Search results for ""broadview press ltd""

Desmond is a political novel about the French Revolution. It is Charlotte Smith’s only epistolary work, and it is her most politically radical piece. Written in response to Edmund Burke’s Reflections on the Revolution in France, Smith’s Desmond fuses political discussion with romance, social satire and a suspenseful plot revolving around a liberal hero desperately in love with a woman who is married to a drunken anti-revolutionary. Whereas Burke represented the French Revolution as a sentimental drama, Smith draws out the parallel between political and domestic tyranny to show how the disenfranchisement of British women under eighteenth-century common law resembled the political tyranny of the French absolutist monarchy.

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Literary Theory and Criticism: An Introduction provides an accessible overview of major figures and movements in literary theory and criticism from antiquity to the twenty-first century. It is designed for students at the undergraduate level or for others needing a broad synthesis of the long history of literary theory. An introductory chapter provides an overview of some of the major issues within literary theory and criticism; further chapters survey theory and criticism in antiquity, the Middle Ages and Renaissance, the Enlightenment, and the nineteenth century. For twentieth- and twenty-first-century theory, the discussion is subdivided into separate chapters on formalist, historicist, political, and psychoanalytic approaches.The final chapter applies a variety of theoretical concepts and approaches to two famous works of literature: William Shakespeare’s Hamlet and Mary Shelley’s Frankenstein. The new edition has been updated throughout, including expanded coverage of Marxist theory, Disability Studies, and Critical Race Theory.

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In the mid twentieth century the philosopher Ludwig Wittgenstein famously asserted that games are indefinable; there are no common threads that link them all. “Nonsense,” said the sensible Bernard Suits: “playing a game is a voluntary attempt to overcome unnecessary obstacles.” The short book Suits wrote demonstrating precisely that is as playful as it is insightful, as stimulating as it is delightful. Through the jocular voice of Aesop's Grasshopper, a “shiftless but thoughtful practitioner of applied entomology,” Suits not only argues that games can be meaningfully defined; he also suggests that playing games is a central part of the ideal of human existence, and so games belong at the heart of any vision of Utopia.This new edition of The Grasshopper includes illustrations from Frank Newfeld created for the book’s original publication, as well as an introduction by Thomas Hurka and a new appendix on the meaning of ‘play.’

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“Learn to read and write, learn all you can, learn cunning, spare nobody and stop at nothing. … Do your devilmost … for the Jago’s got you!” Dicky Perrott, growing up in the notoriously criminal enclave of the Jago, listens and learns. Compelled by his family’s circumstances to provide for his mother and siblings, he sharpens his skills as a boy thief. Along the way, he navigates the Jago’s topsy-turvy ethics, vacillating between the rival messages of his mentors, a devious local fence and a righteous slum priest. Relentless in its bleakness and violence, A Child of the Jago captures the desperate struggle for survival in 1890s East London.This Broadview Edition provides the literary, socio-historical, and philosophical contexts vital to readers’ understanding and appreciation of the novel. Historical appendices include materials on eugenics, hooliganism, women’s sweated labor, cultural philanthropy, and the debate over the novel’s accuracy.

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Jane Austen's Emma (1816) tells the story of the coming of age of Emma Woodhouse, "handsome, clever, and rich," who "had lived nearly twenty-one years in the world with very little to distress or vex her." Typical for the novel's time, Emma's transition to womanhood is accomplished through courtship—both of those around her and, ultimately, her own. As in other Austen works, education and courtship go hand in hand, and Emma's process of learning to relinquish the power of having her own way is also a process of falling in love. However, in Emma this classic plot is both complicated by and reflective of a collection of contemporary issues, assumptions, and anxieties that highlight just how "political" even the most conventional of courtship plots can be. This Broadview edition includes a critical introduction and an extensive collection of historical documents relating to the composition and reception of the novel, the social implications of England's shift from a rural agrarian to an urban industrial economy, the role of women in provincial society, and the contemporary preoccupation with health and the treatment of illness.

