Search results for ""author mary .""

Explores how the institutional management of children’s sexualities in boarding schools affected children’s future social, political, and economic opportunities Tracing the US’s investment in disciplining minoritarian sexualities since the late nineteenth century, Mary Zaborskis focuses on a ubiquitous but understudied figure: the queer child. Queer Childhoods examines the lived and literary experiences of children who attended reform schools, schools for the blind, African American industrial schools, and Native American boarding schools. In mapping the institutional terrain of queer childhoods in educational settings of the late nineteenth- and twentieth-century, the book offers an original archive of children’s sexual and embodied experiences. Zaborskis argues that these boarding schools—designed to segregate racialized, criminalized, and disabled children from mainstream culture—produced new forms of childhood. These childhoods have secured American futures in which institutionalized children (and the adults they become) have not been considered full-fledged citizens or participants. By locating this queerness in state archives and institutions, Queer Childhoods exposes a queer social history entangled with genocide, eugenics, and racialized violence.

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Now in its third edition, Feminist Literary Theory remains the most comprehensive, single volume introduction to a vital and diverse field Fully revised and updated to reflect changes in the field over the last decade Includes extracts from all the major critics, critical approaches and theoretical positions in contemporary feminist literary studies Features a new section, Writing 'Glocal', which covers feminism's dialogue with postcolonial, global and spatial studies Revised chapter introductions provide readers with helpful contextual information while extensive notes offer recommendations for further reading

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SHORTLISTED FOR THE EDWARD STANFORD TRAVEL BOOK OF THE YEAR 2024''Deeply poetic.'' CAROLINE LUCAS MP''A masterpiece of storytelling.'' NICK MAYHEW-SMITH''Mary Colwell is a candle of open-minded curiosity.'' PATRICK LAURIE-Mary Colwell makes a solo pilgrimage along the Camino Francés winding through forests, mountains, farmland, industrial sprawls and places of worship. Pilgrims have always walked in times of upheaval, pitching themselves against weather, hunger, thirst and sometimes pain as they tread the paths their ancestors once followed. In the winter of 2020, author, nature campaigner and veteran solo walker Mary Colwell walked a 500-mile pilgrimage along the Camino Francés in northern Spain. In a typical year, many thousands of people walk this route, but Mary had it virtually to herself at a unique historical moment a time of profound political change, escalating climate and biodiversity emergencies

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Spend a day and night in the tundra! Learn about this cold habitat through the intriguing animals that call it home. Catch breakfast mid-flight with a peregrine falcon. Spend the afternoon snoozing with an Arctic fox. Take an evening trek with a herd of caribou. After dark, sit still with an Arctic hare as it hides from hungry wolves. What will tomorrow bring in the tundra?

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Spend a day and night in the savannah! Learn about this grassy habitat through the interesting animals that call it home. Nibble a breakfast of sky-high leaves with a giraffe. Then construct towering mounds with termites. At sunset, shriek and prowl for prey with a pack of hyenas. After dark, go on a high-speed hunt with a cheetah. What will tomorrow bring in the savannah?

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An Independent Book of the Month Edith Summerskill was a remarkable politician, feminist, physician, campaigner and writer. At a time when there were few powerful women in public life, Dr Edith, as she was known, served in Clement Attlee's transformational post-war Labour government and oversaw the National Insurance scheme which solidified the welfare state in Britain. Here, Labour MEP Mary Honeyball, provides the first biography of this remarkable early pioneer for women in politics. Honeyball shows how Edith Summerskill's direct campaigning was instrumental in promoting women's causes throughout her life and lays out her remarkable achievements in securing the equal rights of housewives and divorced women over property. This is an uplifting and enlightening account of a forgotten Labour hero.

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In Bonk, the best-selling author of Stiff turns her outrageous curiosity and insight on the most alluring scientific subject of all: sex. Can a person think herself to orgasm? Why doesn't Viagra help women—or, for that matter, pandas? Can a dead man get an erection? Is vaginal orgasm a myth? Mary Roach shows us how and why sexual arousal and orgasm—two of the most complex, delightful, and amazing scientific phenomena on earth—can be so hard to achieve and what science is doing to make the bedroom a more satisfying place.

