Search results for ""Author Middleton"

This DIY sewing book presents a fabulous new collection of lightweight wraps that are easy to sew and look fantastic!Stylish Wraps Sewing Book provides full-sized patterns that can be used to create 22 timeless wraps to keep the chill off—and look great in the process. All of the sewing projects can be made in a few hours for a fraction of what you would pay for a finished piece in a store. It's easy to mix and match different fabrics and styles to suit your individual style, meaning there's nothing to stop you from sewing your own clothes!Here are just a few of the fashionable pieces you can make with this book: Edgy, yet classic hooded cape Flowing draped jacket or vest Loose-and-light linen or wool coat Simple, feminine, lightweight poncho Ruffled bolero or classic blazer Coat dresses to emulate Kate Middleton's style And much more! The patterns are easily adjusted for size, and the soft, loose lines work on any figure. Whether your tastes run trendy or ultra-classic, this exceptional home-sewing book has something for you!

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A magnificent tribute to the life and reign of Queen Elizabeth II, and a celebration of the British royal family.This book is a stunning visual guide to the world's most famous royals, from Queen Elizabeth's Norman predecessors to her great-grandchildren. It features events such as the Queens' coronation and the royal wedding of Prince William and Kate Middleton, and profiles on key people such as Princess Diana and Prince Harry. This new edition is revised to include the most recent events and milestones, such as the death of the Duke of Edinburgh, the birth of Lilibet and other new family members, the Queen's Platinum Jubilee, and her death on 8th September 2022. A special 16-page photographic essay is dedicated to her funeral and the accession of King Charles III.This book examines the Queen's life in detail from her childhood to the end of her reign, but also goes back through more than 1,000 years of history to tell the story of the House of Windsor and the entire succession of kings and queens of England and Scotland. With dazzling galleries of royal artefacts and photographic tours of sumptuous royal residences, this is the perfect book for fans of the Queen and royal family or anyone interested in the history of the British monarchy.

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How work and capitalism inspire horror in modern film. American ideals position work as a source of pride, opportunity, and meaning. Yet the ravages of labor are constant grist for horror films. Going back decades to the mad scientists of classic cinema, the menial motel job that prepares Norman Bates for his crimes in Psycho, and the unemployed slaughterhouse workers of The Texas Chain Saw Massacre, horror movies have made the case that work is not so much a point of pride as a source of monstrosity. Editors Aviva Briefel and Jason Middleton assemble the first study of horror’s critique of labor. In the 1970s and 1980s, films such as The Shining and Dawn of the Dead responded to deindustrialization, automation, globalization, and rising numbers of women in the workforce. Labors of Fear explores these critical issues and extends them in discussions of recent works such as The Autopsy of Jane Doe, Midsommar, Survival of the Dead, It Follows, Get Out, and Us. Covering films ranging from the 1970s onward, these essays address novel and newly recognized modes and conditions of labor: reproductive labor, emotion work and emotional labor, social media and self-branding, intellectual labor, service work, precarity, and underemployment. In its singular way, horror continues to make spine-tingling sense of what is most destructive in the wider sociopolitical context of US capitalism.

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This collection responds to the critical legacy of Penn R. Szittya, the recently retired former chair of Georgetown University’s English Department. Inspired by Georgetown’s Lannan Center for Poetics and Social Practice and its statement that poetry “traverses the fields of aesthetic, social, political, and religious thought,” this work investigates how medieval poetic language reflects and also shapes social, political, and religious worlds. At a moment in contemporary culture when poetry finds its value increasingly challenged, Medieval Poetics and Social Practice looks to the late Middle Ages to assert the indispensability of poetry and poetics in the formation of social structures, actions, and utterances. The contributors offer new readings of canonical late-medieval English poetic texts, such as Langland’s Piers Plowman and Chaucer’s Parliament of Fowls, and, of equal importance, explore texts that have hitherto not held a central place in criticism but make important contributions to the literary culture of the period. Introduced by Seeta Chaganti, the collection includes essays by Richard K. Emmerson, J. Patrick Hornbeck, John C. Hirsh, Moira Fitzgibbons, John T. Sebastian, Nicholas R. Havely, Kara Doyle, Anne Middleton, Jo Ann Moran Cruz, and Mark McMorris.

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The International Handbook of Political Ecology features chapters by leading scholars from around the world in a unique collection exploring the multi-disciplinary field of political ecology. This landmark volume canvasses key developments, topics, issues, debates and concepts showcasing how political ecologists today address pressing social and environmental concerns.Introductory chapters provide an overview of political ecology and the Handbook. Remaining chapters examine five broad themes: issues and approaches; governance and power; knowledge and discourse; method and scale; and connections and transformations. The authors focus on an intrinsically international endeavour, considering both the topic and source of research, and integrate the approaches, debates, concepts and methods that define the field internationally. A combination of general reflection and case study research demonstrates both political ecology's place in wider social science debates and trends, as well as how its concerns relate to diverse empirical problems and settings.Across diverse topics and perspectives, these chapters amount to a wide-ranging survey of current research, making the International Handbook an indispensable reference for scholars and students in political ecology.Contributors: A. Acharya, B. Agarwal, H. Alimonda, A. Asiyanbi, L. Baker, S. Barca, S. Batterbury, P. Blaikie, E. Bravo, R.L. Bryant, B. Büscher, G. Cederlöf, D. Chartier, C.A. Claus, L. Cortesi, A. Doolittle, M.R. Dove, W. Dressler, R. Fletcher, T. Forsyth, T.Á.M. Freitas, D. Gautier, B. Hautdidier, A. Hayes-Conroy, J. Hayes-Conroy, H. Healy, C. Hebdon, L. Jarosz, S. Joshi, G. Kallis, A.H. Kimura, T. Kizos, C.A. Kull, P. Le Billon, S. Lee, E. Leff, A. Loftus, J. Martinez-Alier, B.R. Middleton, M. Moreano, A.C. Salomão Mozine, J. Muldavin, S. Nair, H. Neo, R.P. Neumann, C. Noe, G.G. Núñez, Á. Paniagua, N.L. Peluso, C.P. Pow, M. Ramutsindel

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Two happy couples. One dead body. A whole load of secrets. Married life wasn't meant to start like this.On honeymoon in Bali, you hit it off with another newlywed couple and celebrate your last night at a fancy cliff-side restaurant.No one predicted the evening would end with a dead body. But it was an accident, right? A tragic accident.The honeymoon may be over but it soon becomes clear that there's another side to this story . . . and your life depends on uncovering it.Many marriages can survive anything – but when it starts on a lie is it really 'til death do us part? ___________'This sizzling summer read is a breathtaking exploration of obsession and betrayal' - S Magazine'A page-turner full of secrets and lies, this is a totally addictive read' - Heat, 5-star review'Full of suspense and a whole load of secrets' - Prima'Atmospheric' - Candis'A wonderful twisty thrill ride' - Crime Monthly, lead review, 4 stars'Secrets, lies and the mother of all cover-ups...' - Louise Candlish, bestselling author of Our House and The Only Suspect'An addictive, jaw-dropping read. I loved it.' - Claire Douglas'Fantastically atmospheric and suspenseful ... Set to be one of the biggest sizzling reads of the summer!' - L.V. Matthews'A nerve-jangling tale of tension, suspicion and betrayal' - T.M. Logan'Tense, pacy, twisty and ingeniously plotted, it's going to be HUGE this summer!' - Isabelle Broom'Clever, twisty and tense, I'll be recommending The Honeymoon to friends looking for the perfect summer read.' - Nicole Kennedy'Brilliantly plotted, full of suspense and atmosphere, it had me turning the pages long after I should have been asleep.' - Lia Middleton'I really loved this book. Gripping. Atmospheric. Couldn't put it down.' - Imran Mahmood'Dark, devilish and deliciously addictive. The Honeymoon hooked me from page one and delivered twist after twist. The perfect summer thriller.' - Chris Whitaker

