Search results for ""AGUILAR""

Para mí, la psicología es amor. De este principio se desarrolla el camino de vida de Concepción Fosa Aguilar, un camino hecho de todas las experiencias, buenas, malas o, simplemente, inesperadas que la vida le pone por delante, y que la autora afronta y supera gracias a las fuerzas que le da el amor.Las cuatro esquinas de mis amores muestra cómo el camino de vida depende realmente de las decisiones que tomamos y enseña que, aunque no siempre es posible saber cuál será la decisión correcta, cuál batalla valdrá la pena pelear, los valores transmitidos por quienes nos amaron siempre estarán ahí para ayudarnos a dar el primer paso y enfrentar el mundo.Gracias a estas herramientas fundamentales que determinan nuestra forma de actuar y hacen aún más nuestra identidad y nuestra vida, nunca nos encontraremos verdaderamente solos y sin saber cómo actuar.

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El secreto de Raffles Haw (The Doings of Raffles Haw) es la séptima novela de Sir Arthur Conan Doyle (Edimburgo, 1859-Crowborough, 1930) y fue publicada en 1891; obra por lo tanto de los inicios de su carrera literaria, pero también ya contemporánea de sus primeras obras maduras: La compañía blanca (1891) y Las aventuras de Sherlock Holmes (1892). La novela, con tintes fantásticos y misteriosos, trata de la llegada a un pequeño pueblo de la Inglaterra rural de un excéntrico y misántropo multimillonario, Raffles Haw, que está en posesión de un secreto capaz de cambiar el mundo.La obra vale, sobre todo, por el muy logrado estudio de caracteres de los principales protagonistas, pero no es estrictamente una novela fantástica o de aventuras. Quizás por eso ha sido escasamente reeditada en Inglaterra. En España no fue incluida en las obras completas publicadas por la editorial Aguilar en los años cincuenta y es prácticamente desconocida. Pero, por eso mismo, los numerosos seguidores de C

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Sir Arthur Conan Doyle (Edimburgo, 1859-Crowborough, 1930) es probablemente, junto con Rudyard Kipling, el más popular de los narradores del final de la era victoriana. El difícil secreto de la amenidad, de saber atrapar al lector con sólo unas cuantas pinceladas, lo dominaba por completo. Pero Conan Doyle no fue sólo un populoso cuentista, afortunado creador de paradigmas del misterio y la aventura como Sherlock Holmes y el profesor Challenger, fue también, aunque con menor éxito, un estupendo novelista de aventuras históricas ambientadas en la Edad Media o los tiempos napoleónicos. En El campamento de Napoleón, publicada originalmente con el título de Uncle Bernac (1897), es una de sus novelas menos conocidas y ni siquiera fue incorporada a los cinco memorables tomos de obras completas publicados por la editorial Aguilar en los años 50, pero sigue mereciendo ser leída por nuevas generaciones de lectores, a los que no defraudará. Una fiesta de misterio y aventura bajo la sombra desmes

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Esta selección recoge los cuentos más significativos de Nicolás Melini. Incluyenarraciones de los libros Pulsión del amigo; Africanos en Madrid; Ciénaga (libro incluidoen Aunque no sea el blanco mi color favorito); su último libro de cuentos, Talón; y elprimero de todos ellos, escrito a mediados de los 90, Historia sin cariño de RemediosQuiero Besarte. Una enorme cantidad de personajes del mundo de ahora conformaneste puzle vital contemporáneo, tal como señala Ricardo Menéndez Salmón: Hay detodo en esta botica de dicción exacta y exigente, singular marca de agua de lanarrativa de Melini. Son las vidas del occidental que habita los territorios sobre losque el autor ha escrito reflejando su emoción y su vacío, sus incertidumbres, suprecariedad y su dolor existencial. Sobre estos cuentos Diego Sánchez Aguilar hadicho: Con esa técnica, con ese estilo, con ese mandato de describir lo que carece deimportancia, Nicolás Melini arma un estupendo libro

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Among the countless themes in language studies on which Pierre Swiggers has worked and published, linguistic historiography undoubtedly stands out. In this subdiscipline of language studies, he has acted as a true architect and maître d’œuvre. For this reason, the editors have chosen "the architecture of grammar" as the guiding theme of this volume in his honor. Opening with a preface and general introduction, the book brings together contributions pertaining to this general theme, ranging from antiquity to the present day, and closes with the bibliography of the honoratus. Contributions by: C. Altman, R. Batista, M. Berré, G. Bonnet, M. L. Calero Vaquera, D. Calhoun, B. Colombat, R. Escavy Zamora, G. Fernandes, J. J. Gómez Asencio, G. Haßler, B. Hurch, J. E. Joseph, R. Kemmler, A. Luhtala, M. J. Martínez Alcalde, M. D. Martínez Gavilán, S. Matthaios, N. Mazziotta, S. Piron, C. Quijada Van den Berghe, M. Quilis Merín, B. Rochette, M. C. Scappaticcio, E. Sofía, M. Steffens, J. Suso López, S. Vakulenko, A. Zamorano Aguilar, O. Zwartjes.

