Search results for ""Author David"

Originally published in 1979. The idea of the "South" has its roots in Romanticism and American culture of the nineteenth century. This study by Michael O'Brien analyzes how the idea of a unique Southern consciousness endured into the twentieth century and how it affected the lives of prominent white Southern intellectuals. Individual chapters treat Howard Odum, John Donald Wade, John Crowe Ransom, Allen Tate, Frank Owsley, and Donald Davidson. The chapters trace each man's growing need for the idea of the South—how each defined it and how far each was able to sustain the idea as an element of social analysis. The Idea of the American South moves the debate over Southern identity from speculative essays about the "central theme" of Southern history and, by implication, past the restricted perception that race relations are a sufficient key to understanding the history of Southern identity.

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Harry Potter is preparing to leave the Dursleys and Privet Drive for the last time. But the future that awaits him is full of danger, not only for him, but for anyone close to him – and Harry has already lost so much. Only by destroying Voldemort’s remaining Horcruxes can Harry free himself and overcome the Dark Lord’s forces of evil. In this dramatic conclusion to the Harry Potter series, Harry must leave his most loyal friends behind, and in a final perilous journey find the strength and the will to face his terrifying destiny: a deadly confrontation that is his alone to fight. These adult editions with glorious jacket art by Andrew Davidson are now available in hardback for the first time.

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"Real" knowing always involves a political dimension, Linda Martín Alcoff suggests. But this does not mean we need to give up realism or the possibility of truth. Recent work in continental philosophy insists on the influence that power and desire exert on knowing, whereas contemporary analytic philosophy largely ignores these political concerns in its accounts of justification and truth. Alcoff engages these traditionally conflicting approaches in a constructive dialogue, effectively spanning the analytic/continental divide.In provocative readings of major figures in the continental tradition, Alcoff shows that the work of Hans-Georg Gadamer and Michel Foucault can help rectify key problems in coherence epistemology, such as the link between coherence and truth. She also argues that discussions about knowledge among continental philosophers can benefit from the work of analytic philosophers Donald Davidson and Hilary Putnam on meaning and ontology. Alcoff makes a compelling case for the need to address truth as a metaphysical issue, in contrast to minimalist tendencies in Anglo-American philosophy and deconstructionism on the continent. Her work persuasively argues for coherentist epistemology as a more realistic reconfiguration of the ontology of truth.

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A full understanding of Black and Asian history within the British context is integral to achieving a truly multicultural Britain. In this landmark book, Ron Ramdin offer the first complete history of both the Black and Asian experience in Britain Blacks and Asians have a long history in the British Isles. Ramdin illustrates this by covering a 500-year period, from 1500 to the present day. He recounts the major historical episodes and covers all the major figures, including Ottobah Cugoano, William Cuffay, William Davidson, George Padmore, Mary Seacole, C.L.R. James, V.S. Naipaul, Sam Selvon, Walter Tull, Shirley Bassey, Bill Morris, Salman Rushdie, Hanif Kureshi and Bernie Grant. In bringing the largely hidden histories of these immigrant communities to the fore, Ron Ramdin’s wide-ranging study challenges conventional histories of the British Isles. Reimaging Britain will lead to a reappraisal of how ‘British’ history is written in the future.

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'Laugh-out-loud funny, intensely suspenseful, page-turning fun' Allison Brennan_____________Del Sol, New Mexico is known for three things: its fry-an-egg-on-the-cement summers, strong cups of coffee - and, now, a nationwide manhunt?Del Sol native Sunshine Vicram has returned to town as the elected sheriff, expecting nothing more than a quiet ride. But now a teenage girl is missing, a kidnapper is on the loose, and all of this is reminding Sunshine why she left Del Sol in the first place. Add to that the trouble at her daughter's new school, plus a kidnapped rooster named Puff Daddy, and, well, the forecast looks anything but sunny.But even clouds have their silver linings. This one's got Levi, Sunshine's sexy, almost-old flame, and Quincy Cooper, a fiery-hot US Marshall. With temperatures rising everywhere she turns, Del Sol's normally cool-minded sheriff is finding herself knee-deep in drama and danger.Can Sunshine face the call of duty - and find the kidnapper who's terrorising her beloved hometown - without falling head over high heels in love . . . or worse?'A Bad Day For Sunshine is a great day for the rest of us' Lee Child'From the creative genius who brought you Charley Davidson comes your newest obsession: Sunshine Vicram. Mother. Sheriff. Warden of weird' Susan Donovan

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"Real" knowing always involves a political dimension, Linda Martín Alcoff suggests. But this does not mean we need to give up realism or the possibility of truth. Recent work in continental philosophy insists on the influence that power and desire exert on knowing, whereas contemporary analytic philosophy largely ignores these political concerns in its accounts of justification and truth. Alcoff engages these traditionally conflicting approaches in a constructive dialogue, effectively spanning the analytic/continental divide.In provocative readings of major figures in the continental tradition, Alcoff shows that the work of Hans-Georg Gadamer and Michel Foucault can help rectify key problems in coherence epistemology, such as the link between coherence and truth. She also argues that discussions about knowledge among continental philosophers can benefit from the work of analytic philosophers Donald Davidson and Hilary Putnam on meaning and ontology. Alcoff makes a compelling case for the need to address truth as a metaphysical issue, in contrast to minimalist tendencies in Anglo-American philosophy and deconstructionism on the continent. Her work persuasively argues for coherentist epistemology as a more realistic reconfiguration of the ontology of truth.

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Peace at last, after Lloyd George declared it had been 'the war to end all wars', would surely bring relief and a renewed sense of optimism? But this assumption turned out to be deeply misplaced as people began to realise that the men they loved were never coming home. The Great Silence is the story of the pause between 1918 and 1920. A two-minute silence to celebrate those who died was underpinned by a more enduring silence born out of national grief. Those who had danced through settled Edwardian times, now faced a changed world. Some struggled to come to terms with the last four years, while others were anxious to move towards a new future.Change came to women, who were given the vote only five years after Emily Davidson had thrown herself on the ground at Ascot race course, to the poor, determined to tolerate their condition no longer, and to those permanently scarred, mentally and physically, by the conflict. The British Monarchy feared for its survival as monarchies around Europe collapsed and Eric Horne, one time butler to the gentry, found himself working in a way he considered unseemly for a servant of his calibre. Whether it was embraced or rejected, change had arrived as the impact of a tragic war was gradually absorbed.With her trademark focus on daily life, Juliet Nicolson evokes what England was like during this fascinating hinge in history.

