Search results for ""author matt"

One boy with the power to save the world. One man with the will to destroy it. The chilling, unputdownable new standalone thriller from Dean Koontz, the master of suspense. ‘The master of our darkest dreams’ The Times A mother, a boy, and a desperate battle against the night. Woody Bookman hasn’t spoken a word in his eleven years of life. Not when his father died in a freak accident. Not when his mother Megan tells him she loves him. For Megan, keeping her boy safe and happy is what matters. But Woody believes a monstrous evil is behind his father’s death and now threatens him and his mother. And he’s not alone in his thoughts. An ally unknown to him is listening. Woody’s fearful suspicions are taking shape. A malicious man driven by evil has set a depraved plan into motion. And he’s coming after Woody and his mother. The reasons are primal. His powers are growing. And he’s not alone.

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SHORTLISTED FOR THE ITV3 CRIME THRILLER BOOK CLUBGrandmother Ruth Sutton writes to the man she hates more than anyone else on the planet: the man who she believes killed her daughter Lizzie in a brutal attack four years earlier. Ruth's burden of grief and hatred, has only grown heavier with the passing of time, her avid desire for vengeance ever stronger. In writing to him Ruth hopes to exorcise the corrosive emotions that are destroying her life, to find the truth and with it release and a way forward. Whether she can ever truly forgive him is another matter - but the letters are her last, best hope.Letters To My Daughter's Killer exposes the aftermath of violent crime for an ordinary family and explores fundamental questions of crime and punishment. How do we deal with the very human desire for revenge? If we get justice does reconciliation follow? Can we really forgive those who do us the gravest wrong? Could you?

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In the glittering world of international diamond dealing, all is not beautiful, polished and perfect... Tilly Bagshawe is back with another smart and sexy round-the-world romp.Set in the glittering world of international diamond dealing, FLAWLESS follows the fortunes of idealistic young designer Scarlett Drummond Murray as she battles her way through the snake pits of greed and corruption in the jewellery business. From London to Beverly Hills, New York to Cape Town, Scarlett finds herself plunged into a world of ruthless mine owners, shady diamond dealers, and the stunningly beautiful women for whom they all compete, in business and in bed. All of them, in their different ways, are prepared to sell their souls and sacrifice everything in pursuit of that one, elusive, perfect stone, no matter what the cost. But is Scarlett also destined to be blinded by the brilliance of the temptation that surrounds her? Or can she keep her nerve - and her principles - and make it to the top with her heart and her business still intact?

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Whether you're starting out, striving toward a promotion, or looking for a new opportunity, the working world is changing. Discover how to manage your career and position yourself for success no matter the environment. Wall Street powerhouse Carla Harris has distilled the tools you will need to get started; get unstuck from bad situations or redirect your momentum. With her trademark galvanizing advice, Harris identifies and clarifies issues that are often murky, offering lessons on:· Identifying and making the most of your work profile· Preparing for a career change without going back to school or taking a step down· Honing three essential skills industry leaders possess· Tuning into unspoken cues· Thriving through changeWith practical advice on planning your career, interview techniques and negotiating compensation, Strategize to Win presents battle-tested tools that Carla has used to launch and sustain her own successful career. Her book will help you move forward, recover from setbacks and set yourself up for success.

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In the face of the world's problems, kindness may seem like a long-lost virtue without enough power to make an impact. Yet we are called to show courageous kindness to those around us--even those we don't agree with--just as God has shown us kindness beyond measure. How we treat people matters! Every small kindness we show has the potential to create waves of lasting change in Jesus's name. God wants to use your ordinary days--as you go on your way--to accomplish more than you could ever expect. Courageous Kindness is a six-week Bible study that will help you - start making an impact right where you are and using exactly what you have - embrace the power of inconvenience and put on compassion - learn to live eyes wide open to the evidence of God's abundant kindness If you're ready to experience and share the kind of radical kindness that changes the world, join your friends at (in)courage and become a woman of courageous kindness, one simple, life-changing step at a time.

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'A joyous multiplicity of writings incorporating collective manifestos, poetry, fiction, and autobiography... endlessly fascinating' Catherine Taylor, Financial Times'A tour de force of feminist thinking, spanning seven centuries and multiple continents' Jennifer Thomson, Review 31'The Penguin Book of Feminist Writing rounds up the voices of women from across history to discuss the meaning and practice of feminism. This is a book that every person should read: the multiplicity of voices from various times and spaces allows women of the past alongside women of the present to be noisy about why feminism matters. It is a collective masterpiece' Helen Carr, BBC History, Books of the Year'Bulging with brilliant and exciting writing. Its vast sweep takes us from the 15th century, when Christine de Pizan, a court writer in medieval France, imagined a City of Ladies where women would be safe from harassment, through to the present day, with work by Maggie Nelson, Eileen Myles, Rachel Cusk, Deborah Levy and Lola Olufemi' Rachel Cooke, ObserverEdited with an Introduction by Hannah Dawson

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Elizabeth Costello is an Australian writer of international renown. Famous principally for an early novel that established her reputation, she has reached the stage where her remaining function is to be venerated and applauded. Her life has become a series of engagements in sterile conference rooms throughout the world - a private consciousness obliged to reveal itself to a curious public: the presentation of a major award at an American college where she is required to deliver a lecture; a sojourn as the writer in residence on a cruise liner; a visit to her sister, a missionary in Africa, who is receiving an honorary degree, an occasion which both recognise as the final opportunity for effecting some form of reconciliation; and a disquieting appearance at a writers' conference in Amsterdam where she finds the subject of her talk unexpectedly amongst the audience. She has made her life's work the study of other people yet now it is she who is the object of scrutiny. But, for her, what matters is the continuing search for a means of articulating her vision and the verdict of future generations.

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Old wounds can bind up your heart and keep you from fully loving - and fully living - in the present. Your pain may come from devastating trauma or unconscious resentment from accumulated everyday grievances. No matter the depth of the hurt, true healing comes from the courage to face the past and begin the process of letting go. These offerings of warmth and wisdom from many different faiths, backgrounds and perspectives will encourage you to begin your own journey toward the wholeness and freedom that comes from true forgiveness. CONTRIBUTORS: Nancy L. Bieber . Rev. Carolyne Call . Rev. Dr. Joan Brown Campbell . Nancy Barrett Chickerneo, PhD . Paul Wesley Chilcote, PhD . William Cleary . Nancy Corcoran, CSJ . Linda Douty . Rabbi Ted Falcon . Marcia Ford . Rev. Dr. Marie M. Fortune . Tamar Frankiel, PhD . Rabbi Edwin Goldberg, DHL . Caren Goldman . Rev. Steven Greenebaum . Judy Greenfeld . Kent Ira Groff . Diana L. Guerrero . Rabbi Karyn D. Kedar . Kay Lindahl . Rabbi David Lyon . Pastor Don Mackenzie . St. Maximos . Ron Miller . Diane M. Millis, PhD . Rev. Timothy J. Mooney . Rev. Dr. John Philip Newell . Linda Novick . Rev. Larry J. Peacock . Gordon Peerman . M. Basil Pennington, OCSO . Jan Phillips . Susan Quinn . Imam Jamal Rahman . Marty Richards, MSW, LCSW . The Rev. Canon C.K. Robertson, PhD . Rev. Nanette Sawyer . Rev. Dr. Donna Schaper . The Most Rev. Katharine Jefferts Schori . Aaron Shapiro . Rami Shapiro . Louise Silk . Rev. Susan Sparks . Aaron Spevack, PhD . Rabbi Elie Kaplan Spitz . Molly and Bernie Srode . Tom Stella . Sohaib N. Sultan . Terry Taylor . Yoland Trevino . Rev. Jane E. Vennard . The Rev. Peter Wallace

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Our societies are remarkably confident on the matter: affairs are terrible things and only fools, monsters and knaves would ever be involved in them. Those who are their victims deserve unending sympathy and access to a good lawyer. This stance may be clear, but it is not especially helpful or productive - given that, in reality, 1 in 4 of us are going to end up involved in an affair during our lifetime. This is a book written to increase our understanding of what is really at stake in affairs: it looks at why affairs happen and ventures beyond black and white caricatures. It delves into the question of what unfaithful sex means and why, despite the risks, it happens so often. Most importantly, the book seeks to help us through affairs, offering couples a better understanding of each other’s motivations and moods - and, where desirable, a way to save a relationship. We have for too long either openly condemned or secretly lusted after affairs: this, finally, is a chance to understand them.

