Drexler's boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department's public and educational programs projected a culture of popular accessibility, offsetting MoMA's reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyses how MoMA became a touchstone for the practice and study of midcentury architecture.

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This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings. In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes. The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

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This book interprets fourth-century theological discourse as an incident in the history of masculine gender, arguing that Nicene trinitarian doctrine is a crucial site not only for theological innovation but also for reimagining and reproducing manhood in the late Roman period. When the Trinity became for the first time the sine qua non of doctrinal orthodoxy, masculinity was conceived anew, in terms that heightened the claims of patriarchal authority while cutting manhood loose from its traditional fleshly and familial moorings. In exploring the significance of this late antique movement for the subsequent history of ideals of manhood in the West, this study directly engages, combines, and thereby disrupts the divergent disciplinary perspectives of historical theology, late Roman cultural history, and French feminist theory. The author brings contemporary theorist Luce Irigaray into dialogue with the Patristic corpus to coax out a fresh interpretation of ancient texts and themes. The book centers on performative readings of major works by three prominent fourth-century Fathers—Athanasius of Alexandria, Gregory of Nyssa, and Ambrose of Milan. Each of these ascetic bishops played a crucial role in defending Nicene trinitarian doctrine as the touchstone of orthodox belief; each also modeled a distinctive style of fourth-century masculine self-fashioning. The concluding chapter considers the sum of these three figures from an explicitly feminist theological and theoretical perspective.

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A few minutes after noon on the 24th April, 1916, Patrick Pearse stepped outside the newly occupied GPO on Sackville Street with a copy of the Proclamation of the Irish Republic. Reading aloud, he declared a strike for Irish freedom against the world’s greatest imperial power. The Easter Rising, as the six days of intense, bloody fighting that followed came to be known, set the course for the next 100 years of Irish history; the ‘Heroes of ‘16’ becoming a national cultural and political touchstone down the generations. But today, canonised and mummified, the radical visions of Pearse and the socialist James Connolly are an awkward encumbrance on an Irish state that has its roots in the counter-revolution of the civil war, and which has emerged as a haven of economic neoliberalism. In this fascinating alternative history of modern Ireland, Kieran Allen follows the thread of 1916’s ‘revolutionary tradition’ - an uneasy marriage of Socialism and Republicanism - as it has unravelled across the century. From the strikes, boycotts, occupations and land redistribution that accompanied the war of independence; to the ‘carnival of reaction’ that followed; all the way up to the current movement against water charges and austerity, Allen reveals the complexities, ruptures and continuities of a revolutionary tradition that continues to haunt the establishment today.

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From the beginning, the Beatles acknowledged in interviews their debt to Black music, apparent in their covers of and written original songs inspired by Chuck Berry, Little Richard, Fats Domino, the Shirelles, and other giants of R&B. Blackbird goes deeper, appreciating unacknowledged forerunners, as well as Black artists whose interpretations keep the Beatles in play.Drawing on interviews with Black musicians and using the song “Blackbird” as a touchstone, Katie Kapurch and Jon Marc Smith tell a new history. They present unheard stories and resituate old ones, offering the phrase “transatlantic flight” to characterize a back-and-forth dialogue shaped by Black musicians in the United States and elsewhere, including Liverpool. Kapurch and Smith find a lineage that reaches back to the very origins of American popular music, one that involves the original twentieth-century blackbird, Florence Mills, and the King of the Twelve String, Lead Belly. Continuing the circular flight path with Nina Simone, Billy Preston, Jimi Hendrix, Aretha Franklin, Sylvester, and others, the authors take readers into the twenty-first century, when Black artists like Bettye LaVette harness the Beatles for today.Detailed, thoughtful, and revelatory, Blackbird explores musical and storytelling legacies full of rich but contested symbolism. Appealing to those interested in developing a deep understanding of the evolution of popular music, this book promises that you’ll never hear “Blackbird”—and the Beatles—the same way again.

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Is being an artist a radical form of entrepreneurship or a vocational calling like the priesthood? Is it an extension of philosophy or an offshoot of entertainment? In three richly interlinked but distinct 'acts' - Politics, Kinship and Craft - Sarah Thornton compares and contrasts answers to the simple but profound question: what is an artist? 33 Artists in 3 Acts draws on hundreds of personal encounters with the world's most important artists, to ask what it means to be making artworks in different parts of the world today. With Thornton as expert guide and trusted insider, we have unprecedented access to the lives of the artists, from late-night Skype chats with Ai Weiwei to taxi rides with Maurizio Cattelan on the way to and from the show that announces his death. We join Thornton as she rummages through artists' studios, homes and solo shows, inquiring about everything from their bank accounts to their bedrooms. The result is a series of cinematic experiences, which juxtapose artists in thought-provoking ways, and build up narratives that end with epiphanies. 33 Artists in 3 Acts is a generational touchstone, a powerful triptych and gripping anti-monograph about truth, integrity, credibility and recognition. Essential reading for anyone interested in contemporary art, this masterful act of storytelling will also delight any reader seeking to understand creative lives.

