Search results for ""author frances"

France's New Deal is an in-depth and important look at the remaking of the French state after World War II, a time when the nation was endowed with brand-new institutions for managing its economy and culture. Yet, as Philip Nord reveals, the significant process of state rebuilding did not begin at the Liberation. Rather, it got started earlier, in the waning years of the Third Republic and under the Vichy regime. Tracking the nation's evolution from the 1930s through the postwar years, Nord describes how a variety of political actors--socialists, Christian democrats, technocrats, and Gaullists--had a hand in the construction of modern France. Nord examines the French development of economic planning and a cradle-to-grave social security system; and he explores the nationalization of radio, the creation of a national cinema, and the funding of regional theaters. Nord shows that many of the policymakers of the Liberation era had also served under the Vichy regime, and that a number of postwar institutions and policies were actually holdovers from the Vichy era--minus the authoritarianism and racism of those years. From this perspective, the French state after the war was neither entirely new nor purely social-democratic in inspiration. The state's complex political pedigree appealed to a range of constituencies and made possible the building of a wide base of support that remained in place for decades to come. A nuanced perspective on the French state's postwar origins, France's New Deal chronicles how one modern nation came into being.

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The Tour de France is a race like no other, so perhaps it’s no surprise that it attracts racers like no other. The winner of the second Tour actually came fifth – but the four racers before him were disqualified for cheating. The 1932 champion credits his win with saving him from capture by the Nazis, as the soldiers recognised him from the podium. One of Britain’s best cyclists of the modern era only got into European racing by forging an email. Tour de France Champions is a journey to the summit of cycling, looking at those who have taken on the roads and mountains of France to prevail above all others and win cycling’s greatest prize. Giles Belbin presents the stories of all those who have claimed the original and greatest Grand Tour, the one race that still transcends the sport of cycling: the Tour de France.

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William Francis Blackadder was a pilot of No. 607 Squadron, one of only two Auxiliary Air Force squadrons posted across the Channel during the illfated Battle of France. His diary begins at the squadron's annual summer camp at Abbotsinch in August 1939, and finishes at the Belgian Army headquarters in Brussels in May 1940. Blackadder's writings reflect No. 607 pilots' excitement in the last days of peace, frustrations in the ensuing 'Phoney War', and low morale at the harsh French winter of 1939 and long delay before receiving their first Hurricanes. This beautifully illustrated book shows the aerial war over France as it really was, and illuminates some of the factors behind the British defeat: pilots were ill-equipped, outnumbered, reduced to dogfighting, and constantly hampered by the damage the weather caused to planes on the ground. Yet Robert Dixon also garners from Blackadder's diary insights into his more joyful experiences- his initiation to flying, daily routines as an auxiliary pilot, the social fabric and bonds of his squadron, and his enduring relationship with aviation after the war.

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This is an unflinching and honest portrayal of how numerous artists and their works were used during the German occupation of France. "Art of the Defeat" provides an unflinching an honest look at the art scene in France during the German occupation of World War II. Beginning with Adolf Hitler's staging of the armistice at Rethondes, it offers a survey of Nazi and Vichy artistic policies, key events and organizations, and individual acts of collaboration and resistance. It examines the demonization of foreigners, the looting of state museums and Jewish collections, the glorification of Philippe Petain and French national identity, and the official junket by French artists to Germany. Drawing on research and discussions of the works of artists such as Gerard Ambroselli, Arno Breker, Henri Matisse, Pablo Picasso, and dozens of others, this volume is a pioneering look at how art can be used to hold despair and defeat at bay.

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Translation and the Arts in Modern France sits at the intersection of transposition, translation, and ekphrasis, finding resonances in these areas across periods, places, and forms. Within these contributions, questions of colonization, subjugation, migration, and exile connect Benin to Brittany, and political philosophy to the sentimental novel and to film. Focusing on cultural production from 1830 to the present and privileging French culture, the contributors explore interactions with other cultures, countries, and continents, often explicitly equating intercultural permeability with representational exchange. In doing so, the book exposes the extent to which moving between media and codes—the very process of translation and transposition—is a defining aspect of creativity across time, space, and disciplines.

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In Venice, Frances Croy is working to leave the previous year behind: another novel published to little success, a scathing review she can't quite manage to forget, and, most of all, the real reason behind her self-imposed exile from London: the incident at the Savoy.Sequestered within an aging palazzo, Frankie finds comfort in the emptiness of Venice in winter, in the absence of others. And then Gilly appears.A young woman claiming a connection from back home, one that Frankie can't quite seem to recall, Gilly seems determined for the two women to become fast friends. But there's something about her that continues to give Frankie pause, that makes her wonder just how much of what Gilly tells her is actually the truth.Those around Frankie are quick to dismiss her concerns, citing what took place that night at the Savoy. So too do they dismiss Frankie's claims that someone is occupying the other half of the palazzo, which has supposedly stood empty since after the war. But Frankie has seen the lights across the way, has heard the footsteps too-and what's more, knows she isn't mad.Set in the days before and after the 1966 flood - the worst ever experienced by the city of Venice - the trajectory of the disaster that forever altered the city mirrors Frankie's own inner turmoil as she struggles to make sense of what is and is not the truth, ultimately culminating in a tragedy that leaves her questioning her own role and responsibility - as well as her sanity.

