Search results for ""adams""

"I have sometimes asked myself whether my country is the better for my having lived at all?" Jefferson muses in this volume. His answer: "I do not know that it is." Required by custom to be "entirely passive" during the presidential campaign, Jefferson, at Monticello during the summer of 1800, refrains from answering attacks on his character, responds privately to Benjamin Rush's queries about religion, and learns of rumors of his own death. Yet he is in good health, harvests a bountiful wheat crop, and maintains his belief that the American people will shake off the Federalist thrall. He counsels James Monroe, the governor of Virginia, on the mixture of leniency and firmness to be shown in the wake of the aborted revolt of slaves led by the blacksmith Gabriel. Arriving in Washington in November, Jefferson reports that the election "is the only thing of which any thing is said here." He is aware of Alexander Hamilton's efforts to undermine John Adams, and of desires by some Federalists to give interim executive powers to a president pro tem of the Senate. But the Republicans have made no provision to prevent the tie of electoral votes between Jefferson and Aaron Burr. Jefferson calls Burr's conduct "honorable & decisive" before prospects of intrigue arise as the nation awaits the decision of the House of Representatives. As the volume closes, the election is still unresolved after six long days of balloting by the House.

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From its introduction in 2007, the International Harvester Navistar MaxxPro evolved to meet the demands of U.S. military personnel in defeating the effects of improvised explosive devices on vehicles in the theaters of operation in Iraq and Afghanistan. By 2015, nearly 9,000 MaxxPro MRAP variants had been in service with 16 nations in addition to the United States.Based on the sturdy and reliable line of International Harvester commercial trucks, the MaxxPro MRAP variants would grow to encompass the M1224; M1224A1; M1234; M1235 and the massive M1249 wrecker. Noted military vehicle experts John Adams-Graf and David Doyle tackle this subject like never before. Tracing the origins of the MaxxPro from its conception in 2006 and throughout its varied career in all combat theaters, this is a Visual History title like no other. Drawing on official documents and Defense Department imagery every facet of the vehicle’s development and deployment are covered. Each of the full-page color photographs is more stunning than the next. Arranged chronologically, the coverage depicts Iraq and Afghanistan zones, as well as training areas and finally the redeployment of the MaxxPro family in the hands of Iraqi and Afghani national troops. This coverage is also supplemented with detailed walk around images of the M1224 and M1249 wrecker. All in all, a title not to be missed by the modern vehicle enthusiast and an indispensable reference for anyone owning the Kinetic or Bronco scale model kits.

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Choice Outstanding Academic Title 2002 Once the egalitarian passions of the American Revolution had dimmed, the new nation settled into a conservative period that saw the legal and social subordination of women and non-white men. Among the Founders who brought the fledgling government into being were those who sought to establish order through the reconstruction of racial and gender hierarchies. In this effort they enlisted “the fair sex,”—white women. Politicians, ministers, writers, husbands, fathers and brothers entreated Anglo-American women to assume responsibility for the nation's virtue. Thus, although disfranchised, they served an important national function, that of civilizing non-citizen. They were encouraged to consider themselves the moral and intellectual superiors to non-whites, unruly men, and children. These white women were empowered by race and ethnicity, and class, but limited by gender. And in seeking to maintain their advantages, they helped perpetuate the system of racial domination by refusing to support the liberation of others from literal slavery. Schloesser examines the lives and writings of three female political intellectuals—;Mercy Otis Warren, Abigail Smith Adams, and Judith Sargent Murray—;each of whom was acutely aware of their tenuous position in the founding era of the republic. Carefully negotiating the gender and racial hierarchies of the nation, they at varying times asserted their rights and demurred to male governance. In their public and private actions they represented the paradigm of racial patriarchy at its most complex and its most conflicted.

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Women of the American Revolution will explore the trials of war and daily life for women in the United States during the War for Independence. What challenges were caused by the division within communities as some stayed loyal to the king and others became patriots? How much choice did women have as their loyalties were assumed to be that of their husbands or fathers? The lives of women of the American Revolution will be examined through an intimate look at some significant women of the era. Some names will be familiar, such as Martha Washington who travelled to winter camps to care for her husband and rally the troops or Abigail Adams who ran the family's farms and raised children during John's long absences. Elizabeth Schuyler Hamilton is popular for her role in Hamilton the musical, but did you know she was also an early activist working tirelessly for multiple social causes? Decide for yourself if the espionage of Agent 355 or the ride of Sybil Ludington are history or myth. Not all American women served the side of the revolutionaries. Peggy Shippen gambled on the loyalist side and paid severe consequences. From early historian Mercy Otis Warren to Dolley Madison, who defined what it means to be a US First Lady, women of the American Revolution strived to do more than they had previously thought possible during a time of hardship and civil war.

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'Unapologetically romantic, wonderfully sexy, always brilliant' Ali Hazelwood'The perfect book to lift your spirits' Beth O'Leary------Tara Chen has had her heart broken ten times, by ten different men. Nevertheless, she is still determined to find her perfect match. The only problem? Tara is a romance novel obsessive, and her standards are sky high.Modern dating apps have killed the meet-cute, so Tara decides to revisit her exes - all ten of them - in the hope of finding her very own trope-worthy second-chance romance. And every heroine needs a sidekick, so she enlists her new flatmate, firefighter Trevor.Trevor Metcalfe is the first to rush into a burning building but the last to rush into a relationship. Love just isn't his thing. But, the more time they spend together, the more Trevor appreciates Tara's authentic, dramatic self.Can they break the habits of a lifetime and give their spark a chance?------'Sparkles with Amy's signature sweetness and steam' Carley Fortune, Every Summer After'An outright, unmitigated delight' Christina Lauren, The Unhoneymooners'Every rom-com reader's dream' Emily Wibberley and Austin Siegemund-Broka, The Roughest Draft'The tension is chef's kiss!' Sarah Adams, When in Rome'Sexy and sweet with a pitch-perfect slow burn romance' Catherine Walsh, Holiday Romance'A perfect mix of relatable characters, hilarious banter and steam' Lily Chu, The Stand-In'Delicious, funny and emotional' Cressida McLauchlin, The Cornish Cream Tea Bookshop

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Climate change is the great existential reality of our time. How we approach this crisis will affect life on Earth for present and future generations. In spite of our collective ideals, irreversible damage to the environment is imminent and represents urgent local and global concern. Through artfully rendered photographs of an acutely endangered landscape, Oceano: An Elegy for the Earth explores the deep paradox between the devout, powerful presence of nature and environmental loss and damage.Extending eighteen miles along Central California’s famed coastline and divided into both a natural preserve and a state vehicular recreation area, the Oceano Dune complex has long fascinated photographers such as Ansel Adams and Edward and Brett Weston. The ephemeral, ever-changing landscape here expresses a sublime order and reflects many correlations between land and the dynamics of human society. Using metaphors that inspire hope and explore impermanence and darkness contrasted with the purity of suffusing light, Ulrich’s photographs have been likened to Mark Rothko’s “silence and solitude” that express the resonance and subtle dimensions of consciousness.The coastal environment of the Oceano Dunes is tempered by multiple threats such as incessant motorized activity, the toxicity of surrounding industrial-scale agriculture, and some of the worst air quality in the nation. Thus, for the book’s sequence of images, the photographer employs the literary form of an elegy, an extended reflection and lamentation on Earth during the early twenty-first century. An elegy refers to a poetic reflection of sorrow and love, often for a transient, mortal entity. As Ulrich writes: “Sorrow and love for Earth, indeed. No better articulation exists for my regard for our dying planet and common mother.”