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This is the book The West Wing deserves. Allison JanneyA joy and a MUST READ for all the Wingnuts out there! Brad WhitfordA behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure. Includes an exclusive foreword by showrunner Aaron Sorkin and introduction by cast member Allison Janney.Step back inside the world of President Jed Bartlet''s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colourful backstage pass to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it fo

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‘The Forgotten is an utterly absorbing novel... The devastation of Berlin in 1945 is powerfully portrayed through the eyes of the women who are caught between the conquering forces.’ Jennifer Saint, author of Ariadne How do you rebuild a life from the ashes of despair? London 1958. Twenty-six-year-old Betty Fisher is one of the first to join the Campaign for Nuclear Disarmament and attend its inaugural meeting, where she meets John Harris. Posted to Berlin towards the end of the war, John has been left traumatised by his experiences in Germany. And, as his initial admiration for Betty shifts into an overwhelming need to protect her, he is plagued by flashbacks and fantasies. John's increasing fragility brings to the surface Betty's own memories. And soon her past, too, begins to unravel...

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Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient. In Intimate Outsiders, the art historian Mary Roberts brings to light a body of harem imagery that was created through a dynamic process of cultural exchange. Roberts focuses on images produced by nineteenth-century European artists and writers who were granted access to harems in the urban centers of Istanbul and Cairo. As invited guests, these Europeans were “intimate outsiders” within the women’s quarters of elite Ottoman households. At the same time, elite Ottoman women were offered intimate access to European culture through their contact with these foreign travelers.Roberts draws on a range of sources, including paintings, photographs, and travelogues discovered in archives in Britain, Turkey, Egypt, and Denmark. She rethinks the influential harem works of the realist painter John Frederick Lewis, a British artist living in Cairo during the 1840s, whose works were granted an authoritative status by his British public despite the actual limits of his insider knowledge. Unlike Lewis, British women were able to visit Ottoman harems, and from the mid-nineteenth century on they did so in droves. Writing about their experiences in published travelogues, they undermined the idea that harems were the subject only of male fantasies. The elite Ottoman women who orchestrated these visits often challenged their guests’ misapprehensions about harem life, and a number of them exercised power as patrons, commissioning portraits from European artists. Their roles as art patrons defy the Western idea of the harem woman as passive odalisque.

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Although the physicians and surgeons of eighteenth-century Germany have attracted previous scholarly inquiry, little is known about their day-to-day activities-and even less about the ways in which those activities fit into the economic, political, and social structures of the time. In this groundbreaking work, Mary Lindemann brings together the scholarly traditions of the history of structures, mentalities, and everyday life to shed light on this complex relationship. Opening with a discussion of the interplay of state and society in the independent German state of Braunschweig-Wolfenbuttel, Lindemann explains how medical policy was "made" at all levels. She describes the striking array of healers active in the eighteenth century: from physicians to all those consulted in medical situations-friends and neighbors, executioners and barber-surgeons, bathmasters, midwives, and apothecaries. She surveys the available vital statistics and more personal narrative accounts, such as reports on the "Increase and Decrease of the Inhabitants," and medical topographies. Lindemann also examines the process of becoming a patient and explores the effects of the social, economic, political, and cultural milieus on how medicine was practiced in the everyday world of the village, the neighborhood, and the town.

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Photographs shaped the view of the world in turn-of-the-century Central Europe, bringing images of everything from natural and cultural history to masterpieces of Greek sculpture into homes and offices. Sigmund Freud's library—no exception to this trend—was filled with individual photographs and images in books. According to Mary Bergstein, these photographs also profoundly shaped Freud's thinking in ways that were no less important because they may have been involuntary and unconscious.In Mirrors of Memory, lavishly illustrated with reproductions of the photos from Freud's voluminous collection, she argues that studying the man and his photographs uncovers a key to the origins of psychoanalysis. In Freud's era, photographs were viewed as transparent windows revealing objective truth but at the same time were highly subjective, resembling a kind of dream-memory. Thus, a photo of a ruined temple both depicted the particular place and conveyed a sense of loss, oblivion, of time passing and past, and provided entry into the language of the psychoanalytic project.Bergstein seeks to understand how various kinds of photographs—of sculptures; archaeological sites in Greece, Rome, and Egypt; medical conditions; ethnographic scenes—fed into Freud's thinking as he elaborated the concepts of psychoanalysis. The result is a book that makes a significant contribution to our understanding of early twentieth century visual culture even as it shows that photography shaped the ways in which the great archaeologist of the human mind saw and thought about the world.

