Search results for ""Author Iris""

Run with the Olympic athletes and sweat it out in the deadly ballgame courts of the Aztecs in this beautifully illustrated and informative guide to the sports and games that have entertained people for the past 2500 years. How did the Vikings keep themselves occupied between raids? What tricks did medieval Japanese sumo wrestlers have to win their matches? With fascinating facts and detailed pictures, this book is the perfect guide to everything to do with games, from the tiniest chess pieces to the biggest sports tournaments

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The literature surveys presented in this edited volume provide readers with up-to-date reviews on eleven contemporary topics in finance. Topics include unconventional monetary policy, implicit bank guarantees, and financial fraud - all linked to the exceptional event of the Global Financial Crisis Explores how recent studies on inflation risk premia and finance and productivity have benefitted from new empirical methods and the availability of relevant data Demonstrates how angel investing, venture capital, relationship lending and microfinance have benefitted from increased research as they have become more seasoned Investigates crowdfunding and crypto-currencies which have both arisen from recent technological developments

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Read Write Inc. Phonics Book Bag Books are engaging texts to support children with additional reading practice outside the classroom. They have been specifically designed for children to take home after school, in order to share their reading journey and celebrate their achievements with parents and carers. The books are closely matched to the existing Read Write Inc. Phonics Storybooks to reinforce children's classroom learning of phonics at the appropriate level, helping them to make even faster progress in reading.

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A collection with a feminist ethos that cuts across race, gender identity, and sexuality.Creative activists have reacted to the 2016 Presidential election in myriad ways. Editors Danielle Barnhart and Iris Mahan have drawn on their profound knowledge of the poetry scene to put together an extraordinary list of poets taking a feminist stance against the new authority. What began as an informal collaboration of like-minded poets—to be released as a handbound chapbook—has grown into something far more substantial and ambitious: a fully fledged anthology of women’s resistance, with a portion of proceeds supporting Planned Parenthood and the Center for Reproductive Rights.Representing the complexity and diversity of contemporary womanhood and bolstering the fight against racism, sexism, and violence, this collection unites powerful new writers, performers, and activists with established poets. Contributors include Denice Frohman, Elizabeth Acevedo, Sandra Beasley, Jericho Brown, Mahogany L. Browne, Danielle Chapman, Tyehimba Jess, Kimberly Johnson, Jacqueline Jones LaMon, Maureen N. McLane, Joyce Peseroff, Mary Ruefle, Trish Salah, Patricia Smith, Anne Waldman, and Rachel Zucker.

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With expert scholars and great sensitivity, Out of Line, Out of Place illuminates and analyzes how the proliferation of internment camps emerged as a biopolitical tool of governance. Although the internment camp developed as a technology of containment, control, and punishment in the latter part of the nineteenth century mainly in colonial settings, it became universal and global during the Great War. Mass internment has long been recognized as a defining experience of World War II, but it was a fundamental experience of World War I as well. More than eight million soldiers became prisoners of war, more than a million civilians became internees, and several millions more were displaced from their homes, with many placed in securitized refugee camps. For the first time, Out of Line, Out of Place brings these different camps together in conversation. Rotem Kowner and Iris Rachamimov emphasize that although there were differences among camps and varied logic of internment in individual countries, there were also striking similarities in how camps operated during the Great War.

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Iris Murdoch's first novel is set in a part of London where struggling writers rub shoulders with successful bookies, and film starlets with frantic philosophers. Its hero, Jake Donaghue, is a drifting, clever, likeable young man who makes a living out of translation work and sponging on his friends. A meeting with Anna, an old flame, leads him into a series of fantastic adventures. Jake is captivated by a majestic philosopher, Hugo Belfounder, whose profound and inconclusive reflections give the book its title - under the net of language.

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Martin believes he can possess both a beautiful wife and a delightful lover. But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. How will he survive it?

