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A profound and practical guide to uncovering your own wise mind and kind heart.We all want to find happiness. But how do we go about it? In this easygoing and clear-sighted guide, celebrated Buddhist meditation and philosophy master Khangser Rinpoche provides us with down-to-earth advice on how to train our minds and find our own innate wisdom and kindness along the way. He helps us see the profound insight that is open to us all, and how it can awaken us to the truth of the way things are. This insight into the truth, and the practices that help you cultivate this awareness, transform suffering into wisdom and compassion—and ultimately joy. A Monk''s Guide to Finding Joy brings the ancient Tibetan mind training tradition into our twenty-first century lives. Through stories, real-life examples, reflections, and meditation practices—all told with warmth and humor—Khangser Rinpoche shows us how we can transform the suffering of our life in

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Today’s many popular aesthetic pleasures have a very long history. Paul Duncum considers the historical critical discourses, and socio-political issues raised by aesthetic pleasures in fifteen thematic chapters. Using illustrative examples from the past, present, and across cultures, he challenges the idea of any decline of cultural standards and argues that no grounds exist for cultural pessimism. Refusing to condemn popular culture on the basis of taste, he reserves critique for the socio-political ideologies aesthetics invariably serve. Art history, film, cultural studies, and philosophical aesthetics are each employed to show that the sensory/emotional lures of today’s popular culture are mostly identical to those of premodern fine art. They include the violent, the horrific, the sentimental, the exotic, the erotic, and the humorous. Some of these pleasures derive from our evolutionary biology; they are all an important part of what it means to be human, and central to understanding contemporary society. Examples are wide-ranging, including British seaside postcards, Disney films, Nazi propaganda, burlesque, modern advertising, as well as many exemplars of fine art. The book reveals fresh insights for all those studying visual culture, art history, aesthetics, media studies, and media and art education.

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In the last six decades, one of the most striking developments in international law is the emergence of a massive body of legal norms and procedures aimed at protecting human rights. In many countries, though, there is little relationship between international law and the actual protection of human rights on the ground. Making Human Rights a Reality takes a fresh look at why it's been so hard for international law to have much impact in parts of the world where human rights are most at risk. Emilie Hafner-Burton argues that more progress is possible if human rights promoters work strategically with the group of states that have dedicated resources to human rights protection. These human rights "stewards" can focus their resources on places where the tangible benefits to human rights are greatest. Success will require setting priorities as well as engaging local stakeholders such as nongovernmental organizations and national human rights institutions. To date, promoters of international human rights law have relied too heavily on setting universal goals and procedures and not enough on assessing what actually works and setting priorities. Hafner-Burton illustrates how, with a different strategy, human rights stewards can make international law more effective and also safeguard human rights for more of the world population.

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In this second volume of the History of France series, Emmanuel Le Roy Ladurie provides a masterful account of the early modern period combining a compelling narrative with broad analysis of events and wider comparisons with European history.

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Drawing on a rich legacy of pictorial evidence, Images of Childhood examines historical constructions of childhood and how they reinforce or challenge the prevailing view of childhood as a state of innocence. Each chapter explores how visual elements such as framing, points-of view, and lighting, as well as clothes, accessories, and body language, help to construct our many different conceptions of children: from members of the family unit and assumed gender roles; to schooling and aesthetic objects; through to their economic value and use in political propaganda. Skillfully navigating a multitude of perspectives on this topic, Paul Duncum considers both how our ideas, beliefs and values have changed throughout history and how some have remained unchanged. He also explores the cultural notion of “the child within” and how this has contributed to the way adults perceive children. The result is a text far broader in scope than any other in its field, as art history is interweaved with contemporary popular culture to explore how we visually represent childhood. In doing so, the book highlights the real-life implications that these representations have on children’s rights.

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Ignacio Selva, un señorito madrileño aficionado a leer novelas policíacas, se convierte en detective al verse obligado a resolver un crimen ocurrido en su círculo de amistades para demostrar su propia inocencia.Selva, que no es un detective al uso, se implica en la investigación por encargo de su médico, para paliar y combatir su abulia existencial. Sin embargo, pese a llevar a cabo sus pesquisas estudiando el lugar del crimen, valorando las pruebas y comprobando sucesivas hipótesis, no es el detective infalible que parece querer demostrar, sino un ser humano ambiguo y contradictorio; en definitiva, un investigador vulnerable. Completan este libro tres relatos de la autora de género policíaco: La cana, Nube de paso y La cita.