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The best professional advice Henry Horenstein ever received was to “shoot what you love.” He’s been doing that for more than four decades, capturing photographs that often richly evoke older cultures and places, especially ones that are disappearing: country musicians in Branson, horse racing at Saratoga Springs, nightlife in Buenos Aires, fais do-dos in Cajun Louisiana, old highways everywhere. Horenstein brings these images together in this rich visual memoir, along with behind-the-scenes stories, insights, and tips and suggestions for being a better photographer. His photographs and engaging, often humorous stories chronicle a career that begins in the 1960s, when photography was a trade and even the greatest photographers were not considered to be artists. He amusingly recounts his early assignments. Using his family and friends as subjects for a book on drug abuse was not too much of a stretch, he says, and while shooting Dolly Parton for what would become the Boston Phoenix, the star told him, “Honey, people don’t come out to see me looking like them.” He engagingly recalls his shoots with stars like the Lennon Sisters and Emmylou Harris, as well as his encounters with Ansel Adams, Minor White, Aaron Siskind, Harry Callahan, Nan Goldin, and many other photo legends. Commanding these pages, though, are the subjects with whom Horenstein has chosen to spend most of his professional career, shooting what he loves. His images of honky-tonk stars, stock car drivers, exotic sea creatures, mixed-race residents of rural Maryland, and Venezuelan baseball players tell what he calls “a good story . . . with humor and a punch line, if possible.”

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Chronicles the rise and fall and rise again of drugs popular in the U.S. Most Americans would be surprised to learn that large quantities of beer were brought over on the Puritan ships and that the hallowed Puritans were fond of drink. How many today realize that hemp was once one of our most lucrative cash crops encouraged by President John Adams and promoted by the Agriculture department? Or that cocaine, opium and heroin had several waves of popularity in this century and the last? Drugs and alcohol have been with us from the start. So have attempts to control or eliminate their use. In the first anthology of its kind, renowned drug policy expert David Musto chronicles the rise and fall and rise again of the most popular mind altering substances in the Unites States: alcohol, marijuana, cocaine and opiates. In the section on alcohol we hear the Reverend Lyman Beecher, prominent radical abolitionist and father of Harriet Beecher Stowe, thundering against the evils of alcohol in 1826. We read medical documents that show how the first stirrings of concern about about what is now termed fetal-alcohol syndrome in 1910 turned public opinion against drinking and helped move the country toward Prohibition. The sections on illegal drugs contain surprises as well. With accessible, jargon-free introductions this anthology puts drug and alcohol use at the center of American culture. At this critical point in the "war on drugs" if we do not appreciate our drug and alcohol history we may become captive to the powerful emotions that lead to draconian repression, exaggeration, or apathy and silence.

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Elections are, and always have been, the lifeblood of American democracy. Often raucous and sharply contentious, sometimes featuring grand debates about the nation's future, and invariably full of dramatic moments, elections offer insight into the character and historical evolution of American politics. America at the Ballot Box uses the history of presidential elections to illuminate American political democracy and its development from the early Republic to the late twentieth century. Some of the contributions in America at the Ballot Box focus on elections that resulted in dramatic political change, including Jefferson's defeat of Adams in 1800, the 1860 election of Lincoln, and Reagan's 1980 landslide victory. Others concentrate on contests whose importance lies more in the way they illuminate the broad, underlying processes of political change, such as the corruption controversy of Cleveland's acrimonious election in 1884 or the advent of television advertising during the 1952 campaign, when Eisenhower defeated Stevenson. Another set of essays takes a thematic approach, exploring the impact of foreign relations, Anglophobia, and political communications over long periods of electoral time. Uniting all of the chapters is the common conviction that elections provide a unique vantage point from which to view the American political system. Ranging from landmark contests to less influential victories and defeats, the essays by leading political historians seek to rehabilitate the historical significance of presidential elections and integrate them into the broader evolution of American government, policies, and politics. Contributors: Brian Balogh, Gareth Davies, Meg Jacobs, Richard R. John, Kevin M. Kruse, Jeffrey L. Pasley, Andrew Preston, Elizabeth Sanders, Bruce J. Schulman, Jay Sexton, Adam I. P. Smith, Sean Wilentz, Julian E. Zelizer.

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In The Mirror of Antiquity, Caroline Winterer uncovers the lost world of American women's classicism during its glory days from the eighteenth through the nineteenth centuries. Overturning the widely held belief that classical learning and political ideals were relevant only to men, she follows the lives of four generations of American women through their diaries, letters, books, needlework, and drawings, demonstrating how classicism was at the center of their experience as mothers, daughters, and wives. Importantly, she pays equal attention to women from the North and from the South, and to the ways that classicism shaped the lives of black women in slavery and freedom. In a strikingly innovative use of both texts and material culture, Winterer exposes the neoclassical world of furnishings, art, and fashion created in part through networks dominated by elite women. Many of these women were at the center of the national experience. Here readers will find Abigail Adams, teaching her children Latin and signing her letters as Portia, the wife of the Roman senator Brutus; the Massachusetts slave Phillis Wheatley, writing poems in imitation of her favorite books, Alexander Pope's Iliad and Odyssey; Dolley Madison, giving advice on Greek taste and style to the U.S. Capitol's architect, Benjamin Latrobe; and the abolitionist and feminist Lydia Maria Child, who showed Americans that modern slavery had its roots in the slave societies of Greece and Rome. Thoroughly embedded in the major ideas and events of the time—the American Revolution, slavery and abolitionism, the rise of a consumer society—this original book is a major contribution to American cultural and intellectual history.

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The Sicilian BB5 Revealed follows the huge success of The Benko Gambit Revealed and The Queen's Pawn Attack Revealed in a new and innovative series of books. Using fresh, clear presentation, the key ideas of the openings are explained in an entertaining and accessible way. The aim of this series is to provide the essential knowledge to play the opening, while at the same time revealing the current thinking of the World’s elite players. For example, ‘First Moves’ leads readers through the basic opening moves. ‘Heroes & Zeroes’ gives the best and worst performances with the opening and features some of the leading exponents of the Benko Gambit. ‘Tricks & Traps’ reveals how you might catch out your opponent. ‘What’s Hot’ pinpoints the very latest ideas from the world’s elite. A detailed table in the style of ECO is given at the close of the book, summarising the main variations with assessments. 'The Sicilian BB5' is the most popular and successful Anti-Sicilian Variation. It first came to attention when it was used by Vassily Ivanchuk to score a stunning win against Gary Kasparov at Linares in 1991. It has since become recognised as the perfect way to avoid mainline Sicilian theory without compromising White’s attacking ideals. As such it has proved a deadly weapon in the hands of Adams and Grischuk – and even Kasparov himself. In this book you will find full coverage of both 2…d6 3.Bb5+ and 2…Nc6 3.Bb5. You will be shown how to implement in your own games the ideas and attacking systems that have worked so successfully at the highest level.

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Perhaps no twentieth-century composer has provoked a more varied reaction among the music-loving public than Jean Sibelius (1865-1957). Originally hailed as a new Beethoven by much of the Anglo-Saxon world, he was also widely disparaged by critics more receptive to newer trends in music. At the height of his popular appeal, he was revered as the embodiment of Finnish nationalism and the apostle of a new musical naturalism. Yet he seemingly chose that moment to stop composing altogether, despite living for three more decades. Providing wide cultural contexts, contesting received ideas about modernism, and interrogating notions of landscape and nature, Jean Sibelius and His World sheds new light on the critical position occupied by Sibelius in the Western musical tradition. The essays in the book explore such varied themes as the impact of Russian musical traditions on Sibelius, his compositional process, Sibelius and the theater, his understanding of music as a fluid and improvised creation, his critical reception in Great Britain and America, his "late style" in the incidental music for The Tempest, and the parallel contemporary careers of Sibelius and Richard Strauss. Documents include the draft of Sibelius's 1896 lecture on folk music, selections from a roman clef about his student circle in Berlin at the turn of the century, Theodor Adorno's brief but controversial tirade against the composer, and the newspaper debates about the Sibelius monument unveiled in Helsinki a decade after the composer's death. The contributors are Byron Adams, Leon Botstein, Philip Ross Bullock, Glenda Dawn Goss, Daniel Grimley, Jeffrey Kallberg, Tomi Mkel, Sarah Menin, Max Paddison, and Timo Virtanen.

