Search results for ""thames hudson""

Todd Webb is largely known for his skillful photographic documentation of everyday life and architecture in cities, most notably New York and Paris, as well as his photographs of the American West. This new book showcases a different side of Webb’s work, taken from an assignment that took him to eight African countries. In 1958, Webb was invited by the United Nations to document Togoland (now Togo), Ghana, Kenya, the Federation of Rhodesia and Nyasaland (now Zimbabwe, Zambia and Malawi), Somaliland (now Somalia), Sudan, Tanganyika and Zanzibar (now merged as Tanzania) over a five-month assignment. Equipped with three cameras and briefed to document industrial progress, he returned with approximately 1,500 colour negatives, but less than twenty of them were published, in black and white, by the United Nations Department of Public Information. The archive was then lost for over fifty years and was only rediscovered by the Todd Webb Archive in 2017. Todd Webb in Africa includes over 150 striking colour photographs from Webb’s African United Nations assignment. This book, and an accompanying touring exhibition, provides expert insight into Webb’s images with contributions by both African and American scholars. Accompanying essays place the photographs in their historical and artistic moment, and provide crucial insight into the role of photography in visualizing national independence and ingrained imperialism.With 203 illustrations in colour

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Inspired by the work of an earlier generation of Japanese photographers, especially by Shomei Tomatsu, and by William Klein’s seminal photographic book on New York, Daido Moriyama moved from Osaka to Tokyo in the early sixties to become a photographer. He became the leading exponent of a fierce new photographic style that corresponded perfectly to the abrasive and intense climate of Tokyo during a period of great social upheaval. His black and white pictures were marked by fierce contrast and fragmentary, even scratched, frames, which concealed his virtuoso printing. Between June 1972 and July 1973 he produced his own magazine publication, Kiroku, which was then referred to as Record. It became a diaristic journal of his work as it developed. Ten years ago he was able to resume publication of Record, which gradually expanded in extent. To date he has published thirty issues, a number of them including colour. The publication of Record as a book enables work from all thirty issues to be edited into a single sequence, punctuated by Moriyama’s own text as it appeared in the magazines. It used to be assumed that Moriyama’s peculiarly Japanese style was tied to his Tokyo roots. The evidence of the last ten years demonstrates that Moriyama, a restless world traveller, has been able to apply his unique vision to northern Europe, southern France, the cities of Florence, London, Barcelona, Taipei, Hong Kong, New York and Los Angeles as well as to the alleys of Osaka, and the landscape of Hokkaido. The book ends in Afghanistan.

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In rural Japan the passage of the year is marked by festivals and rituals that have changed little for centuries. Elaborate outfits, crafted from textiles as well as branches, straw and elements sourced from the natural environment, are donned in agricultural and fishing communities throughout Japan to celebrate seasonal rites of fertility and abundance. Yokainoshima (literally 'island of monsters') explores the extraordinary ranges of masks, costumes and characters that reappear with each returning season. Charles Fréger's photographs combine acute documentary attentiveness with individual portraiture in an entirely fresh and distinctive style. Toshiharu Ito and Akihiro Hatanaka, both specialists in Japanese folk culture and anthropology, analyse Fréger's photographs, setting the huge variety of eclectic clothing in ethnographic context and describing the local festivals, dances and rituals. A final illustrated reference section describes individual costumes and masks.

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This book is a vivid photographic record of daily life in Istanbul from the 1940s to the 1980s. Captured through the unerring lens of the award winning Ara Güler, the ‘Eye of Istanbul’, it reflects the city’s melancholy aesthetic as it oscillates between tradition and modernity. Güler’s remarkable duotone photographs are accompanied by evocative commentaries from Orhan Pamuk, another leading figure in Turkish culture. Both writer and photographer each held in their youth the ambition of becoming a painter. Here, each in his own way paints a brushless picture of his hometown and captures, through image and word, its very soul.

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Nobody photographs libraries, those splendid and intimate cathedrals of knowledge, as beautifully as Candida Höfer. Her photographs are sober and restrained – the atmosphere is disturbed by neither visitors nor users, especially as she forgoes any staging of the locations. The emptiness is imbued with substance by a subtle attention to colour, and the prevailing silence instilled with a metaphysical quality that gives voice to the objects, over and above the eloquence of the furnishings or the pathos of the architecture. This sumptuous volume contains Höfer’s famously ascetic images of the British Library in London, the Escorial in Spain, the Whitney Museum and the Pierpoint Library in New York, the Bibliothèque nationale de France in Paris, the Villa Medici in Rome and the Hamburg University Library, among others. Umberto Eco introduces the collection with a witty reflection on the role of libraries in all our lives. Almost completely devoid of people, as is Höfer’s trademark, these pictures radiate a comforting serenity that is exceptional in contemporary photography.

