Search results for ""AND Publishing""

From the 1850s to the 1950s, photography was one of the most open avenues for Jews in Britain to make a living, as well as to contribute to mainstream culture. If one’s picture was snapped for a price in Britain, the person behind the lens was more than likely born a Jew. Through the 1970s, Jews were prime movers behind nearly all things photographic in Britain, including photojournalism, portrait studios, collecting, applications of photography to the fine arts, and the emergence of photography criticism and history as distinct fields. Yet despite Jews having played such remarkable roles, far out of proportion to their number and in all facets of photography, little attention has been paid to ethnic-religious difference in studies of British photography.Richly illustrated with both color and black-and-white images, Jews and Photography in Britain is the first-ever historical investigation of this topic, ranging from the mid-nineteenth century to Queen Elizabeth’s controversial photo shoot with Annie Leibovitz in 2007. Michael Berkowitz explores subjects such as the attempts of H. W. Barnett to unsettle portrait conventions, the spectacular photo editing of Stefan Lorant, the influence of Erich Salomon on Fleet Street, the inception of the “Gernsheim Corpus” (a seminal resource for art historical research) conceived by Walter and Gertrud Gernsheim, the innovative photography practices at London’s Warburg Institute under Fritz Saxl, and the pioneering efforts at collecting and publishing about photography as history and art by Helmut and Alison Gernsheim.

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Fly higher in your Creative Cloud Adobe Creative Cloud makes the most popular tools used by designers, photographers, and other creative professionals accessible in a single place. Adobe Creative Cloud All-in-One For Dummies is the ultimate one-stop reference guide for how to use them all. Whatever gets your creative juices flowing, you'll find the in-depth guidance required to deliver the results you want, from polishing-up photos and images to creating illustrations and designs. And once your assets are just how you want them, you can pick up best practices for managing and publishing via the amazing Adobe Bridge. Written by pro designers for those getting started with this powerful set of tools, this book gives you an overview of Creative Cloud and step-by-step coverage of the major applications—InDesign, Illustrator, Photoshop, Acrobat Pro, and Adobe XD, and Adobe Bridge—in seven mini-books that take you from the basics to more advanced topics. You'll also discover how to get your work noticed by building personal galleries and displaying your creative wares. Find the essentials on the top tools in Adobe Creative Cloud Build and enhance your design skills Protect your documents with Acrobat Pro Get the most out of each program with insider tips Whatever your skill level and project needs, you'll find the essentials you need to demystify these complex programs and the knowledge to make your work shine even more brightly through the Cloud!

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Oscar Skelton (1878-1941) was a prominent early-twentieth century scholar who became a civil servant and political advisor to prime ministers Mackenzie King and R.B. Bennett. He wrote a number of important books and one, Socialism: A Critical Analysis, was highly praised by Vladimir Lenin. His wife, Isabel Skelton (1877-1956), wrote extensively about literature and history; she was the first historian to treat women from the country's past individually in their own right rather than as a generalized category. Both husband and wife promoted the idea that Canada was an independent nation that no longer needed Britain's tutelage. Terry Crowley has written a unique double biography that examines the lives of Isabel and Oscar, their works, and their careers. He shows how both individuals in their own way influenced the development of Canada as a nation state. Crowley questions why, when both Isabel and Oscar wrote influential works, Oscar's career blossomed, while Isabel remains virtually unrecognized. He concludes that despite Isabel's literary accomplishments, her life remained enmeshed in domestic and family roles, while Oscar's rise to prominence was facilitated by male scholarly and publishing networks as well as the support that women provided to men's careers. This book traces the lives of two people who rejected British colonialism and hailed a new nation on the world's stage, examining the intersections of gender, nationality, and literary expression at a significant juncture in Canada's history.

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Consuming and Producing Research in Communication Sciences and Disorders is an exciting new textbook designed for undergraduate research methods in communication sciences and disorders (CSD) programs. It is also appropriate for first-year graduate students taking research methods courses in speech-language pathology and audiology. The text guides students in attaining the competencies required to consume, produce, and disseminate research; and students will have the knowledge and skills that are necessary and sufficient to conduct research as is consistent with the duties of an academic professor. The text reviews what obligations an individual, professor or not, has before being permitted to do research. The emphasis is on clinically-oriented professionals who can perform the research associated with professors. Part I on Consuming Research in CSD includes academic-clinical integration of research, as well as information required for consumption of research such as research ethics, the scientific method, types of research, and how to critique a journal article and a diagnostic test. Part II on Producing Research in CSD helps guide the undergraduate student in producing a capstone project or senior thesis and the master's student in producing a graduate thesis or research project. Part II also addresses mentoring, the Institutional Review Board, and conducting academic and clinical research. Part III addresses Disseminating Research in CSD, from the traditional (presenting and publishing academic and clinical research) to the non-traditional (marketing, social media, and new technologies).

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The games industry moves fast, with release schedules flying by in a blur and hardware constantly changing and updating. But outside the official world of licences and publishing deals, hundreds of games every year find a new home on consoles which have since been abandoned by their manufacturers. This is the hobbyist's playground of homebrew gaming. The first book by freelance journalist and game developer Robin Wilde, Homebrew Game Development and The Extra Lives of Consoles is the first comprehensive history of the unlicensed and unofficial world of homebrew video games. It explores the methods, enthusiasm and motivations behind the developers who are defying technical limitations and turning nostalgia into brand new gaming experiences for retro consoles. Featuring exclusive interviews with developers behind homebrew hits and Kickstarter successes, as well as others working in the industry, the book dives into what makes the homebrew world tick, and explores some of the best, most innovative, and strangest titles gracing long-retired consoles. As well as providing unique insight into obscure titles, Homebrew Game Development and The Extra Lives of Consoles explores the ongoing developments in this cottage industry, which are opening it up to more and more aspiring developers. Homebrew is an exciting new frontier for game development, and this book opens the door both for readers who were already interested but didn't know where to start, and gamers who never knew this world existed.

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Two award-winning authors reveal everything you need to know to develop your own distinctive voice and craft compelling, creative nonfiction When Emily Dickinson wrote “Tell all the Truth but tell it Slant,” she offered sound advice for nonfiction writers: tell the truth but become more than mere transcribers of day to day life. In this invaluable guide, two award-winning authors show you how to take advantage of your own unique take on the world to create elegant nonfiction. In this book, you will find intensive writing instruction, an abundance of writing exercises, and more. This updated third edition covers the most up-to-date trends in nonfiction publishing, such as writing about gender and body size. It also includes practical advice for navigating the publishing industry. Whether you’re a writing student or looking to launch a writing career, this book will help you take your writing skills to the next level.Features •3 new chapters: Fresh content on writing about identity-centered topics, maintaining a productive work/life balance, and navigating the publishing industry•Fully updated: Offers new advice on revision, research, and publishing•Expert authors: Miller and Paola are college English professors and award-winning authors•Will show you how to develop a distinctive voice and use fresh language•Includes a wealth of writing exercises that will motive you to keep making progress•Provides insider information on how to conduct research and get published

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This fascinating portrait of the Society of Antiquaries of London, founded in 1707, assesses the impact that individual Fellows and the Society as a whole have had in influencing the way we visualise and understand the past. There are, for example, essays on the Society's pioneering role in recording monuments and antiquities for posterity, in establishing the scientific and empirical basis of archaeological studies, in replacing Biblically based timeframes with a clearer understanding of deep time measured in millions of years, in drawing up the first legislation protecting ancient monuments, and in funding and publishing the great excavations of the last one hundred years, from Stonehenge, Maiden Castle, Richborough and Sutton Hoo to Aksum (Ethiopia) and Mons Porphyrites (Egypt). All the papers represent fresh and original scholarship and they tell us much about the Society's achievements (and some of the accompanying conflicts between personalities and ideas) over three hundred years. They are based on diaries, letters, minute books and confidential government papers and on portraits that chart the changing image of the antiquary from a figure of fun to heroic seeker of forgotten people and civilizations. Visions of Antiquity reveals astonishing echoes across time - from the repeated and continuing attempts to record all ancient buildings and monuments to the continuity of the title 'antiquary' to describe scholars who build bridges between different branches of knowledge based on the study of material remains of the past and of a Fellowship whose numbers have included prime ministers, bishops, peers and parliamentarians, as well as radicals and free thinkers, such as William Morris and many of the founders of modern conservation.