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‘Give me Harry Potter, and I shall leave the school untouched. Give me Harry Potter, and you will be rewarded’ Lord Voldemort Harry Potter is preparing to leave the Dursleys and Privet Drive for the last time. But the future that awaits him is full of danger, not only for him, but for anyone close to him – and Harry has already lost so much. Only by destroying Voldemort’s remaining Horcruxes can Harry free himself and overcome the Dark Lord’s forces of evil. In this dramatic conclusion to the Harry Potter series, Harry must leave his most loyal friends behind, and in a final perilous journey find the strength and the will to face his terrifying destiny: a deadly confrontation that is his alone to fight. These adult editions have been stylishly redesigned to showcase Andrew Davidson’s beautiful woodcut cover artwork.

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Nomos Alpha features 20 pen drawings (each 27.5 x 22.5 cm) from the book R, published by Swiss Re in 2006. Conceived on the occasion of the Korean Cultural Centre UK's 2016 Artist of the Year exhibition Koo Jeong A: Riptide (7 October–19 November 2016), Nomos Alpha features the 20 exhibited works by the artist. Curated by Je Yun Moon, Riptide included artistic responses to Koo Jeong A's drawings by Kyung Roh Bannwart, Melissa Dubbin & Aaron S. Davidson, Yva Jung, Hanqing Ma & Mona Yoo, Martin Roth and Matthias Sohr. Signed and numbered on a bespoke embossed back cover, the book is published in a limited edition run of 500. Beautifully produced on extra thick paper with a semi-translucent jacket, this little book is a work of art in itself. Koo Jeong A's wonderful, often humorous drawings recall childlike simplicity yet express an underlying complexity.

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"The first shake shop mystery delivers all the delectable ingredients cozy mystery fans crave. This terrific series debut is certain to tempt the reading palates of fans of Cleo Coyle, Sarah Graves, and the much-missed Diane Mott Davidson."—Library Journal, STARRED ReviewThe first in new dessert cozy mystery series! A murder in town is bound to shake things up...After her divorce from her thrice-married embezzler husband, Trinidad Jones is finally ready for a fresh start. So when she's left one of ex's businesses in Upper Sprocket, Oregon, she decides to pack up her dog, cash in her settlement, and open her dream business: the Shimmy and Shake Shop, introducing the world to her monster milkshakes. And even with a couple sticky situations underway, namely that the other two ex-wives also call Sprocket home, Trinidad's life seems to be churning along smoothly.That is, until she discovers her neighbor, the Popcorn King, head down in his giant popcorn kettle. When one of Trinidad's fellow ex-wives is accused of the murder and Upper Sprocket descends into mayhem, it's going to take a supersized scoop of courage to flush out the killer.Praise for Pint of No Return, Book 1 of the Shake Shop Mysteries:"Murder offers the heroine a surprisingly fresh start in this charming series kickoff"—Kirkus Reviews"A delicious charmer featuring a triple scoop of murder "—Library Journal

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This is the autobiography of a Rangers legend. Alex MacDonald's compelling memoirs cover his formative years as a player with St Johnstone, his rise to fame with Rangers, his transfer to Hearts where he became player-manager, and his time in charge at Airdrie. But Doddie is quintessentially a Rangers man, having grown up in Glasgow supporting them and then going on to play a key role in the club's 1972 Cup Winners' Cup triumph. Doddie won 12 medals in a glittering career, including a highly-prized European one during his time with Rangers, yet as he reveals, a chance meeting with Celtic manager Jock Stein might have resulted in him signing for the Old Firm's other half. Etched indelibly in his memory, too, is the dejection he suffered when Hearts lost the League Championship and Scottish Cup within the space of a week in the mid-1980s and his subsequent delight at leading Airdrie into Europe. Doddie is a fascinating story, both for his lifelong love affair with football and his more personal story of growing up in Glasgow, his love of animals and his midlife crisis when he put the car in the garage and headed out on the highway on a brand new Harley Davidson.It has been a life full of adventures and characters and the highs and lows of his life and career are entertainingly and engagingly told.

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Unlike the stories of most visible Division I college athletes, Amanda Ottaway’s story has more in common with those of the 80 percent of college athletes who are never seen on TV. The Rebounders follows the college career of an average NCAA Division I women’s basketball player in the twenty-first century, beginning with the recruiting process, when Ottaway is an eager, naive teenager, and ending when she’s a more contemplative twentysomething alumna. Ottaway’s story, along with the journeys of her dynamic Wildcat teammates at Davidson College in North Carolina, covers in engaging detail the life of a mid-major athlete: recruitment, the preseason, body image and eating disorders, schoolwork, family relationships, practice, love life, team travel, game day, injuries, drug and alcohol use, coaching changes, and what comes after the very last game. In addition to the everyday issues of being a student athlete, The Rebounders also covers the objectification of women athletes, race, sexuality, and self-expression. Most college athletes, famous or not, play hard, get hurt, fail, and triumph together in a profound love of their sport and one another, and then their careers end and they figure out how to move on. From concussions and minor injuries to classrooms, parties, and relationships, Ottaway understands the experience of a Division I women’s basketball player firsthand. The Rebounders is, at its core, a feminist coming-of-age story, an exploration of what it means to be a young woman who loves a sport and discovers herself through it.

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Julia Tanney offers a sustained criticism of today’s canon in philosophy of mind, which conceives the workings of the rational mind as the outcome of causal interactions between mental states that have their bases in the brain. With its roots in physicalism and functionalism, this widely accepted view provides the philosophical foundation for the cardinal tenet of the cognitive sciences: that cognition is a form of information-processing. Rules, Reason, and Self-Knowledge presents a challenge not only to the cognitivist approach that has dominated philosophy and the special sciences for the last fifty years but, more broadly, to metaphysical-empirical approaches to the study of the mind.Responding to a tradition that owes much to the writings of Davidson, early Putnam, and Fodor, Tanney challenges this orthodoxy on its own terms. In untangling its internal inadequacies, starting with the paradoxes of irrationality, she arrives at a view these philosophers were keen to rebut—one with affinities to the work of Ryle and Wittgenstein and all but invisible to those working on the cutting edge of analytic philosophy and mind research today. This is the view that rational explanations are embedded in “thick” descriptions that are themselves sophistications upon ever ascending levels of discourse, or socio-linguistic practices.Tanney argues that conceptual cartography rather than metaphysical-scientific explanation is the basic tool for understanding the nature of the mind. Rules, Reason, and Self-Knowledge clears the path for a return to the world-involving, circumstance-dependent, normative practices where the rational mind has its home.