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When Vichy France and the Jews was first published in France in 1981, the reaction was explosive. Before the appearance of this groundbreaking book, the question of the Vichy regime's cooperation with the Third Reich had been suppressed. Michael R. Marrus and Robert O. Paxton were the first to access closed archives that revealed the extent of Vichy's complicity in the Nazi effort to eliminate the Jews. Since the book's original publication, additional archives have been opened, and the role of the French state in the deportation of Jews to the Nazi death factories is now openly acknowledged. This new edition integrates over thirty years of subsequent scholarship, and incorporates research on French public opinion and the diversity of responses by French civilians to the campaign of persecution they witnessed around them. This classic account remains central to the historiography of France and the Holocaust, and in its revised edition, is more important than ever for understanding the Vichy government's role in the darkest atrocity of the twentieth century.

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The existence of natural ice-caves at depths varying from 50 to 200 feet below the surface of the earth, unconnected with glaciers or snow mountains, and in latitudes and at altitudes where ice could not under ordinary circumstances be supposed to exist, has attracted some attention. In addition to the description of this natural phenomena, the author has interspersed his incidents of travel. He has also given accounts of similar caves in different parts of the world.

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Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet''s France City Map is your conveniently sized passport to travelling with ease. Get more from your map and your trip with images and information about top city attractions, walking tour routes, transport maps, itinerary suggestions, an extensive street and site index, and practical travel tips and directory. With this easy-to-use, full-colour navigation tool in your back pocket, you can truly get to the heart of France, so begin your journey now!Durable and waterproofEasy-fold format and convenient sizeHandy slipcaseFull colour and easy to useExtensive street and site indexImages and information about top city attractionsHandy transport mapsWalking tour routesPractical travel tips and directoryItinerary suggestions<

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The study of fifteenth-century painting in France was inaugurated a century ago by the exhibition Primitifs français (1904) and has developed considerably over the past few decades, especially thanks to the work of Charles Sterling, Michel Laclotte, Nicole Reynaud, and François Avril. This research has led to the revival of several forgotten figures (Barthélemy d Eyck, André d Ypres, Antoine de Lonhy, Jean Hey, Jean Poyer, etc.) and the reassessment of many centres of artistic production. Linked together, they formed a crucial part of the trade network across Europe. It is this extremely complex artistic geography that this book's three sections attempt to recreate. The first is devoted to the interplay between the French courts and Paris, as a thriving centre of artistic production at the time of the flowering of international gothic (1380-1435). The second examines the spread of ars nova (the illusionist art of Flanders) and its selective adoption in the kingdom of France in the time of Charles VII and Louis XI (1435 1483). The third concentrates on the gradual development of a generally accepted standard form of the French language, based on the model of Jean Fouquet and evolving in parallel to the work of the grand rhetoricians under Charles VIII and Louis XII (1483-1515).

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In this collection, French intellectuals and scholars comment on the relationship between British novelist Joseph Conrad's work and French culture and criticism. The book presents readings of Conrad's major texts by several generations of critics, such as Andre Gide, Andre Maurois, and Ramon Fernandez, with generation approaching his works from a variety of angles while remaining attentive to the link between the artist and his work.

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The end of the nineteenth century in France was marked by political scandals, social unrest, dissension, and “decadence.” Yet the fin de siècle was also an era of great social and scientific progress, a time when advantages previously reserved for the privileged began to be shared by the many. Public transportation, electrical illumination, standard time, and an improved water supply radically altered the life of the modest folk, who found time for travel and leisure activities—including sports such as cycling. Change became the nature of things, and people believed that further improvement was not only possible but inevitable.In this thoroughly engaging history, Eugen Weber describes ways of life, not as recorded by general history, but as contemporaries experienced them. He writes about political atmosphere and public prejudices rather than standard political history. Water and washing, bicycles and public transportation engage him more than great scientific discoveries. He discusses academic painting and poster art, the popular stage and music halls, at greater length than avant-garde and classic theater or opera. In this book the importance of telephones, plumbing, and central heating outranks such traditional subjects as international developments, the rise of organized labor, and the spread of socialism.Weber does not neglect the darker side of the fin de siècle. The discrepancy between material advance and spiritual dejection, characteristic of our own times, interests him as much as the idea of progress, and he reminds us that for most people the period was far from elegant. In the lurid context of military defeat, political instability, public scandal, and clamorous social criticism, one had also to contend with civic dirt, unsanitary food, mob violence, and the seeds of modern-day scourges: pollution, drugs, sensationalism, debased art, the erosion of moral character. Yet millions of fin de siècle French lived as only thousands had lived fifty years before; while their advance was slow, their right to improvement was conceded.