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In late May 1918 in Valdosta, Georgia, ten black men and one black woman, Mary Turner, eight months pregnant at the time, were lynched and tortured by mobs of white citizens. Through hauntingly detailed full-color artwork and collage, Elegy for Mary Turner names those who were killed, identifies the killers, and evokes a landscape in which the NAACP investigated the crimes when the state would not, when white citizens baked pies and flocked to see black corpses, and when black people fought to make their lives-and their mourning-matter. With introductions from C. Tyrone Forehand, great grand-nephew of Mary and Hayes Turner, whose family has long campaigned for the deaths to be remembered; abolitionist activist and educator Mariame Kaba, reflecting on the violence visited on black women's bodies; and historian Julie Buckner Armstrong, who opens a window onto the broader scale of lynching's terror in American history.

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New (4th) and improved edition of an all-time classic. The good news about endgames is: there are relatively few endings you should know by heart. Once you know these endings, that's it. Your knowledge never goes out of date! The bad news is that, all the same, the endgame technique of most players is deficient. Modern time-controls make matters worse: there is simply not enough time to delve deep into the position. Jesus de la Vila debunks the myth that endgame theory is complex and he teaches you to steer the game into a position you are familiar with. This book contains only those endgames that: show up most frequently are easy to learn contain ideas that are useful in more difficult positions. Your performance will improve dramatically because this book brings you: simple rules detailed and lively explanations many diagrams clear summaries of the most important themes dozens of tests.

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With a focus on self-empowerment and resilience, this refreshing and witty relationship guide has a reassuring counterintuitive message for unhappy spouses: you only need one partner to initiate far-reaching positive change in a marriage.Conventional wisdom says that “it takes two” to turn a troubled marriage around and that both partners must have a shared commitment to change. So when couples can’t agree on how—or whether—to make their marriage better, many give up or settle for a less-than-satisfying marriage (or think the only way out is divorce). Fortunately, there is an alternative. “What distinguishes Reilly’s book is that she says a warring couple don’t have to agree on the goal of staying together; it takes one person changing, not both, to make a marriage work” (The New York Times). Marriage and family therapist Winifred Reilly has this message for struggling partners: Take the lead. Doing so is effective—and powerful. Through Reilly’s own story of reclaiming her now nearly forty-year marriage, along with anecdotes from many clients she’s worked with, you’ll learn how to: -Focus on your own behaviors and change them in ways that make you feel good about yourself and your marriage -Take a firm stand for what truly matters to you without arguing, cajoling, or resorting to threats -Identify the “big picture” issues at the basis of your repetitive fights—and learn how to unhook from them -Be less reactive, especially in the face of your spouse’s provocations -Develop the strength and stamina to be the sole agent of change Combining psychological theory, practical advice, and personal narrative, It Takes One to Tango is a “wise and uplifting” (Dr. Ellyn Bader, Director of The Couples Institute) guide that will empower those who choose to take a bold, proactive approach to creating a loving and lasting marriage.

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The system of public international law has reached a major turning point in its history and is confronting serious challenges generated by a variety of developments unfolding in the structure of the international society. This Dictionary acquaints legal and other professionals, students, and interested general readers with the basic tenets of public international law, combining the features of both a brief encyclopedic dictionary and a textbook in clear, understandable language. A list of acronyms and abbreviations; a glossary of Latin phrases; a chronology that offers a historical perspective by listing major developments relating to international law throughout the centuries; a table of cases with references to entries; and a list of the 373 entries precede the main text. The survey of international law is organized into nine chapters. Chapter I contains the usual introductory topics found in international law textbooks: the nature of this law, its sources, the relationship between international and national ("municipal") law, and some other general problems. Chapters II-VIII deal with matters coming within the scope of the "law of peace," organized according to the framework consisting of: states, individuals, spatial context, and interaction. Chapter IX, whose subject unfortunately becomes ever more relevant, describes the rules governing the conduct of warfare, that is, international humanitarian law. Numerous cross-references in bold lead the reader to appropriate entries, and the abundant references to primary sources, mostly treaties and court cases, enable the reader to locate the materials needed for research. The selective bibliography includes books, research aids, textbooks, and casebooks, as well as recent books on special international law topics. This Dictionary is a useful addition to both public and academic libraries, including, in particular, libraries of law schools. The format of the book allows it to be used as a reference guide for legal professionals, scholars inter

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Now, as never before, the big questions of life - purpose, the mind, physical nature - are tied together as philosophers have to take on board the findings of scientists about the mysteries of the universe and physicists seek to explain ideas of human destiny. All too often this crossover results in confusion being worse confounded. Professional philosophers are seldom equipped to comprehend cutting-edge scientific research, and when scientists attempt to explain their findings they mystify the ordinary reader. Yet the public remains eager to be enlightened; hence the great bestsellers that end up unread.This book is different. Without ever reducing the text to a simplistic or patronising level, Hector Parr provides a guide to modern thought that will genuinely inform the average person and provide a basis for understanding more advanced works. He explores in detail the true nature of Time, and pursues the scientific and philosophical implications more fully than other books on the subject. He follows through the implications of seemingly abstruse fields such as particle physics for our ideas of our place in the universe and presents his own synthesis of the problems; at once scholarly, humane and challenging. Concepts are explained simply and concisely. No assumptions are made about the readerís education; when arguments are introduced that could baffle the non-scientist, they are clearly marked and may be skipped, but those who can follow them are encouraged to pursue the reasoning. Rather than present pre-digested results, Parr lets us accompany him in drawing conclusions from the evidence collected by researchers. This is an elegant appraisal of matters in which we are all ultimately concerned. Succeeding where other more specialised texts fail, it will be welcomed by all who are willing to exercise their imagination and seek out the truth.

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A fifty-year-old mystery converges with a present-day struggle over family, land, and history When a rock is dislodged from its slope by mischievous ancestors, the past rises to meet the present, and Half-Dime Hill gives up a gruesome secret it has kept for half a century. Some people of Mozhay Point have theories about what happened; others know—and the discovery stirs memories long buried, reviving a terrible story yet to be told. Returning to the fictional Ojibwe reservation in northern Minnesota she has so deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family’s long-held allotment land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial—at once figurative and painfully real—of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own long-held secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked, no matter how much we try to forget. As the past returns to haunt those involved, Margie prepares her statement for the tribal government, defending her family’s land from a casino development and sorting the truths of Half-Dime Hill from the facts that remain there. Throughout the narrative, a chorus of spirit women gather in lawn chairs with coffee and cookies to reminisce, reflect, and speculate, spinning the threads of family, myth, history, and humor—much as Grover spins another tale of Mozhay Point, weaving together an intimate and complex novel of a place and its people. Retail e-book files for this title are screen-reader friendly.

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Provides a timely portrait of young Black Christians and how digital technology is transforming the Black Church They stand at the forefront of the Black Lives Matter movement, push the boundaries of the Black Church through online expression of Christian hip hop, and redefine what it means to be young, Black, and Christian in America. Young Black adults represent the future of African American religiosity, yet little is known regarding their religious lives beyond the Black Church. Networking the Black Church explores how deeply embedded digital technology is in the lives of young Black Christians, offering a first-of-its-kind digital-hip hop ethnography. Erika D. Gault argues that a new religious ethos has emerged among young adult Blacks in America. To understand Black Christianity today it is not enough to look at the traditional Black Church. The Black Church is itself being changed by what she calls digital Black Christians. The volume examines the ways in which Christian hip hop artists who have adopted Black-preaching-inspired spoken word performances create alternate kinds of Christian communities both inside and outside the walls of traditional Black churches. Framed around interviews with prominent Black Christian hip hop artists, it explores the multiple ways that digital Black Christians construct religious identity and meaning through video-sharing and social media. In the process, these digital Black Christians are changing Black churches as institutions, transforming modes of religious activism, inventing new communication practices around evangelism and Christian identity, and streamlining the accessibility of Black Church cultural practices in popular culture. Erika D. Gault provides a fascinating portrait of young Black faith, illuminating how the relationship between religion and digital media is changing the lived experiences of a new generation of Black Christians.

