Search results for ""Edition Peters""

Robert Schumann, one of the most important composers of the Romantic period, is, in addition to his piano music, best known for his songwriting. Max Friedlaender has collected 77 of them in this volume, including the cycles Myrten op. 25, Liederkreis op. 39, Frauenliebe und Leben op. 42 and Poet''s Love op. 48. The set for low voice and piano is based on the original prints. The collection is supplemented with notes and an index of all of Schumann''s songs.Sämtliche Lieder, Band 1 (Tiefe Stimme): 77 Lieder, u.a. Myrthen, Liederkreis, Frauenliebe und Leben, DichterliebeRobert Schumann, einer der bedeutendsten Komponisten der Romantik, ist neben seiner Klaviermusik vor allem für sein Liedschaffen bekannt. Max Friedlaender hat in diesem Band 77 davon versammelt, darunter die Zyklen Myrten op. 25, Liederkreis op. 39, Frauenliebe und Leben op. 42 und Dichterliebe op. 48. Der Satz für tiefe Stimme und Klavier basiert auf den Originaldrucken. Ergänzt ist die S

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Vaccai''s Metodo Pratico (Practical Method) for High Voice focuses on the art of the Italian language in performance. This advanced guide discusses different styles of singing and how to grasp the language inperformance. The German singing translation has been provided by John Bernhoff. Lyrics are therefore presented in Italian and German, and the all commentaries and notes are provided in English, French and German.Metodo Pratico di Canto Italiano für Gesang und Klavier (Hohe Stimme)Der Komponist und Sänger Nicola Vaccai machte es sich zur Aufgabe, die Übungen, die jeder Schüler anfangs zur Stimmbildung machen sollte, ansprechender zu gestalten. Deshalb schrieb er kurze Stücke, jedes mit einem eigenen Zweck und mit Text unterlegt. Für den deutschen Leser fügte John Bernhoff Übersetzungen davon hinzu, Vaccai selbst empfiehlt aber, Verse von Metastasio auf die seine Melodien zu singen. Zusätzlich gibt er nützliche Tipps und Erläuterungen, die einen

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12 unaccompanied studies for viola by Austrian classical composer Franz Anton Hoffmeister. Revised edition with fingering by Carl Herrmann. Suitable for intermediate to advanced violists.12 unbegleitete Etüden für Viola des österreichischen klassischen Komponisten Franz Anton Hoffmeister. Überarbeitete Ausgabe mit Fingersätzen von Carl Herrmann. Geeignet für mittleres bis fortgeschrittenes Niveau.

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Volume 1 of Louis Köhler''s Practical Piano Method (Op. 300). An educational book for beginner piano players.Band 1 der Praktischen Klavierschule von Louis Köhler op. 300. Ein Lehrbuch für den Anfang.

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The second volume of a collection of Sonatinas and Rondos from a variety of well known composers including Bach, Haydn and Beethoven, as well as lesser known composers spanning the Baroque and Classical periods.Der zweite Band einer Sammlung von Sonatinen und Rondos bekannter Komponisten wie Bach, Haydn und Beethoven, aber auch weniger bekannter Komponisten aus Barock und Klassik.

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Sieben Fantasiestücke (seven fantasy pieces), Op. 26, by German pianist and composer Max Reger. Intemediate to advanced in standard, containing Elegie, Scherzo, Barcarole, Humoreske, Resignation, Impromptu, and Capriccio.Sieben Fantasiestücke, Op. 26, des deutschen Pianisten und Komponisten Max Reger. Mittelschweres bis fortgeschrittenes Niveau, enthalten sind Elegie, Scherzo, Barcarole, Humoreske, Resignation, Impromptu und Capriccio.

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The second volume of Beethoven''s Variations (complete). These occupy a significant place in Beethoven''s instrumental music, and are worthy to be placed alongside his piano sonatas.Der zweite Band der sämtlichen Klaviervariationen Beethovens. Diese sind ein bedeutender Teil seiner Instrumentalmusik und vedienen es, Seite an Seite mit seinen Klaviersonaten zu stehen.

