Search results for ""author words"

Alice's second adventure takes her through the looking-glass to a place even curiouser than Wonderland. She finds herself caught up in the great looking-glass chess game and sets off to become a queen. It isn't as easy as she expects: at every step she is hindered by nonsense characters who crop up and insist on reciting poems. Some of these poems, such as 'The Walrus and The Carpenter' and 'Jabberwocky', are as famous as the Alice stories themselves.Macmillan was the original publisher of Alice in 1865 and is proud to remain true to the vision of its creators. Every bit as iconic are Sir John Tenniel's remarkable black line illustrations, perfectly capturing the combination of the ordinary and the extraordinary at the heart of Wonderland.This beautiful, celebratory, edition of Through the Looking-Glass has a gorgeous cover with a shiny silver foiled looking-glass, and is packed full of fun bonus material, including a quiz, wordsearch and a glossary. Lewis Carroll's classic children's book is brought to life like never before!

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'A deeply satirical and thought-provoking thriller' Sunday ExpressA couple of ice cubes, first, then the apple that really started it all. A loft apartment in London's East End; cool but doomed, demolition and redevelopment slated for the following week. Ken Nott, devoutly contrarian leftish shock-jock attending a mid-week wedding lunch, starts dropping stuff off the roof towards the deserted car park a hundred feet below. Other guests join in and soon half the contents of the flat are following the fruit towards the pitted tarmac... just as mobiles start to ring, and the apartment's remaining TV is turned on, because apparently a plane has crashed into the World Trade Center... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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As Poet Laureate during much of Queen Victoria's reign, Alfred Lord Tennyson's spellbinding poetry epitomized the Victorian age, and Selected Poems is edited with an introduction and notes by Christopher Ricks.'Into the jaw of DeathInto the mouth of HellRode the six hundred'The works in this volume trace nearly sixty years in the literary career of one of the nineteenth century's greatest poets, and show the wide variety of poetic forms he mastered. This selection gives some of Tennyson's most famous works in full, including Maud, depicting a tragic love affair, and In Memoriam, a profound tribute to his dearest friend. Excerpts from Idylls of the King show a lifelong passion for Arthurian legend, also seen in the dream-like The Lady of Shalot and in Morte d'Arthur. Other works respond to contemporary events, such as Ode on the Death of the Duke of Wellington, written in Tennyson's official role as Poet Laureate, or the patriotic Charge of the Light Brigade, while Locksley Hall provides a Utopian vision of the future, and the late poem Crossing the Bar is a haunting meditation on his own mortality.In his introduction, Christopher Ricks discusses aspects of Tennyson's life and works, his revisions of his poems, and his friendship with Arthur Hallam. This edition also includes a chronology, further reading and notes.Alfred Lord Tennyson (1809-1892) was born at Somersby, Lincolnshire, the sixth of eleven children. His first important book, Poems, Chiefly Lyrical, was published in 1830, and was not a critical success, but his two volumes of Poems, 1842, which contain some of his finest work, established him as the leading poet of his generation.If you enjoyed Selected Poems, you might like William Wordsworth and Samuel Taylor Coleridge's Lyrical Ballads, also available in Penguin Classics.'He had the finest ear of any English poet since Milton'T.S. Eliot

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Winner of the 2006 Truman Capote Prize for Literary Achievement Geoffrey Hartman's interests range over almost the entire field of contemporary literature and culture. In this, the first Reader of his work, significant essays reflect his abiding interest in English and American poetry, focusing not only on Romanticism but also on the transition from early modern to modern and including reflections on the radical elements in artistic representation. Hartman, whose book on Wordsworth changed our understanding of that poet, brings theory and close reading together. A major consideration of Freud is accompanied by intensive analyses of Lacan and Derrida, and a psychoesthetic theory of literary genesis is proposed. Popular literature is examined through the American detective novel; Jane Austen, Virginia Woolf, and Bernard Malamud are brought together in an examination of realism; the premodern mode of midrashic interpretation is reintroduced to literary study; and major trends in criticism, including trauma studies, receive attention. Hartman's assessment of the media revolution and cultural studies is represented by shorter pieces of film criticism as well as his classic essays on 'Public Memory and its Discontents' and 'Tele-Suffering and Testimony' - the latter also describes a pioneering effort to collect on video the experiences of Holocaust survivors. This anthology is both highly readable and, because of its range and intellectual vigour, essential for all those concerned with the fate of the humanities and the future of literary criticism. Features *Leading US critic of contemporary literature and culture, particularly in the areas of poetry, Romanticism, trauma studies, public culture, pedagogy, and literary theory and criticism *Selection ranges across Geoffrey Hartman's illustrious career with the readings organised into six thematic parts *Publication coincides with the 50th anniversary of Geoffrey Hartman's first published book

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These intricate details of spring and summer flowers are from an 18th-century Japanese paper screen by artist Watanabe Shiko (1683–1755), who painted in the Rinpa style (and was reputedly a ronin!). Beautiful gold accents make up every intricacy of the leaves and flowers in this rich and romantic composition.Rinpa is a leading historical school of Japanese painting, established in 17th-century Kyoto, whose artists were known for working in a range of formats, notably screens, fans, hanging scrolls and kimono textiles. The design on our cover shows a section of a screen with various types of flowers often believed to follow the ancient Japanese language of flowers, called Hanakotoba. Flowers were used to convey emotion and communicate with the viewer without using words.We are honoured to have the use of this original work from the Ashmolean Museum of Art and Archaeology at the University of Oxford, where Japanese material has been exhibited since the earliest stages of the Museum’s history.