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La brillantez revolucionaria de su novelística convierte a Emilia Pardo Bazán en una de las figuras esenciales de la literatura del siglo XIX; esto ha provocado que su actividad poética (desarrollada desde la infancia hasta el final de su vida) sea casi desconocida salvo para especialistas pardobazianos. Evidentemente, la altura de su prosa no resulta comparable al verso, pero tampoco lo es en el caso de otros coetáneos varones que sí son reconocidos como poetas. Esta antología acerca al público lector algunas de sus más valiosas composiciones de las diferentes etapas de su trayectoria publicadas, por primera vez, en un único volumen que viene a llenar un vacío inexcusable en la percepción de la poliédrica trayectoria literaria de doña Emilia. La finalidad es ofrecer una panorámica de la obra lírica de la prolífica autora gallega, marcada en esta faceta por un claro influjo post-romántico y metafísico fundado tanto en sus lecturas como en sus viajes y circunstancias biográficas, que no

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Los Salones de Madrid es la obra de un escritor que se oculta bajo el seudónimo de Monte-Cristo y un fotógrafo, Christian Franzen. Prologada por Emilia Pardo Bazán, se publicó sin fecha (hacia 1898). Fue una edición limitada (casi sólo para suscriptores) difícil de localizar, debido a su escasez. La descripción de cada salón y sus dueños se acompaña con sesenta y siete magníficas fotografías de Franzen que nos permiten ver cada uno de los palacios aristocráticos y embajadas, así como sus habitantes e invitados. Esta nueva edición, preparada y anotada por Germán Rueda 10

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Sur le terrain, les secondes comptent. PHTLS: Soins de réanimation préhospitaliers enseigne et renforce les principes d'évaluation rapide d'un patient en état de traumatisme en utilisant une approche ordonnée, en traitant immédiatement les problèmes potentiellement mortels au fur et à mesure qu'ils sont identifiés, et en réduisant tout retard de transport vers la destination appropriée. Développé par la National Association of Emergency Medical Technicians (NAEMT ou Association nationale des techniciens médicaux d'urgence) en coopération avec le American College of Surgeons Committee (ASC-COT ou Collège américain du Comité des chirurgiens), PHTLS, Neuvième édition reprend les connaissances et la pratique actuelles étayées par des données, et encourage la pensée critique en tant que fondement de la fourniture de soins de qualité. Évaluer rapidement un patient en état de traumatisme pour identifier les soins vitaux est au cœur de la neuvième édition de PHTLS. Il faut 2 minutes ou moins à un patient pour se vider de son sang. Aucune autre intervention des prestataires de soins préhospitaliers n’est plus importante que l’arrêt de l’hémorragie chez les patients en état de traumatisme. Pour refléter cela, PHTLS, Neuvième édition utilise le moyen mnémonique d’évaluation du patient XABCDE pour placer une hémorragie au premier plan de chaque contact avec un patient. L'importance de la méthode XABCDE (en français hémorragie, voies aériennes, respiration, circulation, handicap et exposition/environnement) est renforcée dans chaque chapitre clinique. PHTLS, Neuvième édition présente : Les informations actuelles sur la réanimation liquidienne et l'immobilisation de la colonne vertébrale provenant de la recherche factuelle et de prestataires de soins préhospitaliers expérimentés qui appliquent les principes et les pratiques de PHTLS sur le terrain Les dernières techniques de gestion des patients, y compris la mise en place d’un garrot, les sites de décompression par aiguille, l'utilisation de liants pelviens, la réanimation pédiatrique liquidienne et la gestion pédiatrique des voies respiratoires L'accent est mis sur les blessures évitables, de la distraction au volant aux chutes chez les personnes âgées, en passant par la violence conjugale L'accent est également mis sur les menaces et les interventions tactiques des civils, des véhicules utilisés comme armes de destruction massive à un nouvel organigramme de la méthodologie d'évaluation à distance Composants dynamiques du programme Le manuel principal de PHTLS, Neuvième édition est la ressource définitive en matière de traumatologie. Il présente en détail les preuves médicales sous-tendant les principes et pratiques recommandés dans le cours PHTLS. La prochaine étape de l'évolution du programme PHTLS sera un nouveau manuel de cours PHTLS qui accompagnera le manuel principal. Il renforce et clarifie les concepts clés du cours, a une présentation agréable et interactive et est rédigé de façon à ce que vous ayez l'impression de participer à une conversation, plutôt qu’à un cours magistral.