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The story of Kurt Vonnegut and his beloved masterpiece, Slaughterhouse-Five, a novel born in the destruction of Dresden in World War II and written during the tumultuous days of Vietnam During the Vietnam War, Kurt Vonnegut, after surviving the horrors of Dresden as a POW during World War II, would lose his temper while watching the nightly news, point at the screen and shout, “The liars!” According to his family and friends, Slaughterhouse-Five was Vonnegut’s attempt to exorcize his demons. “He was writing to save his own life,” his daughter Nanette has said, “and in doing it I think he has saved a lot of lives.” Tom Roston’s The Writer’s Crusade is a book about how books save lives. Two decades after World War II had ended, Vonnegut’s sixth book became a significant part of a vital storytelling tradition that has eased the trauma of war for both the writer and the reader. Although Slaughterhouse-Five was championed by the anti-war movement, it became a bulwark for veterans who found in its pages a voice that spoke to them with an intimate, shared understanding of wartime PTSD. Mixing together the story of Vonnegut’s life, the writing and publishing of his most enduring work, and forays into the experiences of soldiers and writers today—people who have made the novel a touchstone in their lives—The Writer’s Crusade is built on research into Vonnegut’s life, from papers and interviews with his children, scholars, psychologists, and writers, including Tim O’Brien, Kevin Powers, and Karl Marlantes. This will be a captivating book for fans of Vonnegut and anyone touched by war and its aftermath.

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Walead Beshty is a carefully curated guide to key bodies of work by the acclaimed conceptual artist presented in collaboration with Thomas Dane Gallery in London, Turin and Naples. One of today’s leading conceptual artists, Los Angeles-based Walead Beshty (b. 1976, London) works across photography, sculpture and words. Beshty’s art is expansive and best described as an ongoing conversation, to which this monograph is his next articulation. Through a deconstructing lens, Walead Beshty explores every exhibition and project the artist has presented in collaboration with Thomas Dane Gallery in London, Turin and Naples. The monograph offers a guide to some of the artist’s key bodies of work. Uncovering processes is central to Beshty’s art. He deliberately incorporated marks made by oxidation and human touch into his FedEx copper works and Copper Surrogate works, as well as photographing the many individuals involved in his exhibitions in Industrial Portraits. The work that has gone into this substantial new monograph, which features contributions from publisher Francis Atterbury, book designer Billie Temple and Thomas Dane partner Francois Chantala, is, quite literally, laid bare. Also presented is an insightful essay by leading professor of Juridical Sociology at Univer¬sity of Campania Luigi Vanvitelli, Carlo De Rita. Adopting a semiotic approach to books as ‘not just a thing you hold, but something held in common’, Walead Beshty embraces the archetypal format, tropes and conventions of a traditional – if unorthodox – book, employing printing and publishing practices seldom seen in contemporary bookmaking. It reflects on what an artist’s monograph might represent as it explores the contingencies that allow art to function. Walead Beshty is itself another carefully curated exhibition of his work.

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This volume, first in the Yale Research Series of Boswell's journals, covers his emotionally eventful youthful travels through the German and Swiss territories, from mid-June 1764 (after his law studies in Utrecht) to New Year's Day, 1765, when he crossed the Alps for the next stages of his European tour, in Italy, Corsica and France. The volume is the Research Series parallel to Boswell on the Grand Tour: Germany and Switzerland, 1764, ed. F. A. Pottle (1953), whose annotation the editor, Marlies K. Danziger, has greatly deepened, expanded, supplemented and in many cases corrected. In keeping with the editorial policies of the Research Series, it restores Boswell's original spelling, punctuation and paragraphing (and his generally less than perfect French). The editor's detailed notes illuminate the contemporary political and historical context as well as a vast array of contemporary issues, concepts and personalities no longer familiar to modern readers (especially English-speaking ones). As well as the text of the fully-written journal, the volume includes Boswell's personal daily memoranda and his frequently revealing 'Ten Lines a Day' poems; the autobiographical 'Ebauche de ma vie' written for Rousseau, along with its various drafts, outlines, and attendant correspondence; his detailed expense accounts (a window on the fluctuating currencies and erratic economy of a Europe not yet formed into our modern nation-states); and four maps, adapted from contemporary cartographic records, illustrating Boswell's complicated and often arduous itinerary. Boswell's European travels followed his exhilarating stay in London of 1762-1763 and his mostly bleak winter in the United Provinces in 1763-64. Though forever to be best known for his later accounts of his principal biographical subject, Samuel Johnson, Boswell has emerged since the recovery of his private papers as a compelling autobiographer, and here shows his fascination with, and abilities to record with typical liveliness and percipience, men and women across a strikingly diverse social range. The European journal, which Boswell had unfulfilled hopes later in life of revising and publishing in the manner of his Corsican and Hebridean diaries, records the young Scot's quest for experience in hopes of a cosmopolitan broadening, cultural enrichment, and religious and spiritual security, and conversations culminating in his deeply gratifying meetings with Rousseau and Voltaire. At the same time, it documents in close personal detail an unstable Europe rebuilding and restoring itself a little more than a year after the end of the Seven Years' War, a Europe whose quest for stability amid ominous political and religious fluctuation mirrors and parallels the diarist's own.

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From scholars to novelists to poets, the publishing firm of Henry Holt & Co. established and maintained a distinguished tradition of identifying, nurturing, and publishing important thinkers and writers of the day early in their careers. This book examines the founding and growth of Holt & Co. with particular attention to this tradition and to the roles of key figures in the company's history as a trade book publisher. Part One is a chronological account of Holt & Co.'s development, beginning with its founding in 1866 by the man sometimes referred to as "the Dean of American publishing," Henry Holt, and ending in 1946, when the talented editor William Sloane left Holt & Co. and a new era, dominated by big business interests, began for the firm. Part Two offers a more detailed look at the ways in which Henry Holt, Alfred Harcourt, Lincoln MacVeagh, and William Sloane worked with particular authors, including Frost, William James, Hardy, Henry Adams, Dewey, Turgenev, Sandburg, Lewis, and Lippmann. Gilbert also discusses Untermeyer, BenD,et, Housman, de la Mare, Van Doren, and Ciardi, notable examples of Holt & Co.'s reputation as an important publisher of poets. The tension between commercial interests and literary ideals in publishing, decried by Henry Holt nearly ninety years ago and disdained by William Sloane over forty years ago, remains very much a part of the publishing scene today. Based on the wide use of primary sources, this volume provides an instructive, in-depth look at an important American publishing house.