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Which journalist and explorer travelled around the world in 72 days but still found the time to stop in Singapore and buy a money called McGinty? Who was the first person to be awarded two Nobel Prizes? What year were women first allowed to act on stage in England? Delve into the fascinating history of women who refused, dared, led, asked and discovered. Covering all of the topics you studied at school, from Literature, Mathematics and Science to Politics, Music and Art, with easy to difficult questions, crosswords, wordsearches, anagrams and much more! Find out if you know the women who created the very items that surround you. Discover the women who weren't afraid to be the first. Test yourself on the women who keep fighting. The Feminist Quiz Book is a celebration of women from around the world and the perfect gift for the feminists in your life!

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Taylor Swift needs no introduction. The global superstar is one of the greatest singer-songwriters of her generation with a fanbase that covers the globe. Now it''s the fandom''s time to shine with FOR THE SWIFTIES: A Puzzle Book Inspired by Taylor Swift (Unofficial Version).Put your Tay-Tay knowledge to the test with puzzles ranging from things you know All Too Well to slightly more tricky ones that might confound you with a Blank Space. Taking in every album she''s ever made, right up to The Tortured Poets Department, and packed full of Taylor-themed quizzes, wordsearches, crosswords and much more, this is the perfect activity to do with your friends en route to a concert or at home listening to your favourite album (Taylor''s Version).This is the perfect keepsake of The Eras Tour and an ideal gift for the Swiftie in your life. Are you ready for it?

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A long line of traditional, often conservative, criticism and cultural commentary deplored Byron as a slipshod poet. This pithy yet aptly poetic book, written by one of the world's foremost Romantic scholars, argues that assessment is badly mistaken. Byron's great subject is what he called 'Cant': the habit of abusing the world through misusing language. Setting up his poetry as a laboratory to investigate failures of writing, reading, and thinking, Byron delivered sharp critical judgment on the costs exacted by a careless approach to his Mother Tongue. Perspicuous readings of Byron alongside some of his Romantic contemporaries – Burns, Blake, Wordsworth, Coleridge, Shelley – reveal Byron's startling reconfiguration of poetry as a 'broken mirror' and shattered lamp. The paradoxical result was to argue that his age's contradictions, and his own, offered both ethical opportunities and a promise of poetic – broadly cultural – emancipation. This book represents a major contribution to ideas about Romanticism.

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'Exhilarating... a work of imagination and arresting originality' Sunday TelegraphThe war is ending, perhaps ended... For the castle and its occupants the troubles are just beginning. Armed gangs roam its lawless land, where each farm and house supports a column of dark smoke. Taking to the roads with the other refugees, anonymous in their raggedness, seems safer than remaining in the ancient keep. But the lieutenant of an outlaw band has other ideas, and the castle becomes the focus for a dangerous game of desire, deceit and death... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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'Establishes beyond doubt that Iain Banks is a novelist of remarkable talents' Daily TelegraphGraham Park is in love. But Sara Fitch is an enigma to him, a creature of almost perverse mystery. Steven Grout is paranoid - and with justice. He knows that They are out to get him. They are. Quiss, insecure in his fabulous if ramshackle castle, is forced to play interminable impossible games. The solution to the oldest of all paradoxical riddles will release him. But he must find an answer before he knows the question.Park, Grout, Quiss - no trio could be further apart. But their separate courses are set for collision.Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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A calming collection of nature poems to help you relax and unwind at the end of every day. Now more than ever we’re all in need of a daily fix of the natural world, to comfort and distract us from the cares of everyday life. Keep this beautiful book by your bedside and enjoy a dreamy stroll through nature every evening, just before you go to sleep. All the great, time-honoured poets are here – William Wordsworth, John Keats, Emily Dickinson, Robert Bridges – along with some newer and less-well known poetic voices. The poems reflect and celebrate the changing seasons: read Emily Brontë on bluebells in spring and Edward Thomas’s evocative ‘Adlestrop’ in summer, then experience golden autumn with Hartley Coleridge and William Blake's 'To Winter'. Beautifully illustrated with scenes from each season, this wonderful book deserves a place on your bedside table for years to come.

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Richard Eldridge explores the ability of dense and formally interesting literature to respond to the complexities of modern life. Beyond simple entertainment, difficult modern works cultivate reflective depth and help their readers order and interpret their lives as subjects in relation to complex economies and technological systems. By imagining themselves in the role of the protagonist or the authorial persona, readers become immersed in structures of sustained attention, under which concrete possibilities of meaningful life, along with difficulties that block their realization, are tracked and clarified. Literary form, Eldridge argues, generates structures of care, reflection, and investment within readers, shaping--if not stabilizing--their interactions with everyday objects and events. Through the experience of literary forms of attention, readers may come to think and live more actively, more fully engaging with modern life, rather than passively suffering it. Eldridge considers the thought of Descartes, Kant, Adorno, Benjamin, Stanley Cavell, and Charles Taylor in his discussion of Goethe, Wordsworth, Rilke, Stoppard, and Sebald, advancing a philosophy of literature that addresses our desire to read and the meaning and satisfaction that literary attention brings to our fragmented modern lives.