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New Age, Neopagan, and New Religious Movements is the most extensive study to date of modern American alternative spiritual currents. Hugh B. Urban covers a range of emerging religions from the mid-nineteenth century to the present, including the Nation of Islam, Mormonism, Scientology, ISKCON, Wicca, the Church of Satan, Peoples Temple, and the Branch Davidians. This essential text engages students by addressing major theoretical and methodological issues in the study of new religions and is organized to guide students in their learning. Each chapter focuses on one important issue involving a particular faith group, providing readers with examples that illustrate larger issues in the study of religion and American culture. Urban addresses such questions as, Why has there been such a tremendous proliferation of new spiritual forms in the past 150 years, even as our society has become increasingly rational, scientific, technological, and secular? Why has the United States become the heartland for the explosion of new religious movements? How do we deal with complex legal debates, such as the use of peyote by the Native American Church or the practice of plural marriage by some Mormon communities? And how do we navigate issues of religious freedom and privacy in an age of religious violence, terrorism, and government surveillance?

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This edgy, compelling novel offers an honest portrayal of the ups and downs of everyday life as experienced by three memorable characters.Everybody Got Issues features Avonté Douglas, Ina Sinclair, and Nakia Davidson, three employees of the successful advertising agency Montaqua Publications. As young, single, and ambitious professionals, their friendship occasionally deteriorates into a vicious cycle of jealousy, gossip, selfishness, and backstabbing. Outside the walls of Montaqua Publications, Avonté, Ina, and Nakia also endure the disappointments and failed expectations of personal relationships that, even when seemingly on the brink of success, prove to be struggles. In this fast-paced story about friends and coworkers, V. Anthony Rivers deftly conveys the ugly realities of personal and professional relationships. Demonstrating a deep understanding of people—their ulterior motives, the emotional baggage they inevitably carry, and of course their issues—Rivers crafts a novel that is as easy to identify with as it is entertaining.

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Mother of Eden has been shortlisted for the British Science Fiction Association Novel of the Year Award, 2015.'We speak of a mother's love, but we forget her power. Power over life. Power to give and to withhold.' Generations after the breakup of the human family of Eden, the Johnfolk emphasise knowledge and innovation, the Davidfolk tradition and cohesion. But both have built hierarchical societies sustained by violence and dominated by men - and both claim to be the favoured children of a long-dead woman from Earth that all Eden knows as Gela, the mother of them all. When Starlight Brooking meets a handsome and powerful man from across Worldpool, she believes he will offer an outlet for her ambition and energy. But she has no idea that she will be a stand-in for Gela herself, and wear Gela's ring on her own finger. And she has no idea of the enemies she will make, no inkling that a time will come when she, like John Redlantern, will choose to kill...

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'a smart, daring and refreshing book' - Weekend Australian 'deliciously sinister' - Herald SunWhy would anyone join a cult? Maybe they're unhappy with their current religion, or they want to change the world, or they're disappointed with their lives and want to find something bigger or holier that makes sense of this confusing, chaotic and dangerous world. Or maybe they just want to give themselves the best possible chance of having sex with aliens.Whatever the reason, once people are in, it's usually very difficult for them to leave. Cults have ways of making their followers do loopy, dangerous stuff to prove their loyalty, and in return they get a chance to feel secure within the cult's embrace, with an added bonus of being utterly terrified of the outside world. From the tragic JONESTOWN Kool-Aid drinkers to the Australian cult THE FAMILY to the fiery Waco climax of THE BRANCH DAVIDIANS, this book is a wide-sweeping look at cults around the world, from the host of the popular podcast ZEALOT.'a piss-taker of rare boldness' - Weekend Australian

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New Age, Neopagan, and New Religious Movements is the most extensive study to date of modern American alternative spiritual currents. Hugh B Urban covers a range of emerging religions from the mid-nineteenth century to the present, including the Nation of Islam, Mormonism, Scientology, ISKCON, Wicca, the Church of Satan, Peoples Temple, and the Branch Davidians. This essential text engages students by addressing major theoretical and methodological issues in the study of new religions and is organized to guide students in their learning. Each chapter focuses on one important issue involving a particular faith group, providing readers with examples that illustrate larger issues in the study of religion and American culture. Urban addresses such questions as, Why has there been such a tremendous proliferation of new spiritual forms in the past 150 years, even as our society has become increasingly rational, scientific, technological, and secular? Why has the United States become the heartland for the explosion of new religious movements? How do we deal with complex legal debates, such as the use of peyote by the Native American Church or the practice of plural marriage by some Mormon communities? And how do we navigate issues of religious freedom and privacy in an age of religious violence, terrorism, and government surveillance?

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W.V. Quine is one of the leading figures of 20th century analytic philosophy, and still among the most influential. But his work can be challenging and complex, and indeed often misunderstood. In this updated introduction to Quine’s thought, Gary Kemp examines his seemingly disparate views as a unified whole and offers a valuable guide for anyone approaching Quine for the first time. Informed by current debates and updated throughout, this edition now includes: · Thoroughly revised and expanded text · More references to commentaries, secondary literature and works by Quine · Suggestions for further reading · Newly introduced material on Empirical Content, Explication, Nominalism, The Purported Third Dogma, Theoreticity, Natural Selection and Linguistics. · Historical notes on Quine’s relation to his predecessors and contemporaries Paying close attention to Quine’s seminal works including Word and Object and Philosophy of Logic, Kemp explains how his philosophy relates to thinkers including Rudolf Carnap and Wittgenstein, as well as to more recent figures such as Donald Davidson and Noam Chomsky. Kemp clearly and accurately emphasizes the systematic nature of Quine’s thought as one of naturalism. He advances our understanding of Quine and attests to his ongoing influence in philosophy of science, logic, language, ontology and epistemology. This unique introduction to Quine’s philosophy is recommended for any student interested in Quine and the history of analytic philosophy.

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This new and expanded edition of Roger Ballen’s widely acclaimed 1979 photobook Boyhood features new and unpublished images taken by the photographer in the ‘70. Quoted by André Kertesz, Bruce Davidson and Elliott Erwitt as a rare and intimate view of the spirit of youth, these images are able to bring back the childhood of everyone.In photographs and stories, Ballen leads us across the continents of Europe, Asia, and North America in search of boyhood: boyhood as it is lived in the Himalayas of Nepal, the islands of Indonesia, the provinces of China, the streets of America. Each stunning black and white photograph (culled from 15,000 boy photos shot during Ballen’s four-year quest of his subject) depicts the magic of boys revealed in their games, their adventures, their dreams, their mischief. Boyhood is able to connect boys all around the world across the borders of nationality and culture.More of an ode or a memory than a literal document, Ballen’s first book is as powerful and current today as it was 43 years ago presenting a stunning series of timeless images that transcend social and cultural particularities.