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The Laboratorio de Teatro Campesino e Indígena: A Half Century of History is a book that maps the trajectory and experiences of a communitarian, mass, indigenous and rural theatre, and a posthumous homage to its founder, María Alicia Martínez Medrano. In accordance to its beginnings and objectives, the LTCI has offered to many marginalized communities, the instruments to develop, value and enjoy their own artistic language, traditions, theatricality and the integration of their rituals into this language with a profound sense of dignity. Photographer and artist Lourdes Grobet, has followed with her camera the steps of the LTCI for over 30 years. Her images, are the visual axis of the book. Luz Emilia Aguilar Zínser, is a theatre critic and researcher. She has made an extensive documental and field research on the LTCI, their experiences, achievements and difficulties. Rodolfo Stavenhagen’s text enriches and provides to the book’s proposal. Delia Rendón, who is currently responsible for the LTCI, writes about the upcoming projects:“It continues to bring light to the indigenous and rural theatre, a flame.”

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Todo libro es un proyecto colectivo y este lo es de forma radical. Esta es una antología de historias de ficción sobre las formas y posibilidades de colaborar. Se rastrean diversos términos ancestrales para denominar la práctica comunitaria: lumbung en Indonesia, auzolan en Euskal Herria, mutirão en Brasil, nafir en países árabes, tequio en México, ubuntu en Sudáfrica, allmende en Alemania? Relatos lumbung está escrito por una diversidad de voces desde estas diferentes cosmologías de lo común. harriet brown es un cuerpo colectivo que edita y prologa el libro, Azhari Aiyub, Uxue Alberdi, Cristina Judar, Nesrine Khourey, Yásnaya Elena Aguilar Gil, Panashe Chigumadzi, Mithu Sanyal? imaginan sobre las posibilidades de la práctica colaborativa. Cada relato nos lleva de un territorio a otro.La lectura se hace física, se palpan los olores y las texturas, los personajes nos acompañan, las frases nos sacuden. La cooperación entre chamanes y tigresas ante la explotación capitalista; la coordi

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Luisa Aguilar, autora del supervendes Orelles de papallona, torna a captivar-nos amb aquest conte delicat i poètic sobre les emocions.La Rita és una nena que no diu mai res, ni quan s'enfada ni quan està trista. Tant si els seus pares li diuen que estan orgullosos d'ella com si el seu germà acapara tota l'atenció o si se sent sola a l'hora del pati?, ella no diu mai res. Per això tothom diu: Que bé que es porta la Rita! Però? on va tot el que la Rita no diu mai?Un llibre meravellós que posa en relleu l'ansietat infantil en l'entorn familiar a través de la Rita, una protagonista molt especial que ens farà entendre la importància d'aprendre a expressar el que sentim amb llibertat i tranquillitat.Acompanyat de les illustracions més espectaculars de Ricard López, aquest conte és indispensable per a totes les famílies amb nens i nenes de 4, 5 i 6 anys per abordar temes tan importants com l'ansietat i la gestió

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Reflecting on a range of themes, from extractive industries to the politics of care, this timely exhibition catalog looks at environmental and gender justice as indivisible parts of a global struggle. A culturally diverse selection of works by Laura Aguilar, melanie bonajo, Xaviera Simmons, Minerva Cuevas, Barbara Kruger, Nadia Huggins, Ana Mendieta, Sim Chi Yin, Pamela Singh, Francesca Woodman and others are presented alongside works of an activist nature to demonstrate how women are regularly at the forefront of advocating and caring for the planet. Amplifying these visions are illuminating essays by experts in the field, including Professor Kathryn Yusoff, Professor Astrida Neimanis, Professor Catriona Sandilands and Professor Elizabeth DeLoughrey, that consider a diverse range of pertinent topics such as hydrofeminism, the body as earth, queer ecologies, and environmental racism. Together these texts and important artworks reveal how the oppression of women, feminized bodies and indigenous, Black and trans communities and the degradation of the planet are inextricably linked—and the ways in which understanding our environment can resist and overcome the logic of capitalist economies.

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Revolutionary socialist movements have held out the promise, in both theory and practice, that women can achieve liberation through their participation in the revolutionary process. But many women in post-revolutionary societies have watched in frustration as this promise has been pushed into the future or dropped from the agenda altogether. The essays in Promissory Notes renew the debate about the connections between feminism and socialism by examining the position of women in socialist thought from the time of Marx to the present. The book looks at the central theoretical formulations of the "Woman Question" in classical Marxist thought, then explores their applications first in the Soviet Union and China, then in a series of third world regimes and contemporary Eastern European countries. The volume ends with a roundtable debate in which a number of scholars and activists take up the central theoretical issues raised throughout the book. Contributors include Joan B. Landes, Elizabeth Waters, Wendy Zeva Goldman, Christina Gilmartin, Muriel Nazzari, Maxine D. Molyneux, Sonia Kurks and Ben Wisner, Christine Pelzer White, Amrita Basu, Marilyn B. Young, Mary Buckley, Barbara Einhorn, Martha Lampland, Lourdes Beneria, Zillah Eisenstein, Delia D. Aguilar, Delia Davin, Kumari Jayawardena, and Rayna Rapp.

