Search results for ""Author Dana""

KATE SHUGAK is a native Aleut working as a private investigator in Alaska. She's 5 foot 1 inch tall, carries a scar that runs from ear to ear across her throat and owns half-wolf, half-husky dog named Mutt. Resourceful, strong-willed, defiant, Kate is tougher than your average heroine – and she needs to be to survive the worst the Alaskan wilds can throw at her. WHISPER TO THE BLOOD: A mining company has discovered a rich mineral deposit in Alaska's enormous Iqaluk Wildlife Refuge. Politicos see dollar signs for the state, but Ninilta residents, who live near the proposed site, are split: Will outsiders take the jobs? Will the environment be harmed by pollution? Will roads disintegrate . . . tourists invade? As the new chairperson of Ninilta's Native Association, a job she never wanted, Kate is embarassingly ill-equipped to handle the questions. Nor is she prepared when two individuals associated with the company turn up dead.

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'Fans will hope this series goes on forever' Publishers Weekly. ... though there is no fixed line between wrong and right, There are roughly zones whose laws must be obeyed. It is New Year's Eve, nearly six weeks into an off-and-on blizzard that has locked Alaska down, effectively cutting it off from the outside world. But now there are reports of a plane down in the Quilak mountains. With the National Transportation Safety Board unable to reach the crash site, ex-Trooper Jim Chopin is pulled out of retirement to try to identify the aircraft, collect the corpses, and determine why no flight has been reported missing. But Jim discovers survivors: two children who don't speak a word of English. Meanwhile, PI Kate Shugak receives an unexpected and unwelcome accusation from beyond the grave, a charge that could change the face of the Park forever. 'An antidote to sugary female sleuths: Kate Shugak, the Aleut private investigator' NEW YORK TIMES. 'Crime fiction doesn't get much better than this' BOOKLIST.

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It's called "the Event." An unimaginable cataclysm in the 23rd century shatters 600 years of the Earth's timeline into jumbled fragments. Our world is gone: instantly replaced by a new one made of shattered remnants of the past, present and future, all existing alongside one another in a nightmare patchwork of different time "shards"-some hundreds of miles long and others no more than a few feet across. San Diego native Amber Richardson is stranded on a tiny fragment of 21st century Britain surrounded by a Pleistocene wilderness. She crosses paths with Cam, a young warrior of a tribe from Roman Brittania, and together they struggle to survive-only to be imprisoned by Cromwellian soldiers. One of their captives is a man who Amber calls "Merlin, and who claims to be the 23rd century scientist responsible for the Event. Together they must escape and locate Merlin's ship before the damage to the timeline is irreparable.

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This collection is an inspiration and a delight for those advocates fighting for access to knowledge in the 21st century. The work highlights a number of 21st century challenges - including the obstacles of restrictive licensing; the barriers and obstacles of intellectual property; and the threats posed by international trade agreements. This collection provides a toolbox of policy solutions to deal with such hazards. The work highlights how information and knowledge can be unlocked through open access licensing, progressive intellectual property law reform, and fair trade.'- Matthew Rimmer, Australian Research Council, ANU College of Law and the Australian Centre for Intellectual Property in Agriculture'In a knowledge economy, access to information and knowledge takes on an ever-increasing role. But certain knowledge outputs are protected by exclusive intellectual property rights, which in one way or another restrict access to some information. It is therefore timely to examine these access issues in greater detail. The fact that this volume offers such a detailed analysis is its greatest strength. The in-depth analysis of all these aspects makes this a truly fascinating book!'- Paul Torremans, University of Nottingham, UK'This is an important book that brings together leading scholars from Europe and the United States to explore the access challenge in intellectual property law. It reframes the debate by focusing on the critical role of timely access to information in innovation-based economies. Well worth the read.'- Michael W. Carroll, American University Washington College of Law, USMassive quantities of information are required to fuel the innovation process in a knowledge-based economy; a requirement that is in tension with intellectual property (IP) laws. Against this backdrop, leading thinkers in the IP arena explore the 'access challenge' of the 21st century, framed as the tension between the interest in the free flow of information and the fragmentation of knowledge resulting from strong IP laws.In some areas this tension seems to resolve in a shift of IP laws in the direction of greater openness, whether due to new business models, improved legal tools or access-friendly interpretations of existing laws. The book's chapters explore the challenges encountered by this 'opening' process from various perspectives, including:- open access to public sector and scientific research data- enhanced use of licensing- reshaping the contours of individual IP laws- inclusion of new stakeholders in the IP debate- challenges to the information flow in the international arena.In identifying some of the core IP-related challenges to the process of adapting to the knowledge needs of the new economy, this book will provide an enlightening read for academics, policymakers and lawyers concerned with IP laws and the flow of knowledge.Contributors: J. Axhamn, D. Beldiman, D.L. Burk, E. Ellyne, C. Geiger, L. Guibault, R. Kampf, M. Marzetti, M. Ricolfi, I. Schneider, M. Senftleben, A. Stazi, P. Yu

