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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye. It was crafted to hold a collection of William Wordsworth s poems illustrated by Thomas Sturge Moore. One of the youngest pre First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings.

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What our tendency to justify the mistakes in poems reveals about our faith in poetry—and about how we readKeats mixed up Cortez and Balboa. Heaney misremembered the name of one of Wordsworth's lakes. Poetry—even by the greats—is rife with mistakes. In The Poet's Mistake, critic and poet Erica McAlpine gathers together for the first time numerous instances of these errors, from well-known historical gaffes to never-before-noticed grammatical incongruities, misspellings, and solecisms. But unlike the many critics and other readers who consider such errors felicitous or essential to the work itself, she makes a compelling case for calling a mistake a mistake, arguing that denying the possibility of error does a disservice to poets and their poems.Tracing the temptation to justify poets' errors from Aristotle through Freud, McAlpine demonstrates that the study of poetry's mistakes is also a study of critical attitudes toward mistakes, which are usually too generous—and often at the expense of the poet's intentions. Through remarkable close readings of Wordsworth, Keats, Browning, Clare, Dickinson, Crane, Bishop, Heaney, Ashbery, and others, The Poet's Mistake shows that errors are an inevitable part of poetry's making and that our responses to them reveal a great deal about our faith in poetry—and about how we read.

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Forty-five of Britain's best-loved poems, read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding.In a national poll conducted to discover Britain's favourite poem, Rudyard Kipling's 'If -' was voted number one. This unique anthology brings together over forty poems from the poll, including the top ten.Here is poignant war poetry (Wilfred Owen's 'Dulce et Decorum Est' and 'Anthem for Doomed Youth', Rupert Brooke's 'The Soldier' and Siegfried Sassoon's 'Everyone Sang' ); romantic verse such as Shakespeare's 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' and W. B. Yeats' 'When You Are Old'; Lewis Carroll and Edward Lear's great nonsense poems 'Jabberwocky' and 'The Owl and the Pussy-Cat', and much more. Classics such as Wordsworth's 'The Daffodils' and Tennyson's 'The Lady of Shallot' sit alongside contemporary poetry like Allan Ahlberg's 'Please Mrs Butler' and Wendy Cope's 'Bloody Men'.Superbly read by John Nettles, Siobhan Redmond, Greg Wise and Emma Fielding, this popular collection includes many of the very best examples ofBritish verse, as chosen by poetry lovers nationwide.The poems included in this collection are:1 'If -' by Rudyard Kipling, read by John Nettles2 'The Lady of Shallot' by Alfred Lord Tennyson, read by Siobhan Redmond3 'The Listeners' by Walter de la Mare, read by Greg Wise4 'Not Waving but Drowning' by Stevie Smith, read by Siobhan Redmond5 'The Daffodils' by William Wordsworth, read by John Nettles6 'To Autumn' by John Keats, read by Siobhan Redmond7 'The Lake Isle of Innisfree' by William Butler Yeats, read by Emma Fielding8 'Dulce et Decorum Est' by Wilfred Owen, read by Greg Wise9 'Ode to a Nightingale' by John Keats, read by Siobhan Redmond10 'He Wishes for the Cloths of Heaven' by William Butler Yeats, read by John Nettles11 'Remember' by Christina Rossetti, read by Siobhan Redmond12 'Elegy Written in a Country Churchyard' by Thomas Gray, read by John Nettles13 'Fern Hill' by Dylan Thomas, read by John Nettles14 'Leisure' by William Henry Davies, read by Emma Fielding15 'The Highwayman' by Alfred Noyes, read by Greg Wise16 'To His Coy Mistress' by Andrew Marvell, read by Greg Wise17 'Dover Beach' by Matthew Arnold, read by John Nettles18 'The Tyger' by William Blake, read by John Nettles19 'Adlestrop' by Edward Thomas, read by Siobhan Redmond20 'The Soldier' by Rupert Brooke ,read by Greg Wise21 'Sea-Fever' by John Masefield, read by John Nettles22 'Upon Westminster Bridge' by William Wordsworth, read by Greg Wise23 'How Do I Love Thee?' by Elizabeth Barrett Browning, read by Emma Fielding24 'Cargoes' by John Masefield, read by Greg Wise25 'Jabberwocky' by Lewis Carroll, read by Emma Fielding26 'The Rime of the Ancient Mariner' by Samuel Taylor Coleridge, read by John Nettles27 'Ozymandias of Egypt' by Percy Bysshe Shelley, read by Greg Wise28 'Abou ben Adhem' by Leigh Hunt, read by John Nettles29 'Everyone Sang' by Siegfried Sassoon, read by Greg Wise30 'The Windhover' by Gerard Manley Hopkins, read by Siobhan Redmond31 'Do Not Go Gentle into that Good Night' by Dylan Thomas, read by John Nettles32 'Sonnet 18: Shall I Compare Thee to a Summer's Day?' by William Shakespeare, read by Siobhan Redmond33 'When You Are Old' by William Butler Yeats, read by Emma Fielding34 'Lessons of the War (To Alan Mitchell): Naming of Parts' by Henry Reed, read by John Nettles35 'The Darkling Thrush' by Thomas Hardy, read by Emma Fielding36 'Please Mrs Butler' by Allan Ahlberg, read by Emma Fielding37 'Kubla Khan' by Samuel Taylor Coleridge, read by John Nettles38 'Home-Thoughts, from Abroad' by Robert Browning, read by Greg Wise39 'High Flight (An Airman's Ecstasy)' by John Gillespie Magee, read by Greg Wise40 'The Owl and the Pussy-Cat' by Edward Lear ,read by Emma Fielding41 'The Glory of the Garden' by Rudyard Kipling, read by Greg Wise42 'The Road Not Taken' by Robert Frost, read by Siobhan Redmond43 'The Way through the Woods' by Rudyard Kipling, read by Emma Fielding44 'Anthem for Doomed Youth' by Wilfred Owen, read by Greg Wise45 'Bloody Men' by Wendy Cope, read by Siobhan Redmond