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A fully revised new edition of an introductory text to the dynamic and fascinating subject of astrochemistry Since the first edition in 2006 of Astrochemistry, the Mars rovers have driven 31.18 miles, there has been fly-by of Pluto changing it from a 4-pixel world on the Hubble Space Telescope into a mysterious non-planet. There have been visits to asteroids, revisiting Mercury, discovery of the Higgs Boson, discovery of over 2000 extrasolar planets and landing on the comet 67P/Churyumov–Gerasimenko by Rosetta mission – hence the timely publication of this new edition. This core textbook now includes more detailed information on the kinetic modelling of chemistry in the interstellar medium, extending the same principles of physical chemistry to meteor ablation and finally atmospheres and oceans. The increase in density from near-emptiness to 1.35 x 1021 L of water in the world's oceans is used to take single collision kinetics into ensemble thermodynamics. A new introduction of thermodynamic using meteor ablation replaces traditional bomb calorimetry and per-biotic chemistry leads to spontaneous reactions. New to the second edition: An extended discussion on matter, dark or otherwise, interstellar and stellar chemistry and the origin of pre-biotic molecules Detailed chemical kinetic models for mechanisms of chemistry in the interstellar medium Origins of life in solution, enzyme kinetics and catalysis A review of Mars and Titan as habitats for life Fully referenced throughout to reflect the research frontier An introduction to the idea of analytical mathematical engines that can do all of the heavy mathematics and fostering the skill of setting up a model and testing it 200 problems with detailed solutions Written for undergraduate and postgraduate students in astrochemistry or more generally physical chemistry, the new edition of Astrochemistry is an important introductory text to the topic, the latest developments in the field and the ubiquity of physical chemistry.

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What did it mean to be Russian as the imperial era gave way to Soviet rule? Andrew Jenks turns to a unique art form produced in the village of Palekh to investigate how artists and craftsmen helped to reshape Russian national identity. Russia in a Box follows the development of Palekh art over two centuries as it adapted to dramatic changes in the Russian nation. As early as the sixteenth century, the peasant "masters" of Palekh painted religious icons. It was not until Russia's victory over Napoleon in 1814, however, that the village gained widespread recognition for its artistic contributions. That same year, the poet Goethe's discovery of the works of Palekh artists and craftsmen spurred interest in preserving the sacred art. The religious icons produced by Palekh masters in the nineteenth century became a source of Russian national pride. By the 1880s, some artists began to foresee their future as secular artists—a trend that was ensured by the Bolshevik Revolution. Tolerated and sometimes even encouraged by the new regime, the Palekh artists began to create finely decorated lacquered boxes that portray themes from fairy tales and idealized Russian history in exquisite miniatures. A new medium with new subject matter, these lacquered boxes became a new symbol of Russian identity during the 1920s. Palekh art endured varying levels of acceptance, denial, state control, and reliance on market-driven forces. What began as the art form of religious iconic painting, enduring for more than two centuries, was abruptly changed by the revolutionaries. Throughout the twentieth century the fate of Palekh art remained in question as Russia's political and cultural entities struggled for dominance. Ultimately capitalism and the Palekhian masters were victorious, and the famed lacquer boxes continue to be a source of Russian identity and pride.

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Musically Sublime rewrites musically the history and philosophy of the sublime. Music enables us to reconsider the traditional course of sublime feeling on a track from pain to pleasure. Resisting the notion that there is a single format for sublime feeling, Wurth shows how, from the mid eighteenth century onward, sublime feeling is, instead, constantly rearticulated in a complex interaction with musicality. Wurth takes as her point of departure Immanuel Kant's Critique of Judgment and Jean-François Lyotard's aesthetic writings of the 1980s and 1990s. Kant framed the sublime narratively as an epic of self-transcendence. By contrast, Lyotard sought to substitute open immanence for Kantian transcendence, yet he failed to deconstruct the Kantian epic. The book performs this deconstruction by juxtaposing eighteenth- and nineteenth-century conceptions of the infinite, Sehnsucht, the divided self, and unconscious drives with contemporary readings of instrumental music. Critically assessing Edmund Burke, James Usher, E.T.A. Hoffmann, Novalis, Friedrich Hölderlin, Arthur Schopenhauer, Richard Wagner, and Friedrich Nietzsche, this book re-presents the sublime as a feeling that defers resolution and hangs suspended between pain and pleasure. Musically Sublime rewrites the mathematical sublime as différance, while it redresses the dynamical sublime as trauma: unending, undetermined, unresolved. Whereas most musicological studies in this area have focused on traces of the Kantian sublime in Handel, Haydn, and Beethoven, this book calls on the nineteenth-century theorist Arthur Seidl to analyze the sublime of, rather than in, music. It does so by invoking Seidl's concept of formwidrigkeit ("form-contrariness") in juxtaposition with Romantic piano music, (post)modernist musical minimalisms, and Lyotard's postmodern sublime. It presents a sublime of matter, rather than form-performative rather than representational. In doing so, Musically Sublime shows that the binary distinction Lyotard posits between the postmodern and romantic sublime is finally untenable.

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Judith H. Anderson conceives the intertext as a relation between or among texts that encompasses both Kristevan intertextuality and traditional relationships of influence, imitation, allusion, and citation. Like the Internet, the intertext is a state, or place, of potential expressed in ways ranging from deliberate emulation to linguistic free play. Relatedly, the intertext is also a convenient fiction that enables examination of individual agency and sociocultural determinism. Anderson’s intertext is allegorical because Spenser’s Faerie Queene is pivotal to her study and because allegory, understood as continued or moving metaphor, encapsulates, even as it magnifies, the process of signification. Her title signals the variousness of an intertext extending from Chaucer through Shakespeare to Milton and the breadth of allegory itself. Literary allegory, in Anderson’s view, is at once a mimetic form and a psychic one—a process thinking that combines mind with matter, emblem with narrative, abstraction with history. Anderson’s first section focuses on relations between Chaucer’s Canterbury Tales and Spenser’s The Faerie Queene, including the role of the narrator, the nature of the textual source, the dynamics of influence, and the bearing of allegorical narrative on lyric vision. The second centers on agency and cultural influence in a variety of Spenserian and medieval texts. Allegorical form, a recurrent concern throughout, becomes the pressing issue of section three. This section treats plays and poems of Shakespeare and Milton and includes two intertextually relevant essays on Spenser. How Paradise Lost or Shakespeare’s plays participate in allegorical form is controversial. Spenser’s experiments with allegory revise its form, and this intervention is largely what Shakespeare and Milton find in his poetry and develop. Anderson’s book, the result of decades of teaching and writing about allegory, especially Spenserian allegory, will reorient thinking about fundamental critical issues and the landmark texts in which they play themselves out.

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In The Errant Art of Moby-Dick, one of America’s most distinguished critics reexamines Melville’s monumental novel and turns the occasion into a meditation on the history and implications of canon formation. In Moby-Dick—a work virtually ignored and discredited at the time of its publication—William V. Spanos uncovers a text remarkably suited as a foundation for a "New Americanist" critique of the ideology based on Puritan origins that was codified in the canon established by "Old Americanist" critics from F. O. Matthiessen to Lionel Trilling. But Spanos also shows, with the novel still as his focus, the limitations of this "New Americanist" discourse and its failure to escape the totalizing imperial perspective it finds in its predecessor.Combining Heideggerian ontology with a sociopolitical perspective derived primarily from Foucault, the reading of Moby-Dick that forms the center of this book demonstrates that the traditional identification of Melville’s novel as a "romance" renders it complicitous in the discourse of the Cold War. At the same time, Spanos shows how New Americanist criticism overlooks the degree to which Moby-Dick anticipates not only America’s self-representation as the savior of the world against communism, but also the emergent postmodern and anti-imperial discourse deployed against such an image. Spanos’s critique reveals the extraordinary relevance of Melville’s novel as a post-Cold War text, foreshadowing not only the self-destructive end of the historical formation of the American cultural identity in the genocidal assault on Vietnam, but also the reactionary labeling of the current era as "the end of history."This provocative and challenging study presents not only a new view of the development of literary history in the United States, but a devastating critique of the genealogy of ideology in the American cultural establishment.