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The Tudor period was notable for religious turmoil. Under Queen Elizabeth I, the slowly reforming Protestant Church of England finally gained a level of stability, but many people, from paupers to Lords, clung to Catholicism. Most crossed their fingers and attended Protestant services. Others, the recusants', remained defiant and refused to conform. This book takes a fresh look into the life and death of one prominent Catholic recusant, Margaret Clitherow, and the wider events which shaped her story and that of many others. In 1970, Margaret was made a saint, one of the Forty Martyrs of England and Wales. All suffered a similar fate. Elizabeth's government faced threats from multiple directions - poor harvests, disease, attempts at invasion and plots to replace the Queen with a Catholic monarch. In York, friction was growing between the Council of the North and the city Corporation. But for much of the population, life went on as normal. One well-to-do family in the city celebrated the birth of a daughter. Brought up for a time as a Protestant, Margaret Middleton eventually married a butcher, John Clitherow. They set up home in the Shambles and raised a family. Margaret's destiny changed when she embraced Catholicism. In 1586, Margaret's stepfather was elected Lord Mayor of York. A few weeks later, Margaret was arrested for harbouring Catholic priests. Coincidence, or something more sinister? What happened next was sensational. One woman taking on the northern authorities, the Church of England and assizes judiciary. Sentenced to death for refusing to make a plea in court, Margaret received a last-minute reprieve due to claims of her pregnancy, only for these to be rejected. Following Margaret's brutal execution, Queen Elizbeth is said to have apologised to the people of York. With one martyr and no winner, Margaret's story is examined as a microcosm of Tudor life, a family tragedy of faith and betrayal, set against a backdrop of political power games, treason and plot.

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This brand-new title is one of three concurrent additions to the updated series of Paul Hannon's 'Short Scenic Walks' guidebooks. The principal feature is that all walks are less than five miles in length, offering a perfect half day's stroll for families, casual walkers and all who want to enjoy a leisurely exploration of Britain's outstanding country landscapes. This title is based in and around the North Pennines Area of Outstanding Natural Beauty in County Durham, and a range of enhancements include a wider geographical spread. The walks start from such places as Middleton-in Teesdale, Romaldkirk, Stanhope, Cotherstone and Wolsingham, and include such iconic features as High Force, Egglestone Abbey, Hamsterley Forest, Cauldron Snout and UK 'Resort of the Year' Barnard Castle. In addition to being more visually appealing than their predecessors, with a more modern house style, this new series offers 30 walks rather than 20, and these more substantial books feature a full spine rather than wire-stitched binding. Over 30 colour photographs depict features and landscapes along the routes.

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Anyone who loves houses and interiors loves Charleston. The Allure of Charleston shows why by delving into the architecture and interiors of the past and present. Exploring the question of what makes Charleston so distinct, Sully demonstrates why the language of its architecture, interior design, and gardens is so versatile and enduring. Examples of Georgian, Federal, and Greek Revival architecture and of rooms containing an array of English, European, and American decorative details convey the complex harmony that characterises the city s houses. Featuring historic masterpieces including Drayton Hall, the Nathaniel Russell House, and Middleton Place, this volume also offers a look at present-day residences, among them a new house built faithfully to colonial style, a charming eighteenth-century dwelling with modern updates, a stunning Georgian town-house with a contemporary addition, and a sophisticated Federal home. The Allure of Charleston also includes a visual lexicon presenting the individual elements wrought iron gates, garden statuary, pastel plaster walls, refined porcelain that comprise the city s style, making this exquisite book both informative and inspiring.

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Rhetorical critics have long had a troubled relationship with method, viewing it as at times opening up provocative avenues of inquiry, and at other times as closing off paths toward meaningful engagement with texts. Text + Field shifts scholarly attention from this conflicted history, looking instead to the growing number of scholars who are supplementing text-based scholarship by venturing out into the field, where rhetoric is produced, enacted, and consumed. These field-based practices involve observation, ethnographic interviews, and performance. They are not intended to displace text-based approaches; rather, they expand the idea of method by helping rhetorical scholars arrive at new and complementary answers to long-standing disciplinary questions about text, context, audience, judgment, and ethics. The first volume in rhetoric and communication to directly address the relevance, processes, and implications of using field methods to augment traditional scholarship, Text + Field provides a framework for adapting these new tools to traditional rhetorical inquiry.Aside from the editors, the contributors are Roberta Chevrette, Kathleen M. de Onís, Danielle Endres, Joshua P. Ewalt, Alina Haliliuc, Aaron Hess, Jamie Landau, Michael Middleton, Tiara R. Na’puti, Jessy J. Ohl, Phaedra C. Pezzullo, Damien Smith Pfister, Samantha Senda-Cook, Lisa Silvestri, and Valerie Thatcher.

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Fresh, funny crime series for fans of Jasper Fforde and M.C. Beaton. 'Delightful and original... A series that could well become a cult' DAILY MAIL. 125 Gower Street, 1883. Sidney Grice is London's foremost personal detective. Called away to Yorkshire, he leaves his ward, March Middleton, to run his house. But hearth and home hold little charm for March, who harbours dreams of becoming London's foremost, and first, lady detective. So, when a mysterious letter arrives from her long-lost uncle, she accepts his invitation to stay at the palatial Saturn Villa. Her new Uncle Tolly is sweet, eccentric and – come the morning – very, very dead. But March is not called upon to solve the case, instead she's in the frame for murder. Praise for DEATH DESCENDS ON SATURN VILLA: 'Think Lemony Snicket meets Neil Gaiman for tea in Dracula's castle' BOOKLIST. 'Packed full of delicious dialogue and many laugh-out-loud moments. My adoration of Sidney and March remains unshaken' HISTORICAL NOVELS SOCIETY. Read the whole series: THE MANGLE STREET MURDERS. THE CURSE OF THE HOUSE OF FOSKETT. DEATH DESCENDS ON SATURN VILLA. THE SECRETS OF GASLIGHT LANE. DARK DAWN OVER STEEP HOUSE.

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Economics, in our modern sense of the term, was not a discipline in the Middle Ages, although the history of economic thought is often written as though it were. Lianna Farber restores the core economic concept of trade to its medieval contexts, showing that it contains three component parts: value, consent, and community. Medieval writing about trade not only relies on these elements, it presents them as unproblematic. By addressing texts in which each element of trade is discussed directly, Farber demonstrates that this straightforward picture is falsely reassuring. In fact, these ideas were deeply contested. In the end, Farber reveals, writing about trade was not descriptive but argumentative, analyzing the act in an attempt to justify it. Such texts reveal deep intellectual uncertainties about the market society they advocated. An Anatomy of Trade in Medieval Writing benefits from Farber's close reading of literary sources, among them the poetry of Geoffrey Chaucer and Robert Henryson; theological sources, including the writing of Thomas Aquinas and Richard of Middleton; and legal sources such as the canon law on marriage formation. A provocative contribution to our understanding of medieval life and thought, this book implies a need to reconsider the genealogy of economics as a way of thinking about the world.

