Search results for ""Author Jacob"

This book is an English translation of the Norwegian memoirs of Herman Sachnowitz of Larvik, Norway, Auschwitz prisoner #79235. Out of the 780 Norwegian Jews imprisoned in Auschwitz, only 9, including Sachnowitz, returned home alive. The book chronicles Hernan's two years as a slave-worker at Bunna Werke and as a member-first-chair trumpet of the Buna camp orchestra. It is a gripping story that takes the reader right to the heart of the death-camp experience. The fear, the deprivation, the degradation that finally threatened to destroy the prisoner's will to live is described with agonizing realism.

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Charlotte Bolland is Collections Curator, Sixteenth Century, at the National Portrait Gallery, London. She has co - authored The Encounter: Drawings from Leonardo to Rembrandt (2017), The Real Tudors: Kings and Queens Rediscovered (2014) and Les Tudors (2015). Her other publications include contributions to Leadership and Elizabethan Culture (2013), Elizabeth I & Her People (2013) and Painting in Britain 1500 1630: Production, Influences and Patronage (2015).

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The Myth of the Jacobite Clans was first published in 1995: a revolutionary book, it argued that British history had long sought to caricature Jacobitism rather than to understand it, and that the Jacobite Risings drew on extensive Lowland support and had a national quality within Scotland. The Times Higher Education Supplement hailed its author's 'formidable talents' and the book and its ideas fuelled discussions in The Economist and Scotland on Sunday, on Radio Scotland and elsewhere. The argument of the book has been widely accepted, although it is still ignored by media and heritage representations which seek to depoliticise the Rising of 1745. Now entirely rewritten with extensive new primary research, this new expanded second edition addresses the questions of the first in more detail, examining the systematic misrepresentation of Jacobitism, the impressive size of the Jacobite armies, their training and organization and the Jacobite goal of dissolving the Union, and bringing to life the ordinary Scots who formed the core of Jacobite support in the ill-fated Rising of 1745. Now, more than ever, The Myth of the Jacobite Clans sounds the call for an end to the dismissive sneers and pointless romanticisation which have dogged the history of the subject in Scotland for 200 years.

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Bethany Jacobson is an award winning Brooklyn-based photographer and filmmaker. Her films and photographs have been exhibited at international exhibitions and film festivals. She teaches at Pratt Institute and Brooklyn College. Cole Swensen is the author of nineteen books of poetry. A former Guggenheim Fellow and recipient of the National Poetry Series and the PEN USA Award for Literary Translation, she has been a finalist for the National Book Award and the Los Angeles Times Book Prize.

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James Hogg's Jacobite Relics - originally commissioned by the Highland Society of London in 1817 - is an important addition to The Collected Works of James Hogg. It created a canon for the Jacobite song which had an enormous influence on subsequent collections, and was of great importance in defining the relationship between the Scottish song tradition and its Romantic editors and collectors. From the first publication of the Relics in 1819, there has been speculation about how many of them were authored or at least substantially altered by Hogg. Professor Murray Pittock has conducted extensive research in this area since 1987, and has identified several previously unknown sources from which Hogg would have worked as he developed his collection. The introduction to volume two deals with the genesis of the text and Hogg's relationship with the Highland Society and there is also considerable annotation to accurately communicate the context of the songs and Hogg's relationship to the textuality of Jacobite culture.

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Professor Woloch shows that Jacobinism survived and forcefully developed into a constitutional party under the conservative Directorial republic. The Jacobin legacy was a mode of political activism--the local political club--and a constellation of attitudes which might be called the "democratic persuasion." By focusing on the nature of this persuasion and the way that it was articulated in the Neo-Jacobin clubs, the author provides a fresh perspective on the history of Jacobinism, and on the fate of the Directorial republic. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Many books have been written about the Jacobite rebellions - the armed attempts made by the Stuarts to regain the British throne between 1689 and 1746 - and in particular about the risings of 1689, 1715, 1719 and 1745. The key battles have been described in graphic detail. Yet no previous book has given a comprehensive military account of the campaigns in their entirety - and that is the purpose of Jonathan Oates's new history. For over fifty years the Jacobites posed a serious threat to the governments of William and Mary, Queen Anne and George I and II. But they were unable to follow up their victories at Killiecrankie, Prestonpans and Falkirk, and the overwhelming defeat suffered by Bonnie Prince Charlie's army when it confronted the Duke of Cumberland's forces at Culloden in 1746 was decisive. The author uses vivid eyewitness testimony and contemporary sources, as well as the latest archaeological evidence, to trace the course of the conflict, and offers an absorbing insight into the makeup of the opposing sides, their leadership, their troops and the strategy and tactics they employed. His distinctive approach gives the reader a long perspective on a conflict which is often viewed more narrowly in terms of famous episodes and the careers of the leading men.