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Heart disease, the leading cause of death in the United States, affects people from all walks of life, yet who lives and who dies from heart disease still depends on race, class, and gender. While scientists and clinicians understand and treat heart disease more effectively than ever before, and industrialized countries have made substantial investments in research and treatment over the past six decades, patterns of inequality persist. In Heart-Sick, Janet K. Shim argues that official accounts of cardiovascular health inequalities are unconvincing and inadequate, and that clinical and public health interventions grounded in these accounts ignore many critical causes of those inequalities. Examining the routine activities of epidemiology—grant applications, data collection, representations of research findings, and post-publication discussions of the interpretations and implications of study results—Shim shows how social differences of race, social class, and gender are upheld by the scientific community. She argues that such sites of expert knowledge routinely, yet often invisibly, make claims about how biological and cultural differences matter—claims that differ substantially from the lived experiences of individuals who themselves suffer from health problems. Based on firsthand research at epidemiologic conferences, conversations with epidemiologists, and in-depth interviews with people of color who live with heart disease, Shim explores how both scientists and lay people define “difference” and its consequences for health. Ultimately, Heart-Sick explores the deep rifts regarding the meanings and consequences of social difference for heart disease, and the changes that would be required to generate more convincing accounts of the significance of inequality for health and well-being.

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Westerners 'know' Palestine through images of war and people in immediate distress. Yet this focus has as its consequence that other, less spectacular stories of daily distress are rarely told. Those seldom noticed are the women behind the men who engage in armed resistance against the military occupation: wives of the Palestinian prisoners in Israeli detention and the widows of the martyrs. In Palestine, being related to a detainee serving a sentence for participation in the resistance activities against Israel is a source of pride. Consequently, the wives of detainees are expected to sustain these relationships through steadfast endurance, no matter the effects upon the marriage or family. Often people, media, and academic studies address the dramatic violence and direct affliction of the Palestinians. Lotte Buch Segal takes a different approach, and offers a glimpse of the lives, and the contradictory emotions, of the families of both detainees and martyrs through an in-depth ethnographic investigation. No Place for Grief asks us to think about what it means to grieve when that which is grieved does not lend itself to a language of loss and mourning. What does it mean to "endure" when ordinary life is engulfed by the emotional labor required to withstand the pressures placed on Palestinian families by sustained imprisonment and bereavement? Despite an elaborate repertoire of narrative styles, laments, poetry, and performance of bodily gestures through which mourning can be articulated, including the mourning tied to a political cause, Buch Segal contends that these forms of expression are inadequate to the sorrow endured by detainees' wives. No Place for Grief reveals a new language that describes the entanglement of absence and intimacy, endurance and everyday life, and advances an understanding of loss, mourning, and grief in contemporary Palestine.

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Much of the evidence—literary, historical, documentary, and pictorial—from ancient Athens is urban in authorship, subject matter, and intended audience. The result has been the assertion of an undifferentiated monolithic "Athenian" citizen regime as often as not identifiably urban in its lifestyle, preoccupations, and attitude. In Rural Athens Under the Democracy, however, Nicholas F. Jones undertakes the first comprehensive attempt to reconstruct on its own terms the world of rural Attica outside the walls during the "classical" fifth and fourth centuries B.C. What he finds is a distinctly nonurban (and nonurbane) order dominated by a traditional, predominantly agrarian society and culture. Jones relies heavily upon the relatively neglected epigraphic record from the rural countryside and villages, as well as posing new questions of the well-known urban writings of Athenian historians, essayists, and philosophers and occasionally following the lead of Hesiod's agrarian poem Works and Days. From these sources he gleans new findings regarding settlement patterns, argues for a heretofore unrecognized system of personal patronage, explores relations between villages and the town of Athens, reconstructs the "Agrarian" Dionysia in several of its more important dimensions, and contrasts the realities of rural Attic culture with their various representations in contemporary literary and philosophical writings by Aristophanes, Xenophon, Plato, and others. Building on Jones's previous publications on the ancient Greek city-state, Rural Athens Under the Democracy presents the first holistic examination of classical extramural Attica. He challenges the received view that ancient Athens in its heyday was marked by a uniform cultural, ideological, and conspicuously citified order and, in place of the perception of things rural as mere deficits in urbanity, proposes that we look at Attica outside the walls in its own right and in positive terms.

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In this provocative and historically detailed reading of the relations between Victorian liberalism and aestheticism, David Wayne Thomas challenges current critical assumptions concerning modern liberal agency and aesthetic experience more generally. Through meticulous examinations of literature, visual arts, popular culture, and politics, Cultivating Victorians shows how a mid-Victorian liberal discourse of individual "many-sidedness"—understood as a cultivated disposition toward self-criticism and open-mindedness—was taken up by artists and writers as they claimed for art a self-reflecting agency at the core of the liberal ideal. Thomas makes plain, as well, the ongoing but often repressed stake of latter-day critics in the aesthetics of many-sidedness. As Thomas shows, an increasingly dominant mid-Victorian liberal culture employed its rhetoric of cultivation in projects as varied as aesthetic appreciation, self-improvement, and social amelioration. By looking to topics across both elite and popular culture, Thomas demonstrates how this liberal culture had to take shape in competition with other dimensions of Victorian public life. Thus several uncommon but illuminating contexts come under inspection here: the bizarre sensation of the Tichborne Claimant, a low-born imposter claiming a noble inheritance; the reportage on life-scale historical city replicas fashioned for temporary public exhibitions in the 1880s; and Dante Gabriel Rossetti's practice of producing and reproducing his artwork for a newly constituted consumer market. Thomas also reads extensively in notable Victorian intellectuals such as George Eliot, John Stuart Mill, John Ruskin, Matthew Arnold, and Oscar Wilde. Theoretically inventive, engagingly written, and vividly illustrated, Cultivating Victorians is a timely invitation to rethink liberal values—like autonomy and reflective judgment—that have been routinely condemned as atomistic individualism and false universalism in recent decades.

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Is The Marriage of Figaro just about Figaro? Is Don Giovanni’s story the only one—or even the most interesting one—in the opera that bears his name? For generations of critics, historians, and directors, it’s Mozart’s men who have mattered most. Too often, the female characters have been understood from the male protagonist’s point of view or simply reduced on stage (and in print) to paper cutouts from the age of the powdered wig and the tightly cinched corset. It’s time to give Mozart’s women—and Mozart’s multi-dimensional portrayals of feminine character—their due. In this lively book, Kristi Brown-Montesano offers a detailed exploration of the female roles in Mozart’s four most frequently performed operas, Le nozze di Figaro, Don Giovanni, Così fan tutte, and Die Zauberflöte. Each chapter takes a close look at the music, libretto text, literary sources, and historical factors that give shape to a character, re-evaluating common assumptions and proposing fresh interpretations.Brown-Montesano views each character as the subject of a story, not merely the object of a hero’s narrative or the stock figure of convention. From amiable Zerlina, to the awesome Queen of the Night, to calculating Despina, all of Mozart’s women have something unique to say. These readings also tackle provocative social, political, and cultural issues, which are used in the operas to define positive and negative images of femininity: revenge, power, seduction, resistance, autonomy, sacrifice, faithfulness, class, maternity, and sisterhood. Keenly aware of the historical gap between the origins of these works and contemporary culture, Brown-Montesano discusses how attitudes about such concepts—past and current—influence our appreciation of these fascinating representations of women.