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In recent years the popularity of service learning and study abroad programs that bring students to the global South has soared, thanks to this generation of college students' desire to make a positive difference in the world. This collection contains essays by undergraduates who recount their experiences in Togo working on projects that established health insurance at a local clinic, built a cyber café, created a microlending program for teens, and started a local writers' group. The essays show students putting their optimism to work while learning that paying attention to local knowledge can make all the difference in a project's success. Students also conducted research on global health topics by examining the complex relationships between traditional healing practices and biomedicine. Charles Piot's introduction contextualizes student-initiated development within the history of development work in West Africa since 1960, while his epilogue provides an update on the projects, compiles an inventory of best practices, and describes the type of projects that are likely to succeed. Doing Development in West Africa provides a relatable and intimate look into the range of challenges, successes, and failures that come with studying abroad in the global South.Contributors. Cheyenne Allenby, Kelly Andrejko, Connor Cotton, Allie Middleton, Caitlin Moyles, Charles Piot, Benjamin Ramsey, Maria Cecilia Romano, Stephanie Rotolo, Emma Smith, Sarah Zimmerman

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Early seventeenth-century London playwrights used actual locations in their comedies while simultaneously exploring London as an imagined, ephemeral, urban space. Producing Early Modern London examines this tension between representing place and producing urban space. In analyzing the theater’s use of city spaces and places, Kelly J. Stage shows how the satirical comedies of the early seventeenth century came to embody the city as the city embodied the plays. Stage focuses on city plays by George Chapman, Thomas Dekker, William Haughton, Ben Jonson, John Marston, Thomas Middleton, and John Webster. While the conventional labels of “city comedy” or “citizen comedy” have often been applied to these plays, she argues that London comedies defy these genre categorizations because the ruptures, expansions, conflicts, and imperfections of the expanding city became a part of their form. Rather than defining the “city comedy,” comedy in this period proved to be the genre of London. As the expansion of London’s social space exceeded the strict confines of the “square mile,” the city burgeoned into a new metropolis. The satiric comedies of this period became, in effect, playgrounds for urban experimentation. Early seventeenth-century playwrights seized the opportunity to explore the myriad ways in which London worked, taking the expected—a romance plot, a typical father-son conflict, a cross-dressing intrigue—and turning it into a multifaceted, complex story of interaction and proximity.

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'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

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This collection brings new voices and new perspectives to the study of popular—and particularly rock—music. Focusing on a variety of artists and music forms, Rock Over the Edge asks what happens to rock criticism when rock is no longer a coherent concept. To work toward an answer, contributors investigate previously neglected genres and styles, such as “lo fi,” alternative country, and “rock en español,” while offering a fresh look at such familiar figures as Elvis Presley, the Beatles, and Kurt Cobain.Bridging the disciplines of musicology and cultural studies, the collection has two primary goals: to seek out a language for talking about music culture and to look at the relationship of music to culture in general. The editors’ introduction provides a backward glance at recent rock criticism and also looks to the future of the rapidly expanding discipline of popular music studies. Taking seriously the implications of critical theory for the study of non-literary aesthetic endeavors, the volume also addresses such issues as the affective power of popular music and the psychic construction of fandom. Rock Over the Edge will appeal to scholars and students in popular music studies and American Studies as well as general readers interested in popular music.Contributors. Ian Balfour, Roger Beebe, Michael Coyle, Robert Fink, Denise Fulbrook, Tony Grajeda, Lawrence Grossberg, Trent Hill, Josh Kun, Jason Middleton, Lisa Ann Parks, Ben Saunders, John J. Sheinbaum, Gayle Wald, Warren Zanes

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This practical guide for coaches, leaders and team members will help readers create team success in a modern context. Adaptability has now become a core skill and adaptable teams create foundations that withstand the increasing speed of change, allowing for quality in performance to be sustained. This book defines the core components of the Adaptable Team™ Framework, to embed the principles and practice of team support.As teams can often work in a range of volatile, uncertain and ambiguous environments, this book offers numerous tips for readers on their quest for team excellence:-Supporting the team coach and coaching psychologist in their preparation and design for team interventions, by providing both theory and practical application of evidenced-based approaches-Guiding leaders looking to coach their own teams and managers to lead success-Highlighting each leader’s unique contribution-Providing team members a map by which to navigate their professional development as leaders and team members“There are pearls of wisdom on every page which are invaluable to every leader, coach and team.”Professor Karen Middleton CBE, FCSP, MA, Chief Executive, The Chartered Society of Physiotherapy“Whether you’re a CEO or CHRO working on team dynamics, or a coach seeking to deepen your practice, you’ll find excellent food for thought on every page.”Caroline Webb, Author of global best seller ‘How To Have A Good Day’ and Senior Adviser to McKinsey & Company“David has a profound understanding of what makes teams resilient in change and positioned to perform in the modern world.”Andrew Shebbeare, Managing Partner, Counteract“Possibly the best book on teams and coaching I have read."Jonathan Passmore, Director, Henley Centre for Coaching & Behavioural Change David Webster is Founding Partner at Centre for Teams, UK and an award-winning coaching psychologist, specialising in senior teams. A former Chair of the British Psychological Society’s Coaching Psychology Group, and a martial art black belt, David can also be found hill walking with his dog Molly, cycling and enjoying live music and theatre.

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This book contains everything you need to know about modern history of dress design, from the corset-free styles of 1920s flappers to the conceptual constructions of modern artists. Since Coco Chanel invented the little black dress in 1926 it has become a staple for a woman's wardrobe. Even considering the many decades it’s been since women discovered trousers and separates, women dream of wearing glorious, glamorous gowns, whether it’s on the Hollywood red carpet, or perhaps on her wedding day… No item of clothing has endured for longer than the dress. Yet the last century alone has seen the most radical changes of style – hemlines swinging from ankle to thigh; outlines alternating between the body-hugging and the bell – and our fascination with ‘the frock’ has not gone away. From Gres’ draping to Dior’s New Look, from Mary Quant’s mini to Hussein Chalayan’s mechanical marvels and Kate Middleton’s wedding dress, this book looks at the dress in a century of fashion. Thematic chapters set out the inspirations and implications for each new change in style alongside stunning photography. A celebration of the dress in all its forms, Fabulous Frocks is sure to fire any fashionista’s imagination. ‘A glorious celebration of a hundred years of the dress’ – Daily Mail Sarah Gristwood is a best-selling Tudor biographer, former film journalist, and commentator on royal affairs.

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This book is a close taxonomic study of the pivotal role of games in early modern drama. The presence of the game motif has often been noticed, but this study, the most comprehensive of its kind, shows how games operate in more complex ways than simple metaphor and can be syntheses of emblem and dramatic device. Drawing on seventeenth-century treatises, including Francis Willughby’s Book of Games, which only became available in print in 2003, and divided into chapters on Dice, Cards, Tables (Backgammon), and Chess, the book brings back into focus the symbolism and divinatory origins of games. The work of more than ten dramatists is analysed, from the Shakespeare and Middleton canon to rarer plays such as The Spanish Curate, The Two Angry Women of Abington and The Cittie Gallant. Games and theatre share common ground in terms of performance, deceit, plotting, risk and chance, and the early modern playhouse provided apt conditions for vicarious play. From the romantic chase to the financial gamble, and in legal contest and war, the twenty-first century is still engaging the game. With its extensive appendices, the book will appeal to readers interested in period games and those teaching or studying early modern drama, including theatre producers, and awareness of the vocabulary of period games will allow further references to be understood in non-dramatic texts.

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Revealing a world of secret messages contained within a single petal.Floriography – the language of flowers – is the ancient art of encoding hidden messages in the type, colour and arrangement of plants, allowing individuals to express emotions and sentiments that they may not be able to articulate through words.Featuring 100 of the most popular and available blooms from around the world, this beautifully illustrated gift book gives the botanical name for each plant, a description of its significance and place in folklore, and the story behind its meaning. It also reveals how floral symbolism has been used over the centuries in literature and art, from Hamlet's Ophelia handing out rosemary 'for remembrance' and pansies 'for thoughts', to Oscar Wilde urging his friends to wear green carnations as a subtle code for homosexuality. The idea that flowers have secret meanings would have been well understood by contemporary audiences – and we are seeing a revival of the practice today.From mimosa – which signifies chastity because its leaves close when touched – to the varied messages encoded within different colours of geraniums, Floriography offers a creative way to convey feelings and can add an extra layer of beauty and significance to a gift of flowers.The flowers in Kate Middleton's wedding bouquet signified love, happiness, gallantry and fidelity.If someone sends you a bouquet of hydrangea and lobelia, beware: they stand for heartlessness and malevolence.