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James Hogg's Jacobite Relics - originally commissioned by the Highland Society of London in 1817 - is an important addition to The Collected Works of James Hogg. It created a canon for the Jacobite song which had an enormous influence on subsequent collections, and was of great importance in defining the relationship between the Scottish song tradition and its Romantic editors and collectors. From the first publication of the Relics in 1819 the majority of scholars have argued about how many of them were authored or at least substantially altered by Hogg. Professor Murray Pittock has conducted extensive research in this area since 1987, and has identified many previously neglected or unknown sources from which Hogg would have worked as he developed his collection. He has identified contemporary 17th- and 18th-century sources for the majority of the songs in the edition. This has implications not only for Hogg's integrity as a writer, but for our understanding of the history of the Scottish song as a whole. The introduction to volume one includes the crucial issue of Hogg's relationship to the Jacobite song tradition, and the place of the Relics within Hogg's career and personal context, facilitating further interpretations of Hogg's range of creative strategies. Considerable annotation accurately communicates the context of the songs and Hogg's relationship to the textuality of Jacobite culture. The introduction to volume two deals with the genesis of the text and Hogg's relationship with the Highland Society. This volume will be available from November 2002.

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Winner of the BOCAS Prize for Fiction 2023Winner of for the Authors' Club Best First Novel Award 2023Shortlisted for the Jhalak Prize 2023Shortlisted for the McKitterick Prize 2023Shortlisted for the Kitschies Golden Tentacle Award 2023Longlisted for the Goldsboro Books Glass Bell Award 2023'BELIEVE THE HYPE' Stella'A searing symphony of magic and loss, love and hope' Marlon James'A mesmerising love story, achingly tender' Bolu BabalolaDarwin is a down-on-his-luck gravedigger, newly arrived in the Trinidadian city of Port Angeles to seek his fortune, young and beautiful and lost. Estranged from his mother and the Rastafari faith she taught him, he is convinced that the father he never met may be waiting for him somewhere amid these bustling streets.Meanwhile in an old house on a hill, where the city meets the rainforest, Yejide's mother is dying. And she is leaving behind a legacy that now passes to Yejide: the power to talk to the dead. The women of Yejide's family are human but also not - descended from corbeau, the black birds that fly east at sunset, taking with them the souls of the dead.Darwin and Yejide both have something that the other needs. Their destinies are intertwined, and they will find one another in the sprawling, ancient cemetery at the heart of the island, where trouble is brewing...Rich with magic and wisdom, When We Were Birds is an exuberant masterpiece that conjures and mesmerises on every line. Ayanna Lloyd Banwo weaves an unforgettable story of loss and renewal, darkness and light; a triumphant reckoning with a grief that runs back generations and a defiant, joyful affirmation of hope.'Exceptional' Jacob Ross'Exquisite' Avni Doshi'It's a knockout, and Ayanna Lloyd Banwo is a star' Niven Govinden'When We Were Birds marks the emergence of a distinctive and powerful voice' Pat Barker, author of The Silence of the Girls

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An investigation of the concept of Jacobitism and its effects in the long eighteenth century. The first half of Britain's long eighteenth century was a period fraught with conflicts ranging from civil wars (1688-1691) to a series of Jacobite plots, intrigues, and rebellions. It was also a formative period marked by substantial changes including the growth and centralisation of an empire and the maturation of party politics and the public sphere. Covering almost forty years of this colourful history over an expansive geographical range, the authorinvestigates both the existence and meaning of Jacobitism and anti-Jacobitism throughout Britain's Atlantic empire, concluding that the experiences of colonists and British officials in the colonies echoed events and experiences in Britain. Using case studies in Carolina, the mid-Atlantic states and New England, and drawing on a diverse source base, the book integrates the colonies into the narratives and captures the essence of the transatlantic, tripartite relationship between politics, religion, and the public sphere, ultimately contributing to our understandings of the Anglicization of the British Atlantic world. DAVID PARRISH is Assistant Professor of Humanities atCollege of the Ozarks.