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There really isn't a more satisfying feeling than being capable and knowledgeable in a situation where we need to make decisions and solve problems. Now you and your children can learn exciting, useful life skills with the help of the modern-day ranch family at Five Marys Farms! Filled with clear instructions and helpful illustrations, The Hands-On Ranch Book shows your kids--and you--how to · start and tend a productive garden · make bread, maple syrup, candles, and dyes · tie useful knots · take care of horses, chickens, and other livestock · turn your talents into a home business · and so much more Parents will love how The Hands-On Ranch Book encourages their kids to get outside and try new things. Kids will love getting their hands dirty as they observe, create, and share their new skills with others. This book is fun and educational for the whole family, including homeschoolers, homesteaders, and anyone who wishes their life was a little more tied to the land.

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Can they risk giving in to the attraction between them while their lives are on the line? If widowed seamstress Nell Armstrong has to make one more pair of boring chaps for the cowboys in her tiny Wyoming town, she might just quit the business altogether! So meeting Brand Nolte, a widower struggling to raise three girls on his own, seems like her dream come true. Brand has no idea how to dress the girls properly, and Nell finally has a chance to create beautiful outfits while also teaching the girls to sew. But Nell is much more than a seamstress, and the investigative skills and knowledge she picked up alongside her late lawman husband soon become critical when a wounded stagecoach-robbery survivor is brought to town. As danger closes in from all sides, Nell and Brand must discover who has a target trained on them before it's too late. "A richly detailed adventure that captivates till the end."--Publishers Weekly on Forged in Love

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Learn how to overcome codependency with a holistic approach and reinvent yourself in a positive, powerful way!Learn how to overcome the toxic thinking and behaviors of codependency with this unique book’s meditations, affirmations, and inner child healing exercises for personalized healing. Each meditation has a YouTube recording for you to listen along with. By using cognitive behavioral tools, Codependent Discovery and Recovery 2.0 will help you change no matter where you fall on the codependency spectrum. It is possible to reinvent yourself in a positive way and the power is in your hands.

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Mary Kaldor's New and Old Wars has fundamentally changed the way both scholars and policy-makers understand contemporary war and conflict. In the context of globalization, this path-breaking book has shown that what we think of as war - that is to say, war between states in which the aim is to inflict maximum violence - is becoming an anachronism. In its place is a new type of organized violence or 'new wars', which could be described as a mixture of war, organized crime and massive violations of human rights. The actors are both global and local, public and private. The wars are fought for particularistic political goals using tactics of terror and destabilization that are theoretically outlawed by the rules of modern warfare. Kaldor's analysis offers a basis for a cosmopolitan political response to these wars, in which the monopoly of legitimate organized violence is reconstructed on a transnational basis and international peacekeeping is reconceptualized as cosmopolitan law enforcement. This approach also has implications for the reconstruction of civil society, political institutions, and economic and social relations. This third edition has been fully revised and updated. Kaldor has added an afterword answering the critics of the New Wars argument and, in a new chapter, Kaldor shows how old war thinking in Afghanistan and Iraq greatly exacerbated what turned out to be, in many ways, archetypal new wars - characterised by identity politics, a criminalised war economy and civilians as the main victims. Like its predecessors, the third edition of New and Old Wars will be essential reading for students of international relations, politics and conflict studies as well as to all those interested in the changing nature and prospect of warfare.