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This extraordinary volume collects the poems of forty-four of America’s most talented African American wordsmiths, including Pulitzer Prize– winning poets Rita Dove, Natasha Tretheway, Yusef Komunyakaa and Tracy K. Smith, as well as the work of other luminaries such as Elizabeth Alexander, Ishmael Reed, Nikki Giovanni and Sonia Sanchez. Accompanying each poem is a photograph of the poet along with a first-person biography and the book also includes personal essays on race from Harry Belafonte, Amiri Baraka and Reverend R. William Barber II, architect of the Moral Mondays movement. Images and iconic political posters of the Black Lives Matter movement, Malcolm X, and the Black Panther Party accompany the work. Taken together, this remarkable book gives voice to the current conversation about race in America while also providing historical and cultural context. It serves as an excellent introduction to African American poetry and is a must-have for every reader committed to social justice and racial harmony.

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This Norton Critical Edition is the most extensively annotated student edition available. "Backgrounds" features material carefully chosen to enhance readers’ appreciation of the novel, including biographical commentary, early works and correspondence related to Northanger Abbey, and excerpts by Ann Radcliffe, Frances Burney, and William Wordsworth, among others, tracing Austen’s connection to her Romantic contemporaries. "Criticism" collects thirteen assessments of Northanger Abbey from a wide range of voices and periods, including essays by Margaret Oliphant and Rebecca West and critics Patricia Meyer Spacks, Claudia L. Johnson, Lee Erickson, and Joseph Litvak. A Chronology and Selected Bibliography are also included.

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The wonderful Roger McGough has drawn together a stunning collection of poems inspired by the five senses. Gems from the very best classic and contemporary poets such as Carol Ann Duffy, Ian McMillan, John Hegley, William Wordsworth, Vernon Scannell and Michael Rosen will captivate any reader. Prepare for a welcome assault on your senses!

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Inspired by Shakespeare's songs, the short poems of Emily Dickinson, and Wordsworth's "Lucy" poems, this collection of songlike poetry is based on the ubiquitous spread of weeds - like the shallow rooting plants, small poems can grow anywhere. In her seventh collection, Khalvati demonstrates a dazzling mastery of traditional forms and experiments with the Ghazal, an ancient Persian form comprised of an unrhymed couplet. Evoking three generations and geographies of women, "The Meanest Flower" reinstates the joyful, audible aspect of the lyric.