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Originally published in 1982. The Poetics of Jacobean Drama argues for a rediscovered approach to the study of Renaissance drama. Coburn Freer observes that most modern criticism of this drama treats the plays as if they were written in prose, thus overlooking whole areas of dramatic meaning that were understood in the past. Such an understanding, he asserts, was common among writers, actors, audiences, and readers of the Elizabethan and Jacobean eras, and a knowledge of it is essential to a full appreciation of the characterization and dramatic structures in these plays. Freer explores the evolution of the modern reluctance to approach Renaissance drama as one would dramatic poetry—from the standpoint of a listener. Blank verse, the author shows, provided Jacobean dramatists with a poetic form against which they could work the pressures of experience within their characters. The writers' ability to work with and against this form provided infinite resources for delineating character and creating significant coherences in the structure of a play. The Poetics of Jacobean Drama offers insights into what the Renaissance writer, actor, and playgoer would have regarded as the domain of poetry in drama. Topics discussed include the conditions of stage performance and the style of acting, Elizabethan education, the rise of printed texts and collected editions, and the comments of Elizabethan audiences and readers. Freer's commentary and theoretical explanations suggest both why and how we should pay closer attention to the poetry of Renaissance drama.

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Renowned embroiderer and best-selling author, Hazel Blomkamp, is back with a brand new book in the popular Crewel series. In this fifth title in Hazel Blomkamp’s series on crewel embroidery with a twist, the focus is on animal portraits. Crewel Animal Portraits is a celebration of Hazel’s signature techniques: a wide variety of surface/crewel stitches, some of which are brand new, and many with a different take, or different ways of combining stitches to make them more interesting. Also included are needle lace techniques used as embroidery stitches, loom weaving techniques modified for embroidery, and unique combinations of both of these. The incorporation of beads and crystals adds even more dazzle to the intricate designs. There are six projects, each explained with detailed step-by-step instructions and clear photographs, with design templates and a full stitch gallery providing everything readers need to recreate them with ease. The sumptuous and inspiring projects comprise a tiger, lion, zebra, giraffe, monkey and leopard. For embroiderers looking for something different and new to stitch, and for those keen to challenge themselves with more complex embroidery techniques, this book is a must-have.

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Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds. Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist “monumental governmentality” that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or “dancing Jacobins,” recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will. To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign “people” to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address.

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This book examines the political works of Andrew Michael Ramsay (1683–1743) within the context of early eighteenth-century British and French political thought. In the first monograph on Ramsay in English for over sixty years, the author uses Ramsay to engage in a broader evaluation of the political theory in the two countries and the exchange between them. At the beginning of the eighteenth century, Britain and France were on divergent political paths. Yet in the first three decades of that century, the growing impetus of mixed government in Britain influenced the political theory of its long-standing enemy. Shaped by experiences and ideologies of the seventeenth century, thinkers in both states exhibited a desire to produce great change by integrating past wisdom with modern knowledge.

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This is a new edition of this best-selling "Scottie", recast and rewritten for readers of 10 upwards. The aims of the Jacobites and the background to the risings of Viscount Dundee (1689), the Earl of Mar (1715), and Charles Edward Stuart (1745) are explained, and this colourful but bloody period in Scotland's past brought vividly to life. The telling is illuminated by extracts from original documents, genealogical chart of the royal families of Scotland and England, and maps and battle plans. Illustrated in full colour with drawings, and with portraits, prints, and objects from National Museums Scotland and other national collections, this work includes an additional 8-page section in black and white that includes Jacobite songs and story-poems, a Jacobite quiz, and the original Rob Roy board game.

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The photo book Like Birds by photographer Sven Jacobsen takes us back to a carefree time of youthful self-awareness, to a summer full of adventure. In their immediacy, a timeless dimension develops in his photographs of youngsters experimenting; exuberantly jumping into the water; clambering around on fences, poles, and dunes; being silly; kissing; skateboarding; or simply lying in the tall grass. In this way, the lakes, dunes, or apartments depicted become places in a collective memory. The spherical landscapes captured in this way—the snapshots of free youth with its beauty, its chaos, its silence, and its loudness—quickly develop a narrative pull. What looks like a light-hearted summer snapshot on the surface may suddenly touch deeper layers of the subconscious.