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Since the 1940s, federal and state government agencies have published comics to disseminate public information. Comics legends Will Eisner and Milton Caniff produced comics for the army. Li’l Abner joined the navy. Walt Kelly’s Pogo told parents how much TV their kids should watch, Bert the Turtle showed them how to survive a nuclear attack, and Dennis the Menace took “A Poke at Poison.” Smokey Bear had his own comic, and so did Zippy, the USPS mascot. Dozens of artists and writers, known and unknown, were recruited to create comics about every aspect of American life, from jobs and money to health and safety to sex and drugs. Whether you want the lowdown on psychological warfare or the highlights of working in the sardine industry, the government has a comic for you! Government Issue reproduces an important selection of these official comics in full-reading format, plus a broad range of excerpts and covers, all organized chronologically in thematic chapters. Earnest, informational, and kitschy, this outstanding collection is the ultimate comics vox populi.Praise for Government Issue:“Public-service comics never looked so good.” —Cleveland Plain Dealer “The book includes work by Neal Adams, Denis Kitchen, Milton Caniff, Walt Kelly, and other big names, all producing pages paid for by American taxpayers, many of whom never even got to see [them]. Now, at last, we have that chance.” —A.V. Club“A gold mine of the serious, the silly, and the truly strange stuff the government thinks we ought to know.” —Scripps Howard News Service

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"You have a unique viewpoint from which to write about Jack as no one else has or could write. I feel very deeply that this book must be written. And no one else, I repeat, can write it."-William S. Burroughs Edie Parker was eighteen years old when she met Jack Kerouac at Columbia University in 1940. A young socialite from Grosse Pointe, Michigan, she had come to New York to study art, and quickly found herself swept up in the excitement and new freedoms that the big city offered a sheltered young woman of that time. Jack Kerouac was also eighteen, attending Columbia on a football scholarship, impressing his friends with his intelligence and knowledge of literature. Introduced by a mutual friend, Jack and Edie fell in love and quickly moved in together, sharing an apartment with Joan Adams (who would later marry William S. Burroughs). This is the story of their life together in New York, where they began lifetime friendships with Allen Ginsberg, William S. Burroughs, and others. Edie's memoir provides the only female voice from that nascent period, when the leading members of the Beat Generation were first meeting and becoming friends. In the end, Jack and Edie went their separate ways, keeping in touch only on rare occasions through letters and late-night phone calls. In his last letter to Edie, written a month before his death, Kerouac ended it with the encouraging phrase: "You'll be okay." It was from that note that the title of this book was taken.

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Metaphysics, the science of being as being, is the subject of this volume composed in honour of John F. Wippel, the Theodore Basselin Professor of Philosophy at the Catholic University of America, and an internationally prominent metaphysician and expert in medieval philosophy. Scholars present studies on key philosophical and historical issues in the field. Though varied, the investigations address three major metaphysical themes: the subject matter of metaphysics, metaphysical aporiae, and philosophical theology.Robert Sokolowski considers the historical recapitulation of the phrase ""the science of being as being""; Dominic O'Meara focuses on the development of this science in late antiquity; Jan A. Aertsen asks why the medievals called it ""First Philosophy""; and Andreas Speer returns to the origins of metaphysical discourse for a better understanding of contemporary metaphysical issues. Gregory T. Doolan examines difficulties concerning Aquinas's metaphysics of substance; Jorge Gracia looks to the tradition of scholastic philosophy to examine the individuality and individuation of race; and James Ross argues against the modal ontologies of the twentieth century, showing that metaphysical possibility depends on the existence of a free, divine creator. Stephen F. Brown considers Godfrey of Fontaines on the role of metaphysics in revealed theology; John F. Wippel examines Aquinas on the ""preambles of faith,"" those doctrines presupposed by faith that can also be proven philosophically; Brian J. Shanley addresses Aquinas's philosophical views on providence; Eleonore Stump, looking to Aquinas as well, shows how God can be personally present to human beings; and Marilyn McCord Adams offers a metaphysical consideration of the Christian doctrine of resurrection.

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A revisionist look at the true state of rural England between the two world wars. England is the country, and the country is England, as Stanley Baldwin famously said in 1924, but what kind of country was it? There are persistent memories of depression and depopulation, of dilapidated villages and deserted country houses, in a period of bitter discontent and disturbance when the brief febrile excitements of the 1920s gave way to the thirties, Auden's "low dishonest decade". Recent work has radically modified the history of the interwar years, but largely from an urban and industrial viewpoint. Hitherto this revisionist perspective has left unquestioned one of the central components of the old orthodoxy: that this was a period of unremitting, unmitigated decline in the countryside. In The English Countryside Between the Wars an interdisciplinary group of scholars have come together to challenge this view. Organised into sections on society, culture, politics and the economy,and embracing subjects as diverse as women novelists and village crafts, the book argues that almost everywhere we look in the countryside between the wars there were signs of new growth and dynamic development. This will be required reading for everyone with an interest in British history between the wars and to lecturers, teachers and students studying social, cultural, political, economic and environmental history, historical and cultural geography, English literature, performance studies and art and design history. Contributors: ALUN HOWKINS, CAITLIN ADAMS, MARION SHAW, MARK RAWLINSON, MICK WALLIS, DAVID JEREMIAH, CHRISTOPHER BAILEY, JOHN SHEAIL, CLARE GRIFFITHS, NICHOLAS MANSFIELD, ROY BRIGDEN

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The transformative impacts of digitalization on society are visible both within nation states and across borders. Information and communication technologies are typically considered beneficial for democracy. Nevertheless, this book explores the challenges that technology brings to democracy, and in so doing advances our understanding of this crucial digital, social and political phenomenon. It contributes to the broader discussion of the relationship between international, national and sub-national norms, institutions and actors in an increasingly connected world. Insightful and current, this book offers a wide variety of perspectives in an area where there is still not yet an extensive body of research. It considers, for example: the extent to which new forms of digital political engagement change traditional democratic decision-making; how receptive national governments and authorities are to digital democratic movements; how governments can uphold the values of democratic society while also ensuring flexibility with regard to the private sector; and how we should judge these developments in light of the cross-border effects of digitalization. Understanding the influence of digitalization on democracy is crucial. As such, this book will appeal to a broad audience including, but not limited to, social scientists, policy makers, legal researchers, NGOs, governments, students and lawyers.Contributors include: M. Adams, A. Banerjee, E. Bayamlioglu, C.L. Blake, J. Cudmore, C. Cuijpers, A. Dumas, C.R. Farina, M.-J. Garot, T. Gylfason, H.L. Kong, E.A. Lazzari, P.L. Lindseth, N. Luka, A. Meuwese, L.F.M. Moncau, C. Nam, M. Newhart, U. Pagallo, I. Pernice, C. Prins, R. Radu, M.S.G. Rosina, R. Weill, K. van Aeken, B. Zhao, N. Zingales

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Author of the best-selling book The Elements Theodore Gray demonstrates essential scientific principles through thrilling daredevil experiments. 'What a magnificent book. It's gorgeous, playful, and draws you in.' ?Adam Savage, cohost of Mythbusters 'Theodore Gray?has attained a level of near superhuman geekery that the rest of us can only mutely admire.' ?Cecil Adams, 'TheStraight Dope' 'Gray's encyclopedic knowledge and contagious enthusiasm transport us to deep intellectual realms while never sacrificing a sense of wonder and, above all, fun.' ?Oliver Sacks, author of Awakenings, Musicophilia, and Uncle Tungsten: Memories of a Chemical BoyhoodIn Mad Science, Theodore Gray launches a toy rocket using the energy released from an Oreo cookie, ignites a phosphorus sun by suspending half a gram of white phosphorus in a globe filled with pure oxygen and creates a homemade hot tub by adding 500 pounds of quicklime to water. These are just a few of the 54 experiments included in this astonishing book that demonstrates essential scientific principles in ways you were likely never exposed to in school. Every experiment in Mad Science is accompanied by full-color photographs that provide a front-row seat to rarely seen chemical reactions and glorious subatomic activity. To further enhance the hands-on experience, Gray includes step-by-step instructions for nearly every experiment. Following all of the safety guidelines, readers can even re-create some of the experiments in the book. Mad Science is the perfect book for anyone fascinated by all things chemical, electrical, or explosive, and who loves a vicarious thrill.

