Search results for ""Author John"

"It is emphatically the province and duty of the judicial department," John Marshall wrote in Marbury v. Madison, "to say what the law is." As its Chief Justice from 1801 to 1835, Marshall made the Supreme Court a full and equal branch of the federal government. In so doing, he joined Washington, his mentor, and Jefferson, his ideological rival, in the first rank of American founders. His legacy extends far beyond Marbury, which held for the first time that the Supreme Court has the power to declare acts of Congress unconstitutional. Under his leadership, the Court upheld the constitutionality of a national bank, established the supremacy of the federal judiciary over state courts and legislatures in matters of constitutional interpretation, and profoundly influenced the economic development of the nation through vigorous interpretation of the contract and interstate commerce clauses. His major judicial opinions are eloquent public papers, written with the conviction that "clearness and precision are most essential qualities," and designed to inform and persuade the citizens of the new republic about the meaning and purpose of their Constitution. This volume collects 200 documents written between 1779 and 1835, including Marshall's most important judicial opinions, his influential rulings during the Aaron Burr treason trial, speeches, newspaper essays, and revealing letters to friends, fellow judges, and his beloved wife, Polly. It follows Marshall's varied career before becoming Chief Justice: as an officer in the Revolution, a supporter of the ratification of the Constitution, an envoy to France during the notorious "XYZ Affair," a congressman, and secretary of state in the Adams administration. The personal correspondence gathered here reveals the conviviality, good humor, and unpretentiousness that helped him unite the Court behind many of his landmark decisions, while selections from his biography of George Washington offer vivid descriptions of battles he fought in as a young man. Charles F. Hobson, editor, is the author of The Great Chief Justice: John Marshall and the Rule of Law. He is the editor of The Law Papers of St. George Tucker at the Omohundro Institute of Early American History and Culture and was the editor of The Papers of John Marshall. "A marvelous and much-needed single-volume collection of the writings of America's greatest Chief Justice, selected by the scholar who knows him best." -Gordon Wood, author of Empire of LibertyLIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

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Building on the strength of Keith Walker’s acclaimed The Poems of John Wilmot, Earl of Rochester (1984), leading scholar Nicholas Fisher presents a thoroughly revised and updated edition of the work of one the greatest Restoration wits. Includes the text of Lucina’s Rape, Rochester’s adaptation of Fletcher’s revenge tragedy Valentinian, in a text that readily identifies Rochester’s revisions Presents the poems in versions that were current during Rochester’s lifetime, allowing the reader to experience the poems as Rochester’s contemporaries did Incorporates insights and discoveries made over the last twenty-five years and texts of manuscripts that previously were unavailable for study

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A collection of critical essays about the noted filmmaker John Hughes Offers an examination of films from diverse academic perspectives Explores topics such as his depictions of youth and his assessment of gender, class, and race issues Provides an evaluation of the filmmaker with attention to cultural and industrial concerns The films of John Hughes (1950 2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of and appreciation for the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

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The Gospel of John occupies a special place among the four Gospels. Not only is it precise in its historical details and its descriptions of the events of Jesus' life and work -- lending support to its claim of being an eye-witness account -- but it also offers a deep insight into the person of Jesus Christ through his questions, statements and other utterances.In this perceptive book, Christian Community priest Johannes Lauten reflects upon the many layers of meaning in John's Gospel. He explores some of the less well-known figures surrounding Christ, examines recurring words and phrases such as the 'Son of Man' and the seven 'I am' statements, and illuminates themes like knowledge, faith, the workings of grace and Christ's path to the Cross. Lauten also considers the origins of the gospel and questions the accepted notion that it was written by John, the son of Zebedee and the brother of James. He suggests that the account of the raising of Lazarus, a story not recorded in the other gospels, holds the key to the true identity of the 'disciple whom Jesus loved'.This thought-provoking book will be of interest to biblical scholars and those wishing to gain a deeper insight into the central meaning of Christianity.

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Each year between 1819 and 1825, John Constable (1776-1837) submitted a monumental canvas to the Royal Academy of Arts in London for display in the annual Exhibition. These so-called six-footers vividly captured the life of the River Stour in Suffolk, where Constable grew up and where he returned to paint each year. The Leaping Horse, the last of these, now a major work in the Academy's collection, is the subject of this fascinating new book. Humphreys explores Constable's often avant-garde working methods, as well as his struggle to gain full acceptance within the art establishment of the early nineteenth century. With reproductions of his full-scale preliminary sketches as well as brand new photography of the painting itself, this book is the ideal companion for art lovers who seek a deeper appreciation of Constable's iconic depictions of the English countryside.