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The essays in this collection examine philosophical, religious, and literary or artistic texts using methodologies and insights that have grown out of reflection on literature and art. In them, them phrase “material spirit” becomes a point of departure for considering the continuing spectral effects of religious texts and concerns in ways that do not simply call for, or assume, new orrenewed forms of religiosity. The writers in this collection seek to examine religion beyond traditional notions of transcendence: Their topics range from early Christian religious practices to global climate change. Some of the essays explore religious themes or tones in literary texts, for example, works by Wordsworth, Hopkins, Proust, Woolf, and Teresa of Avila. Others approach—in a literarycritical mood—philosophical or para-philosophical writers such as Bataille, Husserl, Derrida, and Benjamin. Still others treat writers of a more explicitly religious orientation, such as Augustine, Rosenzweig, or Bernard of Clairvaux.

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One of the major figures of English Romanticism, Samuel Taylor Coleridge (1772-1834) created works of remarkable diversity and imaginative genius. The period of his creative friendship with William Wordsworth inspired some of Coleridge's best-known poems, from the nightmarish vision of the 'Rime of the Ancient Mariner' and the opium-inspired 'Kubla Khan' to the sombre passion of 'Dejection: An Ode' and the medieval ballad 'Christabel'. His meditative 'conversation' poems, such as 'Frost at Midnight' and 'This Lime-Tree Bower Mr Prison', reflect on remembrance and solitude, while late works, such as 'Youth and Age' and 'Constancy to an Ideal Object', are haunting meditations on mortality and lost love.

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Originally published in 1861, Palgrave's Golden Treasury quickly established itself as the most popular selection of English poems. Today it stands as a testament to the richness of our finest native poetic writing from Spenser, Shakespeare, and Wordsworth, to Tennyson, Yeats, Eliot, and Betjeman. This edition includes a sixth book, prepared by John Press, which covers the post-war years, showing that the lyrical tradition remains strong. Over 90 poets are included, from Dylan Thomas, George Mackay Brown, Ted Hughes, and Philip Larkin to Carol Ann Duffy, Elizabeth Garrett and Simon Armitage.

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William Gilbert, poet, theosophist and astrologer, published The Hurricane: A Theosophical and Western Eclogue in Bristol in 1796, while he was on intimate terms with key members of Bristol literary culture: Coleridge published an extract from The Hurricane in his radical periodical The Watchman; Robert Southey wrote of the poem’s ‘passages of exquisite Beauty’; and William Wordsworth praised and quoted a long passage from Gilbert’s poem in The Excursion. The Hurricane is a copiously annotated 450 line blank verse visionary poem set on the island of Antigua where, in 1763, Gilbert was born into a slave-owning Methodist family. The poem can be grouped with other apocalyptic poems of the 1790s—Blake’s Continental Prophecies, Coleridge's Religious Musings, Southey's Joan of Arc—all of which gave a spiritual interpretation to the dramatic political upheavals of their time. William Gilbert and Esoteric Romanticism presents the untold story of Gilbert’s progress from the radical occultist circles of 1790s London to his engagement with the first generation Romantics in Bristol. At the heart of the book is the first modern edition of The Hurricane, fully annotated to reveal the esoteric metaphysics at its core, followed by close interpretative analysis of this strange elusive poem.

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This is the first anthology and guide to the creative possibilities of critical writing. 'We murder to dissect' writes Wordsworth. It's a sentiment shared by many lovers of literature and art, as well as by artists and writers themselves. Too often academic critical writing seems to annihilate what it analyses. Too often, it brings pre-packaged language to bear on works whose whole essence and aim is to change the ways in which we see and describe our world. How, then, to write criticism? Creative-Critical Writing: An Anthology and Guide gathers together, for the first time, writers who strive to find answers to this dilemma. Including works by creative critics as different from one another as Anne Carson and Jacques Derrida, Geoff Dyer and Helene Cixous, it celebrates writing whose formal and intellectual inventiveness is inseparable from a deep fidelity to the writing, art or music it addresses. The Reader offers at once a guide and a goad for all students and teachers and critics of literature and creative writing. It offers a thorough introduction to the theory and practice of creative-critical writing. It is an anthology of innovative and inventive work from some of the most influential writer-critics of the past thirty years.

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With special attention to the Romantic poets from Wordsworth and Coleridge down to Pound and Eliot, distinguished scholar Marion Montgomery explores the disorientation of image and metaphor from reality. The book focuses on the virtues and limits of the intuitive intellect as they are explicated by Thomas Aquinas in relational intellect, and the 'Romantic' poet's dependence upon the intuitive and rational modes of intellectual action, two species of 'romanticism' centering in presumptuous autonomy emerge: that of the poet and that of the scientist.