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Keen, intense, and darkly comic, the short stories of David Whitton are full of misfits, oddballs, dropouts, klutzes, and loners. You might dress ’em up, but it’s just a matter of moments till they unravel back into their fallen, and fascinating, selves. Their mistakes and misdeeds, temptations and transgressions thread their way through these stories, stirring up surprises on every corner. Whitton navigates current life and future worlds, dirty truths and murky fantasies, continually setting up, if only to send up, modern romantic scenarios. In the end, if the boy does gets the girl, or vice versa—whether it’s online or on acid, at a wedding or in battle—the object of ardour might be in for a rough ride. Maybe they’ll stay afloat—tremulous and tentative—or maybe they’ll plunge to earth in delightful and refreshing ways.

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Leonid Andreyev's Expressionist novella The Red Laugh is an experimental, fragmentary depiction of war and its psychological effects, both on those who participate in the fighting and on those who hear of its atrocities from afar; it was inspired by the horrors of the 1904-05 Russo-Japanese War. Translated into English for the first time since 1905, it is here paired with a fresh translation of Andreyev's earlier story 'The Abyss,' which caused scandal when it first appeared in 1902. This edition provides an illuminating introduction by translator Kirsten Lodge establishing the importance of Andreyev to both the Russian and to the overall modernist canon, as well as a range of background materials that help set the novel in its historical, literary, and artistic contexts.

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This reorganized and updated edition of Writing for Today’s Healthcare Audiences provides new digital supports for students and course instructors.Designed primarily for students seeking careers in healthcare communication, this book also serves as a useful guide for nascent practitioners. Healthcare writing audiences are diversifying, from traditional physicians and patients to administrators in government and insurance groups and to technical practitioners in a widening range of fields. Writing for these increasingly diverse healthcare audiences is the focus of this book, which has just enough theory to lay groundwork, plentiful examples to illustrate how theory is practiced, summaries that highlight key points, and realistic practice exercises.The second edition has been reorganized and expanded; new examples throughout refer to the special challenges of healthcare writing in a pandemic. A new companion website for students and general readers provides larger-scale examples by audience, more details on the review and revision processes, and communications skills toolkits; a separate site provides support for instructors planning courses around the book.

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First published in the height of the yellow nineties and in the shadow of the Oscar Wilde trials, Arthur Machen's The Three Impostors (1895) remains a relatively obscure text even as Machen receives increasing attention for his contributions to supernatural horror, the weird, and even science fiction. Situating this generically uncertain, richly multi-layered text in transnational traditions of the short-story cycle, the print culture of the 1890s, and the colonial scientific and material cultures of the fin de siècle, this edition shows that Machen's long-neglected text has a strong claim to our renewed attention today.An extensive selection of accompanying historical documents includes contemporary reviews, related literary inter-texts, and documents and images related to the book's publication history, design, and relationship to contemporary print culture.

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Canadian Government and Politics delivers an up-to-date and concise introduction to Canada's political institutions, processes, and issues. The text integrates theory, history, Census data, and current affairs to give students an orderly picture of the wide-ranging landscape of Canadian government and politics. This seventh edition includes coverage and analysis of the 2019 general election, as well as a preview of the new Canadian government. It also adds exciting material on Canada's cultural landscape, institutions, and policies, along with a new chapter on Indigenous Peoples.Other chapters examine the executive, legislative, and judicial branches of government, the electoral system, bureaucracy, Québec nationalism, foreign policy, and much more. The authors provide trenchant coverage of many key issues of concern to Canadians, including regionalism, nationalism, climate change, defense policy, Indigenous Peoples' rights, minority rights, pipelines, and the USMCA trade deal. These topics are addressed by way of fair-minded, impartial discussions, aimed to cultivate inquisitive readers and to foster a vital and optimistic perspective on Canadian politics that will encourage critical thinking and active citizenship.

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The philosophical tradition has given rise to many competing moral theories. Virtue ethics encourages the flourishing of the person, theories of justice and rights tell us to act according to principles, and consequentialist theories advise that we seek to bring about good ends. These varied theories highlight the morally relevant features of the problems that we encounter both in everyday personal interactions and on a broader social scale. When used together, they allow us to address moral conflicts by balancing a plurality of reasons in order to reach nuanced ethical decisions. In Ethical Reasoning: Theory and Application, Andrew Kernohan guides the reader through the basics of these moral theories, showing their strengths and weaknesses and emphasizing the ways in which competing moral reasons can be collectively employed to guide decision-making. Throughout, the focus is on practical applications and on how each theory can play a role in solving problems and addressing issues. Numerous questions and exercises are provided to encourage active reflection and retention of information.