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The magnificent ruins of Furness Abbey are now in the care of English Heritage and attract thousands of visitors every year. Dating back to the twelfth century, the abbey was one of the wealthiest Cistercian monasteries in the country. Over the centuries, writers and artists including William Wordsworth and Turner have been inspired by the splendour of the sandstone ruins and the tranquillity of their location in a peaceful valley. In Furness Abbey Through Time, local historian Gill Jepson, Chair of the Furness Abbey Fellowship, presents an excellent visual chronicle that looks at how the abbey precinct has changed over the last century and more. Using an impressive collection of archive photographs, postcard views and colour photographs, readers will see that successive generations have been drawn here to explore the abbey’s heritage and enjoy the scenery. In addition to the main abbey precinct, photographs of its closer landholdings, such as Piel Castle, Bow Bridge, Abbot’s Wood and Dalton Castle, are also included, to provide a more comprehensive collection. This superbly illustrated book will be of interest to local people and visitors to the abbey and the surrounding area.

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Insigne defensor de las causas perdidas, Horace Rumpole es un abogado adorable, un hombre de altos ideales y de gran sentido común, que fuma cigarros malos, bebe un clarete aún peor, es aficionado a los fritos y a la verdura demasiado hervida, cita a Shakespeare y Wordsworth a destiempo y, generalmente, se decanta por los casos desesperados y por los villanos de barrio. Excéntrico y gruñón, lleva años abriéndose paso en las salas de justicia londinenses, mientras brega en casa con su terca mujer, Hilda, a quien él apoda Ella, La que Ha de Ser Obedecida, en un particular universo donde el sarcasmo, el humor y la intriga se mezclan a partes iguales. Al modo de P. G. Wodehouse, John Mortimer construye en sus narraciones un universo demoledor y sarcástico al más puro estilo British.El crimen paga, pero solo un poco cada vez! LOS CASOS DE HORACE RUMPOLE, ABOGADO son un verdadero clásico de la ficción judicial de todos los tiempos, y una de las más inteligentes y divertidas sagas de la l

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Junto con Wordsworth y Coleridge, junto con Shelley y Lord Byron, John Keats (1795-1821) forma parte de la brillante constelación de poetas románticos ingleses. Su obra, apreciada sin excesos durante su breve existencia, ha ido ganando con el paso del tiempo en la estima de los lectores, prendados a menudo por la fuerza de sus imágenes, por el poder evocador de sus versos y por los atisbos geniales de muchas de sus composiciones. Y es que su sensibilidad se anticipó en muchos sentidos a su época, como indican la devoción por él de poetas como Cernuda, Borges o Andrew Motion. La presente selección recoge, vertidos con gusto exquisito, sus poemas más hermosos y conocidos, como Oda a un ruiseñor, Oda sobre una urna griega, Lamia o La Belle Dame sans Merci, entre muchos otros.Selección y traducción de Antonio Rivera Taravillo

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Here are poets past and present, from Chaucer, Shakespeare and Wordsworth to Whitman, Dickinson and Thoreau; from Keats, Blake and Hopkins to Elizabeth Bishop, Ted Hughes and Amy Clampitt. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost's tribute to the evanescence of spring in 'Nothing Gold Can Stay' to Langston Hughes's moody 'Summer Night' in Harlem; from the 'stopped woods' in Marie Ponsot's 'End of October' to the chilling 'mind of winter' in Wallace Stevens's 'The Snow Man', the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage with the world outside ourselves.

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This book delineates different manifestations of the vagabond spirit of poetry through the ages. In doing so, it makes claims for the efficacy of poetry in our industrialized world, where we are presented with environmental, political and economic challenges. The Vagabond Spirit of Poetry demonstrates that poems are vital now more than ever because they can transform our relations with each other and with the earth. It acknowledges the awesome power of poems by providing you with fresh ways to apprehend their profound spiritual insights. You will be surprised by how sharp your imagination becomes once you start following the paths opened by Edward Clarke's original readings. This region is full of unexpected turns and pleasant clearings. Beginning in the middle of things with Wordsworth, you will be taken on a journey from Shakespeare to Wallace Stevens. Significant older poets, including Homer, Virgil and Dante, will enliven conversations with the wisest British, Irish and American poets of the modern age. As you proceed, poetry will teach you how to put into practice its perennial wisdom.

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Find it! In the country contains 25 things for children to search for whilst in the great outdoors, along with amazing facts and mind-bending puzzles. Perfect for minimising screen time, Find it! books keep children entertained, engaged and curious about the world around them. - Search for tractors, animal tracks and berries amongst many other things. - Learn fascinating facts about the things you are searching for. - Play wordsearches, mazes, spot the differences, and various other quizzes and games. The back of the book contains a certificate to award when everything has been successfully found, and for every 3 books completed, you can send off for a Find it! Super Spotter badge!

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This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.

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Praised for his "beautifully crafted and strangely surreal" (Peter Matthiessen) stories, Terrence Holt had been operating under the literary radar for more than fifteen years, placing award-winning stories in such noted journals as Zoetrope, Kenyon Review, and TriQuarterly. With the release of this debut collection, Holt's work takes its "rightful place besides those works of genius—fiction, philosophy, theology—unafraid of axing into our iced hearts" (William Giraldi, New York Times Book Review). Whether chronicling a plague that ravages a New England town or the anguish of a son who keeps his father's beating heart in a jar, Holt's stories oscillate between the rational and the surreal, the future and the past, masterfully weaving together reality and myth. Like Poe or Hawthorne, "Holt is a gifted wordsmith, his sentences carefully shaped and often beautiful, and he spins these ancient, irresolvable dilemmas in an elegiac poetry" (Los Angeles Times).