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When a precious emerald goes missing from a secure vault, your detective skills are put to the test! Explore an old castle, giant nests and underground caves. Meet goblins, ghosts, dragons and other fantastic beasts in this fun-packed book of puzzles. Solve mazes, wordsearches, number puzzles and more Find the clues and crack the code to finish the story Will you take on the quest? For more puzzling fun…collect the set!Mythical Mystery (9780008457457)Enchanted Lands (9780008457464)The Missing Astronaut (9780008457471)Secret Island (9780008532109)The Magician’s Library (9780008532123)

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Silly, fantastical, romantic, thought-provoking... This stunning collection includes 101 classic poems that every child should read! Find Tennyson, Keats, Shelley, Wordsworth, Edward Lear, Emily Dickinson, Shakespeare and many more. The poems are organised by theme, and lively introductions provide information on the poets and their craft. Includes an index and glossary of poetic form. This collection is beautifully packaged with shiny foil on the cover, making it the perfect gift for all year round Previously published as Favourite Poems: 101 Children's Classics.

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When you visit the ‘Mythical Creatures’ section of the museum, your exciting egg-hunt begins! Search this mystical world for the origin of these curious eggs. Will it be the Kelpie’s lagoon? The Sphinx’s desert lair? Meet a dragon, a phoenix and other mythical creatures in this fun-packed book of puzzles. Solve mazes, wordsearches, number puzzles and more Find the clues and crack the code to finish the story Will you take on the quest? For more puzzling fun…collect the set! Enchanted Lands (9780008457464), The Missing Astronaut (9780008457471), The Time Traveller (9780008457488)

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Grab a cuppa and sink into a cosy chair as a father-daughter duo leads you into the celebration of Christmas through their art and reflections. Considering not only the story of Mary and Joseph journeying to Bethlehem, where Jesus was born, but also our modern-day expressions of Christmas, they point to God's light and life during what can be a fraught and exhausting season. ‘Daughter and father, wordsmith and artist, combine seamlessly to create a celebration of the warmth, love, promise and glory of Christ’s birth on earth, and what that means for us today.’ Pam Rhodes, broadcaster and writer

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The story of the Skye terrier who refused to leave his master's grave in Greyfriar's Kirkyard, Edinburgh, has been popular from Victorian times. This book tells the well-loved story and also gives the historical background with such sections as: The Lord Provost, William Chambers (who declared that 'no one's dog is everyone's dog' and gave Bobby the Freedom of the City of Edinburgh); William Brodie, the sculptor of the famous statue; Edinburgh's shocking health record; Bobby's Edinburgh; Bobby's breed - why the name? The book is illustrated with drawings and photographs and relevant objects from the collections of National Museums Scotland and its Scottish Life Archive. An eight-page activity section includes: Dog issues - true or false? How well do you know your dog? Wordsearch. Follow in Bobby's pawprints. Greyfriars Bobby is the latest title in the Scotties series of activity books for young readers. Each contains a wealth of interesting facts, stimulating activities, a list of websites and suggestions for places to visit.

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Develop a love for poetry at key stage three with the trusted Touchstones series. This diverse selection of over 150 poems features thought-provoking contemporary voices and much-loved favourites. Touchstones: A Teaching Anthology of Poetry will help you to:· Explain and contextualise poems across a broad range of genres and themes· Support your lessons with over 100 ready-made activities designed for independent, paired and group work· Challenge your students with additional activities specifically designed to stretch their learning· Build the skills required for the poetry element of the latest GCSE English Literature specifications, with chapters dedicated to comparative and unseen poetry· Introduce a range of poets commonly studied at GCSE, from William Wordsworth to Imtiaz Dharker· Introduce a range of contemporary poets, such as Kate Clanchy and Holly McNish, alongside more familiar classics· Support the implementation of the 2014 national curriculum at Key Stage 3Michael Benton has recently published a new collection of poetry: 'In the Mind's Eye'. Available in bookstores now.

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The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period. An essential selection of poetry by the six great Romantic poets. Ideal for general readers or for students taking short courses in Romanticism. Includes the whole of Blake's Songs of Innocence and Experience. Gives readers a concise overview of Romantic poetry.

