Search results for ""Author Black"

SHERLOCK HOLMES IS NOT ONLY THE MOST FAMOUS CHARACTER IN CRIME FICTION BUT THE MOST FAMOUS CHARACTER IN ALL OF FICTION.'Holmes has a timeless intelligence that puts him head, shoulders and deer-stalker above all other detectives' Alexander McCall Smith_______________This complete volume contains four novels and fifty-six short stories about the most engaging detective of all time, with a foreword by crime writer Ruth Rendell.Sherlock Holmes, together with his faithful sidekick Doctor John H. Watson, proves himself as the quintessential detective. Time after time his pits his extraordinary wits and courage against foreign spies, blackmailers, cultists, petty thieves, murderers, swindlers, policemen (both stupid and clever), and his arch-nemesis Moriarty.Continuing to enthral millions in film and TV adaptations, Arthur Conan Doyle's creation has inspired readers and writers of crime stories for well over a century. Join their ranks with this collection._______________'The immense talent, passion and literary brilliance that Conan Doyle brought to his work give him a unique place in English letters. Personally, I'd walk a million miles in tight boots just to read his letters to the milkman' Stephen Fry'Now, as in his lifetime, cab drivers, statesmen, academics, and raggedy-assed children sit spellbound at his feet. No wonder, then, if the pairing of Holmes and Watson has triggered more imitators than any other duo in literature' John Le Carré

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On Memorial Day 1937, thousands of steelworkers, middle-class supporters, and working-class activists gathered at Sam's Place on the Southeast Side of Chicago to protest Republic Steel's virulent opposition to union recognition and collective bargaining. By the end of the day, ten marchers had been mortally wounded and more than one hundred badly injured, victims of a terrifying police riot. Sam's Place, the headquarters for the steelworkers, was transformed into a bloody and frantic triage unit for treating heads split open by police batons, flesh torn by bullets, and limbs mangled badly enough to require amputation. While no one doubts the importance of the Memorial Day Massacre, Michael Dennis identifies it as a focal point in the larger effort to revitalize American equality during the New Deal. In Blood on Steel, Dennis shows how the incident-captured on film by Paramount newsreels-validated the claims of labor activists and catalyzed public opinion in their favor. In the aftermath of the massacre, Senate hearings laid bare patterns of anti-union aggression among management, ranging from blacklists to harassment and vigilante violence. Companies were determined to subvert the right to form a union, which Congress had finally recognized in 1935. Only in the following year would Congress pass the Fair Labor Standards Act, which established a minimum wage and a maximum work week, outlawed child labor, and regulated hazardous work. Like the Wagner Act that protected collective bargaining, this law aimed to protect workers who had suffered the worst of what the Great Depression had inflicted. Dennis' wide-angle perspective reveals the Memorial Day Massacre as not simply another bloody incident in the long story of labor-management tension in American history but as an illustration of the broad-based movement for social democracy which developed in the New Deal era.

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A groundbreaking reference work on the revolutionary philosophy and intellectual legacy of Richard Rorty A provocative and often controversial thinker, Richard Rorty and his ideas have been the subject of renewed interest to philosophers working in epistemology, metaphysics, analytic philosophy, and the history of philosophy. Having called for philosophers to abandon representationalist accounts of knowledge and language, Rorty introduced radical and challenging concepts to modern philosophy, generating divisive debate through the new form of American pragmatism which he advocated and the renunciation of traditional epistemology which he espoused. However, while Rorty has been one of the most widely-discussed figures in modern philosophy, few volumes have dealt directly with the expansive reach of his thought or its implications for the fields of philosophy in which he worked. The Blackwell Companion to Rorty is a collection of essays by prominent scholars which provide close, and long-overdue, examination of Rorty’s groundbreaking work. Divided into five parts, this volumecovers the major intellectual movements of Rorty’s career from his early work on consciousness and transcendental arguments, to the lasting impacts of his major writings, to his approach to pragmatism and his controversial appropriations from other philosophers, and finally to his later work in culture, politics, and ethics. Offers a comprehensive, balanced, and insightful account of Rorty's approach to philosophy Provides an assessment of Rorty’s more controversial thoughts and his standing as an “anti-philosopher’s philosopher” Contains new and original exploration of Rorty’s thinking from leading scholars and philosophers Includes new perspectives on topics such as Rorty's influence in Central Europe Despite the relevance of Rorty’s work for the wider community of philosophers and for those working in fields such as international relations, legal and political theory, sociology, and feminist studies, the secondary literature surrounding Rorty’s work and legacy is limited. A Companion to Rorty address this absence, providinga comprehensive resource for philosophers and general readers.

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*** SHORTLISTED FOR SPORTS ENTERTAINMENT BOOK OF THE YEAR AT THE SUNDAY TIMES SPORTS BOOK AWARDS 2023 ***'fascinating, frank, funny' Jim White, Daily Telegraph'insightful' Henry Winter, The Times'engaging ... revealing ... a warm and often funny read' FourFourTwo'very entertaining ... great stories' Hawksbee & Jacobs, talkSPORT radio'an incredible book' The Football Show, Sky Sports News'a kaleidoscope of anecdotes and detours packed with wisdom acquired on the hoof' The i newspaper'Yeah, I'm all that plus a bag of chips''Come round my house and we'll have a fight on the front lawn''I'm as chuffed as a badger at the start of the mating season''I thought his bum cheeks looked very pert'Football management is like being a potato - you're never too far from the sack and everyone is constantly chipping away at you. It's not for the faint-hearted and unless you've got skin as thick as rhino and, more importantly, a wicked sense of humour, you've no chance of surviving.Ian Holloway - aka 'Ollie' - has all the above and more besides. His press conferences are the stuff of legend. He's been there, seen it and done it in his 40 years as player and manager, and has been entertaining football fans on and off the pitch for most of his life. He's been head honcho at clubs in all four divisions in English football, experiencing everything from the giddy heights of taking Blackpool to the Premier League to fighting relegation from the Football League with Grimsby Town. There's never been a dull moment.In the joyful How to Be a Football Manager, Holloway weaves a fantastically rich tapestry of hilarious anecdotes to reveal what being the boss is really like. This is not a handbook to tell you when to play a Christmas tree formation or throw on a false nine - it's about dealing with the ridiculous, fighting your corner and always having a comeback.

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Concerns about censorship have once again reached a fever pitch across the liberal West. In other historical periods, such concerns may have marked reactions to book bans and burnings. Often, they followed prosecutions and subsequent jailtime for things spoken or written. During the Red Scare, they were the hushed response to chilling state-sponsored watch-lists and employer-supported blacklists designed to ensure victory against communism. Against this history, complaints about the new censorship appear differently. With respect to the new censorship, there are no books burnings, no prosecutions, no laws or committees. Indeed, there is no coercive state involvement at all. With a few notable exceptions, complaints about censorship in the 21st-century West are complaints about the behavior of private parties: social groups, employers, media conglomerates, social media platforms, and search engines. To better understand the concerns surrounding nonstate interference with speech, Private Censorship offers an account of censorship, as well as an assessment of the ethical and political issues it raises across contexts. J.P. Messina asks and variously answers questions like: what should we think when employees get fired for things they say and how might patterns of such firings create a climate of fear inimical to free inquiry? When is it appropriate for social media firms to deplatform users, and what does it mean for our democracy that those in charge of such decisions are often wealthy Silicon Valley executives? Do search engines act as massive gatekeepers to information in troubling ways, and how might they be constrained, if they do? Along the way, Messina casts a critical eye on many popular proposals for responding to these complaints. Unlike these popular approaches, Private Censorship foregrounds the importance of rights to property, association, and free expression for thinking well about 21st-century censorship concerns.

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"A must for anyone interested in the Roman Empire and its impact on world history."—Tony Robinson, star of Blackadder and Time Team This entertaining and informative guide is the perfect introduction to the amazing world of ancient Rome and its emperors, epic wars, awesome architecture, heroes, and villains. With a complete rundown of Roman history alongside fascinating insights into the lives of everyday Romans, you'll discover the amazing people and events involved in the rise and fall of one of the greatest of all ancient civilizations and how its influence is felt around the world today. If you've tuned into any of several TV shows focused on Rome and want to learn more about this fascinating part of history, The Romans For Dummies is the book for you. Schoolteachers and lecturers looking for light-hearted inspiration for lessons will also benefit from this riotous Roman adventure chronicling the rise and fall of the Empire. The Romans For Dummies is an accessible guide written in plain English giving you the fascinating facts of this ancient civilization. You'll learn about the following (and more): How Roman society was divided into classes The assemblies that ruled Rome Why villas were important to the Romans Details about the Roman army, including a Roman soldier's equipment The wonder of Roman architecture, cities, roads, aqueducts, and sewers Everything you ever wanted to know about gladiators and then some The importance of Roman temples, shrines, and the gods How Rome became a republic, an empire, and then collapsed Additionally, you'll learn about turning points in Roman history, (mostly) good and (some) bad Romans, Rome’s greatest enemies, and great places to visit you won’t want to miss on your next Roman holiday. Grab a copy of The Romans For Dummies to discover this and so much more. Guy de la Bédoyère is a historian, archaeologist, and Roman expert, he is well known for his numerous books and appearances on TV, especially Channel 4's Time Team.

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Winner, James Beard Award for Best Book in U.S. FoodwaysWinner, IACP Book of the YearWinner, IACP Best American CookbookAn NPR Best Book of the Year A Saveur, Washington Post, and Garden & Gun Best Cookbook of the Year A Bon Appétit, Food & Wine, Eater, Epicurious, and The Splendid Table Best New CookbookA Forbes Best New Cookbook for Travelers: Holiday Gift Guide 2021Long-Listed for The Art of Eating Prize for Best Food Book of 2021“Sometimes you find a restaurant cookbook that pulls you out of your cooking rut without frustrating you with miles long ingredient lists and tricky techniques. Mosquito Supper Club is one such book. . . . In a quarantine pinch, boxed broth, frozen shrimp, rice, beans, and spices will go far when cooking from this book.” —Epicurious, The 10 Restaurant Cookbooks to Buy Now “Martin shares the history, traditions, and customs surrounding Cajun cuisine and offers a tantalizing slew of classic dishes.” —Publishers Weekly, starred review For anyone who loves Cajun food or is interested in American cooking or wants to discover a distinct and engaging new female voice—or just wants to make the very best duck gumbo, shrimp jambalaya, she-crab soup, crawfish étouffée, smothered chicken, fried okra, oyster bisque, and sweet potato pie—comes Mosquito Supper Club. Named after her restaurant in New Orleans, chef Melissa M. Martin’s debut cookbook shares her inspired and reverent interpretations of the traditional Cajun recipes she grew up eating on the Louisiana bayou, with a generous helping of stories about her community and its cooking. Every hour, Louisiana loses a football field’s worth of land to the Gulf of Mexico. Too soon, Martin’s hometown of Chauvin will be gone, along with the way of life it sustained. Before it disappears, Martin wants to document and share the recipes, ingredients, and customs of the Cajun people. Illustrated throughout with dazzling color photographs of food and place, the book is divided into chapters by ingredient—from shrimp and oysters to poultry, rice, and sugarcane. Each begins with an essay explaining the ingredient and its context, including traditions like putting up blackberries each February, shrimping every August, and the many ways to make an authentic Cajun gumbo. Martin is a gifted cook who brings a female perspective to a world we’ve only heard about from men. The stories she tells come straight from her own life, and yet in this age of climate change and erasure of local cultures, they feel universal, moving, and urgent.