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The first volume of Beethoven''s Album of Piano Pieces. Including bagatelles (Op. 33, 119 and 126) and rondos (Op. 51, 129 and WoO 49), edited by Hermann Keller.Der erste Band von Beethovens Klavierstücken. Enthält die Bagatellen op. 33, 119 und 126 und Rondos op. 51, 129 und WoO 49, herausgegeben von Hermann Keller.

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Mozart''s Symphonies Nos. 35-41, arranged for piano solo by August Horn. The collection includes some wonderful highlights from Mozart''s euvre including the famous Jupiter Symphony and Symphony in G minor. Intermediate to advanced level.Mozarts Sinfonien Nr. 35-41, arrangiert für Klavier von August Horn. Die Sammlung enthält einige wunderbare Höhepunkte aus Mozarts Werk, darunter die berühmte Jupiter-Symphonie und die Symphonie in g-Moll. Mittleres bis fortgeschrittenes Niveau.

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Henri Bertini''s 24 Studies Vol. II, Op. 32, for solo piano, edited by Adolf Ruthardt.Bertini''s instructive piano études are still considered to this day as both melodic and stimulating works of instruction, designed to teach technique and develop skills through technically challenging studies and expressive melodies and harmonies.Henri Bertinis 24 Etüden op. 32 Band II für Klavier, herausgegeben von Adolf Ruthardt, gelten bis heute als anregende Lehrwerke, die darauf abzielen, technische Fähigkeiten durch anspruchsvolle, sowie melodisch und harmonisch ausdrucksstarke Stücke zu entwickeln.

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The full collection of Beethoven''s Overtures, most notably his well known three Leonore Overtures, and the Overture to Fidelio, Beethoven''s only opera.Die vollständige Sammlung von Beethovens Ouvertüren, vor allem die drei bekannten Leonoren-Ouvertüren und die Ouvertüre zu Fidelio, Beethovens einziger Oper.

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Symphonies No. 6-9 for Piano Duet (Vol. II)is an exciting collection of Beethoven''s later symphonies, expertly arranged in the 19th century for four hands by German romantic composer and editor, Hugo Ulrich.This edition provides pianists with a challenging and satisfying opportunity to approach some of the best-loved orchestral symphonies of all time.Die Ausgabe Symphonien Nr. 6-9 für Klavier zu 4 Händen (Band II) ist eine aufregende Sammlung der späten Symphonien Beethovens, die im 19. Jahrhundert von dem deutsch-romantischen Komponisten und Herausgeber Hugo Ulrich meisterhaft für Klavier-Duett Händen arrangiert wurden.Diese Ausgabe bietet Pianistinnen und Pianisten eine faszinierende und reizvolle Gelegenheit, einige der beliebtesten Orchestersinfonien aller Zeiten für sich zu erobern.

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Grieg: A Piano Treasury is the perfect introduction to Edvard Grieg's piano repertoire. This beautiful collection features easy to intermediate level original piano pieces as well as arrangements of some of Grieg's best-known melodies. The preface contains detailed commentary on all the works and is accompanied by photographs, providing a fascinating overview of Grieg's life and musical work.This collector's edition was produced in association with Kode, an association of four art museums and three composers' homes in and around Bergen, including Grieg's home, Troldhaugen. The book includes an introduction by Christian Grøvlen, Director of Music and of the Grieg House, Kode.Grieg: Musikalische Kostbarkeiten für KlavierDiese wunderschöne Sammlung ist der perfekte Einstieg in Griegs Klavierrepertoire. Enthalten sind leichte bis mittelschwere Originalkompositionen sowie Klavierbearbeitungen einiger seiner bekanntesten Melodien. Das Vorwort enthält a

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Eine Einführung für neugierige Erwachsene teilweise mit Begleitung eines zweiten Violoncellos oder KlavierbegleitungKlare und übersichtliche Lernschritte Schritt für Schritt und praxisnah werden die Schüler an das Notenlesen herangeführt Kurze Stücke steigern die Motivation Zahlreiche Duette für Schüler und Lehrer schulen das Gehör Durch Anregungen zur Improvisation kommt auch die eigene Phantasie nicht zu kurz Darüber hinaus vermitteln kleine Exkurse musikgeschichtliche Grundlagen.