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An anthology and miscellany of everything an Englishman should know: - From Austen to Wordsworth - Jerusalem to the Scout's Honour - Kings and Queens of England to Land of Hope and Glory- Savile Row tailors to Jermyn St Shirt Makers - Tying a Windsor knot to making a pot of tea - Victoria sponge to fish pie - The rules of cricket to Gilbert and Sullivan operas

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Ralph Waldo Emerson’s life from 1826 to 1832 has a classic dramatic structure, beginning with his approbation to preach in October 1826, continuing with his courtship, his brief marriage to Ellen Tucker, and his misery after her death, and concluding with his departure from the ministry.The journals and notebooks of these years are far fewer than those in the preceding six years. Emerson noted down many ideas for sermons in his journals, but as time went on he wrote the sermons independently. Occasionally he wrote openly about family matters, but except for the passionate response to Ellen and her death the journals tell little about the impact upon him of other people and outside events. The pattern is consistent with the earlier journals: Emerson used them mainly to record his thought, to develop and express his ideas. His religious and intellectual interests were undergoing significant changes in orientation or emphasis. He was less concerned with the existence of God than with the nature and influence of Christ. He continued to reassert the truth of Christianity, but in his growing unorthodoxy he came to show less and less sympathy with the church, with forms and ritual, with convention. And he began to wonder whether it is not the worst part of the man that is the minister.During these years, Emerson read more in Madame de Staël, Wordsworth, Gérando, and Coleridge, less in Milton, the Augustans, Dugald Stewart, and Scott. In style, he moved from a rambling, bookish rhetoric to the tautness and the cadences that mark his later Essays.

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This startling debut from a young British poet traces the paths from past to present, the lost to the living, seeking familiarity in a world of “false trails and disappearing acts.” Here, relatives, friends, and other absences are coaxed into life and urgently pressed on the reader as they surface, in the flesh. At the heart of the collection lies the sonnet sequence “Home,” a slant look at the lives of William and Dorothy Wordsworth, intersected by more recent, sometimes unsettling, personal portraits. Clear-eyed and sensuous, these are poems linked by a strong sense of place and presence, of history captured in an irrevocable moment.

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Gus Silber, well-known journalist and wordsmith, has over the last few years written some extraordinary commentary pieces on his journeys around his neighborhood in Johannesburg and his digital wanderings through the global village we call social media, and posted them to Facebook. Gus’s followers know what insightful and frankly charming pieces he writes, and we’re bringing those digital missives to the page and discerning masses. This is a collection of over 50 of Gus’s most-loved social media posts – covering everything from understanding house-breaking hadedas, the meaning of pathos, deciphering Joburg style, and everything in between.

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A fantastic and fun-filled quiz book on X-Factor favourites, Little Mix. Packed with puzzles, cool quizzes and great games, dedicated followers can enjoy testing their knowledge of the band to find out if they are true super-fans. Activities include fab fill-in stories, wordsearches, spot-the-difference games and much more! Including 8 pages of gorgeous glossy photos of Jade, Perrie, Leigh-Anne and Jesy, this is the must-have activity book for any fan of the hippest girl band around.

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The appearance of Philip Larkin's second prose collection - reviews and critical assessments of writers and writing; pieces on jazz, mostly uncollected; some long, revealing and often highly entertaining interviews given on various occasions - was a considerable literary event. Stamped by wit, originality and intelligence, it was vintage Larkin throughout:'Deprivation is for me what daffodils were for Wordsworth.''I see life more as an affair of solitude diversified by company than as an affair of company diversified by solitude.'Q. 'How did you arrive upon the image of a toad for work or labour?'A. 'Sheer genius.'

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Everyone knows about Mary Shelley, creator of Frankenstein; but have you heard of Margaret Cavendish, who wrote a science-fiction epic 150 years earlier? Have you read the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era? Or the stories of Gertrude Barrows Bennett, whose writing influenced H.P. Lovecraft? Monster, She Wrote shares the stories of women past and present who invented horror, speculative, and weird fiction and made it great. You ll meet celebrated icons (Ann Radcliffe, V.C. Andrews), forgotten wordsmiths (Eli Coltor, Ruby Jean Jensen), and today s vanguard (Helen Oyeyemi). And each profile includes a curated reading list so you can seek out the spine-chilling tales that interest you the most.