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The eminent Shakespeare scholar Peter Milward, S.J. here presents an analysis of Shakespeare’s late plays that is both accessible to beginners and beneficial to seasoned scholars.

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The Jacobite Wars is a detailed exploration of the Jacobite military campaigns of 1715 and 1745, set against the background of Scottish political, religious and constitutional history. The author has written a clear and demythologised account of the military campaigns waged by the Jacobites against the Hanoverian monarchs. He draws on the work of recent historians who have come to emphasise the political significance of the rebellions (which had been dismissed by earlier historians), showing the danger faced by the Hanoverian regime during those years of political and religious turbulence. The Jacobite rebellions of 1715 and 1745 occurred within the context of the 1707 Act of Union, acquiring the trappings of a national crusade to restore Scotland's independence. James Edward Stuart promised consistently to break the Union between Scotland and England if he became King. The rebellions also had great religious significance: the Jacobite cause was committed to restoring a Catholic dynasty to the throne and was therefore supported by the small number of Catholics in the country, and also the Episcopalians, who were together set against the Presbyterians. The failure of the rebellions, culminating in the Battle of Culloden, coincided with the national identity of Scotland becoming associated with Presbyterianism and North Britain. John L. Roberts presents the view that the political vulnerability of Hanoverians would explain the strength of Government reaction to the 1745 rebellion, especially in the Scottish Highlands, and the ferocity of its retribution, which has long been lamented in popular Scottish culture. The Jacobite Wars will appeal to anyone with an interest in the military history of this key period in Scotland's past.

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The Jacobite Grandson, sequel to Son of a Jacobite, traces the later life of Thomas Lovat and the childhood-into-adulthood of his son, Edward. Thomas and Edward travel to Persia, so recapturing some of the profound influence that Shiite Islam had on Thomas’s identity and development. Edward joins the Royal Navy and travels on the Third Fleet to New South Wales, the first incursion by the family to the great southern lands. Two of the people he meets on board will steer much of the rest of his life, both career and personal. While in New South Wales, he meets and interacts with some of the key figures in the British colonisation of Australia, seeing its strengths and weaknesses. He also liaises with some of the convict class and the Indigenous population, both formative experiences. As Thomas did in the Americas, so Edward experiences tensions between his role as a British officer and his rebellious Jacobite heritage. He returns home and enters an agronomic career, one that will take him to Sweden and Ireland where he will meet his first love. Edward then returns to his home in Lancashire to take up a prestigious position on an agricultural estate where he meets his second love. He continues to be torn between class and sectarian divisions and between experiences of marital bliss and marital persistence.

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Explore the world of Tyler Jacobson and find yourself lost in a fascinating culmination of cinematic moments frozen in time. The Art of Tyler Jacobson invites you to explore every aspect of this quintessential artist’s career. This treasure trove covers everything from works created during Tyler’s youth, to thesis work made during his college years and continues into every aspect of his professional life. Examples shown include paintings done for books, advertising and editorial purposes, and most notably for the gaming industry. Included are finished works done in digital and traditional methods while also revealing rare sketches and concept art. In addition, Tyler offers exclusive insight as he shares background stories to key pieces found in these pages. Immerse yourself in Tyler’s world, where you can find cinematic moments frozen in time. He builds new worlds with the help of his science background and interest in how things work combined with his passion for fantasy. Tyler has a highly sought out ability to design and create everything from new cultures, environments, weapons and tapestry to clothes and more. He is also well known for his mood plates, as he establishes the overall feeling and tone of the world being built. Tyler loved playing Dungeons & Dragons when he was younger, which sparked his initial interests and career toward being an artist. With this book, Tyler hopes to share his thought processes and his love of storytelling.

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Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