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Learn from the early church's greatest preacher. John of Antioch, later called "chrysostomos" ("golden mouth"), preached over 600 extant sermons. He was one of the most prolific authors in the early Church, surpassed only by Augustine of Hippo. His example and work has inspired countless Christians through the ages. In Preaching the Word with Chrysostom, through a combination of storytelling and theology, Gerald Bray reflects upon 1,500 year-old pastoral wisdom from one of church history's most prolific Christ-centered preachers. Chrysostom's eloquent preaching and influence on Christian teaching left a legacy that is still recognized today. The Lived Theology series explores aspects of Christian doctrine through the eyes of the men and women who practiced it. Interweaving the contributions of notable individuals alongside their overshadowed contemporaries, we gain a much deeper understanding and appreciation of their work and the broad tapestry of Christian history. These books illuminate the vital contributions made by these figures throughout the history of the church.

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This informative book guides young readers through the early life, presidency, and legacy of John F. Kennedy. The book also includes an "Issue Spotlight" special feature, several "Did You Know" facts, a table of contents, quiz questions, a glossary, additional resources, and an index. This Focus Readers title is at the Beacon level, aligned to reading levels of grades 2-3 and interest levels of grades 3-5.

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This must-have mini book collection is a truly special addition to any book lover’s shelf. The complete and unabridged Penguin Minis editions of four critically acclaimed, award-winning modern classics by #1 New York Times bestselling author John Green—Looking for Alaska, An Abundance of Katherines, Paper Towns, and The Fault in Our Stars—in a beautiful box set.The Penguin Minis revolutionary landscape design and ultra-thin paper makes it easy to hold in one hand without sacrificing readability. Perfectly-sized to slip into a pocket or bag, Penguin Minis are ideal for reading on the go.

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This book offers the intelligent new reader a critically evaluative guide to Keats’s major poems and letters, from a perspective which aims to counter the historical emphasis of recent critical work

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Starting in the 1960s, John Lewis began his activism alongside civil rights legend and good friend Martin Luther King Jr. He participated in many now-historic events, including the 1963 March of Washington, the Freedom Rides, and the Selma to Montgomery marches across the Edmund Pettus Bridge. John continued his impactful career when he was elected to the House of Representatives in 1986. He went on to serve seventeen terms until his death in 2020. A recipient of the Presidential Medal of Freedom, John Lewis is considered an American hero and an icon of the civil rights movement. Learn about his life of 'good trouble' in this book for young readers.

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First published by Abingdon Press in cooperation with Epworth Press (London) in 1966, this work has become a standard reference on Wesley and Methodism. John Wesley's broad dependence on Puritan source material and the similarity of many of his teachings to those of the Puritans was recognized among his contemporaries and his commentators. This study documents and assesses that dependence by considering selected areas of theological concern shared by Wesley and the Puritans in their application of the gospel to a believer's daily life. The current volume has been revised and updated, making it more comprehensive and more readable while maintaining the strength of scholarship of the 1966 edition. Expanded attention is also given to Wesley's use of Richard Baxter and John Goodwin. A new final chapter examines the relationship of Wesley and the Puritans to the poor in their societies. Throughout the book, attention has been given to incorporating the insights of recent Wesley and Methodist scholarship. As a result, the bibliography is substantially expanded and updated.

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The final instalment in a new series offering straightforward, practical wisdom from a top business guru John Adair's 100 Greatest Ideas for Amazing Creativity is the second title in a new series of titles from the noted business expert. Focused on concise, practical, and straightforward business wisdom, the series offers the kind of real-world insight that business leaders thrive on. Short, punchy, and packed with real solutions, this book provides 100 proven and effective ideas for businesspeople in need of fresh new ideas, whether they work for a small firm or a Fortune 100 giant. Proven, practical business wisdom for anyone who must create to succeed The second book in a new series from renowned business authority John Adair Quick bites of business wisdom for everyday business success For effective tips on creative thinking from a proven expert, John Adair's 100 Greatest Ideas for Amazing Creativity offers everything you need to invent your own success in business.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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John de Courcy personified the classic image of the Anglo-Norman Knight. This tall, fair man with a strong physique and bold temperament led his men from the front and skilfully conquered a new kingdom, echoing the spirit of William the Conqueror a century before. From noble birth, but with bleak prospects of inheritance, John fought his way to the notice of King Henry II who is said to have laughingly granted him Ulster "provided he could conquer it by force". John seized his opportunity in February 1177, leading a small band of fellow knights north from the Dublin garrison to a stunning victory against King Rory MacDunlevy at the Battle of Downpatrick. Following his success he set about establishing a new Norman lordship across Ulster, centred on his magnificent castle at Carrickfergus. His eventual demise at the hands of a devious King John brought to a close a tale of medieval adventure still surrounded by myth and legend. John de Courcy carved out his own kingdom and made himself a Prince. This is his story.