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Gets you quickly up to speed with the theoretical and practical aspects of free space optical systems engineering design and analysis One of today's fastest growing system design and analysis disciplines is free space optical systems engineering for communications and remote sensing applications. It is concerned with creating a light signal with certain characteristics, how this signal is affected and changed by the medium it traverses, how these effects can be mitigated both pre- and post-detection, and if after detection, it can be differentiated from noise under a certain standard, e.g., receiver operating characteristic. Free space optical systems engineering is a complex process to design against and analyze. While there are several good introductory texts devoted to key aspects of optics—such as lens design, lasers, detectors, fiber and free space, optical communications, and remote sensing—until now, there were none offering comprehensive coverage of the basics needed for optical systems engineering. If you're an upper-division undergraduate, or first-year graduate student, looking to acquire a practical understanding of electro-optical engineering basics, this book is intended for you. Topics and tools are covered that will prepare you for graduate research and engineering in either an academic or commercial environment. If you are an engineer or scientist considering making the move into the opportunity rich field of optics, this all-in-one guide brings you up to speed with everything you need to know to hit the ground running, leveraging your experience and expertise acquired previously in alternate fields. Following an overview of the mathematical fundamentals, this book provides a concise, yet thorough coverage of, among other crucial topics: Maxwell Equations, Geometrical Optics, Fourier Optics, Partial Coherence theory Linear algebra, Basic probability theory, Statistics, Detection and Estimation theory, Replacement Model detection theory, LADAR/LIDAR detection theory, optical communications theory Critical aspects of atmospheric propagation in real environments, including commonly used models for characterizing beam, and spherical and plane wave propagation through free space, turbulent and particulate channels Lasers, blackbodies/graybodies sources and photodetectors (e.g., PIN, ADP, PMT) and their inherent internal noise sources The book provides clear, detailed discussions of the basics for free space optical systems design and analysis, along with a wealth of worked examples and practice problems—found throughout the book and on a companion website. Their intent is to help you test and hone your skill set and assess your comprehension of this important area. Free Space Optical Systems Engineering is an indispensable introduction for students and professionals alike.

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When and where did the ancestors of modern birds evolve? What enabled them to survive the meteoric impact that wiped out the dinosaurs? How did these early birds spread across the globe and give rise to the 10,600-plus species we recognise today ― from the largest ratites to the smallest hummingbirds? Based on the latest scientific discoveries and enriched by personal observations, The Ascent of Birds sets out to answer these fundamental questions. The Ascent of Birds is divided into self-contained chapters, or stories, that collectively encompass the evolution of modern birds from their origins in Gondwana, over 100 million years ago, to the present day. The stories are arranged in chronological order, from tinamous to tanagers, and describe the many dispersal and speciation events that underpin the world's 10,600-plus species. Although each chapter is spearheaded by a named bird and focuses on a specific evolutionary mechanism, the narrative will often explore the relevance of such events and processes to evolution in general. The book starts with The Tinamou’s Story, which explains the presence of flightless birds in South America, Africa, and Australasia, and dispels the cherished role of continental drift as an explanation for their biogeography. It also introduces the concept of neoteny, an evolutionary trick that enabled dinosaurs to become birds and humans to conquer the planet. The Vegavis's Story explores the evidence for a Cretaceous origin of modern birds and why they were able to survive the asteroid collision that saw the demise not only of dinosaurs but of up to three-quarters of all species. The Duck's Story switches to sex: why have so few species retained the ancestral copulatory organ? Or, put another way, why do most birds exhibit the paradoxical phenomenon of penis loss, despite all species requiring internal fertilisation? The Hoatzin's Story reveals unexpected oceanic rafting from Africa to South America: a stranger-than-fiction means of dispersal that is now thought to account for the presence of other South American vertebrates, including geckos and monkeys. The latest theories underpinning speciation are also explored. The Manakin’s Story, for example, reveals how South America’s extraordinarily rich avifauna has been shaped by past geological, oceanographic and climatic changes, while The Storm-Petrel’s Story examines how species can evolve from an ancestral population despite inhabiting the same geographical area. The thorny issue of what constitutes a species is discussed in The Albatross's Story, while The Penguin’s Story explores the effects of environment on phenotype ― in the case of the Emperor penguin, the harshest on the planet. Recent genomic advances have given scientists novel approaches to explore the distant past and have revealed many unexpected journeys, including the unique overland dispersal of an early suboscine from Asia to South America (The Sapayoa’s Story) and the blackbird's ancestral sweepstake dispersals across the Atlantic (The Thrush’s Story). Additional vignettes update more familiar concepts that encourage speciation: sexual selection (The Bird-of-Paradise's Story); extended phenotypes (The Bowerbird's Story); hybridisation (The Sparrow's Story); and 'great speciators' (The White-eye's Story). Finally, the book explores the raft of recent publications that help explain the evolution of cognitive skills (The Crow's Story); plumage colouration (The Starling's Story); and birdsong (The Finch's Story)

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"I listen and gather people's stories. Then I write them down in a way that I hope will communicate something to others, so that seeing these stories will give readers something of value. I tell myself that this isn't going to be done unless I do it, just because of who I am. It's a way of making my mark, leaving something behind . . . not that I'm planning on going anywhere right now." So explains Stephen Murphy-Shigematsu in this touching, introspective, and insightful examination of mixed race Asian American experiences. The son of an Irish American father and Japanese mother, Murphy-Shigematsu uses his personal journey of identity exploration and discovery of his diverse roots to illuminate the journeys of others. Throughout the book, his reflections are interspersed among portraits of persons of biracial and mixed ethnicity and accounts of their efforts to answer a seemingly simple question: Who am I? Here we meet Norma, raised in postwar Japan, the daughter of a Japanese woman and an American serviceman, who struggled to make sense of her ethnic heritage and national belonging. Wei Ming, born in Australia and raised in the San Francisco of the 1970s and 1980s, grapples as well with issues of identity, in her case both ethnic and sexual. We also encounter Rudy, a "Mexipino"; Marshall, a "Jewish, adopted Korean"; Mitzi, a "Blackinawan"; and other extraordinary people who find how connecting to all parts of themselves also connects them to others. With its attention on people who have been regarded as "half" this or "half" that throughout their lives, these stories make vivid the process of becoming whole.

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The adoption of firearms by American Indians between the seventeenth and nineteenth centuries marked a turning point in the history of North America’s indigenous peoples—a cultural earthquake so profound, says David Silverman, that its impact has yet to be adequately measured. Thundersticks reframes our understanding of Indians’ historical relationship with guns, arguing against the notion that they prized these weapons more for the pyrotechnic terror guns inspired than for their efficiency as tools of war. Native peoples fully recognized the potential of firearms to assist them in their struggles against colonial forces, and mostly against one another.The smoothbore, flintlock musket was Indians’ stock firearm, and its destructive potential transformed their lives. For the deer hunters east of the Mississippi, the gun evolved into an essential hunting tool. Most importantly, well-armed tribes were able to capture and enslave their neighbors, plunder wealth, and conquer territory. Arms races erupted across North America, intensifying intertribal rivalries and solidifying the importance of firearms in Indian politics and culture.Though American tribes grew dependent on guns manufactured in Europe and the United States, their dependence never prevented them from rising up against Euro-American power. The Seminoles, Blackfeet, Lakotas, and others remained formidably armed right up to the time of their subjugation. Far from being a Trojan horse for colonialism, firearms empowered American Indians to pursue their interests and defend their political and economic autonomy over two centuries.

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"... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." —Karin BarberUnder colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana’s concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole’s extensive and lively look into Ghana’s concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.

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The Jerry Sandusky child molestation case stunned the nation. As subsequent revelations uncovered an athletic program operating free of oversight, university officials faced criminal charges while unprecedented NCAA sanctions hammered Penn State football and blackened the reputation of coach Joe Paterno. In Wounded Lions, acclaimed sport historian and longtime Penn State professor Ronald A. Smith heavily draws from university archives to answer the How? and Why? at the heart of the scandal. The Sandusky case was far from the first example of illegal behavior related to the football program or the university's attempts to suppress news of it. As Smith shows, decades of infighting among administrators, alumni, trustees, faculty, and coaches established policies intended to protect the university, and the football team considered synonymous with its name, at all costs. If the habits predated Paterno, they also became sanctified during his tenure. Smith names names to show how abuses of power warped the "Penn State Way" even with hires like women's basketball coach Rene Portland, who allegedly practiced sexual bias against players for decades. Smith also details a system that concealed Sandusky's horrific acts just as deftly as it whitewashed years of rules violations, coaching malfeasance, and player crime while Paterno set records and raised hundreds of millions of dollars for the university. A myth-shattering account of misplaced priorities, Wounded Lions charts the intertwined history of an elite university, its storied sports program, and the worst scandal in collegiate athletic history.

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Despite the ubiquity of automobility, the reality of automotive death is hidden from everyday view. There are accident blackspots all over the roads that we use and go past every day but the people that have died there or been injured are not marked, unless by homemade shrines and personal memorialization. Nowhere on the planet is this practice as densely actioned as in the United States.Road Scars is a highly visual scholarly monograph about how roadside car crash shrines place the collective trauma of living in a car culture in the everyday landscapes of automobility. Roadside shrines—or road trauma shrines—are vernacular memorial assemblages built by private individuals at sites where family and friends have died in automobile accidents, either while driving cars or motorcycles or being hit by cars as pedestrians, bicyclists, or motorcyclists. Prevalent for decades in Latin America and in the American Southwest, roadside car crash shrines are now present throughout the U.S. and around the world. Some are simply small white crosses, almost silent markers of places of traumatic death. Others are elaborate collections of objects, texts, and materials from all over the map culturally and physically, all significantly brought together not in the home or in a cemetery but on the roadside, in drivable public space—a space where private individuals perform private identities alongside each other in public, and where these private mobilities sometimes collide with one another in traumatic ways that are negotiated in roadside shrines. This book touches on something many of us have seen, but few have explored intellectually.