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This new edition of Homer’s epic poem is designed with the needs of undergraduate students in mind. The selections, totalling almost half the full work, include all the most famous and most frequently taught episodes. The edition features numerous explanatory footnotes, an illuminating introduction, a glossary of names (with a guide to pronunciation), maps, examples of scenes from the Odyssey depicted in ancient art, and a range of other background materials that help set Homer’s classic in its historical and literary context.

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The Argument Handbook is a reference tool and classroom text designed to help students understand complex rhetorical situations and navigate the process of transforming private thoughts into persuasive, public statements. The Argument Handbook is organized around three lenses that help students focus on the practical challenges of persuasive writing. Its modular organization makes it easier for students to find what they need and easier for instructors to assign the content that fits their course.

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This volume contains many of the most important texts in western political and social thought from the sixteenth to the end of the nineteenth century. A number of key works, including Machiavelli’s The Prince, Locke’s Second Treatise, and Rousseau’s The Social Contract, are included in their entirety. Alongside these central readings are a diverse range of texts from authors such as Mary Wollstonecraft, Sojourner Truth, and Henry David Thoreau. The editors have made every effort to include translations that are both readable and reliable. Each selection has been painstakingly annotated, and each figure is given a substantial introduction highlighting his or her major contributions within the tradition. The result is a ground-breaking anthology with unparalleled pedagogical benefits.

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English drama between the late fifteenth century and the late sixteenth centuries is as diverse as it is engaging; this anthology brings together eighteen of the most interesting and important dramatic works from the period. The plays have been chosen to give a broad view of the drama produced in Tudor England. They testify to the eclectic tastes of sixteenth-century audiences, ranging from morality plays (Mankind, Everyman), to comedies inspired by the Roman plays of Terence and Plautus (Ralph Roister Doister), to tragedies inspired by the plays of Seneca (Gorboduc, Cambises). In later plays, morality plots rub shoulders with slapstick comic business (The Longer Thou Livest The More Fool Thou Art, The Three Ladies of London), and classical gods intervene in the affairs of England’s regions (Gallathea). While some of the plays offer pure entertainment, others have a clear political agenda. King Johan is presented as a prototype for English resistance to Rome's Catholicism; Gorboduc's decision to abdicate and divide his kingdom highlights the vexed question of the English succession under a childless queen. Other plays comment more obliquely on contemporary events. Play of the Four Elements reflects on England's nascent maritime expeditions to the New World, while The Three Ladies of London comments topically on immigrant overcrowding in England's port towns, and the dangers of England's trade in the Mediterranean. Some plays push the boundaries of what the theatre can do in staging violence (Cambises) and questioning gender roles (Gallathea).Designed for undergraduate use, the anthology includes extensive explanatory annotations and a substantial introduction to each play; spelling and punctuation have been partially modernized in the interests of making the texts more accessible to students. In all this, the anthology follows principles similar to those developed for Christina M. Fitzgerald's and John T. Sebastian's Broadview Anthology of Medieval Drama; several of the plays from that anthology are also included here, while the rest have been newly edited for this volume, under the supervision of General Editor Alan Stewart.

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In 1913, President Woodrow Wilson signed legislation approving the construction of the O'Shaughnessy Dam to inundate the Hetch Hetchy Valley inside Yosemite National Park. This decision concluded a decade-long, highly contentious debate over the dam-and-reservoir complex to supply water to post-earthquake San Francisco, a battle that was dramatic, unsettling, and consequential. Hetch Hetchy: A History in Documents captures the tensions animating the long-running controversy and places them in their historical context. Key to understanding the debate is the prior and violent dispossession of California Indians from the valley they had stewarded for thousands of years. Their removal by the mid-19th century enabled white elite tourism to take over, setting the stage for the subsequent debate for and against the dam in the early 20th century. That debate contained a Faustian bargain. To secure an essential water supply for San Francisco meant the destruction of the valley John Muir and others praised so highly. This contentious situation continues reverberate, as interest groups now battle over whether to tear down the dam and restore the valley. Hetch Hetchy remains a dramatic flash point in American environmental culture.