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In 1822 Rudolph Ackermann's Forget Me Not [...] for 1823 established a fashion for handsomely produced and copiously illustrated annual anthologies of short literary works. Books of this kind were designed as Christmas and New Year's presents, and in the 1820s and 1830s they became a significant publishing phenomenon. Like other well-known writers of the time (including Wordsworth, Scott, and Letitia Elizabeth Landon), Hogg was a contributor to the annuals, and Contributions to Annuals and Gift-Books brings together all the Hogg texts that were either written for, or first published in, annuals and gift-books. 'Invocation to the Queen of the Fairies' in the Literary Souvenir for 1825 was Hogg's first known contribution to an annual, and thereafter writing for the annuals became 'a kind of business' for him during the economic slump of the late 1820s. Contributions to Annuals and Gift-Books contains some of Hogg's finest short stories (for example 'The Cameronian Preacher's Tale' and 'Scottish Haymakers'), as well as some of his best-known poems (for example 'A Boy's Song' and 'The Sky Lark'). This volume highlights a coherent part of Hogg's total literary output, and in doing so provides new insights into an area of nineteenth-century publishing history that is attracting increasing interest and attention. Hogg was a professional writer with an acute awareness of the shifting trends of the literary marketplace during the 1820s and 1830s, when annuals were at their peak of popularity. However, his literary objectives did not always match the needs of the annuals, and as a result some of his contributions were returned as unsuitable for a family-oriented audience. Hogg's sometimes complex negotiations with the editors and publishers of the annuals are meticulously documented in Contributions to Annuals and Gift-Books. In this context, the volume (for example) reprints both Hogg's manuscript version of 'What is Sin?', and the version actually published in Ackermann's Juvenile Forget Me Not. The engravings for which Hogg wrote are included in the present volume.

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Tilottama Rajan illuminates a crisis of representation within romanticism, evident in the proliferation of stylistically and structurally unsettled literary texts that resist interpretation in terms of a unified meaning. The Supplement of Reading investigates the role of the reader both in romantic literary texts and in the hermeneutic theory that has responded to and generated such texts. Rajan considers how selected works by Coleridge, Wordsworth, Blake, Shelley, Godwin, and Wollstonecraft explore the problem of understanding in relation to interpretive difference, including the differences produced by gender, class, and history.

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This volume contains a selection of work from each of Seamus Heaney's published books of poetry up to and including the Whitbread prize-winning collection, The Haw Lantern (1987).'His is 'close-up' poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.' John Banville'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John Carey

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New Directions is proud to present Fleur Jaeggy’s strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey’s early nineteenth-century world we hear of the habits of writers: Charles Lamb “spoke of ‘Lilliputian rabbits’ when eating frog fricassse”; Henry Fuseli “ate a diet of raw meat in order to obtain splendid dreams”; “Hazlitt was perceptive about musculature and boxers”; and “Wordsworth used a buttery knife to cut the pages of a first-edition Burke.” In a book of “blue devils” and night visions, the Keats essay opens: “In 1803, the guillotine was a common child’s toy.” And poor Schwob’s end comes as he feels “like a ‘dog cut open alive’”: “His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief.” Fleur Jaeggy’s essays—or are they prose poems?—smoke of necessity: the pages are on fire.

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"Re-centers and gives voice to a diversity of women naturalists and writers across time." —Cultivating Place In Writing Wild, Kathryn Aalto celebrates 25 women whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal. Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.

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Wally is going on an adventure up, up high in the skies. Join him (and don’t forget to pack a pen or pencil)!Have fun playing puzzling puzzles and amazing activities with Wally and friends as you soar through the pages of this book! Work your way out of a busy airport runway maze; match up dragons to their race day medals; solve birdy wordsearches and visual snap; colour in a nighttime dragon scene; apply rules to crazy clowns in hot air balloons; complete a luggage loop game; spot-the-differences and much, much more! Can you also track down Wally’s lost feather? There are over 100 fantastic stickers and lots of extra things to find and do!

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An engaging and authoritative introduction to an increasingly important and popular literary genreProse Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing.A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre.Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.