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What happens when we set out to understand LEGO not just as a physical object but as an idea, an icon of modernity, an image—maybe even a moving image? To what extent can the LEGO brick fit into the multimedia landscape of popular culture, especially film culture, today? Launching from these questions, Dana Polan traces LEGO from thing to film and asserts that The LEGO Movie is an exemplar of key directions in mainstream cinema, combining the visceral impact of effects and spectacle with ironic self-awareness and savvy critique of mass culture as it reaches for new heights of creativity.Incorporating insights from conversations with producer Dan Lin and writer-directors Phil Lord and Chris Miller, Polan examines the production and reception of The LEGO Movie and closely analyzes the film within popular culture at large and in relation to LEGO as a toy and commodity. He identifies the film’s particular stylistic and narrative qualities, its grasp of and response to the culture industry, and what makes it a distinctive work of animation within the seeming omnipresence of animation in Hollywood, and reveals why the blockbuster film, in all its silliness and seriousness, stands apart as a divergent cultural work.

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Sydney Strauss is obsessed with food.Not just with eating it – though she loves that too – but with writing about it as an aspiring cookery reporter. But food journalism jobs are more coveted than cupcakes, and so Sydney is stuck working for one of TV’s biggest egomaniacs – until she’s left scrambling for shifts at the local farmers’ market.Selling muffins at the Wild Yeast Bakery is hardly going to make her the next Nigella. But soon Sydney is writing the market’s weekly newsletter, and her quirky stories gain attention from a prominent food columnist. After years of being left on the shelf, she’s even dating again. And then Sydney gets a shot atthe story, one that could either make her career or burn it to a cinder – along with her relationship and her reputation…

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Dana Perino is hugely popular as a beloved host on Fox's The Five, with hundreds of thousands of followers on social media. While readers flock to Dana for her charm, warmth, and insight, she also knows who the real star in her family is: her Vizsla, Jasper--A.K.A. America's Dog.In this new book, Dana tells stories about life and politics--and how dogs can transcend rancor and partisanship. She also talks about how dogs bring together families--like Dana's own from her career in Washington through her life as a TV star. In addition to all the fun and fabulous dog tales, LET ME TELL YOU ABOUT JASPER... will be fully illustrated with hilarious photoshops of Jasper in all his most famous moments in history.

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Ashley was just trying to get through a tough day when the world turned upside down. A terrifying virus appears, quickly becoming a pandemic that leaves its victims, not dead, but far worse. Attacked by zombies, Ashley discovers that she is a 'Wild-Card' -- immune to the virus -- and she is recruited to fight back and try to control the outbreak. It's Buffy meets the Walking Dead in a rapid-fire zombie adventure!

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Sequel to the thrilling zombie novel PLAGUE TOWN. Ashley Parker was a ordinary woman who was also a “wild card,” immune to the emerging zombie plague, drawn unwillingly into a shadowy paramilitary organization. Having been ambushed in San Francisco, which is now fully engulfed in the zombie plague, Ashley and the wild cards must pursue the enemy to San Diego. There they will discover adark  organization which seeks to weaponize the plague. But that isn''t the worst news. The plague itself has gone airborne, making it transferable without physical contact. It cannot be controlled by anyone, so reports of the zombie swarm are coming in from across the United States - and across the world.

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“In its original run on HBO, The Sopranos mattered, and it matters still,” Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself—and of select episodes and scenes—with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethically complicated situations, only to challenge the viewer’s complacent grasp of things. It deftly exploits the interplay between art culture and popular culture by mixing elements of art cinema—meandering plots, narrative breaks, and an uncertain progression—with the allure of a soap opera, delving into its characters’ sex lives, mob rivalries, and parent–child conflicts.A show about corrupt figures who parasitically try to squeeze illicit profit from the system, The Sopranos itself seems a target of attempts to glom on to its fame as a successful TV series: attempts by media executives, marketers, critics and writers, and even presidential candidates. “Everyone wants a piece of Sopranos action,” says Polan, and he traces the marketing of the series across both official and unauthorized media platforms, including cookbooks, games, DVDs, and the kitschy Sopranos bus tour. Critiquing previous books on The Sopranos, Polan suggests that in their quest to find deep meaning, many of the authors missed the show’s ironic and comedic side.