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In the introduction to this new edition, David Bevington explores some key dilemmas and puzzles in this most famous of Shakespeare’s tragedies. What is the role of providence in a work with pagan sources? How does Hamlet comment on dramatic art in his play within a play? What are the moral ambiguities of seeking revenge?The introduction also traces the history of Hamlet criticism and performance from 1604, when critic Anthony Scoloker said the play “should please all,” to the 2015 production starring Benedict Cumberbatch. Appendices offer key sources, an analysis of gender issues in the play, and textual variants from Quarto 1.A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

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Business Cases in Ethical Focus is a new collection of in-depth case studies from around the world, covering all major areas of business ethics. Cases address a broad range of topics such as the ethics of entrepreneurship and finance, the challenges that diversity raises for business, and whistleblowing. The cases are provocative yet complex, conveying the difficulty of moral dilemmas and the potential for reasonable disagreement.

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The prose fiction of Penelope Aubin offers a delightful and provocative challenge to many of our standard ways of thinking about both the 'rise of the novel' and early women writers. Aubin's fast-paced narratives highlight the persistence and vitality of romance as a form of storytelling and the centrality of teenaged girls to tales that extend far beyond the domestic and amatory modes with which they have traditionally been associated. Aubin's resourceful heroines and the often spectacular violence they engage in in order to defend their lives and bodily integrity allow us a more expansive and exciting view of early-eighteenth-century fiction than the current classroom canon often permits. In narratives spanning the globe and featuring pirates, North African corsairs, Jacobites, shipwrecks, and seraglios, Aubin delivers fiction with roots that go back to antiquity and commitments that feel far more modern than most other texts from the period.Supplementary materials include selections from Aubin's other work in which she reflects upon her craft and the two documents most responsible for the posthumous distortion of her reputation.

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The early seventeenth-century traveler Thomas Coryate’s five-month tour of Western Europe culminated in Coryats Crudities, one of the strangest travelogues published in early modern England. This edition abridges the Crudities’ more than 900 pages to a manageable size, focusing on episodes most likely to be of interest to students—such as Coryate’s descriptions of Venetian mountebanks, courtesans, and Jews; his crossing of the Alps; and his attendance at a Corpus Christi celebration in Paris.The selection of contextual materials includes illustrations from the first edition, along with a sampling from another eccentric feature of the Crudities: a collection of mock commendatory poems making fun of Coryate and his journey.

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Best known today for the novels Joseph Andrews and Tom Jones, Henry Fielding was just as renowned in his own time as a prolific and highly successful dramatist. Among his most popular plays was The Tragedy of Tragedies: Or, The Life and Death of Tom Thumb, one of the most extraordinary parodies in English theater. The print version of the play incorporates, in an elaborate structure of annotations, a remarkable satire of heroic drama and of the pretensions and excesses of “false scholarship.”This edition includes the text of the play itself and the text of the extraordinary notes (by Fielding’s pseudonym “H. Scriblerus Secundus”), appearing in facing page layout; extensive explanatory notes for the modern reader appear at the bottom of the page. Also included are a substantial introduction and a wide range of background materials that set the work in the context of its time. These contextual materials include contemporary reviews, excerpts from the plays that Fielding’s parody most frequently targeted, and selections from works that provided inspiration for The Tragedy of Tragedies—from contemporary versions of the “Tom Thumb” folktale to satirical writing by authors such as Alexander Pope, John Gay, and George Villiers.