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This is a comprehensive guide to major leisure cycle routes south of (and including) the Loire Valley in France. All the major traffic-free routes and signed touring routes are included with a factifile, text description of what to see along the way and, crucially, quality mapping at 1:200,000 for all the routes.It features sumptuous photos. It provides background information on taking bikes on trains in France and much more.France is one of Europe's finest cycling destinations and the recent explosion of quality, specially built and signed routes has only enhanced this reputation.It helps readers discover Euro-Velo 6, which wends its way across the entire width of France on traffic-free and lightly trafficked tracks and roads. It uses the Loire Valley for much of its length. It features the traffic-free Littoral route along Provence's lovely Mediterranean coast. It also helps readers discover the countless signed routes in the Alps - some much easier than you might imagine. It describes a quality traffic-free route along virtually the whole of the Atlantic coast.So, whether you are planning lazy day rides around Loire Chateaux or the long-distance trip of a lifetime along the Canal du Midi and the Garonne valley, linking the Atlantic and Mediterranean in a French C2C adventure, this guide is both an essential pre-trip planner and an invaluable riders' companion.

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Lonely Planet''s Experience France travel guide reveals exciting new ways to explore this iconic country with insider tips from our local experts and handy planning tools so you can create your own unique trip.Discover amazing local experiences from rocking out at a concert in Lyon''s ancient Roman amphitheatre, to snorkelling through crystal-clear waters off the Co^te d'Azur, and indulging in the Michelin-starred gastronomic temples of Paris.Build a one-of-a-kind trip with Lonely Planet''s Experience France travel guide: Our Experience guidebook format reveals exciting new ways to explore epic destinations and plan the ultimate 1-2 week adventure Local experts share their love for the real France, offering fresh perspectives into the country''s traditions, values, and modern trends Trip planning tools he

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This unique work reveals how the denial of race as a social category maintains and reproduces systematic racism in contemporary France. Léonard offers an in-depth analysis of contentious issues in society, revealing how color-blind racism is at the centre of social inequality in France.

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To Lose a Battle: France 1940 is the final book of Alistair Horne's trilogy, which includes The Fall of Paris and The Price of Glory and tells the story of the great crises of the rivalry between France and Germany. In 1940 Hitler sent his troops to execute the Fall of France. A six-week battle with lightning 'blitzkrieg' warfare and combined operations techniques, the offensive ended the Phony War and sent the French forces reeling as their government fled from occupied Paris. For the Axis, it was a dramatic victory. But how was this spectacular result possible? In To Lose a Battle Alistair Horne tells the day-by-day, moment-by-moment story of the battle, sifted from the vast Nazi archives and the fragmentary records of the beaten Allies. Using eye-witness accounts of battle operations and personal memoirs of leading figures on both sides, this book steps far beyond the confines of military accounts to form a major contribution to our understanding of this important period in European history. 'Alistair Horne really brings home the pathos and human folly of war, and he writes brilliantly' The Times 'Horne follows his line unfalteringly. All the details are there: the small, fleeting triumphs, the greater disasters, the bravery, the cowardice, the stupidity and the intelligence ... that make war so fascinating and so terrible' Economist 'Horne completes his masterly trilogy ... the definitive account of one of the most efficient and astonishing campaigns of all time' The Times Literary Supplement One of Britain's greatest historians, Sir Alistair Horne, CBE, is the author of a trilogy on the rivalry between France and Germany, The Price of Glory, The Fall of Paris and To Lose a Battle, as well as a two-volume life of Harold Macmillan.

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This volume is a supplement to the editor's earlier A Documentary Survey of Napoleonic France (UPA, 1994) and contains 25 additional letters, laws, decrees, treaties, and miscellaneous policy statements illustrative of administrative and governing norms and methods in the Napoleonic dictatorship. Inspired by John Hall Stewart's A Documentary Survey of the French Revolution, this book will appeal to English-speaking undergraduate and graduate students of Napoleonic France, professors with specialties or interests in that area, and general Napoleonic "buffs."

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Choose Charming Small Hotels France guide to discover your dream place to stay. With this Charming Small Hotels France guide, you’ll discover dream places to stay that are worth planning your visit around. Here you’ll discover a huge selection of truly special places to stay with character, charm and the personal touch from budget to luxury. Charming Small Hotels France offers a calm, reasoned evaluation. We go to great pains to try to get under the skin of each hotel; to draw a word-sketch of what the hotel really is and we’re not afraid to offer the negative as well as the positive points! Inside our hotel guide you’ll find: *Colour photographs and a thoughtful description for each entry. *A genuinely independent review – no hotel pays to be included in our guide. *A unique focus on places with charm and character. We favour places that can offer a genuinely personal welcome. *Every entry is more than just a bed for the night: it’s an experience worth going out of your way for. From chic stylish city hotels to contemporary inns, from outstanding B&Bs to captivating country houses we’re sure you’ll find just the place you’re looking for. With each hotel hand-picked by Fiona Duncan, arguably Britain’s most respected hotel critic, your visit starts here.