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Despite the ubiquity of automobility, the reality of automotive death is hidden from everyday view. There are accident blackspots all over the roads that we use and go past every day but the people that have died there or been injured are not marked, unless by homemade shrines and personal memorialization. Nowhere on the planet is this practice as densely actioned as in the United States.Road Scars is a highly visual scholarly monograph about how roadside car crash shrines place the collective trauma of living in a car culture in the everyday landscapes of automobility. Roadside shrines—or road trauma shrines—are vernacular memorial assemblages built by private individuals at sites where family and friends have died in automobile accidents, either while driving cars or motorcycles or being hit by cars as pedestrians, bicyclists, or motorcyclists. Prevalent for decades in Latin America and in the American Southwest, roadside car crash shrines are now present throughout the U.S. and around the world. Some are simply small white crosses, almost silent markers of places of traumatic death. Others are elaborate collections of objects, texts, and materials from all over the map culturally and physically, all significantly brought together not in the home or in a cemetery but on the roadside, in drivable public space—a space where private individuals perform private identities alongside each other in public, and where these private mobilities sometimes collide with one another in traumatic ways that are negotiated in roadside shrines. This book touches on something many of us have seen, but few have explored intellectually.

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The second book in Alexander McCall Smith's new DETECTIVE VARG series . . . 'Reading the novel feels like a form of meditation . . . There is much to enjoy' Scotsman'Wonderfully soothing and relaxing' Telegraph'Heaven is in the detail with this sort of escapist writing. It's like AA Milne meets Karl Ove Knausgaard' Financial Times Spring is coming slowly to Sweden - though not quite as slowly as Detective Ulf Varg's promised promotion at the Department of Sensitive Crimes. For Varg, referred by his psychoanalyst to group therapy at Malmö's Wholeness Centre, life now seems mostly a circle of self-examination, something which may or may not be useful when it comes to the nature of his profession and the particularly sensitive cases that have recently come to light.All in a day's work for Detective Varg, except that one of his new investigations involves fellow detective Anna; it will require every ounce of self-discipline he has in order to remain professional. The other, more curious case is centred around internationally successful novelist Nils Personn-Cederström. According to his girlfriend, Cederström is being blackmailed - but by whom and for what reason?Accompanied by his irritating but kindly colleague Blomquist, Varg begins his enquiries and soon the answers fall neatly into place. Nothing and no one is ever that simple, however, and not for the first time he learns as much about his own emotional and moral landscape as he does about the motives of others. Now Varg must make a possibly life-changing decision. Will he choose his own happiness over that of his heart's desire?

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Bristol and Bath are two beautiful, closely connected cities. They are portrayed through the eyes of their artists in a delightful variety of styles in this stunning book. The Bristol and Bath Art Book portrays two very different cities. The beautiful images in the book capture the breath-taking landscape of rivers, hills and gorges which they share, but also the cities’ sights that are so unique. Bristol is painted as busy, quirky and vibrant, where Bath glows in more tranquil hues. These important cities in the history of the world are intimately connected. The river Avon that flows through both cities, gouges the spectacular Avon Gorge at Bristol, which is where its international maritime connections begin. The regenerated old docks (the ’floating harbour’), Wapping Wharf and the quayside are lovingly depicted by various artists. Now that the main docks are outside the city, the harbour-side now bustles with shops, bars and offices, but there are still cranes to be seen at the M shed. Underfall boatyard remains a home to maritime businesses and is also pictured in this lovely book, along with pleasure craft and houseboats in the harbour. John Cabot’s The Matthew is the ship that put America on the map. The reconstruction is depicted in drawings and paintings. She may have been a pirate ship at one time, too, as Bristol was the birthplace of Blackbeard and had a thriving piracy business. From this Atlantic connection, the list of items traded expanded from wool, wine and grain to tobacco and alas, to slaves. The profits from this trade endowed many of the fine public monuments drawn and painted here. Like many places, Bristol is undertaking a new reckoning with its history. The great engineer Isambard Kingdom Brunel designed the Clifton Suspension Bridge to span the deep Avon Gorge. In the book, there are many images of this vertiginous bridge: ringed by balloons, luminous in the gloaming, stark in the snow, or painted to resemble a cathedral arch from below. It is a much-loved, living monument to the great man. His Great Western Railway terminus at Temple Meads features here in drawings and prints, along with his pioneering Bristol-built steamship, the SS Great Britain. Crossing Brunel’s famous bridge over the Avon, you will find yourself in the tranquil Leigh woods, painted as a hotspot for bluebells in spring. The old Railway Path, flat, traffic-free and lined with greenery, takes you from Bristol to Bath, where you will find more gorgeous parks: the Georgian garden in the town centre, Alexandra Park with panoramas of the city and the Botanical Gardens with its aerial walkway. Bath is a UNESCO world heritage site because of its Roman remains and exquisite Georgian architecture. Its famous Roman Baths were built around a hot spring the Romans believed sacred to the Goddess Sulis and the city became a centre for health and an inspiration for artists. Its 18th-century architecture: The Royal Crescent, The Circus, Pulteney Bridge and Assembly Rooms, are all examples of Bath’s heyday as a Georgian spa town and are featured in the art book in stunning paintings, drawings and collages. They capture the Bath that Jane Austen would have known from her time in the city. Here, movies of some of her novels have been filmed, along with many other Regency era series e.g. the record-breaking series Bridgerton.

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The definitive international reference work on how communication technology and media phenomena affect human psychology. The International Encyclopedia of Media Psychology provides a thorough guide to the foundational theories and the exciting new developments within this dynamic field—a growing area of study that investigates how and why human behavior is influenced by interacting with media and technology. Covering a wide range of interdisciplinary methodologies, this comprehensive reference work explores how media affects psychological responses, the ways these responses interact with media variables, and the various methods of empirical analysis for developing models of users’ processing of their media experience. Edited by an internationally-recognized expert in the field, the Encyclopedia contains more than 300 entries written by leading figures and promising young researchers alike, exploring flow theory, media aggression, the Reinforcing Spirals Model (RSM), social identity theory, Fear of Missing Out (FOMO), Joint Media Engagement (JME), audience flow research, gender identification, and many other concepts. Throughout the text, in-depth yet accessible entries illustrate how long-established ideas are providing insight into new phenomena, and how cutting-edge methods are enabling a better understanding of traditional, well-researched topics. Examines psychological theories, process models, and quantitative empirical research Covers advances in psychophysiological and big data methodologies Explores the relation between media use and the development of racial and ethnic identities Discusses new media challenges, developmental issues in children and adults, and non-experimental approaches, and the expanding field of psychological measurement Includes complete cross references, enabling readers to easily find related topics and competing theories Part of The Wiley Blackwell-ICA International Encyclopedias of Communication series, published in conjunction with the International Communication Association. Online version available at http://www.wileyicaencyclopedia.com The International Encyclopedia of Media Psychology is invaluable for psychologists looking to keep current on research on media and communication, for media researchers needing solid background information on psychological theories and processes, and for students and scholars across the social sciences, including psychology, media studies, sociology, political science, information science, and criminology.

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August 1948 was an exceptional month. There were 90mph gales in Belgium, snowfalls in Switzerland and in the Scottish Borders one of the heaviest rainfalls ever in one day, while the Tweed received more than a third of its annual rainfall in only six days. The flood plain of the Tweed could just about cope with the deluge, but smaller rivers such as the Tyne at Haddington, the Biel, the Blackadder, Whiteadder Water, Rivers Till and Eye were disasters waiting to happen. The main problem was not the twenty-four-hour deluge but the rain of the previous two weeks that had already seen the rivers rise to bursting point. ‘The Glorious Twelfth’ was a day of disaster and the next few days were to affect the Borders for months to come. The sheer volume of water flowing down the rivers resulted in them bursting their banks, causing widespread flooding over a large area. The East Coast Main Line was breached in many places and was closed for eleven weeks as a result of the damage. Trees and other debris swept down with the floodwater had blocked culverts and the resultant lakes of water put so much pressure on the embankments that they were simply swept away, leaving railway lines dangling in mid-air. Roads were damaged and houses, cars and livestock swept away with the floodwater. There were many lucky escapes: a train passing over a bridge at Greenlaw just minutes before the bridge was swept away; people were rescued from their houses literally seconds before they collapsed from underneath them. Many deeds of bravery performed in that wet and windy August are also recorded in Lawson Wood’s 'The Great Borders Flood of 1948'. Illustrated with over 100 images of the greatest natural disaster to hit the Borders, this book is a unique record of that fateful month of August 1948.

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Nikki Sixx is one of the most respected, recognizable, and entrepreneurial icons in the music industry. As the founder of Motley Crue who is now in his twenty-first year of sobriety, Sixx is incredibly passionate about his craft and wonderfully open about his life in rock and roll, and as a person of the world.Born Franklin Carlton Feranna on December 11, 1958, young Frankie was abandoned by his father and partly raised by his mother, a woman who was ahead of her time in some ways and deeply troubled in others. Frankie ended up living with his grandparents, bouncing from farm to farm and state to state. He was an all-American kid-hunting, fishing, chasing girls, and playing football-but underneath it all, there was a burning desire for more, and that more was music. He eventually took a Greyhound bound for Hollywood.In Los Angeles, Frank lived with his aunt and his uncle-the president of Capitol Records. But there was no short path to the top. He was soon on his own. There were dead-end jobs: dipping circuit boards, clerking at liquor and record stores, selling used light bulbs, and hustling to survive. But at night, Frank honed his craft, joining Sister, a band formed by fellow hard-rock veteran Blackie Lawless, and formed a group of his own: London, the precursor of Motley Crue. Turning down an offer to join Randy Rhoads' band, Frank changed his name to Nikki London, Nikki Nine, and, finally, Nikki Sixx. Like Huck Finn with a stolen guitar, he had a vision: a group that combined punk, glam, and hard rock into the biggest, most theatrical and irresistible package the world had ever seen. With hard work, passion, and some luck, the vision manifested in reality - and this is a profound true story finding identity, of how Frank Feranna became Nikki Sixx. And it's a road map to the ways you can overcome anything, and achieve all of your goals, if only you put your mind to it.