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“In its original run on HBO, The Sopranos mattered, and it matters still,” Dana Polan asserts early in this analysis of the hit show, in which he sets out to clarify the impact and importance of the series in both its cultural and media-industry contexts. A renowned film and TV scholar, Polan combines a close and extended reading of the show itself—and of select episodes and scenes—with broader attention to the social landscape with which it is in dialogue. For Polan, The Sopranos is a work of playful irony that complicates simplistic attempts to grasp its meanings and values. The show seductively beckons the viewer into an amoral universe, hinting at ways to make sense of its ethically complicated situations, only to challenge the viewer’s complacent grasp of things. It deftly exploits the interplay between art culture and popular culture by mixing elements of art cinema—meandering plots, narrative breaks, and an uncertain progression—with the allure of a soap opera, delving into its characters’ sex lives, mob rivalries, and parent–child conflicts.A show about corrupt figures who parasitically try to squeeze illicit profit from the system, The Sopranos itself seems a target of attempts to glom on to its fame as a successful TV series: attempts by media executives, marketers, critics and writers, and even presidential candidates. “Everyone wants a piece of Sopranos action,” says Polan, and he traces the marketing of the series across both official and unauthorized media platforms, including cookbooks, games, DVDs, and the kitschy Sopranos bus tour. Critiquing previous books on The Sopranos, Polan suggests that in their quest to find deep meaning, many of the authors missed the show’s ironic and comedic side.

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This book examines key moments in the emergence of London as a metropolis and considers different ways in which its image has been formulated and presented. The chapters address a range of topics from specific questions of architectural style to the relationship between the City of London and London as a metropolis, and explore different methods of constructing urban identities.

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With a diverse range of authors, thoughtful reviews and review essays, Survival is scholarly in depth while vivid, well-written and policy-relevant in approach. Shaped by its editors to be both timely and forward-thinking, the journal encourages writers to challenge conventional wisdom and bring fresh, often controversial, perspectives to bear on the strategic issues of the moment.

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First published in 2007. This book explores the complicity of democratic states from the global North in state terrorism in the global South.

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Evelyn Underhill (1875–1941) was one of the greatest spiritual writers of the twentieth century. Living most of her life in England, Underhill used writing as a vehicle to express her passionate search for the infinite life. Her philosophy transcends generations and her legacy as a pivotal figure in Christian mysticism endures today. In this comprehensive biography Dana Greene expertly captures Underhill's true essence. She gives us a thorough account of Underhill's development as a mystic and theologian and also explores beyond to the heart of who she was as a person. The connections Greene makes between Underhill's personal life and work create an in-depth and accurate portrait of this extraordinary woman.

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2016 witnessed an unprecedented shock to political elites in both Europe and America. Populism was on the march, fueled by a substantial ignorance of, or contempt for, the norms, practices, and institutions of liberal democracy. It is not surprising that observers on the left and right have called for renewed efforts at civic education. For liberal democracy to survive, they argue, a form of political education aimed at "the people" is clearly imperative. In Teachers of the People, Dana Villa takes us back to the moment in history when "the people" first appeared on the stage of modern European politics. That moment--the era just before and after the French Revolution--led many major thinkers to celebrate the dawning of a new epoch. Yet these same thinkers also worried intensely about the people's seemingly evident lack of political knowledge, experience, and judgment. Focusing on Rousseau, Hegel, Tocqueville, and Mill, Villa shows how reformist and progressive sentiments were often undercut by skepticism concerning the political capacity of ordinary people. They therefore felt that "the people" needed to be restrained, educated, and guided--by laws and institutions and a skilled political elite. The result, Villa argues, was less the taming of democracy's wilder impulses than a pervasive paternalism culminating in new forms of the tutorial state. Ironically, it is the reliance upon the distinction between "teachers" and "taught" in the work of these theorists which generates civic passivity and ignorance. And this, in turn, creates conditions favorable to the emergence of an undemocratic and illiberal populism.