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Go from total MATLAB newbie to plotting graphs and solving equations in a flash! MATLAB is one of the most powerful and commonly used tools in the STEM field. But did you know it doesn’t take an advanced degree or a ton of computer experience to learn it? MATLAB For Dummies is the roadmap you’ve been looking for to simplify and explain this feature-filled tool. This handy reference walks you through every step of the way as you learn the MATLAB language and environment inside-and-out. Starting with straightforward basics before moving on to more advanced material like Live Functions and Live Scripts, this easy-to-read guide shows you how to make your way around MATLAB with screenshots and newly updated procedures. It includes: A comprehensive introduction to installing MATLAB, using its interface, and creating and saving your first file Fully updated to include the 2020 and 2021 updates to MATLAB, with all-new screenshots and up-to-date procedures Enhanced debugging procedures and use of the Symbolic Math Toolbox Brand new instruction on working with Live Scripts and Live Functions, designing classes, creating apps, and building projects Intuitive walkthroughs for MATLAB’s advanced features, including importing and exporting data and publishing your work Perfect for STEM students and new professionals ready to master one of the most powerful tools in the fields of engineering, mathematics, and computing, MATLAB For Dummies is the simplest way to go from complete newbie to power user faster than you would have thought possible.

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This easy-to-read, jargon free book shows you step-by-step how you can enjoy writing, publishing and marketing your book so that it becomes an enduring bestseller. Written by an established and successful international #1 bestselling author (Dee's second book reached position 150 out of 7 million titles on Amazon and all her books are in the top 100 bestselling books in their category on Amazon several years after being published). Dee sells thousands of books worldwide including in China and America. You'll find practical, effective and powerful tools and tips on every page. The author shares her award winning templates including press releases, book launch invitations, speaker biographies and more so you can create yours effortlessly. You'll find out how you can identify your readers so that your content is appealing and relevant and, your marketing hits the spot every time. You'll discover how to tap into your knowledge and expertise to plan and write compelling content your readers will love. You'll be walked through the design, editorial and layout process so you can create a book that looks and feels attractive, professional and captivating. The publishing process can be a minefield but with Dee Blick's know-how you'll find the best publishing option for your book. She explains the benefits of self publishing, partnership publishing, securing a publishing deal and working with a literary agent - using her own personal insights and experience plus in-depth interviews with fellow authors and publishing professionals. If you find marketing baffling, you won't after reading the 10 clear and comprehensive marketing chapters. You'll learn how to market your book on a zero or shoestring budget using social media and traditional marketing to get phenomenal results. You'll also learn the insider secrets of approaching professional reviewers (shared by a highly esteemed professional reviewer of fiction and non-fiction books) and how to get dozens of genuine five-star reviews on Amazon and other review sites to boost your book sales further still. You'll also find out how to hold a packed out book launch that costs you nothing. With this book, you'll understand exactly how you can make serious money from your bestselling book on a step-by-step basis whether you're writing fiction or non-fiction. The Ultimate Guide to Writing and Marketing a Bestselling Book on a Shoestring Budget gives new authors and established authors everything they need to write a bestseller and sell thousands of books. If there's a book in you, this is the book for you!

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Jeet Thayil's definitive selection covers 55 years of Indian poetry in English. It is the first anthology to represent not just the major poets of the past half-century - the canonical writers who have dominated Indian poetry and publishing since the 1950s - but also the different kinds of poetry written by an extraordinary range of younger poets who live in many countries as well as in India. It is a groundbreaking global anthology of 70 poets writing in a common language responding to shared traditions, different cultures and contrasting lives in the changing modern world.Thayil's starting-point is Nissim Ezekiel, the first important modern Indian poet after Tagore, who published his first collection in London in 1952. Aiming for "verticality" rather than chronology, Thayil's anthology charts a poetry of astonishing volume and quality. It pays homage to major influences, including Ezekiel, Dom Moraes and Arun Kolatkar, who died within months of each other in 2004. It rediscovers forgotten figures such as Lawrence Bantleman and Gopal Honnalgere, and it serves as an introduction to the poets of the future.The book also shows that many Indian poets were mining the rich vein of 'chutnified' (Salman Rushdie's word) Indian English long before novelists like Rushdie and Upamanyu Chatterjee started using it in their fiction. It explains why Pankaj Mishra and Amit Chaudhuri have said that Indian poetry in English has a longer, more distinguished tradition than Indian fiction in English. The Indian poet now lives and works in New York, New Delhi, London, Itanagar, Bangalore, Berkeley, Goa, Sheffield, Lonavala, Montana, Aarhus, Allahabad, Hongkong, Montreal, Melbourne, Calcutta, Connecticut, Cuttack and various other global corridors. While some may have little in common in terms of culture (a number of the poets have never lived in India), this anthology shows how they are all bound by the intimate histories of a shared English language.

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Web services are poised to become a key technology for a wide range of Internet-enabled applications, spanning everything from straight B2B systems to mobile devices and proprietary in-house software. While there are several tools and platforms that can be used for building web services, developers are finding a powerful tool in Microsoft's .NET Framework and Visual Studio .NET. Designed from scratch to support the development of web services, the .NET Framework simplifies the process--programmers find that tasks that took an hour using the SOAP Toolkit take just minutes. Programming .NET Web Services is a comprehensive tutorial that teaches you the skills needed to develop web services hosted on the .NET platform. Written for experienced programmers, this book takes you beyond the obvious functionality of ASP.NET or Visual Studio .NET to give you a solid foundation in the building blocks of web services, and leads you step-by-step through the process of creating your own. Beginning with a close look at the underlying technologies of web services, including the benefits and limitations, Programming .NET Web Services discusses the unique features of the .N ET Framework that make creating web services easier, including the Common Language Runtime (CLR) and the namespaces used in .NET programming. Filled with numerous code examples using the C# language, the book leads you through some of the more challenging issues of web services development, including the use of proxies, marshalling of complex data types, state management, security, performance tuning and cross-platform implementation. The book also covers: * Creating and publishing your first web service * The UDDI project, tModels and what they mean for web service publishers Securing web service applications Written for programmers who are familiar with the .NET Framework and interested in building industrial-strength web services, Programming .NET Web Services is full of practical information and good old-fashioned advice.

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Edited by SPLIA’s former director, Dr. Robert B. MacKay, Gardens of Eden is an exploration of a distinct type of suburban development that proliferated across the region before zoning regulations were developed to manage land use in New York City and its environs. While the onset of suburbia on Long Island is often believed to be a post-World War II phenomena, it actually began a half century earlier when greater affluence, improved railroad service, and new methods of financing made the dream of country living a greater reality for a growing urban middle class. Luminaries such as Grosvenor Atterbury, Charles W. Leavitt Jr., and Frederick Law Olmsted designed dozens of high-end, carefully conceived communities on New York’s Long Island. Touted as an antidote to the complexities of urban living, these “residential parks” were characterized by significant investment in landscaping and infrastructure and employed concepts introduced by the Garden City movement in England. Gardens of Eden covers the history and development of more than twenty of these remarkable communities and the colorful, at times unscrupulous personalities behind them—like Plandome, designed “for teachers only,” and the Metropolitan Museum’s Munsey Park, where all the streets were named for artists—with writings from their most knowledgeable historians. Other featured communities include: Garden City, Forest Hills Gardens, Long Beach, Great Neck Estates, Brightwaters, Montauk Beach, Prospect Park South in Brooklyn, and many more. About the Society for the Preservation of Long Island Antiquities SPLIA is a not-for-profit organization dedicated to understanding, celebrating, and preserving Long Island’s cultural heritage. Founded in 1948, SPLIA engages its mission through a variety of activities that include interpreting historic houses, creating exhibitions and educational programs, providing preservation advisory services, and publishing works that explore the history of architecture and design on Long Island.