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On the battlefield, seconds count. PHTLS: Prehospital Trauma Life Support, Military Ninth Edition teaches and reinforces the principles of rapidly assessing a trauma patient using an orderly approach, immediately treating life-threatening problems as they are identified, and minimizing any delays in initiating transport to an appropriate destination. Developed by the National Association of Emergency Medical Technicians (NAEMT) in cooperation with the American College of Surgeons Committee on Trauma (ASC-COT), PHTLS, the Military Ninth Edition reflects current, evidence-based knowledge and practice, and promotes critical-thinking as the foundation for providing quality care. Since 1996, Tactical Combat Casualty Care (TCCC) has improved the care rendered in combat prehospital environments. TCCC is the battlefield prehospital component of the Joint Trauma System, an organization within the Department of Defense that projects combat trauma care out to the point of injury and continues that care seamlessly while bringing the casualty home for recuperation and rehabilitation. TCCC guidelines are continuously revised and updated by the Committee on Tactical Combat Casualty Care (Co-TCCC), an all-volunteer group of military medicine and trauma care specialists. The membership of Co-TECC includes combat medics, corpsmen, and pararescuemen as well as physicians and physician assistants. PHTLS: Prehospital Trauma Life Support, Military Ninth Edition is the next step in the evolution of the premier global prehospital trauma education program, a partnership between PHTLS and TCCC that goes back to the fourth edition of this manual. Military Ninth Edition continues the shared mission to promote excellence in trauma care by all providers and in all environments. In addition to the PHTLS core content, it features thirteen chapters written by military prehospital trauma care experts for practitioners in the military environment. Military Ninth Edition includes: Scenario – An opening case study that presents the key concepts of the chapter in a realistic patient or casualty care situation that encourages the participant to ask, “What would I do?” Key Terms – All key terms that appear in the Glossary are highlighted within the chapters. Engaging Art Program – The Military Ninth Edition features photos and illustrations that depict the realities of battlefield prehospital care. Summary – A list of the key concepts of the chapter. Scenario Solution – A discussion on how the patient or casualty in the opening scenario is assessed and treated in the field or on the battlefield and during transport.

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En los ambientes digitales, como en todos los contextos educativos de los nidos y las escuelas de la infancia municipales de Reggio Emilia, los niños actúan como autores y constructores del propio saber y los propios imaginarios individuales y colectivos, dejando de lado una idea de tecnología anestésica y centralizadora y haciendo visible otra, amplificadora y generadora. La tecnología entra en la cotidianidad de los contextos educativos, no domina, no sustituye sino que se mezcla con otros lenguajes. Entra como ambiente, no puramente instrumental y funcionalista, sino conector de saberes y exploraciones multidisciplinarias, dando apoyo a los modos de conocer de los niños, inaugurando nuevos ambientes de socialización y participación. Tiene la potencialidad de transformar los contextos de enseñanza-aprendizaje ofreciendo nuevas modalidades de representación para los pensamientos y las teorías de los niños, proponiendo una dimensión cultural capaz de conjugar abstracción y artesanía. E

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A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the Eighteenth Century, explores memory in the 1700s. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Eighteenth Century is the most authoritative and comprehensive survey available on memory in this era.

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A Cultural History of Memory presents an authoritative survey from ancient times to the present. The set of six volumes covers over 2500 years of history, charting the evolving nature and role of memory throughout history. This volume, A Cultural History of Memory in the Eighteenth Century, explores memory in the 1700s. As with all the volumes in the illustrated Cultural History of Memory set, this volume presents essays on memory and: power and politics; time and space; media and technology; science and education; philosophy, religion and history, high culture and popular culture; rituals, faith, practices and the everyday; and remembering and forgetting. A Cultural History of Memory in the Eighteenth Century is the most authoritative and comprehensive survey available on memory in this era.