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The second book in the “Discover” series, this illuminating study explores Liotard’s little-known The Lavergne Family Breakfast (1754), widely regarded as a pastel masterpiece Jean-Etienne Liotard’s The Lavergne Family Breakfast, acquired by the National Gallery in 2019, is one of the Gallery’s most important eighteenth-century pictures and one of the artist’s largest and most ambitious pastel. Last exhibited in 1755, when Liotard brought the pastel from Lyon to London (an incredible feat in itself given the fragility of pastel), it has hardly been seen in public since. Exploring the pastel medium, Liotard’s itinerant career and the stories behind the objects he depicts, this catalogue puts Liotard and The Lavergne Family Breakfast in the spotlight. Liotard was a flamboyant artist and unusually well travelled for his time, spending four formative years in Constantinople and working at the courts of Vienna, Paris and London, as well as in commercial centres such as Lyon and Amsterdam, becoming a celebrity wherever he went. This beautifully illustrated publication offers readers a fresh perspective on the eighteenth century and an accessible introduction to a particularly idiosyncratic and gifted artist Published by National Gallery Global/Distributed by Yale University Press Exhibition Schedule: The National Gallery, London (November 16, 2023–March 3, 2024)

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It's all dry sand running through the fingers.' When Bill Mor falls in love with Rain Carter he discovers a new way of being and a new joy in the world and his surroundings. To be with Rain he must abandon his prosaic life as a schoolmaster, his domineering wife Nan and his troubled teenaged children. He must draw on the powers of selfishness, hatred and anger in order to make the final break. But what love could survive all that violence? WITH AN INTRODUCTION BY BIDISHA VINTAGE CLASSICS MURDOCH: Funny, subversive, fearless and fiercely intelligent, Iris Murdoch was one of the great writers of the twentieth century. To celebrate her centenary Vintage Classics presents special editions of her greatest and most timeless novels.

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This collection of critical surveys provides readers with a range of up-to-date work from leading scholars in the area, writing on some of the key issues facing China, as they survey the present and future challenges of the Chinese economy Nine papers provide detailed discussion on key aspects of the past, present and future of the Chinese economy Leaders in their relevant fields of scholarship tackle some of the critical issues facing China Contributors identify common themes, including the household registration system, urbanization, demographic transition, inequality and the sustainability of economic growth Articles provide a critical review of the literature and discuss policy implications and areas for future research

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Each of us has something that feels essential to who we are. For Hans Frambach, it's the crimes of the Nazi era, which have hurt him for as long as he can remember. That's why he became an archivist at the Bureau of Past Management; now, though, he's wondering if he should make a change. For his best friend, Graziela, that past was also her focal point - until she met a man who desired her. From then on, sexual pleasure became the key to her life; a concept she's now beginning to doubt. Hans and Graziela thought the Nazi crimes were the inheritance that neither could bear, but can we really blame Nazism for everything? Iris Hanika shows how the crimes of the Nazi era hold the Germans in their clutches to this day. Can a country manage its past, or ought we to remain helpless in the face of the horrific crimes of the Holocaust? "A brave account of one man's struggle to come to terms with his nation's past, which draws an artful distinction between memory and memorial.' Michael Arditti; "A bold and absorbing novel (...) translated sensitively by Abigail Wender." Irish Times; "It's impossible to live with this guilt. Making that so emphatically clear by means of fiction, after sixty-five years of intense debate, is this novel's great achievement." Andreas Platthaus, Frankfurter Allgemeine Zeitung

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Wie definierte sich im päpstlichen Rom der Spielraum, in dem Frauen wie Artemisia Gentileschi oder Giovanna Garzoni künstlerisch agieren konnten? Andere Frauen, wie Christina von Schweden, sammelten Kunst oder hinterließen Spuren in Ausstattungs- und Bauprojekten. Der Band untersucht Phänomene und Repräsentationen von Weiblichkeit zwischen 1580 und 1700 und stellt zur Diskussion, wie Weiblichkeit in unterschiedlichen Kontexten modelliert wurde.

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How can we change the way we think about dying and death? Can we build a new relationship with loved ones who have passed? Iris Paxino, psychologist and professional counsellor, has spent her adult life exploring near-death experiences. In this book she shares insights from her studies, as well as her own personal thoughts on dying, near-death experiences, and life after death. Paxino leads the reader through the process of dying and the moment of death and goes on to explore different aspects of death, from fear of death, to meeting with Christ, to materialistic and atheist outlooks. These thoughtful insights help readers to understand more about death and dying, as well as the journey of the soul after life, leading to the possibility of a new connection with lost loved ones.