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A Variety Best Music Book of 2022 A No Depression Most Memorable Music Book of 2022 A Library Journal Best Arts and Humanities Book of 2022 A Pitchfork Best Music Book of 2022 A Boot Best Music Book of 2022 A Ticketmaster Best Music Book of 2022 A Happy Magazine Best Music Book of 2022 Awarded a Certificate of Merit in the 2023 ARSC Awards for Excellence in Historical Recorded Sound Research in the category Best Historical Research in Country, Folk, Roots, or World Music. Though frequently ignored by the music mainstream, queer and transgender country and Americana artists have made essential contributions as musicians, performers, songwriters, and producers. Queer Country blends ethnographic research with analysis and history to provide the first in-depth study of these artists and their work. Shana Goldin-Perschbacher delves into the careers of well-known lesbian artists like k.d. lang and Amy Ray and examines the unlikely success of singer-songwriter Patrick Haggerty, who found fame forty years after releasing the first out gay country album. She also focuses on later figures like nonbinary transgender musician Rae Spoon and renowned drag queen country artist Trixie Mattel; and on recent breakthrough artists like Orville Peck, Amythyst Kiah, and chart-topping Grammy-winning phenomenon Lil Nas X. Many of these musicians place gender and sexuality front and center even as it complicates their careers. But their ongoing efforts have widened the circle of country/Americana by cultivating new audiences eager to connect with the artists’ expansive music and personal identities. Detailed and one-of-a-kind, Queer Country reinterprets country and Americana music through the lives and work of artists forced to the margins of the genre's history.

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Conversations with leading women artists, composers and writers from Judy Chicago, Anohni and Lynne Tillman to Ellie Ga, Tauba Auerbach and Renee Green This massive volume comprises over 80 interviews published across a 13-year span of Lauren O’Neill-Butler’s career as a writer, educator, editor and cofounder of November magazine. The majority of the interviews first appeared on Artforum.com’s interviews column, which O’Neill-Butler edited for 11 years. The book is divided into two sections, “Q&A” and “As Told To”—the first comprising interviews in a traditional format and the second recast by O’Neill-Butler in the interviewee’s voice. Interviewees include: Judy Chicago, Shannon Ebner, Carolee Schneemann, Lucy R. Lippard, Joan Semmel, Liz Deschenes, Eleanor Antin, Andrea Fraser, Anohni, Claudia Rankine, Lorrie Moore, Adrian Piper, fierce pussy, Nan Goldin, Nell Painter, Frances Stark, Sara Greenberger Rafferty, Alex Bag, Agnès Varda, Lisi Raskin, Mary Mattingly, Carol Bove, Jennifer West, Aki Sasamoto, Mary Ellen Carroll, Rebecca Solnit, Rita McBride and Kim Schoenstadt, Karla Black, Julia Bryan-Wilson, Lynda Benglis, Sturtevant, Rachel Foullon, Ellie Ga, Lisa Tan, Mira Schor, Jo Baer, Ruby Sky Stiler, Suzanne Lacy, Rebecca Warren, Katy Siegel, Marlene McCarty, Rachel Mason, Mary Kelly, Dianna Molzan, Lynne Tillman, Polly Apfelbaum, Jesse Jones, Dorothea Rockburne, Sarah Crowner, Lucy Skaer, Sophie Calle, Mary Beth Edelson, W.A.G.E., Mary Heilmann, Pauline Oliveros, Kathryn Andrews, Jessamyn Fiore, Aura Rosenberg, Lucy McKenzie, Rhonda Lieberman, Lucy Dodd, Hong-Kai Wang, Sakiko Sugawa, Beverly Semmes, Virginia Dwan, Jeanine Oleson, Tauba Auerbach, Renee Green, Iman Issa, Monir Shahroudy Farmanfarmaian, Joan Jonas, Yoko Ono, Donna J. Haraway and more.

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A wide-ranging exploration of the daily lives of ordinary Coptic Christians, from late Antiquity until todayThis volume brings together leading experts from a range of disciplines to examine aspects of the daily lived experiences of Egypt’s Coptic Christian minority from late Antiquity to the present. In doing so, it serves as a supplement and a corrective to institutional or theological narratives, which are generally rooted in studying the wielders of historical power and control.Coptic Culture and Community reveals the humanity of the Coptic tradition, giving granular depth to how Copts have lived their lives through and because of their faith for two thousand years. The first three sections consider in turn the breadth of the daily life approach, perspectives on poverty and power in a variety of different contexts, and matters of identity and persecution. The final section reflects on the global Coptic diaspora, bringing themes studied for the early Coptic Church into dialog with Coptic experiences today. These broad categories help to link fundamental questions of socio-religious history with unique aspects of Coptic culture and its vibrant communities of individuals.Contributors:- Nicola Aravecchia, Washington University in St. Louis, St. Louis, Missouri, USA- Mariam F. Ayad, The American University in Cairo, Cairo, Egypt- Renate Dekker, Leiden, the Netherlands - Lois M. Farag, Luther Seminary, St. Paul, Minnesota, USA- Ihab Khalil, Coptic Museum of Canada, Scarborough, Ontario, Canada- A.D. MacDonald, Sydney, Australia- Ash Melika, California Baptist University, Riverside, California, USA- Samuel Moawad, Institute of Egyptology and Coptology, Münster, Germany- Helene Moussa, Coptic Museum of Canada, Scarborough, Ontario, Canada- Alanna Nobbs, Macquarie University, Sydney, Australia- Carolyn Ramzy, Carleton University, Ottawa, Ontario, Canada- Christina Thérèse Rooijakkers, Leiden University, Oegstgeest, the Netherlands- Youhanna Nessim Youssef, Sankt Ignatios College, University College Stockholm, Sweden

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What motivates life? What motivates Man? Those were the questions L. Ron Hubbard posed when seeking workable answers to the problems of both the individual and society. After examining the whole of life in its variety and complexity, he isolated a common denominator to all living things-the Dynamic Principle of Existence: Survive! Here was a watershed breakthrough in Man's understanding of Man. For while "everyone knows" that life forms are surviving, survival as their sole motivation was a brand-new discovery. How, then, did survival apply to Man and his everyday existence? By examining the full range and depth of his activities in the light of this new discovery, the infinitely diverse behavior of human beings all aligned and fell into place. As he discovered, the Dynamic Principle of Existence actually breaks down into no less than eight separate but interdependent urges toward survival: An individual survives for himself (1); for the family and future generations (2); for the group (3); for Mankind (4); for all life organisms including the animal and plant kingdoms (5); for the physical universe of matter, energy, space and time (6); as or for the spirit (7); and of or for Infinity (8). Moreover, as L. Ron Hubbard further reveals in this lecture, so interdependent are these dynamics that a failure to work along any one dynamic can drag down the rest while, similarly, a concentration on a single dynamic will also injure the others. But an understanding and, hence, balance of all Eight Dynamics provides the path to achieving the lasting success and happiness that are the very essence of survival-for oneself, one's family, one's fellows and, indeed, the whole civilization. This, then, is not just wisdom about life. This is life.

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'A clear, accurate and extraordinary concise guide to the major doctrines of private law and current thought about what they mean.- James Gordley, Tulane University School of LawElgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences and law, expertly written by the world's leading scholars. In this Advanced Introduction, one of the world's leading private law scholars takes the reader on an intellectual journey through the different facets and dimensions of the field, from the family home to Kuta Beach and from Thomas Piketty to Nina Hagen. This concise book provides an accessible and fresh introduction to private law, presenting the topic as a unified whole of which the main branches - on contract, tort, property, family and inheritance - are governed by conflicts between individual autonomy and countervailing principles. The book stands out as a unique account of how private law allows individuals to optimally flourish in matters of economy, work, leisure, family and life in general.Key features include:- succinct yet engaging and highly informative overview of private law, aimed at an audience of specialists and non-specialists alike- written in a clear and engaging style- ample attention to the policy choices behind the rules- examples from a wide range of jurisdictions in both Europe, the UK and the US- places private law in its larger economic and societal context- addresses the potential and the limits of private law in dealing with global societal challenges, such as economic inequality, the fair use of resources and protecting future generations- considers how the field could develop in the future. Engaging and wide-ranging, this is an excellent introduction for students and academics new to the field and allows practitioners to quickly master the core principles behind private law.