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The Complete Pianist: from healthy technique to natural artistry offers a new and unique approach to piano playing, in which Penelope Roskell shares a lifetime's experience of teaching, performing and ground-breaking research into healthy piano playing. Containing more than 500 pages of text, 300 videos and 200 exercises newly devised by the author, this is the most comprehensive book ever written on piano playing. The book has something new to offer to all pianists and keyboard players - student and teacher, professional and amateur. Penelope guides pianists through the early stages of learning a piece, through all the technical challenges and interpretative choices, towards inspired performance. Each new aspect of playing is addressed through a series of practical exercises which proceed, step-by-step, from the basics towards more advanced applications. Penelope demonstrates all the musical and technical points herself in videos accessible

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Commissioned by Opera North. First performance on 13th November 2009 at the Howard Assembly Room, Leeds. Stuart Stratford Conductor, Clare Whistler Director

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Sight-reading is one of the most important yet neglected skills for any musician, and an important component of Associated Board and other music exams. Right@Sight for Cello contains 80 pieces designed to help students master the art of sight-reading. The pieces are carefully graded to help student''s progression from one grade to the next. Guidance notes using the mnemonic TRaK (Time, Rhythm and Key) help students develop a disciplined approach. Duet parts for teachers to play along with their students during lessons encourage confident playing. The CD accompaniment to the solos has been provided to enable students to practice sight-reading between lessons. Each accompaniment on the CD is played twice, separated by metronome clicks which maintain the pulse.

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Inspired by a poem of the same name by Paul Verlaine, Clair de lune (Moonlight) is one of the most evocative and popular of all piano pieces. This edition of the single movement, extracted from the complete Suite bergamasque is edited by Hans Swarsensky.Clair de lune aus der Suite bergamasque für Klavier

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Written while the composer was employed at the Court at Cöthen and dedicated to Christan Ludwig of Brandenburg, Bach's six Brandenburg Concertos are staples of the Baroque orchestral repertoire. The sixth concerto stands out with its unique instrumentation two violas, two violas da gamba, violoncello, and double bass with cembalo continuo. With no violins, the violas take centre stage.Edited by prominent violist and arranger Watson Forbes, this edition keeps the two viola parts exactly as they appear in the score, while the other orchestral parts have been freely arranged for piano accompaniment. So far as the two solo viola parts are concerned, this is a performing edition which can be played either with the piano reduction or with the full instrumentation.Brandenburgisches Konzert Nr. 6 in B-Dur BWV 1051Bachs sechs Brandenburgische Konzerte, die er während seiner Tätigkeit am Köthener Hof schrieb und Christian Ludwig von Brandenburg widmete, g

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The Rising of the Sun for SATB choir (divisi) and organ (duration 4 minutes) was commissioned by Repton School, in memory of Richard Bradburn, and is a setting of part of Psalm 113. It begins with a solitary bird greeting the approaching dawn, and builds to a dance-like song of praise.Praise ye the Lord. Praise, O ye servants of the Lord, praise the name of the Lord. Blessed be the name of the Lord from this time forth and for evermore. From the rising of the sun unto the going down of the same the Lord''s name is to be praised.Commissioned by Repton School, in memory of Richard Bradburn. First performed by Repton School Chapel Choir on 24 January 2024 with Oliver Walker (conductor) and Roger Owens (organ).

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This edition contains 13 Pieces for Piano from Prokofiev's ballet, Cinderella. The arrangements are by the composer himself, originally published as Three Pieces Op. 95 and Ten Pieces Op. 97.Diese Ausgabe enthält 13 Stücke für Klavier aus Prokofjews Ballett Aschenbrödel. Die Bearbeitungen stammen vom Komponisten selbst, ursprünglich veröffentlicht als Drei Stücke op. 95 und Zehn Stücke op. 97.