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Despite its reputation as the longest established in Europe, the history of the English monarchy is punctuated by scandal, murders, betrayals, plots, and treason. Since William the Conqueror seized the crown in 1066, England has seen three civil wars; six monarchs have been murdered or executed; the throne of England has been usurped four times, and won in battle three times; and personal scandals and royal family quarrels abound. Dark History of the Kings & Queens of England provides an exciting and dramatic account of English royal history from 1066 to the present day. This engrossing book explores the scandal and intrigue behind each royal dynasty, from the ‘accidental’ murder of William II in 1100, through the excesses of Richard III, Henry VIII and ‘Bloody’ Mary, to the conspiracies surrounding the death of Diana, Princess of Wales, in 1997, William and Kate Middleton’s on-off courtship before they married, and Prince Harry’s years of partying, girlfriends and Las Vegas strip poker, before his 2018 marriage to American divorcée Meghan Markle. Carefully researched, superbly entertaining and illustrated throughout with more than 200 colour and black-and-white photographs and artworks, this accessible and immensely enjoyable book highlights the true personalities and real lives of the individuals honoured with the crown of England—and those unfortunate enough to cross their paths.

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The brilliant, explosive new book from the master of the modern espionage thriller and Sunday Times bestseller James Swallow.___________________Gutted by the ruthless power brokers known as the Combine, the Rubicon Group is a shadow of its former self, its founder Ekko Solomon missing presumed dead and the members of its private security and intelligence team in hiding, framed for a terrorist atrocity they did not commit.For ex-MI6 officer Marc Dane, his friend and colleague Lucy Keyes, and the survivors of Rubicon's Special Conditions Division, the future is bleak.With no support and no backup, they are living on the edge, and the walls are closing in - so with nothing left to lose, the team will risk everything in a last ditch gambit to strike back at the Combine and bring them down...once and for all.Rising from the ashes of Rubicon's destruction, Marc and the team undertake a high-stakes undercover mission to stop a catastrophic plan to crash the global financial network, with only their cunning and their skills to carry them through.If they succeed, they might just get their lives back.If they fail, it will be the end of everything they've been fighting for... The epic final book in the Marc Dane series, OUTLAW is Swallow's most explosive thriller to date - perfect for fans of Gregg Hurwitz, Ant Middleton and Terry Hayes.___________________PRAISE FOR JAMES SWALLOW'S ESPIONAGE THRILLERS:'Unputdownable' - WILBUR SMITH'Britain's answer to Jason Bourne' - DAILY MAIL'Explosive' - IRISH EXAMINER

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Drawing on a variety of psychoanalytic approaches, ten critics engage in exciting discussions of the ways the "inner life" is depicted in the Renaissance and the ways it is shown to interact with the "external" social and economic spheres. Spurred by the rise of capitalism and the nuclear family, Renaissance anxieties over changes in identity emerged in the period's unconscious--or, as Freud would have it, in its literature. Hence, much of Renaissance literature represents themes that have been prominent in the discourse of psychoanalysis: mistaken identity, incest, voyeurism, mourning, and the uncanny. The essays in this volume range from Spenser and Milton to Machiavelli and Ariosto, and focus on the fluidity of gender, the economics of sexual and sibling rivalry, the power of the visual, and the cultural echoes of the uncanny. The discussion of each topic highlights language as the medium of desire, transgression, or oppression. The section "Faking It: Sex, Class, and Gender Mobility" contains essays by Marjorie Garber (Middleton), Natasha Korda (Castiglione), and Valeria Finucci (Ariosto). The contributors to "Ogling: The Circulation of Power" include Harry Berger (Spenser), Lynn Enterline (Petrarch), and Regina Schwartz (Milton). "Loving and Loathing: The Economics of Subjection" includes Juliana Schiesari (Machia-velli) and William Kerrigan (Shakespeare). "Dreaming On: Uncanny Encounters" contains essays by Elizabeth J. Bellamy (Tasso) and David Lee Miller (Jonson).

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'Thrilling, chilling, heart-stopping . . . impossible to put down' CHRIS WHITAKER'Terrifying, dark and original with a brilliantly shocking ending - loved this book' CATHERINE COOPER 'Non-stop thrills. Perhaps the best psychological thriller I've read' 5* READER REVIEW 'A full-tilt thriller . . . original, timely and very clever. Lia's best yet!' EMILY FREUD 'Bristles with dread and threat – it is not for a dark autumn night' DAILY MAIL'Fast-paced and topical . . . a total page-turner' ALLIE REYNOLDS WELCOME TO THE CONFESSION ROOM.An online forum for admitting your sins.Some people confess to affairs, others to stealing. Some admit deep, dark wishes. And former police officer Emilia Haines, reading strangers' secrets is the perfect distraction from the past.But one day, Emilia stumbles on the darkest confession yet:MURDER.At first, it seems like a hoax. But when a body is found, then another victim is named, Emilia can't look away.How are the victims linked? Who is confessing to murder to publicly?And how do you catch a serial killer who is hiding in plain sight? **** Praise for Lia Middleton: 'Tense, jaw-dropping, clever' CLAIRE DOUGLAS'Keeps you guessing from start to finish' JANE FALLON'I loved it. Huge twists' GILLIAN McALLISTER'Brilliantly written . . . I'll be recommending it to everyone I know' SARAH PEARSE'A stand-out psychological thriller' ASHLEY AUDRAIN'Superb. Assured, elegant and utterly gripping' WILL DEAN'Couldn't put it down' CATHERINE COOPER

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It's no secret that most girls, at some point, love all things princess: the poofy dresses, the plastic tiaras, the colour pink. Even grown-up women can't get enough of royal weddings and royal gossip. Yet critics claim the princess dream sets little girls up to be weak and submissive, and allows grown women to indulge in fantasies of rescue rather than hard work and self-reliance. Enter Jerramy Fine - an unabashed feminist who is proud of her life-long princess obsession and more than happy to defend it. Through her amusing life story and in-depth research, Fine makes it clear that feminine doesn't mean weak, pink doesn't mean inferior, and girliness is not incompatible with ambition. From 9th century Cinderella to modern-day Frozen , from Princess Diana to Kate Middleton, from Wonder Woman to Princess Leia, Fine valiantly assures us that princesses have always been about power, not passivity. And those who love them can still be confident, intelligent women. Provocative, insightful, but also witty and personal, In defence of the Princess empowers girls, women, and parents to dream of happily ever after without any guilt or shame.

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On 'Lady Day', March 1943 a group of Christian pacifists took possession of a vacant farm in Frating, a hamlet on the Essex Tendring Peninsula. There they established a working community, inspired by their association with The Adelphi journal, where D.H.Lawrence, John Middleton Murry, Vera Brittain, Iris Murdoch, George Orwell and others shared ideas for the future with European religious radicals such as Nikolai Berdyaev, Martin Buber and Simone Weil. Frating Hall Farm provided a settlement and livelihood for individuals and families (as well as a temporary sanctuary for refugees and prisoners-of-war), and over time became a successful arable and livestock land-holding of more than 300 acres. Scorned initially by their neighbours for their anti-war views, the Frating community won respect not only through their farming achievements, but having established a touring theatre company and choir, for bringing new life to the villages and churches around them. The lost story of Frating Hall Farm is based on the reminiscences of those who grew up on the farm, together with photographs, letters and organisational records, never before seen or published. The book is a kaleidoscopic history of a farm during its eleven-year occupation, and an enquiry into the passionate religious and political ideals of the back-to-the-land movement in wartime and post-war rural England.