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From George Washington's decision to buy time for the new nation by signing the less-than-ideal Jay Treaty with Great Britain in 1795 to George W. Bush's order of a military intervention in Iraq in 2003, the matter of who is president of the United States is of the utmost importance. In this book, Fred Greenstein examines the leadership styles of the earliest presidents, men who served at a time when it was by no means certain that the American experiment in free government would succeed. In his groundbreaking book The Presidential Difference, Greenstein evaluated the personal strengths and weaknesses of the modern presidents since Franklin D. Roosevelt. Here, he takes us back to the very founding of the republic to apply the same yardsticks to the first seven presidents from Washington to Andrew Jackson, giving his no-nonsense assessment of the qualities that did and did not serve them well in office. For each president, Greenstein provides a concise history of his life and presidency, and evaluates him in the areas of public communication, organizational capacity, political skill, policy vision, cognitive style, and emotional intelligence. Washington, for example, used his organizational prowess--honed as a military commander and plantation owner--to lead an orderly administration. In contrast, John Adams was erudite but emotionally volatile, and his presidency was an organizational disaster. Inventing the Job of President explains how these early presidents and their successors shaped the American presidency we know today and helped the new republic prosper despite profound challenges at home and abroad.

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On a June morning in 1870, seventy-five Chinese immigrants stepped off a train in the New England factory town of North Adams, Massachusetts, imported as strikebreakers by the local shoe manufacturer. They threaded their way through a hostile mob and then--remarkably--their new employer lined them up along the south wall of his factory and had them photographed as the mob fell silent. So begins A Shoemaker's Story. Anthony Lee seeks to understand the social forces that brought this now-famous photograph into being, and the events and images it subsequently spawned. He traces the rise of photography as a profession and the hopes and experiences of immigrants trying to find their place in the years following the Civil War. He describes the industrialization of the once-traditional craft of shoemaking, and the often violent debates about race, labor, class, and citizenship that industrialization caused. Generously illustrated with many extraordinary photographs, A Shoemaker's Story brings 1870s America to vivid life. Lee's spellbinding narrative interweaves the perspectives of people from very different walks of life--the wealthy factory owner who dared to bring the strikebreakers to New England, the Chinese workers, the local shoemakers' union that did not want them there, the photographers themselves, and the ordinary men and women who viewed and interpreted their images. Combining painstaking research with world-class storytelling, Lee illuminates an important episode in the social history of the United States, and reveals the extent to which photographs can be sites of intense historical struggle.

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The seventh book in the Architecture in Context series, this is a comprehensive survey of European architecture from the pre-dawn of the Enlightenment in early Georgian England to the triumph of Brutalism in the seventh decade of the twentieth century.The three main sections of the book are preceded by a concise introduction isolating the key philosophical or political theories which dominated the period: in particular Enlightenment and industrialization. The first section covers Anglo-Palladianism, French academic rationalism, their Neoclassical developments and the aspiration to the Sublime. This first part of the book develops the major strand of eclecticism before progressing to Historicism in the second, the choice of style seen to be relevant to a given commission, and the impact of industrial building techniques. The third and final part begins with Design Reform in reaction to industrialism and then proceeds to Design Reform in response to the reactionaries, but they too continue to make their mark as the chronicle progresses. The epilogue covers developments from the advent of the Postmodernists and their High-Tech adversaries to the diversity of formal and technological games played out towards the end of the century.The many great architects and designers whose work both defines and illustrates the themes of the book include visionaries like Soane, Boullée and Schinkel, entrepreneurial innovators such as the Adams brothers and Repton, engineers of the age of iron including Eiffel, Paxton and Bélanger, and 20th-century giants – Frank Lloyd Wright, Ludwig Mies van der Rohe and Le Corbusier among numerous others.

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The first full-length biography of civil rights hero and congressman John Lewis “The perfect book, at the right time.”—Michael Henry Adams, The Guardian For six decades John Robert Lewis (1940–2020) was a towering figure in the U.S. struggle for civil rights. As an activist and progressive congressman, he was renowned for his unshakable integrity, indomitable courage, and determination to get into “good trouble.” In this first book-length biography of Lewis, Raymond Arsenault traces Lewis’s upbringing in rural Alabama, his activism as a Freedom Rider and leader of the Student Nonviolent Coordinating Committee, his championing of voting rights and anti-poverty initiatives, and his decades of service as the “conscience of Congress.” Both in the streets and in Congress, Lewis promoted a philosophy of nonviolence to bring about change. He helped the Reverend Martin Luther King Jr. and other civil rights leaders plan the 1963 March on Washington, where he spoke at the Lincoln Memorial. Lewis’s activism led to repeated arrests and beatings, most notably when he suffered a skull fracture in Selma, Alabama, during the 1965 police attack later known as Bloody Sunday. He was instrumental in the passage of the Voting Rights Act of 1965, and in Congress he advocated for racial and economic justice, immigration reform, LGBTQ rights, and national health care. Arsenault recounts Lewis’s lifetime of work toward one overarching goal: realizing the “beloved community,” an ideal society based in equity and inclusion. Lewis never wavered in this pursuit, and even in death his influence endures, inspiring mobilization and resistance in the fight for social justice.

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A companion to Andrew F. Smith's critically acclaimed and popular Eating History: Thirty Turning Points in the Making of American Cuisine, this volume recounts the individuals, ingredients, corporations, controversies, and myriad events responsible for America's diverse and complex beverage scene. Smith revisits the country's major historical moments-colonization, the American Revolution, the Whiskey Rebellion, the temperance movement, Prohibition, and its repeal-and he tracks the growth of the American beverage industry throughout the world. The result is an intoxicating encounter with an often overlooked aspect of American culture and global influence. Americans have invented, adopted, modified, and commercialized tens of thousands of beverages-whether alcoholic or nonalcoholic, carbonated or caffeinated, warm or frozen, watery or thick, spicy or sweet. These include uncommon cocktails, varieties of coffee and milk, and such iconic creations as Welch's Grape Juice, Coca-Cola, root beer, and Kool-Aid. Involved in their creation and promotion were entrepreneurs and environmentalists, bartenders and bottlers, politicians and lobbyists, organized and unorganized criminals, teetotalers and drunks, German and Italian immigrants, savvy advertisers and gullible consumers, prohibitionists and medical professionals, and everyday Americans in love with their brew. Smith weaves a wild history full of surprising stories and explanations for such classic slogans as "taxation with and without representation;" "the lips that touch wine will never touch mine;" and "rum, Romanism, and rebellion." He reintroduces readers to Samuel Adams, Thomas Jefferson, George Washington, and the colorful John Chapman (Johnny Appleseed), and he rediscovers America's vast literary and cultural engagement with beverages and their relationship to politics, identity, and health.

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Douglas Stewart Prize for Non-FictionIndigenous Writers' PrizeUTS Glenda Adams Award for New WritingLonglisted for the 2023 Stella PrizePrime Minister's Summer Reading List 2022, Grattan InstituteWe Come with This Place is a remarkable book, as rich, varied and surprising as the vast landscape in which it is set. Debra Dank has created an extraordinary mosaic of vivid episodes that move about in time and place to tell an unforgettable story of country and people.There is great pain in these pages, and anger at injustice, but also great love, in marriage and in family, and for the land. Dank faces head on the ingrained racism, born of brutal practice and harsh legislation, that lies always under the skin of Australia, the racism that calls a little Aboriginal girl names and beats and rapes and disenfranchises the generations before hers. She describes sudden terrible violence, between races and sometimes at home. But overwhelmingly this is a book about strong, beloved parents and grandparents, guiding and teaching their children and grandchildren what country means, about joyful gatherings and the pleasures of eating food provided by the place that nourishes them, both spiritually and physically.We Come with This Place is deeply personal, a profound tribute to family and the Gudanji Country in Australia, to which Debra Dank belongs, but it is much more than that. Here is Australia as it has been for countless generations, land and people in effortless balance, and Australia as it became, but also Australia as it could and should be.

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A history of the First World War told through the letters exchanged by ordinary British soldiers and their families. Letters from the Trenches reveals how people really thought and felt during the conflict and covers all social classes and groups D from officers to conscripts and women at home to conscientious objectors. Voices within the book include Sergeant John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917:\'For the day we get our letter from home is a red Letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.' Private Stanley Goodhead, who served with one of the Manchester Pals Battalion, wrote home in 1916: \'I came out of the trenches last night after being in 4 days. You have no idea what 4 days in the trenches means...The whole time I was in I had only about 2 hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them...We are literally caked with brown mud and it is in all our food, tea etc.\' Jacqueline Wadsworth skilfully uses these letters to tell the human story of the First World War D what mattered to Britain's servicemen and their feelings about the war; how the conflict changed people; and how life continued on the Home Front.