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'The Duchess does indeed seem a remarkable woman . . . this is an engaging book' Lynn Barber, Daily TelegraphWhen Emma Watkins, the pony-mad daughter of a Welsh farmer, imagined her future, she imagined following in her mother's footsteps to marry a farmer of her own. But then she fell in love with David Manners, having no idea that he was heir to one of the most senior hereditary titles in the land. When David succeeded his father, Emma found herself becoming the chatelaine of Belvoir Castle, ancestral home of the Dukes of Rutland.She had to cope with five boisterous children while faced with a vast estate in desperate need of modernisation and staff who wanted nothing to change - it was a daunting responsibility. Yet with sound advice from the doyenne of duchesses, Duchess ‘Debo’ of Devonshire, she met each challenge with optimism and gusto, including scaling the castle roof in a storm to unclog a flooding gutter; being caught in her nightdress by mesmerised Texan tourists and disguising herself as a cleaner to watch filming of The Crown. She even took on the castle ghosts . . .At times the problems she faced seemed insoluble yet, with her unstoppable energy and talent for thinking on the hoof, she won through, inspired by the vision and passion of those Rutland duchesses in whose footsteps she trod, and indeed the redoubtable and resourceful women who forged her way, whose homes were not castles but remote farmhouses in the Radnorshire Hills.Vividly written and bursting with insights, The Accidental Duchess will appeal to everyone who has visited a stately home and wondered what it would be like to one day find yourself not only living there, but in charge of its future.

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This exciting book offers a comprehensive overview of the food and culinary traditions of Japan and Korea. The introduction explores the tastes and cooking styles of each country including a list of the key ingredients from ginseng and tofu to seaweed and fish pastes. 250 authentic recipes from every region are then brought to life, from Hand-rolled Sushi and Pak Choi Kimchi to Gochujang Chicken Stew and Fiery Octopus. Sweet treats include Kabocha Squash Cake and Green Tea Ice Cream. Illustrated throughout, this book offers an irresistible opportunity to discover new ingredients and techniques, and create deliciously varied meals for all to enjoy.

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Throughout his career, American artist Brice Marden (born 1938) has explored various modes of painterly abstraction, producing monochrome canvases in nuanced, muted hues as well as calligraphic compositions on a grand scale. This book marks the long-term exhibition of Moss Sutra with the Seasons (2010–15) at Glenstone Museum, a monumental five-panel painting commissioned by Glenstone and inspired by the artist's fascination with moss, the changing seasons and traditional Chinese calligraphy, among other subjects. The catalog includes two original essays by art historian Suzanne Hudson, an interview with the artist about this commission and a photo-essay by the artist's daughter, Mirabelle Marden, who documented the process of creating the work. Also included are reproductions of all additional works by the artist in Glenstone's collection, a group which spans each decade of the artist's career and an introduction by Emily Wei Rales, Founder and Director of Glenstone Museum.

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In his sculptural practice, American artist Charles Ray (born 1953) has long been fascinated by the concept of representation, the depiction of the human form and questions of scale. Known for his keen sense of—and respect for—the uncanny, Ray has carved a widely admired path that crisscrosses the arenas of minimalism and conceptual art, while continually pushing the boundaries of visual perception. This book marks the long-term exhibition of works at Glenstone Museum selected by the artist, including Baled Truck (2013), a sculpture made of solid machined stainless steel, emblematic of the artist’s meticulous fabrication process. It also includes a conversation with—and text by—the artist and installation photography.

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'The Duchess does indeed seem a remarkable woman . . . this is an engaging book' – Lynn Barber, Daily TelegraphWhen Emma Watkins, the pony-mad daughter of a Welsh farmer, imagined her future, she imagined following in her mother's footsteps to marry a farmer of her own. But then she fell in love with David Manners, having no idea that he was heir to one of the most senior hereditary titles in the land. When David succeeded his father, Emma found herself the chatelaine of Belvoir Castle, ancestral home of the Dukes of Rutland.She had to cope with five boisterous children while faced with a vast estate in desperate need of modernization and staff who wanted nothing to change – it was a daunting responsibility.Yet with sound advice from the doyenne of duchesses, Duchess ‘Debo’ of Devonshire, she met each challenge with optimism and gusto, including scaling the castle roof in a storm to unclog a flooding gutter, being caught in her nightdress by mesmerized Texan tourists and disguising herself as a cleaner to watch filming of The Crown. She even took on the castle ghosts . . .At times the problems she faced seemed insoluble yet, with her unstoppable energy and talent for thinking on the hoof, she won through, inspired by the vision and passion of those Rutland duchesses in whose footsteps she trod, and indeed the redoubtable and resourceful women who forged her, whose homes were not castles but remote farmhouses in the Radnorshire Hills.Vividly written and bursting with insights, The Accidental Duchess will appeal to everyone who has visited a stately home and wondered what it would be like to one day find yourself not only living there, but in charge of its future.