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The first full commentary on Piers Plowman since the late nineteenth century is inaugurated with the publication of the first two of its five projected volumes. The detailed and wide-ranging Penn Commentary places the allegorical dream-vision of Piers Plowman within the literary, historical, social, and intellectual contexts of late medieval England, and within the long history of critical interpretation of the poem, assessing past scholarship while offering original materials and insights throughout. The authors' line-by-line, section by section, and passus by passus commentary on all three versions of the poem and on the stages of its multiple revisions reveals new aspects of the poem's meaning while assessing and summarizing a complex and often divisive scholarly tradition. The volumes offer an up-to-date, original, and open-ended guide to a poem whose engagement in its social world is unrivaled in English literature, and whose literary, religious, and intellectual accomplishments are uniquely powerful. The Penn Commentary is designed to be equally useful to readers of the A, B, or C texts of the poem. It is geared to readers eager to have detailed experience of Piers Plowman and other medieval literature, possessing some basic knowledge of Middle English language and literature, and interested in pondering further the particularly difficult relationships to both that this poem possesses. Others, with interest in poetry of all periods, will find the extended and detailed commentary useful precisely because it does not seek to avoid the poem's challenges but seeks instead to provoke thought about its intricacy and poetic achievements. Andrew Galloway's Volume 1 treats the poem's first vision, from the Prologue through Passus 4, in all three versions, accepting the C text as the poet's final word but excavating downward through the earlier B and A texts. Stephen Barney's volume completes the framework for the commentary, dealing with the final three passûs of the poem, extant only in the B and C versions. Subsequent volumes will be the work of Ralph Hanna, Traugott Lawler, and Anne Middleton. Overall, The Penn Commentary on Piers Plowman marks a new stage of concentrated yet wide-ranging attention to a text whose repeated revisions and literary and intellectual complexity make it both an elusive object of inquiry and a literary work whose richness has long deserved the capacious and minutely detailed treatment that only a full commentary can allow. Perhaps no poem in English appeals more than Piers Plowman to those readers who understand Yeats's "fascination with things difficult," yet The Penn Commentary will enable generations of readers to share in the pleasures and challenges of experiencing, engaging with, and trying to elucidate the difficulties of one of the towering achievements of English literature.

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Fresh, funny historical mystery series for fans of Jasper Fforde and M.C. Beaton. 'Delightful and original... A series that could well become a cult' Daily Mail 125 Gower Street, London, 1884. Sidney Grice – London's foremost personal detective – is restless. Having filed his latest case under 'S' for 'Still To Be Solved', his ward, March Middleton, remains determined to uncover the truth. When an attacker strikes on the murky streets of Limehouse, and a new victim is discovered in an overcrowded cafe, it's clear that the duo are on the trail of a serial offender. A trail that leads them to a Prussian Prince, an Armenian gangster, and the shadowy ruin of a once-loved family home, Steep House... Reviews for DARK DAWN OVER STEEP HOUSE: 'A welcome addition to the genre' Historical Novel Society 'Classic whodunit fans will appreciate Kasasian's playing fair with them' Publishers Weekly 'Ingenious and atmospheric... Packed with delicious humour, red herrings and devious twists and turns' Bookish Jottings 'Strikes the perfect balance between humour and tension... A real page turner' Portable Magic 'Quirky humour, eccentric characters and a compelling plot' What Cathy Read Next Read the whole series: THE MANGLE STREET MURDERS THE CURSE OF THE HOUSE OF FOSKETT DEATH DESCENDS ON SATURN VILLA THE SECRETS OF GASLIGHT LANE DARK DAWN OVER STEEP HOUSE.

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Some call it the American obsession, but men everywhere recognize the hypnotic allure of a large and shapely breast. In The Big Book of Breasts, Dian Hanson explores the origins of mammary madness through three decades of natural big-breasted nudes. Starting with the World War II Bosom-Mania that spawned Russ Meyer, Howard Hughes’s The Outlaw and Frederick’s of Hollywood, Dian guides you over, around, and in between the dangerous curves of infamous models including Michelle Angelo, Candy Barr, Virginia Bell, Joan Brinkman, Lorraine Burnett, Lisa De Leeuw, Uschi Digard, Candye Kane, Jennie Lee, Sylvia McFarland, Margaret Middleton, Paula Page, June Palmer, Roberta Pedon, Rosina Revelle, Candy Samples, Tempest Storm, Linda West, June Wilkinson, Julie Wills, and dozens more, including Guinness World Record holder Norma Stitz, possessor of the World`s Largest Natural Breasts. The 396 pages of this book contain the most beautiful and provocative photos ever created of these iconic women, plus nine original interviews, including the first with Tempest Storm and Uschi Digard in over a decade, and the last with Candy Barr before her untimely death in 2005. In a world where silicone is now the norm, these spectacular real women stand as testament that nature knows best.

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Unfixable Forms explores how theatrical form remakes—and is in turn remade by—early modern disability. Figures described as "deformed," "lame," "crippled," "ugly," "sick," and "monstrous" crowd the stage in English drama of the sixteenth and seventeenth centuries. In each case, such a description distills cultural expectations about how a body should look and what a body should do—yet, crucially, demands the actor's embodied performance. In the early modern theater, concepts of disability collide with the deforming, vulnerable body of the actor. Reading dramatic texts alongside a diverse array of sources, ranging from physic manuals to philosophical essays to monster pamphlets, Katherine Schaap Williams excavates an archive of formal innovation to argue that disability is at the heart of the early modern theater's exploration of what it means to put the body of an actor on the stage. Offering new interpretations of canonical works by William Shakespeare, Ben Jonson, Thomas Dekker, Thomas Middleton, and William Rowley, and close readings of little-known plays such as The Fair Maid of the Exchange and A Larum For London, Williams demonstrates how disability cuts across foundational distinctions between nature and art, form and matter, and being and seeming. Situated at the intersections of early modern drama, disability studies, and performance theory, Unfixable Forms locates disability on the early modern stage as both a product of cultural constraints and a spark for performance's unsettling demands and electrifying eventfulness.

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The brilliant, explosive new book from the master of the modern espionage thriller and Sunday Times bestseller James Swallow.___________________Gutted by the ruthless power brokers known as the Combine, the Rubicon Group is a shadow of its former self, its founder Ekko Solomon missing presumed dead and the members of its private security and intelligence team in hiding, framed for a terrorist atrocity they did not commit.For ex-MI6 officer Marc Dane, his friend and colleague Lucy Keyes, and the survivors of Rubicon's Special Conditions Division, the future is bleak.With no support and no backup, they are living on the edge, and the walls are closing in - so with nothing left to lose, the team will risk everything in a last ditch gambit to strike back at the Combine and bring them down...once and for all.Rising from the ashes of Rubicon's destruction, Marc and the team undertake a high-stakes undercover mission to stop a catastrophic plan to crash the global financial network, with only their cunning and their skills to carry them through.If they succeed, they might just get their lives back.If they fail, it will be the end of everything they've been fighting for... The epic final book in the Marc Dane series, OUTLAW is Swallow's most explosive thriller to date - perfect for fans of Gregg Hurwitz, Ant Middleton and Terry Hayes.___________________PRAISE FOR JAMES SWALLOW'S ESPIONAGE THRILLERS:'Unputdownable' - WILBUR SMITH'Britain's answer to Jason Bourne' - DAILY MAIL'Explosive' - IRISH EXAMINER

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The unmarried "care for the things of the Lord," said St. Paul in his first letter to the Corinthians, while married men and women "care for the things of the world." The doctrine that virginity for both men and women is superior to marriage remained strong in Augustine, who believed that consecrated virgins were "a greater blessing" than the married. Even the current edition of the New Catholic Encyclopedia privileges the state of virginity because "it has as its object a superior good." In Pure Resistance Theodora A. Jankowski surveys the history of virginity in Christian thought from ancient times though the Renaissance, contrasting the Catholic tradition on this issue with Protestant doctrine as it developed in early modern England. With the Reformation, theologians argued that marriage was the ideal, even that vowed virginity was unnatural. If the multiple sexual, erotic, economic, and communal arrangements of Catholic Europe offered possibilities for destabilizing the categories male/female, married/virgin, chaste/unchaste, she contends, Protestant thought rigidified these binary oppositions. Exploring resistance to the patriarchal sexual economy, Jankowski considers representations of female virgins in English stage plays from 1590 to about 1670. In these dramatic texts she finds characters who range from collaborators with patriarchy to women who utterly repudiate marriage, opting instead for a life completely outside the heterosexual gender paradigm-and who thus, like Isabella in Measure for Measure or Moll Cutpurse in Dekker and Middleton's The Roaring Girl, become "queer virgins."