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For centuries readers have struggled to fuse the seemingly scattered pieces of John Donne's works into a complete image of the poet and priest. In "John Donne, Body and Soul", Ramie Targoff offers a way to read Donne as a writer who returned again and again to a single great subject, one that connected to his deepest intellectual and emotional concerns. Reappraising Donne's oeuvre in pursuit of the struggles and commitments that connect his most disparate works, Targoff convincingly shows that Donne believed throughout his life in the mutual necessity of body and soul. In chapters that range from his earliest letters to his final sermon, Targoff reveals that Donne's obsessive imagining of both the natural union and the inevitable division between body and soul is the most continuous and abiding subject of his writing.

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John England has settled in the penthouse of Peters Tower, the tower block of fifty apartments that his wife’s family had built. Now living with his partner Fiona since the tragic death of his wife and children, John receives millions of pounds of inheritance. When the financial crisis hit in 2008, Sandra Wall, the MD of Walls Holdings, was under severe pressure to repay the bank. She borrowed three million from Michael Fitzallen, who gained access to half the rental income from the block as well as having a half share. In the present, John England has been the subject of numerous attempts to recover the three million pounds from different factions associated with Michael Fitzallen. Michael himself has been sent to prison for murdering Sandra, and if he is there for more than ten years, the money will be forfeit. And he’s willing to go to imaginative lengths to recover his money… As John and Fiona lay low on a private motor yacht in the Mediterranean and the Spanish Secret Police get involved, can John escape this cycle of constant threat and death?

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British Conceptual artist John Stezaker is renowned for his innovative approach to found photographic imagery. This artist book focuses on his 'Crossing Over' series (2005–13), which reframes image fragments from postcards to stimulate new readings. Building upon Stezaker’s corresponding 'The 3rd Person Archive' series, the image fragments in this volume span the history of postcard production. Moving from the Victorian era to the postwar period and black and white to colour imagery, Stezaker focuses on the female figure as well as notions of return and crossing back. Exploring time and memory, Crossing Over frames seemingly minor details, such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Exploring time and memory, Stezaker focuses on the female figure as well as notions of return and crossing back – framing seemingly minor details such as figures passing on a street corner or conversing on a park bench, as well as the marks left by the physical movement of the images themselves. Reproduced at actual size, the 65 image fragments in this artist project are collected here for the first time.

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It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy. Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society. This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans. Published in association with the Baltimore Museum of Art. Exhibition dates: The Baltimore Museum of Art: October 7, 2018–January 6, 2019 Wexner Center for the Arts: February 2–April 28, 2019

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John Alexander MacNeil is back with another astonishing adventure. The ninety-year-old still lives alone on the blessed isle of Cape Breton. He still sometimes makes tea for his wife, who died decades ago. He accepts his lonely life, ignoring the world changing around him. But one night, he feels his heart stop. After willing himself back to life with sheer stubbornness, John Alex finds Death himself sitting at his kitchen table, perplexed and intrigued by his victim's recovery. What follows is a tale on the edge of reality, full of love, doubt and the inexplicable details of an extraordinary life. Keeping what wits he has about him, John Alex needs to muster all the wisdom and courage he has to protect those around him from the dangers of an ever-changing world and the grim reaper he has come to know.In his 103rd book, acclaimed author of The Unlikely Redemption of John Alexander MacNeil takes the reader through another beautiful adventure about time and love. Lesley Choyce tackles topics like dementia, elder sexuality and assisted dying with humour and grace.John Alexander MacNeil is back with another astonishing adventure. The ninety-year-old still lives alone on the blessed isle of Cape Breton. He still sometimes makes tea for his wife, who died decades ago. He accepts his lonely life, ignoring the world changing around him. But one night, he feels his heart stop. After willing himself back to life with sheer stubbornness, John Alex finds Death himself sitting at his kitchen table, perplexed and intrigued by his victim's recovery. What follows is a tale on the edge of reality, full of love, doubt and the inexplicable details of an extraordinary life. Keeping what wits he has about him, John Alex needs to muster all the wisdom and courage he has to protect those around him from the dangers of an ever-changing world and the grim reaper he has come to know.In his 103rd book, acclaimed author of The Unlikely Redemption of John Alexander MacNeil takes the reader through another beautiful adventure about time and love. Lesley Choyce tackles topics like dementia, elder sexuality and assisted dying with humour and grace.