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Let Anne McCaffrey, storyteller extraordinare and New York Times and Sunday Times bestselling author, take you on a journey to a whole new world: Pern. A world of dragons and other worldly forces; a world of mighty power and ominous threat. If you like David Eddings, Brandon Sanderson and Douglas Adams, you will love this.'Anne McCaffrey, one of the queens of science fiction, knows exactly how to give her public what it wants' -- THE TIMES'Mesmerising and totally unputdownable' -- ***** Reader review'Staggeringly good' -- ***** Reader review'Another story of Pern I simply couldn't put down' -- ***** Reader review'Just brilliant!!!' -- ***** Reader review***********************************************************************************Here are five gripping episodes of early Pern -- from the very first space survey recommending colonisation, to the last, where the early world, its young dragon culture undetected, is condemned to be isolated in space.Here is the saga of the mass evacuation from the volcanic southern continent, an entire group of people moved across the dangerous seas, guarded and guided by a flotilla of dolphins.Here, too, is the story of the creation of Ruatha Hold -- a mammoth undertaking in the early days of Pern.And here is one of the most fascinating dragon tales ever written by Anne McCaffrey, when Fort Weyr was the only weyr, and when dragonriders and dragons were overcrowded to danger point. As the news broke of three fresh weyrs to be established, a young girl, Torene, came to realize that her dragon could be the next Queen of the newly formed Benden Weyr...

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Let Anne McCaffrey, storyteller extraordinare and New York Times and Sunday Times bestselling author, take you on a journey to a whole new world: Pern. A world of dragons and other worldly forces; a world of mighty power and ominous threat.. If you like David Eddings, Brandon Sanderson and Douglas Adams, you will love this."Anne McCaffrey, one of the queens of science fiction, knows exactly how to give her public what it wants" - THE TIMES"Do yourself a favour and read ANYTHING by this Author, you won't be sorry" -- ***** Reader review"A real page turner" -- ***** Reader review"Delightful reading, well written, and wonderful characters, and Dragons! Lots of Dragons! Bliss!" -- ***** Reader review"A brilliant read" -- ***** Reader review*******************************************************************************A YOUNG GIRL'S DESTINY AWAITS...Every two hundred years or so, shimmering Threads fall from space, raining death and black ruin on Pern. The great dragons of Pern hurl themselves through the beleagured skies, flaming tongues of fire to destroy deadly Thread and save the Planet.But it was not Threadfall that made young Menolly unhappy. It was her father who betrayed her ambition to be a Harper, who thwarted her love of music. Menolly had no choice but to run away.When, suddenly, she came upon a group of fire lizards, wild and smaller relatives of the fire-breathing dragons, she let her music swirl around them and taught nine of them to sing.Suddenly Menolly was no longer alone -- she was Mistress of Music and Ward of the dazzling fire dragons.The Dragonriders of Pern series continues in Dragonsinger.

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Book 8 in the Rivers of London series, from Sunday Times Number One bestselling author Ben Aaronovitch.Peter Grant is facing fatherhood, and an uncertain future, with equal amounts of panic and enthusiasm. Leaving his old police life behind, he takes a job with Silicon Valley tech genius Terrence Skinner's new London start up: the Serious Cybernetics Corporation.Drawn into the orbit of Old Street's famous 'silicon roundabout', Peter must learn how to blend in with people who are both civilians and geekier than he is. Compared to his last job, Peter thinks it should be a doddle. But magic is not finished with the Met's first trainee wizard in fifty years.Because a secret is hiding somewhere in the building. A technology that stretches back to Ada Lovelace and Charles Babbage, and forward to the future of artificial intelligence. A secret that is just as magical as it technological - and twice as dangerous...Praise for the Rivers of London novels:'Ben Aaronovitch has created a wonderful world full of mystery, magic and fantastic characters. I love being there more than the real London'NICK FROST'As brilliant and funny as ever'THE SUN'Charming, witty, exciting'THE INDEPENDENT'An incredibly fast-moving magical joyride for grown-ups'THE TIMESDiscover why this incredible series has sold over two million copies around the world. If you're a fan of Terry Pratchett or Douglas Adams - don't panic - you will love Ben Aaronovitch's imaginative, irreverent and all-round irresistible novels.

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Book 1 in the Rivers of London series, from Sunday Times Number One bestselling author Ben Aaronovitch.My name is Peter Grant, and I used to be a probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service, and to everyone else as the Filth. My story really begins when I tried to take a witness statement from a man who was already dead...Probationary Constable Peter Grant dreams of being a detective in London's Metropolitan Police. After taking a statement from an eyewitness who happens to be a ghost, Peter comes to the attention of Detective Chief Inspector Thomas Nightingale, who investigates crimes involving magic and other manifestations of the uncanny.Suddenly, as a wave of brutal and bizarre murders engulfs the city, Peter is plunged into a world where gods and goddesses mingle with mortals and a long-dead evil is making a comeback on a rising tide of magic.Praise for the Rivers of London novels:'Ben Aaronovitch has created a wonderful world full of mystery, magic and fantastic characters. I love being there more than the real London'NICK FROST'As brilliant and funny as ever'THE SUN'Charming, witty, exciting'THE INDEPENDENT'An incredibly fast-moving magical joyride for grown-ups'THE TIMESDiscover why this incredible series has sold over two million copies around the world. If you're a fan of Terry Pratchett or Douglas Adams - don't panic - you will love Ben Aaronovitch's imaginative, irreverent and all-round irresistible novels.

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Beyond the Veil is the second volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: THE GOD BAG by Christopher Golden CAKER’S MAN by Matthew Holness THE BEECHFIELD MIRACLES by Priya Sharma CLOCKWORK by Dan Coxon SOAPSTONE by Aliya Whiteley THE DARK BIT by Toby Litt PROVENANCE POND by Josh Malerman FOR ALL THE DEAD by Angeline B. Adams and Remco van Straten THE GIRL IN THE POOL by Bracken MacLeod NURSE VARDEN by Jeremy Dyson IF, THEN by Lisa L. Hannett AQUARIUM WARD by Karter Mycroft A MYSTERY FOR JULIE CHU by Stephen Gallagher AWAY DAY by Lisa Tuttle POLAROID AND SEAWEED by Peter Harness DER GEISTERBAHNHOF by Lynda E. Rucker ARNIE’S ASHES by John Everson A BRIEF TOUR OF THE NIGHT by Nathan Ballingrud THE CARE AND FEEDING OF HOUSEHOLD GODS by Frank J. Oreto YELLOWBACK by Gemma Files FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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Beyond the Veil is the second volume in an annual, non-themed horror series of entirely original stories, showcasing the very best short fiction that the genre has to offer, and edited by Mark Morris. This new anthology contains 20 original horror stories, 16 of which have been commissioned from some of the top names in the genre, and 4 of which have been selected from the 100s of stories sent to Flame Tree during a 2-week open submissions window. Contents List: THE GOD BAG by Christopher Golden CAKER’S MAN by Matthew Holness THE BEECHFIELD MIRACLES by Priya Sharma CLOCKWORK by Dan Coxon SOAPSTONE by Aliya Whiteley THE DARK BIT by Toby Litt PROVENANCE POND by Josh Malerman FOR ALL THE DEAD by Angeline B. Adams and Remco van Straten THE GIRL IN THE POOL by Bracken MacLeod NURSE VARDEN by Jeremy Dyson IF, THEN by Lisa L. Hannett AQUARIUM WARD by Karter Mycroft A MYSTERY FOR JULIE CHU by Stephen Gallagher AWAY DAY by Lisa Tuttle POLAROID AND SEAWEED by Peter Harness DER GEISTERBAHNHOF by Lynda E. Rucker ARNIE’S ASHES by John Everson A BRIEF TOUR OF THE NIGHT by Nathan Ballingrud THE CARE AND FEEDING OF HOUSEHOLD GODS by Frank J. Oreto YELLOWBACK by Gemma Files FLAME TREE PRESS is the imprint of long-standing Independent Flame Tree Publishing, dedicated to full-length original fiction in the horror and suspense, science fiction & fantasy, and crime / mystery / thriller categories. The list brings together fantastic new authors and the more established; the award winners, and exciting, original voices. Learn more about Flame Tree Press at www.flametreepress.com and connect on social media @FlameTreePress.