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Since independence from Spain, a trope has remained pervasive in Latin America’s republican imaginary: that of an endless antagonism pitting civilization against barbarism as irreconcilable poles within which a nation’s life unfolds. This book apprehends that trope not just as the phantasmatic projection of postcolonial elites fearful of the popular sectors but also as a symptom of a stubborn historical predicament: the cyclical insistence with which the subaltern populations menacingly return to the nation’s public spaces in the form of crowds. Focused on Venezuela but relevant to the rest of Latin America, and drawing on a rich theoretical literature including authors like Derrida, Foucault, Lacoue-Labarthe, Nancy, Lyotard, Laclau, Taussig, and others, Dancing Jacobins is a genealogical investigation of the intrinsically populist “monumental governmentality” that in response to this predicament began to take shape in that nation at the time of independence. Informed by a Bolivarian political theology, the nation’s representatives, or “dancing Jacobins,” recursively draw on the repertoire of busts, portraits, and equestrian statues of national heroes scattered across Venezuela in a montage of monuments and dancing—or universal and particular. They monumentalize themselves on the stage of the polity as a ponderously statuesque yet occasionally riotous reflection of the nation’s general will. To this day, the nervous oscillation between crowds and peoplehood intrinsic to this form of government has inflected the republic’s institutions and constructs, from the sovereign “people” to the nation’s heroic imaginary, its constitutional texts, representative figures, parliamentary structures, and, not least, its army. Through this movement of collection and dispersion, these institutions are at all times haunted and imbued from within by the crowds they otherwise set out to mold, enframe, and address.

Read more less

Containing a wealth of new scholarship and rare primary documents, The Black Jacobins Reader provides a comprehensive analysis of C. L. R. James's classic history of the Haitian Revolution. In addition to considering the book's literary qualities and its role in James's emergence as a writer and thinker, the contributors discuss its production, context, and enduring importance in relation to debates about decolonization, globalization, postcolonialism, and the emergence of neocolonial modernity. The Reader also includes the reflections of activists and novelists on the book's influence and a transcript of James's 1970 interview with Studs Terkel. Contributors. Mumia Abu-Jamal, David Austin, Madison Smartt Bell, Anthony Bogues, John H. Bracey Jr., Rachel Douglas, Laurent Dubois, Claudius K. Fergus, Carolyn E. Fick, Charles Forsdick, Dan Georgakas, Robert A. Hill, Christian Høgsbjerg, Selma James, Pierre Naville, Nick Nesbitt, Aldon Lynn Nielsen, Matthew Quest, David M. Rudder, Bill Schwarz, David Scott, Russell Maroon Shoatz, Matthew J. Smith, Studs Terkel

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Beautifully written and incisive, this is the first English biography of a major Scandinavian author who is ripe for rediscovery While largely unknown today, Danish writer and Darwin translator Jens Peter Jacobsen was the leading prose writer in Scandinavia in the late nineteenth century and part of a generation that included Henrik Ibsen, Knut Hamsun, and August Strindberg. His novels Marie Grubbe and Niels Lyhne as well as his stories and poems were widely admired by writers such as Rainer Maria Rilke, Thomas Mann, and James Joyce. Despite his untimely death from tuberculosis at the age of thirty-eight, Jacobsen became a cult figure to an entire generation and continues to occupy an important place in Scandinavian cultural history. In this book, Morten Høi Jensen gives a moving account of Jacobsen’s life, work, and death: his passionate interest in the natural sciences, his complicated and nuanced attitude to his own atheism, and his painful descent toward an early death. Carefully researched and sympathetically imagined, this is an evocative portrait of one of the most influential and gifted writers of the nineteenth century.

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This book examines the political works of Andrew Michael Ramsay (1683–1743) within the context of early eighteenth-century British and French political thought. In the first monograph on Ramsay in English for over sixty years, the author uses Ramsay to engage in a broader evaluation of the political theory in the two countries and the exchange between them. At the beginning of the eighteenth century, Britain and France were on divergent political paths. Yet in the first three decades of that century, the growing impetus of mixed government in Britain influenced the political theory of its long-standing enemy. Shaped by experiences and ideologies of the seventeenth century, thinkers in both states exhibited a desire to produce great change by integrating past wisdom with modern knowledge. A Scottish Jacobite émigré living in Paris, Ramsay employed a synthesis of British and French principles to promote a Stuart restoration to the British throne that would place Britain at the centre of a co-operative Europe. Mansfield reveals that Ramsay was an important intellectual conduit for the two countries, whose contribution to the history of political thought has been greatly under appreciated. Including extensive analysis of the period between the 1660s and 1730s in Britain and France, this book will be of interest to scholars and students with an interest in political, religious, intellectual, and cultural history, as well as the early Enlightenment.