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Well into its fourth decade, the Office for Metropolitan Architecture (OMA), founded by Rem Koolhaas in 1975, remains one of the most influential and successful practices of its kind. OMA describes itself as a firm operating within the traditional boundaries of architecture and urbanism that applies architectural thinking to domains beyond. The firm s impact on the way we live is undeniable. OMA has transformed our understanding of the city and our evolving relationship with art, shopping, sustainability, and other quintessentially twenty-first-century preoccupations. The works presented here elaborate on OMA s philosophy even as they expand its portfolio geographically. Featured projects (helmed by partners Shohei Shigematsu and Jason Long) include residential skyscrapers in New York and San Francisco, mixed-use developments in Tokyo and Fukuoka, and the master plans for Facebook s Menlo Park campus, alongside more intimate spaces such as the studio for renowned Chinese artist Cai Guo-Qiang. Permanent structures, such as Milstein Hall at Cornell University, the new galleries of Quebec s Musee National des Beaux-Arts, the Japan flagship of Coach, and the expansion of the New Museum in Manhattan, contrast vividly with temporary interventions such as the Manus x Machina exhibition at the Met Costume Institute and the soaring concrete columns of An Occupation of Loss.

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Princess Nina is an extraordinary princess. She is smart, curious, sweet and also a bit wild. One day the king and queen decide they have to go looking for a suitable prince for princess Nina. They invite princes from all over the world: a prince from China, one from France, from Mexico ...But not even the prince on the white horse can steel princess Nina's heart away! The king and queen are at the end of their wits. But then princess Melowo comes to visit, and suddenly princess Nina is very shy ...A funny and modern fairytale about two stubborn princesses who are madly in love. Winner of the Diversity Award, a competition for children's stories of inclusive works and partners.

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A resource for directors and administrators of early childhood programs serving children from birth to age 5. The topics, frameworks, and strategies covered create a foundation for those new to the role, but directors at all levels of experience and serving in a variety of settings will find the practical tips and strategies discussed in this book useful.

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The Dark Crystal Bestiary is the definitive in-depth exploration of the flora and fauna found in the world of Thra. Created by Jim Henson for his 1982 puppet masterpiece, Thra is a remarkable realm in which all living things are connected and the lines between animal, vegetable, and mineral are blurred—rocks can sing and trees can walk!For the first time, this deluxe volume delves into the many creatures, plants, and beings created for the Dark Crystal universe, from the original film through to the expanded universe of novels and comics, and Netflix's TV series The Dark Crystal: Age of Resistance.Filled with beautiful illustrations of the many specimens, each accompanied by in-world commentary on their unique biology, The Dark Crystal Bestiary is the ultimate guide to the world of Thra and its inhabitants.

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Från att tidigare ha betraktats som en konstnärernas konstnär har Hilma af Klint (1862 - 1944), efter den första retrospektiva utställningen på Moderna Museet i Stockholm 2013 och den följande utställningsturnén som sågs av en miljonpublik, numera en etablerad plats i den abstrakta konstens historia. Centralt i hennes måleri är även frågan om andlighet. Hilma af Klint var en klassiskt skolad konstnär och ett medium som förvandlade andliga meddelanden till abstrakta och färgrika bilder. Ur en rad perspektiv undersöks i den här katalogen hur denna banbrytande abstrakta konstnär kopplade sin konstnärliga praktik till ett högre medvetande. I essäer av konsthistoriker, en kvantfysiker, en lärare i andlighet, en historiker i teosofi och esoterism, men flera, ges insikter om en värld bortom det synliga som fascinerar, nu kanske mer än någonsin. Katalogen har producerats i samband med utställningen med samma namn på Moderna Museet i Malmö, sommaren 2020. Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half-a-mil-lion visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documenta-ry films and biographies. In 2013, Iris Müller-Westermann organized the first institutional exhibition of af Klint’s work. Now she presents us with the latest information and research in an extensive survey show at the Moder-na Museet in Malmö. Of crucial importance is the issue of spirituality in af Klint’s painting—how she managed to translate both the material and the immaterial world into a pictorial vision. The accompanying exhibition catalogue is the first to investigate, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by leading historians of theosophy and a quantum physicist, among others, provide enlightening insight into a world in which both the visualization of atoms and spiritual séances alike became artistic material—a world that fascinates us even more than ever.