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During August 1942 several women jumped to their deaths from a second story window at the tile factory in the small town of Milles near Aix-en-Provence. Between 1939 and 1942 the factory assumed various roles as internment camp, transit camp and ultimately deportation camp. This book is about the view from the ‘suicide window’ as it is presented within the Camp des Milles memorial museum which opened in 2012. It explores how this view might help us to understand and imagine the world of internment and deportation camps operating in France during the Second World War and their memorial today. The book uses the views framed by the window to think critically about the museography of the memorial within the wider context of France’s relatively late acknowledgment of its role in the persecution of the Jews during the Second World War.

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A TENSE PSYCHOLOGICAL THRILLER RIPPED STRAIGHT FROM THE HEADLINES . . .'I was thoroughly gripped. Expertly plotted with some major twists' 5***** Reader Review'A gripping psychological thriller that had me hooked from the first page' 5***** Reader Review _________ Twenty years ago 21-year-old Sophie Collier vanishes one night. She leaves nothing behind but a trainer on the old pier - and a hole in the heart of her best friend Francesca. Now A body's been found. And Francesca's drawn back to the seaside town she's tried to forget. Perhaps the truth of what happened to Sophie will finally come out. Yet Francesca is beginning to wish she hadn't returned. Everywhere she turns, ghosts from her past appear. The same old faces that always haunted her. But if someone knows what really happened to Sophie that night, then now's the time to find out . . . Isn't it? Except sometimes discovering the truth can cost you everything you hold dear - your family, your sanity and even your life . . ._________ PRAISE FOR CLAIRE DOUGLAS: 'Thrillingly tense and twisty' B A Paris 'Perfect for fans of The Girl on the Train' Marie Claire 'Packed with a killer twist' Closer 'Superb plotting' Jenny Blackhurst 'Will give you chills' Sunday Mirror 'Gripping' Closer

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Lonely Planet''s Best Day Walks France is your passport to 60 easy escapes into nature. Stretch your legs away from the city by picking a walk that works for you, from just a couple of hours to a full day, from easy to hard. Hike the Alps and the Pyrenees and admire lavender fields in Provence. Inside Lonely Planet''s Best Day Walks France Travel Guide: Colour maps and images throughout Special features - on France''s highlights for walkers, kid-friendly walks, accessible trails and what to takeBest for section helps you plan your trip and select walks that appeal to your interestsRegion profiles cover when to go, where to stay, what''s on, cultural insights, and local food and drink recommendations to refuel and refresh. Featured regions include: Brittany, Normandy, Lille, the Somme, the French Alps, Jura, central France, Provence, th

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Heresy and inquisition in France, 1200–1300 is an invaluable collection of primary sources in translation, aimed at students and academics alike. It provides a wide array of materials on both heresy (Cathars and Waldensians) and the persecution of heresy in medieval France. The book is divided into eight sections, each devoted to a different genre of source material. It contains substantial material pertaining to the setting up and practice of inquisitions into heretical wickedness, and a large number of translations from the registers of inquisition trials. Each source is introduced fully and is accompanied by references to useful modern commentaries. The study of heresy and inquisition has always aroused considerable scholarly debate; with this book, students and scholars can form their own interpretations of the key issues, from the texts written in the period itself.