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WHO WILL BELIEVE YOUR STORY IF THE ONLY WITNESS IS DEAD?'So different, so superbly written. At no point did I know the ending' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'Rachel has done what she is best at...leaving me on the edge of my seat, unable to do anything else until I've read the entire book' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'I read it in a day - every page brought more twists and turns' ⭐ ⭐ ⭐ ⭐ ⭐ REAL READER REVIEW'What a storyteller Rachel Abbott is... I was hooked from the start' CARA HUNTER'A truly compelling, twisty, enthralling and satisfying read... Absolutely AMAZING!' ANGELA MARSONSCleo knows she should be happy for her brother Mark. He's managed to find someone new after the sudden death of his first wife - but something about Evie just doesn't feel right...When Evie starts having accidents at home, her friends grow concerned. Could Mark be causing her injuries? Called out to their cliff-top house one night, Sergeant Stephanie King finds two bodies entangled on blood-drenched sheets.Where does murder begin? When the knife is raised to strike, or before, at the first thought of violence? As the accused stands trial, the jury is forced to consider - is there ever a proper defence for murder?More praise for AND SO IT BEGINS:'I raced through this compelling, twisty novel. Loved it' Laura Marshall'Brilliant... The twists came so quickly I almost got whiplash' Jenny Blackhurst'An unnerving, twisting tale that you won't be able to put down' Caroline Mitchell'Rachael Abbott has delivered another intricately plotted thriller that never falters on tension or pace ... the suspense doesn't let up until the very last page' Michelle Davies'A breathless tour-de-force that left me hungry for more... Psychological crime writing at its very best' Kate Rhodes'The definition of addictive - Rachel Abbott's best book yet. Kept me up until the small hours - and you won't see the ending coming' Phoebe Morgan'Really gripping and menacing - compulsive reading' Harriet Tyce

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An encyclopedia of more than 100 guitars and the musicians who have mastered them. Guitars & Heroes is organized by era, from the rockabilly pioneers to the guitar heroes of the future. Each chapter contains portraits of guitarists (past and present) and their favourite instruments. The authoritative text describes the musician’s favoured guitar or guitars and why they are preferred, often revealing a hidden facet of the musician’s artistic approach. Special photo spreads include The Beatles, The Rolling Stones, Van Halen, Prince, Billie Joe Armstrong, AC/DC, Les Paul, anatomy of a Stratocaster, 5 Replica Guitars; Burst, the world’s most expensive guitar; 5 Most Desirable Amplifiers, 5 Pedals That Changed the World, 5 Groundbreaking Sounds, The Chicago Blues in 5 Albums, 5 Essential Hard Rock Albums and 5 Design Gibson Mistakes. The book is organized into three sections (Birth of an Art, The Golden Age, Modern Times) and nine chapters, each with a selection of artists and their guitars, including these: Delta Blues & Rockabilly Robert Johnson, Jimmie Rogers, Johnny Cash, Willie Nelson, Buddy Holly; Chicago Blues & Jazz Muddy Waters, Chuck Berry, Sister Rosetta Tharpe, Trini Lopez, George Benson; British Blues Boom Dave Davies, Pete Townshend, Jimmy Page, Eric Clapton, Peter Green; Surf, Garage Rock & Psychedelic Jimi Hendrix, Frank Zappa, Santana, Ry Cooder, Duane Allman; Birth of Hard Rock Ritchie Blackmore, Neil Young, Brian May, Peter Frampton, Joan Jett; Arena Rock, Shred & New Wave Bruce Springsteen, Stevie Ray Vaughan, The Edge, Joe Satriani, Slash; Grunge & Alternative Rock Kurt Cobain, Buzz Osborne, Sonic Youth, Rivers Cuomo, John 5; Metal to Djent Dimebag Darrell, John 5, Buckethead, Meshuggah, Tosin Abasi; Guitar Heroes of the Future St. Vincent, Joe Bonamassa, Jack White, Ron Thal, Matthew Bellamy. Guitars & Heroes is a sensational encyclopedia for all guitarists, guitar geeks, collectors and avid listeners, and an essential purchase for all collections.

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Traveling to Hanoi during the U.S. war in Vietnam was a long and dangerous undertaking. Even though a neutral commission operated the flights, the possibility of being shot down by bombers in the air and antiaircraft guns on the ground was very real. American travelers recalled landing in blackout conditions, without lights even for the runway, and upon their arrival seeking refuge immediately in bomb shelters. Despite these dangers, they felt compelled to journey to a land at war with their own country, believing that these efforts could change the political imaginaries of other members of the American citizenry and even alter U.S. policies in Southeast Asia. In Radicals on the Road, Judy Tzu-Chun Wu tells the story of international journeys made by significant yet underrecognized historical figures such as African American leaders Robert Browne, Eldridge Cleaver, and Elaine Brown; Asian American radicals Alex Hing and Pat Sumi; Chicana activist Betita Martinez; as well as women’s peace and liberation advocates Cora Weiss and Charlotte Bunch. These men and women of varying ages, races, sexual identities, class backgrounds, and religious faiths held diverse political views. Nevertheless, they all believed that the U.S. war in Vietnam was immoral and unjustified. In times of military conflict, heightened nationalism is the norm. Powerful institutions, like the government and the media, work together to promote a culture of hyperpatriotism. Some Americans, though, questioned their expected obligations and instead imagined themselves as "internationalists," as members of communities that transcended national boundaries. Their Asian political collaborators, who included Buddhist monk Thich Nhat Hanh, Foreign Minister of the Provisional Revolutionary Government Nguyen Thi Binh and the Vietnam Women’s Union, cultivated relationships with U.S. travelers. These partners from the East and the West worked together to foster what Wu describes as a politically radical orientalist sensibility. By focusing on the travels of individuals who saw themselves as part of an international community of antiwar activists, Wu analyzes how actual interactions among people from several nations inspired transnational identities and multiracial coalitions and challenged the political commitments and personal relationships of individual activists.

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NEW YORK TIMES BESTSELLER * “Audacious…Life on the Mississippi sparkles.” —The Wall Street Journal * “A rich mix of history, reporting, and personal introspection.” —St. Louis Post-Dispatch * “Both a travelogue and an engaging history lesson about America’s westward expansion.” —The Christian Science Monitor The eagerly awaited return of master American storyteller Rinker Buck, Life on the Mississippi is an epic, enchanting blend of history and adventure in which Buck builds a wooden flatboat from the grand “flatboat era” of the 1800s and sails it down the Mississippi River, illuminating the forgotten past of America’s first western frontier.Seven years ago, readers around the country fell in love with a singular American voice: Rinker Buck, whose infectious curiosity about history launched him across the West in a covered wagon pulled by mules and propelled his book about the trip, The Oregon Trail, to ten weeks on the New York Times bestseller list. Now, Buck returns to chronicle his latest incredible adventure: building a wooden flatboat from the bygone era of the early 1800s and journeying down the Mississippi River to New Orleans. A modern-day Huck Finn, Buck casts off down the river on the flatboat Patience accompanied by an eccentric crew of daring shipmates. Over the course of his voyage, Buck steers his fragile wooden craft through narrow channels dominated by massive cargo barges, rescues his first mate gone overboard, sails blindly through fog, breaks his ribs not once but twice, and camps every night on sandbars, remote islands, and steep levees. As he charts his own journey, he also delivers a richly satisfying work of history that brings to life a lost era. The role of the flatboat in our country’s evolution is far more significant than most Americans realize. Between 1800 and 1840, millions of farmers, merchants, and teenage adventurers embarked from states like Pennsylvania and Virginia on flatboats headed beyond the Appalachians to Kentucky, Mississippi, and Louisiana. Settler families repurposed the wood from their boats to build their first cabins in the wilderness; cargo boats were broken apart and sold to build the boomtowns along the water route. Joining the river traffic were floating brothels, called “gun boats”; “smithy boats” for blacksmiths; even “whiskey boats” for alcohol. In the present day, America’s inland rivers are a superhighway dominated by leviathan barges—carrying $80 billion of cargo annually—all descended from flatboats like the ramshackle Patience. As a historian, Buck resurrects the era’s adventurous spirit, but he also challenges familiar myths about American expansion, confronting the bloody truth behind settlers’ push for land and wealth. The Indian Removal Act of 1830 forced more than 125,000 members of the Cherokee, Choctaw, and several other tribes to travel the Mississippi on a brutal journey en route to the barrens of Oklahoma. Simultaneously, almost a million enslaved African Americans were carried in flatboats and marched by foot 1,000 miles over the Appalachians to the cotton and cane fields of Arkansas, Mississippi, and Louisiana, birthing the term “sold down the river.” Buck portrays this watershed era of American expansion as it was really lived. With a rare narrative power that blends stirring adventure with absorbing untold history, Life on the Mississippi is a mus­cular and majestic feat of storytelling from a writer who may be the closest that we have today to Mark Twain.

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The Phantom was developed for the US Navy as a long-range all-weather fighter and first flew in May 1958\. It became operational in 1961\. The US Air Force then realised that the Navy had an aircraft that was far better than any tactical aircraft in their inventory and ordered 543 F-4C variants. There then followed a spate of orders from around the world. In Britain, it was ordered for the Navy and Air Force, but was modified to take the Rolls-Royce Spey turbofan. One of the Royal Navy's Phantoms stole the record for the fastest Atlantic crossing, a record that stood until taken by the remarkable Blackbird. During the long course of its service history, the Phantom has been employed in a variety of different combat scenarios and theatres of war. It was one of America's most utilised aircraft during the long Vietnam War and has been flown in anger in the Middle East by a number of different air forces. The F-4 is still operational with several units, but is now coming to the end of its long and successful period as a front-line combat warplane. This is the perfect introduction for the general reader, enthusiast or modeller wishing to find a succinct yet detailed introduction to the design and history of this aircraft. Why was it conceived? What was it like to fly in combat? Who were the people who designed it and who became famous for flying it? What were its virtues and vices? These questions are answered and a wealth of technical data, additional information and suggestions for further reading are provided.