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It wasn’t so long ago that the fairy tale was comfortably settled as an established and respectable part of children’s literature. Since the fairy tale has always been a mirror of its times, however, we should not be surprised that in the latter part of the twentieth century it turned dark and ambiguous; its categorical distinction between good and evil was increasingly at odds with the times. Yet whatever changes the fairy tale may have undergone, its cultural popularity has never been greater.Fairy Tales in Popular Culture sets out to show how the tale has been adapted to meet the needs of the contemporary world; how writers, film-makers, artists, and other communicators have found in its universality an ideal vehicle for speaking to the here-and-now; and how social media have created a participatory culture that has re-invented the fairy tale. A selection of recent retellings show how the tale is being recalibrated for the contemporary world, first through the word and then through the image.In addition to the introductions that precede each section, the anthology provides a selection of critical pieces that offer lively insight into various aspects of the fairy tale as popular culture.

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The past generation has been an extraordinarily active one in medieval drama scholarship; our appreciation of the range of medieval drama has been significantly broadened, and our understanding of certain medieval genres—most notably, biblical drama—has been fundamentally altered. The Broadview Anthology of British Literature has been widely praised for the degree to which it has taken this scholarship into account in its selection of and presentation of medieval plays. Now Broadview launches a new anthology that takes those plays as its base while expanding very substantially beyond them to represent the full range of drama in English (and, where strong connections exist, in French, Latin, Cornish, and Welsh as well) through to 1576. In all, over forty plays are included. Each work has been fully annotated and is prefaced by a substantial introduction. In many cases the language is to some extent modernised in order to make the plays more accessible to readers today.

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Tobias Smollett travelled through Europe with his wife in 1763-65 in a journey designed to recover his mental and physical health after the death of their daughter. The resulting travel narrative provoked controversy and anger in the eighteenth century, when it was often negatively compared to Laurence Sterne’s fictional European travels in A Sentimental Journey through France and Italy. Unlike Sterne’s sensitive hero, Smollett is argumentative, acerbic, and often contemptuous of local customs.In addition to a critical introduction, this edition provides extensive annotation and appendices with material on Smollett’s correspondence, the book’s reception in the eighteenth and nineteenth centuries, related travel writing, and Smollett’s infamous satirization as “Smelfungus” in Sterne’s A Sentimental Journey.

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Bringing Biology to Life is a guided tour of the philosophy of biology, canvassing three broad areas: the early history of biology, from Aristotle to Darwin; traditional debates regarding species, function, and units of selection; and recent efforts to better understand the human condition in light of evolutionary biology. Topics are addressed using no more technical jargon than necessary, and without presupposing any advanced knowledge of biology or the philosophy of science on the part of the reader. Discussion questions are also provided to encourage reader reflection.

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The role of freedom in assigning moral responsibility is one of the deepest problems in metaphysics and moral theory. Incompatibilism’s Allure provides original analysis of the principal arguments for incompatibilism. Ishtiyaque Haji incisively examines the consequence argument, the direct argument, the deontic argument, the manipulation argument, the impossibility argument and the luck objection. He introduces the most important contemporary discussions in a manner accessible to advanced undergraduates, but also suited to professional philosophers. The result is a unique and compelling account for incompatibilism’s continuing allure.

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Honorable mention recipient for the 2012 Society for the Study of American Women Writers Award.A pioneering American novel of manners first published in 1830, Catharine Sedgwick’s Clarence follows heiress Gertrude Clarence as she negotiates the perils of the marriage market in New York City. Giving Gertrude’s family English and Caribbean histories, Sedgwick aligns the United States in the 1820s with a larger Atlantic world. This edition of Sedgwick’s cosmopolitan novel will contribute to a rethinking both of the history of the American novel of manners and to the shape of Sedgwick’s career as one of the most important novelists of the first half of the nineteenth century.This Broadview edition offers a rich selection of contextual materials, including selections from Sedgwick’s correspondence and journals reconstructing the origins of the novel, engravings and lithographs of key sites in the novel, American and British reviews of the novel, and documentation of the author’s revised edition of 1849.

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This anthology surveys important issues in Western political philosophy from Plato to the present day. Its aim is to show both the continuity and the development of political thought over time. Each unit begins with readings on the fundamental theoretical principles underlying political discourse. Theory is then connected to practice in readings on contemporary issues as well as court cases and other political documents.