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Over a career spanning American history from the 1880s to the 1950s, John Dewey sought not only to forge a persuasive argument for his conviction that "democracy is freedom" but also to realize his democratic ideals through political activism. Widely considered modern America's most important philosopher, Dewey made his views known both through his writings and through such controversial episodes as his leadership of educational reform at the turn of the century; his support of American intervention in World War I and his leading role in the Outlawry of War movement after the war; and his participation in both radical and anti-communist politics in the 1930s and 40s. Robert B. Westbrook reconstructs the evolution of Dewey's thought and practice in this masterful intellectual biography, combining readings of his major works with an engaging account of key chapters in his activism. Westbrook pays particular attention to the impact upon Dewey of conversations and debates with contemporaries from William James and Reinhold Niebuhr to Jane Addams and Leon Trotsky. Countering prevailing interpretations of Dewey's contribution to the ideology of American liberalism, he discovers a more unorthodox Dewey—a deviant within the liberal community who was steadily radicalized by his profound faith in participatory democracy. Anyone concerned with the nature of democracy and the future of liberalism in America—including educators, moral and social philosophers, social scientists, political theorists, and intellectual and cultural historians—will find John Dewey and American Democracy indispensable reading.

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Exalting Jesus in John is part of the Christ-Centered Exposition Commentary series. Edited by David Platt, Daniel L. Akin, and Tony Merida, this new commentary series, projected to be 48 volumes, takes a Christ-centered approach to expositing each book of the Bible. Rather than a verse-by-verse approach, the authors have crafted chapters that explain and apply key passages in their assigned Bible books. Readers will learn to see Christ in all aspects of Scripture, and they will be encouraged by the devotional nature of each exposition presented as sermons and divided into chapters that conclude with a 'Reflect & Discuss' section, making this series ideal for small group study, personal devotion, and even sermon preparation. It's not academic but rather presents an easy reading, practical and friendly commentary. The author of Exalting Jesus in John is Matt Carter and Josh Wredberg. 'The balance of biblical accuracy, clear outlines, captivating illustrations, and life-changing applicati

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Although recent discussions on Matthew have emphasized the document's setting within Judaism, these studies have not analyzed how the Jewish figure of John the Baptist functions within this setting. Brian C. Dennert steps into this gap, arguing that Matthew presents Jesus to be the continuation and culmination of John's ministry in order to strengthen the claims of Matthew's group and to vilify the opponents of his group. By doing this he encourages Jews yet to align with Matthew's group (particularly those who esteem the Baptist) and to gravitate away from its opponents. The author examines texts roughly contemporaneous with Matthew which reveal respect given to John the Baptist at the time of Matthew's composition. The examination of Matthew shows that the first Evangelist more closely connects the Baptist to Jesus while highlighting his rejection by Jewish authorities.

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This historical investigation into the real John the Baptist brings to light one of the most influential figures in Christianity and western civilization, who is also a revered figure in Islam and other religions. Two thousand years later his life and example are still an influence for millions. John the Baptist’s importance is such that he appears in all four Gospels, together with the writings of Josephus, and is inextricably linked to the life of Jesus. John was a friend, inspiration and forerunner for Jesus ‒ and a respected figure in his own lifetime ‒ yet the historical facts of his life are unknown to most. Josephine Wilkinson assembles the evidence to show us the man whose views led him to be sentenced to death and beheaded by Herod. Based on the ancient sources, the author gets as close as it is possible to get to a biography of John, including an account of his relationship with Jesus.