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The ‘Percy Folio’ (BL MS Add. 27879), a seventeenth-century miscellany of ballads, romances and songs is a highly significant document in English poetry. It was crucial to the success and credibility of Bishop Thomas Percy’s Reliques of Ancient English Poetry (1765). A best-seller that inspired many including Wordsworth and Sir Walter Scott, the Reliques made ballads a subject worthy of study and respect, in no small part due to the supposed antiquity of the Folio’s contents, Percy even claiming that one Arthurian piece was known to Chaucer. For the first time ever this volume publishes critical editions of all eleven Arthurian texts in the Percy Folio, with transcriptions taken directly from BL MS Add. 27879. The book opens with a discussion of the manuscript’s history and ownership, the place of these Arthurian texts within a ballad tradition, attitudes to King Arthur up to the early eighteenth century, and Percy’s interest in and knowledge of Arthurian legend. A particular focus has been the role played by performance in the evolution of the Arthurian material. Each text is prefaced by a Headnote with endnotes, references to previous editions, and suggestions for further reading. The texts themselves are complemented by Explanatory Notes for the reader, and Textual Notes which include transcripts of Percy’s own annotations. The book concludes with a comprehensive bibliography. Contributors: John Withrington, Gillian Rogers, Elizabeth Darovic, Maldwyn Mills, Raluca Radulescu, Diane Speed, Marion Trudgill and Elizabeth Williams.

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Humboldt (1769–1859) was an intrepid explorer and the most famous scientist of his age. His life was packed with adventure and discovery, whether climbing volcanoes in the Andes, swimming with crocodiles, racing through anthrax-infected Siberia, or publishing groundbreaking bestsellers. Ahead of his time, he recognized nature as an interdependent whole and he saw before anyone else that humankind was on a path to destroy it. He was one of the first European to study the Inca, Aztec and Mayan cultures and his epic five-year expedition to Latin America (1799–1804) prompted him to denounce slavery as 'the greatest evil ever to have afflicted humanity'. To Humboldt, the melody of his prose was as important as its content, and this selection from his most famous works - the Personal Narrative of his travels to Latin America, Cosmos, Views of Nature, Views of the Cordilleras and Monuments of the Indigenous Peoples of the Americas, The Geography of Plants and his anti-slavery essay in Political Essay of the Island of Cuba - allows us the pleasure of reading his own accounts of his daring explorations and new concept of nature. Humboldt’s writings profoundly influenced naturalists and poets including Darwin, Thoreau, Muir, Goethe, Wordsworth, and Whitman. The Selected Writings is not only a tribute to Humboldt’s important role in environmental history and science, but also to his ability to fashion powerfully poetic narratives out of scientific observations.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore.Self-taught, Pye began producing her first works in the early 1900s using naturally coloured leather, before graduating to multi-coloured panels. By 1934 she was creating complex covers of up to six different inlays, and her work was regularly exhibited around the world. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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Poems to make you smile! Critically acclaimed poet Roger McGough has drawn together a fantastic collection of upbeat poems to bring happiness into your day with this uplifting collection Happy Poems.Perfect for happy children or those needing a little cheer, Roger reminds us that happiness can be found all around us in the everyday, in family, in books in nature and, of course, in our pets! Includes gems from the very best classic and contemporary poets, such as John Agard, Adrian Henri, Brian Patten, Carol Ann Duffy, Joseph Coelho, William Wordsworth and William Blake.

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Inspires teenagers with fresh, exciting content, culture pages, project work and songs. Develops students’ vocabulary with a controlled syllabus, Memory Tips and the unique Memory Gym. Helps students to organise their learning and check their progress with the Wordstore vocabulary notebook. Builds students’ confidence with grammar practice in real-life contexts, check pages, regular communication and skills practice. Shows learners how to write with Writing Tips and a step-by-step guide in the Writing Gym Responds to all students’ needs through cross-curricular content and mixed-level solutions.

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A beautiful gift anthology containing forty incredible poems written out in the shape of world shapers!In Shaping the World learn about about Amelia Earhart in a poem shaped like a plane, Maya Angelou in a poem shaped like a bird or Francis Drake in a poem shaped like a ship. Each poem is paired with a biography, quote and fascinating fact.This collection for young poetry fans includes poems about: Greta Thunberg, Maya Angelou, Florence Nightlingale, Anne Frank, William Wordsworth, Nelson Mandela, Albert Einstein, Sir Francis Drake, Emmeline Pankhurst, Mahatma Ghandi, Malala Yousafzai and many more.