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Winner of Education Publication of the Year at the Presto Music Awards 2023Penelope Roskell, author of the award-winning book The Complete Pianist, is recognized as one of the world's leading exponents of a natural and healthy piano technique. Her series Essential Piano Technique draws on the principles of The Complete Pianist to develop a strong foundation of healthy technique, helping young pianists to progress rapidly and confidently through the early stages of piano playing. Can be used by beginner pianists alongside existing tutor books to enhance the teaching of good technique Includes detailed notes for teachers, giving learning objectives and teaching tips Links to free videos show technique in practice Fun activities, illustrations and imaginative original music throughout Teacher accompaniment duets provide a rich musical experience Penelop

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An exquisite and evocative arrangement by Alexander L'Estrange of Paul Simon's 1960s classic song as performed by Simon and Garfunkel. This 4.5-minute unaccompanied SSAATTBB arrangement embraces the classic folk-rock song style so loved by Simon and Garfunkel.Alexander L'Estrange is a multi-faceted composer, arranger, jazz musician and choral animateur who has been dubbed 'the added 9th of choral music'.Part of the VOCES8 Singles range.

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Alec Roth's The Traveller is an oratorio for solo tenor, solo violin, SATB choir, children's choir and an orchestra of strings, harp and percussion. In addition to writing six new poems for the piece, Vikram Seth has made English translations of twenty Indian texts from a rich variety of traditions and languages, including Sanskrit, Pali, Hindi, Urdu, Bengali, and Tamil. Taking as its theme the Ages of Man, the work is divided into six main sections: Unborn Child Youth Adult Old Dead, followed by a short epilogue. In this universal tale of Man's journey through life, the role of The Traveller is taken by the solo violin, The Companions by the Choir and The Poet by the tenor soloist. The Traveller was commissioned jointly by the Salisbury, Chelsea and Lichfield Festivals with funds provided by the Arts Council of England and the PRS Foundation. It was first performed by Mark Padmore (tenor), Philippe Honoré (violin) and the Britten Sinfonia, conducted by the com

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The aim of this edition is to make Bachs landmark works for solo violin accessible to viola players by presenting a musical text that remains close to the original but also has a distinctly practical focus. Additionally, it provides interpretative guidance on Baroque performance practices and how they can be applied to the viola. In this transcription, all pieces have been transposed down by a fifth, but no further changes were made.Sonaten und Partiten für Violine solo BWV 10011006 (Übertragung für Viola)Bachs Sonaten und Partiten für Violine solo gelten seit ihrer Entstehung als ein Höhepunkt der Violinliteratur. Im 19. Jahrhundert wurden sie durch Joseph Joachim einem größeren Konzertpublikum vorgestellt. Heute zeichnen sie sich durch alles aus, was ein Werkkomplex zu sein vermag: großartige Konzertliteratur, vorzügliches Studienmaterial für Schüler und nicht zuletzt Abbilder einer ausgereiften Kompositionstechnik.Das Ziel dieser Ausgabe ist es, Bra

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This selection of shorter and easier chorale preludes is designed to supplement Karl Straube''s ''45 Chorale Preludes of the Old Masters'' (EP3048), especially for use in church. We therefore selected only those pieces which can be used today - transposed, where necessary, to more suitable keys. In the case of important chorales, several treatments were included, sometimes in more than one key. Musical value was the primary factor of selection, but, where possible, preferance was given to compositions not generally available elsewhere. Of the 80 pieces, 24 require the pedals; 33 do not use them; in 23, they are optional. Thus the collection offers rich material for organists at all stages of development. (Hermann Keller, Stuttgart, September 1937). Most do not require pedals. Includes 18 suitable for Christmas.80 Choralvorspiele deutscher Meister des 17. u. 18. Jahrhunderts: Zum gottesdienstlichen GebrauchDiese Sammlung vereint 80 kürzere und technisch

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Dame Ethel Mary Smyth DBE was an English composer and a member of the women''s suffrage movement. Her compositions include songs, works for piano, chamber music, orchestral works, choral works and operas. Lieder, Op. 4, comprises 5 songs for medium voice and piano.