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Wales Book of the Year 2018. Winner of the 2018 Roland Mathias Poetry Award. Shortlisted for the 2017 T.S. Eliot Prize. The opening poem sequence, 'Diary of the Last Man', sets the tone for Robert Minhinnick's book, a celebration of the dwindling Earth, an elegy, a caution. His Wales is a touchstone; other landscapes and cityscapes are tried against it, with its erratic weather, its sudden changes of mood, 'a black tonic'. The sequence remembers all the geographies of his earlier work, old and new world, but now unpeopled and the lonely spirit free to go anywhere, do anything, but meaning with mankind has drained away. Yet still alive, and still with language, registering. The rest of the book is filled with voices: of children, of rivers, terrorists, magicians; and voices translated from the Welsh, and from Turkish and Arabic, shared, enriching with their difference, their other worlds. History washes over and washes up on the strand of this Welsh book. It is seen and recognised, it begins to be transformed. In the long concluding poem, 'The Sand Orchestra', the poet returns to his own voice, and to the voice of a Bechstein piano abandoned in the open air, played now by nature, its winds and sand. The last man, who has been looking for Ulysses, is the very man he has been looking for.

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In popular mythology, the Overland Trail is typically a triumphant tale, with plucky easterners crossing the Plains in caravans of covered wagons. But not everyone reached Oregon and California. Some 6,600 migrants perished along the way and were buried where they fell, often on Indigenous land. As historian Sarah Keyes illuminates, their graves ultimately became the seeds of U.S. expansion. By the 1850s, cholera epidemics, ordinary diseases, and violence had remade the Trail into an American burial ground that imbued migrant deaths with symbolic power. In subsequent decades, U.S. officials and citizens leveraged Trail graves to claim Native ground. Meanwhile, Indigenous peoples pointed to their own sacred burial grounds to dispute these same claims and maintain their land. These efforts built on anti-removal campaigns of the 1820s and 30s, which had established the link between death and territorial claims on which the significance of the Overland Trail came to rest. In placing death at the center of the history of the Overland Trail, American Burial Ground offers a sweeping and long overdue reinterpretation of this historic touchstone. In this telling, westward migration was a harrowing journey weighed down by the demands of caring for the sick and dying. From a tale of triumph comes one of struggle, defined as much by Indigenous peoples’ actions as it was by white expansion. And, finally, from a migration to the Pacific emerges instead a trail of graves. Graves that ultimately undergirded Native dispossession.

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An examination of the efforts of faith-based organizations to expand the rights of the formerly incarcerated The use of religion to rehabilitate and redeem formerly incarcerated individuals has been a cultural touchstone of the modern era. Yet religious outreach to those with criminal records has typically been associated with an emphasis on private spirituality, with efforts focused on repentance, conversion, and restorative justice. This book sheds light on how faith-based organizations utilize the public arena, mobilizing to expand the social and political rights of former inmates. In “Jesus Saved an Ex-Con,” Edward Orozco Flores profiles Community Renewal Society and LA Voice, two faith-based organizations which have actively waged community organizing campaigns to expand the rights of people with records. He illuminates how these groups help the formerly incarcerated re-enter broader communities through the expansion of citizenship rights and participation in civic engagement. Most work on prisoner reentry has focused on how the behavior of those with records may be changed through interventions, rather than considering how those with records may change the society that receives them. Flores explores how the formerly incarcerated use redemption scripts to participate in civic engagement, to remove the felony conviction question from employment applications and to restrict the use of criminal background checks in housing and employment. He shows that people with records can redeem themselves while also challenging and changing the way society receives them.