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In A Sunless Heart, Edith Johnstone establishes a feverish atmosphere for her novel’s story of emotional and physical hardship and the power of bonds between women. Its first third focuses on Gasparine O’Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies’ College. Sexually exploited from the age of twelve by her sister’s fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late-Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel participates: the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.

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In Search of Authority is the most engaging introduction to literary theory available today.This is the third edition of a book that has been widely used to introduce undergraduates to the field of literary theory. Its distinctive quality is the way in which it makes complex literary theories, such as structuralism, deconstruction, and post-modernism, accessible to students by relating these theories to students’ own enjoyment in reading literature. Each theory is illustrated by several applications of the theory to well-known literary works.Based on a reader-response approach to literature, In Search of Authority begins with an up-to-date account of the status of literary theory in the 21st century, including a response to recent debates about the “post-theory” question. It concludes with a discussion of how an understanding of literary theory can lead to the empowerment of the individual reader, and of how the authority of the professor can be gradually transferred to the student.This third edition has been revised and updated throughout. Each chapter ends with several questions to help students check their understanding of the key ideas in the chapter.

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Writing about Literature introduces students to critical reading and writing through a thorough and engaging discussion of the field, but also through exercises, interviews, exemplary student and scholarly essays, and visual material. It offers students an insider’s guide to the language, issues, approaches, styles, assumptions, and traditions that inform the writing of successful critical essays, and aims to make student writers a part of the world of professional literary criticism.Much of the discussion is structured around ways to analyze and respond to a single work, Stephen Crane’s story “The Bride Comes to Yellow Sky.” This second edition is updated throughout and includes a new chapter on “Reading and Writing About Poetry”; the chapter uses Robert Kroetsch’s poem “This Part of the Country” as the unit of analysis and includes an interview with the poet about his process.

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The first novel to be written for serial publication by a major female author, Sophia follows the story of two siblings, the virtuous and well-read eponymous heroine and her flighty and coquettish sister. While the latter leads a vapid life in the fashionable world of London, the former flees from a potential seducer to the country, where she pursues true friendship, learning, and an independent living. Previously out of print, the novel explores such issues as the place of female education, the opposition of city and country, the emergence of the literary marketplace, and the development of the individual.This Broadview edition reproduces images from the novel’s original serial publication and also includes other articles from Lennox’s periodical The Lady’s Museum, contemporary reviews of Sophia, and writings on sentimentalism.

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Charlotte Lennox’s Euphemia, published in 1790 at the end of her professional career, is an extraordinary account of pre-Revolutionary America from a woman’s perspective. Constructed from letters between Euphemia Neville and her friend Maria Harley, the novel tells the story of Euphemia’s marriage to a thoughtless, arrogant man. During the years Euphemia lives in New York City and at the forts at Albany and Schenectady as the wife of a British army officer, she chronicles in her letters to Maria both her private life and how that life intersects with those of other British men and women, as well as the Dutch, Native American, and African American inhabitants of the colony. Set partially in New York State, where Lennox had herself lived as a girl, it also contains a version of a captivity narrative in the story of the capture of Euphemia’s son by Hurons.This Broadview edition includes contemporary reviews of Euphemia and a wealth of other contemporary materials on marriage, travel, the picturesque, and the captivity narrative.

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Lydia Huntley Sigourney (1791–1865) was the most widely read and respected pre-Civil War American woman poet in the English-speaking world. In a half-century career, Sigourney produced a wide range of poetry and prose envisaging the United States as a new kind of republic with a unique mission in history, in which women like herself had a central role. This edition contributes to the current recovery of Sigourney and her republican vision from the oblivion into which they were cast by the aftermath of the Civil War, the construction of a male-dominated American “national” literary canon, and the aesthetics of Modernism.In this Broadview edition, a representative selection of poetry and prose from across her career illustrates Sigourney’s national vision and the diversity of forms she used to promote it. In the appendices, letters and documents illustrate her challenges and working methods in what she called her “kitchen in Parnassus.”