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Mary Kaldor's New and Old Wars has fundamentally changed the way both scholars and policy-makers understand contemporary war and conflict. In the context of globalization, this path-breaking book has shown that what we think of as war - that is to say, war between states in which the aim is to inflict maximum violence - is becoming an anachronism. In its place is a new type of organized violence or 'new wars', which could be described as a mixture of war, organized crime and massive violations of human rights. The actors are both global and local, public and private. The wars are fought for particularistic political goals using tactics of terror and destabilization that are theoretically outlawed by the rules of modern warfare. Kaldor's analysis offers a basis for a cosmopolitan political response to these wars, in which the monopoly of legitimate organized violence is reconstructed on a transnational basis and international peacekeeping is reconceptualized as cosmopolitan law enforcement. This approach also has implications for the reconstruction of civil society, political institutions, and economic and social relations. This third edition has been fully revised and updated. Kaldor has added an afterword answering the critics of the New Wars argument and, in a new chapter, Kaldor shows how old war thinking in Afghanistan and Iraq greatly exacerbated what turned out to be, in many ways, archetypal new wars - characterised by identity politics, a criminalised war economy and civilians as the main victims. Like its predecessors, the third edition of New and Old Wars will be essential reading for students of international relations, politics and conflict studies as well as to all those interested in the changing nature and prospect of warfare.

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There is a real security gap in the world today. Millions of people in regions like the Middle East or East and Central Africa or Central Asia where new wars are taking place live in daily fear of violence. Moreover new wars are increasingly intertwined with other global risks the spread of disease, vulnerability to natural disasters, poverty and homelessness. Yet our security conceptions, drawn from the dominant experience of World War II and based on the use of conventional military force, do not reduce that insecurity; rather they make it worse. This book is an exploration of this security gap. It makes the case for a new approach to security based on a global conversation- a public debate among civil society groups and individuals as well as states and international institutions. The chapters follow on from Kaldors path breaking analysis of the character of new wars in places like the Balkans or Africa during the 1990s. The first four chapters provide a context; they cover the experience of humanitarian intervention, the nature of American power, the new nationalist and religious movements that are associated with globalization, and how these various aspects of current security dilemmas have played out in the Balkans. The last three chapters are more normative, dealing with the evolution of the idea of global civil society, the relevance of just war theory in a global era, and the concept of human security and what it might mean to implement such a concept. This book will appeal to all those interested in issues of peace and conflict, in particular to students of politics and international relations.

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Analysing major Irish dramas and the artists and companies that performed them, Modern Irish Theatre provides an engaging and accessible introduction to twentieth-century Irish theatre: its origins, dominant themes, relationship to politics and culture, and influence on theatre movements around the world. By looking at her subject as a performance rather than a literary phenomenon, Trotter captures how Irish theatre has actively reflected and shaped debates about Irish culture and identity among audiences, artists, and critics for over a century. This text provides the reader with discussion and analysis of: Significant playwrights and companies, from Lady Gregory to Brendan Behan to Marina Carr, and from the Abbey Theatre to the Lyric Theatre to Field Day; Major historical events, including the war for Independence, the Troubles, and the social effects of the Celtic Tiger economy; Critical Methodologies: how postcolonial, diaspora, performance, gender, and cultural theories, among others, shed light on Irish theatre’s political and artistic significance, and how it has addressed specific national concerns. Because of its comprehensiveness and originality, Modern Irish Theatre will be of great interest to students and general readers interested in theatre studies, cultural studies, Irish studies, and political performance.

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The terms 'global' and 'civil society' have both become part of the contemporary political lexicon. In this important new book, Mary Kaldor argues that this is no coincidence and that the reinvention of civil society has to be understood in the context of globalization. The concept of civil society is no longer confined to the borders of the territorial state. Whether one considers dissidents in repressive regimes, landless labourers in Central America, campaigners against land mines or global debt, or even religious fundamentalists, it is now possible for them to link up with other like-minded groups in different parts of the world and to address demands not just to national governments but to global institutions as well. This has opened up new opportunities for human emancipation, and, in particular, for going beyond war as a way of managing global affairs. But it also entails new risks and insecurities. This is a book about a political idea - an idea that came out of the 1989 revolutions. It is an idea that expresses a real phenomenon, even if the boundaries and shape of the phenomenon are contested and subject to constant redefinition. The study of past debates as well as the actions and arguments of the present is a way of directly influencing the phenomenon, and of contributing to a changing reality, if possible for the better. The task is all the more urgent in the aftermath of September 11. Global Civil Society will be read by students of politics, international relations and sociology, as well as activists, policy-makers, journalists and all those engaged in global public debates.