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Charley Davidson may not look like your everyday, run-of-the-mill grim reaper, but she has vowed to reap grimness wherever she goes despite this unfortunate fact. Sadly, she gets sidetracked when the sexy, sultry son of Satan, Reyes Farrow, moves in next door. As he is the main suspect in her arson case, she has vowed to stay away from him until she can find out the truth. However, when dead women start appearing in her apartment - lost, confused and terrified beyond reason - Charley has no choice but to ask for Reyes''s help, especially when it becomes apparent that her own sister Gemma is the serial killer''s next target. With his ability to observe incorporeally, surely he can find out who''s responsible. And even if he can''t, he is the one man alive who could protect Gemma no matter who or what came at her. But he wants something in return: Charley. All of her - body and soul. And to keep her sister safe, it is a price she might be willing to pay . . .

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Most girls might think twice before getting engaged to someone like Reyes Farrow---but Charley Davidson is not most girls. She's a paranormal private eye and grim reaper-in-training who's known to be a bit of a hell-raiser, especially after a few shots of caffeine. Her beloved Reyes may be the only begotten son of evil, but he's dark and sultry and deeply sexy and everything Charley could hope for. Really. But when the FBI file on Reyes's childhood happens to land in her lap, she can't help herself: She opens it ...and then the real fun begins. First, Charley finds a naked corpse riding shotgun in her car. Then, a man loses his soul in a card game. Throw in a Deaf boy who sees dead people, a woman running from mobsters, and a very suspicious Reyes, and things can't get any worse for Charley. Unless, of course, the Twelve Beasts of Hell are unleashed...'Ubertalented Jones keeps stirring the plot and throwing in crazy new developments, guaranteed to keep her characters and readers off balance' RT Book Reviews

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Focusing on three celebrated northern European still life painters”Jan Brueghel, Daniel Seghers, and Jan Davidsz. de Heem”this book examines the emergence of the first garland painting in 1607-1608, and its subsequent transformation into a widely collected type of devotional image, curiosity, and decorative form. The first sustained study of the garland paintings, the book uses contextual and formal analysis to achieve two goals. One, it demonstrates how and why the paintings flourished in a number of contexts, ranging from an ecclesiastical center in Milan, to a Jesuit chapter house and private collections in Antwerp, to the Habsburg court in Vienna. Two, the book shows that when viewed over the course of the century, the images produced by Brueghel, Seghers and de Heem share important similarities, including an interest in self-referentiality and the exploration of pictorial form and materials. Using a range of evidence (inventories, period response, the paintings themselves), Susan Merriam shows how the pictures reconfigured the terms in which the devotional image was understood, and asked the viewer to consider in new ways how pictures are made and experienced.

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A collection of pronouncements, edicts, and scriptures predicting the apocalypse The approach of the year 2000 has made the study of apocalyptic movements trendy. But groups anticipating the end of the world will continue to predict Armageddon even after the calendar clicks to triple 0s. A Doomsday Reader brings together pronouncements, edicts, and scriptures written by prominent apocalyptic movements from a wide range of traditions and ideologies to offer an exceptional look into their belief systems. Focused on attaining paradise, millenarianism often anticipates great, cosmic change. While most think of religious belief as motivating such fervor, Daniels' comparative approach encompasses secular movements such as environmentalism and the Montana Freemen, and argues that such groups are often more political than religious in nature. The book includes documents from groups such as the Branch Davidians, the Order of the Solar Temple, Heaven's Gate, and white supremacists. Each document is preceded by a substantive introduction placing the movement and its beliefs in context. This important overview of contemporary politics of the End will remain a valuable resource long after the year 2000 has come and gone.

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Russell "Russ" Melcher came to Europe and photographed the superstars of the time, either during their visits to Paris and France or accompanied them on worldwide trips. He witnessed many world events from film festivals to terrorist attacks. Among the portrayed were royal families like the Windsors, Grace Kelly & the Monegasques, as well as film legends like Romy Schneider, Alain Delon, Burt Lancaster, Erol Flynn, Alfred Hitchcock, Sofia Loren, Brigitte Bardot, and music legends like Frank Sinatra, Elvis Presley, Harry Belafonte, and Yves Montand. In addition, there were political greats such as Charles DeGaulle, Fidel Castro, Nikita Khrushchev, the Shah of Persia, American presidents, and many more. Later Russ Melcher became director of the legendary photo agency MAGNUM and worked with photo legends Robert Capa, Henry Cartier-Bresson, Ian Berry, Bruce Davidson, Elliott Erwitt, to name a few. This large-format photo book is about the stories behind the images and personalities. Entertaining, humorous, but also profound, Russ describes his way to the perfect photo, his individual perspective, up to the importance of photographic storytelling of this 'Golden Age of Photojournalism'. Russ Melcher is an important witness to that time, but also an American entertainer in Paris who encouraged his protagonists to do things that few photographers could manage, a true and trusted partner to the stars of that era through the ages. The book is organised according to the two decades and Russell's encounters with the stars of the time. Text in English and German.

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Elizabeth Anscombe is now recognised as one of the most important philosophers of the second half of the 20th century. She left a large corpus of work, wide-ranging in content, always original and bold. Her monograph Intention, published in 1957, is a modern classic, and was described by Donald Davidson as "the most important treatment of action since Aristotle." Her writings in ethics have inspired countless discussions, and she has been credited with having changed the face of Anglophone moral philosophy by reviving and arguing for virtue ethics, now a major field. Since Anscombe's death in 2001, her philosophical work has received a steadily increasing level of attention worldwide. Anscombe is often difficult to read, and she has certainly been frequently misunderstood, but the sympathetic interest in her work which is now evident in so many quarters is making it possible for a true picture to begin to emerge of the range, depth, and power of her contribution to philosophy. The Oxford Handbook of Elizabeth Anscombe conveys something of that emerging picture of Anscombe's overall philosophy-showing the great fecundity of her ideas in essays that develop and expand on those ideas-and allows contributors to engage critically with Anscombe, not merely to expound what she said. The handbook opens with an introduction that addresses the question of the unity in diversity of Anscombe's philosophy, relating this to the twenty-two essays that follow. The handbook is divided into parts along broadly thematic lines, addressing: intention, ethical theory, human life, the first person, and Anscombe on other philosophers.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed, and he impulsively retired from his job in anticipation of an inheritance check that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his Chili’s leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home, and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales, and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity, and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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In a small village in New York Charley Davidson is living as Jane Doe, a girl with no memory of who she is or where she came from. So when she is working at a diner and slowly begins to realize she can see dead people, she's more than a little taken aback. Stranger still are the people entering her life. They seem to know things about her. Things they hide with lies and half-truths. Soon, she senses something far darker. A force that wants to cause her harm, she is sure of it. Her saving grace comes in the form of a new friend she feels she can confide in and the fry cook, a devastatingly handsome man whose smile is breathtaking and touch is scalding. He stays close, and she almost feels safe with him around. But no one can outrun their past, and the more lies that swirl around her-even from her new and trusted friends-the more disoriented she becomes, until she is confronted by a man who claims to have been sent to kill her. Sent by the darkest force in the universe. A force that absolutely will not stop until she is dead. Thankfully, she has a Rottweiler. But that doesn't help in her quest to find her identity and recover what she's lost. That will take all her courage and a touch of the power she feels flowing like electricity through her veins. She almost feels sorry for him. The devil in blue jeans. The disarming fry cook who lies with every breath he takes. She will get to the bottom of what he knows if it kills her. Or him. Either way.