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Allie Esiri’s beautiful gift anthology, A Poet for Every Day of the Year, is the perfect introduction to 366 of the world’s greatest ever verse writers.Perfect for reading aloud and sharing with all the family throughout the year, it is bursting at the seams with familiar favourites and exciting new discoveries. Shakespeare, William Wordsworth, Christina Rossetti and Emily Bronte sit alongside Roger McGough, Wendy Cope, Imtiaz Dharker, Leonard Cohen, Sylvia Plath and Ocean Vuong.Each of the 366 poems features a small introduction that gives a sense of who the writer was, and not just the greatness of their work. Some offer insightful biographical details or key historical context, while others may provide quirky, humorous anecdotes.The day-to-day format of the anthology invites readers to make poetry a part of their daily routine, and makes sure that they discover something inspirational, life affirming, provocative, moving or entertaining each and every day.

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An invaluable collection of poetry for use by teachers at every stage of school life from primary to mid-teens.The poems are arranged by age of the child from six to fourteen, and provide support for the subject matter of lessons from botany and physics to history and astronomy. They encompass a wide variety of moods from gratitude and wonder at the natural world to the courage and heroism of individuals pitted agains the odds, and range from ancient Egypt to modern times.Works by well-known poets -- Shakespeare, Blake, Wordsworth, Browning -- are found together with the refreshingly unfamilar.Sections on alliterative verse, riddles, tongue-twisters, action verses and the seasons of the year provide a stimulus for practical activities in the classroom. Also included are meditative verses for teachers to help them deepen their understanding of the children in their care.A resource book to treasure, it will awaken a love of poetry in both young and old.

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'As good as anything Banks has ever written, if not better' Sunday TelegraphAfter years of exile, Alban Wopuld has been summoned back to his family's highland estate, Garbadale. The Wopuld clan are closing ranks. They have built their fortune on the boardgame Empire! - which has become a hugely successful computer game - and now the Americans want to buy them out. As the family gathers for their Extraordinary General Meeting, old grudges, forbidden passions and dark secrets emerge. What drove Alban's mother to take her own life? And is Alban over Sophie, his bewitching cousin and teenage love?Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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Our thoughts are shaped as much by what things make of us as by what we make of them. In Romantic Things, Mary Jacobus explores the world of objects and phenomena in nature as expressed in Romantic poetry alongside the theme of sentience and sensory deprivation in literature and art. Jacobus discusses objects and attributes that test our perceptions and preoccupy both Romantic poetry and modern philosophy. John Clare, John Constable, Rainer Maria Rilke, W G Sebald, and Gerhard Richter make appearances around the central figure of William Wordsworth as Jacobus explores trees, rocks, clouds, breath, sleep, deafness, and blindness in their work. Along the way, she is assisted by the writings of Maurice Merleau-Ponty, Jacques Derrida, and Jean-Luc Nancy. Helping us think more deeply about things both visible and invisible, felt and unfeeling, Romantic Things opens our eyes to what has been previously overlooked in lyric and Romantic poetry.

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The award-winning and Number One bestselling Val McDermid crafts an electrifying psychological suspense thriller that mixes history, heritage and heinous crimes. A 200 year-old-secret is now a matter of life and death. And it could be worth a fortune. It's summer in the Lake District and heavy rain over the fells has uncovered a bizarrely tattooed body. Could it be linked to the old rumour that Fletcher Christian, mutinous First Mate on the Bounty, had secretly returned to England? Scholar Jane Gresham wants to find out. She believes that the Lakeland poet William Wordsworth, a friend of Christian's, may have sheltered the fugitive and turned his tale into an epic poem – which has since disappeared. But as she follows each lead, death is hard on her heels. The centuries-old mystery is putting lives at risk. And it isn't just the truth that is waiting to be discovered, but a bounty worth millions …

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For six centuries the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean – an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'. Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also the characters, the emotions and the tumultuous events of the past. The first such work ever written about the Venetian ‘Stato da Mar’, it is an invaluable historical companion for visitors to Venice itself and for travellers through the lands the Doges once ruled.

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Hillwalking is a way of life for Robin Howie, whose name is very well-known in Scottish hillwalking circles and whose knowledge of the Scottish high tops is second to none. For over ten years his popular weekly hillwalking column has appeared in The Scotsman where his pleasure of walking in the hills is apparent to the reader. Some claim to buy the paper solely to read his column while others have long-demanded that his walks be made into a book. Generous with his help and advice to other walkers, this collection of shorter, lower-level walks will appeal to families and those less sure of venturing to the high tops. Conveniently arranged within shires with a location map, each walk has a useful factfile that summarises the map, start point, distance, terrain, duration of walk, height to be climbed and the all-important nearest refreshment point. 100 Scotsman Walks is a distillation of a lifetime of highs and lows, enhanced by the artist's eye and the wordsmith's descriptive powers. It will be a delight for active or ex-walkers, for the would-be explorer or armchair enthusiast, for the whole family, young or old - a book in fact for everyone.

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Britain in the nineteenth century saw a series of technological and social changes which continue to influence and direct us today. Its reactants were human genius, money and influence, its crucibles the streets and institutions, its catalyst time, its control the market.In this rich and fascinating book, James Hamilton investigates the vibrant exchange between culture and business in nineteenth-century Britain, which became a centre for world commerce following the industrial revolution. He explores how art was made and paid for, the turns of fashion, and the new demands of a growing middle-class, prominent among whom were the artists themselves. While leading figures such as Turner, Constable, Landseer, Coleridge, Wordsworth and Dickens are players here, so too are the patrons, financiers, collectors and industrialists; lawyers, publishers, entrepreneurs and journalists; artists' suppliers, engravers, dealers and curators; hostesses, shopkeepers and brothel keepers; quacks, charlatans and auctioneers. Hamilton brings them all vividly to life in this kaleidoscopic portrait of the business of culture in nineteenth-century Britain, and provides thrilling and original insights into the working lives of some of our most celebrated artists.