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Prisons and Prisoners is the autobiography of aristocratic suffragette Constance Lytton. In it, she details her militant actions in the struggle to gain the vote for women, including her masquerade and imprisonment as the working-class “Jane Warton.” As a member of a well-known political family (and grand-daughter of the famous novelist Edward Bulwer-Lytton), Lytton's arrests garnered much attention at the time, but she was treated differently than other suffragettes because of her class—when other suffragettes were forcibly fed while on hunger strikes, she was released. “Jane Warton,” however, was forcibly fed, an act that permanently damaged Lytton’s health, but that also became a singular moment in the history of women’s and prisoner’s rights.This Broadview edition includes news articles, reviews, and illustrations on women’s suffrage from the periodicals of the time.

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Literary annuals played a major role in the popular culture of nineteenth-century Britain and America, and The Keepsake was the most distinguished, successful, and enduring of them all. The 1829 edition was stellar, with contributions by William Wordsworth, Mary Shelley, Samuel Taylor Coleridge, Walter Scott, Letitia Landon, Felicia Hemans, and Percy Bysshe Shelley.The whole of The Keepsake for 1829 is reproduced here in facsimile, so readers can experience it as it was first published, with the text adorned by the original illustrations. An in-depth introduction by Paula R. Feldman contextualizes the volume for modern readers.

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Set in the fictional Ontario town of Elgin at the beginning of the twentieth century, this 1904 novel was in its own time addressed largely to British readers. It has since become a Canadian classic, beloved for its ironic and dryly humorous portrait of small-town life. But The Imperialist is also a fascinating representation of race, gender, and nationalism in Britain's "settler colonies."This Broadview Edition provides a wealth of contextual material invaluable to understanding the novel's historical context, and particularly the debate, central to the story, over Edwardian Canada's role in the British Empire. This edition includes a critical introduction and, in the appendices, excerpts from Sara Jeannette Duncan's journalism and autobiographical sketches (including an essay on "North American Indians"), speeches by Canadian and British politicians, political cartoons, and recipes for the dishes served at the novel’s social gatherings. Contemporary reviews of the novel from British, Canadian, and American periodicals are also included.

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The controversial subject matter of Grant Allen’s novel, The Woman Who Did, made it a major bestseller in 1895. It tells the story of Herminia Barton, a university-educated New Woman who, because of her belief that marriage oppresses women, refuses to marry her lover even though she shares his bed and bears his child. Her ideals come into disastrous conflict with intensely patriarchal late Victorian England. Indeed, Allen intended his novel to shock readers into a serious exploration of some of the major issues in fin de siècle sexual politics, issues that he himself, in various periodical articles under the rubric of the “Woman Question”, had played a leading role in opening up to public debate.This Broadview edition contains a critical introduction as well as a rich selection of appendices which include excerpts from Allen’s writings on women, sex, and marriage; contemporary writings on the “Sex Problem”; documents pertaining to the Marriage Debate; contemporary responses to the novel; and excerpts from two parodies of the novel.

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Some Assembly Required, Eugene Stickland's lighthearted but deeply moving portrayal of a dysfunctional family at Christmas, was first produced in 1994 at Alberta Theatre Projects; it has enjoyed dozens of productions across North America since then. In 1995, Some Assembly Required was a finalist for the Governor General's Award in Drama. This re-issue incorporates a number of small revisions, and includes a new introduction by the author.

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Willa Cather's My Antonia is considered one of the most significant American novels of the twentieth century. Set during the great migration west to settle the plains of the North American continent, the narrative follows Antonia Shimerda, a pioneer who comes to Nebraska as a child and grows with the country, inspiring a childhood friend, Jim Burden, to write her life story. The novel is important both for its literary aesthetic and as a portrayal of important aspects of American social ideals and history, particularly the centrality of migration to American culture.The Broadview edition includes a rich selection of primary source materials: the revised introduction for the 1926 edition; Cather's Mesa Verde Wonderland is Easy to Reach Nebraska: The End of the First Cycle, Peter and her comments on the novel; contemporary reviews and photographs.

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This book explores the aesthetics of the objects and environments we encounter in daily life. Thomas Leddy stresses the close relationship between everyday aesthetics and the aesthetics of art, but places special emphasis on neglected aesthetic terms such as ‘neat,’ ‘messy,’ ‘pretty,’ ‘lovely,’ ‘cute,’ and ‘pleasant.’ The author advances a general theory of aesthetic experience that can account for our appreciation of art, nature, and the everyday.