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‘The go-to for all things Vuitton’ TatlerFounded as a luxury leather goods house in 1854, Louis Vuitton was for many decades one of the world’s leading trunk and accessories makers. It was after launching its first fashion collections in 1998, however, that the house reached unprecedented global fame, and pioneered high-profile collaborations with artists such as Richard Prince, Takashi Murakami and Stephen Sprouse.Louis Vuitton Catwalk is a complete and unrivalled overview of the world’s top fashion house. The book opens with a concise history of the house, followed by brief biographical profiles of Marc Jacobs, the first creative director 1998–2014, and Nicolas Ghesquière, who helms the brand today, before exploring the collections themselves, organized chronologically. Each collection is introduced by a short text unveiling its influences and highlights, and illustrated with carefully curated catwalk images. Showcasing hundreds of spectacular clothes, details, accessories, beauty looks and set designs – and, of course, the top fashion models who wore them on the runway, from Naomi Campbell and Gisele to Kate Moss and Cara Delevingne. A rich reference section, including an extensive index, concludes the book.

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Plywood is an astonishingly versatile material, made by gluing together layers of cross-grained veneers, creating a pliable board that can be stronger than solid wood. Stylish and practical, plywood offers huge possibilities for experimental design, and it has been used to make a wide range of products, from aeroplanes, boats and automobiles to architecture and furniture. This book traces the history of plywood from its use in 18th-century furniture, through its emergence as an industrial product in the 19th century, to a material celebrated by 20th-century modernists such as Alvar Aalto and Charles and Ray Eames. An ideal material for the digital age, plywood has become popular again in recent years and is widely used in contemporary design and manufacture. Produced to accompany an exhibition at the V&A, this book is the first comprehensive study of the history of plywood and its myriad applications throughout the ages, unveiling the stories behind objects that surround us and that we often take for granted.

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The mid-twentieth century was a dynamic period in international design, including interior design, and has retained its influence on popular culture today. This handbook shows readers how to create a tailor-made home inspired by the iconic designs of this period. Working through the home one room at a time, the book highlights classic items of furniture and signature accessories. In-depth case studies demonstrate the essential elements and provide inspiration. Colour combinations are explored to help personalise these inventive styles for the home. Anyone eager to bring mid-century chic to their own home will find this book a valuable resource.

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Now creative director of Maison Margiela, John Galliano started his career in London in the late 1980s, straight after graduating from Central Saint Martins. After being appointed head designer of Christian Dior in 1996, Galliano continued to create two collections a year for his namesake brand. They acted in many ways as a laboratory of ideas, allowing him to let his imagination run wild, free from both the commercial pressures associated with a house as iconic and as global as Dior and the influence of the hallowed house’s iconic pieces – a pure expression of his personal design style. Opening with an essay on the designer’s work, John Galliano: Unseen unfolds chronologically. Thirty collections are included, each introduced by a short text by Claire Wilcox, revisiting the designer’s most iconic creations and revealing previously unseen behind-the-scenes moments that capture models, hairdressers, stylists, makeup artists and John Galliano himself at their most creative. Robert Fairer’s stunning and high-energy photographs capture the glamour and frenzy that defined Galliano’s shows. A treasure-trove of inspiration, they make this publication a must-have reference for fashion and photography lovers alike.

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‘A must-have for anyone who calls themselves a fashion fan.’ LOVE MagazineThis book gathers together, for the first time, every Dior haute couture collection, including also ready-to-wear collections after the arrival of John Galliano (when ready-to-wear presentations took on a new importance), and the first two collections designed by creative director Maria Grazia Chiuri, appointed in 2016. It offers a unique opportunity to chart the development of one of the world’s most famous fashion brands and discover rarely seen collections.This definitive publication opens with a concise history of the house of Dior before exploring the collections themselves, which are organized chronologically. Each new ‘era’ in Dior’s history is inaugurated by a brief overview and biography of the new designer, while individual collections are introduced by a short text unveiling their influences and highlights and illustrated with carefully curated catwalk images. A rich reference section, including an extensive index, concludes the book. After Chanel, Dior is the second volume in a series of high-end, cloth-bound books that offer a complete and unrivalled overview of the collections of the world’s top fashion houses through original catwalk photography.

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This achingly jawdropping book follows the evolution of dentistry throughout the world from the Bronze Age to the present day, presenting captivating and grim illustrations of the tools and techniques of dentistry through the ages. Organized chronologically, The Smile Stealers interleaves beautiful and gruesome technical illustrations and paintings from the Wellcome Collection’s unique archive of material from Europe, America and the Far East with seven authoritative and eloquent themed articles from medical historian Richard Barnett. A comprehensive review of the development of the trade and discipline of dentistry, it covers topics as diverse as the very first dentures (produced by the Etruscans in the seventh century bce); the smile revolution in 18th-century portraiture; and the role of dentistry in forensic science – all in one beautifully illustrated volume. Extending the cult of the medically macabre begun by its predecessors The Sick Rose and Crucial Interventions, The Smile Stealers is guaranteed to appeal to lovers of the horrific and the beautiful alike as it probes the growth of dentistry – from pulling out bad teeth to reconstructing jaws, and from painful action to pain-free interventions and the pursuit of the perfect smile.