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A favorite stuffed animal can’t be too loved . . . or can it? Toy Story meets Knuffle Bunny in this picture book exploring the enduring bond between a child and her beloved stuffed penguin. A must-have for fans of Strictly No Elephants and Bear Is a Bear. Peanut the stuffed penguin does everything with Pearl. That means napping and playing, but it also means getting drooled on and dragged around. One day, Peanut has had enough, and she decides to slip out of Pearl’s backpack. At first, life without Pearl is all Peanut ever dreamed of. Freedom! Independence! But then it gets rather lonely.Peanut begins to wonder if Pearl has found a new favorite toy. Luckily, Peanut could never be replaced, and Pearl shows up just when Peanut needs her the most.With insight and humor, author-illustrator Dana Wulfekotte chronicles what happens when a stuffed animal ventures out on their own. The simple text and expressive artwork shine a new perspective on growing up and what it means to be a friend. Peanut Gets Fed Up is an irresistible read-aloud that will charm children, parents, and your favorite stuffed animals.

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Molly - A Love Story is a true story about a cute little Pit Bull, lost and alone in the world until one day she was rescued and given a home. Molly's story teaches children about the unconditional love that a dog can bring into the lives of a family. As a cancer survivor, Molly overcame adversity, and her story shows that despite every hardship, true love is everlasting. Children and dog lovers of all ages will be touched by Molly's story and that of her adopted brother Logan, a Siberian Husky who became her best friend. A portion of the sale of each copy of Molly - A Love Story will go to support animal shelters in the Las Vegas area. Dana Brackob lives and works in the Las Vegas. She was Molly's real life mom and wanted to share her story. Pit Bulls are often maligned, but Molly proved that they are one of the most loving types of dogs. The illustrator, Evgeniya Kozhevnikova, is a talented Russian artist living in Tomsk, Siberia. Her other illustrated books include The Life and Time

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US cities are faced with the joint challenge of our climate crisis and the lack of housing that is affordable and healthy. Our housing stock contributes significantly to the changing climate, with residential buildings accounting for 20 percent of greenhouse gas emissions. US housing is not only unhealthy for the planet, it is putting the physical and financial health of residents at risk. Our housing system means that a renter working 40 hours a week and earning minimum wage cannot afford a two-bedroom apartment in any US county. In Gray to Green Communities, green affordable housing expert Dana Bourland argues that we need to move away from a gray housing model to a green model, which considers the health and well-being of residents, their communities, and the planet. She demonstrates that we do not have to choose between protecting our planet and providing housing affordable to all. Bourland draws from her experience leading the Green Communities Program at Enterprise Community Partners, a national community development intermediary. Her work resulted in the first standard for green affordable housing which was designed to deliver measurable health, economic, and environmental benefits. The book opens with the potential of green affordable housing, followed by the problems that it is helping to solve, challenges in the approach that need to be overcome, and recommendations for the future of green affordable housing. Gray to Green Communities brings together the stories of those who benefit from living in green affordable housing and examples of Green Communities' developments from across the country. Bourland posits that over the next decade we can deliver on the human right to housing while reaching a level of carbon emissions reductions agreed upon by scientists and demanded by youth. Gray to Green Communities will empower and inspire anyone interested in the future of housing and our planet.

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Bad blood comes to the fore when star-crossed love ends in murder... One hundred years of bad blood between two Alaskan villages come to a boil when a young Kushtaka man is found dead. The prime suspect is a Kuskulana man, already in trouble in both villages for falling in love across the divide. But now he's disappeared and a second killing looks suspiciously like payback. Kate Shugak must untangle the village tales of tragedy and revenge in order to find the truth before it's too late...

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The Edgar Award-winning, New York Times-bestselling series by Dana Stabenow set in Alaska. In A Cold Blooded Business, Kate Shugak investigates a drugs ring at an oil company – at great personal risk... Prudhoe Bay, Alaska: population 2,000. Approximate number of families: zero. And America's largest oilfield... In three months, the Prudhoe Bay oil operation has logged half a dozen drug overdoses, and one death: a man found floating face down in the company pool wearing full flight gear. Now the Alaskan Royal Petroleum Company is in need of a discreet investigator on the inside. Someone who can navigate a flat-bed truck against Arctic wind at forty degrees below freezing and find out who is running a narcotic ring from within the company. Sounds like a job for Kate Shugak... Reviewers on Dana Stabenow's Kate Shugak series: 'An antidote to sugary female sleuths: Kate Shugak, the Aleut private investigator.' New York Times 'Crime fiction doesn't get much better than this.' Booklist 'If you are looking for something unique in the field of crime fiction, Kate Shugak is the answer.' Michael Connelly 'An outstanding series.' Washington Post 'One of the strongest voices in crime fiction.' Seattle Times

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Alaska State Trooper Liam Campbell is on the hunt for a serial killer. Newly promoted to corporal, Liam Campbell is slowly making a home for himself in Newenham. With just DUIs and domestic disputes to disturb the peace, life is relatively tranquil – until Campbell's girlfriend, Bush pilot Wyanet Chouinard, delivering a shipment of mail to a remote post office, finds the postmistress murdered. At first it seems a random assault; but then another woman disappears after her husband is killed at their gold mining claim. When Campbell connects the crimes with a twenty-year-old string of missing women, he knows he's facing a serial killer.