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The Sorrowful Eyes of Hannah Karajich is a lyrical, deeply moving story of love and the pain of emancipation, set in the now vanished world of rural East European Jewish village life. Hanna is the most beautiful girl in all Polona, a Hasidic community in the remote province of Sub-Carpathian Ruthenia. Involvement in the exciting new movement of Zionism takes her away to a commune in a nearby town. But there she meets and falls in love with the strangely named Ivo Karajich: a Jew, yet not a Jew. The agonizing drama that follows, plants into her beautiful almond-shaped eyes the hard grain of sorrow that her children, too, will inherit. Olbracht's novella is both a great love story and a marvellous portrait of a world that modernity threatened and Hitler destroyed.

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Laserstein’s current reputation as a great realist has assigned her an undisputed place in the 20th-century art history. Striking portraits, self-portraits and sensual nudes demonstrate her synthesis of traditional painting style and modern subject matter in the Berlin period.

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Comprehensive view and new research on the fascinating painter of New Objectivity. The German-Swedish painter Lotte Laserstein (1898-1993) is one of the most exciting rediscoveries of recent years. The richly illustrated book with essays on Laserstein’s production in Berlin and her reception in Sweden as well as unpublished documentary material can enrich the existing knowledge of Laserstein’s life and work. Laserstein’s current reputation as a great realist has assigned her an undisputed place in the 20th-century art history. Striking portraits, self-portraits and sensual nudes demonstrate her synthesis of traditional painting style and modern subject matter in the Berlin period.

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All of the animals on the savannah are grumpy — no, they will not take a nap! But one little girl may know just what to do to make sure these creatures can get some much-needed shut-eye.The crocodile and hippo insist that naps are for babies, the ostrich hides its head in the sand, and the hyena simply laughs at the suggestion. But the cranky expressions on the animals’ faces give them away — these grouchy beasts are all in serious need of a nap!Fortunately for these sleepy creatures a little girl appears who knows the secret to a good snooze: first close one eye, then close the other one. And, just like that, all of the animals are out like a light. It’s naptime on the savannah!

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Written by a Jewish survivor of the Holocaust, The Shop on Main Street is the story that inspired the highly successful Academy Award–winning Czechoslovak film of the same title. Looking at the Holocaust through the eyes of a complicit individual, the narrative follows a good-natured carpenter living in a Slovak town in 1942 who unwittingly becomes a participant in a moral crisis involving the abuse and persecution of Jews. Describing the film adaptation of Ladislav Grosman’s novel, the New York Times declared that it is a “human drama that is a moving manifest of the dark dilemma that confronted all people who were caught as witnesses to Hitler's terrible crime.” The review continues: “‘Is one his brother's keeper?’ is the thundering question the situation asks, and then, ‘Are not all men brothers?’ The answer given is a grim acknowledgement. But the unfolding of the drama is simple, done in casual, homely, humorous terms—until the terrible, heartbreaking resolution of the issue at the end.”

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Once considered an outsider artist, after her show at the Guggenheim Museum was seen by more than half-a-mil-lion visitors, Hilma af Klint firmly established her place in art history. She has also been the subject of documenta-ry films and biographies. In 2013, Iris Müller-Westermann organized the first institutional exhibition of af Klint’s work. Now she presents us with the latest information and research in an extensive survey show at the Moder-na Museet in Malmö. Of crucial importance is the issue of spirituality in af Klint’s painting—how she managed to translate both the material and the immaterial world into a pictorial vision. The accompanying exhibition catalogue is the first to investigate, from a variety of perspectives, the question of how this trailblazing abstract artist linked her painting to a higher consciousness. Essays by leading historians of theosophy and a quantum physicist, among others, provide enlightening insight into a world in which both the visualization of atoms and spiritual séances alike became artistic material—a world that fascinates us even more than ever.