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This is the third edition of the highly successful Advertising Concept Book. As well as substantially expanded chapters on interactive advertising and integrated advertising, an entirely new chapter on branded social media has been added. This new edition contains fifty specially drawn new illustrations of key campaigns. It covers every aspect of the business, from how to write copy and learn the creative process to how agencies work and the different strategies used for all types of media. Pete Barry outlines simple but fundamental rules about how to ‘push’ an ad to turn it into something exceptional, while exercises throughout will help readers assess their own work and that of others. Fifty years’ worth of international, award-winning ad campaigns – in the form of over 500 ‘roughs’ specially sketched by the author – also reinforce the book’s core lesson: that a great idea will last forever. Pete Barry goes straight to the essence of how to write a great ad: work out what you want to say, who you are saying it to, and how you want to say it.

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This inspirational book features over 35 master jewelry designers, organized alphabetically. Hailing from Australia, Brazil, France, Greece, Hong Kong, India, Italy, Japan, Lebanon, Russia, Turkey, the UK and USA, they represent a wide variety of approaches, from Aida Bergsen’s flora and fauna-inspired designs, including emerald- studded frogs and diamond- encrusted salamanders; through Anabela Chan’s exquisitely detailed laser-cut brooches of white gold and platinum with iridescent diamonds and natural grey pearls; to Elie Top’s yellow gold spheres that are a feat of mathematical precision and ingenuity. Red-carpet customers and fans include Beyoncé, Gwyneth Paltrow, Salma Hayek, Madonna and Michelle Obama. Each designer is introduced with a biography that highlights their working practices and key sources of inspiration. Illustrations include sketches as well as images of glorious finished designs, all of which are unique and many of which are bespoke. Complete with an introduction, a useful glossary and notes of designers’ websites (some work by appointment only), this is the perfect, curated resource for both aficionados and professionals who wish to view the craftsmanship of some of the most visionary practitioners working in the field of fine jewelry today

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Winner: Best Trade Illustrated Book, British Book Design & Production Awards 2017 ‘As to the arsenic scare a greater folly it is hardly possible to imagine: the doctors were bitten as people were bitten by the witch fever.’ — William Morris on toxic wallpapers, 1885. Bitten by Witch Fever presents facsimile samples of 275 of the most sumptuous wallpaper designs ever created by designers and printers of the age, including Christopher Dresser and Morris & Co. For the first time in their history, every one of the samples shown has been laboratory tested and found to contain arsenic. Interleaved with the wallpaper sections, evocative commentary guides you through the incredible story of the manufacture, uses and effects of arsenic, and presents the heated public debate surrounding the use of deadly pigments in the sublime wallpapers of a newly industrialized world. Chosen by Emma Roberts and Karah Preiss for their Belletrist Book Club's Gift Guide.

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This intimate glimpse into the private sketchbooks of the world’s leading landscape and garden designers reveals a dazzling array of insights and ideas that will inspire the amateur and practitioner alike. Thirty-seven international designers carefully selected by the design critic behind the Chelsea Fringe have opened their sketchbooks specially for this publication. Featuring hundreds of drawings and illustrations as diverse as their creators, Landscape and Garden Design Sketchbooksis a continual source of inspiration for planting, design elements, colour schemes and materials, encouraging weekend gardeners, design professionals and students to draw their ideas by hand.

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This much-anticipated sequel to the classic volume Sneakers: The Complete Collectors’ Guide is a global survey of, and reference guide to, the very best and most collectible limited-edition sneaker designs that have been released over the last decade. The first volume was a phenomenal success and a key influence in the transformation of sneaker collecting from an underground subculture into a mainstream, multi-billion dollar business. Following publication of that book, sneaker brands began reissuing classic designs and creating shoes that would spur the second wave of sneaker collecting: limited editions and collaborations between the brands and invited artists, designers, musicians and cultural icons. This sequel showcases the very best of this new sneaker culture, featuring more than 300 designs arranged by brand. Each sneaker is accompanied by informative text and a ‘data’ box listing Edition, Pack, Year Released, Original Purpose, Technology and Extras. An essential purchase for both the hardcore sneaker freak and the first time collector, this book will also attract and seduce fashion and design aficionados.

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Beginning in the 16th century, the golden age of European navigation brought about the flowering of an abundant textile trade, spurred by Western tastes for Eastern spices. While previous studies have focused on this story from the viewpoint of trade, Interwoven Globe is the first book to explore it as a history of design – and to approach it with from a truly universal perspective. Fascinating and richly illustrated texts explore the inter-relationship of textiles, commerce and taste from the Age of Discovery to the 19th century, and 120 works from around the globe are discussed in detail. From India and its renowned, ancient mastery of dyed-and-painted cotton goods to the sumptuous silks of Japan and China, Turkey and Iran, the paths of influence are traced westward to Europe and the Americas. Essential to this exchange was the trade in highly valued natural dyes and dye products, underscoring the impact of global exploration on the aesthetics and techniques used to produce textiles. Shaped by an emerging worldwide visual culture, the resulting fashion for the exotic’ in textiles, as well as other goods and art forms, gave rise to what can be called the first global style.