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The first anthology to collect essays focusing on the legal rights of women of color around the world Global Critical Race Feminism is the first anthology to focus explicitly on the legal rights of women of color around the world. Containing nearly thirty essays, the book addresses such topical themes as responses to white feminism; the flashpoint issue of female genital mutilation; the intersections of international law with U.S. law; "Third World" women in the "First World;" violence against women; and the global workplace. Broadly representative, the reader addresses the role and status-legal and otherwise-of women in such countries as Cuba, New Zealand, France, Serbia, Nicaragua, Colombia, South Africa, Japan, China, Australia, Ghana, and many others. Authors include: Aziza al-Hibri, Penelope Andrews, Taimie Bryant, Devon Carbado, Mai Chen, Brenda Cossman, Lisa Crooms, Mary Dudziak, Isabelle Gunning, Anna Han, Berta Hernández, Laura Ho, Sharon Hom, Rosemary King, Kiyoko Knapp, Hope Lewis, Martha Morgan, Zorica Mrsevic, Vasuki Nesiah, Leslye Obiora, Gaby Oré-Aguilar, Catherine Powell, Jenny Rivera, Celina Romany, Judy Scales-Trent, Antoinette Sedillo Lopez, J. Clay Smith, and Leti Volpp.

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Collins Arabic Big Cat is a guided reading series for ages 3 to 11. The series is structured with reference to the learning progression of Arabic at nursery and primary schools researched especially for Collins. This carefully graded approach allows children to build up their reading knowledge of Arabic step by step. Level 5 books are for children who are ready to read stories with more challenging word patterns or non-verbal sentences with 2 or 3 words, and with total support through illustrations and extensive use of repetition. Double spacing is used between words to ensure children see where each new word in a sentence begins and ends to ensure the focus remains on reading core words. One snail, two beetles, three worms, four spiders and five flies – the frog eats them all, with hilarious consequences. But who will be next on the menu? This humorous story is brilliantly illustrated by Sandra Aguilar. A story map on pages 14–15 allows children to recap the story and discuss each stage.

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Discover how engineering is part of our daily lives with Everyday STEM Engineering – Civil Engineering.Engineering is all around us, from the roads on which we travel to the latest earthquake-proof buildings. It's even in space! Discover how civil and mechanical engineering helps us interact with society, see how engineering is helping to save the environment, and meet the inspirational engineers whose designs make our lives easier, including Roma Agrawal, Reyhan Jamalova, Sarah Guppy and David Aguilar. A "try this at home" section shows readers how to create a building made out of spaghetti, plus much more.With easy-to-understand text written by STEM expert Jenny Jacoby and lots of colourful artworks, photos and diagrams, readers can best explore where we encounter engineering and why it’s even important at all.The Everyday STEM series makes science relevant to tweens. Instead of telling kids STEM is important and is the key to their future success, these books show readers how we use science, technology, engineering and maths in our everyday lives. While the topics sound high-level and complex, this series makes these concepts age-appropriate and accessible. So, while we can’t promise to teach 9 to 11-year-olds quantum physics, we can explain in the simplest terms the practical applications of STEM.

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The impact of conquest and colonialism on identity and the construction of knowledge Jillian Ford and Nathalia E. Jaramillo edit a collection of writings by women that examine womanist worldviews in philosophy, theory, curriculum, public health, and education. Drawing on thinkers like bell hooks and Cynthia Dillard, the essayists challenge the colonizing hegemonies that raise and sustain patriarchal and male-centered systems of teaching and learning. Part One examines how womanist theorizing and creative activity offer a space to study the impact of conquest and colonization on the Black female body and spirit. In Part Two, the contributors look at ways of using text, philosophy, and research methodologies to challenge colonizing and colonial definitions of womanhood, enlightenment, and well-being. The essays in Part Three undo the colonial pedagogical project and share the insights they have gained by freeing themselves from its chokehold. Powerful and interdisciplinary, Disrupting Colonial Pedagogies challenges colonialism and its influence on education to advance freer and more just forms of knowledge making. Contributors: Silvia García Aguilár, Khalilah Ali, Angela Malone Cartwright, Adriana Diego, LeConté Dill, Sameena Eidoo, Genevieve Flores-Haro, Jillian Ford, Leena Her, Nathalia E. Jaramillo, Patricia Krueger-Henney, Claudia Lozáno, Liliana Manriquez, Alberta Salazár, León Salazár, and Lorri Santamaría

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The impact of conquest and colonialism on identity and the construction of knowledge Jillian Ford and Nathalia E. Jaramillo edit a collection of writings by women that examine womanist worldviews in philosophy, theory, curriculum, public health, and education. Drawing on thinkers like bell hooks and Cynthia Dillard, the essayists challenge the colonizing hegemonies that raise and sustain patriarchal and male-centered systems of teaching and learning. Part One examines how womanist theorizing and creative activity offer a space to study the impact of conquest and colonization on the Black female body and spirit. In Part Two, the contributors look at ways of using text, philosophy, and research methodologies to challenge colonizing and colonial definitions of womanhood, enlightenment, and well-being. The essays in Part Three undo the colonial pedagogical project and share the insights they have gained by freeing themselves from its chokehold. Powerful and interdisciplinary, Disrupting Colonial Pedagogies challenges colonialism and its influence on education to advance freer and more just forms of knowledge making. Contributors: Silvia García Aguilár, Khalilah Ali, Angela Malone Cartwright, Adriana Diego, LeConté Dill, Sameena Eidoo, Genevieve Flores-Haro, Jillian Ford, Leena Her, Nathalia E. Jaramillo, Patricia Krueger-Henney, Claudia Lozáno, Liliana Manriquez, Alberta Salazár, León Salazár, and Lorri Santamaría