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In 1774, Boston bookseller Henry Knox married Lucy Waldo Flucker, the daughter of a prominent Tory family. Although Lucy's father was the third-ranking colonial official in Massachusetts, the couple joined the American cause after the Battles of Lexington and Concord and fled British-occupied Boston. Knox became a soldier in the Continental Army, where he served until the war's end as Washington's artillery commander. While Henry is well known to historians, his private life and marriage to Lucy remain largely unexplored. Phillip Hamilton tells the fascinating story of the Knoxes' relationship amid the upheavals of war. Like John and Abigail Adams, the Knoxes were often separated by the revolution and spent much of their time writing to one another. They penned nearly 200 letters during the conflict, more than half of which are reproduced and annotated for this volume. This correspondence-one of the few collections of letters between revolutionary-era spouses that spans the entire war-provides a remarkable window into the couple's marriage. Placed at the center of great events, struggling to cope with a momentous conflict, and attempting to preserve their marriage and family, the Knoxes wrote to each other in a direct and accessible manner as they negotiated shifts in gender and power relations. Working together, Henry and Lucy maintained their household and protected their property, raised and educated their children, and emotionally adjusted to other dramatic changes within their family, including a total break between Lucy and her Tory family. Combining original epistles with Hamilton's introductory essays, The Revolutionary War Lives and Letters of Lucy and Henry Knox offers important insights into how this relatable and highly individual couple overcame the war's challenges.

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'Poignant, funny, sensitive, but most importantly, heart-stoppingly true. This is an outstanding collection of essays, from some of the finest writers, which gets right to the dark heart of what it really means to be a mother.' - Clover Stroud, author of My Wild and Sleepless Nights; -------------------------; Motherhood is life-changing. Joyful. Disorientating. Overwhelming. Intense on every level. It's the best, most awful job.; The Best, Most Awful Job brings together twenty bold and brilliant women to speak about motherhood in all its raw, heart-wrenching, gloriously impossible forms.; Overturning assumptions, breaking down myths and shattering stereotypes, these writers challenge our perceptions of what it means to be a mother - and ask you to listen.; Contributors include:; Michelle Adams - Javaria Akbar - Charlene Allcott - MiMi Aye - Jodi Bartle - Sharmila Chauhan - Josie George - Leah Hazard - Joanne Limburg - Katherine May - Susana Moreira Marques - Dani McClain - Hollie McNish - Saima Mir - Carolina Alvarado Molk - Emily Morris - Jenny Parrott - Huma Qureshi - Peggy Riley - Michelle Tea - Tiphanie Yanique; 'A wonderful anthology. I enjoyed it so much - the honesty, intelligence, fury and tenderness of the essays; and, importantly and refreshingly, the range of voices and stories it contains.' - Liz Berry, author of The Republic of Motherhood; 'This is the kind of book that could well make a difference to someone's life ... every mother should read it.' - Laura Pearson, author of I Wanted You to Know; 'If I had added a Post-it Note to every sentence in this book that made me laugh, wince in recognition, or faintly well up, I would have turned it into a paper porcupine.' - Ceri Radford, Independent

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Providing the first overview of Asia’s emerging biosciences landscape, this timely and important collection brings together ethnographic case studies on biotech endeavors such as genetically modified foods in China, clinical trials in India, blood collection in Singapore and China, and stem-cell research in Singapore, South Korea, and Taiwan. While biotech policies and projects vary by country, the contributors identify a significant trend toward state entrepreneurialism in biotechnology, and they highlight the ways that political thinking and ethical reasoning are converging around the biosciences. As ascendant nations in a region of postcolonial emergence, with an “uncanny surplus” in population and pandemics, Asian countries treat their populations as sources of opportunity and risk. Biotech enterprises are allied to efforts to overcome past humiliations and restore national identity and political ambition, and they are legitimized as solutions to national anxieties about food supplies, diseases, epidemics, and unknown biological crises in the future. Biotechnological responses to perceived risks stir deep feelings about shared fate, and they crystallize new ethical configurations, often re-inscribing traditional beliefs about ethnicity, nation, and race. As many of the essays in this collection illustrate, state involvement in biotech initiatives is driving the emergence of “biosovereignty,” an increasing pressure for state control over biological resources, commercial health products, corporate behavior, and genetic based-identities. Asian Biotech offers much-needed analysis of the interplay among biotechnologies, economic growth, biosecurity, and ethical practices in Asia.ContributorsVincanne AdamsNancy N. Chen Stefan EcksKathleen Erwin Phuoc V. LeJennifer Liu Aihwa Ong Margaret Sleeboom-FaulknerKaushik Sunder RajanWen-Ching Sung Charis Thompson Ara Wilson

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Today color photography is so ubiquitous that it’s hard to believe there was a time when this was not the case. Color Rush: Seventy-five Years of Color Photography in America explores the developments that led us to this point, looking at the way color photographs circulated and appeared at the time of their making. From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book, The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. In the intervening years, color photography captured the popular imagination through its visibility in magazines like Life and Vogue, as well as through its accessibility in the marketplace thanks to companies like Kodak. Often in photo histories color is presented as having arrived fully formed in the 1970s; this book reveals a deeper story and uncovers connections in both artistic and commercial practices. A comprehensive chronology and examples of significant moments and movements mark the increasing visibility of color photography. Color Rush brings together Ansel Adams and William Eggleston, Eliot Porter and Cindy Sherman, Edward Steichen and Stephen Shore, and examines them in a fresh context paying particular attention to color photography’s translation onto the printed page. In doing so, it traces a new history that more fully accounts for color’s pervasive presence today.

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“At last a book that not only describes what collective biography is but also explains how to use it … The book describes how to set up collective biography workshops in which participants examine how discursive structures and power relations have both enabled and limited the conditions of possibility for their lived experience. Focusing on a more complicated reflexivity than is usually described in social science research, collective biography, inspired by Frigga Haug and refined by Davies, will no doubt be used increasingly by researchers interested in the production of subjects in a postmodern world.”Elizabeth Adams St. Pierre, University of Georgia, USAThis book introduces the reader to collective biography, an innovative research methodology for use in education and the social sciences. The methodology of collective biography overcomes the theory/practice divide, by putting theory to use in everyday life, and using everyday life to understand and to extend theory. Doing Collective Biography provides guidelines for developing a collective biography project and demonstrates how these guidelines emerged from and were shaped by projects on such topics as subjectivity, power, agency, reflexivity, literacy, gender, and neoliberalism at work. Each chapter gives a detailed example of collective biography in practice, showing how a group of students and/or scholars can work collaboratively to investigate aspects of the production of subjectivity, and clearly demonstrates how poststructural theory can be elaborated and refracted through the experiences of ordinary everyday life.This is key reading for undergraduate and postgraduate students on Education and social science courses with a research element, as well as for academics and professionals undertaking research projects.

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Book 2 in the Rivers of London series, from Sunday Times Number One bestselling author Ben Aaronovitch.Body and Soul. The song. That's what London constable and sorcerer's apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho's 606 Club. The notes of the old jazz standard are rising from the body - a sure sign that something about the man's death was not at all natural but instead supernatural. Body and soul - they're also what Peter will risk as he investigates a pattern of similar deaths in and around Soho. With the help of his superior officer, Detective Chief Inspector Thomas Nightingale, the last registered wizard in England, and the assistance of beautiful jazz aficionado Simone Fitzwilliam, Peter will uncover a deadly magical menace - one that leads right to his own doorstep and to the squandered promise of a young jazz musician: a talented trumpet player named Richard "Lord" Grant - otherwise known as Peter's dear old dad.Praise for the Rivers of London novels:'Ben Aaronovitch has created a wonderful world full of mystery, magic and fantastic characters. I love being there more than the real London'NICK FROST'As brilliant and funny as ever'THE SUN'Charming, witty, exciting'THE INDEPENDENT'An incredibly fast-moving magical joyride for grown-ups'THE TIMESDiscover why this incredible series has sold over two million copies around the world. If you're a fan of Terry Pratchett or Douglas Adams - don't panic - you will love Ben Aaronovitch's imaginative, irreverent and all-round irresistible novels.