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Hugh Newell Jacobson, the legendary architect and late co-founder with his son, Simon, of Jacobsen Architecture, once famously said the best house is polite to her neighbours and never shouts. This statement is a key to the philosophy of the firm, whose much loved houses are suffused with a kind of quiet sophistication that mingle elegant, subtle modernism, with great respect for local vernacular traditions. Featured here are exemplars of the firm s work, from Harbor Hill a cluster of 12 small structures, appearing at first as a group of smallish classic shingled Nantucket cottages, that reveals itself as a single serene residence overlooking Nantucket Harbor to Windsor, an award-winning Florida Colonial abstraction in Vero Beach. Featuring inviting interiors, exteriors, and gardens, the book is an expression of eloquent design.

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The flight of King James II in November 1688 was a seminal moment in British history. The deposed Catholic King set up house and home in Paris, William and Mary succeeded to the throne of England and over fifty years of trouble, strife, war and execution began to consume England, Scotland and Ireland. The Jacobites - supporters of the dethroned Stuart dynasty - were adamant that James and his heirs should sit once more on the English throne. Invasion followed invasion, battle came after battle, culminating with the defeat of Charles Edward Stuart at Culloden in 1745. The story of those battles and invasions has often been told. However, they have invariably focussed on the male participants, from Scottish clansmen to men like Rob Roy and Bonnie Dundee, from the Old to the Young Pretender Bonnie Prince Charlie, the darling of the late Jacobite movement, they created a legend that still hovers over the period. But very little has ever been written about the women who were involved. A

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Two extraordinary women come back to full-bodied life. Flora McIvor has been rescued from the pages of Sir Walter Scott, who sent her to a nunnery. Her close friend, the real life Clementina Walkinshaw, was the love of Bonnie Prince Charlie, and mother of his only child. Both are caught up in a tangle of espionage and treachery following the defeat of the 1745 Jacobite Rising in Scotland.The novel ranges over Europe, and finally to America, showing the international reach of Scotland’s culture and politics. Flora struggles through political failure and personal tragedy towards creative fulfilment in the arts of theatre, and a late discovery of love. In this drama, which combines storytelling with opera, she defies Scott who wrote her out of ‘Waverley’ as a woman without a future.

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Jacobite Sons in New South Wales is the last book in the Trilogy that tracks the Lovat family from the devastation of the Jacobite Rebellion in the Scottish Highlands to their resettlement in Australia. In the first book, Son of a Jacobite, Thomas is born on the day his father is killed at Culloden, marking the defeat of the Scots at the hands of the English. Growing up in Lancashire, he travels to Persia as a young man and discovers Islam. After joining the British Army, he serves in the American Wars, struggling with being a British Officer due to his rebellious Jacobite spirit, one he sees reflected in the American cause. In The Jacobite Grandson, Thomas takes his son, Edward, to Persia where Edward also comes to understand the Islamic world. Edward joins the Royal Navy and travels to New South Wales, struggling like his father with his rebellious heritage, especially as he sees the injustices meted out to the convicts and Indigenous peoples. In Jacobite Sons in New South Wales, Edward’s two sons, Thomas and Charles, migrate permanently to New South Wales, one as a pioneer educator, the other as a pioneer clergyman. It covers their own struggles with the sectarianism and divisions that characterised public and church life in the colony at the time. Much factual history is inserted into the lives of all the key characters through events and people such as Thomas Jefferson, Sir Joseph Banks, Sir Arthur Philip and later governors of New South Wales. The history is coloured by the love lives, happy and sad, of all the main players.

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It’s 1689 and the body of a young lawyer has been discovered near Craigleith Quarry, Edinburgh. Meanwhile, in the Highlands, an army is trying to crush the government in the hope of restoring James Stewart to the throne. Bonnie Dundee is at the head of an army in the Highlands looking to crush the government forces and help restore James Stewart. Was the discovered body anything to do with the rise of the Jacobites? Or was it simple the result of an office rivalry? Did the young man perhaps have connections to criminals in the city? Investigative lawyer John MacKenzie and his assistant Scougall search for the truth in this gripping new instalment of Douglas Watt’s John MacKenzie series.