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"Intelligent, politically bold, and beautiful to browse [...] Every bookshelf needs a copy." — Disability Arts OnlineIn this stylishly illustrated biography anthology, meet 34 artists, thinkers, athletes and activists with disabilities, from past and present. From Frida Kahlo to Stephen Hawking, find out how these iconic figures have overcome obstacles, owned their differences and paved the way for others by making their bodies and minds work for them. These short biographies tell the stories of people who have faced unique challenges which have not stopped them from becoming trailblazers, innovators, advocates and makers. Each person is a leading figure in their field, be it sport, science, maths, art, breakdance or the world of pop.Challenge your preconceptions of disability and mental health with the eye-opening stories of these remarkable people: Ludwig van Beethoven, Gustav Kirchoff, Henri Matisse, Eliza Suggs, Helen Keller, Frida Kahlo, John Nash, Stephen Hawking, Temple Grandin, Stevie Wonder, Nabil Shaban, Terry Fox, Peter Dinklage, Wanda Diaz Merced, Emmanuel Ofosu Yeboah, Dr Victor Pineda, Farida Bedwei, Stella Young, Lady Gaga, Arunima Sinha, Naoki Higashida, Isabella Spingmuhl Tejada, Aaron Philip, Catalina Devandas Aguilar, Redouan Ait Chitt, Jonas Jacobsson, Trischa Zorn, Ade Adepitan, and Dynamo. As seen on ITV's Good Morning Britain: "This book is there to help us all, to encourage us to talk about how we’re all different [...] It’s a really, really lovely book, beautifully illustrated as well."— Presenters Ben Shephard & Ranvir Singh

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The political violence that erupted towards the end of the twentieth century between the Peruvian state and militant group `Shining Path’ left an indelible mark on the country that resonates even today. This study explores representations of the insurgency on screen, and asks what these tell us about the relationship between state, fiction cinema and identity in Peru. In the process, Sarah Barrow highlights the Peruvian experience as a paradigm for the wider study of film-making in societies faced with violence and terrorism. This book provides in-depth analyses of the pivotal films from the 1980s through to the present day that interpret the events, characters and consequences of the bloody conflict. Setting the films in the context of a time of turbulent transition for both Peruvian society and cinema – addressing developments in film policy and production – it reveals the attempts by filmmakers to reflect, shape, define and contest the identity of a fractured population. By interrogating important themes such as memory, trauma and cultural responses to terrorism, chapters explore local perception of nationhood, and highlight links to other Latin American cinemas and global issues. Featuring discussions of the work of Francisco Lombardi, Marianne Eyde, Fabrizio Aguilar and Josué Méndez, amongst others, this detailed investigation of the growing success and political importance of the industry’s output traces the complexities of modern Peruvian history.

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Hackers, scholars, artists and activists of all regions, races and sexual orientations consider how humans might reconstruct themselves by way of technology When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use. The creation and use of the Cyberfeminism Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art. Contributors include: Skawennati, Charlotte Web, Melanie Hoff, Constanza Pina, Melissa Aguilar, Cornelia Sollfrank, Paola Ricaurte Quijano, Mary Maggic, Neema Githere, Helen Hester, Annie Goh, VNS Matrix, Klau Chinche / Klau Kinky and Irina Aristarkhova.

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States of Memory illuminates the construction of national memory from a comparative perspective. The essays collected here emphasize that memory itself has a history: not only do particular meanings change, but the very faculty of memory—its place in social relations and the forms it takes—varies over time. Integrating theories of memory and nationalism with case studies, these essays stake a vital middle ground between particular and universal approaches to social memory studies.The contributors—including historians and social scientists—describe societies’ struggles to produce and then use ideas of what a “normal” past should look like. They examine claims about the genuineness of revolution (in fascist Italy and communist Russia), of inclusiveness (in the United States and Australia), of innocence (in Germany), and of inevitability (in Israel). Essayists explore the reputation of Confucius among Maoist leaders during China’s Cultural Revolution; commemorations of Martin Luther King Jr. in the United States Congress; the “end” of the postwar era in Japan; and how national calendars—in signifying what to remember, celebrate, and mourn—structure national identification. Above all, these essays reveal that memory is never unitary, no matter how hard various powers strive to make it so.States of Memory will appeal to those scholars-in sociology, history, political science, cultural studies, anthropology, and art history-who are interested in collective memory, commemoration, nationalism, and state formation.Contributors. Paloma Aguilar, Frederick C. Corney, Carol Gluck, Matt K. Matsuda, Jeffrey K. Olick, Francesca Polletta, Uri Ram, Barry Schwartz, Lyn Spillman, Charles Tilly, Simonetta Falasca Zamponi, Eviatar Zerubavel, Tong Zhang

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Beyond High Courts: The Justice Complex in Latin America is a much-needed volume that will make a significant contribution to the growing fields of comparative law and politics and Latin American legal institutions. The book moves these research agendas beyond the study of high courts by offering theoretically and conceptually rich empirical analyses of a set of critical supranational, national, and subnational justice sector institutions that are generally neglected in the literature. The chapters examine the region’s large federal systems (Argentina, Brazil, and Mexico), courts in Chile and Venezuela, and the main supranational tribunal in the region, the Inter-American Court of Human Rights. Aimed at students of comparative legal institutions while simultaneously offering lessons for practitioners charged with designing such institutions, the volume advances our understanding of the design of justice institutions, how their form and function change over time, what causes those changes, and what consequences they have. The volume also pays close attention to how justice institutions function as a system, exploring institutional interactions across branches and among levels of government (subnational, national, supranational) and analyzing how they help to shape, and are shaped by, politics and law. Incorporating the institutions examined in the volume into the literature on comparative legal institutions deepens our understanding of justice systems and how their component institutions can both bolster and compromise democracy and the rule of law.Contributors: Matthew C. Ingram, Diana Kapiszewski, Azul A. Aguiar-Aguilar, Ernani Carvalho, Natália Leitão, Catalina Smulovitz, John Seth Alexander, Robert Nyenhuis, Sídia Maria Porto Lima, José Mário Wanderley Gomes Neto, Danilo Pacheco Fernandes, Louis Dantas de Andrade, Mary L. Volcansek, and Martin Shapiro.