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When James Faubion visited the site of the Branch Davidian compound after its conflagration, what he found surprised him. Though the popular imagination had relegated the site's millennialist denizens to the radical fringe, Faubion found not psychopathology but a sturdy and comprehensive system for understanding the world. He also found, in the person of Amo Paul Bishop Roden, a fascinating spokeswoman for that system. Based on more than five years of fieldwork, including extensive life-history interviews with Roden, Faubion interprets millennialism as a "master-pedagogy." He reveals it as simultaneously a poetics, a rhetoric, a physics, an approach to history, a course of training, a gnosis, and an ethics. Millennialism resists the categories that both academic and popular analysts use to discuss religion by melding the sacred and secular, the spiritual and political, and the transcendental and commonsensical. In this respect, and in others, millennialism is a premodern pedagogy that has grown resolutely counter-modern. Yet, mainstream culture sees in it not a critique of modernity but dangerous lunacy. This disjunction prompts Faubion to investigate how the mainstream came to confine religion to an inner and other-worldly faith--an inquiry that allows him to account for the irrationalization of millennialism. Against this historical background, we can discern the genealogy of Adventist millennialism and make sense of contemporary religious events, including the actions of a small group in the central Texas prairie.

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Playing a key role in our lives, as a vehicle for our thoughts and a powerful medium of communication, language is at the centre of philosophical investigation. The fifteen specially commissioned essays in this book introduce and explore the ideas of major philosophers who have shaped philosophical thinking about language, providing insights into crucial developments in this fascinating field over the last 140 years. Chapters examine the work of Frege, Russell, Wittgenstein, Carnap, Austin, Quine, Chomsky, Grice, Davidson, Dummett, Kripke and Derrida. This second edition broadens coverage of the area with new chapters on Susan Stebbing and on recent developments in feminist philosophy of language. Featuring contributions from Arif Ahmed, Kent Bach, Thomas Baldwin, Michael Beaney, Siobhan Chapman, Kirk Ludwig and other leading experts in the field, Philosophy of Language: The Key Thinkers provides a thorough introduction to the puzzles, debates and ideas that animate contemporary philosophy of language. It is an ideal resource for undergraduate students in philosophy, linguistics and related disciplines.

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Building on her critically acclaimed novel The Last Days of California and her biting collection Always Happy Hour, Miller transports readers to this delightfully wry, unapologetic corner of the south—Biloxi, Mississippi, home to sixty-three-year-old Louis McDonald, Jr. Louis has been forlorn since his wife of thirty-seven years left him, his father passed away and he impulsively retired from his job in anticipation of an inheritance cheque that may not come. These days he watches reality television and tries to avoid his ex-wife and daughter, benefiting from the charity of his former brother-in-law, Frank, who religiously brings over his takeway leftovers and always stays for a beer. Yet the past is no predictor of Louis’s future. On a routine trip to Walgreens to pick up his diabetes medication, he stops at a sign advertising free dogs and meets Harry Davidson, a man who claims to have more than a dozen canines on offer, but offers only one: an overweight mixed breed named Layla. Without any rational explanation, Louis feels compelled to take the dog home and the two become inseparable. Louis, more than anyone, is dumbfounded to find himself in love—bursting into song with improvised jingles, exploring new locales and reevaluating what he once considered the fixed horizons of his life. With her “sociologist’s eye for the mundane and revealing” (Joyce Carol Oates, New York Review of Books), Miller populates the Gulf Coast with Ann Beattie-like characters. A strangely heartwarming tale of loneliness, masculinity and the limitations of each, Biloxi confirms Miller’s position as one of our most gifted and perceptive writers.

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Sergey Prokofiev (1891-1953), arguably the most popular composer of the twentieth century, led a life of triumph and tragedy. The story of his prodigious childhood in tsarist Russia, maturation in the West, and rise and fall as a Stalinist-era composer is filled with unresolved questions. Sergey Prokofiev and His World probes beneath the surface of his career and contextualizes his contributions to music on both sides of the nascent Cold War divide. The book contains previously unknown documents from the Russian State Archive of Literature and Art in Moscow and the Prokofiev Estate in Paris. The literary notebook of the composer's mother, Mariya Grigoryevna, illuminates her involvement in his education and is translated in full, as are ninety-eight letters between the composer and his business partner, Levon Atovmyan. The collection also includes a translation of Sigizmund Krzhizhanovsky's unperformed stage adaptation of Eugene Onegin, for which Prokofiev composed incidental music in 1936. The essays in the book range in focus from musical sketches to Kremlin decrees. The contributors explore Prokofiev's time in America; evaluate his working methods in the mid-1930s; document the creation of his score for the film Lieutenant Kizhe; tackle how and why Prokofiev rewrote his 1930 Fourth Symphony in 1947; detail his immortalization by Soviet bureaucrats, composers, and scholars; and examine Prokofiev's interest in Christian Science and the paths it opened for his music. The contributors are Mark Aranovsky, Kevin Bartig, Elizabeth Bergman, Leon Botstein, Pamela Davidson, Caryl Emerson, Marina Frolova-Walker, Nelly Kravetz, Leonid Maximenkov, Stephen Press, and Peter Schmelz.

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"The first shake shop mystery delivers all the delectable ingredients cozy mystery fans crave. This terrific series debut is certain to tempt the reading palates of fans of Cleo Coyle, Sarah Graves, and the much-missed Diane Mott Davidson."-Library Journal, STARRED Review for Pint of No ReturnThe second book in the Shake Shop Mysteries-a new murder in town has Trinidad Jones thrown for a scoop!It's Alpenfest in Upper Sprocket! Yodelers are congregating in the square, tourists flocking to the town, and Trinidad Jones is scooping up some fall flavors at her Shimmy and Shake Shop.The cherry on the sundae is her upcoming feature in The Scoop magazine. She's determined to serve up the perfect interview, but it won't be easy, thanks in part to her meddling Cuban grandfather Papa Luis who has decided to make Sprocket his home for the foreseeable future. Papa Luis has set himself up as a taxi driver in his classic 1951 Buick.But things take a turn when Papa Luis tells her he's found a corpse in his trunk. Upon closer investigation, they realize the body has disappeared. With the assistance of Juliette and Bonnie (her sisterhood of exes) and the way too handsome nut farmer Quinn Logan, Trinidad must solve the mystery of the disappearing corpse, before her father is up to his neck in a murderous mess.Praise for Pint of No Return, Book 1 of the Shake Shop Mysteries:"Murder offers the heroine a surprisingly fresh start in this charming series kickoff" -Kirkus Reviews"A delicious charmer featuring a triple scoop of murder" -Library Journal