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Described by Lennon as ‘the best thing I’ve ever done’, and widely regarded by critics as his best solo album, John Lennon/Plastic Ono Band was released alongside the remarkable Yoko Ono/Plastic Ono Band on 11 December 1970. With first-hand commentary by John & Yoko, members of the Plastic Ono Band and other key figures in their lives, and packed with evocative and revealing letters, artworks and photographs, this incisive volume offers new insights into the raw emotions and open mindset of Lennon after marriage to Ono and the break-up of the Beatles. Following their wedding in March 1969, Lennon and Ono decided that their future musical endeavours should be credited to a conceptual vehicle, the Plastic Ono Band. The band featured an ever-changing line-up of musicians, including Eric Clapton, Klaus Voormann, Ringo Starr, Alan White, George Harrison, Billy Preston and Jim Keltner, all of whom played live with Lennon and Ono, and contributed to their recordings. The fearless honesty that John & Yoko inspired in one another in their search for truth, meaning and peace had a huge impact on Lennon’s song writing, resulting in the creation of tracks that are intensely personal and unlike anything previously heard in popular music, including ‘Mother’, ‘Working Class Hero’ and ‘God’. This book takes those lyrics as a starting point and explores Lennon’s life, relationships and world view during this transformative period.

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Troubled. Confused. Uncertain. After 3 years with Jesus there was so much the disciples didn't understand. They were still reeling from the news that someone in their inner circle would betray the Lord. Worse still, Jesus predicted that their fiery and courageous friend Peter would deny him, and that his death was imminent. It seemed unthinkable. What would Jesus say to them? What comfort could he possibly offer? Reclining around the meal table, Jesus answered questions, taught and prayed for his disciples. In this final tutorial, he wanted to remind them of his love and faithfulness. Regardless of what was to come and how things looked, he was in complete control, and events would indeed unfold according to his sovereign plan.

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John Ridewall's Fulgencius metaforalis is a moralising commentary on Fulgentius's sixth-century Mitologiae, an introduction to the classical gods and their stories. Composed in Oxford in the 1330s and subject to almost immediate local (and broader English) use, the work was a pan-European success, and more than 100 manuscripts preserve Ridewall's text in some form. Fulgencius metaforalis has been edited before, nearly a century ago, by a great medievalist, Hans Liebeschütz; he, however, did not recognise that the manuscript he presented was a fragment, containing only about one-third of the whole. This volume provides Ridewall's entire text, as usually communicated, with a translation. In addition, it contains a substantial introduction; this outlines various difficulties in the transmission of Fulgencius and evidence for the work's extensive medieval reception. Annotation to the text identifies and indexes Ridewall's sources – most of his mythographic knowledge reflects either Remigius of Auxerre's commentary on Martianus Capella or the Third Vatican Mythographer; and offers one manuscript tabula/index, useful for seeing how readers may have accessed the work piecemeal (by manuscript consultation, not, as frequently claimed, as a set of 'memory diagrams').

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'We have shown how in the course of time the being who was present in Elijah appeared again at the most important moments of human evolution on Earth - appeared again so that Christ Jesus Himself could give him the initiation he was to receive for the evolution of mankind. For the being of Elijah reappeared in Lazarus-John - who are in truth one and the same figure ...' Thus spoke Rudolf Steiner in his 'Last Address' to members of the Anthroposophical Society. This was his first and only indication of the connection between John the Baptist and John the Evangelist. As Prokofieff points out, Steiner intended to develop and bring to full clarity the short comment reproduced above, but his terminal illness prevented him from doing so. In this brief but enlightening booklet, Sergei O. Prokofieff addresses the mystery of the 'two Johns', solving many unanswered questions. In particular, he throws light on issues of 'incarnation and incorporation', the nature of John the Baptist's and John the Evangelist's respective initiations, the significance of their mutual work at the 'Turning Point of Time', and its relevance to our present day.

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Learn about the incredible legacy of civil rights legend and Georgia congressman John Lewis in this inspiring addition to the #1 New York Times Best-Selling series.Starting in the 1960s, John Lewis began his activism alongside civil rights legend and good friend Martin Luther King Jr. He participated in many now-historic events, including the 1963 March of Washington, the Freedom Rides, and the Selma to Montgomery marches across the Edmund Pettus Bridge. John continued his impactful career when he was elected to the House of Representatives in 1986. He went on to serve seventeen terms until his death in 2020. A recipient of the Presidential Medal of Freedom, John Lewis is considered an American hero and an icon of the civil rights movement. Learn about his life of "good trouble" in this book for young readers.