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Fully illustrated with colour maps and images, this is an accessible introduction to one of history’s most heavily romanticized and mythologized campaigns. Dr Gregory Fremont-Barnes presents a detailed overview of the Forty-five Rebellion, dispelling the myths that have grown up around battles like Culloden and the figures of the Highlanders. Led by the charismatic Bonnie Prince Charlie and fought in the main by clansmen loyal to the Stuarts, the revolt initially saw government forces outmanoeuvred and outfought before the Prince’s march on London halted at Derby. But the following spring, pursued back into the Highlands by the Duke of Cumberland, the Prince’s army made its doomed last stand on the moor of Culloden. Fremont-Barnes examines this key turning point in British history, analysing the dynastic struggle of two royal houses, the Rebellion’s manoeuvres and battles and the tragic aftermath for the Highlands. Updated and revised for the new edition, with full-colour maps and 30 new images, this is an accessible introduction to the famous campaign which saw the Stuart dynasty’s final attempt to regain the British throne, and the end of the Highland clans’ way of life.

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There it is again, hope. The defeat and the despair I can stand, but it’s the hope that kills me, as if the Cause wasn’t lost, as if Father hadn’t died in vain. As if any one of us could possibly come out of this alive…Following the death of his father, 13-year-old Archie MacDonald has lost faith in the Jacobite Cause. Having witnessed their clan’s terrible defeat at the Battle of Culloden, Archie and his feisty cousin Meg flee back to Lochaber to lie low.Or so they think.Until the fugitive Prince’s life depends on them.When Prince Charles Edward Stuart looks to the people of Borrodale for help, will the young stable boy support the rebellion that has cost him so dearly?With enemies closing in, the Prince’s fate now rests in the hands of a stable boy and a maid with a white cockade.Who will survive this deadly game of hide-and-seek?

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The story of the Jacobite Rebellions really began in 1534, when King Henry VIII changed the official religion of England from Catholic to Protestant. The narrative then continued through turbulent times of civil war and religious and political strife, leading to tensions and discontent boiling over when the Catholic King James II came to the throne in 1685; whereupon he was immediately beset by a Protestant rebellion led by the Duke of Monmouth, which set a chain of events in motion, resulting in William III and Mary II being crowned as Joint Monarchs after a bloodless coup. It was James’ removal from the throne which created the spark for his supporters to orchestrate a series of revolts, known as the Jacobite Rebellions; the name coming from the Latin for James – Jacobus. These uprisings, which included the rebellions from the Highlands of Scotland, and the Williamite Wars in Ireland, also formed part of the wider picture of a European war, known as the Nine Years War; the War of the Grand Alliance; or the War of the League of Augsburg (1688-1697). During which, King Louis XIV of France strived to realise his expansionist plans whilst enforcing the Catholic religion and continuing to promote the Jacobite cause for his own ends. Later, King Louis XIV was instrumental in initiating another conflict in Europe; the Spanish War of Succession 1701-1714, which led the French to continue to support, Jacobite risings in Scotland during the same period and beyond, ultimately leading to Bonnie Prince Charlie’s audacious bid for the British throne in 1745. The ‘45 rebellion was eventually put down in the crushing military defeat at Culloden in 1746 when the last pitched battle on British soil finally sounded the death knell for the Catholic and Stuart monarchy. However, the legend of the dashing prince, who came so near, but yet so far in his bid to win the throne back for the Stuarts, is still very much alive in Scotland, especially as he continued to frustrate an enormous government manhunt to capture him, amidst a savage backdrop of reprisals being wreaked on the Highland Jacobites.

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Treats, through excerpts from contemporary opinion and official documents, various aspects of the little world of theatre in the full context of Elizabethan-Jacobean life and times.

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In this fourth title in Hazel Blomkamp’s series on crewel embroidery with a twist, the focus is on farm and game birds. The birds give a nod to current trends, most notably the Zentangle look with crewel-style filling-in stitches and techniques. Crewel Birds is a celebration of Hazel’s signature techniques: a wide variety of surface/crewel stitches, some of which are brand new and many with a different take or different ways of combining stitches to make them more interesting. Also included are needle lace techniques used as embroidery stitches, loom weaving techniques modified for embroidery, and unique combinations of both of these. The incorporation of beads and crystals adds even more dazzle to the intricate designs. There are six projects, each explained with detailed step-by-step instructions and clear photographs, with design templates and a full stitch gallery providing everything readers need to recreate them with ease. The projects comprise a phoenix, rooster, common pheasant, mallard duck, flamingo and golden pheasant. In addition to these sumptuous embroideries, Hazel explains how to hand quilt the backgrounds and finish the edges with binding to put them together in a ‘rag book’, as an alternative to framing. For embroiderers looking for something different and new to stitch, and for those keen to challenge themselves with more complex embroidery techniques, this book is a must-have.

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