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Solve intriguing and challenging puzzles based on the world-renowned British Museum collection. The Rosetta Stone, Egyptian hieroglyphs, Assyrian reliefs, the Lewis Chessmen: many mysteries of the past are found within the walls of the British Museum, home to some of the most magnificent treasures in the world. Now you can learn more about its famous artefacts as you work your way through this beautifully designed, generously illustrated puzzle book. Created by the internationally renowned puzzle expert Dr Gareth Moore, this enticing mix of general knowledge, brainteasers, word games, crosswords and decipherment challenges offers a wealth of insight into the Museum’s widely varied collection. The puzzles are arranged in six thematic sections: the British Museum, Everyday Living, Bestiary, Myth and Magic, the Written Word, and Treasure. Additional facts about the Museum and its objects are provided throughout the book, affording readers a wider understanding of the role of the Museum today. Making history accessible to all, and with new insights for general readers, this richly entertaining book is perfect for puzzlers and armchair historians everywhere.

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The first fully illustrated and comprehensive introduction to May Morris's work as an artist, designer and embroiderer, published in association with the V&A. May Morris (1862–1938), younger daughter of William Morris, was a significant figure in the British Arts and Crafts movement and a pioneer of ‘art embroidery’. She ran the embroidery department of Morris & Co., as well as designing textiles, wallpapers and jewellery. May was also an influential teacher and lectured in the UK and America. May Morris: Arts & Crafts Designer is the first publication to present the full range of May Morris’s work and reveals her exceptional skill and originality. It draws together her designs, exquisite embroideries, watercolours, costume and jewellery from museums around the world, and in particular the rich collections of the Victoria and Albert Museum and the William Morris Gallery, London. The book contains more than 180 items in colour and detailed information on their materials and provenance compiled by leading experts. There are also new insights into May’s personal life and relationships, her social activism and her support for other craftswomen. This authoritative and illuminating study places May Morris, whose reputation has been overshadowed by that of her father, firmly among the leading British designer-makers of the Arts and Crafts movement.

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An authoritative visual history of one of the world’s oldest and most vibrant cultures, drawing on South Asian art and artefacts from prehistory to the present. Arranged chronologically, and abundantly illustrated with expertly selected objects, this superb new overview connects today’s India with its past. Early chapters uncover prehistoric objects from 1.5 million years ago, examine artefacts from the Indus Civilization, and follow the emergence and transmission of Buddhism, Jainism, Hinduism and Sikhism, as well as the incoming religions of Zoroastrianism, Islam and Christianity. During the medieval era, skills related to temple-building and sculpture-production in stone and bronze developed. From this remote period up to the present day, pilgrimage has been an important part of the spread of social, political and religious ideas. With the rise of the Mughals, the last Muslim dynasty of India, India once more became a leading economic power. The development of a distinct Mughal style can be traced in paintings, hardstone carving and metalwork. Following the advent of Europeans in India in the early Mughal period, trade in spices, textiles and other luxury goods increased. Later, in the 19th century, under British rule, much of South Asia became part of a national and international trade complex that saw Indian goods exported throughout the world. Modernism and political independence in the 20th century saw the fresh assertion of Indian culture through cinema, dance and music. An extraordinary range of history and culture is presented here, from the splendour of dynastic empires to the rural, and tribal life of the subcontinent. This is a compelling visual history of some of the world’s oldest cultures.

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The wealth of surface pattern and three-dimensional ornamentation in the many objects that enrich our lives is testament to the inventiveness of designers and craftspeople around the globe and throughout history. This richly illustrated, easy-to-navigate sourcebook presents more than 1,000 historic and contemporary examples of pattern and ornamentation from around the world, each one succinctly identified and explained. Arranged thematically, it is unique among pattern books, as it includes examples not only of surface pattern but also of three-dimensional ornamentation and embellishment. Two-dimensional pattern is ubiquitous, no matter what the age of an object or where it was created. From Japanese kimono and William Morris fabrics to Chinese porcelain and contemporary furniture, such works reveal humanity’s unceasing desire to combine pattern with design. Just as prevalent are examples of three-dimensional embellishments that go far beyond the requirements of their practical use: an acrylic handbag has a carved motif of insects and wildflowers, a cobalt-blue pottery ewer has a dragon’s-head spout and an early 19th-century fruit plate is shaped like a seashell. Designers working today are as fascinated and inspired by pattern and ornament as they have always been. This expertly compiled selection will appeal to designers, artists, illustrators and other creatives from all disciplines as well as anyone interested in visual and material culture.With 1146 illustrations in colour

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A monograph on leading South African architecture studio SAOTA. Light Space Life is the first monograph from internationally recognised South African architecture studio SAOTA, known for crafting exceptional modern buildings that forge powerful connections to their extraordinary settings. Presenting memorable and distinctive residences selected from its wide-ranging global output, the book celebrates thirty-five years of innovative residential design from Lagos to Los Angeles, including houses from the dramatic South African coast where it all began. SAOTA is led by Stefan Antoni, Philip Olmesdahl, Greg Truen, Philippe Fouché, Mark Bullivant and Logen Gordon, and has designed luxury residential and commercial projects on six continents. With reference to South African Modernism, and a grounding in the International style, its projects take advantage of wildly beautiful settings, and are rooted in place by the relationship between the building and its site. The practice cites spirit of enquiry and close examination of function and form as hallmarks of its work, as well as the use of the most current technology, including virtual reality, in its design processes. This monograph features twenty-three recent residential projects from around the world, with a particular focus on Africa, illustrated with colour photography and including a foreword by SAOTA’s client Reni Folawiyo, founder of the West African fashion label, Alara.