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Discover the freedom of the open road with Lonely Planet's France's Best Road Trips. This trusted travel companion features 38 amazing drives, from 2-day escapes to 2-week adventures. See Britanny's stunning coastline, explore medieval Burgundy, and trawl through Provence's markets. Get to France, rent a car, and hit the road! Inside Lonely Planet's France's Best Road Trips: Itineraries for classic road trips plus other lesser-known drives with expert advice to pick the routes that suit your interests and needs Full-colour route maps - easy-to-read, detailed directionsDetours - delightful diversions to see France's highlights along the way Link Your Trip - cruise from one driving route to the next Insider tips - get around like a local, avoid trouble spots and be safe on the road - local driving rules, parking, toll roadsStretch Your Legs - the best things to do outside the car Essential info at your fingertips - hours of operation, phone numbers, websites, prices Honest reviews for all budgets - eating, sleeping, sightseeing, hidden gems that most guidebooks missLavish colour photography provides inspiration throughout Covers Paris, Alsace, Normandy, Brittany, the Loire Valley, the Auvergne, Burgundy, the Rhone Valley, Provence, the Basque Country, the Pyrenees, and more. The Perfect Choice: Lonely Planet's France's Best Road Trips is perfect for exploring France via the road and discovering sights that are more accessible by car. Planning a France trip sans a car? Lonely Planet's France, our most comprehensive guide to France, is perfect for exploring both top sights and lesser-known gems. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. 'Lonely Planet guides are, quite simply, like no other.' New York Times 'Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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This original new work is the fascinating result of sociologist and documentary filmmaker Agnès De Féo’s ten-year exploration of the phenomenon of niqab wearing. It is at once a groundbreaking study and a series of compelling first-person accounts from French and Francophone women who wear or have worn the niqab in France’s Salafi communities. With the backdrop of the French government’s 2010 ban on full facial veiling in public spaces, which itself has shaped the phenomenon, De Féo draws on her subjects’ own words to show their agency, working against the clichés that often underlie public views of the niqab—that it is purely the result of masculine pressure, for example, or extreme religiosity or nationalism, or the submissive desire to disappear. Instead, she shows, the niqab is multivalent: women wear it for reasons that range from religious piety to the desire to rebel against mainstream society, family, or the rule of law. The reasons are complex, overdetermined, contradictory, or even inconsistent, but they are the women’s own. Despite being worn only by a small minority of Muslim women, the Islamic garment has nonetheless been a major source of intense political, religious, and cultural debate in France. Searching to understand, rather than speculate, De Féo chose to approach the people who wear the niqab, and to make them, rather the veil itself, the subject of her research. Her unprecedented study, based on more than 200 interviews, reveals the many factors—social, political, geopolitical, and psychological—underpinning a personal choice that is not always as religious as it seems. The book ends with sixteen captivating interviews giving voice to stories rarely heard. With finesse and discernment, the author debunks the myths surrounding the wearing of the niqab, and sheds light on a practice subject to misunderstanding and prejudice, offering the reader unique insight. Challenging our preconceived notions and stereotypes about women who wear any form of Islamic apparel, but particularly the niqab, The Niqab in France introduces a group of women each with her own life story, her own share of personal struggles, aspirations, and desires, and her own claim to a certain place in society. This work received support for excellence in publication and translation from Albertine Translation, a program created by Villa Albertine.

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The Romanesque churches to be found in every corner of France are one of the wonders of Europe. They were built between about 1000 and 1200 and were contemporary with English Norman architecture. Their architectural style varies from region to region, as do their size, shape and layout. The period saw the first revival of the art of sculpture since Roman times, and many of the churches such as Moissac, Autun, Vezelay and Chauvigny contain outstanding sculpture. Some, like St-Savin-sur-Gartempe and Tavant, have superb frescoes, and a few like Ganagobie have fine mosaics. It was the age of pilgrimages and a number of the churches were built along the four great pilgrim routes through France to Santiago de Compostela in north-west Spain. Many have links to Romanesque churches in Italy, England and Germany, since Romanesque was a style that was admired throughout Europe. "Romanesque Churches of France", which covers a hundred or so churches in ten geographical sections from Normandy and Burgundy in the north to Provence, Roussillon and Languedoc in the south, is the first comprehensive book to be published on the subject. This book is an ideal companion for travellers, with its many maps and its regional arrangement, and will be a stimulus for the exploration of remote and beautiful areas that are less familiar, such as Auvergne and the Pyrenees. It will also be invaluable as a reference book for all those with a general interest in the history of French architecture and sculpture.

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The Migrant Canon in Twenty-First-Century France explains the causes of twenty-first-century global migrations and their impact on French literature and the French literary establishment. A marginal genre in 1980s France, since the turn of the century “migrant literature” has become central to criticism and publishing. Oana Sabo addresses previously unanswered questions about the proliferation of contemporary migrant texts and their shifting themes and forms, mechanisms of literary legitimation, and notions of critical and commercial achievement. Through close readings of novels (by Mathias Énard, Milan Kundera, Dany Laferrière, Henri Lopès, Andreï Makine, Éric-Emmanuel Schmitt, Alice Zeniter, and others) and sociological analyses of their consecrating authorities (including the Prix littéraire de la Porte Dorée, the Académie française, publishing houses, and online reviewers), Sabo argues that these texts are best understood as cultural commodities that mediate between literary and economic forms of value, academic and mass readerships, and national and global literary markets. By examining the latest literary texts and cultural agents not yet subjected to sufficient critical study, Sabo contributes to contemporary literature, cultural history, migration studies, and literary sociology.

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This bilingual collection of essays, the fruits of a conference held in 1989 to commemorate the join Bicentennials of Georgetown University and the French Revolution, illuminates the various ways in which the American Revolution and its aftermath directly and indirectly influenced France before and after the French Revolution. The essays cluster around several basic themes: the condition of Native Americans and African-Americans, French perceptions of political, religious, and economic issues in the new republic, and the ways in which French images of America were affected by travel literature and the performing and plastic arts. The intercultural and interdisciplinary approaches taken by the fifteen authors are equally various and include social and political history, literary history and criticism, and linguistics.