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Part-time PI and full-time grim reaper, Charley Davidson has asked a lot of questions throughout her life: Why can I see dead people? Who is the hot supernatural entity following me? How do I get gum out of my sister's hair before she wakes up? But, "How do I trap not one god, but three?" was never among them. Until now. And since those gods are on earth to kill her daughter, she has little choice but to track them down, trap them, and cast them from this dimension. But one of them stole her heart a very long time ago. Can a god of absolute death and destruction change his omniscient spots, or will his allegiance lie with his brothers? Those are just some of the questions Charley must answer, and quick. Add to that a homeless girl on the run for her life, a man who's been framed for murdering a woman who is still very much alive, and a pendant made from god glass that has the entire supernatural world in an uproar, Charley has her hands full. If she can manage to take care of the whole world-destroying-gods thing, we're saved. If not, well...

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Embracing two thousand years of intense and fiery admonition, "Approaching the Apocalypse" offers students of religion, history and politics the definitive handbook to Doomsday. Ideas about divinely-inspired disaster have an enduring place in the history of Christian thought. For centuries men and women have made preparations for the imminent end of the world, and for the thousand year reign of Christ and his saints. Inspired principally by the startling texts of the "Book of Revelation", Christianity has a rich and varied tradition of looking forward to the purifying fires of Armageddon. But what do recurring motifs like the Rapture, pestilence, biblical prophecy and the building of the New Jerusalem really add up to? And how have interpretations of these patterns differed from century to century?Charting a steady course between the feverish predictions of early Christian heretics like the Montanists, and the febrile outpourings of modern-day millennialists, such as the Branch Davidians and Christian Zionists in America, John M Court explores the continuities and differences between their violent visions of cataclysm. His history comprises an incisive analysis of such movements and figures as the Levellers and Diggers, James Jezreel and his Trumpeters, Seventh-Day Adventists and Jehovah's Witnesses, cargo-cults and drug cultures. "Approaching the Apocalypse" shows why prophecies of plague, earthquake and flame continue to resonate so powerfully in the Christian imagination, and beyond.

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"The game with yourself is often tougher than the battle againstany opponent. Smart Tennis shows you how to win the inner matchwhile having fun along the way."--Lindsay Davenport, world's #1ranked player for 1998 Become a More Competent-and Confident-Tennis Player Smart Tennis is the secret weapon that tucks right into your tennisbag. Apply these proven principles of sport psychology to your gameand gain a winning advantage both on and off the courts. "Smart Tennis is a must for players at all levels-from beginners toWimbledon champions! An outstanding book for understanding andimproving your mental game."--Vic Braden, tennis telecaster andresearcher "If you ever want to use the title of this book to describe how youplayed your last match, then Smart Tennis is for you."--DavidHigdon, senior writer,Tennis Magazine "This is an excellent book of psychological skills that can beimmediately applied on the tennis court."--E. Paul Roetert, Ph.D.,Administration of Sports Science, United States Tennis Association

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This is a major, wide-ranging history of analytic philosophy since 1900, told by one of the tradition's leading contemporary figures. The first volume takes the story from 1900 to mid-century. The second brings the history up to date. As Scott Soames tells it, the story of analytic philosophy is one of great but uneven progress, with leading thinkers making important advances toward solving the tradition's core problems. Though no broad philosophical position ever achieved lasting dominance, Soames argues that two methodological developments have, over time, remade the philosophical landscape. These are (1) analytic philosophers' hard-won success in understanding, and distinguishing the notions of logical truth, a priori truth, and necessary truth, and (2) gradual acceptance of the idea that philosophical speculation must be grounded in sound prephilosophical thought. Though Soames views this history in a positive light, he also illustrates the difficulties, false starts, and disappointments endured along the way. As he engages with the work of his predecessors and contemporaries--from Bertrand Russell and Ludwig Wittgenstein to Donald Davidson and Saul Kripke--he seeks to highlight their accomplishments while also pinpointing their shortcomings, especially where their perspectives were limited by an incomplete grasp of matters that have now become clear. Soames himself has been at the center of some of the tradition's most important debates, and throughout writes with exceptional ease about its often complex ideas. His gift for clear exposition makes the history as accessible to advanced undergraduates as it will be important to scholars. Despite its centrality to philosophy in the English-speaking world, the analytic tradition in philosophy has had very few synthetic histories. This will be the benchmark against which all future accounts will be measured.

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"It imparts the type of educational information that all stages of jewelry collectors, as well as jewelry enthusiasts from students to dealers, will go back to again and again." — Beth Bernstein, Instore Mag "The Modern Guide to Antique Jewellery will make a collector of you yet" —Annie Davidson, JCK "...filled with fun factual titbits that are presented in a witty, conversational style, with lively narratives exploring each piece’s history." — Solitaire International "The ultimate go-to guide." — Retail Jeweller World The ultimate go-to guide, The Modern Guide to Antique Jewellery takes the reader on a tour through time, venturing from the 1700s all the way through to the early 20th century. From how to look chic while wearing jewellery that outdates you by 100 years, to how to spot and score the best pieces, this book is a must-read for all enthusiasts and collectors who have an affinity for the jewels of the past. Fun factual tidbits are presented in a witty, conversational style, and lively narratives explore each piece’s history. Part travelogue, featuring the most influential shops in New York, LA, London, Paris and Amsterdam; part educational guide, with anecdotes from dealers and experts; and part celebration of historical jewellery, this book is an invaluable and accessible reference. Topics covered include (but are not limited to): how to identify the most popular gemstones, materials, styles and collectible pieces in the market today, and how to select antique jewellery to complement your lifestyle. The Modern Guide to Antique Jewellery will reveal what to look for and where to locate rare finds, as well as how the experts score the pieces that decorate the fingers, ears, necks and wrists of the collector.

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Sophy Ridge, presenter for Sky News, has uncovered the extraordinary stories of the women who have shaped British politics. Never has the role of women in the political world ever been more on the news agenda, and Sophy has interviewed current and former politicians including among others, Nicola Sturgeon, Ruth Davidson, Betty Boothroyd gain exclusive insight into the role women play in politics at the highest level. The book also includes Theresa May's first at-length interview about her journey to becoming Prime Minister. These interviews have revealed the shocking truth about the sexism that is rife among the House of Commons both in the past and today, with sometimes shocking, and sometimes amusing anecdotes revealing how women in Westminster have worked to counter the gender bias. Sophy provides gripping insight into historical and contemporary stories which will fascinate not just those interested in politics but those who want to know more about women's vital role in democracy. From royalty to writers and from class warriors to suffragettes, Sophy tells the story of those who put their lives on the line for equal rights, and those who were the first to set foot inside the chambers of power, bringing together stories that you may think you know, and stories that have recently been discovered to reveal the truth about what it is to be a woman in Westminster. This book is a celebration of the differing ways that women have shaped the political landscape. The book also, importantly, sheds light on the challenges faced by women in government today, telling us the ways that women working in politics battle the sexism that confront them on a daily basis.