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A compact edition of this landmark publication, which celebrates humanity’s ability to create buildings that for millennia have responded ingeniously to cultural and environmental conditions. There has never been a more important time to understand how to make the best use of local natural resources and create buildings that do not rely on stripping our planet or transporting materials across the globe. First published in 2017, this major book gathers together the world’s leading experts on vernacular architecture to examine how local buildings have stood the test of time and offer lessons for the future. The core of the book is arranged by climate zone, from desert to tropical, temperate to arctic. Within each section, buildings are presented regionally, showing how climatic conditions and vegetation affect the evolution of building styles. This central part is bookended by a range of essays exploring the economic and anthropological aspects, while the reference section offers information on materials science and engineering, including how buildings have been adapted to contend with natural disasters. The traditions of vernacular architecture have much to teach us. Given our ecosystem’s increasing frailty, the architecture and building trade’s new role in a post-digital era, and the desperate need to record fading cultural traditions, the relevance of this book is greater than ever.

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A richly informative and visually packed sourcebook demonstrating and explaining the function and worldwide appeal of Islamic architecture. Islamic architecture dates back 1,400 years and continues to reinvent itself up to the present day. The enormous richness of building types, regional styles, and architectural details is revealed here by a well-travelled expert guide, exploring the familiar and unfamiliar, striking a balance between famous masterpieces and unknown gems. All eras and global regions are represented, with a selective eye for some of the creative exuberance, boldness and sensitivity of Islamic architecture that has not always been widely appreciated outside of the region. Close-ups of architectural details not only describe style and function but also show the hand of the craftsman, making this reference work both useful and beautiful. Here is a wealth of information about the historical and cultural context of buildings around the world, a chance to encounter the widest Islamic community, and the deeper pleasure of immersing ourselves in the beauty of Islamic architecture.

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Surface decoration has always played a fundamental role in Islamic architecture. As human representation is forbidden in Islamic religious monuments, designers employed mosaics, stucco, brickwork and ceramics, and the vigorous use of brilliant colour to reach unparalleled heights of expression. It is this ornamental dimension of Islamic architecture that is explored in this magnificent volume. Rather than limiting itself to an exclusively historical or chronological perspective, Ornament and Decoration in Islamic Architecture presents four successive approaches to its subject. The first part offers an overview of Islamic architecture, discussing the great diversity it contains. Dealing exclusively with techniques, the second part considers the materials most often used as well as the expertise of the builders and Muslim decorative artists, and the third part explores themes in Islamic ornamentation. Section four discusses aesthetics, and studies the relationship between the buildings – the structures or their architectonic components – and their ornamental coverings. Each of these topics is presented through a number of outstanding examples and then through comparable monuments from all over the Islamic world. For anyone in thrall to such great wonders as the Taj Mahal and the Alhambra, and for everyone interested in the world of Islam, this lavish publication will be indispensable.

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How does the experience of turning a door handle, opening a door from one space to lead into another, affect us? It is no wonder that the door, one of the most elemental architectural forms, has such metaphorical richness. But even on a purely physical human level, the cold touch of a brass handle or the swish of a sliding screen gives rise to an emotional reaction, sometimes modest, occasionally profound. This book aims to understand how these everyday acts in space are influenced by architectural form, a concept that is vital for all architects to grasp if our buildings are to be anything more than a commercial or aesthetic enterprise. It considers how specific built elements and volumes, taken from a wide array of buildings and settings around the world, can sustain or deny our powers of decision. From the hand-carved stairs in Greek villages to free-floating catwalks, from the elegant processional steps of Renaissance Italy to Frank Lloyd Wright’s masterly manipulation of form, from the seemingly random placement of Japanese stepping stones to the staircase in Chareau’s Glass House, all provide very difference experiences of stepping from one level to the next, and all affect our experience of that space. Each chapter focuses on a different aspect of our daily interactions with architecture, looking at stairs, floors and paths, moving interior spaces, perception and perspective, transparency and the relationship between a building and its setting. This book is not just for architects and designers engaged in the production of space, but for all those who seek a richer understanding of their place in the built world.

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KHA / Kerry Hill Architects: Works and Projects celebrates the buildings, resorts and spaces designed by the internationally renowned practice founded by the late Kerry Hill in Singapore in 1979. KHA has grown through the decades from a small studio in Singapore, known for redefining boutique hotels and resorts in Asia, to an architectural practice that embraces a distinguished global portfolio of public buildings and private residences, while continuing to pioneer innovation in resorts and hotels throughout the world. This comprehensive illustrated monograph captures KHA’s commitment to achieving authenticity and exactitude in its work. The buildings presented are highly sensitive to their settings, their relationship to the landscape and their cultural contexts. These values of place are also celebrated in their interior spaces, which are enriched by contemporary crafting and highly considered details. KHA / Kerry Hill Architects: Works and Projects brings together a corpus of more than fifty completed works from 1992 to the present, with an emphasis on KHA’s recent projects. These include the trio of newly completed and celebrated Aman hotels in Japan, Amanyangyun, near Shanghai, and the recently completed Walyalup Civic Centre in Fremantle, Western Australia. Added to this are a range of new commissions currently being developed by the practice’s two studios, including two wineries – one in Western Australia and the other in Tasmania – and a remarkable design for a desert resort in Saudi Arabia.