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Tim Cassedy’s fascinating study examines the role that language played at the turn of the nineteenth century as a marker of one’s identity. During this time of revolution (U.S., French, and Haitian) and globalization, language served as a way to categorize people within a world that appeared more diverse than ever. Linguistic differences, especially among English-speakers, seemed to validate the emerging national, racial, local, and regional identity categories that took shape in this new world order. Focusing on six eccentric characters of the time—from the woman known as “Princess Caraboo” to wordsmith Noah Webster—Cassedy shows how each put language at the center of their identities and lived out the possibilities of their era’s linguistic ideas. The result is a highly entertaining and equally informative look at how perceptions about who spoke what language—and how they spoke it—determined the shape of communities in the British American colonies and beyond. This engagingly written story is sure to appeal to historians of literature, culture, and communication; to linguists and book historians; and to general readers interested in how ideas about English developed in the early United States and throughout the English-speaking world.

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Within the pages of Allie Esiri's gorgeous poetry collection, A Poem for Every Spring Day, you will find verse that will transport you to vivid spring-time scenes, taking you from the first sighting of blossoms to Easter.The poems are selected from Allie Esiri’s bestselling poetry anthologies A Poem for Every Day of the Year and A Poem for Every Night of the Year.Perfect for reading aloud and sharing with all the family, this book dazzles with an array of familiar favourites and remarkable new discoveries. These seasonal poems – together with introductory paragraphs – have a link to the date on which they appear.Includes poems by William Wordsworth, Christina Rossetti, John Donne and Emily Dickinson who sit alongside Ted Hughes, John Agard, Maya Angelou, Wendy Cope, John Cooper Clarke and Carol Ann Duffy.This soul-enhancing book will keep you company for every day and night of the Spring. Enjoy more seasonal poetry collections with A Poem for Every Summer Day and A Poem for Every Autumn Day.

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For nearly three hundred years Scotland and England were the Laurel and Hardy of nations. For nearly two hundred years The Prelude was a poem by Wordsworth. Something had to give. As Britain begins to resemble a cut-up by William Burroughs, and the heritage of Robert Burns is flushed down a lavvie in Leith, one verse-monger steps forward to do battle with (or possibly for) cultural chaos. Bill Herbert’s Laurelude is in three sections: The Laurelude is a blank verse myth about Ulverston’s Idiot Boy, Stan Laurel. Othermoor depicts a cubist version of the North where the Wild Boy himself, the late Bill Burroughs, rewrites the rules. And The Madmen of Elgin squashes both Lost Boys and Solitary Reapers into Middle Scots verse forms for a pre-millennial song-and-dance. Like Oliver Hardy this volume refuses to be slim: it bursts all borders, literary and political, creating a zone where the Hollywood musical meets the Jolly Beggars, where lament bumps into love lyric, where the dictionaries go to die. Poetry Book Society Recommendation.

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An in-depth look into the life of Romantic essayist Charles Lamb and the legacy of his work “[An] electrifying portrait of Charles Lamb.”—New Yorker A pioneer of urban Romanticism, essayist Charles Lamb (1775–1834) found inspiration in London’s markets, theaters, prostitutes, and bookshops. He prized the city’s literary scene, too, where he was a star wit. He counted among his admirers Mary Shelley, William Wordsworth, and Samuel Taylor Coleridge. His friends valued in his conversation what distinguished his writing style: a highly original blend of irony, whimsy, and melancholy. Eric G. Wilson captures Lamb’s strange charm in this meticulously researched and engagingly written biography. He demonstrates how Lamb’s humor helped him cope with a life‑defining tragedy: in a fit of madness, his sister Mary murdered their mother. Arranging to care for her himself, Lamb saved her from the gallows. Delightful when sane, Mary became Charles’s muse, and she collaborated with him on children’s books. In exploring Mary’s presence in Charles’s darkly comical essays, Wilson also shows how Lamb reverberates in today’s experimental literature.

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'A collection of favourite half-remembered lines and phrases from school days' – The Times____________________You may remember the famous opening lines, 'Tyger tyger, burning bright'? and 'Shall I compare thee to a summer's day?' but would you be able to name the poems or the poets? The English language is jam-packed with wonderful verses that we've all heard at some point, but probably forgotten. I Wandered Lonely As a Cloud helps us remember all those long-forgotten poems that we were taught at school, together with short biographies of the poets and introductions to the poems themselves. This well-rounded poetry anthology features such greats as Chaucer, Shakespeare, Wordsworth, Shelley, Coleridge, Kipling, Heaney and Yeats, the poems you may have once learned and others that have informed our everyday speech. Complete with a masterly index that allows readers to search not just by first lines, but by well-known phrases, I Wandered Lonely As A Cloud is a perfect addition to any poetry lover's collection.