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Since 1994, Nancy Mulvany's "Indexing Books" has been the golden standard for thousands of professional indexers, editors, and authors. This long-awaited second edition, expanded and completely up-dated, will be equally revered. Like its predecessor, this edition of "Indexing Books" offers comprehensive, reliable treatment of indexing principles and practices relevant to authors and indexers alike. In addition to practical advice, the book presents a big-picture perspective on the nature and purpose of indexes and their role in published works. New to this edition are discussions of "information overload" and the role of the index, open-system versus closed-system indexing, electronic submission and display of indexes, and trends in software development, among other topics. Mulvany is equally comfortable focusing on the nuts and bolts of indexing - how to determine what is indexable, how to decide the depth of an index, and how to work with publisher instructions - and broadly surveying, as she does here, important sources of indexing guidelines such as The Chicago Manual of Style, Sun Microsystems, Oxford University Press, NISO TR03, and ISO 999. Authors will appreciate Mulvany's in-depth consideration of the costs and benefits of preparing one's own index versus hiring a professional, while professional indexers will value Mulvany's insights into computer-aided indexing. Helpful appendixes include resources for indexers, a worksheet for general index specifications, and a bibliography of sources to consult for further information on a range of topics. "Indexing Books" is both a practical guide and a manifesto about the vital role of the human-crafted index in the Information Age. As the standard indexing reference, it belongs on the shelves of everyone involved in writing and publishing nonfiction books.

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For more than fifty years, authors, editors, and publishers in the scientific community have turned to Scientific Style and Format for authoritative recommendations on all matters of writing style and citation. Developed by the Council of Science Editors (CSE), the leading professional association in science publishing, this indispensable guide encompasses all areas of the sciences. Now in its eighth edition, it has been fully revised to reflect today's best practices in scientific publishing. Scientific Style and Format citation style has been comprehensively reorganized, and its style recommendations have been updated to align with the advice of authoritative international bodies. Also new to the eighth edition are guidelines and examples for citing online images and information graphics, podcasts and webcasts, online videos, blogs, social networking sites, and e-books. Style instructions for physics, chemistry, genetics, biological sciences, and astronomy have been adjusted to reflect developments in each field. The coverage of numbers, units, mathematical expressions, and statistics has been revised and now includes more information on managing tables, figures, and indexes. Additionally, a full discussion of plagiarism and other aspects of academic integrity is incorporated, along with a complete treatment of developments in copyright law, including Creative Commons. For the first time in its history, Scientific Style and Format will be available simultaneously in print and online. Online subscribers will receive access to full-text searches of the new edition and other online tools, as well as the popular Chicago Manual of Style Online forum, a community discussion board for editors and authors. Whether online or in print, the eighth edition of Scientific Style and Format remains the essential resource for those writing, editing, and publishing in the scientific community.

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'A stirring, magical, and emotional novel about family, belonging, marriage, race, and culture ... The best novels are never long enough, and you won't want After the Rain to end' The Australian'A staggering soulful achievement' The Australian Women's WeeklyMalti Fortune is uneasy. She has turned away from her birthplace of Fiji to make a new life in Melbourne. But all that she thought was certain is now in danger of being swept away. Her husband, Benjamin, a linguist, is a conundrum. He has changed. Or has she? The stories and superstitions of her childhood are telling her something she knows but doesn't want to hear - about being a trespasser, about not belonging.In the years to come, Malti and Benjamin's daughters are also to learn some hard truths. For Ellery, the hands-on father of her memories vanishes for months on end and the remembered fragments of good times aren't enough to sustain her anymore. Verona, on the verge of adulthood, can't imagine a world without her beloved Dad. He is her rock and hero. But Malti and Ellery both know that you can't depend on Benjamin.What makes a family? What does home look like? All three women are seeking answers. Each is haunted by her own ghosts. And by Benjamin. To find what they are looking for, they need to be honest with themselves and make peace with their own unreliable memories.After the Rain is a moving, exquisitely observed novel about marriage and family, dislocation, culture and belonging, from an exciting new voice in Australian literature.'A beautifully realised exploration of family, identity and dislocation. Smith beautifully captures complicated feelings around building a home in a new country, choosing your own path in life and realising your parents are just people, too' Books and Publishing'A thunderous debut full of life, love and legends. A truly sensational read!' WINNIE DUNN'Aisling Smith's debut novel ... amply demonstrates her ability to write well and create complex and likeable characters. This is a novel about marriage, family dynamics and the attempt to live between two cultures and lands. I highly recommend it' Australian Book Review'An evocative and powerful story about marriage, culture, family and the uncertainties of love in all its forms' Kill Your Darlings'[like] Anne Tyler ... Smith is a powerful novelist with an extraordinary eye for the nuances of human bonds. Smith has written these characters with intelligence and compassion, imbuing them with a convincing complexity and fallibility that engenders remarkable authenticity' Kill Your Darlings'Complex and textured ... An intricate, subtly shaded exploration of the role disillusionment plays in shaping families - whether in love, between cultures, or through realising your parents are flawed human beings' WA Today

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Frankfurt is a city that punches well above its weight. Despite its diminutive size--it has fewer than a million inhabitants--it is a financial centre of global importance, named alongside metropolises and capitals such as Tokyo, London, and New York. Yet Frankfurt is a city that is also continually underestimated: many of the millions who visit it on business--both German and from other countries--see little more of it than its airport and its skyscrapers. The city's role in the global financial markets often obscures its importance as a historical and cultural centre, not just for Germany, but for Europe and the West as a whole. In the Middle Ages, Frankfurt was the city in which the Holy Roman Emperors were crowned and in which, at the dawn of the Renaissance, a tradition of printing and publishing was established which lives on in today's Frankfurt Book Fair. The German language's most enduring author, Johann Wolfgang von Goethe, was born in the city, and the university named for him gave birth to one of the twentieth century's most revolutionary academic developments, the Frankfurt School.Architecturally, too, the city has always been a pioneer: its famous skyline is only the latest and most visible in a series of bold experiments. Frankfurt has always been a capital without a country: the capital of the book trade, the capital of modern social studies, the capital of the Eurozone. Today, it rivals Brussels, Berlin, Paris, and London, and yet retains a deeply provincial, down-to-earth identity interwoven with the thick forests and farming country of its Hessian hinterland. While its population is one of the world's most international, its dialect is one of Germany's most impenetrable. For those looking to do more than just change flights or sign a contract, this cultural guide takes a closer look at Frankfurt, exploring and explaining these dichotomies.

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Examines the most successful institution of social discipline in Reformation Europe: the Consistory of Geneva during the time of John Calvin Created by John Calvin, the Consistory of Geneva was a quasi-tribunal entrusted with enforcing Reformed morality. Comprised of pastors and elders, this body met weekly and summoned people for a wide range of "sinful" behavior, such as drunkenness, dancing, blasphemy, or simply quarrels, and was a far more intrusive institution than the Catholic Inquisition. Among the thousands summoned during Calvin's ministry were a pair of women who were allegedly prophets, boys who skipped catechism to practice martial arts, and a good number of people begging for forgiveness for having renounced Protestantism out of fear of death. This superbly researched book, reflecting author Jeffrey Watt's career-long involvement in the ongoing project of transcribing, editing, and publishing the Consistory records, is the first comprehensive examination of this morals court and provides a window into the reception of the Reformation in the so-called Protestant Rome. Watt examines the role of the Consistory in upholding patriarchy, showing that while Genevan authorities did not have a double standard in prosecuting illicit sexuality, the Consistory exhorted women to obey even violently abusive husbands. He finds also that Calvin and his colleagues vigorously promoted a strong work ethic by censuring people, mostly men, for laziness, and showed a surprising degree of skepticism toward accusations of witchcraft. Finally, Watt demonstrates convincingly that, while the Consistory encountered some resistance, Genevans by and large shared the ideals it promoted and that it enjoyed considerable success in fostering discipline in Genevan society. This book is openly available in digital formats, under Creative Commons license CC BY-NC, thanks to a generous grant from the Andrew W. Mellon Foundation.