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New in the Photofile series, a mini-monograph on Belgian photographer Harry Gruyaert. Born in Antwerp in 1941, Harry Gruyaert was a pioneer of European colour photography in the 1970s and 1980s. In 1972, he created TV Shots, a series of images created by turning the dial on a television set at random and photographing the screen. Later he travelled the world, seeking out different kinds of light and exhibiting a particular fascination with borders, interfaces and incongruous juxtapositions. A member of Magnum Photos since 1982, he describes colour as ‘a means of sculpting what I see ... it’s the emotion of photography.’ Most recently he has begun to explore the experimental freedom offered by digital photography. Autonomous, non-narrative and often witty, Gruyaert’s images are complex encounters with colour and light.

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Smart-lighting design is a rapidly growing area of interactive and cross-disciplinary design that is defining new practices in the profession. SuperLux is an international celebration of the ingenuity and artistry of the latest lighting technology and the ‘Smart Light’ movement. The book’s three sections focus on projects that use light to animate architecture and media screens; new forms of lighting in industrial zones and public areas, including wayfinding and streetlighting; and interactive installations in urban spaces. Each section is punctuated by essays by leading experts and designers in the field.

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In many ways the history of civilization is a history of our relationship with nature and landscape. Christophe Girot sets out to chronicle this intimate connection, drawing on all aspects of mankind’s creativity and ingenuity, and bringing together the key stories that have shaped our manmade landscapes. Starting from the dual inclination to clear land for cultivation and to enclose space for protection there emerges a vital and multifaceted narrative that describes our cultural relationship to, and dependence on, the landscape, right up to the present day. Organized chronologically, the chapters consist of a thematic essay that ties together the central developments, as well as a case study illustrated with specially commissioned photographs and meticulously detailed 3D re-creations showing the featured site in its original context. The result of over two decades of teaching experience and academic research at the world’s leading landscape institutes and universities, this masterful and hugely ambitious new interpretation of human intervention in the landscape will be essential reading for students and professionals worldwide.

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Born in Mexico in 1907, Frida Kahlo learned about suffering at an early age. She fell victim to polio at the age of six, and was then seriously hurt in a bus accident at eighteen, resulting in injuries that affected her for the rest of her life. The young and indomitable Frida met Diego Rivera, the great mural painter, when Mexico was at a great cultural and political crossroads. They formed a legendary partnership, with a strong attachment to Mexican folk art, a deep commitment to the Communist struggle and a raging artistic ambition that survived all the trials of their marriage. Admired by the Surrealists and photographed by the greatest, Frida was most renowned for her self-portraits and unusual still lifes. This book traces the extraordinary life of this artist whose unforgettable imagery combined cruelty and wit, honesty and insolence, pain and empowerment.

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A Financial Times Book of the Year: the definitive story of fashion's most enigmatic icon. Karl Lagerfeld lived a very public life. He shaped the Chanel and Fendi brands for decades, and his wit and wisdom amused and informed the world. Yet despite a massively public persona, his hinterland remained unknown. What is the truth behind this larger-than-life but enigmatic figure? The journalist and fashion specialist Alfons Kaiser met Lagerfeld on numerous occasions. He has now written the first authoritative biography on this fascinating character, whose life has always been marked by elements of secrecy. From his parents’ links with the Nazi regime to Lagerfeld’s last days in the company of only his closest friends, this book – the result of unprecedented archival and field work – divulges all the facets of a passionate artist and workaholic: the precocious boy who preferred to draw in the attic rather than play with his peers; the son who quarrelled with his parents but never got away from them; the competitor of Yves Saint Laurent, whom he outshone in the end; the brother, uncle, friend; and finally, the partner of Jacques de Bascher, the great love of his life.

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A revised edition of this popular history of design, updated to reflect innovations since the book’s first publication in 2016. Design: The Whole Story takes a close look at the key developments, movements and practitioners of design around the world, from the beginnings of industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkers of modernism – and from the emergence of showmen such as Raymond Loewy in the 1930s to today’s superstars such as Philippe Starck – the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach – such as Marcel Breuer’s Wassily chair of 1925, Eliot Noyes’ corporate identity work for IBM in the 1950s and Matthew Carter’s Verdana typeface, designed to be read on screen – are analysed in detail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design. Design: The Whole Story provides all the information needed to decode the material world.

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The acclaimed biography detailing the lives of the British inter-war artists and designers centred on Ravilious – an enthralling narrative of creative achievement, joy and tragedy. In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nash’s teaching at the Royal College of Art – Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Eighty years after Ravilious’s untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.