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Exam Board: Edexcel Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2024 exams Everything you need to revise for GCSE 9-1 conflict Need extra help with the Conflict Edexcel GCSE Grade 9-1 Poetry Anthology ahead of the exam? Revise tricky topics in a snap with this handy new Snap Revision guide from Collins. All 15 Conflict poems, like The Prelude by William Wordsworth or War Photographer by Carole Satyamurti, are included along with a detailed analysis. Revise and review your understanding of the poems, themes, context, poetic voice and structure with easy-to-read sections on key quotations, additional context, sample analysis and quick tests. We also show you how to come up with ideas and structure a comparison of two poems. With loads of top tips throughout, plus assessment objectives, Grade 5 and Grade 7 annotated answers and exam-style practice questions, this guide has everything you need to score top marks on your Edexcel GCSE Grade 9-1 English Literature exam.

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Exam Board: AQA Level: GCSE Grade 9-1 Subject: English Literature Suitable for the 2023 exams Everything you need to revise for GCSE 9-1 power and conflict Need extra help with the Power & Conflict AQA GCSE Grade 9-1 Poetry Anthology ahead of the exam? Revise tricky topics in a snap with this handy Snap Revision Guide. · Includes all 15 Power & Conflict poems, like The Prelude by William Wordsworth and War Photographer by Carol Ann Duffy, along with detailed analysis.· Revise and review your understanding of the poems, themes, context, poetic voice and structure with easy-to-read sections on key quotations, additional context, sample analysis and quick tests· Advice on how to come up with ideas and structure a comparison of two poems· Loads of top tips throughout· Score top marks on your AQA GCSE Grade 9-1 English Literature exam with assessment objectives, Grade 5 and Grade 7 annotated answers and exam-style practice questions· QR codes link directly to online videos providing further analysis of the poems

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The Heavy Bear Who Goes With Me is the ultimate reader’s companion to poetry: a selection of 100 classic poems from ?ve centuries with lively “companion” commentaries to go with and illuminate each poem. The heavy bear can be many things which go with the bearer: another self or alter ego, the burden of poetry or art, what weighs us down and makes us do what we don’t really want to do as well as what pulls us back to our selves, the animal side which makes us bearable or human. The editors’ selection ranges from Wyatt, Ralegh and Shakespeare in the 16th century, to Donne, Milton and Marvell in the 17th, to Swift, Pope and Johnson in the 18th. It embraces the Romantic visions of Blake, Wordsworth, Coleridge, Shelley and Keats, as well as the later, darker outlook of Browning, Tennyson and Hardy, and seeks enlightenment in the shadowlands of Emily Dickinson, Wilde and Yeats. As well as journeying with the reader through some of the greatest poems in the English language, The Heavy Bear encounters many modern poets, not least Delmore Schwartz, whose sense of con?ict between self and society gave birth to this anthology’s title-poem, ‘The Heavy Bear Who Goes With Me’. Others include some of the major figures in Irish poetry Brendan Kennelly knew personally as well as wrote about, including Patrick Kavanagh, Seamus Heaney, Michael Longley, Derek Mahon and Eavan Boland. The poems keep each other company in this highly original compilation, questioning each other in a continuing thematic, imagistic debate which the editors seek to explore in their responses, trying at all times to de?ne their sense and vision of poetry as disturbing, questioning, enlightening companionship for the reader. Both editors are renowned communicators of poetry: Brendan Kennelly (1936-2021) as one of Ireland’s best-loved poets, as Professor of Modern Literature at Trinity College Dublin, and as a popular cultural commentator on Irish television; Neil Astley as founder and editor of Bloodaxe Books and editor of the Staying Alive anthology series.

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Catholics without Rome examines the dawn of the modern, ecumenical age, when “Old Catholics,” unable to abide Rome’s new doctrine of papal infallibility, sought unity with other “catholics” in the Anglican and Eastern Orthodox churches. In 1870, the First Vatican Council formally embraced and defined the dogma of papal infallibility. A small and vocal minority, comprised in large part of theologians from Germany and Switzerland, judged it uncatholic and unconscionable, and they abandoned the Roman Catholic Church, calling themselves “Old Catholics.” This study examines the Old Catholic Church’s efforts to create a new ecclesiastical structure, separate from Rome, while simultaneously seeking unity with other Christian confessions. Many who joined the Old Catholic movement had long argued for interconfessional dialogue, contemplating the possibility of uniting with Anglicans and the Eastern Orthodox. The reunion negotiations initiated by Old Catholics marked the beginning of the ecumenical age that continued well into the twentieth century. Bryn Geffert and LeRoy Boerneke focus on the Bonn Reunion Conferences of 1874 and 1875, including the complex run-up to those meetings and the events that transpired thereafter. Geffert and Boerneke masterfully situate the theological conversation in its wider historical and political context, including the religious leaders involved with the conferences, such as Döllinger, Newman, Pusey, Liddon, Wordsworth, Ianyshev, Alekseev, and Bolotov, among others. The book demonstrates that the Bonn Conferences and the Old Catholic movement, though unsuccessful in their day, broke important theological ground still relevant to contemporary interchurch and ecumenical affairs. Catholics without Rome makes an original contribution to the study of ecumenism, the history of Christian doctrine, modern church history, and the political science of confessional fellowships. The book will interest students and scholars of Christian theology and history, and general readers in Anglican and Eastern Orthodox churches interested in the history of their respective confessions.