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This anthology makes available for the first time a selection of narratives by and about prostitutes in the eighteenth century. These memoirs, some written by and some about eighteenth-century prostitutes, offer important insights into female experience and class and gender roles in the period. Portraying the lives of women in both success and hardship, written in voices ranging from repentant to bawdy, the memoirs show the complexity of the lives of the “nightwalkers.” For eighteenth-century readers, as Laura Rosenthal writes in her introduction, these memoirs “offered sensual and sentimental journeys, glimpses into high life and low life, and relentless confrontations with the explosive power of money and the vulnerability of those without it.” Offering a range of narratives from the conservative and reformist to the unabashedly libertine, this book provides a fascinating alternative look into eighteenth-century culture.

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Published here for the first time in a modern edition, Charlotte Smith’s third novel is both rivetingly plotted and unique for its time in its powerful depiction of a gifted Romantic woman poet. The novel’s heroine, Celestina, abandoned as a child in a French convent, becomes an independent, witty, and accomplished elegiac poet who, in a reversal of the usual pattern of the courtship novel, acts as a mentor to several men in her life. Written at the beginning of the French Revolution, Smith’s novel depicts characters challenging both corrupt authority and conventional morality, exemplifying her hope that English society was on the verge of a great change for the better.This Broadview edition includes a critical introduction and primary source material relating to the novel’s reception, its political contexts (writings by Reverend Richard Price, Edmund Burke, Mary Wollstonecraft, and Thomas Paine), and the author’s life.

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The adventure story told in Treasure Island has become a part of popular folklore. John Sutherland discusses the novel’s place in Stevenson's biography and oeuvre in his learned and lively critical introduction to this new edition. Exploring the novel's genesis in Stevenson's "plundering" of other writers, his writer's block, and the surprisingly disturbing and complex nature of what was meant to be a children's story, Sutherland argues for the enduring vitality and appeal of Stevenson's first novel.Appendices include Stevenson's writing about the novel, contemporary reviews, and sources on which Stevenson drew (or from which he borrowed) when writing Treasure Island.

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For the first time in over a century, this edition makes available the work of the most important Jewish writer in early and mid-Victorian Britain. Grace Aguilar (1816-1847) broke new literary ground by writing from the unique perspective of an Anglo-Jewish woman. Aguilar’s writing responds to English representations of Jews and women by writers such as Felicia Hemans, Maria Edgeworth, Sir Walter Scott, and Thomas Macaulay. She both assimilates and alters the genres of historical romance, dramatic monologue, domestic fiction, history, and midrash, among others.This edition includes Aguilar’s novella The Perez Family in its entirety; the Sephardic historical romance “The Escape,” her Sephardic historical romance, “History of the Jews in England,” the first such history ever written by a Jew; major poems; excerpts from The Women of Israel; and Aguilar’s Frankfurt journal, never before published. Also included are primary source materials such as writings on “the Jewish question” from Aguilar’s non-Jewish contemporaries, tributes and memoirs, and contemporary responses to her work.

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When abolitionists Thomas Clarkson and Ottobah Cugoano published their essays on slavery in the late eighteenth century, they became key participants in one of the most important human rights campaigns in history. British abolitionism sought to expose the realities of transatlantic slavery in addition to asking politicians to help dehumanized Africans in the New World, and this edition brings together two major essays of the 1780s that were influential in the spread of the early abolitionist movement: Clarkson’s An Essay on the Slavery and Commerce of the Human Species and Cugoano’s Thoughts and Sentiments on the Evil and Wicked Traffic of the Slavery and Commerce of the Human Species.A critical introduction and extensive historical appendices on British and American slavery and abolitionism, featuring contemporary arguments for and against slavery, are also included.

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Wells was interested in the implications of evolutionary theory on the future of human beings at the biological, sociological, and cultural levels, and The Time Machine, short and readable, draws on many of the social and scientific debates of the time. The Broadview edition of this science fiction classic includes extensive materials on Wells’s scientific and political influences.

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