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Industry specialists and scholars here assess the principal issues associated with the privatization and deregulation of the energy sector. Topics explored include oil production and refining, gas and electricity production, and their transmission and distribution. The book assesses the arguments for and against deregulation of the energy sector and highlights the political, legal, institutional and resource requirements for successful implementation of a privatization programme.

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Was einmal als Wettlauf um die Moderne tituliert worden ist die Rivalitäten der beiden Aufsteigernationen an der vorigen Jahrhundertwende, Amerika und Deutschland , gehört zu den spannendsten Gründungsgeschichten unserer Zeit. Schriften zu Amerikanismus und Fordismus sind inzwischen Legion. Die Technik selbst ist dabei zu kurz gekommen. Amerikanische Historiker haben die Geschichte des Landes im Spiegel seiner technischen Allmacht erzählt; deutsche Technikhistoriker haben die hiesigen Entwicklungen fachkundig behandelt. Dazwischen sind jedoch die vielen kulturellen Konfrontationen und Verflechtungen der beiden Länder auf diesem Gebiet im Schatten geblieben, als ob die technische Moderne in den USA erst mit Ford und Taylor begonnen habe und Deutsche den Amerikanismus erst in der Weimarer Republik entdeckt hätten.Dank der Evolution der Technikgeschichte in den letzten Jahrzehnten, mit welcher Technik als dynamischer Kulturfaktor und nicht bloß als Abfolge von Erfindungen und deren Anwen

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Radiant and energetic abstractions of the human figure in the latest works from acclaimed painter Loie Hollowell New York-based painter Loie Hollowell (born 1983) has evolved a dynamic vocabulary of dimensionality, color and geometric shape. Abstracting the human figure, Hollowell’s paintings explore the dualities of light, and volume and scale, blurring the lines between the illusory and the real. In particular, her latest body of work explores her relationship to different stages of her pregnancy from conception to birth to motherhood. Nonetheless, subject matter in Hollowell’s work often emerges through phenomenological encounter rather than narrative content, tapping the depth of the artist’s embodied experience. This catalog for Hollowell's exhibition Plumb Line, an inaugural show at Pace Gallery's new headquarters in New York, features nine large-scale paintings, as well as installation shots, and deploys die-cut colored pages as a compositional element. An essay by Emma Enderby and a conversation between the artist and Elissa Auther contextualize the work, and are complemented by poetry by Iris Cushing.

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From South Park to Kathy Acker, from Lars Von Trier to Sex and the City, women’s sexual organs are demonized. In The Vagina: A Literary and Cultural History, Emma L.E. Rees investigates the evolution of this demonization: she considers how writers, artists and filmmakers contend with the dilemma of he vagina's puzzling 'covert visibility' and how the ‘c-word’ is an obscenity that both legitimates and perpetuates the fractured identities of women globally. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. Even common slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women’s lived sexual experiences: slang offers a convenient distraction from something taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity.

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Casi un siglo después de su muerte, se empieza a despejar la incógnita sobre el juicio que la posteridad ha reservado a la prolífica obra de la condesa de Pardo Bazán. La crítica suele estar de acuerdo en afirmar que lo mejor de su producción se encuentra en sus cuentos, valientes, modernos, de impecable factura. Leer ahora estas piezas, y en un país donde el cuento no ha sido el género más afortunado, supone una grata e inesperada sorpresa. Lejos de haber envejecido, estos relatos parecen cobrar nueva vida, un vigor insospechado, una renovada luz. La variedad de registros, la atención al detalle, el dominio de la técnica y la capacidad de desenmascarar la condición humana son algunos de los elementos que les han proporcionado la intemporalidad. Eva Acosta, biógrafa de la condesa y una de las grandes especialistas en la obra de la escritora, ha llevado a cabo una rigurosa selección de sus mejores cuentos. Fantásticos, policíacos, realistas, humorísticos, de misterio, históricos o intim

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Asís Taboada, joven atractiva y prematuramente viuda, se despierta una mañana con una fuerte resaca, provocada por los excesos que ha cometido el día anterior en la feria madrileña de San Isidro en compañía de un galán seductor y calavera, el gaditano Diego Pacheco. Aunque la moral de la época lanza constantes alertas para que se olvide de ese pretendiente, ella no lo tiene tan claro y desoye los consejos de la buena moral. Cien años después de la muerte de Emilia Pardo Bazán, Insolación sigue siendo una obra divertida, profundamente castiza y muy adelantada en su concepción, claramente feminista, a la época en la que fue escrita.