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'Ingenious, daring and brilliant' GuardianCOMPLICITY N. 1. THE FACT OF BEING AN ACCOMPLICE, ESP. IN A CRIMINAL ACTA few spliffs, a spot of mild S&M, phone through the copy for tomorrow's front page, catch up with the latest from your mystery source - could be big, could be very big - in fact, just a regular day at the office for free-wheeling, substance-abusing Cameron Colley, a fully paid-up Gonzo hack on an Edinburgh newspaper.Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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This book reconceives the rewriting of Byzantine hagiography between the eighth and fourteenth centuries as a skilful initiative in communication and creative freedom, and as a form of authorship. Three men – Makarios (late C13th-C14th), a monk; Constantine Akropolites (d.c.1324), a statesman; and an Anonymous educated wordsmith (c. C9th) – each opted to rewrite the martyrdom of a female virgin saint who suffered and died centuries earlier. Their adaptations, respectively, were of St. Ia of Persia (modern-day Iran), St. Horaiozele of Constantinople, and St. Tatiana of Rome. Ia is described as a victim of the persecutions of the Persian Shahanshah, Shapur II (309–79 C.E), Horaiozele was allegedly a disciple of St Andrew and killed anachronistically under the emperor Decius (249–51 C.E), and Tatiana, we are told, was a deaconess, martyred during the reign of emperor Alexander Severus (222–35 C.E). Makarios, Akropolites, and the Anonymous knowingly tailored their compositions to influence an audience and to foster their individual interests. The implications arising from these studies are far-reaching: this monograph considers the agency of the hagiographer, the instrumental use of the authorial persona and its impact on the audience, and hagiography as a layered discourse. The book also provides the first translations and commentaries of the martyrdoms of these virgin martyrs.

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Samuel Rogers was arguably the most widely read poet of the early nineteenth century. He was also a prominent figure in the literary and cultural life of London and owned one of the largest private art collections of his day. He was well known to at least three generations of celebrated figures, ranging from John Wilkes and Dr. Burney, through Wordsworth, Scott and Byron, to Tennyson, Dickens and Ruskin. He was also associated with other prominent national figures such as Charles James Fox, Joseph Priestley, Lord Holland, and the Duke of Wellington. Known throughout his life (not always sympathetically) as the Banker Poet', he came from a radical, Dissenting background. He was supportive of the French Revolution and politically active in the 1790s when to be so involved personal danger (he attended the treason trials of Tom Paine and Horne Tooke). Nevertheless he considered his true vocation to be poetry and achieved considerable success and fame when The Pleasures of Memory was published in 1792. Ten years later he retired' to a civilised home in St. James's Place where his breakfast and dinner parties were legendary. His art collection attracted visitors from all over the world, and his poem Italy, composed after an extended tour there in 1815, was widely read. Martin Blocksidge considers the nature of Rogers' poetry and the reputation it acquired, and examines its cultural context; likewise Rogers' connoisseurship of paintings. Rogers was famous, but controversial, provoking some distaste and consequent satirical treatment, most notably from his erstwhile friend, Byron. Biographical and interdisciplinary, this narrative is relevant not only to literary historians but to those interested in the history of Dissenting and radical groups, picturesque travel, art history and the cultural history of London.

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If the child is the father of the man, as William Wordsworth so famously declared, then what of the father that child grows to become? How does a daughter born of her mother’s death, as in the case of Mary Shelley, navigate the politics of production and reproduction within a loaded language of mythological allusion between generational authorships? How do the visual arts perpetuate or challenge cultural agendas, such as portraying patriarchal anxieties about the “effeminization” of homeland by the foreign “other”, or attempting, iconically, to “save the soul” of a nation? How do parents both encode and decode our world? With the rise of the cult of the child in the later 18th and 19th centuries, Romantic writers of Britain and Europe, and eventually of North America, were perfectly positioned to explore, by extension, what it meant to “parent,” whether it be in within the domestic or the political sphere.The essays in Romanticism and Parenting: Image, Instruction and Ideology offer a fresh, timely, and cutting edge contribution to the field of Romantic studies. The collection has its roots in conference proceedings from the 2005 Romanticism and Parenting Conference held at Seattle University in Seattle, Washington. Essays acknowledge traditional discussions of such quintessentially “Romantic” themes as the child, education and familial politics while building upon contemporary innovative arguments within the contexts of Romanticism. As a result, chapters in the collection range from examining didactic children’s literature to complicating constructions of the family politic at personal, communal and nationalistic levels. While challenging and deepening an understanding of Romantic studies, the collection also points to current, dynamic issues, such as the burgeoning discussion of the experience that actual parents face in academia. Consequently, the collection reveals how the Romantic period has come to profoundly influence our own current constructions of the politics of parenting.

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Una defensa de la poesía es, junto al prefacio de las Baladas Líricas de Wordsworth y Coleridge, el texto teórico clave del Romanticismo inglés. Se trata de una de las más apasionadas visiones que poeta alguno haya podido articular sobre la lírica y, como tal, su validez es actualísima. Esta ?defensa? contiene una apología total del género y una fascinante propuesta estética para los poetas futuros. No se agota ahí su riqueza: es también el itinerario de Shelley a través de la gran poesía de la tradición occidental: Homero, la Biblia, la gran tragedia clásica de Atenas, Platón, Virgilio, los trovadores, Dante, Shakespeare, Calderón, Milton. Para Percy Bysshe, los poetas participan de lo eterno, son capaces de descubrir las leyes y ramificaciones desconocidas del universo, y encarnan un destino sagrado y maldito: ser ?los legisladores incomprendidos del Mundo?. En cuanto a Las cuatro edades de la poesía, es el agudísimo y delicioso ?ataque? de Thomas Love Peacock, escritor amigo de Shel

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In his lifetime Robert Southey was very much the equal of his fellow “Lake poets,” Coleridge and Wordsworth, but since his death his reputation has been overshadowed by their success. In this new biography W. A. Speck argues that if Southey's poetry is no longer considered as significant, his other writings were more salient and his political views far more influential than those of his fellow poets. He was, as Byron conceded, England's “only existing entire man of letters.”The book engages with Southey's voluminous publications, weaving discussion of them into the narrative of his life. Speck also explores Southey's entire correspondence, not only that which appeared in the editions edited by his descendants, and finds a man of considerably greater emotional complexity than previously assumed. The first fully rounded chronicle of Southey's life in sixty years, Speck's account sets Southey in historical context and restores him to the map of English literature.