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From city streets to City Hall and to Midtown corporate offices, Saving Stuyvesant Town is the incredible true story of how one middle class community defeated the largest residential real estate deal in American history. Lifetime Stuy Town resident and former City Councilman Dan Garodnick recounts how his neighbors stood up to mammoth real estate interests and successfully fought to save their homes, delivering New York City's biggest-ever affordable housing preservation win. In 2006, Garodnick found himself engaged in an unexpected battle. Stuyvesant Town was built for World War II veterans by MetLife, in partnership with the City. Two generations removed, MetLife announced that it would sell Stuy Town to the highest bidder. Garodnick and his neighbors sprang into action. Battle lines formed with real estate titans like Tishman Speyer and BlackRock facing an organized coalition of residents, who made a competing bid to buy the property themselves. Tripped-up by an over-leveraged deal, the collapse of the American housing market, and a novel lawsuit brought by tenants, the real estate interests collapsed, and the tenants stood ready to take charge and shape the future of their community. The result was a once-in-a-generation win for tenants and an extraordinary outcome for middle-class New Yorkers. Garodnick's colorful and heartfelt account of this crucial moment in New York City history shows how creative problem solving, determination, and brute force politics can be marshalled for the public good. The nine-year struggle to save Stuyvesant Town by these residents is an inspiration to everyone who is committed to ensuring that New York remains a livable, affordable, and economically diverse city.

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Wiley-Blackwell's “Clinical Cases” series is designed to recognize the centrality of clinical cases to the profession by providing actual cases with an academic backbone. Clinical Cases in Restorative and Reconstructive Dentistry describes the principles and demonstrates their practical, every-day application through a range of representative cases building from the simple to the complex and from the common to the rare. This unique approach supports the new trend in case-based and problem-based learning, thoroughly covering topics ranging from infant oral health to complex pulp therapy. Highly illustrated in full color, Clinical Cases in Restorative and Reconstructive Dentistry’s format fosters independent learning and prepares the reader for case-based examinations. The book presents actual clinical cases, accompanied by academic commentary, that question and educate the reader about essential topics in restorative and reconstructive dentistry. The book begins by laying the groundwork of the fundamental principles that apply to all cases and outlining the ten decisions to be made with all cases. The main sections of the book cover the cases themselves, examining them both by type of restoration / solution, and by type of problem. This unique approach enables the reader to build their skills, aiding the ability to think critically and independently. Clinical Cases in Restorative and Reconstructive Dentistry’s case-based format is particularly useful for pre-doctoral dental students, post-graduate residents and practitioners, both as a textbook from which to learn about the challenging and absorbing nature of restorative and reconstructive dentistry, and also as a reference tool to help with treatment planning when perplexing cases arise in the dental office.

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It’s been five years since a cosmic incident known as The Ring of Fire transported the modern day town of Grantville, West Virginia, through time and space to 17th century Europe. The course of world history has been forever altered. And Mother Russia is no exception. Inspired by the American up-timers’ radical notion that all people are created equal, Russian serfs are rebelling. The entire village of Poltz, led by blacksmith Stefan Andreevich, pulls up stakes to make a run for freedom. Meanwhile, Czar Mikhail has escaped house arrest, with the aid of up-time car mechanic Bernie Zeppi, his Russian associates—and a zeppelin. The czar makes his way to the village of Ufa. There he intends to set up a government-in-exile. It is to Ufa that the serfs of Poltz are heading, as well. The path is dangerous—for the serfs as well as the czar. They face great distances and highwaymen. But the worst threat are those in the aristocracy who seek to crush the serfs and execute the czar in a bid to drive any hope for Russian freedom under their Parisian-crafted boot heels. But the Russians of 1637 have taken inspiration from their up-timer counterparts. And it could be that a new wind of liberty is about to blow three centuries early—and change Mother Russia forever. About 1636: The Kremlin Games: “…a well-constructed plot filled with satisfying measures of comedy, romance, political intrigue, and action.”—Publishers Weekly About 1635: A Parcel of Rogues: "The 20th volume in this popular, fast-paced alternative history series follows close on the heels of the events in The Baltic War, picking up with the protagonists in London, including sharpshooter Julie Sims. This time the 20th-century transplants are determined to prevent the rise of Oliver Cromwell and even have the support of King Charles."—Library Journal About 1634: The Galileo Affair: "A rich, complex alternate history with great characters and vivid action. A great read and an excellent book."—David Drake "Gripping . . . depicted with power!"—Publishers Weekly About Eric Flint's Ring of Fire series: “This alternate history series is . . . a landmark…”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “ . . . reads like a technothriller set in the age of the Medicis . . . ”—Publishers Weekly

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“We are living history right now. I believe we need to do more to document this unique moment in America, and who better to convey what we all are feeling than our country’s greatest artists? It is my hope that in 50 years, art history classes will pull this book off the shelf and understand the deep emotion of this time.” — William Weinaug Around the world, many individuals and families have faced isolation due to COVID-19. Our lives have been changed as we face a historical crisis of unprecedented scale. But beauty has also come from this hardship. The Great American Paint In® was birthed to allow artists to paint their emotions during the pandemic, capturing this period of history in a unique way — through art. This book curates the products of the Paint In️®, revealing the responses of over 50 artists from across the continent. Artists share their experiences, their losses, and their hopes for the future. In doing so, they demonstrate the real grit and backbone of the American pandemic story. Like so many enduring these difficult times, they discovered a whole new world and a brand “new normal” that allows them to live, work, survive — and, most importantly, create. These stories have been shared by Wekiva Island online, at Gallery CERO, and around the country in several travelling art exhibits. Now, for the first time, they are being brought together in a single volume. Select artists include: Hai-Ou Hou, Olena Babek, Barbara Fox, Jill Stefani Wagner, Paul Schulenburg, Morgan Samuel Price, Kyle Stanley, Raymond Bonilla, Kathleen Dunphy, Jennfer Miller, Michelle Held, David Arsenault, John S Caggiano, Tony D'Amico, Karen Blackwood, Jeanne Rosier Smith, Justin T Worrell, Thomas Kegler, Shawn Krueger, Erik Koeppel, Ken Salaz, Hillary Scott, Thomas Adkins, Michael Orwick, Kim VanDerHoek, Cindy House, George Van Hook, Kim Lordier, Marc R Hansen, Sergio Roffo, Sam Vokey, Mary Erickson, Tom LaRock, Josh Clare, Howard B Friendland, Marc Dalessio, Andrew Orr, Kari Ganoung Ruiz, Charles Muench, Jim McVicker, Trish Coonrod, Joseph Daily, Jeffrey Hayes, Mitch Kolbe, Dogulas Wiltraut, Ray Howard, Nick Patten, Brett Scheifflee, Jeff Gola, Eleinne Basa, Bill Farnsworth, Garin J Baker, and Mary Jane Volkmann.

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Prepare to be whisked away on a romantic, glamorous and royal adventure!'If you like romance and a fun read, then this is the book''Fabulous, feel-good, uplifting''Not your typical romance novel!'Filled with intrigue, romance and mystery, Lindsay Emory's The Royal Runaway is perfect for fans of The Princess Diaries and The Royal We with a splash of James Bond and The Bourne Identity. *Now optioned for film!*Princess Theodora Isabella Victoria of Drieden of the Royal House of Laurent is so over this princess thing. After her fiance jilted her on their wedding day, she's back home, having spent four months in exile. Aka it's back to putting on a show for the Driedish nation as the perfect princess they expect her to be. But Thea's sick of duty, so when she sneaks out of the palace and meets a sexy Scot named Nick in a local bar, she relishes the chance to be a normal woman for a change. But just as she thinks she's found her Prince Charming, he reveals his intentions are less than honourable: he's a spy and he's not above blackmail. As they join forces to find out what happened the day her fiance disappeared, together they discover a secret that could change life as they know it.Funny, fast-paced, and full of more twists and turns than the castle Thea lives in, The Royal Runaway is a fresh romantic comedy that will leave you cheering for the modern-day royal who chucks the rulebook aside to create her own happily-ever-after.Raves for The Royal Runaway:'Captivating! Full of twists and turns, The Royal Runaway will keep you guessing and cheering for a Royal happily-ever-after!' Geneva Lee'The perfect royal romp, like The Princess Diaries meets James Bond' Teri Wilson'Thea is a whip-smart princess for the modern era... The story's greatest strength is its twisting spy tale, as it takes one unexpected turn after another' Entertainment Weekly'Happily ever after gets a refreshing update. This imaginative, absorbing, and empowering story is a must-read' Kirkus Reviews

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLYFrom declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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The War for American Independence was essentially a civil war throughout the colonies: loyalists and patriots who had grown up together as countrymen found themselves fighting on opposing sides. Troy Bickham asserts that the war proved almost as divisive in the motherland, as the British wielded the almighty pen and went to battle on the pages of the press in Britain. Surpassing the breadth of previous studies on the subject, Making Headlines offers a look at the British press as a whole—including analysis of London newspapers, provincial newspapers, and monthly magazines. The free press in Britain, Bickham argues, was too widespread and too lucrative to be susceptible to significant government interference and therefore provided in-depth coverage on all aspects of the war. Private letters, official dispatches, extracts from foreign newspapers, maps, and detailed tables of fleet strengths and locations filled the pages of daily publications that provided more extensive and more rapid information than even the government could. Due to the inexpensive and easily accessible printed news, the average British citizen was often as well informed as a cabinet minister. The open editorial nature of the press also allowed someone as socially low as a blacksmith's wife, under the cloak of anonymity, to scrutinize and offer commentary on every political decision and military maneuver, all in front of a national audience. Bickham adeptly leads the reader on an exploration into the varied national debates that raged throughout Britain during the American Revolution, one of Britain's historically most unpopular wars. The British public debated how to defeat George Washington—whose perseverance and conduct was much admired in Britain—whether captured Americans should be held as prisoners of war or hung as traitors, and the morality of including American Indians in the war effort. Making Headlines also reflects the global perspective of the war held by most Britons, who saw the conflict not only as a fight for America but also as a struggle to protect their worldwide empire as America's European allies turned the conflict into a world war, threatening even the British Isles themselves. This study will appeal to those interested in early America, the American Revolution, British history, and media studies.