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Explores how American Indian artists have responded to the pervasive misunderstanding of indigenous peoples as cultural minorities in the United States and Canada Contemporary indigenous peoples in North America confront a unique predicament. While they are reclaiming their historic status as sovereign nations, mainstream popular culture continues to depict them as cultural minorities similar to other ethnic Americans. These depictions of indigenous peoples as “Native Americans” complete the broader narrative of America as a refuge to the world’s immigrants and a home to contemporary multicultural democracies, such as the United States and Canada. But they fundamentally misrepresent indigenous peoples, whose American history has been not of immigration but of colonization. Monika Siebert’s Indians Playing Indian first identifies this phenomenon as multicultural misrecognition, explains its sources in North American colonial history and in the political mandates of multiculturalism, and describes its consequences for contemporary indigenous cultural production. It then explores the responses of indigenous artists who take advantage of the ongoing popular interest in Native American culture and art while offering narratives of the political histories of their nations in order to resist multicultural incorporation. Each chapter of Indians Playing Indian showcases a different medium of contemporary indigenous art—museum exhibition, cinema, digital fine art, sculpture, multimedia installation, and literary fiction—and explores specific rhetorical strategies artists deploy to forestall multicultural misrecognition and recover political meanings of indigeneity. The sites and artists discussed include the National Museum of the American Indian in Washington, DC; filmmakers at Inuit Isuma Productions; digital artists/photographers Dugan Aguilar, Pamela Shields, and Hulleah Tsinhnahjinnie; sculptor Jimmie Durham; and novelist LeAnne Howe.

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Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section Finalist, 2019 Lambda Literary Award in LGBTQ Studies Critically reimagines Chicanx art, unmasking its queer afterlife Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large. With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

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Honorable Mention, 2021 Latinx Studies Section Outstanding Book Award, given by the Latin American Studies Association Winner, 2020 Latino Book Awards in the LGBTQ+ Themed Section Finalist, 2019 Lambda Literary Award in LGBTQ Studies Critically reimagines Chicanx art, unmasking its queer afterlife Emboldened by the boom in art, fashion, music, and retail culture in 1980s Los Angeles, the iconoclasts of queer Aztlán—as Robb Hernández terms the group of artists who emerged from East LA, Orange County, and other parts of Southern California during this period—developed a new vernacular with which to read the city in bloom. Tracing this important but understudied body of work, Archiving an Epidemic catalogs a queer retelling of the Chicana and Chicano art movement, from its origins in the 1960s, to the AIDS crisis and the destruction it wrought in the 1980s, and onto the remnants and legacies of these artists in the current moment. Hernández offers a vocabulary for this multi-modal avant-garde—one that contests the heteromasculinity and ocular surveillance visited upon it by the larger Chicanx community, as well as the formally straight conditions of traditional archive-building, museum institutions, and the art world writ large. With a focus on works by Mundo Meza (1955–85), Teddy Sandoval (1949–1995), and Joey Terrill (1955– ), and with appearances by Laura Aguilar, David Hockney, Robert Mapplethorpe, and even Eddie Murphy, Archiving an Epidemic composes a complex picture of queer Chicanx avant-gardisms. With over sixty images—many of which are published here for the first time—Hernández’s work excavates this archive to question not what Chicanx art is, but what it could have been.

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In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an unknown, mysterious, divine wealth below its surface; and the sea itself as a powerful watery body can hold a liberating potential. The utopian quality of the sea and seafaring can become a powerful metaphor for articulating political notions of the ideal state or for expressing an individual’s sense of hope and subjectivity. Yet the catastrophic sea balances any perfective imaginings: the sea threatens coastal inhabitants with floods, tsunamis, and earthquakes and sailors with storms and the accompanying monsters. From symbolic perspectives, the catastrophic sea represents violence, instability, the savage, and even cosmological chaos. The twelve papers in this volume explore the themes of utopia and catastrophe in the liminal environment of the sea, through the lens of history, philosophy, literature and classical reception.Contributors: Manuel Álvarez-Martí-Aguilar, Vilius Bartninkas, Aaron L. Beek, Ross Clare, Gabriele Cornelli, Isaia Crosson, Ryan Denson, Rhiannon Easterbrook, Emilia Mataix Ferrándiz, Georgia L. Irby, Simona Martorana, Guy Middleton, Hamish Williams.