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Telegraph Book of the YearA Times, Spectator and Prospect Book of the YearOne of the great contemporary historians of France on one of the most controversial periods of twentieth-century French historyFew images more shocked the French population during the Occupation than the photograph of Marshal Philippe Pétain - the great French hero of the First World War - shaking the hand of Hitler on 20 October 1940. In a radio speech after this meeting, Pétain told the French people that he was 'entering down the road of collaboration'. He ended with the words: 'This is my policy. My ministers are responsible to me. It is I alone who will be judged by History.' Five years later, in July 1945, the hour of judgement - if not yet the judgement of History - arrived. Pétain was brought before a specially created High Court to answer for his conduct between the signing of the armistice with Germany in June 1940 and the Liberation of France in August 1944.Julian Jackson uses Pétain's three-week trial as a lens through which to examine the central crisis of twentieth-century French history - the defeat of 1940, the signing of the armistice and Vichy's policy of collaboration - what the main prosecutor Mornet called 'four years to erase from our history'. As head of the Vichy regime in the Second, Pétain became one of France's most notorious public figures, and the lightening-rod for collective guilt and retribution immediately after the Second World War. In France on Trial Jackson blends politics and personal drama to explore how different national factions sought to try to claim the past, or establish their interpretation of it, as a way of claiming the present and future.

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Hit France's can't-miss art, sights, and bites in two weeks or less with Rick Steves Best of France! Inside you'll find:- Strategic advice from Rick Steves on what's worth your time and money- Short itineraries covering the best of Paris, Normandy, the Loire, Dordogne, Provence, the French Riviera, and Burgundy, including Versailles, Nice, the D-Day beaches, Côtes du Rhône, Monaco, Avignon, and more- Rick's tips for beating the crowds, skipping lines, and avoiding tourist traps- The best local culture, flavors, and more, including insightful walks through museums, historic sights, and atmospheric neighborhoods- Trip planning strategies like how to link destinations and design your itinerary, what to pack, where to stay, and how to get around- Over 400 full-color pages with detailed maps and vibrant photos throughout- Suggestions for side trips and excursionsExperience France's old-world romance and modern-day excitement for yourself with Rick Steves Best of France!Planning a longer trip? Pick up Rick Steves France, an in-depth guide perfect for spending more than two weeks exploring France.

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A pocket sized wintersports guide to the best French ski resorts using genuine piste maps with detailed descriptions of each run. It also provides all the resort information skiers and snowboarders may need. Each resort is introduced by a famous skier or snowboarder.

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Collecting diverse critical perspectives on the topic of play—from dolls, bilboquets, and lotteries, to writing itself—this volume offers new insights into how play was used to represent and reimagine the world in eighteenth-century France. In documenting various modes of play, contributors theorize its relation to law, religion, politics, and economics. Equally important was the role of “play” in plays, and the function of theatrical performance in mirroring, and often contesting, our place in the universe. These essays remind us that the spirit of play was very much alive during the “Age of Reason,” providing ways for its practitioners to consider more “serious” themes such as free will and determinism, illusions and equivocations, or chance and inequality. Standing at the intersection of multiple intellectual avenues, this is the first comprehensive study in English devoted to the different guises of play in Enlightenment France, certain to interest curious readers across disciplinary backgrounds.

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Twelfth- and thirteenth-century medieval French texts reveal the presence of a developed fashion system long before the previously accepted birth of Western fashion in the mid-fourteenth century. How are we to distinguish between a culture organized around fashion, and one where the desire for novel adornment is latent, intermittent, or prohibited? How do fashion systems organize social hierarchies, individual psychology,creativity, and production? Medieval French culture offers a case study of "systematic fashion", demonstrating desire for novelty, rejection of the old in favor of the new, and criticism of outrageous display. Texts from the twelfth and thirteenth centuries describe how cleverly-cut garments or unique possessions make a character distinctive, and even offer advice on how to look attractive on a budget or gain enough spending money to shop for oneself. Suchdescriptions suggest fashion's presence, yet accepted notions date the birth of Western fashion to the mid-fourteenth-century revolution in men's clothing styles. A fashion system must have been present prior to this 'revolution'in styles to facilitate such changes, and abundant evidence for the existence of such a system is cogently set out in this study. Ultimately, fashion is a conceptual system expressed by words evaluating a style's ephemeral worth,and changes in visual details are symptomatic, rather than determinative. SARAH-GRACE HELLER is an associate professor in Medieval French at Ohio State University.

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Originally published in 1987. David Higgs's Nobles in Nineteenth-Century France: The Practice of Inegalitarianism provides a history of the nobility against the backdrop of changing French political conditions following the French Revolution. Since Jean Juarès, the influential historian of the French Revolution, many writers have argued that the French Revolution marked the political triumph of a capitalist bourgeoisie over a landed aristocracy. However, beginning with Alfred Cobban, some historians began to question this account by focusing on the continued presence of the nobility in France. This book contributes to this body of work by giving a panorama of the French nobility and three detailed case studies of noble families; the author then concludes with an examination of the nobility in political life, the church, and the private sphere. Professor Higgs finds that French nobles changed with their century, but given their small numbers in the national population, they maintained a grossly disproportionate presence in politics, in culture, among the wealthiest landowners, and in economic life.