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Las tensiones sociales y políticas que se producen en España a raíz de la revolución de 1868 adquieren un tratamiento nuevo y original en "La Tribuna" (1882). El título de la novela hace referencia a la protagonista, Amparo, obrera de una fábrica de tabacos de La Coruña y defensora de la república federal, quien se convierte en líder de las cigarreras. Sin embargo, un oficial del ejército, que la seduce y abandona, frustra sus ambiciones. Fiel a los postulados del naturalismo, Emilia Pardo Bazán (1851-1921) muestra la presión del medio sobre los personajes, refleja los aspectos más sórdidos de la realidad y lleva a cabo una denuncia de la mentalidad conservadora de las clases acomodadas, de la precaria situación de la mujer y de la fe ingenua del pueblo en las reformas políticas.Introducción y notas de Marisa Sotelo Vázquez

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Con motivo de la conmemoración del primer centenario de la muerte de la escritora Emilia Pardo Bazán, publicamos una edición ilustrada a todo color de una de sus novelas más importantes: "Insolación", publicada en 1889, cuando ya había sido reconocida por la crítica como gran novelista tras el éxito de "Los Pazos de Ulloa" y La madre naturaleza"."Insolación" narra la historia de amor, apasionado e irresistible, entre Diego Pacheco, un don Juan díscolo pero de buen corazón, y la marquesa de Andrade, viuda, ingenua pero no tanto, bella y sensual, que casi por casualidad descubre que para recuperar la vida primero ha de atreverse a resucitar su cuerpo, sepultado bajo capas de decoro y exigencias sociales.En la novela vemos desfilar al Madrid de la época en todo su esplendor, desde los chulapos a los maleantes, las clases populares y los aristócratas, los reformadores y los que de ninguna manera quieren ser reformados, todos mezclados cuando de lo que se trata es de participar de l

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Las descripciones detallistas y precisas que en estas narraciones nos ofrece la Condesa de Pardo Bazán retratan una sociedad con diferencias extremas, colocando el desamparo junto con la riqueza más ostentosa. Los protagonistas encarnan la caridad, la reconciliación, la devoción mística, en ocasiones de una forma que puede parecer insólita. Insólita en cualquier otro momento de sus vidas, en cualquier otro día que no fuera Navidad.

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Aunque su faceta más conocida es la de novelista, Emilia Pardo Bazán fue, entre otras cosas, una fecunda autora de cuentos, de los que publicó alrededor de seiscientos cincuenta. Uno de los temas con mayor presencia en su obra cuentística es el de la violencia ejercida por los hombres contra las mujeres, asunto este que también aparece en algunas de sus novelas y en varios de sus artículos. Esta antología, editada y prologada por Cristina Patiño Eirín, profesora de la Universidad de Santiago de Compostela, reúne treinta y cinco de los cuentos de Pardo Bazán que giran en torno a este tema.Variados en cuanto al punto de vista, al tono, a la ambientación, a la clase social de sus personajes, a la relación que existe entre la mujer y el hombre (en la mayoría de los casos es su prometida, su esposa o su hija, pero en algunos no hay ningún vínculo entre ellos) y al tipo de violencia (la física, la psicológica, la sexual, la patrimonial, la social, la simbólica), estos relatos, obra de un

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Esta selección de textos de Emilia Pardo Bazán constituye un testimonio incomparable de las diferencias que existían entre los hombres y las mujeres a finales del siglo XIX, y una ocasión única para acercarse a la obra y la ideología de esta escritora española. Observadora inteligente y audaz, doña Emilia fue testigo excepcional de una sociedad que recelaba de cualquier intento que hiciera una mujer por escapar de su papel preestablecido, y logró ella misma salirse de él para triunfar en una actividad que se consideraba de los hombres. Su denuncia no es victimista ni se centra exclusivamente en las mujeres, sino que plantea las diferentes vías y expectativas que la sociedad les ofrece para desarrollar su personalidad, y las exigencias que gravitan sobre cada sexo. Todo ello unido al estilo accesible y ameno con que escribe, hace que la lectura de estos textos se convierta en motivo de verdadero disfrute.

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