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This is a challenge to conventional thinking around money and the 'debt crisis'. By re-evaluating the source of money, Mary Mellor presents a radical alternative to austerity and privatisation: public wealth, or, money used for sustainability, sufficiency and social justice. Debt or Democracy debunks the received lessons of the financial crisis of 2007. Political elites shout about a house whose finances are in disarray; a 'yawning deficit' created by reckless spending in a bloated public sector. The answer to this 'debt crisis' has been harsh austerity measures - but this is a dangerously deceptive discourse. Turning against the prevalent narrative, with its language of 'debt' and 'deficit', Mellor takes on the familiar question - 'where does money come from?'. The real solution is a return to the notion of public wealth and the public economy; of a monetary system owned by, and operated in the interests of, the majority.

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Many of Cy Twombly's paintings and drawings include handwritten words and phrases--naming or quoting poets ranging from Sappho, Homer, and Virgil to Mallarme, Rilke, and Cavafy. Enigmatic and sometimes hard to decipher, these inscriptions are a distinctive feature of his work. Reading Cy Twombly poses both literary and art historical questions. How does poetic reference in largely abstract works affect their interpretation? Reading Cy Twombly is the first book to focus specifically on the artist's use of poetry. Twombly's library formed an extension of his studio and he sometimes painted with a book open in front of him. Drawing on original research in an archive that includes his paint-stained and annotated books, Mary Jacobus's account--richly illustrated with more than 125 color and black-and-white images--unlocks an important aspect of Twombly's practice. Jacobus shows that poetry was an indispensable source of reference throughout Twombly's career; as he said, he "never really separated painting and literature." Among much else, she explores the influence of Ezra Pound and Charles Olson; Twombly's fondness for Greek pastoral poetry and Virgil's Eclogues; the inspiration of the Iliad and Ovid's Metamorphoses; and Twombly's love of Keats and his collaboration with Octavio Paz. Twombly's art reveals both his distinctive relationship to poetry and his use of quotation to solve formal problems. A modern painter, he belongs in a critical tradition that goes back, by way of Roland Barthes, to Baudelaire. Reading Cy Twombly opens up fascinating new readings of some of the most important paintings and drawings of the twentieth century.

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The Concise Companion to Feminist Theory introduces readers to the broad scope of feminist theory over the last 35 years. Introduces readers to the broad scope of feminist theory over the past 35 years. Guides students along the cutting edge of current feminist theory. Suitable for students and scholars of all fields touched by feminist thought. Covers an exceptionally broad range of disciplines, discourses and feminist positions. Organised around concepts rather than schools of feminism.

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Originating in 1967, this series provides a guide to the preparation, properties and uses of thousands of reagents, with additional references to reagents previously discussed. It includes data on structural formulas, molecular weight, physical constants, preferred method of preparation, and examples of important uses. The series' standard format continues with this current volume, which covers the reagent literature published from mid-1988 to the end of 1989.

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The well respected and ever popular Fieser and Fieser series on reagents for organic synthesis provides concise descriptions, good structural formulas and selected examples of applications. Provides references to new reagents as well as to reagents included in previous volumes Thousands of entries abstract the most important information on commonly used and new reagents, including preparation, uses, sources of supply, critical comments, references and more Reagents are considered in alphabetical order by common usage names.

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For two thousand years, cadavers – some willingly, some unwittingly – have been involved in science’s boldest strides and weirdest undertakings. They’ve tested France’s first guillotines, ridden the NASA Space Shuttle, been crucified in a Parisian laboratory to test the authenticity of the Shroud of Turin, and helped solve the mystery of TWA Flight 800. For every new surgical procedure, from heart transplants to gender confirmation surgery, cadavers have helped make history in their quiet way. “Delightful—though never disrespectful” (Les Simpson, Time Out New York), Stiff investigates the strange lives of our bodies postmortem and answers the question: What should we do after we die? “This quirky, funny read offers perspective and insight about life, death and the medical profession. . . . You can close this book with an appreciation of the miracle that the human body really is.” —Tara Parker-Pope, Wall Street Journal “Gross, educational, and unexpectedly sidesplitting.” —Entertainment Weekly