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Architectural solutions & designs to optimize the spaces in your home without spending a fortune.Architect Laura Jane Clark, from the BBC and Netflix smash-hit series Your Home Made Perfect, has spent over 15 years designing, remodelling, and building homes with budgets that range from modest to enormous. THE HANDBOOK OF HOME DESIGN distils Laura's wealth of experience and enthusiasm giving you an accessible yet detailed guide to design, empowering you with the tools and knowledge to shape your home how you want. Throughout your home design journey, whether large or small, Laura takes you each step of the way from understanding your home, reading a plan and writing a brief, right through to sketching your own design and having the confidence to get what you want on the building site. Packed full of tips and tricks, inspiration and technical know-how, THE HANDBOOK OF HOME DESIGN is like having Laura by your side, showing you how to design practical yet beautiful spaces, get more storage into your life and create the home of your dreams.Laura Jane Clark wants to democratize the whole concept of residential architectural design and empower you to redesign your spaces by giving you the language and ability to confidently communicate your vision, get the most out of your design and ultimately love your finished home. Whether you are a long-term homeowner, first-time buyer or simply visualising your dream space, no matter what your budget is, this unique insight into Laura's process allows you to achieve both the design you want and the home you need.www.lamparchitects.co.uk Instagram: @laurajaneclark_

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Our local councillors come from people close to their electorate: family, friends, neighbours, work mates, people down your street. They might be down your street - but you don’t feel that they are up it! They spend multi billions of our money annually on schools, housing, social services, roads, waste management, sport and leisure, environmental and public health, planning amongst many other day-to-day matters vital to us all. But what do we really know about our elected representatives and how they work, what good they do, and what really happens behind the scenes? One in a Million does just that, taking you into the office of Sir Bill Taylor. Sir Bill Taylor has almost fifty years of successful experience in public service as a full-time youth and community worker, manager and trainer professionally and as a Councillor, Committee chair, Executive Member, Mayor and deputy Mayor, Deputy Leader and Leader of Blackburn with Darwen Council. He was constituency agent to Cabinet member Jack Straw for over thirty years. They transformed how Councils and constituency MPs communicated and engaged with communities. Many things he introduced in communities, education, schools, colleges, finance and social mobility were visited by prominent national figures and widely replicated nationally as good practice. During these times his work has been described as “unique unparalleled elsewhere” and “in a league of their own”. What was his investiture at the palace like? What is a royal garden party like? How do you install a new bishop? How do local political parties operate? What is a Constituency Agent? What’s canvassing at election time really about? How do mayors get appointed, and what do they do? Find out the answers to these questions and more in this fascinating inside look at a dedicated councillor's career.

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'Fans of Alexander McCall Smith will love Scotty Elliott's Sibanda series' Sunday Times (SA)When a skinned body is discovered on the side of the railway line deep in the Matabele bush, Detective Inspector Jabulani Sibanda, along with his sidekicks, Sergeant Ncube and the troublesome Land Rover, Miss Daisy, is back on the trail of a murderer. As more girls go missing and more bones are discovered, Sibanda realises they are dealing with the signature of a vicious serial killer who chooses the train as his killing field.Suspects abound, and the trio pursues the leads relentlessly, but the warped psychopath is elusive. Has Sibanda met his match? To complicate matters, his unrequited love interest, Berry Barton, is back on his radar, Gubu police station politics are as partisan as ever and Sgt Ncube, in an attempt to equal the brilliance of his boss, has discovered the wonders of the Oxford English Dictionary, to hilarious results.With winter tightening its grip, and drought and hardship threatening the population, Sibanda uses a risky strategy to trap his nemesis. Can he pull it off?Praise for C. M. Elliott:'Her plot keeps readers guessing right to the end, when the monster meets a truly satisfying fate . . . Elliott's skill as a writer lies in her ability to create and flesh out characters that are so lifelike, they thrum in your head for days after finishing her books' Business Live'Will have you hooked' The Gremlin'C.M. Elliott has created a lively cast of characters and an intricate, clever plot' Margaret von Klemperer, The Witness'A thrilling detective yarn and a finely-drawn picture of the counterpoint between the gentle music of the bush and the harsher notes of poachers' deadly gunfire' The Citizen

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The novels of Iain M. Banks have forever changed the face of modern science fiction. His Culture books combine breathtaking imagination with exceptional storytelling, and have secured his reputation as one of the most extraordinary and influential writers in the genre.'Banks is a phenomenon' William Gibson The "War in Heaven", a simulated war game, rages between civilisations. Its virtual battles have been fought for decades, and the victors will decide the fate of the digital Hells - torturous artificial afterlives with horrors beyond imagination.In the Sichultian Enablement, Y'breq is one of the Intagliated, her marked body bearing witness to a family shame, her life belonging to a man whose lust for power is without limit.As the virtual war threatens to spill into the Real, Y'breq is willing to risk everything for her freedom - but she'll need the Culture, and its help comes at a price. The Culture is going to war with death itself.Praise for the Culture series:'Epic in scope, ambitious in its ideas and absorbing in its execution' Independent on Sunday'Banks has created one of the most enduring and endearing visions of the future' Guardian'Jam-packed with extraordinary invention' Scotsman'Compulsive reading' Sunday Telegraph The Culture series:Consider PhlebasThe Player of GamesUse of WeaponsExcessionInversionsLook to WindwardMatterSurface DetailThe Hydrogen SonataThe State of the ArtOther books by Iain M. Banks:Against a Dark BackgroundFeersum EndjinnThe AlgebraistAlso now available: The Culture: The Drawings - an extraordinary collection of original illustrations faithfully reproduced from sketchbooks Banks kept in the 1970s and 80s, depicting the ships, habitats, geography, weapons and language of Banks' Culture series of novels in incredible detail.

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La desobediencia civil es uno de los conceptos de la filosofía política más controvertidos, nota que impregna asimismo su práctica. En el presente libro, William Scheuerman rastrea de forma analítica y cronológica las cuatro " escuelas " filosóficas,la religioso-espiritual (Gandhi, M. L. King), la liberal (Rawls), la democrática (Arendt, Habermas) y la anarquista, que tienen más presente esta estrategia política que conoce un nuevo auge en nuestros días. Todas ellas comparten un rasgo común: la defensa de la ruptura de la ley cuando ésta es a todas luces ilegítima y existe algo, el derecho natural, que está por encima de ella. Con una saludable objetividad, Scheuerman no deja de tocar temas de actualidad, como el movimiento Black Lives Matter o las filtraciones de Snowden, y proporciona la información necesaria para que el lector forme su propio juicio acerca de las diferentes manifestaciones de esta estrategia siempre polémica.

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In the Minecraft Stonesword Saga # 3, unruly pets, untamed mobs, and a powerful, potion-wielding witch cause trouble in this deluxe illustrated hardcover chapter book—the only official Minecraft chapter book series!Based on the most popular video game of all time, the third book in the epic Minecraft Stonesword Saga series takes a group of intrepid Minecraft players deeper into the game than ever before . . .Everyone knows that Jodi, the youngest member of the team, loves animals in the real world and in Minecraft. She is also fiercely loyal to her friend the Evoker King, who has, very unfortunately, been shattered into six different hostile mobs. When the third piece of the Evoker King takes the form of a Minecraft witch and sends Jodi and her friends on a quest to bring back an extremely rare animal mob, Jodi is determined to make sure that the mob stays safe no matter what!Meanwhile, in the real world, she also learns that taking care of other living creatures is a much bigger responsibility than she ever imagined. Find out if Jodi and her friends have what takes to outwit a powerful witch and keep a bunch of unruly pets on the leash in this exciting new Minecraft adventure. Enjoy the entire series, including: • Into the Game! (Minecraft Woodsword Chronicles #1) • Night of the Bats! (Minecraft Woodsword Chronicles #2) • Deep Dive! (Minecraft Woodsword Chronicles #3) • Ghast in the Machine! (Minecraft Woodsword Chronicles #4) • Dungeon Crawl! (Minecraft Woodsword Chronicles #5) • Last Block Standing! (Minecraft Woodsword Chronicles #6) • Crack in the Code! (Minecraft Stonesword Saga #1) • Mobs Rule! (Minecraft Stonesword Saga #2) © 2022 Mojang AB. All Rights Reserved. Minecraft, the Minecraft logo and the Mojang Studios logo are trademarks of the Microsoft group of companies.