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The celebrated mathematician and philosopher Pythagoras left no writings. But what if he had and the manuscript was never found? Where would it be located? And what information would it reveal? These questions are the inspiration for the mathematical mystery novel Pythagoras' Revenge. Suspenseful and instructive, Pythagoras' Revenge weaves fact, fiction, mathematics, computer science, and ancient history into a surprising and sophisticated thriller. The intrigue begins when Jule Davidson, a young American mathematician who trolls the internet for difficult math riddles and stumbles upon a neo-Pythagorean sect searching for the promised reincarnation of Pythagoras. Across the ocean, Elmer Galway, a professor of classical history at Oxford, discovers an Arabic manuscript hinting at the existence of an ancient scroll--possibly left by Pythagoras himself. Unknown to one another, Jule and Elmer each have information that the other requires and, as they race to solve the philosophical and mathematical puzzles set before them, their paths ultimately collide. Set in 1998 with flashbacks to classical Greece, Pythagoras' Revenge investigates the confrontation between opposing views of mathematics and reality, and explores ideas from both early and cutting-edge mathematics. From academic Oxford to suburban Chicago and historic Rome, Pythagoras' Revenge is a sophisticated thriller that will grip readers from beginning to surprising end.

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Scale is perhaps the most spectacularly overlooked aspect of artistic production. As photographic and digital reproductions have essentially dematerialized art, critical and historical research dealing with scale—both within the American critical tradition and abroad—has become scattered and insufficiently theorized. However, by posing a specific challenge, such research forces a heightened recognition of both the properties of materials and the deep technical knowledge of makers. A reconsideration of scalar relationships in American art and visual culture therefore reveals original insights. Scale is the second volume in the Terra Foundation Essays series. With eighty color illustrations and a wealth of new research from Glenn Adamson, Wendy Bellion, Wouter Davidts, Darcy Grimaldo Grigsby, Christopher P. Heuer, Joshua G. Stein, and Jason Weems, it explores viewers’ physical relationship to Barnett Newman’s abstract canvases, the arduous engineering behind the creation of Mount Rushmore, and the charged significance of liberty poles in the landscape of eighteenth-century New York, among other topics that range from studies of specific works of art to significant conceptual and theoretical concerns.

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While many studies of religion in the West have focused on the region's diversity, freedom, and individualism, Todd M. Kerstetter brings together the three most glaring exceptions to those rules to explore the boundaries of tolerance as enforced by society and the U.S. government. God's Country, Uncle Sam's Land analyzes Mormon history from the Utah Expedition and Mountain Meadows Massacre of 1857 through subsequent decades of federal legislative and judicial actions aimed at ending polygamy and limiting church power. It also focuses on the Lakota Ghost Dancers and the Wounded Knee Massacre in South Dakota (1890), and the Branch Davidians in Waco, Texas (1993). In sharp contrast to the mythic image of the West as the "Land of the Free," these three tragic episodes reveal the West as a cultural battleground--in the words of one reporter, "a collision of guns, God, and government." Asking important questions about what happens when groups with a deep trust in their differing inner truths meet, Kerstetter exposes the religious motivations behind government policies that worked to alter Mormonism and extinguish Native American beliefs.

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Exploring how DH shapes and is in turn shaped by the classroom How has the field of digital humanities (DH) changed as it has moved from the corners of academic research into the classroom? And how has our DH praxis evolved through interactions with our students? This timely volume explores how DH is taught and what that reveals about the field of DH. While institutions are formally integrating DH into the curriculum and granting degrees, many instructors are still almost as new to DH as their students. As colleagues continue to ask what digital humanities is, we have the opportunity to answer them in terms of how we teach DH. The contributors to What We Teach When We Teach DH represent a wide range of disciplines, including literary and cultural studies, history, art history, philosophy, and library science. Their essays are organized around four critical topics at the heart of DH pedagogy: teachers, students, classrooms, and collaborations. This book highlights how DH can transform learning across a vast array of curricular structures, institutions, and education levels, from high schools and small liberal arts colleges to research-intensive institutions and postgraduate professional development programs. Contributors: Kathi Inman Berens, Portland State U; Jing Chen, Nanjing U; Lauren Coats, Louisiana State U; Scott Cohen, Stonehill College; Laquana Cooke, West Chester U; Rebecca Frost Davis, St. Edward’s U; Catherine DeRose; Quinn Dombrowski, Stanford U; Andrew Famiglietti, West Chester U; Jonathan D. Fitzgerald, Regis College; Emily Gilliland Grover, Notre Dame de Sion High School; Gabriel Hankins, Clemson U; Katherine D. Harris, San José State U; Jacob Heil, Davidson College; Elizabeth Hopwood, Loyola U Chicago; Hannah L. Jacobs, Duke U; Alix Keener, Stanford U; Alison Langmead, U of Pittsburgh; Sheila Liming, Champlain College; Emily McGinn, Princeton U; Nirmala Menon, Indian Institute of Technology; James O’Sullivan, U College Cork; Harvey Quamen, U of Alberta; Lisa Marie Rhody, CUNY Graduate Center; Kyle Roberts, Congregational Library and Archives; W. Russell Robinson, Alabama State U; Chelcie Juliet Rowell, Tufts U; Dibyadyuti Roy, U of Leeds; Asiel Sepúlveda, Simmons U; Andie Silva, York College, CUNY; Victoria Szabo, Duke U; Lik Hang Tsui, City U of Hong Kong; Annette Vee, U of Pittsburgh; Brandon Walsh, U of Virginia; Kalle Westerling, The British Library; Kathryn Wymer, North Carolina Central U; Claudia E. Zapata, UCLA; Benjun Zhu, Peking U. Retail e-book files for this title are screen-reader friendly.