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'Entrepreneurial identities permeate virtually every facet of the venturing process, but the study of these identities has received surprisingly little attention among scholars. Thomas Duening and Matthew Metzger address this problem with this insightful and timely edited volume. They have compiled an impressive array of research that covers both macro- and micro-level explorations of entrepreneurial identities. Most importantly, these chapters provide numerous examples of tangible advice to interested educators about how to foster the entrepreneurial spirit and build the entrepreneurial identity within their own students. This book is a must-read for anyone interested in entrepreneurial identities.'- Charles Murnieks, Oregon State University, US Entrepreneurship is an academic discipline that, despite decades of growth in research and teaching activity lacks a traditionally distinct or common pedagogy. In this book, editors Thomas N. Duening and Matthew L. Metzger explore entrepreneurial identity as a new basis upon which curricula can be constructed for aspiring entrepreneurs. Critically, this perspective is based on the insight that there is a fundamental difference between venture development and entrepreneur development. Unfortunately, most current interventions for aspiring entrepreneurs focus on the former at the expense of the latter. The editors have collected work from an international team of authors with diverse views on how identity theory applies to entrepreneur development. Chapters focus primarily on macro-level identity issues (that is, how do these entrepreneurial archetypes form, persist, and sometimes change) or micro-level identity issues (that is, how can educators and resource providers identify, communicate, and incentivize identity construction among aspiring entrepreneurs). This book provides a general theoretical background and offers numerous suggestions for application and further research. One example of this is the 'For Further Reading' feature at the end of each chapter which is perfect for assisting those who want to delve deeper into various topics. This essential resource will be of interest to researchers, resource providers and students alike.Contributors include: D. Boje, A. Donnellon, T.N. Duening, R. Gill, B. Mathias, M.L. Metzger, R. Smith, K. Williams-Middleton

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For fans of James Clear's Atomic Habits, Ant Middleton's Mental Fitness and Hugh van Cuylenburg's The Resilience Project comes this practical toolkit for optimising mental health as an essential springboard for high achievement - both in and out of the workplace.Harness the power, purpose and performance of a refreshed mind Who has time for self-care? Chelsea Pottenger didn't. In May 2015, the successful entrepreneur had just given birth when she found herself battling postnatal depression so severe, she landed in a psychiatric hospital. Determined to overhaul her wellbeing, Chelsea dived headfirst into the study of mindfulness and meditation. She radically shifted her priorities, learning to put her mental health first. In The Mindful High Performer, Chelsea expertly guides you through simple, science-based tools to achieve optimal mental health so you can operate at a high performance level without feeling overwhelmed, overworked or simply over it. You'll learn to reduce stress and burnout, reframe negative thinking, tap into positive energy, recharge your physical health and bolster your resilience. Join the thousands of others who've implemented this practical approach to reset your wellbeing and maximise your potential at work and in life.

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THE INSTANT SUNDAY TIMES TOP TEN BESTSELLER'Tony is a champion who knows the hardest battle is always with yourself. Everyone who reads this book will find a change to make in their own life ' ANT MIDDLETON**THE PULL-NO-PUNCHES GUIDE TO LIFE**"When your job is to stand in front of a very big man who wants to knock you unconscious, you learn what's important in life. In the ring there's nowhere to hide. I was never the biggest or the strongest but I made the most of what I had - I had heart and I had grit and I always put time into the mental game. Now I want to take readers into the ring and help them understand that even though it's an extreme environment and somewhere they're unlikely to ever be, there's plenty they can learn there"Over 12 rounds (chapters), former world champion boxer Tony Bellew will take the reader inside the world of elite boxing to reveal what we can all learn about performance. From what the boxing gym can teach us all about being honest about our strengths and weaknesses to how to hit the canvas and get back up again, this is the closest thing to having a world champion boxer in your corner.

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A disenchanted man struggles to get beyond the first chapter of the books he’s writing, and to separate fact from fiction in his own life. His friend’s suicide changes everything … The mind-blowing, heart-rending new thriller from cult bestselling author Will Carver. ‘Ambitious, dark and funny … a compelling and thought-provoking book from a highly talented writer. Bravo!’ Mike Gayle ‘One of the most exciting authors in Britain’ Daily Express 'Unflinching, blunt and brutal, Carver's originality knows no bounds. Simply brilliant' Sam Holland _________________________________________ Eli Hagin can’t finish anything. He hates his job, but can’t seem to quit. He doesn’t want to be with his girlfriend, but doesn’t know how end things with her, either. Eli wants to write a novel, but he’s never taken a story beyond the first chapter. Eli also has trouble separating reality from fiction. When his best friend kills himself, Eli is motivated, for the first time in his life, to finally end something himself, just as Mike did… Except sessions with his therapist suggest that Eli’s most recent ‘first chapters’ are not as fictitious as he had intended … and a series of text messages that Mike received before his death point to something much, much darker… _________________________________________ ‘Gave me nightmares … I loved it’ S J Watson ‘Brutal and brilliant' Lisa Hall 'Challenging, perceptive and unexpectedly enlightening' Sarah Sultoon 'Will Carver is a unique writer. I loved Suicide Thursday' Greg Mosse ‘A smart, stylish writer’ Daily Mail 'Carver's trademarked cynicism and contemptuousness run rampant here … [a] dark, dangerous novel' Jack Heath ‘One of the most compelling and original voices in crime fiction’ Alex North Praise for Will Carver ‘Deliciously fresh and malevolent story-telling’ Craig Sisterson ‘Weirdly page-turning’ Sunday Times ‘Laying bare our 21st-century weaknesses and dilemmas, Carver has created a highly original state-of-the-nation novel’ Literary Review ‘Arguably the most original crime novel published this year’ Independent ‘This mesmeric novel paints a thought-provoking if depressing picture of modern life’ Guardian ‘Most memorable for its unrepentant darkness…’ Telegraph ‘Unlike anything else you’ll read this year’ Heat ‘Incredibly dark and very funny’ Harriet Tyce ‘Wickedly fun’ Crime Monthly ‘Will Carver’s most exciting, original, hilarious and freaky outing yet’ Helen FitzGerald ‘Vivid and engaging and completely unexpected’ Lia Middleton ‘Dark in the way only Will Carver can be … oozes malevolence from every page’ Victoria Selman ‘Move the hell over Brett Easton Ellis and Chuck Palahniuk … Will Carver is the new lit prince of 21st-century disenfranchised, pop darkness’ Stephen J. Golds ‘Carver truly at his best’ Sarah Pinborough

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In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an unknown, mysterious, divine wealth below its surface; and the sea itself as a powerful watery body can hold a liberating potential. The utopian quality of the sea and seafaring can become a powerful metaphor for articulating political notions of the ideal state or for expressing an individual’s sense of hope and subjectivity. Yet the catastrophic sea balances any perfective imaginings: the sea threatens coastal inhabitants with floods, tsunamis, and earthquakes and sailors with storms and the accompanying monsters. From symbolic perspectives, the catastrophic sea represents violence, instability, the savage, and even cosmological chaos. The twelve papers in this volume explore the themes of utopia and catastrophe in the liminal environment of the sea, through the lens of history, philosophy, literature and classical reception.Contributors: Manuel Álvarez-Martí-Aguilar, Vilius Bartninkas, Aaron L. Beek, Ross Clare, Gabriele Cornelli, Isaia Crosson, Ryan Denson, Rhiannon Easterbrook, Emilia Mataix Ferrándiz, Georgia L. Irby, Simona Martorana, Guy Middleton, Hamish Williams.