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A plain speaking, jargon-free account of contemporary art that identifies key themes and approaches, providing the reader with a clear understanding of the contexts in which art is being made today. Since the 1960s contemporary art has overturned the accepted historical categorizations of what constitutes art, who creates it, and how it is represented and validated. This guide brings the subject right up-to-date, exploring the notion of ‘contemporary’ and what it means in the present as well as how it came about. Curator and writer Natalie Rudd explains the many aspects of contemporary art, from its backstory to today, including different approaches, media and recurring themes. Each chapter addresses a core question, explored via an accessible narrative and supported by an analysis of six relevant works. Rudd also looks at the role of the art market and its structures, including art fairs and biennales and how these have developed since the millennium; the expanded role of the contemporary artist as personality; how artists are untangling historical and contemporary narratives to expose inequalities; the ethics of making; and the potential for art to improve the world and effect political change. A ‘toolkit’ section offers advice on how to interpret contemporary art and where to access it. Offering a more multi-narrative and international perspective, this guide discusses what motivates artists as they try to make sense of the world, and their place within it.

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A celebration of a graphic design genius, published to mark what would have been his 80th birthday. The Wild World of Barney Bubbles celebrates the graphic design genius whose work linked the underground optimism of the 60s to the sardonic and manipulative art that accompanied the explosion of punk. Barney Bubbles remains a powerful influence on contemporary artists four decades after his death, having encompassed designs for Sir Terence Conran and underground magazines Oz and Friends as well as remarkable record sleeves and posters for Billy Bragg, Elvis Costello, Depeche Mode, Ian Dury, Hawkwind, The Damned and Nick Lowe. He also collaborated with artists and photographers, including Derek Boshier and Brian Griffin, and produced paintings, furniture, set designs and promo videos, not least the era-defining clip for The Specials’ 80’s hit, ‘Ghost Town’. This revised edition of Paul Gorman’s definitive Barney Bubbles monograph contains hundreds of rare and previously unpublished photographs, working sketches, notebooks and original artwork. It includes a new essay by American designer Clarita Hinojosa and sixteen extra pages of rare ephemera painstakingly collected by the author over the years.

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The mass of available data about World War II has never been as large as it is now, yet it has become increasingly complicated to interpret it in a meaningful way. Packed with cleverly designed graphics, charts and diagrams, World War II: Infographics offers a new approach by telling the story of the conflict visually. Encompassing the conflict from its roots to its aftermath, more than 50 themes are treated in great detail, ranging from the rise of the Far Right in pre-war Europe and mass mobilization, to evolving military tactics and technology and the financial and human cost of the conflict. Throughout, the shifting balance of power between the Axis and the Allies and the global nature of the war and its devastation are made strikingly clear.

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Lee Miller’s work for Vogue from 1941–1945 sets her apart as a photographer and writer of extraordinary ability. The quality of her photography from the period has long been recognized as outstanding, and its full range is shown here, accompanied by her brilliant despatches. Starting with her first report from a field hospital soon after D-Day, the despatches and nearly 160 photographs show war-ravaged cities, buildings and landscapes, but above all they portray the war-resilient people – soldiers, leaders, medics, evacuees, prisoners of war, the wounded, the villains and the heroes. There is the raw edge of combat portrayed at the siege of St Malo and in the bitterly fought Alsace campaign, and the disbelief and outrage Miller describes on witnessing the victims of Dachau. The war’s horror is relieved by the spirit of post-liberation Paris, where she inudulged in frivoluous fashions and recorded memorable conversations with Picasso, Cocteau, Eluard, Aragon and Colette. The book ends with Miller’s first-on-the-scene report giving a sardonic description of HItler’s abandoned house in Munich, and the looting and burning of his alpine fortress at Berchtesgaden, which marked a symbolic end to the war. David E. Scherman, the renowned war photojournalist who shared many of Miller’s assignments, contributes a foreword.

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Indispensable accessories and sought-after collectors’ items, scarves were an important innovation in 20th-century fashion. From Art Deco through 1950s Hollywood, the Swinging Sixties and beyond, scarves have been represented in every major decorative arts movement over the past century and into the present one. This marvellously illustrated compendium showcases the work of a wide range of international designers: Paul Poiret, Elsa Schiaparelli, Balenciaga, Mary Quant, Gucci, Christian Lacroix, Yves Saint Laurent, Zandra Rhodes, Nicole Miller, and many more. It features more than 250 scarves, beautifully reproduced in colour and all specially photographed, and many never before seen in print.

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This ambitious and fascinating book traces the history of fashion in every part of the world, from Greco-Roman woven-cloth clothing and the silk court dress of the Chinese Tang dynasty to contemporary sportswear designers and Japanese street culture. Organized chronologically, the book traces the evolution of fashion period by period and trend by trend, while detailed timelines provide historical and cultural context. Fashion: The Whole Story is indispensable for everyone who loves the line of a superb suit or knows the joy of wearing a great pair of shoes.

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This ambitious volume, worldwide in scope and ranging from antiquity to the present, examines the human encounter with Unreason in all its manifestations, the challenges it poses to society and our responses to it. In twelve chapters organized chronologically from the Bible to Freud, from exorcism to mesmerism, from Bedlam to Victorian asylums, from the theory of humours to modern pharmacology, Andrew Scull writes compellingly about madness, its meanings, its consequences and our attempts to understand and treat it.

