Search results for ""globe pequot""

John Corcelli, author of Frank Zappa FAQ, takes a deep dive into the comedic artistry of George Carlin, one of America's most important funny men. From his early radio days to his most successful comedy albums, Carlin changed the way stand-up comedy was written and performed. He was the king of all media: print, recordings, movies, television, and the thirteen quintessential HBO Specials that still resonate with fans. Carlin's gift for gab was founded on his ability to understand the human condition and express his politically incorrect views with powerful insights. Carlin's contributions to popular culture have had a salient and lasting impact as a result of their prescience and visionary nature. Along with Lenny Bruce and Richard Pryor, Carlin is considered part of the holy trinity of stand-up comedy. He opened the door to what was possible in stand-up beyond simple joke telling. Jon Stewart, Bill Maher, and Stephen Colbert all owe a little something to their success today from the groundbreaking work of George Carlin.In Outside Looking In, Corcelli reveals how Carlin's mother nurtured him as a child performer, his stint in the USAF, his first act with Jack Burns, and how he was able to transition from a clean-cut performer doing the "Hippy Dippy Weatherman" into the counter-culture satirist with a ponytail.

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Will Metz's main ambition in his first book, Music Theory for Self-Taught Musicians: Level 1: The Basics, was to define and introduce all the main concepts used in music theory (intervals, chords, scales, modes, etc.). He refers to these notions as "tools" because they are what musicians use to create music. Having a clear understanding of these notions is crucial, but it is only the first step . . . One must then understand how to actually use these tools and how they are combined and how they interact. More concretely, this book, Music Theory for Self-Taught Musicians: Level 2: Harmony, Composition, and Improvisation goes in depth into the notions of harmony, composition, and improvisation. It answers one of the most common and troubling questions of any musician, that is: What to play in any given musical context?This is what music theory is all about at the end of the day—learning a bunch of relatively complex notions would make no sense if they didn’t help to compose and create music. This is not rocket science, and anyone can understand the mechanisms of harmony. All of this is explained using the same principles that are in the first book, which means no (or very few) notes written on staff and clear, logical step-by-step explanations. As a self-taught musician, Metz would have given anything to have this book when he decided to start learning harmony and was dabbling with improvisation. Allow him to save you years of time and trial and error and to finally give you the clear and complete understanding of theory you deserve.

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Emily Mann: Rebel Artist in the American Theater is the story of a remarkable American playwright, director, and artistic director. It is the story of a woman who defied the American theater's sexism, a traumatic assault, and illness to create unique documentary plays and to lead the McCarter Theatre Center, for thirty seasons, to a place of national recognition. The book traces and describes Emily Mann's family life; her coming-of-age in Chicago during the exuberant, rebellious, and often violent 1960s; how sexual violence touched her personally; and how she fell in love with theater and began learning her craft at the Loeb Drama Center in Cambridge, Massachusetts, while a student at Radcliffe. Mann's evolution as a professional director and playwright is explored, first at the Guthrie Theater in Minneapolis, where she received an MFA from the University of Minnesota, then in New York City, and again in the Midwest, where she became recognized internationally, married, had a child, and divorced her husband. Mann's leadership of the McCarter is examined, along with her battles to overcome multiple sclerosis, and conquer—personally and artistically—the memories of the violence she experienced when a teenager. Finally, the book discusses her retirement from the McCarter Theatre Center, while she continues as a playwright, amplifying her journey as a female artist of sensitivity and originality.

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Planet of the Apes was a concept that started life in 1963 as a quirky work by French literary novelist Pierre (The Bridge on the River Kwai) Boulle. His concept of a world where humans are ruled over by apes proceeded to become one of the biggest multi-media sensations in history. The 1968 Charlton Heston motion-picture adaptation of Boulle's book was celebrated and successful but was just the beginning. By 1973, said picture had spawned four sequels. It then spun off a live-action TV series, which in turn spun off the animated TV show Return to the Planet of the Apes. What with this, comic books, novelizations, and a tsunami of merchandising, the late sixties and first half of the seventies had a distinctly simian flavor. A new generation was introduced to the concept when, in 2001, Tim Burton's updating of the series appeared in cinemas. This itself was rebooted a decade later in the form of Rise of the Planet of the Apes and its two sequels. Despite all the fantasy (and money-chasing), however, the series has always been marked by thoughtfulness, exploring serious themes alien to most franchises. Planet of the Apes explores every aspect of this media phenomenon---from books to films to comic books to television shows to video games to merchandise---to provide an overview of Planet of the Apes that is truly definitive. With the help of new and exclusive interviews, it examines the contributions of producers, directors, writers, actors, and makeup artists in an attempt to gain an understanding of how this media property has changed the world.

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Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights such as Don Nigro, Theresa Rebeck, Rob Ackerman, Len Jenkin, Stephen Belber, and Tim Blake Nelson, and future stars such as David MacGregor, Reina Hardy, Chris Daftsios, Frank Baslo and Will Arbery. There are terrific comic and dramatic pieces, and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.

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From Boston to Chicago, Miami to San Diego, America is chock-full of great cities and regions that are undeniably great places to spend a day, a weekend, or more. But where to take the kids? Whether one is a city-dwelling parent, a suburban day-tripper, or a vacationer, GPP Travel’s new Are We Almost There? series shows where. Readers will feel like locals in the know with these easy-to-use, highly portable, and kid-friendly guides—which have all the latest information on where to keep the kids entertained without ever getting bored yourself. Soon they’ll be the ones asking, “Are We Almost There?!” Each guide includes:• A clear, incredibly easy-to-use popout® map• Full-color interior, in a highly portable, 5 1/8 x 3 3/4 trim size• Information for families with children aged 2 to 12• Popular attractions such as museums, zoos, parks, and entertainment venues• Family-friendly places to stay and kid-friendly restaurants• A calendar of kid-friendly events

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Two decades after barbecue kingpins Vince Staten and Greg Johnson published their ode to the top 100 barbecue joints around the United States, they have logged thousands more miles—and at least as many rib racks—in their quest to monitor, taste, and even create the very best. Part travel guide, part recipe book, REAL BARBECUE is really a celebration of a way of life, peppered with such sage advice as, “A man that won't sleep with his meat don't care about his barbecue” (Early Scott). This update of the classic has a completely new design with photos, trivia, detailed locations of great eating joints coast to coast, sidebars about sauces and sides, columns about cook pits and shack architecture, sections devoted to Texas ribs, Cowboy-que, lowcountry pulled pig, California-que-zeen, and real-man reviews of rib joints such as Allen & Sons in Pittsboro and Vince Staten’s Old Time Barbecue in Prospect (he put his money where his mouth is). Secret recipes and mail-order finds are also included. This is your guide to the best barbecue across America, often identified only by a thick black column of smoke in the distance.A syndicated columnist and author of ten books, including Kentucky Curiosities(Globe Pequot Press), Vince Staten has appeared on such media as "Late Night with David Letterman," "Dateline NBC," "Today on NBC," and NPR's "Morning Edition." His varied career encompasses writing, lecturing, teaching, and co-owning Vince Staten's Old Time Barbecue in downtown Prospect, Kentucky. Greg Johnson is the Features Editor for The Courier-Journal in Louisville, Kentucky. "This book is to barbecue what Rand-McNally is to maps."—Playboy magazine"What Masters and Johnson did for sex, Staten and Johnson do for barbecue."—Willard Scott"This is a helluva readable book...There's as much flavor in the writing as in the Rev. Noble Harris' sauce at House of Prayer Bar-B-Que in Fort Lauderdale...Toss this on the dash and hit the road."—Gannett News Service

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