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California poet Jack Foley has been called “a brilliant critic and a unique poet whose work energetically records the disintegration of the patriarchy” and a writer of “genuinely avant-garde poetry.” His collaborative, multimedia poetry performances are both seminal and shamanic, evolving from the linguistic musical tradition of the original San Francisco Beat poets and extending their eye, ear and voice of penetrating clarity into a modern mythology. “A Backward Glance O’er Travel’d Roads” – a title from Walt Whitman – is a spiritual history, an attempt to show, as Wordsworth put it many years ago, “the growth of a poet’s mind.” Where did I begin? What forces moved me in what directions? What is the result of the effort to create art in a medium that is currently simultaneously respected, misunderstood, and discredited? What kind of poetry is possible in a dark time? “A Backward Glance O’er Travel’d Roads” throws light not only on Foley’s life and work, but also on the history of twentieth-century poetry, and on the efforts, successes, and failures of Modernism.

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'Radical, humane, witty' Alain de Botton 'Magisterial' Will Self, Guardian Explore historical, political and philosophical paths traced by walkers in this profound and diverting modern classic. What does it mean to be out walking in the world, whether in a landscape or a metropolis, on a pilgrimage or a protest march? In this first general history of walking, Rebecca Solnit draws together numerous stories to create a new way of looking at one of humanity's most fundamental and expressive acts. Arguing that walking as history means walking for pleasure and for political, aesthetic, and social meaning, Solnit homes in on the walkers whose everyday and extreme acts have shaped our culture, from the philosophers of ancient Greece to the poets of the Romantic Age, from the perambulations of the Surrealists to the ascents of mountaineers. With profiles of some of the most significant walkers in history and fiction - from Wordsworth to Gary Snyder, from Rousseau to Argentina's Mother of the Plaza de Mayo, from Jane Austen's Elizabeth Bennet to Andre Breton's Nadja - Wanderlust takes us on an unforgettable journey and shows how walking can affect the body, the imagination, and the world around us. 'One of those rare, quirky, rather lovable books that makes you look anew at something so familiar ... Solnit winningly traces the shifting cultural significance of putting one foot in front of another' Daily Telegraph

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British Romanticism and the Literature of Human Interest explores the importance to Romantic literature of a concept of human interest. It examines a range of literary experiments to engage readers through subjects and styles that were at once "interesting" and that, in principle, were in their "interest." These experiments put in question relationships between poetry and prose; lyric and narrative; and literature and popular media. The book places literary works by a range of nineteenth-century writers including William and Dorothy Wordsworth, Thomas De Quincey, Samuel Taylor Coleridge, Mary and Percy Shelley, Lord Byron, and Matthew Arnold into dialogue with a variety of non-literary and paraliterary forms ranging from newspapers to footnotes. The book investigates the generic structures of Romantic literature and the negotiation of the status of literature in the period in relation to a new media landscape. It explores the self-theorization of Romantic literature and argues for its value to contemporary literary criticism.

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Through close engagement with the work of Wordsworth, Austen, and Byron, The History of Missed Opportunities posits that the everyday first emerged as a distinct category of experience, or first became thinkable, in the Romantic period. Conceived here as something overlooked and only noticed in retrospect, the everyday not only becomes subject matter for Romanticism, it also structures Romantic poetry, prose, and writing habits. Because the everyday is not noticed the first time around, it comes to be thought of as a missed opportunity, a possible world that was not experienced or taken advantage of and of whose history—or lack thereof—writers become acutely conscious. Consciousness of the everyday also entails a new relationship to time, as the Romantics turn to the history of what might have been. In recounting Romanticism's interest in making things recurrently present, in recovering a past of what was close at hand yet underappreciated, William H. Galperin positions the Romantics as precursors to twentieth-century thinkers of the everyday, including Heidegger, Benjamin, Lefebvre, and Cavell. He attends to Romantic discourse that works at cross purposes with standard accounts of both Romanticism and Romantic subjectivity. Instead of individualizing or turning inward, the Romantics' own discourse depersonalizes or exhibits a confrontation with thing-ness and the material world.

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Brimming with the fascinating eccentricities of a complex and confusing movement whose influences continue to resonate deeply, 30 Great Myths About the Romantics adds great clarity to what we know – or think we know – about one of the most important periods in literary history. Explores the various misconceptions commonly associated with Romanticism, offering provocative insights that correct and clarify several of the commonly-held myths about the key figures of this era Corrects some of the biases and beliefs about the Romantics that have crept into the 21st-century zeitgeist – for example that they were a bunch of drug-addled atheists who believed in free love; that Blake was a madman; and that Wordsworth slept with his sister Celebrates several of the mythic objects, characters, and ideas that have passed down from the Romantics into contemporary culture – from Blake’s Jerusalem and Keats’s Ode on a Grecian Urn to the literary genre of the vampire Engagingly written to provide readers with a fun yet scholarly introduction to Romanticism and key writers of the period, applying the most up-to-date scholarship to the series of myths that continue to shape our appreciation of their work

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