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This is a study of the British state's generation, suppression and manipulation of news to further foreign policy goals during the early Cold War. Bribing editors, blackballing "unreliable" journalists, creating instant media experts through provision of carefully edited "inside information", and exploiting the global media system to plant propaganda -- disguised as news -- around the world: these were all methods used by the British to try to convince the international public of Soviet deceit and criminality and thus gain support for anti-Soviet policies at home and abroad. Britain's shaky international position heightened the importance of propaganda. The Soviets and Americans were investing heavily in propaganda to win the "hearts and minds" of the world and substitute for increasingly unthinkable nuclear war. The British exploited and enhanced their media power and propaganda expertise to keep up with the superpowers and preserve their own global influence at a time when British economic, political and military power was sharply declining. This activity directly influenced domestic media relations, as officials used British media to launder foreign-bound propaganda and to create the desired images of British "public opinion" for foreign audiences. By the early 1950s censorship waned but covert propaganda had become addictive. The endless tension of the Cold War normalized what had previously been abnormal state involvement in the media, and led it to use similar tools against Egyptian nationalists, Irish republicans and British leftists. Much more recently, official manipulation of news about Iraq indicates that a behind-the-scenes examination of state propaganda's earlier days is highly relevant. John Jenks draws heavily on recently declassified archival material for this book, especially files of the Foreign Office's anti-Communist Information Research Department (IRD) propaganda agency, and the papers of key media organisations, journalists, politicians and officials. Readers will therefore gain a greater understanding of the depth of the state's power with the media at a time when concerns about propaganda and media manipulation are once again at the fore.

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The idea that there once existed a language which perfectly and unambiguously expressed the essence of all possible things and concepts has occupied the minds of philosophers, theologians, mystics and others for at least two millennia. This is an investigation into the history of that idea and of its profound influence on European thought, culture and history. From the early Dark Ages to the Renaissance it was widely believed that the language spoken in the Garden of Eden was just such a language, and that all current languages were its decadent descendants from the catastrophe of the Fall and at Babel. The recovery of that language would, for theologians, express the nature of divinity, for cabbalists allow access to hidden knowledge and power, and for philosophers reveal the nature of truth. Versions of these ideas remained current in the Enlightenment, and have recently received fresh impetus in attempts to create a natural language for artificial intelligence. The story that Umberto Eco tells ranges widely from the writings of Augustine, Dante, Descartes and Rousseau, arcane treatises on cabbalism and magic, to the history of the study of language and its origins. He demonstrates the initimate relation between language and identity and describes, for example, how and why the Irish, English, Germans and Swedes - one of whom presented God talking in Swedish to Adam, who replied in Danish, while the serpent tempted Eve in French - have variously claimed their language as closest to the original. He also shows how the late eighteenth-century discovery of a proto-language (Indo-European) for the Aryan peoples was perverted to support notions of racial superiority. To this subtle exposition of a history of extraordinary complexity, Umberto Eco links the associated history of the manner in which the sounds of language and concepts have been written and symbolized. Lucidly and wittily written, the book is, in sum, a tour de force of scholarly detection and cultural interpretation, providing a series of original perspectives on two thousand years of European History. The paperback edition of this book is not available through Blackwell outside of North America.

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The Sunday Times bestseller Shortlisted for the Women’s Prize for Fiction Longlisted for the Booker Prize ‘It is a book not read, but lived’ Telegraph ‘Her Cromwell novels are, for my money, the greatest English novels of this century’ Observer The bestselling sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Wolf Hall trilogy. ‘If you cannot speak truth at a beheading, when can you speak it?’ England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen, Jane Seymour. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him? With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage. A Guardian Book of the Year • A Times Book of the Year • A Daily Telegraph Book of the Year • A Sunday Times Book of the Year • A New Statesman Book of the Year • A Spectator Book of the Year Sunday Times Bestseller (08/03/2020)

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'Oh Miriam! risks the curse of the sequel, and pulls it off . . . A force of nature, a tour de farce. Bold, brave and bright, but also revealing, shocking and touching. Miriam is an icon, a cocksucker - and the star of her show' ROBERT McCRUM, Independent'Our naughtiest national treasure . . . famously filthy, funny and phlegmatic . . . Oh Miriam! is Margolyes's manifesto for a fulfilled life . . . She loves to tell it straight. And the older she gets, the straighter she tells it' SIMON HATTENSTONE, Guardian'Irrepressible . . . A life-enhancing rollercoaster of a ride . . . this book is like Margolyes herself - outspoken, ebullient and unexpectedly wise' EMMA LEE-POTTER, Daily Express'Snortingly funny . . . deliciously unbridled . . . There is something heroic in her unruliness. Let Miriam take the lead and enjoy the show' RHIK SAMADDER, Observer'Insanely interesting, full of profanity and profundity, Oh Miriam!'s title comes from all the people who have ever exclaimed her name in every tone from horror to hilarity; and her unfiltered personality leaps off the page - honesty, kindness, generosity, sanity, erudition, outspokenness' SUZANNE HARRINGTON, Irish Examiner'Endearingly eccentric' WOMEN'S WEEKLY From declaring my love to Vanessa Redgrave to being fed cockroaches by Steve Buscemi, from turnip-based comedy with Blackadder to being farted on by Arnold Schwarzenegger, from Graham Norton's sofa to Alan Cumming's camper van, my life has been (and continues to be) an uproarious adventure.Oh Miriam! has been such a constant refrain in my life, said in all kinds of tones - laughs, surprised gasps and orgasmic sighs (I'm hoping for all of those from you as you read on!) - that it had to be the title of this book. And with a cast list that stretches from Churchill to DiCaprio, Dahl to Dietrich, Princess Margaret to Maggie Smith, I've so much more to tell you and so much more to say.My chapters range from 'How to Stay Married' to 'Don't Let the Bastards Get You Down'. Discover how to break the thickest conversational ice; why swearing is actually good for you (though not on the Today programme); the unexpected things I learned at school and what my Spice Girl name would be. Not to mention my Tale of the Unexpected and my very own Vagina Monologue.Buckle up and join me on another unforgettable adventure, but this time through my heart and head . . .

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It’s been five years since a cosmic incident known as The Ring of Fire transported the modern day town of Grantville, West Virginia, through time and space to 17th century Europe. The course of world history has been forever altered. And Mother Russia is no exception. Inspired by the American up-timers’ radical notion that all people are created equal, Russian serfs are rebelling. The entire village of Poltz, led by blacksmith Stefan Andreevich, pulls up stakes to make a run for freedom. Meanwhile, Czar Mikhail has escaped house arrest, with the aid of up-time car mechanic Bernie Zeppi, his Russian associates, and a zeppelin. The czar makes his way to the village of Ufa. There he intends to set up a government-in-exile. It is to Ufa that the serfs of Poltz are heading, as well. The path is dangerous—for the serfs as well as the czar. They face great distances and highwaymen. But the worst threat are those in the aristocracy who seek to crush the serfs and execute the czar in a bid to drive any hope for Russian freedom under their Parisian-crafted boot heels. But the Russians of 1637 have taken inspiration from their up-timer counterparts. And it could be that a new wind of liberty is about to blow three centuries early—and change Mother Russia forever. About 1636: The Kremlin Games: “…a well-constructed plot filled with satisfying measures of comedy, romance, political intrigue, and action.”—Publishers Weekly About 1635: A Parcel of Rogues: "The 20th volume in this popular, fast-paced alternative history series follows close on the heels of the events in The Baltic War, picking up with the protagonists in London, including sharpshooter Julie Sims. This time the 20th-century transplants are determined to prevent the rise of Oliver Cromwell and even have the support of King Charles."—Library Journal About 1634: The Galileo Affair: "A rich, complex alternate history with great characters and vivid action. A great read and an excellent book."—David Drake "Gripping . . . depicted with power!"—Publishers Weekly About Eric Flint's Ring of Fire series: “This alternate history series is . . . a landmark…”—Booklist “[Eric] Flint's 1632 universe seems to be inspiring a whole new crop of gifted alternate historians.”—Booklist “ . . . reads like a technothriller set in the age of the Medicis . . . ”—Publishers Weekly

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Three decades after her pioneering anthology, Daughters of Africa, Margaret Busby curates an extraordinary collection of contemporary writing by 200 women writers of African descent, including Zadie Smith, Bernardine Evaristo and Chimamanda Ngozi Adichie. A glorious portrayal of the richness and range of African women's voices, this major international book brings together their achievements across a wealth of genres. From Antigua to Zimbabwe and Angola to the USA, overlooked artists of the past join key figures, popular contemporaries and emerging writers in paying tribute to the heritage that unites them, the strong links that endure from generation to generation, and their common obstacles around issues of race, gender and class.Bold and insightful, brilliant in its intimacy and universality, this landmark anthology honours the talents of African daughters and the inspiring legacy that connects them-and all of us.The New Daughters of AfricaDiane AbbottYassmin Abdel-MagiedLeila AboulelaAyobami AdebayoSade AdeniranChimamanda Ngozi AdichieZoe AdjonyohPatience AgbabiAgnès AgbotonCandace AllenLisa Allen-AgostiniEllah Wakatama AllfreyAndaiyeHarriet AnenaJoan Anim-AddoMonica Arac de NyekoYemisi AribisalaYolanda Arroyo PizarroAmma AsanteMichelle AsantewaNana Asma'uSefi AttaAyesha Harruna AttahGabeba BaderoonYaba BadoeYvonne Bailey-SmithDoreen BainganaEllen Banda-AakuAngela BarryMildred K. BaryaJackee Budesta BatandaSimi BedfordLinda BellosJay BernardMarion BethelAma BineyJacqueline BishopMalorie BlackmanTanella BoniMalika BookerNana Ekua Brew-HammondBeverley BryanAkosua BusiaCandice Carty-WilliamsRutendo ChabikwaBarbara Chase-RiboudPanashe ChigumadziGabrielle CivilMaxine Beneba ClarkeAngela CobbinahCarolyn CooperJuanita CoxMeta Davis CumberbatchPatricia CumperStella DadzieYrsa Daley-WardNana-Ama DanquahEdwidge DanticatNadia DavidsTjawangwa DemaYvonne Denis RosarioAnni DomingoNah DoveEdwige-Renée DroCamille T. DungyAnaïs DuplanReni Eddo-LodgeAida EdemariamEsi EdugyanSummer EdwardYvvette EdwardsZena EdwardsSafia ElhilloZetta ElliottNawal El SaadawiDiana EvansBernardine EvaristoEve L. EwingDeise Faria NunesDiana FerrusNikky FinneyAminatta FornaIfeona FulaniVangile GantshoRoxane GayDanielle Legros GeorgesPatricia Glinton-MeicholasHawa Jande GolakaiWangui wa GoroBonnie GreerJane Ulysses GrellRachel Eliza GriffithsCarmen Harriszakia henderson-brownJoanne C. HillhouseAfua HirschZita HolbourneNalo HopkinsonRashidah IsmailiNaomi JacksonSandra Jackson-OpokuDelia Jarrett-MacauleyMargo JeffersonBarbara JenkinsCatherine JohnsonEthel Irene KabwatoElizabeth KeckleyFatimah KelleherDonika KellyAdrienne KennedySusan Nalugwa KiguliRosamond S. KingDonu KogbaraLauri KubuitsileGoretti KyomuhendoBeatrice LamwakaPatrice LawrenceAndrea LevyLesley LokkoKaren LordKaren Ládípò ManyikaRos MartinLebogang MashileIsabella MatambanadzoNomaVenda MathianeImbolo MbueMaaza MengisteArthenia Bates MillicanBridget MinamoreNadifa MohamedNatalia MolebatsiWame MolefheAja MonetSisonke MsimangBlessing MusaririGlaydah NamukasaMarie NDiayeJuliana Makuchi Nfah-AbbenyiWanjiku wa NgugiKetty NivyabandiElizabeth NunezSelina NwuluTrifonia Melibea ObonoNana Oforiatta AyimIrenosen OkojieNnedi OkoraforJuliane Okot BitekChinelo OkparantaYewande OmotosoMakena OnjerikaChibundu OnuzoTess OnwuemeYvonne Adhiambo OwuorLouisa Adjoa ParkerDjaimilia Pereira de AlmeidaAlake PilgrimWinsome PinnockHannah Azieb PoolOlúmìdé Pópó?láClaudia RankineH. Cordelia RaySarah Parker RemondFlorida Ruffin RidleyZandria F. RobinsonZuleica Romay GuerraAndrea Rosario-GborieLeone RossJosephine St. Pierre RuffinMinna SalamiMarina Salandy-BrownSapphireNoo Saro-WiwaTaiye SelasiNamwali SerpellKadija SesayClaire ShepherdVerene A. ShepherdWarsan ShireLola ShoneyinDorothea SmarttZadie SmithAdeola SolankeCelia SorhaindoAttillah SpringerAndrea StuartSuAndiValerie Joan TagwiraJennifer TeegeJean évenetNatasha TretheweyNovuyo Rosa TshumaHilda J. TwongyeirweChika UnigweYvonne VeraPhillippa Yaa de VilliersKit de WaalElizabeth Walcott-HackshawEffie Waller SmithRebecca WalkerAyeta Anne WangusaZukiswa WannerJesmyn WardVerna Allette WilkinsCharlotte WilliamsSue Woodford-HollickMakhosazana XabaTiphanie Yanique