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Copper Nickel is a meeting place for multiple aesthetics, bringing work that engages with our social and historical context to the world with original pieces and dynamic translations. Since the journal’s relaunch in 2015, work published in Copper Nickel has been selected for inclusion in Best American Poetry, Best American Short Stories, and the Pushcart Prize Anthology, and has been listed as “notable” in the Best American Essays. Contributors to Copper Nickel have received numerous honors for their work, including the National Book Critics Circle Award; the Kingsley Tufts Poetry Award; the Kate Tufts Discovery Award; the Laughlin Award; the American, California, Colorado, Minnesota, and Washington State Book Awards; the Georg Büchner Prize; the Prix Max Jacob; the Lenore Marshall Prize; the T. S. Eliot and Forward Prizes; the Anisfield-Wolf Book Award; the Alice Fay Di Castagnola Award; the Lambda Literary Award; as well as fellowships from the NEA and the Guggenheim, Ingram Merrill, Witter Bynner, Soros, Rona Jaffee, Bush, and Jerome Foundations. Issue 24 features twenty-two “flash fictions” by established and emerging fiction writers, including Ed Falco, Robert Long Foreman, Stephanie Dickinson, Pedro Ponce, Matthew Salesses, Ruth Joffre, Danielle Lazarin, Joseph Aguilar, Thomas Legendre, Patricia Murphy, Wendy Oleson, Alicita Rodríguez, and Thaddeus Rutkowski. Also featured are translation folios by Italian experimental poet and computer scientist Lorenzo Carlucci, Brazilian poet and PEN Brazil National Prize Winner Denise Emmer, and internationally renowned Russian poet Tatiana Shcherbina. Other contributors include poets Kaveh Akbar, Adam Tavel, David Dodd Lee, Kerri French, Ashley Keyser, Ryan Sharp, Kevin Craft, J. Allyn Rosser, Zeina Hashem Beck, Ed Bok Lee, John A. Nieves, &c.; fiction writers Bradley Bazzle, Erin Kate Ryan, and T. D. Storm; and nonfiction writers Aimée Baker, Dan Beachy-Quick, and S. Farrell Smith.

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“Superb...an appropriate homage”—Marilyn Stasio, New York TimesThe much-anticipated final installment in Ariana Franklin’s popular Mistress of the Art of Death historical mystery series, finished by the author’s daughter after her death.England. 1191. After the death of her friend and patron, King Henry II, Adelia Aguilar, England’s vaunted Mistress of the Art of Death, is living comfortably in retirement and training her daughter, Allie, to carry on her craft—sharing the practical knowledge of anatomy, forensics, and sleuthing that catches murderers. Allie is already a skilled healer, with a particular gift for treating animals. But the young woman is nearly twenty, and her father, Rowley, Bishop of Saint Albans, and his patron, the formidable Queen Eleanor of Aquitaine, have plans to marry Allie to an influential husband . . . if they can find a man who will appreciate a woman with such unusual gifts.When a friend in Cambridgeshire falls ill, Allie is sent to Ely, where her path will cross with Lord Peverill, a young aristocrat who would be a most suitable match for the young healer. But when Allie arrives, all is chaos. A village girl has disappeared—and she’s not the first. Over the past few months, several girls from the villages surrounding Ely have vanished. When the body of one of the missing is discovered, Allie manages to examine the remains before burial. The results lead her to suspect that a monstrous predator is on the loose. Will her training and her stubborn pursuit of the truth help her find the killer...or make her the next victim?A richly detailed, twisty thriller, Death and the Maiden is historical mystery at its finest—and a superb final episode in Ariana Franklin’s much-loved, much-acclaimed series.

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In Singing in a Foreign Land, Karen A. Weisman examines the uneasy literary inheritance of British cultural and poetic norms by early nineteenth-century Anglo-Jewish authors. Focusing on a range of subgenres, from elegies to pastorals to psalm translations, Weisman shows how the writers she studies engaged with the symbolic resources of English poetry—such as the land of England itself—from which they had been historically alienated. Weisman looks at the self-conscious explorations of lyric form by Emma Lyon; the elegies for members of the British royal family penned by Hyman Hurwitz; the ironic reflections on hybrid identities written by sisters Celia and Marion Moss; and the poems of Grace Aguilar that explicitly join lyric effusion to Jewish historical concerns. These poets were well-versed in both Jewish texts and mainstream literary history, and Weisman argues that they model an extreme example of Romantic self-reflexivity: they implicitly lament their own inability fully to appropriate inherited Romantic ideals about nature and transcendence even while acknowledging that those ideals are already deeply ironized by such figures as Coleridge, Shelley, and Wordsworth. And because they do not possess a secure history binding them to the landscape of British hearth and home, they recognize the need to create in their lyric poetry a stable narrative of identity within England and within the King's English even as they gesture toward the impossibility—and sometimes even the undesirability—of doing so. Singing in a Foreign Land reveals how these Anglo-Jewish poets, caught between their desire to enter the English lyric tradition and their inability as Jews to share in the full religious and cultural Romantic heritage, asserted a subtle cultural authority in their poems that recognized an alienation from their own expressive resources.

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"Alexis Daria's A Lot Like Adiós is a charming, sexy spitfire of a novel! Romance readers, this is your new favorite book!" --Emily Henry, #1 New York Times bestselling author of People We Meet on VacationThe national bestselling author of You Had Me at Hola returns with a seductive second-chance romance about a commitment-phobic Latina and her childhood best friend who has finally returned home.Hi Mich. It’s Gabe.After burning out in her corporate marketing career, Michelle Amato has built a thriving freelance business as a graphic designer. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago.It’s been a long time.Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him.I’ve missed you.Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?