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Exploring a wide range of material including dramatic works, medieval morality drama, and lyric poetry this book argues for the central significance of literary material to the history of emotions. Early modern English writing about pity evidences a social culture built specifically around emotion, one (at least partially) defined by worries about who deserves compassion and what it might cost an individual to offer it. Pity and Identity in the Age of Shakespeare positions early modern England as a place that sustains messy and contradictory views about pity all at once, bringing together attraction, fear, anxiety, positivity, and condemnation to paint a picture of an emotion that is simultaneously unstable and essential, dangerous and vital, deceptive and seductive. The impact of this emotional burden on individual subjects played a major role in early modern English identity formation, centrally shaping the ways in which people thought about themselves and their communities. Taking in a wide range of material - including dramatic works by William Shakespeare, Thomas Heywood, Ben Jonson, Thomas Middleton, and William Rowley; medieval morality drama; and lyric poetry by Philip Sidney, Thomas Wyatt, Samuel Daniel, Thomas Lodge, Barnabe Barnes, George Rodney and Frances Howard - this book argues for the central significance of literary material to the broader history of emotions, a field which has thus far remained largely the concern of social and cultural historians. Pity and Identity in the Age of Shakespeare shows that both literary materials and literary criticism can offer new insights into the experience and expression of emotional humanity.

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“What could be more timely than the wresting of new ways of saying from the hand-me-down matter of language; what more exploratory and exacting/exciting? Perhaps, in an era of frequently cynical and lazy language-use, an appetite has grown among readers for writing that doesn’t so much hit the nail squarely on the head, as refashion the very concept of the hammer” says Tiffany Atkinson, in her Introduction to this volume; a volume that is the record of a year of hard work, experiment, conversation, revision, and speculative play between the weight of tradition and the desire to find new ways of saying. What is immediately visible in these pages is the sheer variation in style and form, from the fragmentary and epigrammatic to the ranging and discursive, from the intimate to the global, from the playful to the elegiac. What is not visible is the mutual care and camaraderie of a group working together to encourage the emergence of each distinctive voice.Here are the UEA Poets of 2018. Remember, you read them here first.‘It’s so nice to have such a collectively-minded group on the MA this year. People will one day speak of the Norwich School...’– Jeremy Noel-TodGboyega Abayomi • Naomi Afrassiabi • Blythe Zarozinia Aimson • Craig Barker • Max Bowden • Anna Cathenka • Cai Draper • Kat Franceska • Rachel Goodman • Laurence Hardy • Iona May • Keeley Middleton • Bec Miles • Ellen Renton • Jessica O'Brien Rhodes • Alice Willitts

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In recent years the popularity of service learning and study abroad programs that bring students to the global South has soared, thanks to this generation of college students' desire to make a positive difference in the world. This collection contains essays by undergraduates who recount their experiences in Togo working on projects that established health insurance at a local clinic, built a cyber café, created a microlending program for teens, and started a local writers' group. The essays show students putting their optimism to work while learning that paying attention to local knowledge can make all the difference in a project's success. Students also conducted research on global health topics by examining the complex relationships between traditional healing practices and biomedicine. Charles Piot's introduction contextualizes student-initiated development within the history of development work in West Africa since 1960, while his epilogue provides an update on the projects, compiles an inventory of best practices, and describes the type of projects that are likely to succeed. Doing Development in West Africa provides a relatable and intimate look into the range of challenges, successes, and failures that come with studying abroad in the global South.Contributors. Cheyenne Allenby, Kelly Andrejko, Connor Cotton, Allie Middleton, Caitlin Moyles, Charles Piot, Benjamin Ramsey, Maria Cecilia Romano, Stephanie Rotolo, Emma Smith, Sarah Zimmerman

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Mixed Faith and Shared Feeling explores the mutually generative relationship between post-Reformation religious life and London's commercial theaters. It explores the dynamic exchange between the imaginatively transformative capacities of shared theatrical experience, with the particular ideological baggage that individual playgoers bring into the theater. While early modern English drama was shaped by the polyvocal, confessional scene in which it was embedded, Musa Gurnis contends that theater does not simply reflect culture but shapes it. According to Gurnis, shared theatrical experience allowed mixed-faith audiences to vicariously occupy alternative emotional and cognitive perspectives across the confessional spectrum. In looking at individual plays, such as Thomas Middleton's A Game of Chess and Shakespeare's Measure for Measure, Gurnis shows how theatrical process can restructure playgoers' experiences of confessional material and interrupt dominant habits of religious thought. She refutes any assumption that audiences consisted of conforming Church of England Protestants by tracking the complex and changing religious lives of seventy known playgoers. Arguing against work that seeks to draw fixed lines of religious affiliation around individual playwrights or companies, she highlights the common practice of cross-confessional collaboration among playhouse colleagues. Mixed Faith and Shared Feeling demonstrates how post-Reformation representational practices actively reshaped the ways ideologically diverse Londoners accessed the mixture of religious life across the spectrum of beliefs.

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Repeatedly jamming his fork of curiosity into the live toaster of opportunity, comedian Richard O. Smith captures the experience of living in Oxford in probably the funniest book written about the Dreaming Spires. Collected here are 70 of his best Oxford Examined columns from the award-winning Oxford Times magazine Oxfordshire Limited Edition including several previously unpublished stories.In these unflinchingly truthful columns he meets celebrities (Kate Middleton, Dara O'Briain, the one who plays Phoebe in Friends and a predictably grumpy Alan Sugar), visits the 11th dimension with an Oxford University maths protegee, gatecrashes Encaenia, flirts with a Roman slave girl from 79AD, is ejected from the Oxford Union by burly security, witnesses a comeuppance for a pack of arrogant students, conducts a walking tour for Britain's scariest hen party, moves a library (which transpires to be harder work than moving a mountain), sees Britain's most pretentious theatre production, participates in the UK's national bell ringing championships (yes, that is a thing), allows Oxford University psychologists to experiment on him, rescues four escaped horses in a busy Oxford street (thankfully it wasn't the apocalypse), becomes a crime-fighting superhero, is hospitalised in a serious bike accident, gets chased by a furious revenge-fixated woman dressed as a Friesian cow, strides out of his house one morning and disappears down a giant sink hole, mentors two stand-up comedy virgins, commits a devastating social faux pas and pledges to never use a split infinitive or sentence this long again.

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More than 600 lush, stunning photos grace this comprehensive handbook to the birdlife of the Mid-Atlantic region.A Great Blue Heron wades in the shallows of the Potomac River, scanning for unsuspecting prey. Sunlight turns the water translucent as a small school of fish rises to the water's surface. The heron strikes and moments later is swallowing its quarry—predation in action! This handsome Great Blue Heron is but one of the more than 400 bird species found in Delaware, Maryland, and the District of Columbia. It shares the mid-Atlantic with kingfishers, eagles, mergansers, wood warblers, and many more.Exploring backyard birds, birds of prey, and birds of the open ocean, Smithsonian ornithologist Bruce Beehler and premier nature photographer Middleton Evans have crafted a comprehensive volume unparalleled in its beauty and captivating storytelling. Birds of Maryland, Delaware, and the District of Columbia invites readers to experience the birds' lives as they live them: where they nest, how they forage, their various behaviors, and the natural environments they need to survive. Beehler offers practical advice on bird-watching, including how to find, attract, and even garden for birds, as well as the best places to see them in season. He also discusses the best birding apps, websites, and gear; provides advice on planning a birding field trip; and recommends ornithological institutions that will help you cultivate a lifelong birding hobby. Finally, Beehler challenges the reader to think about conservation efforts to preserve local bird populations. With striking color photographs of more than 400 species, this book is a bonanza for nature lovers. A wealth of images immerse the reader in the world of these wonderful creatures. Marvel at the majesty of Ospreys, navigate the ocean with storm-petrels, and nest with Mourning Doves, all while learning about the richness of the birds' lives, the complexities of their habits, and how we can help keep their populations vibrant and aloft for generations to come.