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Reveals how young American Jewish children come to develop their views about Israel Israel has long occupied a prominent place in the lives and imaginations of American Jews, serving as both a symbolic touchstone and a source of intercommunal conflict. In My Second-Favorite Country, Sivan Zakai offers the first longitudinal study of how American Jewish children come to think and feel about Israel, tracking their evolving conceptions from kindergarten to fifth grade. This work sheds light on the perception of Israel in the minds of Jewish children in the US and provides a rich case study of how children more generally develop ideas and beliefs about self, community, nation, and world. In contrast to popular views of America’s youth as naive or uninterested, this book illuminates both the complexity of their thinking and their desire to be included in conversations about important civic and political matters. Zakai draws from compelling empirical data to prove that children spend considerable effort contemplating the very concepts that adults often assume they are not ready to discuss. Indeed, the book argues that over the course of their elementary school education, children develop and express deep interest in complex issues such as the intricacies of identity and belonging, conflicting ways of framing the past, and the demands of civic responsibility. Ultimately, Zakai argues that in order to take children’s ideas seriously and better prepare them for a world full of disagreement, a substantive shift in educational practices is necessary.

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It is widely held that Bayesian decision theory is the final word on how a rational person should make decisions. However, Leonard Savage--the inventor of Bayesian decision theory--argued that it would be ridiculous to use his theory outside the kind of small world in which it is always possible to "look before you leap." If taken seriously, this view makes Bayesian decision theory inappropriate for the large worlds of scientific discovery and macroeconomic enterprise. When is it correct to use Bayesian decision theory--and when does it need to be modified? Using a minimum of mathematics, Rational Decisions clearly explains the foundations of Bayesian decision theory and shows why Savage restricted the theory's application to small worlds. The book is a wide-ranging exploration of standard theories of choice and belief under risk and uncertainty. Ken Binmore discusses the various philosophical attitudes related to the nature of probability and offers resolutions to paradoxes believed to hinder further progress. In arguing that the Bayesian approach to knowledge is inadequate in a large world, Binmore proposes an extension to Bayesian decision theory--allowing the idea of a mixed strategy in game theory to be expanded to a larger set of what Binmore refers to as "muddled" strategies. Written by one of the world's leading game theorists, Rational Decisions is the touchstone for anyone needing a concise, accessible, and expert view on Bayesian decision making.

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Political moderation is the touchstone of democracy, which could not function without compromise and bargaining, yet it is one of the most understudied concepts in political theory. How can we explain this striking paradox? Why do we often underestimate the virtue of moderation? Seeking to answer these questions, A Virtue for Courageous Minds examines moderation in modern French political thought and sheds light on the French Revolution and its legacy. Aurelian Craiutu begins with classical thinkers who extolled the virtues of a moderate approach to politics, such as Aristotle and Cicero. He then shows how Montesquieu inaugurated the modern rebirth of this tradition by laying the intellectual foundations for moderate government. Craiutu looks at important figures such as Jacques Necker, Madame de Stael, and Benjamin Constant, not only in the context of revolutionary France but throughout Europe. He traces how moderation evolves from an individual moral virtue into a set of institutional arrangements calculated to protect individual liberty, and he explores the deep affinity between political moderation and constitutional complexity. Craiutu demonstrates how moderation navigates between political extremes, and he challenges the common notion that moderation is an essentially conservative virtue, stressing instead its eclectic nature. Drawing on a broad range of writings in political theory, the history of political thought, philosophy, and law, A Virtue for Courageous Minds reveals how the virtue of political moderation can address the profound complexities of the world today.

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A touchstone of the Enlightenment dispute between rationality and religious belief, David Hume’s essay “Of Miracles” has elicited much commentary from proponents and critics ever since it was published over 250 years ago. Alexander George’s lucid and sustained interpretation of Hume’s essay provides fresh insights into this provocative, occasionally elusive, and always subtle text. The Everlasting Check will be read with interest by both students new to Hume and seasoned scholars.George does justice to the letter and spirit of Hume’s essay, explaining the concepts and claims involved, making intelligible the essay’s structure, and clarifying remarks that have long puzzled readers. Properly interpreted, the essay’s central philosophical argument proves to be much hardier than Hume’s detractors suggest. George considers a range of objections to Hume—some recent, some perennial—and shows why most fail, either because they are based on misinterpretations or because the larger body of Hume’s philosophy answers them.Beyond an analysis and defense of Hume’s essay, George also offers a critique of his own, appealing to Ludwig Wittgenstein’s thoughts on magic and ritual to demonstrate that Hume misconstrues the character of religious belief and its relationship to evidence and confirmation. Raising a host of important questions about the connection between religious and empirically verified beliefs, George discusses why Hume’s master argument can fail to engage with committed religious thought and why philosophical argumentation in general often proves ineffective in shaking people’s deeply held beliefs.

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