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The Los Angeles Review of Books launched online in April 2011 to revive the great American tradition of the long-form literary and cultural arts review. LARB has quickly established itself as an institution unlike anything else on the web or in print, and has become a serious contributor to national conversations about literature, politics, and the arts. The LARB Quarterly Journal is the signature print edition of LARB, specifically curated for the bookstore / independent bookseller marketplace, featuring all exclusive, previously unpublished content including reviews, essays, original poetry and fiction, artist profiles and interviews, and original art.With a stable of regular and ongoing contributors, both eminent and emerging, LARB covers all topics and genres in the literary and cultural arts. The Quarterly Journal, like LARB’s online magazine, specializes in a looser and more eclectic approach than other journals: grounded in literature but open to all varieties of cultural experience; headquartered in Los Angeles, but home to writers and artists from all over the world.LARB’s long-form reviews are making waves nationally and internationally, while tapping into a vibrant West Coast arts scene that has truly come of age. The Quarterly Journal curates provocative criticism alongside new literary works, focusing on the ideas and topics that matter most now, from poetry to politics, from architecture to film, from science to comics. Independent and open to dialogue with its readers, LARB is shaping the current literary cultural landscape.Readers of the Quarterly Journal join a community of writers, critics, journalists, artists, filmmakers, and scholars dedicated to promoting the best that is thought and written, with an enduring commitment to the intellectual rigor, the incisiveness, and the power of the written word.

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In a time where many feel lost, alone, or afraid—and where social media makes us think that everyone has it better, bigger, or brighter—Chasing Normal is a humorous and poignant memoir about learning to embrace yourself, along with the messy life you lived that made you who you are today.As a kid growing up in Indiana surrounded by cornfields and deep poverty, with two emotional terrorists for parents, all Craig Greiwe ever wanted was to be normal. In his youth, he lived under the stairs in Dickensian misery. Once he managed to make it to college, things got about as weird as might be expected for a teenager who grew up reading The 1978 World Book Encyclopedia for kicks. From an emotional breakdown at the top of a mountain at one school to setting off a chain of events that nearly blew apart Columbia Law School a few years after that, his life was anything but normal. Along the way, he found a long-distance foster mom 2,000 miles away; slept his way to success in Hollywood; had his heart broken; discovered secrets about the people who raised him; and was finally adopted by Norman-Rockwell-esque parents at the age of twenty-four. Chasing Normal is the story of a man who grew up trying to be like everyone else, only to realize that being yourself is the only way forward. His stories range from wild to painful and sometimes humorous, but ultimately, they are a journey about compassion, salvation, and eventually, joy. Chasing Normal stands out as a hopeful beacon for anyone who’s ever felt “other”—which is just about everyone. Like a lighthouse on a hill, this book offers direction to an illuminating place where we can learn to embrace ourselves, no matter how messy a life we lived.

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In the age of adventure, when dirigibles coasted through the air and vast swaths of the Earth remained untouched and unseen by man, one pack of relentless explorers competed in the race of a lifetime: to be the first aviator to fly over the North Pole. What inspired their dangerous fascination? For some, it was the romantic theory about a “lost world,” a hidden continent in the Arctic Ocean. Others were seduced by new aviation technology, which they strove to push to its ultimate limit. The story of their quest is breathtaking and inspiring; the heroes are still a matter of debate.It was the 1920s. The main players in this high stakes game were Richard Byrd, a dashing Navy officer and early aviation pioneer; and Roald Amundsen, a Viking in the sky, bitter rival of Byrd’s and a hardened veteran of polar expeditions. Each man was determined to be the first aviator to fly over the North Pole, despite brutal weather conditions, financial disasters, world wars, and their own personal demons. Byrd and Amundsen’s epic struggle for air primacy ended in a Homeric episode, in which one man had to fly to the rescue of his downed nemesis, and left behind an enduring mystery: who was the first man to fly over the North Pole?Race to the Top of the World: Richard Byrd and the First Flight to the North Pole is a fast-paced, larger-than-life adventure story from Sheldon Bart, the only historian with unprecedented access to Richard Byrd’s personal archives. With powerful, never-before-seen evidence of the race to pioneer one of Earth’s last true frontiers, Race to the Top of the World is a story of a day when men were heroes and the wild was untamed.

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NAUTILUS BOOK AWARD WINNER * INTERNATIONAL BOOK AWARD WINNERMost of us focus on thinking positively to create what we really want in life. But science shows it’s actually our feelings that matter most.In her relatable and engaging way, psychologist and researcher Melanie Dean, Ph.D., explains not just what to do to shift your emotions and focus your energy to attract the people, things, and opportunities you want most in life, but how and why it works.Once you understand that your feelings and emotions are real energy waves that go out into the world and connect with (or repel) others, you can start to notice and shift your emotions—and intentionally direct your energy—so you are sending out the waves that will connect with what you really want.By reading The Hidden Power of Emotions, you will discover: There is a whole world of energy at work in, around, and through you. Your emotions, which are more powerful than your thoughts, create energy waves that leave your body, connecting with similar energy. Your emotions are the way in which you receive communication back from the shared energy field. How to purposefully direct your emotions to connect you with what you want to receive. Throughout this book, which won the International Book Award, the Nautilus Silver Award, and Nonfiction Book Award, Dean highlights the science behind your power as well as specific tips and strategies to help you apply it in your everyday life, including a Power Zapper section of common struggles that weaken your power, and a Power Booster section of recommendations for increasing your personal power.

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The post-Cold War diplomacy of the United States evolved in stages that reflected changes in the international system. Through the 1990s, the nation's foreign affairs were marked by an evolution away from the post-World War II focus on security and superpower competition to a more multifaceted and nuanced series of policies that included economic concerns, social and cultural issues, and environmental matters. However, an escalating series of terrorist attacks that culminated in the 11 September 2001 strikes on New York and Washington, D.C. led to the reemergence of security as the main foreign policy issue for the United States. The subsequent American-led "war on terror" mirrored the Cold War in its goals, and the administration of President George W. Bush endeavored to build a multinational counterterrorism coalition that paralleled the Western alliance of the bipolar era. The Historical Dictionary of U.S. Diplomacy Since the Cold War is a concise overview of the main figures, conflicts, events, and policies of the United States in the post-Cold War era. The study explores the main elements of U.S. foreign policy and the regional and international reaction to American policies from the presidency of George H. W. Bush to that of George W. Bush. Through its entries, the book analyzes the underlying themes of U.S. diplomacy and the new policies formulated and implemented in response to broad changes in global politics. The book includes a chronology of events from 1991 to 2007, an introduction that highlights important themes of the era, cross-referenced entries on significant topics, a detailed bibliography, and appendixes of major documents. The work is ideal for both public and academic libraries, the general public, or the specialist looking for a reference tool in this area.