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With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep and escalating political rivalry between the two nations led English writers to negotiate, disavow, or attempt to resolve their fascination with Spain and their debt to Spanish sources. Amid thorny issues of translation and appropriation, imperial competition, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how Spanish material was transmitted into English writing, entangling English literature in questions of national and religious identity, and how piracy came to be a central textual metaphor, with appropriations from Spain triumphantly reimagined as heroic looting. From the time of the attempted invasion by the Spanish Armada of the 1580s, through the rise of anti-Spanish rhetoric of the 1620s, The Poetics of Piracy charts this connection through works by Ben Jonson, William Shakespeare, Francis Beaumont, John Fletcher, and Thomas Middleton. Fuchs examines how their writing, particularly for the stage, recasts a reliance on Spanish material by constructing narratives of militaristic, forcible use. She considers how Jacobean dramatists complicated the texts of their Spanish contemporaries by putting them to anti-Spanish purposes, and she traces the place of Cervantes's Don Quixote in Beaumont's The Knight of the Burning Pestle and Shakespeare's late, lost play Cardenio. English literature was deeply transnational, even in the period most closely associated with the birth of a national literature. Recovering the profound influence of Spain on Renaissance English letters, The Poetics of Piracy paints a sophisticated picture of how nations can serve, at once, as rivals and resources.

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Tracing the history of tragedy and comedy from their earliest beginnings to the present, this book offers readers an exceptional study of the development of both genres, grounded in analysis of landmark plays and their context. It argues that sacrifice is central to both genres, and demonstrates how it provides a key to understanding the grand sweep of Western drama. For students of literature and drama the volume serves as an accessible companion to over two millennia of drama organised by period, and reveals how sacrifice represents a through-line running from classical drama to today's reality TV and blockbuster movies. Across the chapters devoted to each period, Day explores how the meanings of sacrifice change over time, but never quite disappear. He charts the influences of religion, social change and politics on the status and purposes of theatre in each period, and on the drama itself. But it is through a close study of key plays that he reveals the continuities centred around sacrifice that persist and which illuminate aspects of human psychology and social organisation. Among the many plays and events considered are Aeschylus’ trilogy The Oresteia, Aristophanes’ Women at the Thesmorphia, Menander’s The Bad-Tempered Man, the spectacles of the Roman Games, Seneca's The Trojan Women, Plautus's The Rope, the Cycle plays and Everyman from the Middle Ages, Shakespeare's King Lear and A Midsummer Night’s Dream, Middleton's The Revenger’s Tragedy, Jonson's Every Man in His Humour, Thomas Otway's The Orphan, William Wycherley's The Country Wife, Wilde's A Woman of No Importance, Beckett' Waiting for Godot, Tennessee Williams's A Streetcar Named Desire, Suzan-Lori Parks's Topdog/Underdog, Sarah Kane's Blasted and Charlotte Jones’ Humble Boy. A conclusion examines the persistence of ideas of sacrifice in today's reality TV and blockbuster movies.

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Music videos are available on more channels, in more formats, and in more countries than ever before. While MTV—the network that introduced music video to most viewers—is moving away from music video programming, other media developments signal the longevity and dynamism of the form. Among these are the proliferation of niche-based cable and satellite channels, the globalization of music video production and programming, and the availability of videos not just on television but also via cell phones, DVDs, enhanced CDs, PDAs, and the Internet. In the context of this transformed media landscape, Medium Cool showcases a new generation of scholarship on music video. Scholars of film, media, and music revisit and revise existing research as they provide historically and theoretically expansive new perspectives on music video as a cultural form.The essays take on a range of topics, including questions of authenticity, the tension between high-art influences and mass-cultural appeal, the prehistory of music video, and the production and dissemination of music videos outside the United States. Among the thirteen essays are a consideration of how the rapper Jay-Z uses music video as the primary site for performing, solidifying, and discarding his various personas; an examination of the recent emergence of indigenous music video production in Papua New Guinea; and an analysis of the cultural issues being negotiated within Finland’s developing music video industry. Contributors explore precursors to contemporary music videos, including 1950s music television programs such as American Bandstand, Elvis’s internationally broadcast 1973 Aloha from Hawaii concert, and different types of short musical films that could be viewed in “musical jukeboxes” of the 1940s and 1960s. Whether theorizing music video in connection to postmodernism or rethinking the relation between sound and the visual image, the essays in Medium Cool reveal music video as rich terrain for further scholarly investigation.Contributors. Roger Beebe, Norma Coates, Kay Dickinson, Cynthia Fuchs, Philip Hayward, Amy Herzog, Antti-Ville Kärjä, Melissa McCartney, Jason Middleton, Lisa Parks, Kip Pegley, Maureen Turim, Carol Vernallis, Warren Zanes

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Crimes associated with the illegal trade in wildlife, timber and fish stocks, and pollutants and waste have become increasingly transnational, organized and serious. They warrant attention because of their environmental consequences, their human toll, their impact on the rule of law and good governance, and their links with violence, corruption and a range of cross-over crimes. This ground-breaking, multi-disciplinary Handbook examines key transnational environmental crime sectors and explores its most significant conceptual, operational and enforcement challenges. Bringing together leading scholars and practitioners, this book presents in-depth analysis based on extensive academic research and operational and enforcement expertise. The sectors covered include illegal wildlife, timber, pollutant and waste trades and crimes in the carbon market. The contextual chapters examine criminal networks and illicit chains of custody, local sociocultural, economic and political factors, the effectiveness of policy and operational responses, and international jurisdictional challenges.This Handbook will be an invaluable resource for students and scholars of global environmental politics, international environmental law, and environmental criminology as well as for regulatory and enforcement practitioners working to meet the challenges of transnational environmental crime.Contributors include: J. Ayling, L. Bisschop, G. Broussard, A. Cardesa-Salzmann, M. Cassidy, D.W.S. Challender, E. Clark, M.Á. Clemente Muñoz, E. de Coning, R. Duffy, L. Elliott, C. Gibbs, D. Humphreys, Y. Jia, N. Liu, D.C. MacMillan, C. Middleton, R. Ogden, G. Pink, G. Rose, V. Sacré, S. Saydan, W.H. Schaedla, S. Sinha, V. Somboon, T. Terekhova, E. van Asch, T. Wyatt

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Why does queer leadership matter? In this book, the first of its kind, 15 LGBTQ presidents and chancellors in higher education provide insight into their experiences and highlight the importance of queer leadership for the academy and the world.Prior to this century, there were few known gay or lesbian presidents in North American higher education. Mary Emma Wooley, president of Mount Holyoke College from 1901 to 1937, is documented because her life on campus with her partner, Jeanette Marks, is described in their love letters, which have been recently curated. Jacquelyn A. Mattfeld, president of Barnard College from 1976 to 1980, rarely receives recognition for braving sexism, heterosexism, and homophobia during her presidency. Theodora J. Kalikow, president of University of Maine Farmington from 1994 to 2012, bridges the few early examples to the era of contributors to this volume. In LGBTQ Leadership in Higher Education, Raymond Crossman brings together 15 currently serving or retired LGBTQ presidents and chancellors in higher education to explain why, to whom, and how LGBTQ leadership matters. Writing from the perspective of their lived and specific experiences as LGBTQ presidents, these current and former leaders consider whether there is something distinctive about LGBTQ leadership. They also attempt to draw insights and principles from their personal stories. In addition, the book considers a profound question: Is being queer a superpower for these leaders, something they manage as part of their intersectional identities, or is it just another attribute of accomplished leaders? In essays ranging across 12 topics, including intersectionality, mentorship, feminism, self-care, coming out, heteronormativity, and partners and spouses, the authors address why LGBTQ leadership matters at this moment, and more broadly, why diversity, inclusion, and equity in leadership are important to meet today's challenges for higher education and human rights. The first book on this topic, LGBTQ Leadership in Higher Education simultaneously archives a moment that is the forerunner to new, enormous, and necessary evolutions in the practice of leadership.Contributors: Terry L. Allison, Peggy Apple, Nancy "Rusty" Barceló, Raymond E. Crossman, Erika Endrijonas, James Gandre, Richard J. Helldobler, Susan E. Henking, Ralph J. Hexter, Theodora J. Kalikow, Daniel López, Jr., Charles R. Middleton, DeRionne Pollard, Katherine Hancock Ragsdale, Regina Stanback Stroud, Boris Thomas, Karen M. Whitney

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