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Honoring relatives by tending graves, building altars, and cooking festive meals has been a major tradition among Latin Americans for centuries. The tribute, "El Día de los Muertos," has enjoyed renewed popularity since the 1970s when Latinx activists and artists in the United States began expanding "Day of the Dead" north of the border with celebrations of performance art, Aztec danza, art exhibits, and other public expressions. Focusing on the power of public ritual to serve as a communication medium, this revised and updated edition combines a mix of ethnography, historical research, oral history, and critical cultural analysis to explore the manifold and unexpected transformations that occur when the tradition is embraced by the mainstream. A testament to the complex role of media and commercial forces in constructions of ethnic identity, Day of the Dead in the USA provides insight into the power of art and ritual to create community, transmit oppositional messages, and advance educational, political, and economic goals. Today Chicano-style Day of the Dead events take place in all fifty states. This revised edition provides new information about: The increase in events across the US, incorporating media coverage and financial aspects, Recent political movements expressed in contemporary Day of the Dead celebrations, including #BlackLivesMatter and #MeToo Greater media coverage and online presence of the celebration in blogs, websites, and streaming video Día de los Muertos themes and iconography in video games and films The proliferation of commercialized merchandise such as home goods, apparel, face paints and jewelry at mainstream big box and web retailers, as well as the widespread proliferation of calavera-themed decorations and costumes for Halloween 24 new full color illustrations

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Rebecca Valette’s Clitso Dedman, Navajo Carver is the first biography of artist Clitso Dedman (1876–1953), one of the most important but overlooked Diné (Navajo) artists of his generation. Dedman was born to a traditional Navajo family in Chinle, Arizona, and herded sheep as a child. He was educated in the late 1880s and early 1890s at the Fort Defiance Indian School, then at the Teller Institute in Grand Junction, Colorado. After graduation Dedman moved to Gallup, New Mexico, where he worked in the machine shop of the Atchison, Topeka, and Santa Fe Railway before opening his first of three Navajo trading posts in Rough Rock, Arizona. After tragedy struck his life in 1915, he moved back to Chinle and abruptly changed careers to become a blacksmith and builder. At age sixty, suffering from arthritis, Dedman turned his creative talent to wood carving, thus initiating a new Navajo art form. Although the neighboring Hopis had been carving Kachina dolls for generations, the Navajos traditionally avoided any permanent reproduction of their Holy People, and even of human figures. Dedman was the first to ignore this proscription, and for the rest of his life he focused on creating wooden sculptures of the various participants in the Yeibichai dance, which closed the Navajo Nightway ceremony. These secular carvings were immediately purchased and sold to tourists by regional Indian traders. Today Dedman’s distinctive and highly regarded work can be found in private collections, galleries, and museums, such as the Navajo Nation Museum at Window Rock, the California Academy of Sciences in San Francisco, and the Arizona State Museum in Tucson. Clitso Dedman, Navajo Carver, with its extensive illustrations, is the story of a remarkable and underrecognized figure of twentieth-century Navajo artistic creation and innovation.

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Since the release of the documentary Blackfish in 2013, millions around the world have focused on the plight of the orca, the most profitable and controversial display animal in history. Yet, until now, no historical account has explained how we came to care about killer whales in the first place. Drawing on interviews, official records, private archives, and his own family history, Jason M. Colby tells the exhilarating and often heartbreaking story of how people came to love the ocean's greatest predator. Historically reviled as dangerous pests, killer whales were dying by the hundreds, even thousands, by the 1950s--the victims of whalers, fishermen, and even the US military. In the Pacific Northwest, fishermen shot them, scientists harpooned them, and the Canadian government mounted a machine gun to eliminate them. But that all changed in 1965, when Seattle entrepreneur Ted Griffin became the first person to swim and perform with a captive killer whale. The show proved wildly popular, and he began capturing and selling others, including Sea World's first Shamu. Over the following decade, live display transformed views of Orcinus orca. The public embraced killer whales as charismatic and friendly, while scientists enjoyed their first access to live orcas. In the Pacific Northwest, these captive encounters reshaped regional values and helped drive environmental activism, including Greenpeace's anti-whaling campaigns. Yet even as Northwesterners taught the world to love whales, they came to oppose their captivity and to fight for the freedom of a marine predator that had become a regional icon. This is the definitive history of how the feared and despised "killer" became the beloved "orca"--and what that has meant for our relationship with the ocean and its creatures.

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The second part of Vincent Roth's memoirs of a life in Guyana covers the years between 1923 and 1935 when a second bout of blackwater fever nearly killed him and forced his retirement from working in the interior.In addition to his job as a government surveyor (one task was to survey a mere 400,000 acres between the Demerara and Berbice rivers) Roth was appointed as Warden of the Mazaruni, a post which combined being magistrate, inspector of weights and measures and regulator of the diamond and gold mining in the area - tasks which brought him into a world far from the proprieties of colonial Georgetown. There are vivid accounts of the Saturday night festivities when hundreds of prospectors and the 'women of the fields', gaudy birds of paradise, gathered at the trading posts for music, drinking, gambling and much more.What comes over is a picture (a mixed and contradictory one) of Guyana as, on the whole, an enterprising and pioneering society. Much of Roth's work was concerned with surveying the lots of farmers and gold and diamond prospectors - people creating if not great wealth, at least making things happen. But he also has a sharp eye for grandiose follies; interior enterprises built on dreams of wealth but inadequate foundations of knowledge. Their memorials lie in the ruins of mines collapsing into bush. And though Roth has an acerbic view of jumped-up officialdom and bureaucratic incompetence, he neverthess gives a picture of a country that worked, where the mail and the daily papers reached the remotest parts of the interior, but where the obliterating power of nature over human effort had to be constantly resisted. His accounts of roadbuilding and ideas for agricultural schemes suggest possibilities not yet realised in the Guyana of the present.In this volume, Roth grows from energetic and opinionated young manhood to a more relaxed and unbuttoned maturity. There is an affectionate portrayal of his relations with his father (and samples of Roth senior's appalling jokes!) and with his two sons who join him on his later expeditions. An epilogue, written by his son-in-law, Michael Bennett, takes Roth's story beyond the days of his journal to note the contribution he made to Guyana in his journalism, his historical writing and his work with the museum and the zoological gardens.Between 1907 and 1964, Vincent Roth contributed immensely to the development of Guyana, first as a surveyor in the interior, then as a journalist, historian and naturalist.

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'Escapism of a high order.' INDEPENDENT ON SUNDAY'A slyly intelligent page turner.' PUBLISHERS WEEKLYAN AURELIO ZEN MYSTERY When a group of Austrian cavers in the Italian Alps come across human remains at the bottom of a deep shaft, everyone assumes the death was accidental - until the still unidentified body is stolen from the morgue and the Defence Ministry puts a news blackout on the case. The whole affair has the whiff of political intrigue. That's enough to interest Aurelio Zen's boss at the Interior Ministry, who wants to know who is hiding what from who and why. The search for the truth leads Zen into the murky history of post-war Italy and obscure corners of modern-day society to uncover the truth about a crime that everyone thought was as dead and buried as the victim.'As the plot quickens, we are soon deep in Dibdin's favourite territory: the murky political conflicts of Italy's past and the oily chicanery of its present.' SUNDAY TIMES'Dibdin's misanthropic wit finds plenty to play with.' GUARDIAN'A terrific detective story.' 5* reader review'Beautifully written . . . You get a real sense of the turbulence in the Italian state during that era.' 5* reader review'MEDUSA is the best I've read so far, with a complex but pleasing plot.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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A Telegraph readers' best book of the yearA Financial Times readers' best 2021 summer book'A powerful new book' - The Daily Mail'Quite the story... fascinating' - Claire Byrne, RTE1'This memoir meets manual with expert tips is both honest and helpful' - Victoria Woodhall, Get the GlossFOREWORD BY DR SOPHIE BOSTOCK'29th June 0 HOURS, 0 MINUTES Eleven forty-seven pm. A door slams as the neighbour's teenage son comes home from the pub. An hour later, the last Tube rumbles past and I thump my pillow over to find a cool spot. I refuse to open the window because of my fear of hearing the first bird of morning, confirmation that the next day is about to start and I have failed, yet again. Failed in my quest to sleep, which one would think is a basic human right.But I am not a POW whose captors breach the Geneva Convention. No one has stolen my sleep from me. I am not wired up to electrodes, a neon light is not shining in my face all night long. I have blackout blinds and a king-size bed all to myself. My enemies are my brain and a body that has forgotten how to shut down.'After a single, catastrophic event, journalist Miranda Levy had one sleepless night, then another, and then another. She sought help from anyone she could: doctors, a therapist, an acupuncturist, a hypnotist, a reiki practitioner and a personal trainer - but nothing seemed to work.Sleep, wellbeing and mental health are intrinsically linked. Yet sleeplessness is surprisingly common: 16 million of us suffer from insomnia, and the sleep industry is worth £100 billion (Daily Mail). In The Insomnia Diaries, Miranda Levy tells the story of her experience of severe, disabling insomnia that affected every aspect of her life for years, and how she ultimately recovered. Part memoir, part reportage, this book will help anyone who struggles to get a good night's sleep - whether occasionally or all of the time - appreciate the issues and understand the options as they find their best way to get the rest they need. Dr Sophie Bostock, scientist, sleep expert and member of the team who developed the award-winning digital programme Sleepio, contributes a foreword. She and a host of expert contributors have advised on the medical elements within the text throughout.