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Home — signaling a dwelling, residence or place of origin — embodies one of the most basic concepts for understanding an individual or group within a larger physical and social environment. Yet home has been a little noted, although prevalent, feature in art since the 1950s, a period in which artists challenged the traditional “object” of the visual arts through the use of material and media culture, new forms, and performative actions and processes. This volume explores works by diverse U.S. Latino and Latin American artists whose engagement with the concept of “home” provides the basis for an alternative narrative of post-war art. Their work brings together an impressive array of formal languages, conceptual strategies, and art historical references with the varied social concerns characterizing both the postwar period in the Americas and an emerging global economy impacting day-to-day life. The artists featured in this volume engage home as both concept and artifact. This can be seen in the use of building fragments or excisions (Gordon Matta-Clark, Gabriel de la Mora, and Leyla Cárdenas), household furniture (Raphael Montañez Ortiz, Beatriz González, Doris Salcedo, Amalia Mesa-Bains, Guillermo Kuitca), and personal possessions (Carmen Argote, María Teresa Hincapié, Camilo Ontiveros), and also in the use of coca leaves as a material base of the American Dream and its economic exchange with Colombia (Miguel Angel Rojas). Within more representational work, home is the re-creation of fraught domiciles (Abraham Cruzvillegas, Pepón Osorio, Daniel J. Martinez), a collage of spaces, styles, and materials (Antonio Berni, Andrés Asturias, Jorge Pedro Nuñez, Miguel Angel Ríos, Juan Sanchez), and a juxtaposition of bodies and place (Laura Aguilar, Myrna Báez, Johanna Calle, Perla de León, Ramiro Gomez, Jessica Kairé, Vincent Valdez). In more conceptual work, home is all these things reduced to form—a floor plan (Luis Camnitzer, León Ferrari, María Elena González, Guillermo Kuitca), a catalog of objects (Antonio Martorell, Hincapié), or a housing development plan (Livia Corona Benjamin, Martinez). In the end, home is a journey without arrival (Allora y Calzadilla, Luis Cruz Azaceta, Christina Fernandez, Felix Gonzalez-Torres, Julio César Morales, Teresa Serrano). Home—So Different, So Appealing reveals the departures and confluences that continue to shape US Latino and Latin American art and expands our appreciation of these artists and their work.

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The Elgar Encyclopedia of Environmental Law is a landmark reference work, providing definitive and comprehensive coverage of this dynamic field. Each volume probes the key elements of law, the essential concepts, and the latest research through concise, structured entries written by international experts. Each entry includes an extensive bibliography as a starting point for further reading. The mix of authoritative commentary and insightful discussion will make this an essential tool for research and teaching, as well as a valuable resource for professionals and policymakers. The unprecedented degradation of the planet's vital ecosystems and species, and the consequent damage to the variability of life on Earth, are one of the most pressing issues confronting the international community. The purpose of this volume of the Elgar Encyclopedia of Environmental Law is to provide a critical assessment of international biodiversity law in the face of the failed attempts to reduce the global trend in irreversible biodiversity loss and the need to increase efforts, including through indirect drivers of change such as institutions, governance and legal frameworks. The volume assesses comprehensively how and to what extent international law has addressed the key concerns presently facing biodiversity conservation, made recourse to conventional and market-based approaches to biodiversity conservation and sustainable use, tackled cross-cutting issues, and considered direct as well as indirect changes in socio-economic conditions. In doing so, the volume examines the historical development, principles, themes and cross cutting issues of international biodiversity law. Each article, written by an invited expert in that field, contains an overview of the topic, provides a concise review of current knowledge, identifies new directions for cutting-edge research and offers an extensive bibliography. This major research-focused resource and its in-depth exploration of the field of biodiversity law is an essential reference for university students, teachers, researchers, practitioners and policy makers.Contributors include: N. Affolder, S. Aguilar, S. Alam, R.A. Barnes, V. Barral, S.W. Burgiel, A. Cardesa-Salzmann, C. Chiarolla, A. Cliquet, N. Craik, N. de Sadeleer, L. de Silva, D. Diz, B. Ferreira de Souza Dias, A. Fodella, K. Garforth, A. Gupta, V. Jenkins, H.C. Jonas, A. Kotsakis, A. Langlais, S. Maljean-Dubois, E. Morgera, R. Moynihan, M. Ntona, A. Orsini, R. Pavoni, N. Peralta, F. Perron-Welch, D. Piselli, J. Razzaque, S. Romppanen, A. Savaresi, N. Schabus, H. Schoukens, P. Schwartz, E.J. Techera, E. Tsioumani, H. van Asselt, M. Wemaëre, C. Willmore,

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Brimming with intricate research and enduring wonder, The Passenger is a love-letter to global travel The Passenger collects the best new writing, photography, and reportage from around the world. Its aim, to break down barriers and introduce the essence of a place. Packed with essays and investigative journalism; original photography and illustrations; charts, and unusual facts and observations, each volume offers a unique insight into a different culture, and how history has shaped it into what it is today. “When you hold it your hands, The Passenger takes you back to another time, one when travel literature had a scent, and texture.”—Paco Nadal, El País “These books are so rich and engrossing that it is rewarding to read them even when one is stuck at home.”―The TLS “[The Passenger] has a strong focus on storytelling, with pages given over to a mix of essays, playlists and sideways glances at subcultures and thorny urban issues.”—MONOCLE “Half-magazine, half-book… think of [The Passenger] as an erudite and literary travel equivalent to National Geographic, with stunning photography and illustration and fascinating writing about place.”—Independent.ie (Best series of the year – 2021) “The Passenger readers will find none of the typical travel guide sections on where to eat or what sights to see. Consider the books, rather, more like a literary vacation--the kind you can take without braving a long flight in the time of Covid-19.”—Publisher's Weekly IN THIS VOLUME: Guadalupe Nettel on Mexico City・Elena Reina on femicide・Yasnaya Aguilar on indigenous languages and racism・Valeria Luiselli on Frida Kahlo and “fridolatry”・Dario Aleman on the Mayan Train project, and much more… Mexico: once synonymous with escape and freedom, better known nowadays for widespread violence, narcotraffic, and migration. Sea, beaches, ancient ruins, tequila: under the patina of mass tourism there's a complex, neurotic country trying to carve out a place for itself in the shadow of its hulky neighbour. The most populous Hispanic country in the world, 89 indigenous languages are spoken: a contradictory legacy reflected in its political, social, religious (and food!) culture. With a fifth of the population identifying as indigenous, rediscovering and revaluing the country's pre-Columbian roots informs much of public debate. The controversial Mayan train project connecting Mexico's Caribbean resorts with the South's archaeological sites, crossing (and compromising) communities and forests, is a perfect example of the opposition between the two souls of the country. It's the drive towards resolving this contradiction, or better still learning to live with it, that will define the Mexico of the future.