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What is metadata? When do you need to archive digital content? How does electronic publication affect copyrights? How can XML and PDF improve your workflow and your publications? There is a digital dimension to virtually all publishing today. Beyond the obvious electronic media-the music and movies we take for granted, the increasingly indispensable Web, the eBooks that most of us will take for granted in a few years-almost everything we read, even on paper, was produced digitally. This new digital world offers a steadily increasing number of choices. It is this rich and rapidly changing publishing environment for which The Columbia Guide to Digital Publishing was created. Although there is a vast amount of information on a host of topics relevant to digital production and publishing available-some in print, more on the Web-there has been, until now, no single resource to which those involved in any dimension of publishing could turn for guidance. The Columbia Guide to Digital Publishing fills that need. The Guide is definitive: written by experts in the broad array of subjects it covers, it provides reliable, authoritative, user-friendly information about a vast number of topics. Designed to be the first place to go to learn about any of the numerous interrelated issues that define the digital publishing landscape, it offers readers a multilevel approach, from a brief glossary definition of a technical term or acronym (sometimes all a user needs), to a concise discussion of a topic (comprehensible to the lay person, yet useful for the technical expert). It puts a subject in the context of other topics and broader issues, with real-world examples, liberal cross-references, and pointers to sources of further information in print or electronic form.

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A Classical Archaeologists’s Life: The Story so Far shows that a scholar’s life is not all scholarship, though much of this book is devoted to the writing of books and, especially, travel to classical and other lands. Boardman is a Londoner, born in Ilford and attending school in Essex (Chigwell). His teenage years were spent often in air raid shelters rather than with ‘mates‘ (all evacuated). There are distinctive ‘aunties’, the rituals of daily life in a London suburb. The non-scholarly figures live large in this account of his life, marriage, children, new houses. At Cambridge he learned about classical archaeology as a necessary addition to reading Homer and Demosthenes, even being obliged to recite the latter. And those were the days of Bertrand Russell’s lectures in a university reawakening after the war. Thence to the British School at Athens to learn about excavation (Smyrna, Knossos, later Libya). His return from Greece was to Oxford, not Cambridge, at first in the Ashmolean Museum, then as Reader and Professor. A spell in New York gives an account of the city before the troubles, when Petula Clark’s Down Town was dominant. There is much here to reflect on university life and teaching, and on the reasons for and problems with the writing of his many books (some 40), with reflection on the university, colleges and their ways. Travels are well documented – a notable trip through Pakistan and China, in Persia, Egypt, Turkey – with comment on what he saw and experienced beyond archaeology. A lecture tour in Australia provides comment beyond the academic. He visited Israel often, lecturing and publishing for the Bible Lands Museum. Several tours in the USA took him to most of their museums and universities as well as many other sights, from glaciers to alligators. This book is a mixture of scholarly reminiscence, reflection on family life, travelogue, and critique of classical scholarship (not all archaeological) worldwide, illustrated with pictures of travels, friends, home life, and, for a historian, a reflection on experiences of over 90 years.

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Quiet on set! Time to start your moviemaking adventure -- here's what you need to know about capturing, editing, and publishing your videos If you're an amateur filmmaker shooting documentaries or a hobbyist putting together a family video, Adobe Premiere Pro For Dummies is the book for you. From setting up a production studio and shooting good footage, to editing clips, adding effects, and working with audio, this user-friendly and comprehensive guide written in plain English can help you create your next video masterpiece and share the finished product. This handy guide starts with the basics, getting you familiar with the Adobe Premiere Pro software and its interface and helping you set up your dream studio. From there, you'll dive into capturing footage for your videos, learn how to manage multiple movie projects, and edit movies to your liking. You'll learn to: Capture audio and video from your camcorder or video deck (if your computer has the right hardware) Pick and choose scenes to include in a movie, moving frame by frame through video to precisely place edits Add and edit (up to 99) audio soundtracks to your program Create titles and add still graphics to your movie projects Animate titles and graphics Apply one of 73 different transitions to video Modify your movie with 94 video and 22 audio effects Improve and adjust color using an advanced Color Corrector, new to this version of the software Use powerful new audio tools to mix audio, whether it's mono, stereo, or 5.1 channel surround Work with multiple, nestable timelines Preview edits immediately in real time Once you're finalized your movie project, you can export it, save it to DVD, or publish it online. But that's not all! With this helpful guide, you'll learn pro movie-making tips, third-party software add-ons, and additional tools for your production studio. Pick up your copy and start shooting your film today.

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AutoCAD is the leading software tool for creating technical and architectural drawings, but it definitely doesn't lead in the "easy to master" category. That's why there's AutoCAD and AutoCAD LT All-in-One Desk Reference For Dummies—the perfect way to break a complex topic into bite-size, easy-to-understand pieces. Once you get the hang of using AutoCAD and its slightly less feature-rich cousin, AutoCAD LT, you discover that it offers wonderful advantages. AutoCAD allows you to Create precision to 14 significant digits Re-use portions of your drawings by copying and pasting Draw things full size and print your drawings in any scale Produce drawings that are easier to read when reduced Electronically share and distribute drawings Design in 2D or 3D So obviously, the trick is to speed up that "getting the hang of it" process. That's where AutoCAD and AutoCAD LT All-in-One Desk Reference For Dummies comes in especially handy. Ten easy-to-follow minibooks cover every aspect of AutoCAD, including the latest features of AutoCAD 2007, so you can find just what you need to know quickly and easily. You'll get the scoop on AutoCAD basics, such as setting up drawings, finding your way around the interface, and using all the tools Drawing and modifying objects in 2D and annotating your drawings 3D modeling and viewing, working with solids and surfaces, and rendering Understanding how AutoCAD LT differs from AutoCAD and deciding which program you need Advanced drafting skills, including organizing drawings, working with blocks, and using AutoCAD utilities Setting up your drawings for plotting to paper and publishing Sharing your drawings online for collaboration Customizing and programming AutoCAD to make it work the way you want it to In the familiar, friendly For Dummies fashion, AutoCAD and AutoCAD LT All-in-One Desk Reference For Dummies gives you plain-English explanations and step-by-step directions. Written by a pair of AutoDesk Authorized Authors, this handy guide will help make your relationship with AutoCAD a happy and productive one.