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A town at the center of the United States becomes the site of an ongoing struggle for freedom and equality.In May, 1854, Massachusetts was in an uproar. A judge, bound by the Fugitive Slave Law of 1850, had just ordered a young African American man who had escaped from slavery in Virginia and settled in Boston to be returned to bondage in the South. An estimated fifty thousand citizens rioted in protest. Observing the scene was Amos Adams Lawrence, a wealthy Bostonian, who “waked up a stark mad Abolitionist.” As quickly as Lawrence waked up, he combined his fortune and his energy with others to create the New England Emigrant Aid Company to encourage abolitionists to emigrate to Kansas to ensure that it would be a free state.The town that came to bear Lawrence’s name became the battleground for the soul of America, with abolitionists battling pro-slavery Missourians who were determined to make Kansas a slave state. The onset of the Civil War only escalated the violence, leading to the infamous raid of William Clarke Quantrill when he led a band of vicious Confederates (including Frank James, whose brother Jesse would soon join them) into town and killed two hundred men and boys.Stark Mad Abolitionists shows how John Brown, Reverend Henry Ward Beecher, Sam Houston, and Abraham Lincoln all figure into the story of Lawrence and “Bleeding Kansas.” The story of Amos Lawrence’s eponymous town is part of a bigger story of people who were willing to risk their lives and their fortunes in the ongoing struggle for freedom and equality.

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The 2022 issue explores North Carolina writers who teach (and teachers who write). The issue opens with Georgann Eubanks's essay on North Carolina playwright, civil rights activist, and UNC Chapel Hill Professor Paul Green, followed by letters from Peter Taylor from his Greensboro home where he taught at North Carolina Women's College (now UNC Greensboro) and Marian Janssen's John Ehle Prize essay on Carolyn Kizer's UNC Chapel Hill years. The featured interviews includes one conducted students in the Veteran to Scholar program at ECU interviewing Ben Fountain, as well as Senior Associate Editor Christy Alexander Hallberg's interview with Leah Hampton, Indiana University Kokomo Professor Jim Coby interviewing Wiley Cash, and UNC Wilmington Professor Malia Butler interviewing Khalisa Rae Thompson. The creative writing in this section includes poetry by Catherine Carter and the winner and honorees of the 2021 James Applewhite Poetry Prize, including the winning poem by Michael Loderstedt; creative nonfiction by Barbara Bennett; and fiction by Settle Monroe. The Flashbacks and North Carolina Miscellany sections of this issue feature more creative writing: Steve Mitchell's Alex Albright Creative Nonfiction Prize essay, Heather Bell Adams's Doris Betts Fiction Prize short story by Heather Bell Adams, more honorees from the James Applewhite Poetry Prize contest; and a poem by Frank Borden Hanes, Sr., introduced by James W. Clark, Jr. and shared with permission of the writer's family.NCLR 31 (2022) is the 25th annual print issue under the editorship of Margaret D. Bauer, Rives Chair of Southern Literature and Distinguished Professor of Harriot College of Arts and Sciences at East Carolina University, where NCLR is produced, serving as an excellent opportunity for students to attain significant experience in editing and publishing.

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A look at the evolution of presidential campaigning from 1824 to 1840. If you think politics are uncivil now . . .Winner of the Phi Alpha Theta History Honor Society Best Subsequent Book Award by the Phi Alpha Theta History Honor SocietyAfter the “corrupt bargain” that awarded John Quincy Adams the presidency in 1825, American politics underwent a fundamental shift from deference to participation. This changing tide eventually propelled Andrew Jackson into the White House—twice. But the presidential race that best demonstrated the extent of the changes was that of Martin Van Buren and war hero William Henry Harrison in 1840. Harrison’s campaign was famously marked by sloganeering and spirited rallies. In The Coming of Democracy, Mark R. Cheathem examines the evolution of presidential campaigning from 1824 to 1840. Addressing the roots of early republic cultural politics—from campaign biographies to songs, political cartoons, and public correspondence between candidates and voters—Cheathem asks the reader to consider why such informal political expressions increased so dramatically during the Jacksonian period. What sounded and looked like mere entertainment, he argues, held important political meaning. The extraordinary voter participation rate—over 80 percent—in the 1840 presidential election indicated that both substantive issues and cultural politics drew Americans into the presidential selection process.Drawing on period newspapers, diaries, memoirs, and public and private correspondence, The Coming of Democracy is the first book-length treatment to reveal how presidents and presidential candidates used both old and new forms of cultural politics to woo voters and win elections in the Jacksonian era. This book will appeal to anyone interested in US politics, the Jacksonian/antebellum era, or the presidency.

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A look at the evolution of presidential campaigning from 1824 to 1840. If you think politics are uncivil now . . .Winner of the Phi Alpha Theta History Honor Society Best Subsequent Book Award by the Phi Alpha Theta History Honor SocietyAfter the “corrupt bargain” that awarded John Quincy Adams the presidency in 1825, American politics underwent a fundamental shift from deference to participation. This changing tide eventually propelled Andrew Jackson into the White House—twice. But the presidential race that best demonstrated the extent of the changes was that of Martin Van Buren and war hero William Henry Harrison in 1840. Harrison’s campaign was famously marked by sloganeering and spirited rallies. In The Coming of Democracy, Mark R. Cheathem examines the evolution of presidential campaigning from 1824 to 1840. Addressing the roots of early republic cultural politics—from campaign biographies to songs, political cartoons, and public correspondence between candidates and voters—Cheathem asks the reader to consider why such informal political expressions increased so dramatically during the Jacksonian period. What sounded and looked like mere entertainment, he argues, held important political meaning. The extraordinary voter participation rate—over 80 percent—in the 1840 presidential election indicated that both substantive issues and cultural politics drew Americans into the presidential selection process.Drawing on period newspapers, diaries, memoirs, and public and private correspondence, The Coming of Democracy is the first book-length treatment to reveal how presidents and presidential candidates used both old and new forms of cultural politics to woo voters and win elections in the Jacksonian era. This book will appeal to anyone interested in US politics, the Jacksonian/antebellum era, or the presidency.

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The Papers of Martha Washington is the first scholarly edition of Martha Washington’s correspondence, spanning her entire life, from her youth as a wealthy but largely unknown Virginia plantation mistress through her ascent to becoming an American icon. Her family letters make up most of the volume, bringing to light Martha Washington’s personality in her own words. As she rose to fame, she began to correspond with such significant figures in American history as Mercy Otis Warren, Abigail Adams, Elizabeth Willing Powel, and the Marquis de Lafayette. Her correspondence paints a picture of social life during the Revolutionary War and the early republic. The dozens of people who sent condolence letters after her husband’s death are a who’s who of key Federalist figures at the turn of the nineteenth century. For periods from which few materials survive, the editors have selected financial papers and third-party documents that bridge the gaps in the correspondence. Although Martha burned all but four of the letters between her and George Washington, the remaining documents tell a fascinating story about the early United States from a unique female perspective. This volume offers readers a more three-dimensional, accurate portrait of Martha Washington and enhances our understanding of women’s contributions to early American history. Aside from correspondence, the Papers of Martha Washington also includes directories of key people and places, timelines, maps, editorial essays, a calendar of financial documents, and appendices documenting everything from the inventory of the contents of Mount Vernon to the division of dower slaves, serving as an invaluable historical tool and a readable introduction to the life of America’s first First Lady.