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Featuring contributed chapters from established and emerging communication theorists with varied cultural backgrounds and identities, Communication Theory: Racially Diverse and Inclusive Perspectives decenters traditional views of communication by highlighting perspectives from the global majority. The text deviates from a white-colonial-normative theoretical core to provide students with a more holistic exploration of communication theory.The book helps readers understand how the communicative experiences of marginalized groups represent important theoretical frames necessary for a full, comprehensive view of communication. It offers innovative conceptions of communication theorizing centered in and through the perspectives of African American/Black, Latinx, Asian American, and Indigenous/First Nations people. Through the presentation of canonized theories alongside innovative, cutting-edge theories, the text challenges students to expand and enhance the ways in which they see, use, and apply communication theory. A unique feature of the text is the inclusion of storied reflections—personal narratives that reveal scholars at various stages of their careers ruminating on their own experiences with theory. These reflections demonstrate how ethnic and racialized standpoints can inform and advance scholarship within the discipline.Communication Theory presents an inclusive, holistic approach to communication theory and inspires continued exploration, research, and theory in the discipline. It can serve as a primary textbook as well as a companion volume to other textbooks on communication theory.Chapters and contributors include: Chapter 1 – Undocumented Critical Theory – Carlos Aguilar and Daniela Juarez Chapter 2 – Black Feminist Thought – Marnel Niles Goins and Jasmine T. Austin Chapter 3 – Cultural Contracts Theory – Ronald L. Jackson II and Gina Castle Bell Chapter 4 – Conflict Face-Negotiation Theory in Intercultural-Interpersonal Contexts – Stella Ting-ToomeyChapter 5 – Co-cultural Theory – Mark P. Orbe and Fatima AlbrehiChapter 6 – Ethnic Communication Theory – Uchenna OnuzulikeChapter 7 – Social Network Theory – Wenlin LiuChapter 8 – Ethnic-Racial Socialization and Communication – Mackensie MinniearChapter 9 – Strong Black Woman Collective Theory – Sharde M. Davis and Martinique K. JonesChapter 10 – Theory of Differential Adaptation – Antonio Tomas De La. GarzaChapter 11 – Four-Faceted Model of Accelerating Leader Identity – Jeanetta D. Sims and Ed CunliffChapter 12 – Culture-Centered Approach to Communicating Health – Mohan J. Dutta Chapter 13 – Bilingual Health Communication (BHC) Model – Elaine Hsieh Chapter 14 – Complicity Theory – Mark Lawrence McPhailChapter 15 – Womanist Rhetorical Theory – Dianna N. Watkins-DickersonChapter 16 – Positive Deviance Approach – Arvind Singhal Chapter 17 – Stuart Hall and Cultural Studies – Isabel Molina-Guzman Chapter 18 – (Counter)Public Sphere Theory – Catherine R. Squires and Mark P. OrbeChapter 19 – Critical Media Effects – Srividya "Srivi" Ramasubramanian Chapter 20 – Theory of Hyper(in)Visibility – Amber Johnson and Jade Petermon Storied reflections include: Living for This Stuff! – Mark P. Orbe "Humph, but not for long!" – Jasmine T. Austin Fascinations, Frameworks, and Knowledge Pauses – Jeanette D. Sims Does It Really Work Like That? – Britney N. Gilmore Black Masculinities Theory – Mark C. Hopson It Hasn't Been What I Imagined – Ashlee Lambert An Upward Journey and Sunwise Path – Dalaki Livingston Communication Modalities—Behavior in Search of Theory – Dorothy L. Pennington A Practitioner's Journey with Theory—Using Theories for Skill Building on the Frontlines of Organizations – Pavitra Kavya "I'm Blackity Black, and I'm Black Y'all!" – Ajia Meux The Magic of Mentors and Theory – Kristina Ruiz-Mesa Making Ourselves Visible – Nickesia S. Gordon Representation in Coming – Tianna L. Cobb The Push and Pull of Connection Making – Scott E. Branton Grappling with My Zonas Erroneas as a Double Outsider – Wilfredo Alvarez Connecting and Disconnecting through Proyectos e Investigaciones – Virginia Sanchez Hovering about Prevailing Theories – Alberto Gonzalez Returning Home – B. Liahnna Stanley Searching for Stuart Hall – Catherine R. Squires The (Mis)Education of Race – David Stamps Theory as Liberation – Elizabeth M. Lozano

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