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Discover the unique mind and humane vision of an under-recognized American author. Encompassing themes of race, education, fame, law, and America’s past and future, these essays are James Alan McPherson at his most prescient and invaluable. Born in segregated 1940s Georgia, McPherson graduated from Harvard Law School only to give up law and become a writer. In 1978, he became the first Black author to win the Pulitzer Prize for fiction. But all the while, McPherson was also writing and publishing nonfiction that stand beside contemporaries such as James Baldwin and Joan Didion, as this collection amply proves. These essays range from McPherson’s profile of comedian Richard Pryor on the cusp of his stardom; a moving tribute to his mentor, Ralph Ellison; a near fatal battle with viral meningitis; and the story of how McPherson became a reluctant landlord to an elderly Black woman and her family. There are meditations on family as the author travels to Disneyland with his daughter, on the nuances of a neighborhood debate about naming a street after Malcolm X or Dr. Martin Luther King, and, throughout, those connections that make us most deeply human—including connections between writer and reader. McPherson writes of his early education, “The structure of white supremacy had been so successful that even some of our parents and teachers had been conscripted into policing the natural curiosity of young people. We were actively discouraged from reading. We were encouraged to accept our lot. We were not told that books just might contain extremely important keys which would enable us to break out of the mental jails that have been constructed to contain us.” The collection’s curator, Anthony Walton, writes, “In his nonfiction, McPherson was often looking for a way ‘beyond’ the morasses in which Americans find themselves mired. His work is a model of humanistic imagining, an attempt to perform a healing that would, if successful, be the greatest magic trick in American history: to ‘get past’ race, to help create a singular American identity that was no longer marred by the existential tragedies of the nation’s first 400 years. He attempted this profound reimagining of America while simultaneously remaining completely immersed in African American history and culture. His achievement demonstrates that an abiding love for black folks and black life can rest alongside a mastery of ‘The King’s English’ and a sincere desire to be received as an American citizen and participant in democracy. It is time for that imaginative work to be fully comprehended and for this simultaneously American and African American genius to assume a fully recognized place beside the other constitutive voices in our national literature.” This is a collection for any reader seeking a better understanding of our world and a connection to a wise and wickedly funny writer who speaks with forceful relevance and clarity across the decades.On Becoming an American Writer is part of Godine’s Nonpareil series: celebrating the joy of discovery with books bound to be classics.

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A study and a guidance device, the first book on the Royal Book Lodge (RBL) is the culmination of a three-year exploration by renowned art historian John C. Welchman. It examines the contribution of the RBL to an array of art, film and performance practices including photography, ceramics, writing, and publishing—centered on the creation of artist books and the powerful and wide-ranging dialogue and material experimentations they engender. The volume unfolds from various cultural and political geographies, including in the Parisian suburb of Montreuil which served as an HQ, beginning in 1989; and narratives of migrations and travels, art-inflected or otherwise, in Iceland, Paraguay, Eastern Europe, Los Angeles and on the Ligurian coast of Italy. It unpacks questions caught up in constructs of autobiography, fiction, ideas and images of remote control, and the relation of RBL to the aftermath of the Situationist International, concluding with the RBL’s socially urgent inquiry into experiences—and culturally pharmacological contestations—of violence. Royal Book Lodge The Royal Book Lodge emerged from a collaboration between artists Juli Susin and Veronique Bourgoin in mid-1980's expanding its Collection and Archive and other activities after the turn of the millennium with the assistance of Yasha Gofman. For more than three decades RBL’s projects have been sparked by a porous but a distractedly nimble network of artists from France, Germany, Russia, Iceland, Paraguay, and other locations, working with painting, sculpture, photography, film, installations, ceramics, writing, publishing, and curating. RBL affiliates include: Raisa Aid, Kai Althoff, Abel Auer, Linda Bilda, André Butzer, matali crasset, Les Schlag (Grems, Tex, Virassamy), Gudny Guðmundsdóttir, Beate Günther, Tobias Hauser, Andy Hope 1930, Hekla Dögg Jónsdóttir, Dorota Jurczak, Bruce Kalberg, Armin Krämer, Alexandre Kalinkine, Lutz Krüger, Charlet Kugel, Jean-Louis Leibovitch, Anne Lefebvre, Jochen Lempert, Jonathan Meese, Birgit Mergele, Anna Parkina, Raymond Pettibon, Jason Rhoades, Lucia Sotnikova, Julia Rublow, Ralph Rumney, Gianfranco Sanguinetti.

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A comprehensive overview of preaching culture in eighteenth-century England. This book looks at the role of preaching culture in eighteenth-century England. Beyond the confines of churches, preaching was heard at political anniversaries and elections, thanksgiving and fast days, and society and charity meetings, all of which were major occasions on the English political and social calendars. Dozens of sermons were published each year, and the popularity of sermons, both from the pulpit and in print, make them crucial for understanding the role of religion in eighteenth-century society. To provide a broad perspective on preaching culture, this book focuses on print and manuscript evidence for preaching in London. London had a unique combination of preaching venues and audiences, including St. Paul's cathedral, parliament, the royal court, the corporation of London, London-based societies, and numerous parish churches and Dissenting meetinghouses. The capital had the greatest range of preaching anywhere in England. However, many of the developments in London reflected trends in preaching culture across the country. This was a period when English society experienced significant social, religious and political changes, and preachers' roles evolved in response to these changes. Early in the century, preachers were heavily engaged in partisan politics. However, as these party heats waned, they increasingly became involved with societies and charities that were part of the blossoming English urban culture. The book also explores the impact of sermons on society by looking at contemporary perceptions of preaching, trends in the publication of sermons, the process of the publication and the distribution of sermons, and the reception of sermons. It demonstrates how preachers of various denominations adapted to an increasingly literate and print-centred culture and the continuing vitality of oral preaching culture. The book will be of interest not only to scholars of religion and sermon literature, but also to those interested in eighteenth-century politics, urban society, oral and print cultures, and publishing. JENNIFER FAROOQ is an independent scholar.

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As this book cogently states this is an eclectic examination of current social problems using the lenses of literature, whether fiction or non-fiction, to open doors to understanding the potential for new and creative interventions that have the potential for transformative change. The beginning quote from Toni Morrison bringing light to those who don't always find themselves true ownership to the land to which they are rooted in is a climate system for readers of this book. James Agee and Walker Evans provide a clear and yet complex vision of how they came to study three families in Hale County, Alabama. Their work gives excellent details on how to enter cultures different from their own. Hillbilly Elegy, Appalachian Reckoning and Nickel Boys all written in the past three years yield description and rhetoric that inform social scientists of the human condition. Appalachian Reckoning disputes much of what J.D. Vance wrote. Furious Hours is an excellent source for data collection and analysis. Literature is not new to social commentary but these are contemporary works that can help scholar activists and public researchers who are doing research and publishing for the public. This is a major goal of this book. Educational issues and their intersection with crime and mental issues are key topics of this cogent book. Opportunity gaps, school to prison pipeline, anxiety and many more issues are fodder for scholar activists that are adumbrated in this forceful book. The community school is proffered as a hub of services for those thorny issues. The school is the place to offer services because so many are fractured in this country today and very likely to become more so. Systemic thinking is a key part of the interventions applied currently. A plus on this topic is that systems thinking is presented in a demystifying way. Vignettes are a strength of this book in that they are what happened and they give readers insight into what worked and what didn't. If you are a bridge player, one peak is worth two finesses. The people in these vignettes are as alive today as they were when these events took place.