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Science has produced explanations for everything from the mechanisms of insect navigation to the formation of black holes and the workings of black markets. But how much can we trust science, and can we actually know the world through it? How does science work and how does it fail? And how can the work of scientists help--or hurt--everyday people? These are not questions that science can answer on its own. This is where philosophy of science comes in. Studying science without philosophy is, to quote Einstein, to be "like somebody who has seen thousands of trees but has never seen a forest." Cambridge philosopher Tim Lewens shows us the forest. He walks us through the theories of seminal philosophers of science Karl Popper and Thomas Kuhn and considers what science is, how far it can and should reach, and how we can determine the nature of its truths and myths. These philosophical issues have consequences that stretch far beyond the laboratory. For instance: What role should scientists have in policy discussions on environmental issues such as fracking? What are the biases at play in the search for a biological function of the female orgasm? If brain scans can be used to demonstrate that a decision was made several seconds before a person actually makes a conscious choice, what does that tell us about the possibility of free will? By examining science through this philosophical lens, Lewens reveals what physics can teach us about reality, what biology teaches us about human nature, and what cognitive science teaches us about human freedom. A masterful analysis of the biggest scientific and ethical issues of our age, The Meaning of Science forces us to confront the practical, personal, and political purposes of science--and why it matters to all of us.

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Winner, 2023 Columbia University Press Distinguished Book AwardWinner, 2023 Frank Luther Mott / Kappa Tau Alpha Research AwardWinner, 2023 Journalism Studies Division Book Award, International Communication AssociationWinner, 2023 History Book Award, Association for Education in Journalism and Mass CommunicationLong before the current preoccupation with “fake news,” American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant. From fibs about royal incest in America’s first newspaper to social-media-driven conspiracy theories surrounding Barack Obama’s birthplace, Andie Tucher explores how American audiences have argued over what’s real and what’s not—and why that matters for democracy.Early American journalism was characterized by a hodgepodge of straightforward reporting, partisan broadsides, humbug, tall tales, and embellishment. Around the start of the twentieth century, journalists who were determined to improve the reputation of their craft established professional norms and the goal of objectivity. However, Tucher argues, the creation of outward forms of factuality unleashed new opportunities for falsehood: News doesn’t have to be true as long as it looks true. Propaganda, disinformation, and advocacy—whether in print, on the radio, on television, or online—could be crafted to resemble the real thing. Dressed up in legitimate journalistic conventions, this “fake journalism” became inextricably bound up with right-wing politics, to the point where it has become an essential driver of political polarization. Shedding light on the long history of today’s disputes over disinformation, Not Exactly Lying is a timely consideration of what happens to public life when news is not exactly true.

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This groundbreaking new book brings together policy, evidence, practice, service development and children's narrative to provide a far-reaching overview of this vulnerable and traumatised group. It combines powerfully written, moving scenarios and draws on evidence-based research to fully illustrate concepts and present practical ideas for change to interventions and services resulting in effective, sustainable practice. Theory and practice are interwoven, offering real solutions for anyone working with children. Everyone has a role and many opportunities to make a difference - at home, school and in the community. Any professional working with children will be inspired and educated by this outstanding, passionate text. The messages are universal and prove that approaches can no longer be thought of as mutually exclusive in today's complex life circumstances. 'I have learned over the last 2 to 3 years that no matter how hard life gets, there is always a way, and a very easy way, and that you should always take day by day. There might be a time when your day is bad, coz sometimes it goes wrong, but that will only change if we look for the help/support that is out there! And little steps will amaze you, how helpful they are.' SARAH PAYNE, aged 18 'Many children's stories that we will encounter are not nice, far from it; they have been brought out by abhorrent acts, and the feelings they instil are unpalatable. This is how they are meant to be. What I am seeking is connectedness and understanding, not sympathy or pity. Hearts and minds together can bring change; we desperately need both...Traumatised children's fragility and determination go hand in hand; we inevitably mirror both, as we constantly struggle to move with them from Despair to Hope.' Panos Vostanis, in the Preface

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Mahala's biography gives insight into the life and writing of Can Themba (1924–1967), an iconic figure of the South African literary world and Drum journalist who died in exile Can Themba: The Intellectual Tsotsi, a Biography brings to life the iconic South African writer and journalist, Can Themba, (21 June 1924 – 8 September 1967) who died while exiled in Swaziland in 1967. Best known for his classic short story, ‘The Suit’, Themba has been somewhat of an enigma, with very little known about his personal life. This biography brings forth the voices of those who had personal interactions with him, shining the light on different aspects of his life including education, literature, journalism and political fraternities. It features interviews with prominent individuals including his former students, Abdul Bham, Pitika Ntuli, and Mbulelo Mzamane; journalistic mentees Juby Mayet and Joe Thloloe; as well as friends, colleagues and contemporaries Parks Mangena, Peter Magubane, Jurgen Schadeberg, Don Mattera, and Nadine Gordimer; in addition to artists and academics Mothobi Mutloatse, Muxe Nkondo and Njabulo S. Ndebele. Also featured in this biographical text are veteran political figures such as Mangosuthu Buthelezi, Lindiwe Mabuza and Ahmed Kathrada. Themba’s intellectual acumen, scholarly aptitude and witticism are some of his most revered characteristics amongst those who had interactions with him either in person or through comprehensive reading of his works. Mahala is a master storyteller and deftly weaves together the threads of Themba's dynamic life. In this edifying biography Mahala recreates the sparkle and pathos of Sophiatown of the 1950s and the Drum era. Can Themba’s successes and failures, as well as his triumphs and tribulations reverberate on the pages of this long-awaited biography.

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From the voices of protesters to the encroachment of a new fascism, everywhere we look power is revealed. Spouse to spouse, soldier to citizen, looker to gazed upon, power is never static: it is either demonstrated or deployed. Its hoarding is itself a demonstration. This thought-provoking issue of the acclaimed literary annual Freeman's explores who gets to say what matters in a time of social upheaval.Many of the writers are women. Margaret Atwood posits it is time to update the gender of werewolf narratives. Aminatta Forna shatters the silences which supposedly ensured her safety as a woman of colour walking in public space. Power must often be seized. The narrator of Lan Samantha Chang's short story finally wrenches control of the family's finances from her husband only to make a fatal mistake. Meanwhile the hero of Tahmima Anam's story achieves freedom by selling bull semen. Australian novelist Josephine Rowe recalls a gallery attendee trying to take what was not offered when she worked as a life-drawing model. Violence often results from power imbalances - Booker Prize winner Ben Okri watches power stripped from the residents of Grenfell Tower by ferocious neglect. But not all power must wreak damage. Barry Lopez remembers fourteen glimpses of power, from the moment he hitched a ride on a cargo plan in Korea to the glare he received from a bear traveling with her cubs in the woods, asking - do you plan me harm?Featuring work from brand new writers Nicole Im, Jaime Cortez and Nimmi Gowrinathan, as well as from some of the world's best storytellers, including US poet laureate Tracy K. Smith, Franco-Moroccan writer Leïla Slimani, and Turkish novelist Elif Shafak, Freeman's: Power escapes from the headlines of today and burrows into the heart of the issue.

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Published for the first time: a rich epistolary dialogue revealing one master teacher's power to shape the cultural canon and one great composer's desire to embed himself within historical narratives. Nadia Boulanger and Igor Stravinsky began corresponding in 1929 when Stravinsky sought someone to supervise the musical education of his younger son, Soulima. Boulanger accepted the position and began what would prove to be a warmand lasting dialogue with the Stravinsky family. For fifty years, Boulanger exchanged letters with Igor Stravinsky. An additional 140 letters exist written to Boulanger from Stravinsky's immediate family: his wife Catherine, hismother Anna, and his sons Théodore and Soulima. Nadia Boulanger and the Stravinskys: A Selected Correspondence makes available a rich selection from this many-sided dialogue. The letters are published here in English translation (most for the first time in their entirety or at all). The little-known French originals are available on the book's companion website. The letters allow us to follow the conversation shared between Boulanger andthe Stravinskys from 1929 until 1972, the year following Igor Stravinsky's death. Through the words they exchanged, we see Boulanger and Stravinsky transition from respectful colleagues to close friends to, finally, distant icons, with music serving always as a central topic. These letters are a testament to one master teacher's power to shape the cultural canon and one composer's desire to embed himself within historical narratives. Their words touch upon matters professional and personal, musical and social, with the overall narrative reflecting the turmoil of life during the twentieth century and the fragility of artists hoping to leave their mark on the modernist period. Kimberly A. Francis is Associate Professor of Music at the University of Guelph, Canada.

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