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'Outstanding... Rich in details of Alaskan life, history, and archaeology, this fast-paced mystery builds to a satisfying conclusion. Fans will hope they won't have to wait another eight years for Liam's next outing' Publishers Weekly, Starred Review IT'S A NEW START FOR ALASKA STATE TROOPER LIAM CAMPBELL – BUT THE SAME OLD PROBLEMS. It's Labor Day in Blewestown, Alaska, and it seems most of the town's thirty-five hundred residents have turned out to celebrate. Not Liam Campbell, though. He's been in town for about a week when an archaeologist invites Liam out to his dig site. He's on the verge of a momentous discovery, one he says will be well worth the State Trooper's time. Two days later, the archaeologist is dead, and Liam Campbell is about to learn that he's traded one troubled bush town for another. Praise for Dana Stabenow: 'Cleverly conceived and crisply written thrillers that provide a provocative glimpse of life as it is lived, and justice as it is served, on America's last frontier' San Diego Union-Tribune 'No one writes more vividly about the hardships and rewards of living in the unforgiving Alaskan wilderness and the hardy but frequently flawed characters who choose to call it home' Publishers Weekly 'If you have in mind a long trip anywhere, including Alaska, this is the book to put in your backpack' Washington Times

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A deluxe bind-up featuring all the comics from two different Phoebe and Her Unicorn books: Unicorn Crossing and Unicorn of Many Hats.This dazzling Phoebe and Her Unicorn collection includes all the comics from two previous books, Unicorn Crossing and Unicorn of Many Hats. In these enchanting episodes, Phoebe Howell and her unicorn BFF, Marigold Heavenly Nostrils, get decked out for Halloween parties, revel in the freedom of unexpected snow days, and even enjoy a spa vacation. They love getting lost on adventures, but if they ever get too far astray, Marigold can always use her horn to get a wireless internet signal. Join this charming—and charmed—duo as they question the idea of “coolness,” delve into the power of friendship, and make the most of their days together.

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Get ready to experience a whole new thrilling sequence of adventure and discovery in the delightful, New York Times bestselling Phoebe and Her Unicorn series by Dana Simpson.A new school year means many things for nine-year-old Phoebe Howell and her unicorn best friend, Marigold Heavenly Nostrils. They prepare for a school dance (lame!), meet new friends (ghosts and gnomes and goblins, OH MY!), and even experience a rare supernatural phenomenon called a Unicornado! In fact, sometimes things get almost too magical. Marigold’s presence attracts pixies, talking birds, and a sphinx, turning Phoebe’s house into a magical sylvan glen. And Marigold even briefly transforms Phoebe into a goblin. Whether they’re trick-or-treating, singing showtunes, or casting new spells, every day for Phoebe and Marigold is an adventure thanks to the power of friendship.

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From newspapers to Nickelodeon, Phoebe and Her Unicorn is the most stunning unicorn feature around! This latest collection of Phoebe comics will delight middle grade readers and unicorn lovers of all ages. Best friends Phoebe Howell and Marigold Heavenly Nostrils march to their own beat, but life isn’t all rainbows and unicorns. With so many problems in the world and drama at school, Phoebe wonders why unicorns aren’t in charge instead of humans. With Marigold, each day is full of magic, from introducing Phoebe to unicorn music to crashing a goblin popularity contest, and even tracking down long-lost family members like Infernus, the Unicorn of Death (who ends up being surprisingly adorable). In Unicorn Playlist, Phoebe and Marigold play all the hits.

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Readers won't need special goggles to see the magic of Phoebe and Her Unicorn in this collection of comics from the bestselling series for kids.Marigold Heavenly Nostrils is one magical unicorn—and she knows it! But sometimes it’s harder for humans like Phoebe to understand that they can be magical, too. In the latest Phoebe and Her Unicorn adventure, the pair visits the science museum, tests out an extra-special virtual unicorn reality, and performs in the school talent show. With the help of her best friend and an emergency sparkle transfusion, Phoebe learns about confidence, empathy, and resilience—and even how to live without her cellphone. It’s all part of the very real excitement of Virtual Unicorn Experience.