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Although Trotsky was dramatically assassinated just over eighty years ago, he remains a controversial figure. He has had many biographers over the decades - ranging from the overly-sympathetic, to the extremely-hostile. Robert Service, his most recent biographer, expressed the hope that his book would finish off' Trotsky - a job he believed the ice-axe had failed to do in 1940! This biography, as expected, deals with those aspects for which Trotsky is noted: his passionate and fiery oratory which captivated and inspired huge crowds; organising the Bolshevik Revolution of November 1917; masterminding the creation of the Red Army and ensuring its victory during the Civil War; becoming the most determined opponent of Stalin's creation of a monolithic party and state; being a Marxist theoretician of socialist revolution and combatting fascism; and, of course, being the originator of the very specific brand of revolutionary socialism that, as early as 1906, became known as Trotskyism. However, this biography also explores other aspects of Trotsky's life which are not so well-known. In particular, from a very early age, his love of writing: the world of books and publishing became his first passion; it remained his first love and, if revolutionary politics had not taken over, his life would have been a very literary one. Immediately after the November Revolution, he hoped to return to his literary work, believing his main practical work as a revolutionary was over. His writings on art and literature, when compared to the stultifying strictures of the Socialist Realism' associated with Stalinism, are remarkably sympathetic and open; while he also wrote many perceptive articles as a war correspondent, covering both the Balkan Wars and the early stages of the First World War. Other aspects covered by this biography concern his family life, and his relationships with his children. Also explored is his love-life - while it is known he had a brief affair with the Mexican artist, Frida Kahlo, there are also suggestions he may have had other affairs. Whatever the truth of such allegations, he certainly maintained a passionate relationship with his long-term companion, Natalya Sedova; and readers should be aware that one proof of that, provided towards the end of this book, contains very explicit language.

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Scribners tells the inside story of five generations--over 150 years--at the legendary publishing house of Charles Scribner's Sons, beginning with its founding in an unused chapel in downtown New York through its golden era on Fifth Avenue above the famous landmark bookstore down to the present-day. The author, the fifth of the Charleses to work at that house of celebrated authors, provides here an inside view--"between the covers" of illustrious and notorious books--of the family members, editors, and authors of this colorful literary history. Among the writers who illuminate this story we find in the early years Robert Louis Stevenson, Rudyard Kipling, Henry James, Edith Wharton, Teddy Roosevelt, Winston Churchill, John Galsworthy and the artists Charles Dana Gibson, N. C. Wyeth, and Maxfield Parrish, who illustrated Scribner's Magazine as well as Scribner books. Then with the arrival of "editor of genius" Max Perkins, the story takes off into the heights of twentieth-century fiction with Scott Fitzgerald, Thomas Wolfe, Marjorie Kinnan Rawlings, Marcia Davenport, Alan Paton, James Jones and--above all--Ernest Hemingway, that most loyal and enduring author whose works were published by four generations of Scribners. Famous children's classics The Wind in the Willows, Peter Pan, and The Yearling also take their place of honor in the firm's contribution to new generations of readers.This engaging personal account of family history--both in and out of the office--includes the most colorful controversies: from Mussolini and Trotsky to Lindbergh and C. P. Snow--as well as behind-the-scenes adventures of the author's father as he navigated the seas with industry storms and publishing corsairs before finding a safe harbor at Macmillan and finally, after the demise of tycoon Robert Maxwell, Simon & Schuster. The author, an art historian, found himself for thirty years in the company of writers by "an accident of birth." But it proved an adventure beyond his reckoning, here told with the candor and informality of a family gathering, as well as with humor and affection for his father, P. D. James, Louis Auchincloss, Andrew Greeley, and other authors with whom he worked personally. As Scott Fitzgerald wrote, "If it wasn't life, it was magnificent."

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This significant new reference book provides a complete list of the ships of the Royal Navy which were lost at sea in the age of sail. Arranged in chronological order, it includes outline details of each vessel lost and the circumstances of her loss. 1649 is the start date, which coincides with the execution of Charles I and that time when the Royal Navy entered a new phase as an instrument of state: the launch of the steam-powered and iron-hulled Warrior in 1860 effectively marks the end of the great era of the wooden-hulled sailing warship. Life at sea in the age of sail was a hazardous pursuit, and there were many reasons for a ship being lost. A correspondent to the Nautical Magazine in 1841 detailed some fifty reasons and causes, from being short of crew, abandonment without sufficient cause, the poor condition of a ship, incorrectness of charts, poor dead-reckoning as well as less obvious reasons such as ‘the presence of captains’ wives and other women.’ Navigational error, particularly before the chronometer allowed for the accurate calculation of longitude, was a common reason, while poor weather in the form of fog or gales was an obvious peril. So many ships suffered the melancholy fate of lonely disappearance – overwhelmed by storm and sea, and witnessed by none. Collisions and fire feature regularly as does, of course, loss to the enemy. Each entry includes details of the ship, its name and type, tonnage and dimensions, origin and place of build, the circumstances of the loss, the date and a list of the main references used. All this material is presented here in a single and highly accessible volume, and represents a major milestone both in naval research and publishing; it offers too a fund of fascinating and compelling stories of maritime misadventure. Praise for the author's previous work: ‘This volume is an amazing encyclopaedic, catalogue of British warships lost between 1920 and 1982. … It is strongly recommended to historians, authors, researchers and all those with an interest in the history of the Royal Navy and the Second World War.’ Scuttlebut Magazine

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Swendly Benilia shares with us simple and tangible tips and tricks to understanding and drawing FORCE across hundreds of drawings full of dunamism and energy! This book is an expellant companion to the FORCE brand since it delivers hundreds of FORCE drawings with succinct notations, filtered and approved by Mike Mattesi, about how to improve your FORCE drawing skillsKey Features: Hundreds of dynamic FORCE drawing that inspire the reader to see and draw FORCE Succinct tips and tricks keep it light and educational The tips and tricks not only explain how but also why the drawings are successful. This is unique to the FORCE Drawing method Each page shares numerous drawing around a FORCE idea with a short paragraph to further clarify the FORCE tip or trick. Explaining to the reader why the drawings work increases their ability of achieving the same level of excellence Swendly Benilia is a professional character designer and illustrator. During his five years in the field he contributed with artwork for various game and publishing projects. Swendly also instructs FORCE Drawing.Michael Mattesi has authored four FORCE books, published in numerous languages, utilized around the world to inspire and educate artists on the concept of FORCE. He has instructed FORCE Drawing for over twenty years and inspired thousands of artists. Simultaneously, Michael has been contributing his skills as a professional artists on numerous award-winning projects in varied capacities and has collaborated with Pixar, Walt Disney Feature Animation, Walt Disney Consumer Products, Marvel Comics, Hasbro Toys, ABC, Microsoft, Electronic Arts, DreamWorks/PDI, Zynga, The School of Visual Arts, Beijing University, Art Center, Scuola Internazionale di Comics, San Jose State University. The Academy of Art University, Nickelodeoan, LeapFrog and many others. Micael’s students occupy all fields of the art industry and have themselves gained prestige for their abilities. Michael lives in northern California with his wife and two daughters. Visit him at: DrawingFORCE.com and connect with Michael on Facebook at: DrawingFORCE.com with Mike Mattesi or email him directly: mike@drawingforce.comKey FeaturesHundreds of dynamic FORCE drawings that inspire the reader to see and draw FORCE. Compact tips and tricks keep it light and educational. The tips and tricks explain how and why the drawings are successful.Explaining to the you why the drawings work increases your ability of achieving the same level of excellence.