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This timely study sheds new light on debates about humour and identity in France, and is the first book about humour and identity in France to be published in either English or French that analyses both debates about Charlie Hebdo and standup comedy. It examines humour, freedom of expression, and social cohesion in France during a crucial time in France’s recent history punctuated by the Charlie Hebdo attacks of January 2015. It evaluates the state of French society and attitudes to humour in France in the aftermath of the events of January 2015. This book argues that debates surrounding Charlie Hebdo, although significant, only provide part of the picture when it comes to understanding humour and multiculturalism in France. This monograph fills significant gaps in French and international media coverage and academic writing, which has generally failed to adequately examine the broader picture that emerges when one examines career trajectories of notable contemporary French comedians. By addressing this failing, this book provides a more complete picture of humour, identity, and Republican values in France. By focusing primarily on contemporary comedians in France, this book explores competing uses of French Republican discourse in debates about humour, offensiveness, and freedom of expression. Ultimately, it argues that studying humour and identity in France often reveals a sense of national unease within the Republic at a time of considerable turmoil.

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This book examines the phenomenon of work suicides in France and asks why, at the present historical juncture, conditions of work can push individuals to take their own lives. During the 2000s, France experienced what commentators have described as a ‘suicide epidemic’, whereby increasing numbers of workers in the face of extreme pressures of work, chose to kill themselves. The book analyses a corpus of testimonial material linked to 66 suicide cases across three large French companies during the period from 2005 to 2015. It aims to consider what the extreme and subjective act of self-killing, narrated in suicide letters, can tell us about the contemporary economic order and its impact on flesh and blood bodies. What do rising work-related suicides reveal about conditions of human labour in the twenty-first century? Does neoliberal economics condition a desire for suicide? How do suicidal individuals describe the causes and motivations of their act? Combining critical perspectives from sociology, history, testimony studies, economics, cultural studies and public health, the book raises critical questions about the human costs of the shift to a finance-driven neoliberal order and its everyday effects within the French workplace.

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Paulson examines literary, philosophical, and pedagogical writing on blindness in France from the Enlightenment, when philosophical speculation and surgical cures for cataracts demystified the difference between the blind and the sighted, to the nineteenth century, when the literary figure of the blind bard or seer linked blindness with genius, madness, and narrative art. A major theme of the book is the effect of blindness on the use of language and sign systems: the philosophes were concerned at first with understanding the doctrine of innate ideas, rather than with understanding blindness as such. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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This book examines the development of France’s male and female homosexual communities and its gay liberation movements after 1968. The book focuses on the construction of social institutions, treating gay activist organizations and their relation to post-1968 French feminism, gay ghettos in French cities, the gay press, the impact of AIDS on political identity, and the renewed militancy of the 1990s. While acknowledging the influence of America’s gay liberation movement on the French situation, the author emphasizes the differences arising from the fact that homosexuality has not historically been criminalized in France as it has been in the United States. The book is divided into four parts. Part I, “The Revolution of Desire (1968-79),” which examines the activism of the early post-1968 gay liberation movement, is preceded by a historical summary that traces French cultural, political, and social attitudes toward homosexuality. It also explores the relations between the movements for gay and women’s liberation in their various incarnations. Part II, “The Time of Socialization (1979-84)” describes the development of gay ghettos and the dissemination of gay institutions (media, countercultural venues, bars, baths, and the like). The pivotal year is 1981, which saw the advent of François Mitterrand’s government, with its pro-gay policies, as well as the first tracking of AIDS in the United States. Part III, “End of the Carefree Life (1981-89),” deals with initial reactions in France to the AIDS epidemic, reactions that included the realization of its ubiquity, first with the death of Michel Foucault in 1984, and then with the media spectacle of Rock Hudson’s death in 1985. The author describes the French government’s response to the epidemic, the role of French medical researchers in searching for the causes of the infection, and the development of Aides (meaning helpers), a social, medical, and political-action group dedicated to raising public and personal awareness of AIDS. Part IV, “The Time of Contradictions (1989-96),” focuses on the changing social institutions of homosexuality in the 1990s: the development of ACT-UP, based on the American model, in France; the campaign to promote safer sex; the integration of seropositive individuals into the homosexual community; and the acceptance of homosexuality almost as a given. The book concludes with a thoughtful epilogue on the integration of minority communities into French society.