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The award-winning architectural practice Hawkins\Brown, founded in 1988, is well-known for its thoughtful, innovative and sustainable new buildings and refurbishments of all types. The practice prides itself on bringing a fresh and collaborative approach, creating places that are well-made, well-used and well-loved. This new book examines 14 of its projects in detail, interspersed with essays on various themes by members of the practice. The book begins with an examination by the eminent architecture journalist Hugh Pearman of the founding, history and approach of Hawkins\Brown, based on personal interviews with the practice’s two founding principals, Roger Hawkins and Russell Brown. A full discussion of the projects follows, each comprehensively illustrated with photographs, plans and renderings. The Bartlett School of Architecture in London had been outgrown by the School; it has been stripped back and reconfigured to create a building that staff and students alike are delighted to use. The Corby Cube is a well-equipped, multi-purpose civic and cultural centre that is beloved of this East Midlands town’s inhabitants. Here East, the repurposing of the Olympic press and broadcast centres in east London into space for creative and digital industries, is an excellent example of collaboration between client, architect and stakeholders. At Hilden Grange Preparatory School in Kent, Hawkins\Brown slotted exemplary new teaching spaces into natural woodland in a sustainable and sympathetic way. The University of East Anglia’s Bob Champion Building is part of the Norwich Medical School’s vision to become a world leader in clinical research and teaching, and was completed in less than a year. Park Hill housing estate in Sheffield has been updated with a charismatic new facade treatment and revitalized flats, taking it from eyesore to icon. Another housing estate, Peabody Burridge Gardens in southwest London, has been rebuilt completely, and is now more pleasant and better integrated. Tottenham Court Road station in central London – part of the enormous Crossrail project – has been sympathetically but radically redesigned to provide for the extra people who will use it, and includes artworks by Daniel Buren, Richard Wright and Douglas Gordon. At Hackney Town Hall in east London, the refurbishment of an important art deco building required all numerous skills, from reuse and repair to conversion and conservation. A combined refurbishment and new building on Great Suffolk Street just south of the river in central London, meanwhile, has created an expanded commercial building that sits comfortably in its semi-industrial setting. For the City of London Freemen’s School in Surrey, Hawkins\Brown created a new swimming pool that is simultaneously functional, beautiful and sympathetic to its rural location. With the University of Oxford Beecroft Building – where environment is also deeply important – the practice produced a new Physics research facility that both satisfies the city’s stringent historical and conservation controls and is a genuinely groundbreaking scientific building. East Village Plot No. 6 is a `build-to-rent’ development in Stratford, east London, where architecture has been used to create community. Finally, the Thames Tideway Tunnel is a crucial yet little-known infrastructure project that will extend and modernize London’s sewerage system to cope with future demand. The visible architecture here involves various surface points along the river, including at Chelsea Embankment and at Blackfriars. The essays demonstrate Hawkins\Brown’s pride in the input of its staff. Seth Rutt explains the architect’s desire for creative autonomy and wish to follow the process of creating a new building all the way from designing it to supervising the construction. Darryl Chen explains the importance of taking time away from day-to-day work to focus on broader themes, and introduces the practice’s own think tank. Nicola Rutt discusses the importance of refurbishment in the output of the practice, emphasizing its importance to the urban fabric and to the people who inhabit our towns and cities. Morag Morrison writes about the integration of art with architecture, and Katie Tonkinson examines mixed-use architecture in the context of the architect’s approach rather than the client’s brief. Harbinder Birdi explains the importance of urban planning and considering the human context for all projects, and, finally, Oliver Milton and Jack Stewart celebrate the opportunities afforded by new technology.

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ONE OF THE GUARDIAN'S BEST CRIME/THRILLERS OF 2023**DON'T MISS CASSIE RAVEN'S NEWEST MYSTERY, DEAD FALL, AVAILABLE TO PRE-ORDER NOW!**'I LOVE THIS SERIES!' ELLY GRIFFITHS'TIMELY, GRITTY AND DARK' PAULA HAWKINS'THIS SERIES IS NOT TO BE MISSED' THE GUARDIANWhen the dead are silent, she will be their voice . . .Goth-girl mortuary technician Cassie Raven has seen thousands of dead bodies but when a drowned man knocks against the hull of her canalboat, it's a bit too close to home.Cassie is grappling with the loss of her 'gift' - her conviction that she could sense the last thoughts of the dead - and at first the mystery man with the golden-green eyes isn't sharing his secrets.But the case gets under her skin and when Cassie joins forces with Detective Phyllida Flyte, together they start to dredge up secrets from the past . . .Yet someone is watching, someone who's ready to kill to stop those secrets coming to the surface.FEATURED IN HEAT MAGAZINE, THE SUNDAY TIMES AND THE GUARDIAN.PRAISE FOR THE CASSIE RAVEN SERIES:'Spellbinding storytelling' Val McDermid'Like Silent Witness but more believable' Susi Holliday 'Blackly humorous, with a fabulously one-of-a-kind protagonist' Heat Magazine'Ingenious and sardonically written' Financial Times'[A] gritty novel with an engaging heroine' Sunday Times'A terrific, well-placed plot' Spectator'Cassie Raven is a lot of fun to spend time with' Big Issue'Excellent fun, compulsive and Cassie Raven is a protagonist I want to meet again soon' James Oswald'Cassie Raven is a blast of fresh air, striding onto the crime scene like a punk superstar' Sarah Hilary'Move over Silent Witness - Cassie Raven is an utterly compelling contemporary forensic heroine' Isabelle Grey'A fresh and exciting new series' Claire McGowan'One of the best series openers I've read in years' Jane Casey

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Since its publication in 2002, Science and Religion has proven to be a widely admired survey of the complex relationship of Western religious traditions to science from the beginning of the Christian era to the late twentieth century. In the second edition, eleven new essays expand the scope and enhance the analysis of this enduringly popular book. Tracing the rise of science from its birth in the medieval West through the scientific revolution, the contributors here assess historical changes in scientific understanding brought about by transformations in physics, anthropology, and the neurosciences and major shifts marked by the discoveries of Copernicus, Galileo, Isaac Newton, Charles Darwin, and others. In seeking to appreciate the intersection of scientific discovery and the responses of religious groups, contributors also explore the theological implications of contemporary science and evaluate approaches such as the Bible in science and the modern synthesis in evolution, which are at the center of debates in the historiography, understanding, and application of science. The second edition provides chapters that have been revised to reflect current scholarship along with new chapters that bring fresh perspectives on a diverse range of topics, including new scientific approaches and disciplines and non-Christian traditions such as Judaism, Islam, Asiatic religions, and atheism. This indispensible classroom guide is now more useful than ever before. Contributors: Richard J. Blackwell, Peter J. Bowler, John Hedley Brooke, Glen M. Cooper, Edward B. Davis, Alnoor Dhanani, Diarmid A. Finnegan, Noah Efron, Owen Gingerich, Edward Grant, Steven J. Harris, Matthew S. Hedstrom, John Henry, Peter M. Hess, Edward J. Larsen, Timothy Larson, David C. Lindberg, David N. Livingstone, Craig Martin, Craig Sean McConnell, James Moore, Joshua M. Moritz, Mark A. Noll, Ronald L. Numbers, Richard Olson, Christopher M. Rios, Nicolaas A. Rupke, Michael H. Shank, Stephen David Snobelen, John Stenhouse, Peter J. Susalla, Mariusz Tabaczek, Alan C. Weissenbacher, Stephen P. Weldon, and Tomoko Yoshida

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At first glance, the U.S. decision to escalate the war in Vietnam in the mid-1960s, China's position on North Korea's nuclear program in the late 1990s and early 2000s, and the EU resolution to lift what remained of the arms embargo against Libya in the mid-2000s would appear to share little in common. Yet each of these seemingly unconnected and far-reaching foreign policy decisions resulted at least in part from the exercise of a unique kind of coercion, one predicated on the intentional creation, manipulation, and exploitation of real or threatened mass population movements. In Weapons of Mass Migration, Kelly M. Greenhill offers the first systematic examination of this widely deployed but largely unrecognized instrument of state influence. She shows both how often this unorthodox brand of coercion has been attempted (more than fifty times in the last half century) and how successful it has been (well over half the time). She also tackles the questions of who employs this policy tool, to what ends, and how and why it ever works. Coercers aim to affect target states' behavior by exploiting the existence of competing political interests and groups, Greenhill argues, and by manipulating the costs or risks imposed on target state populations. This "coercion by punishment" strategy can be effected in two ways: the first relies on straightforward threats to overwhelm a target's capacity to accommodate a refugee or migrant influx; the second, on a kind of norms-enhanced political blackmail that exploits the existence of legal and normative commitments to those fleeing violence, persecution, or privation. The theory is further illustrated and tested in a variety of case studies from Europe, East Asia, and North America. To help potential targets better respond to-and protect themselves against-this kind of unconventional predation, Weapons of Mass Migration also offers practicable policy recommendations for scholars, government officials, and anyone concerned about the true victims of this kind of coercion—the displaced themselves.

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