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"A History of Korea" is a product of a particular moment in South Korean social and political history, published in the aftermath of the popular resistance movements of the late 1980s that brought an end to military dictatorship and ushered in direct elections for the presidency of South Korea. The historians of the Korean Historical Research Association, who compiled the volume, were not dispassionate recorders of those events but rather active participants in the democracy movements of the time, who understood their scholarship as a contribution to popular resistance against military rule and as a tool for the democratisation and unification of Korea. These historians were writing against previous understandings of Korean history that they perceived as legitimising political and economic oppression from both Korean elites and foreign powers. As they stood in opposition to previous histories and their political underpinnings, they proposed their own visions of past, present, and future Korean societies. In so doing, they helped move the popular struggle for the democratisation of South Korea towards the centre of the national narrative. "A History of Korea" is a manifesto, a conscious call for a particular interpretation of Korean history for deployment in the democratisation, unification, and class liberation movements of the period. About the Korean Historical Research Association: The Korean Historical Research Association (Hanguk Yeoksa Yeonguhoe) was founded in 1988 as the ultimate result of several years of organisational work by historians who participated in the Korean social reform movements of the 1980s. The Association began as a mass organisation of Korea historians that, according to its founding mission statement, sought to "actively participate in the creation of a truly democratic and independent Korean society by joining together with a new determination to establish and continuously implement a scientific historiography based upon the correct worldview." The Korean Historical Research Association thus took up the goal of "contributing to the independence and democratisation of Korean society through the establishment of a scientific and practical historiography." The Association engages in joint research projects, spreading the results of historical research to the masses, and publishing and distributing academic journals and popular history texts. The Korean Historical Research Association now has more than 700 members and has created an efficient organisation that publishes and disseminates papers, books, and bulletins.

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This important new reference work details all those ships and vessels of the Royal Navy, large and small, which were lost by accident or enemy action, during the twentieth century, from the end of the First World War, to the last years of the century. In all, the fates of over 2,000 ships and small craft are covered, from aircraft carriers and battleships to motor launches, harbour tenders and tugs. Those vessels hired or purchased for wartime service, such as trawlers, paddle steamers and yachts are also listed. During wartime ships are lost; it is their purpose to go in harm's way. Hostile gunfire, torpedoes and mines were established threats throughout the period, while the increasing threat of air attack and the introduction of weapons employing new technology, such as influence-triggered mines, homing torpedoes or air-launched guided weapons added to the risks of operating in a hostile environment. Ships operating in extremely hazardous conditions, such as at Dunkirk in 1940 or Singapore in 1942, suffered heavy losses in brief, concentrated conflicts; but the long continuous campaigns, such as the Atlantic convoys or the constant need to sweep for mines also took their toll. Peacetime losses are dominated by submarine casualties, demonstrating the dangerous character of that service. To this may be added the hazardous nature of the sea itself, when ships are lost in heavy weather; sometimes, human error or plain foolishness may play a part. The core of the book is taken up by those losses experienced during the Second World War, but peacetime losses and more recent conflicts such as the Falklands War of 1982 are included. Arranged chronologically, every entry notes the outline details of the vessel, identifies the Commanding Officer, where known, and gives a full and often harrowing account of the circumstances of the loss and the number of casualties. The details come from extensive original research using primary source material wherever possible, particularly the relevant War Diaries and the collected loss and damage reports, casualty reports and reports of proceedings, now in the National Archives. Wartime losses of the Dominions are included, to ensure completeness. This comprehensive record of warship losses, from all causes, suffered by the Royal Navy over the past one hundred years, is the first single-volume work on the subject and represents a major milestone in naval research and publishing.

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Groundbreaking ideas in archival description and control Archival authority control is an often ambiguous label that embraces a potentially wide scope. In this active and quickly-evolving field, new methods of clarification are essential for successful archive management. The articles in Respect for Authority: Authority Control, Context Control, and Archival Description offer an innovative approach by marking and exploring a clear distinction between conventional archival authority files and the broader concept of context control. Intended to not only answer important questions but raise worthy new ones as well, Respect for Authority: Authority Control, Context Control, and Archival Description reveals striking new perspectives in managing archival description more effectively. The engaging essays in this collection tackle key issues of archive authority control and offer sound proposals for advancing a new course. Comprehensive in its approach, this text takes an in-depth look at both the International Standard for Archival Authority Records (ISAAR) and the American standard, Describing Archives: a Content Standard (DACS) and considers the place of authority control in these two standards for archival description. In addition, contributors offer practical answers to the thorny issue of identifying the boundaries of a records-creating entity and present criteria for determining when a new entity is established. International in scope, this book presents groundbreaking case studies by archive professionals from Canada, the United States, Italy, and Australia that document the successes of different institutional applications that describe the records-creator first and then link this description to that of the records themselves. Respect for Authority: Authority Control, Context Control, and Archival Description also includes expert discussions of: the role of standards the nature of archives and their relationships with their creators resources necessary to fully document contextualized content the power of provenance possibilities available through a trinity of descriptive entitiesrecords, agents, and functions the potential of provenance rediscovery in American repositories postmodern archive theory, multiple provenance, and the reconceptualization of archive context using ISAAR to document records-creating environments challenges inherent in implementing series-based systems of arrangement and description the National Archives and Records Administration (NARA) and the Archival Resource Catalog (ARC) digitizing and publishing registers and the development of the Online Heritage Resource Manager (OHRM) and many more! Ideal for archive professionals, manuscript librarians, students, and researchers of archival administration, Respect for Authority: Authority Control, Context Control, and Archival Description not only resolves important questions revealed by these new trends but opens new discussions of a major shift in descriptive practice.

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Following on from the Scottish Mountaineering Club's best-sellers, The Munros and The Corbetts, this definitive guidebook recommends the best journeys on the next principal listings of Scottish hills. Written and compiled by some of the foremost authorities on the Scottish mountains and brought to life with maps and vivid colour photographs, this richly illustrated guide details more than 250 routes, including, where appropriate, logical combinations with neighbouring hills. Ranging between 600m and 762m, there are 231 Grahams, while the Donalds comprise the 141 summits and Tops above 2000ft (610m) in the Scottish Lowlands. At such an accessible height range, these hills are increasingly popular and offer challenges across the country for both the occasional and dedicated walker. The lower height limit for a Graham was changed from 2000ft (609m) to 600m by Alan Dawson, the keeper of the list, after the book was sent to print. Consequently 3 hills removed from the list in 2014 once more qualify as Grahams along with 9 new summits, taking the total from 219 to 231. So that users of this book have route information for all of the hills on the official list, we have prepared an addendum containing updated information to Grahams already in the book, together with route descriptions and maps for the newly added and reinstated hills in the list below. This is available as a free download at https://bit.ly/GrahamsAdd. Whether you're looking to climb all the summits on Scotland's principal lists or just want some great days off the beaten tracks, The Grahams & The Donalds is a book no hillwalker should be without. About the SMC The SMC produces a number of Hillwalkers' Guides including the best and most popular guides to the Munros, Corbetts, Grahams and Donalds, together with a series of area guidebooks covering all of Scotland. In addition, it produces Scramblers' Guides and the definitive series of Climbers' Guidebooks covering summer and winter climbing in Scotland. SMC guidebooks are published by the Scottish Mountaineering Press. The Scottish Mountaineering Press is a wholly owned subsidiary of a charity, the Scottish Mountaineering Trust, to whom we channel all of our profits. At the Press we promote and share Scotland's natural wonders by embracing the creativity and art born out of an explorer spirit, and by celebrating the endeavour and joy in a life lived outdoors. About the Editors Rab Anderson co-authored the previous SMC guidebook to The Munros, as well as editing The Corbetts. He has written or contributed to various guidebooks for the SMC, most recently the Climbers' Guide to the Outer Hebrides (co-author) and the acclaimed Hillwalkers' Guide to The Grahams & The Donalds (co-author and co-editor). Rab lives in Edinburgh. Tom Prentice co-authored the SMC Hillwalkers' Guide to The Munros. From his home in Glasgow he has made a career out of photographing and writing about Scotland's mountains, contributing to magazines, newspapers, radio and television, as well as authoring and publishing numerous books.

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