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This is a revised and enlarged edition of the most extensive and detailed critical reading of English Romantic poetry ever attempted in a single volume. It is both a valuable introduction to the Romantics and an influential work of literary criticism. The perceptive interpretations of the major poems of Blake, Wordsworth, Coleridge, Byron, Shelley, Keats, Beddoes, Clare, and Darley develop the themes of Romantic myth-making and the dialectical relationship between nature and imagination. For this new edition, Harold Bloom has added an introductory essay on the historical backgrounds of English Romantic poetry and an epilogue relating his book to literary trends.

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A The Telegraph Book of the Year. Laura Scott's second collection, The Fourth Sister, is a book of unusual love poems. It features an assorted cast: lovers and sisters, but also parents and children, the living and the dead, birds and trees, painters, playwrights and their characters, a godfather who married the wrong man and a godmother who was surely a spy. The book's energy flows out into other lives, discovering vital connections and the gaps between them. Scott writes as a poet in Wordsworth's sense: 'an upholder and preserver, carrying everywhere relationship and love.'

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The lyric energy, compassion, humor, and tenderness that characterize Lorna Goodison's work are once again in evidence in Turn Thanks, her seventh collection. Here the Jamaican poet turns to acknowledge her own ancestors and those of her craft: mother and father, aunts and uncles, Africa, William Wordsworth, Vincent Van Gogh, the Wild Woman. "Whether you will receive this letter or not I cannot tell," she writes. "Still, I intend to send it . . . "

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In a nationwide poll to discover Britain's favourite poem, Rudyard Kipling's 'If...' was voted number one. This unique anthology brings together the results of the poll in a collection of the nation's 100 best loved poems. Among the selection are popular classics such as Tennyson's 'The Lady of Shallott' and Wordsworth's 'The Daffodils' alongside contemporary poetry such as Allan Ahlberg's 'Please Mrs Butler' and Jenny Joseph's 'Warning'. Also included is the poignant 'Do not Stand at my Grave and Weep'.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye. It was crafted to hold a collection of William Wordsworth s poems illustrated by Thomas Sturge Moore. One of the youngest pre First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings.

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Dudley was connected by tram to various parts of the Black Country, first by steam trams and then by electric ones. This book takes a route-by-route look at the development, operation and run-down of the tramway system which once linked Dudley to Brierley Hill, Stourbridge, Netherton, Cradley Heath, Pensnett, Kingswinford, Wordsley, Kinver, Lye, Wollaston, Old Hill and Blackheath. After charting each line’s history, the book recreates a ride along them using a plethora of historic photographs, many of which have not been published before, highlighting the many features and objects from the tramway that survive along the way.

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Thomas Hardy notes the thrush’s ‘full-hearted evensong of joy illimited’, Gilbert White observes how swallows sweep through the air but swifts ‘dash round in circles’ and Rachel Carson watches sanderlings at the ocean’s edge, scurrying ‘across the beach like little ghosts’. From early times, we have been entranced by the bird life around us. This anthology brings together poetry and prose in celebration of birds, records their behaviour, flight, song and migration, the changes across the seasons and in different habitats – in woodland and pasture, on river, shoreline and at sea – and our own interaction with them. From India to America, from China to Rwanda, writers marvel at birds – the building of a long-tailed tit’s nest, the soaring eagle, the extraordinary feats of migration and the pleasures to be found in our own gardens. Including extracts by Geoffrey Chaucer, Dorothy Wordsworth, Richard Jefferies, Charles Darwin, James Joyce, John Keats, Charlotte Brontë, Emily Dickinson, Anton Chekhov, Kathleen Jamie, Jonathan Franzen and Barbara Kingsolver among many others, this rich anthology will be welcomed by bird-lovers, country ramblers and anyone who has taken comfort or joy in a bird in flight.

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In the wake of the formalist 'New Critical' consensus of the mid-twentieth century, a central and recurrent problem in the field of literary study has been that of precisely how the literary text was to be related to the various and proliferating contexts that now jostled for critical attention. The quality of balanced judgment was suddenly especially valuable. These essays range over the fields of Erskine-Hill's own scholarship, from Shakespeare and early modern literature to Wordsworth, evincing in their own procedures and discriminations the influence of his own example: scrupulous care over the handling of evidence, an interdisciplinary impulse yoked always to a prizing of the literary (particularly of the poetic), a willingness to embrace an ambitious argument where it can be supported, a humaneness of temper, particularly in polemic. Latent within them all is a wrestling with that central problem of text and context that preoccupied Erskine-Hill throughout his career, and which is still the dominant issue in literary studies.

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