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No other work by Mozart is so enshrouded in myth as his final composition, the D-minor Requiem. Mozart died before its completion, and the missing sections had to be added by others. The many handwritten copies circulated after his death added to the corruption of the text by contributing errors of their own. Now Peters is publishing a new urtext edition of this staple of the choral repertoire, edited by David Black. The edition relies on Mozart's composition and the traditional completion by Franz Xaver Süssmayr. For the first time, however, it incorporates sources previously unavailable to earlier editions, including the Neue Mozart-Ausgabe.Requiem d-Moll KV 626 (Klavierauszug)Kein anderes Werk Mozarts ist so sehr von Mythen umwoben, wie sein letztes: das Requiem d-Moll. Mozart selbst konnte es nicht mehr vollenden, sodass die fehlenden Partien von fremder Hand ergänzt wurden. Zahlreiche Abschriften, die verbreitet wurden, trugen mit ihren Fehlerquel

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New Urtext Edition based on original sources by Edward Blakeman.Saint-Saëns was twenty-three when he wrote his Oratorio de Noël and it has all the freshness of a young composer eager to prove himself. He had been organist of the fashionable Church of the Madeleine in Paris for just a year a prestigious position and the Oratorio was a major undertaking for his second Christmas there. The work was written in just twelve days between 4 and 15 December 1858.Despite Saint-Saëns''s efforts in overseeing the publication of the Oratorio, it had various mistakes and omissions.This new edition attempts to correct these, and by close comparison with the various manuscript sources to present the work for the first time in a form as close to possible to Saint-Saëns''s intentions. Where there are still ambiguities, square brackets have been used to indicate alternative or uncertain readings in particular for the inclusion of extra details that somehow appeared in the printed edit

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Urtext edition of Schubert''s Mass No.2 in G D167, edited from the sources by Klaus Burmeister. Vocal score with piano reduction.Messe G-Dur D 167 (Klavierauszug)Urtextausgabe von Schuberts Messe Nr. 2 in G D167, herausgegeben nach den Quellen von Klaus Burmeister. Klavierauszug.

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Among the greatest works for the instrument, Schumann''s Fanasiestücke are essential repertoire pieces for developing clarinettists. They are a perfect example of Schumann''s poetic imagination and a wonderful introduction to the Romantic lyric style. This edition provides a piano score together with parts for clarinet in A and clarinet in B-flat so the player may choose their preferred instrument.Fantasiestücke op. 73 für Klarinette (in A oder B) und KlavierSchumanns Fanasiestücke gehören zu den großartigsten Werken für das Instrument und sind unverzichtbare Repertoirestücke für angehende Klarinettisten. Sie sind ein perfektes Beispiel für Schumanns poetische Fantasie und eine wunderbare Einführung in den romantischen Lyrikstil. Diese Ausgabe enthält eine Klavierpartitur sowie Stimmen für Klarinette in A und Klarinette in B, damit der Spieler sein bevorzugtes Instrument wählen kann.

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The Mass in D major was written in 1887 in a version for soloists, choir and Organ. In his mass, Dvorßk combined traditional folk style with a late romanticism. The easy vocal solos, which can also be taken on by choristers, make the work accessible to choir's of most abilities.This edition is the first organ and orchestral version of the mass to appear simultaneously in one edition. The variants of both versions are marked and an organ part is also included.Messe D-Dur op. 86 (Orgelfassung mit Klavierauszug der Orchesterfassung)Die Messe in D-Dur entstand 1887 in einer Fassung fr Soli, Chor und Orgel. Auf Drõngen seines Verlegers instrumentierte Dvorßk das Werk 1892, wobei er in einige. Details von der Erstfassung abwich, im wesentlichen aber an der ursprnglichen Konzeption festhielt.In seiner Messe verband Dvorßk mit bescheidenen knstlerischen Mitteln Momente volkstmlicher Prõgung mit spõtromantischem Ausdruck. Die wenigen und leichten Ge

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