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=destination through a new lens by picking a ride that works for you, from just a couple of hours to a full day, from easy to hard. From rail trails to coastal pathways we cover the country with easy-to-follow trails for cyclists and E-bike riders. Inside Lonely Planet's Best Bike Rides FranceTravel Guide: Colour maps (including elevation charts) and images throughout Special features - on France's highlights for cyclist, kid-friendly rides, accessible trails and what to takeOur Picks… section helps you plan your trip and select rides that appeal to your interestsRegion profiles cover when to go, where to stay, what's on, cultural insights, and local food and drink recommendations to refuel and refresh. Featured regions include: The Pyrenees; the French Alps and the Jura Mountains; Provence; Central France; Corsica; Lille, Flanders and the Somme; Brittany and Normandy; Languedoc-Roussillon Essential info at your fingertips - ride itineraries accompanied by illustrative maps are combined with details about ride duration, distance, terrain, start/end locations (including bike rental options) and difficulty (classified as easy, easy-moderate, moderate, moderate-hard, or hard) Over 50 maps The Perfect Choice: Lonely Planet's Best Bike Rides France, our most comprehensive guide to riding in France, is perfect for those planning to explore France on two wheels. Looking for more information on France? Check out Lonely Planet's France guide for a comprehensive look at what the country has to offer. About Lonely Planet: Lonely Planet is a leading travel media company, providing both inspiring and trustworthy information for every kind of traveller since 1973. Over the past four decades, we've printed over 145 million guidebooks and phrasebooks for 120 languages, and grown a dedicated, passionate global community of travellers. You'll also find our content online, and in mobile apps, videos, 14 languages, armchair and lifestyle books, ebooks, and more, enabling you to explore every day. ‘Lonely Planet guides are, quite simply, like no other.' New York Times ‘Lonely Planet. It's on everyone's bookshelves; it's in every traveller's hands. It's on mobile phones. It's on the Internet. It's everywhere, and it's telling entire generations of people how to travel the world.' Fairfax Media (Australia)

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Because of the array of languages offered, the International Dictionary of Refrigeration comprises a series of volumes composed of: - the basic English-French volume comprising in a corpus of terms, along with their definitions, followed by an alphabetical index of terms in English and French; - nine complementary volumes, one for each language, containing the terms only, with each term linked to the equivalent term in English or French: - Arabic with a French and English index, - Chinese with a Dutch index, - German with a German index, - Italian with an Italian index, - Japanese with an English index, - Norwegian with a Norwegian index, - Russian with a Russian index, - Spanish with a Spanish index. Once all these volumes have been published, an interactive CD-ROM, as well as a volume combining all the languages, are likely to be published. When ordered in combination with the English-French: Terms and Definitions volume, this book costs 25 EURO.

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When we think of France, we tend think of fine food and wine, the elegant boulevards of Paris or the chic beaches of St Tropez. Yet, as the largest country in Europe, France is home to extraordinary diversity. The idea of 'Frenchness' emerged through 2,000 years of history and it is this riveting story, from the Roman conquest of Gaul to the present day, that Cecil Jenkins tells: of the forging of this great nation through its significant people and events and and its fascinating culture. As he unfolds this narrative, Jenkins shows why the French began to see themselves as so different from the rest of Europe, but also why, today, the French face the same problems with regard to identity as so many other European nations.

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Focusing specifically on portraiture as a genre, this volume challenges scholarly assumptions that regard interior spaces as uniquely feminine. Contributors analyze portraits of men in domestic and studio spaces in France during the long nineteenth century; the preponderance of such portraits alone supports the book's premise that the alignment of men with public life is oversimplified and more myth than reality. The volume offers analysis of works by a mix of artists, from familiar names such as David, Delacroix, Courbet, Manet, Rodin, and Matisse to less well-known image makers including Dominique Doncre, Constance Mayer, Anders Zorn and Lucien-Etienne Melingue. The essays cover a range of media from paintings and prints to photographs and sculpture that allows exploration of the relation between masculinity and interiority across the visual culture of the period. The home and other interior spaces emerge from these studies as rich and complex locations for both masculine self-expression and artistic creativity. Interior Portraiture and Masculine Identity in France, 1789-1914 provides a much-needed rethinking of modern masculinity in this period.

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The Starving Empire traces the history of famine in the modern French Empire, showing that hunger is intensely local and sweepingly global, shaped by regional contexts and the transnational interplay of ideas and policies all at once. By integrating food crises in Algeria, West and Equatorial Africa, and Vietnam into a broader story of imperial and transnational care, Yan Slobodkin reveals how the French colonial state and an emerging international community took increasing responsibility for subsistence, but ultimately failed to fulfill this responsibility. Europeans once dismissed colonial famines as acts of god, misfortunes of nature, and the inevitable consequences of backward races living in harsh environments. But as Slobodkin recounts, drawing on archival research from four continents, the twentieth century saw transformations in nutrition, scientific racism, and international humanitarianism that profoundly altered ideas of what colonialism could accomplish. A new confidence in the ability to mitigate hunger, coupled with new norms of moral responsibility, marked a turning point in the French Empire's relationship to colonial subjects—and to nature itself. Increasingly sophisticated understandings of famine as a technical problem subject to state control saddled France with untenable obligations. The Starving Empire not only illustrates how the painful history of colonial famine remains with us in our current understandings of public health, state sovereignty, and international aid, but also seeks to return food—this most basic of human needs—to its central place in the formation of modern political obligation and humanitarian ethics.

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