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Named a Best Book of 2022 by The New Yorker, Publishers Weekly, and NPR In this genre-defying “new kind of history” (The New Yorker), the chief film critic of Slate places comedy legend and acclaimed filmmaker Buster Keaton’s unique creative genius in the context of his time.Born the same year as the film industry in 1895, Buster Keaton began his career as the child star of a family slapstick act reputed to be the most violent in vaudeville. Beginning in his early twenties, he enjoyed a decade-long stretch as the director, star, stuntman, editor, and all-around mastermind of some of the greatest silent comedies ever made, including Sherlock Jr., The General, and The Cameraman. Even through his dark middle years as a severely depressed alcoholic finding work on the margins of show business, Keaton’s life had a way of reflecting the changes going on in the world around him. He found success in three different mediums at their creative peak: first vaudeville, then silent film, and finally the experimental early years of television. Over the course of his action-packed seventy years on earth, his life trajectory intersected with those of such influential figures as the escape artist Harry Houdini, the pioneering Black stage comedian Bert Williams, the television legend Lucille Ball, and literary innovators like F. Scott Fitzgerald and Samuel Beckett. In Camera Man, film critic Dana Stevens pulls the lens out from Keaton’s life and work to look at concurrent developments in entertainment, journalism, law, technology, the political and social status of women, and the popular understanding of addiction. With erudition and sparkling humor, Stevens hopscotches among disciplines to bring us up to the present day, when Keaton’s breathtaking (and sometimes life-threatening) stunts remain more popular than ever as they circulate on the internet in the form of viral gifs. Far more than a biography or a work of film history, Camera Man is a wide-ranging meditation on modernity that paints a complex portrait of a one-of-a-kind artist.

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The Myth of Empowerment surveys the ways in which women have been represented and influenced by the rapidly growing therapeutic culture—both popular and professional—from the mid-nineteenth century to the present. The middle-class woman concerned about her health and her ability to care for others in an uncertain world is not as different from her late nineteenth-century white middle-class predecessors as we might imagine. In the nineteenth century she was told that her moral virtue was her power; today, her power is said to reside in her ability to “relate” to others or to take better care of herself so that she can take care of others. Dana Becker argues that ideas like empowerment perpetuate the myth that many of the problems women have are medical rather than societal; personal rather than political. From mesmerism to psychotherapy to the Oprah Winfrey Show, women have gleaned ideas about who they are as psychological beings. Becker questions what women have had to gain from these ideas as she recounts the story of where they have been led and where the therapeutic culture is taking them.

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As an economist and political theorist Rosa Luxemburg’s work still resonates powerfully today. Born in Poland in 1871 she became a revolutionary leader in Berlin, co-founding the anti-war Spartacus League and publishing works including Reform or Revolution and The Accumulation of Capital. In this account of her extraordinary life, Dana Mills examines Luxemburg’s key and lesser-known works, and quotes from her letters to reveal a woman who was loving in personal relationships and fierce in professional battles. Luxemburg, who lived in grossly unequal times, fought for emancipation for all. What is her legacy today, a hundred years after her assassination in Berlin in 1919 at the age of 47? Luxemburg’s emphasis on humanity and insistence on revolution gave coherence, as this compelling biography illustrates, to a fraught life story and a colossal economic and political legacy.

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The Bourgeois Charm of Karl Marx & the Ideological Irony of American Jurisprudence employs a well-known body of work, Marx's, to explain the inevitable limits of scholarship, in the hope of encouraging academic boldness and diversity, especially within American jurisprudence.While scholarly meaning-making has been addressed in specific academic areas—mostly linguistics and philosophy—it has never been addressed in a triangular relationship between the text and its instigator, as well as its subsequent interpellator. Furthermore, while addressed as a result of difference, it has never been addressed for today's liberal theory, which includes liberal jurisprudence, through the mirror of Marxist difference.Scholarship is the unique product of the instigator's private and public subjectivity, as all theory is aimed to be communicated and used by the scholarly community and beyond. Understanding its public life, textual instigators aim to control its meaning employing various research methods to observe reality and then to convey their narrative, or 'philosophy'. But meaning is not fixed; it is negotiated by instigators and those theories interpellate according to their own private and public subjectivity, which covers their ideology. Negotiated meaning is always a surprise to both parties involved, surprise which is at once ironic and ideological.

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