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Universally recognized as a brilliant and gifted 18th-century artist, Johan Zoffany (1733-1810) was regarded by Horace Walpole as one of the three greatest painters in England, along with his friends Reynolds and Gainsborough. Yet he has remained without a detailed study of his life and works, owing to the fascinating and complex vicissitudes of his career, now established from widely scattered sources. From being a late-baroque painter at a German princely court to working under the royal patronage of George III and Queen Charlotte, from his serious interest in Indian life and landscape, developed while living near Calcutta, to his attacks on the bloody progress of the French Revolution, Zoffany created pictures that document with incomparable liveliness the worlds and people among whom he moved.Published for the Paul Mellon Centre for Studies in British Art

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Exploring such questions as "how did fact become modernity's most favoured unit of knowledge?", this text contains ideas and texts from the publication of the first British manual on double-entry bookkeeping in 1588 to the institutionalization of statistics in the 1830s. It shows how the production of systematic knowledge from descriptions of observed particulars influenced government; how numerical representation became the privileged vehicle for generating useful facts; and how belief - whether figured as credit, credibility, or credulity - remained essential to the production of knowledge.

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On September 25, 1890, the fourth Mormon prophet, Wilford Woodruff, publicly instructed his followers to abandon polygamy. In doing so, he initiated a process that would fundamentally alter the Latter-day Saints and their faith. Trading the most integral elements of their belief system for national acceptance, the Mormons recreated themselves as model Americans. Mary Campbell tells the story of this remarkable religious transformation in Charles Ellis Johnson and the Erotic Mormon Image. One of the church's favorite photographers, Johnson (1857 1926) spent the 1890s and early 1900s taking pictures of Mormonism's most revered figures and sacred sites. At the same time, he did a brisk business in mail-order erotica, shooting and selling stereoviews that he referred to as his "spicy pictures of girls." Situating these images and more within the religious, artistic, and legal culture of turn-of-the-century America, Campbell reveals the unexpected ways in which they worked in concert to bring the Saints back into the nation's mainstream after the scandal of polygamy. ?Engaging, interdisciplinary, and deeply researched, Charles Ellis Johnson and the Erotic Mormon Image demonstrates the profound role that pictures played in the creation of both the modern Church of Jesus Christ of Latter-day Saints and the modern American nation.

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Slavery appears as a figurative construct during the English revolution of the mid-seventeenth century, and again in the American and French revolutions, when radicals represent their treatment as a form of political slavery. What, if anything, does figurative, political slavery have to do with transatlantic slavery? In Arbitrary Rule, Mary Nyquist explores connections between political and chattel slavery by excavating the tradition of Western political thought that justifies actively opposing tyranny. She argues that as powerful rhetorical and conceptual constructs, Greco-Roman political liberty and slavery reemerge at the time of early modern Eurocolonial expansion; they help to create racialized "free" national identities and their "unfree" counterparts in non-European nations represented as inhabiting an earlier, privative age. Arbitrary Rule is the first book to tackle political slavery's discursive complexity, engaging Eurocolonialism, political philosophy, and literary studies, areas of study too often kept apart.

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One of the BBC's '100 Novels That Shaped Our World'A stunning new clothbound edition of Mary Shelley's infamous work of horror fiction, designed by the award-winning Coralie Bickford-Smith. These delectable and collectible Penguin editions are bound in high-quality colourful, tactile cloth with foil stamped into the designObsessed by creating life itself, Victor Frankenstein plunders graveyards for the material to fashion a new being, which he shocks into life by electricity. But his botched creature, rejected by Frankenstein and denied human companionship, sets out to destroy his maker and all that he holds dear. This chilling gothic tale, begun when Mary Shelley was just nineteen years old, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity.This edition also includes 'A Fragment' by Lord Byron and 'The Vampyre: A Tale' by John Polidori, as well as an introduction and notesMary Shelley (1797-1851), the daughter of pioneering thinkers Mary Wollstonecraft and William Godwin, eloped with the poet Percy Shelley at the age of sixteen. Three years later, during a wet summer on Lake Geneva, Shelley famously wrote her masterpiece, Frankenstein. The years of her marriage were blighted by the deaths of three of her four children, and further tragedy followed in 1822, when Percy Shelley drowned in Italy. Following his death, Mary Shelley returned to England and continued to travel and write until her own death at the age of fifty-three.

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