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John C. Calhoun's ghost still haunts America today. First elected to congress in 1810, Calhoun served as secretary of war during the war of 1812, and then as vice-president under two very different presidents, John Quincy Adams and Andrew Jackson. It was during his time as Jackson's vice president that he crafted his famous doctrine of "state interposition," which laid the groundwork for the south to secede from the union -- and arguably set the nation on course for civil war.Other accounts of Calhoun have portrayed him as a backward-looking traditionalist -- he was, after all, an outspoken apologist for slavery, which he defended as a "positive good." But he was also an extremely complex thinker, and thoroughly engaged in the modern world. He espoused many ideas that resonate strongly with popular currents today: an impatience for the spectacle and shallowness of politics, a concern about the alliance between wealth and power in government, and a skepticism about the United States' ability to spread its style of democracy throughout the world.Calhoun has catapulted back into the public eye in recent years, as the tensions he navigated and inflamed in his own time have surfaced once again. In 2015, a monument to him in Charleston, South Carolina became a flashpoint after a white supremacist murdered nine African-Americans in a nearby church. And numerous commentators have since argued that Calhoun's retrograde ideas are at the root of the modern GOP's problems with race.Bringing together Calhoun's life, his intellectual contributions -- both good and bad -- and his legacy, Robert Elder's book is a revelatory reconsideration of the antebellum South we thought we knew.

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The New York Times BestsellerJordan Peele, the visionary writer and director of Get Out, Us and Nope, curates this anthology of brand new stories of Black horror, exploring not only the terrors of the supernatural but also the chilling reality of injustice that haunts our world.'A glorious showcase of Black American horror' – GuardianFeaturing an introduction by Jordan Peele and an all-star roster of beloved writers and new voices, Out There Screaming is a masterclass in horror, and – like his spine-chilling films – its stories prey on everything we think we know about our world, and redefine what it means to be afraid. Very afraid . . .Two freedom riders take a bus that leaves them stranded on a lonely road in Alabama, where several unsettling somethings await them. A young girl dives into the watery depths in search of the demon that killed her parents. Monster-hunters fighting monsters, humanoid AIs fighting for their rights, and an Igbo woman standing up to a powerful spirit.These are just a few of the worlds of Out There Screaming, Jordan Peele’s anthology of all-new horror stories by Black writers.Featuring stories by: Erin E. Adams, Violet Allen, Lesley Nneka Arimah, Maurice Broaddus, Chesya Burke, P. Djèlí Clark, Ezra Claytan Daniels, Tananarive Due, Nalo Hopkinson, N. K. Jemisin, Justin C. Key, L. D. Lewis, Nnedi Okorafor, Tochi Onyebuchi, Rebecca Roanhorse, Nicole D. Sconiers, Rion Amilcar Scott, Terence Taylor and Cadwell Turnbull.'A brilliant anthology of stories that will keep you awake at night and linger with you in the day. I loved it.' – Daisy Johnson

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In his 60-year career, Carmine Infantino practised nearly every job in the field of comics, for a "Who's Who" list of publishers. But Infantino will always be remembered as the personification of DC Comics' Silver Age. Infantino helped to resurrect a dying comics industry in 1956 as the artist who launched the Silver Age with his co-creation, the Flash, and remains the best remembered Flash artist of all-time. Infantino proved one of the all-time, great sci-fi artists with his elegant, cityscaped Adam Strange. The only sci-fi comic to rival the sales of Adam Strange was Star Wars, to which Infantino also contributed. In 1964, Infantino became indispensable to the Batman legacy. He, with editor Julius Schwartz, saved the Caped Crusader's comics from impending cancellation with the "New Look Batman." Infantino also redesigned the Batmobile and with Schwartz, created Batgirl. In 1971, Infantino became Publisher and ultimately, President of DC Comics. Infantino's brave corporate moves include: comic books of pulp characters; the Shadow and Tarzan; the Neal Adams/Denny O'Neil Green Lantern-Green Arrow series; Jack Kirby Fourth World saga; the revival of Captain Marvel; pay raises, royalties, and the return of originals to artists. This is Infantino's own history of comics with co-author J. David Spurlock, through Infantino's experiences, from the industry's primordial, Golden Age, through his artistic achievements, corporate years at DC Comics, and post-corporate years including his animation work, teaching, return as a top artist to DC, and Batman newspaper strip. Foreword by Joe Kubert. Afterword by Jim Steranko.

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ArteKids board books show children the world of art through imaginative paintings, sculpture, photographs, and drawings, with text in English and Spanish.Outside Todo el Día! Nature in English y Español introduces children to the wonders of nature by connecting them to art in a unique, fun, and colorful way. Terms for outdoor concepts like sky/cielo, water/aqua, mountain/montaña, flora (tree/árbol and flower/flor), and fauna are represented by masterful artworks from around the world. The contrast of night (noche) and day (día) are shown through Latin American needlework and an Ansel Adams photograph. The seasons (primavera, verano, otoño, invierno) are expressed in bluebonnets by Julian Onderdonk, a beach scene by Pablo Camus, and the cottonwoods of Joseph Henry Sharp. Madeleine Budnick’s wonderful collages and designs weave together phrases and images that bring the wind, sun, and oceans to life. Work from the collections of the San Antonio Museum of Art, by masters like Alfred Thompson Bricher, Alma Nungarrayi Granites, Betty Carrington, Winslow Homer, Nicolino Calyo, Martin Johnson Heade, Armand Guillaumin, Ernest Lawson, and Lori LeJeune, is incorporated with phrases and words in English and Spanish, making bilingual learning and art exciting for young learners and their teachers and parents.The ArteKids bilingual board books are made sturdy for little hands and “awesomundo” for bright minds! The series also includes Vamos, Body!, Hello, Círculos!, 1, 2, 3, Sí!, Animal Amigos!, Colores Everywhere!, and Black and Blanco! Outside Todo el Día! Nature in English y Español! invites children to explore the world outside through language and imagery that ignites their imagination.

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So Little Time is a revolving door of political activism, spirituality, nature, and humanity. It is a call to action, where urgency meets poetry in no uncertain terms, and asks, What hour are we in? Edited by poet, Irish and U. S. citizen, and Vermont activist, Greg Delanty, it takes its cue from the grassroots sensibility of Vermont, stripping down decades of unwavering ideals to arrive at an interpretive look at what it means to be 'Green' in an evolving world. A work of education and art as invigorating as the poets, teachers, and activists who inspired it, So Little Time addresses what it means to take up action for something as simple as good, healthy, and clean living. It stands on a fundamental set of questions: What are we looking at? What are we seeing? What's really there? Then asks, What's actually there? So Little Time is more than a coffee table book; rather it is a visual platform, a reflection of a state of mind-clear and focused at the center-that becomes something else around the edges. With a Foreword from John Elder, and poems that feature the work of Greg Delanty and a range of poetry selections, along with quotes from such environmentalists, as BIll McKibben, So Little Time is an interactive and interpretive book that will inspire, enrich, and a call to action in an urgent plea to stop global warming. The book merges poetry and quotes with stunning black and white photography by such artists as Mariana Cook, the last surviving disciple of Ansel Adams.

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From scholars to novelists to poets, the publishing firm of Henry Holt & Co. established and maintained a distinguished tradition of identifying, nurturing, and publishing important thinkers and writers of the day early in their careers. This book examines the founding and growth of Holt & Co. with particular attention to this tradition and to the roles of key figures in the company's history as a trade book publisher. Part One is a chronological account of Holt & Co.'s development, beginning with its founding in 1866 by the man sometimes referred to as "the Dean of American publishing," Henry Holt, and ending in 1946, when the talented editor William Sloane left Holt & Co. and a new era, dominated by big business interests, began for the firm. Part Two offers a more detailed look at the ways in which Henry Holt, Alfred Harcourt, Lincoln MacVeagh, and William Sloane worked with particular authors, including Frost, William James, Hardy, Henry Adams, Dewey, Turgenev, Sandburg, Lewis, and Lippmann. Gilbert also discusses Untermeyer, BenD,et, Housman, de la Mare, Van Doren, and Ciardi, notable examples of Holt & Co.'s reputation as an important publisher of poets. The tension between commercial interests and literary ideals in publishing, decried by Henry Holt nearly ninety years ago and disdained by William Sloane over forty years ago, remains very much a part of the publishing scene today. Based on the wide use of primary sources, this volume provides an instructive, in-depth look at an important American publishing house.

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