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A man in a darkened workshop, surrounded and obscured by dust clouds. A pair of larger-than-life hands, holding a mallet, ready to strike. Spectacles that play with the idea of turning lies into truth and cynics into believers. A cinder block, precariously suspended above a fragile glass, held in place by a single line of tension. Welcome to John Greer: retroActive.Sculptor, conceptual artist, and unconventional art maker John Greer has been telling stories through his work for more than fifty years. Drawing on his present and past experiences, his travels and exploits, and his anxieties and fears, his work offers poignant meditations on the human environment, all the while challenging the viewer's perspective with humour, intelligence, and a trail of narrative.RetroActive offers a comprehensive view of Greer's work and his commitment to the discourse of sculpture. Stunningly designed by Susanne Schaal and featuring the photographs of Raoul Manuel Schnell, the book contains more than three hundred representations of Greer and his work - in situ, in galleries, in process - bringing into focus Greer's significant contributions to the world of art and ideas. Also included in the book are essays by Ray Cronin, Andria Minicucci, Dennis Reid, Ron Shuebrook, David Diviney, Sarah Fillmore, and Vanessa Paschakarnis.John Greer taught at the Nova Scotia College of Art and Design for almost three decades, where his thinking and teaching helped shape contemporary sculpture in Canada. His work has been included in more than fifty solo and sixty group exhibitions and is held in public and private collections around the globe. In 2009 Greer was the recipient of the Governor General's Award in Visual and Media Arts, Canada's highest distinction in the field of art and culture.

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Eighteenth- and 19th-century contemporaries believed Marshall to be, if not the equal of George Washington and Benjamin Franklin, at least very close to that pantheon. John Marshall: The Final Founder demonstrates that not only can Marshall be considered one of those Founding Fathers, but that what he did as the Chief Justice was not just significant, but the glue that held the union together after the original founding days. The Supreme Court met in the basement of the new Capitol building in Washington when Marshall took over, which is just about what the executive and legislative branches thought of the judiciary. John Marshall: The Final Founder advocates a change in the view of when the “founding” of the United States ended. That has long been thought of in one or the other of the signing of the Constitution, the acceptance of the Bill of Rights or the beginning of the Washington presidency. The Final Founder pushes that forward to the peaceful change of power from Federalist to Democrat-Republican and, especially, Marshall’s singular achievement -- to move the Court from the basement and truly make it Supreme.

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King John long ago acquired the epithet 'Bad,' and he is reputed to be the worst of England's kings. Before his death in 1216, his desperate exploitation of his subjects for ever more money had turned him into the mythical monster of Hollywood legend. In marked contrast to his brother Richard, John appeared incompetent in battle, failing to defend Normandy (1202-04), and was unsuccessful in recovering his lost lands in 1214. A continuing crisis was a constant need for money, forcing John to drain England of funds for campaigns in France, demanding unlawful and oppressive new taxes. Adding to his evil reputation was an ill-tempered personality and a streak of pettiness or spitefulness that led him to monstrous acts, including murdering his own nephew. King John's unpopularity culminated in a final crisis, a revolt by the English baronage, 1215-16, aimed at subjecting him to the rule of law, that resulted in his grant of Magna Carta.

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Andrew Brunson examines the presence and function of Ps 118 in the Gospel of John, placing particular emphasis on its interpretation in a New Exodus context which has previously not been developed in the Fourth Gospel. Following a comprehensive survey of Ps 118's Jewish setting, its role in the festivals, and its use in the Synoptic Gospels, special attention is given to the quotations in the Entrance Narrative.The author argues that John portrays Jesus as bringing an end to Israel's state of continuing exile by fulfilling the role reserved to Yahweh in the New Exodus. This culminates in the Entrance to Jerusalem where Jesus embodies the return of Yahweh to reign among his people. A literary study of the coming-sent theme in John underscores the extent to which Jesus is identified ontologically and functionally with the Father. A previously unnoticed allusion to Ps 118 and Jubilees in John 8.56 is explored, and attention is paid to establishing the presence and developing the function of several neglected allusions to the psalm in 10:7-10; 10:24-25; and 11:41-42.

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An unusual study of a distinguished Victorian, approached through the ideas which occupied and actuated his career. By examining John Morley's intellectual interests and the development of his personal philosophy, Mr. Staebler arrives at the essential Morley and the essential Liberal of the late nineteenth century. Originally published in 1943. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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