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Protégé of design legend Massimo Vignelli and partner in the New York office of the international design firm Pentagram, Michael Bierut has had one of the most varied careers of any living graphic designer. The projects he presents in this book illustrate the breadth of activity that graphic design encompasses today, his goal being to demonstrate not a single ideology, but the enthusiastically eclectic approach that has been a hallmark of his career. Each project is told in Bierut’s own entertaining voice and shown through historic images, preliminary drawings (including full-size reproductions of the notebooks he has maintained for over thirty-five years), working models and rejected alternatives, as well as the finished work. Along the way, he provides insights into the creative process, his working life, his relationship with clients, and the struggles that any design professional faces in bringing innovative ideas to the world today. This revised and expanded edition of Bierut’s bestselling monograph features new projects for major clients, such as Mastercard and The Poetry Foundation. Inspiring, informative and authoritative, How to... is a bible of graphic design ideas.With 833 illustrations in colour

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Linda Nochlin (1931–2017) was one of the most pioneering and provocative art historians of our time. In 1971 she published her groundbreaking article, ‘Why Have There Been No Great Women Artists?’, an impassioned feminist rallying cry that called traditional art historical practices into question and led to a major revision of the discipline. Women Artists: The Linda Nochlin Reader brings together thirty essential essays from throughout Nochlin’s career, including two written specially for this collection. The book opens with an interview with Nochlin, in which she looks back on her life’s work and reflects on the position of women artists today. Her major thematic texts, such as ‘Women Artists After the French Revolution’ and ‘Starting from Scratch: The Beginnings of Feminist Art History’ appear alongside the landmark 1971 essay and its rejoinder, ‘“Why Have There Been No Great Women Artists?”: Thirty Years After.’ Also included are entries focusing on a selection of major women artists, such as Mary Cassatt, Louise Bourgeois, Cecily Brown, Kiki Smith, Miwa Yanagi and Sophie Calle, as well as concise biographies of all the artists discussed in the book and a complete bibliography of Nochlin’s publications.

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Christopher Neve’s classic book is a journey into the imagination through the English landscape. How is it that artists, by thinking in paint, have come to regard the landscape as representing states of mind? ‘Painting’, says Neve, ‘is a process of finding out, and landscape can be its thesis.’ What he is writing is not precisely art history: it is about pictures, about landscape and about thought. Over the years, he was able to have discussions with many of the thirty or so artists he focuses on, the inspiration for the book having come from his talks with Ben Nicholson; and he has immersed himself in their work, their countryside, their ideas. Because he is a painter himself, and an expert on 20th-century art, Neve is well equipped for such a journey. Few writers have conveyed more vividly the mixture of motives, emotions, unconscious forces and contradictions which culminate in the creative act of painting. Each of the thirteen chapters has a theme and explores its significance for one or more of the artists. The problem of time, for instance, is considered in relation to Paul Nash, God in relation to David Jones, music to Ivon Hitchens, hysteria to Edward Burra, abstraction to Ben Nicholson, ‘the spirit in the mass’ to David Bomberg. There are also chapters about painters’ ideas on specific types of country: about Eric Ravilious and the chalk landscape, Joan Eardley and the sea, and Cedric Morris and the garden.

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Design for the Real World has been translated into over twenty languages since it first appeared in 1971; it has become the world’s most widely read book on design and is an essential text in many design and architectural schools. This edition offers a blueprint for survival in the third millennium. Victor Papanek’s lively and instructive guide shows how design can reduce pollution, overcrowding, starvation, obsolescence and other modern ills. He leads us away from ‘fetish objects for a wasteful society’ towards a new age of morally and environmentally responsible design.

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‘A photographer’s gift to the viewer is sometimes beauty in the overlooked ordinary’ Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works – including early street photographs, images for advertising, nudes and paintings – cover Leiter’s career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.

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Anime Architecture presents the most breathtaking environments created by the most important and revered directors and illustrators of Japanese animated films. From futuristic cities of steel to romantic rural locales, the creators of anime have conjured memorable and painstakingly detailed worlds, the influences of which have been felt across cinema, literature, comic books and videogames for decades. This volume offers a peerless survey of these cinematic arenas – including materials from Akira, Ghost in the Shell, Patlabor, Neon Genesis Evangelion and Tekkonkinkreet – through original background paintings, storyboards, drafts, sources of inspiration and film excerpts. A celebration and resource produced in direct collaboration with the original Japanese production studios, Anime Architecture offers privileged views into the earliest conception stages of iconic scenes, through to their development into finished films. Anyone who has been touched by the beauty and imagination of classic anime will find page after page of revelation and inspiration. Containing the often secretive creative processes of the major anime studios, this enthusiast’s treasure trove will have its significance for future generations of artists, illustrators, architects, designers, videogame makers and dreamers.

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This fascinating book continues the story begun in the bestselling and critically acclaimed book The Mind in the Cave. Drawing on the latest research and recent discoveries, the authors skilfully link material on human consciousness, imagery and belief systems to propose provocative new theories about the causes of an ancient revolution in cosmology, the origins of social complexity and even the drive behind the domestication of plants and animals. In doing so they create a fascinating neurological bridge to the mysterious thought-lives of the past and reveal the essence of a momentous period in human history.

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