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Discover the creatures of Labyrinth in this guide to the fauna of the beloved film, featuring illustrations by acclaimed artist Iris Compiet. Jim Henson’s Labyrinth has remained a beloved film since its 1986 release, and the movie’s myriad puppet creatures continue to capture the imaginations of fans to this day. Now, fans can discover an in-depth look at these iconic creatures in Jim Henson’s Labyrinth: The Official Bestiary. Illustrated by Iris Compiet, the acclaimed artist behind The Dark Crystal Bestiary: The Definitive Guide to the Creatures of Thra, this book is a gorgeous volume filled with incredible creature artwork—a must-have tome for fans of Labyrinth, Jim Henson, and the fantasy genre.

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In an era in which our conception of what constitutes a “normal” family has undergone remarkable changes, questions have arisen regarding the role of the state in “normalizing” families through public policy. In what ways should the law seek to facilitate, or oppose, parenting and child-rearing practices that depart from the “nuclear family” with two heterosexual parents? What should the state's stance be on single parent families, unwed motherhood, or the adoption of children by gay and lesbian parents? How should authority over child rearing and education be divided between parents and the state? And how should the state deal with the inequalities that arise from birthright citizenship? Through critical essays divided into four parts-Adoption, Race, and Public Policy; Education and Parental Authority; Same Sex Families; and Birthright Citizenship-Child, Family, and State considers the philosophical, political, and legal dilemmas that surround these difficult and divisive questions. An invaluable resource in these contentious debates, Child, Family, and State illuminates the moral questions that lie before policymakers and citizens when contemplating the future of children and families.

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Much work in feminist ethics has been rather abstract. The editors of this work believe that the time has come to assess the potential contribution of feminist ethical theory to the evaluation of specific social policies. If feminist ethics has indeed mobilized important paradigm shifts in normative analysis, then this should enable creative ways of reflection on social policy. Feminist ethics criticizes the gender blindness and biases in much traditional ethical theory, and develops new theories and concepts that are more gender sensitive. Feminist ethics also works to conceptualize issues of right action, social justice, and the human good from out of the specifically gendered experience of diverse groups of women. Feminist ethics has no single set of questions or propositions, but includes a variety of approaches as demonstrated by these essays—some operate within a liberal framework of equality, freedom, justice, and rights, while others are more critical of mainstream liberal versions of these concepts.

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African American Community Practice Models shows you what you can “see” and “learn” when people of African American descent are put in the center of community analysis and change. This text celebrates African American experiences and challenges you to understand the black experience from the inside out rather than from the outside in. The contributors provide excellent historical and current case studies of leaders and programs that provide you with models for program and community development in African American communities today. For the contemporary social worker, these historical comparisons reveal what strategies have been needed in African American communities in the past because of political and social climates. The studies of current successful programs instruct those in community-based African American programs, general service networks, and students on how to continue to better serve the black community.The contributing authors use a new lens for understanding social welfare history and social service development. They encourage social workers to explore new model-building and to pursue new knowledge about African Americans in the social work classroom. In addition to tracing the history of community development, African American Community Practice Models specifically: presents the black community from a position of strength and leadership documents leadership in the black community to ground national advocacy organizations traces women’s leadership in community development documents the unrecognized history of African Americans in the development of the Settlement Movement highlights examples of current self-help programs sponsored by African American communities to change negative behavior patterns documents the impact of racism on service delivery and the response to develop community support programs presents a challenge to expand community development for both internal and external advocacyProfessors of the core courses in social work--HBSE, research, policy, and practice--and of specialized courses in community practice, macropractice, and African Americans would benefit from teaching from African American Community Practice Models. Students and faculty in these and other study areas concerned with this community will get community tactics and program development ideas from this book that connect with African American people. The importance of community development from within the African American community, historical and current methods of dealing with the ongoing impact of racism and economic disadvantage, the responsibility of professionals and community leaders to build empowerment strategies within African American communities, and the need to advocate for rights and opportunities in larger society for black Americans are key issues addressed throughout the book, which begins to fill the void of positive presentations of black community development.

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