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What makes Northwest Coast Native American art authentic? And why, when most of art history is a history of the avant-garde, is tradition so deeply valued by contemporary Native American artists and their patrons? In Privileging the Past, Judith Ostrowitz approaches these questions through a careful consideration of replicas, reproductions, and creative translations of past forms of Northwest Coast dances, ceremonies, masks, painted screens, and houses. Ostrowitz examines several different art forms—two very different architectural constructions, a dance performance, and modern sculptures and dance paraphernalia—considering their relations to arts of the past. Chief Shakes’ Community House has endured, in various forms, at the same site in Wrangell, Alaska, for close to 170 years as an “old style” Tlingit tribal house. The Grand Hall of the Canadian Museum of Civilization at Hull, Quebec, is constructed as a Native village with an assemblage of replicated houses made by contemporary Native artists, both old and new totem poles, and references to the Northwest Coast landscape. The opening ceremonies of the exhibition Chiefly Feasts: The Enduring Kwakiutl Potlatch at the American Museum of Natural History in New York in October 1991 included a dance program by a group of Native performers from Vancouver Island, B.C., adapting traditional elements for a long and complex theatrical presentation. Finally, artists such as Art Thompson, Beau Dick, Doug Cranmer, Robert Davidson, Susan Point, and Jim Schoppert produce vital and lively art—masks, rattles, prints, and paintings are considered here—that utilizes inherited subject matter and conventionalized stylistic devices. Ostrowitz finds that these replicas and performances function as do most other works of art, referencing history in a highly selective manner. Ostrowitz draws on an extensive body of interviews she conducted with tribal leaders, artists, and artisans long known and highly respected in both Native and non-Native venues. Throughout the book, we hear their voices—members of the Alfred, Cranmer, Hunt, Tallio, and Webster families, and many other individuals—as they relate their responses to the modern adaptation of their cultural heritage. Privileging the Past explores intellectual issues raised by postmodern theory, supported by detailed studies of projects that will interest a broad audience of students, historians, museum-goers, and those intrigued by Native American art and cultural history.

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'The best Scottish crime series since Rebus' Daily RecordThe sins of the dead are all consuming . . . While illegally street racing in the underground tunnels of Glasgow, four Harley-Davidson riders make a horrifying discovery: a dead man left in the darkness, hands together on his chest as if peacefully laid to rest. The cause of death is unclear, the only clues being a half glass of red wine and a partially eaten chunk of bread by his side that echo the ancient religious practice of sin-eating.Called to the scene, forensic scientist Rhona MacLeod is perplexed by the lack of evidence. But when another body is found near her own flat, laid out in a similar manner, she fears a forensically aware killer stalks the city and is marking the victims with their unique signature. Even more worryingly, the killer appears to be using skills they may have learned while attending her forensic science lectures at Glasgow University.There are signs that Rhona is being targeted, that the killer is playing with her and the police, drawing them into a deadly race against time, before the sin-eater’s next victim is chosen . . .Sins of the Dead is the thrilling thirteenth book in Lin Anderson’s forensic crime series featuring Rhona MacLeod, followed by Time for the Dead.

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Discover the classic mystery from Dick Francis, one of the greatest thriller writers of all time'A classic. If you like a rattling good yarn, then Dick Francis is your man!' 5***** Reader Review'Brilliant, the pace keeps on racing through the whole book' 5***** Reader Review'Gallops along and keeps you enthralled throughout. Riveting' 5***** Reader Review______'Admiral met the fence perfectly. He rose to it as if flight were not only for birds. And he fell . . .'Alan York's friend, jockey Bill Davidson, was killed in Admiral's fall. After the race, York visits the fence and discovers a coil of wire lying beside the fence post and signs of where the wire had been attached.The fall was no accident - but murder. Unable to convince the police of this, York is forced to turn amateur sleuth and is soon on the trail of a ruthless gang of race-fixers operating out of Brighton.Now Alan's caught in a new race: find the gang's leaders before the gang catches up with him . . .Packed with intrigue and hair-raising suspense, Dead Cert is just one of the many blockbuster thrillers from legendary crime writer Dick Francis.Praise for Dick Francis:'As a jockey, Dick Francis was unbeatable when he got into his stride. The same is true of his crime writing' Daily Mirror'The narrative is brisk and gripping and the background researched with care . . . the entire story is a pleasure to relish' Scotsman'Dick Francis's fiction has a secret ingredient - his inimitable knack of grabbing the reader's attention on page one and holding it tight until the very end' Sunday Telegraph'A regular winner . . . as smooth, swift and lean as ever' Sunday Express'The master of suspense and intrigue' Country Life'Francis writing at his best' Evening Standard'Still the master' Racing Post

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With the transformation and expansion of the nineteenth-century American literary canon in the past two decades, the work of the era's American women poets has come to be widely anthologized. But scant scholarship has arisen to make full sense of it. From School to Salon responds to this glaring gap. Mary Loeffelholz presents the work of nineteenth-century women poets in the context of the history, culture, and politics of the times. She uses a series of case studies to discuss why the recovery of nineteenth-century women's poetry has been a process of anthologization without succeeding analysis. At the same time, she provides a much-needed account of the changing social contexts through which nineteenth-century American women became poets: initially by reading, reciting, writing, and publishing poetry in school, and later, by doing those same things in literary salons, institutions created by the high-culture movement of the day. Along the way, Loeffelholz provides detailed analyses of the poetry, much of which has received little or no recent critical attention. She focuses on the works of a remarkably diverse array of poets, including Lucretia Maria Davidson, Lydia Sigourney, Maria Lowell, Frances Ellen Watkins Harper, Emily Dickinson, Helen Hunt Jackson, and Annie Fields. Impeccably researched and gracefully written, From School to Salon moves the study of nineteenth-century women's poetry to a new and momentous level.

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C.S. Peirce was the founder of pragmatism and a pioneer in the field of semiotics. His work investigated the problem of meaning, which is the core aspect of semiosis as well as a significant issue in many academic fields. Floyd Merrell demonstrates throughout Peirce, Signs, and Meaning that Peirce's views remain dynamically relevant to the analysis of subsequent work in the philosophy of language. Merrell discusses Peirce's thought in relation to that of early twentieth-century philosophers such as Frege, Russell, and Quine, and contemporaries such as Goodman, Putnam, Davidson, and Rorty. In doing so, Merrell demonstrates how quests for meaning inevitably fall victim to vagueness in pursuit of generality, and how vagueness manifests an inevitable tinge of inconsistency, just as generalities always remain incomplete. He suggests that vagueness and incompleteness/generality, overdetermination and underdetermination, and Peirce's phenomenological categories of Firstness, Secondness, and Thirdness must be incorporated into notions of sign structure for a proper treatment of meaning. He also argues that the twentieth-century search for meaning has placed overbearing stress on language while ignoring nonlinguistic sign modes and means. Peirce, Signs, and Meaning is an important sequel to Merrell's trilogy, Signs Becoming Signs', Semiosis in the Postmodern Age, and Signs Grow. This book is not only a significant contribution to the field of semiotics, it has much to offer scholars in literature, philosophy, linguistics, cultural studies, and other academic disciplines in which meaning is a central concern.

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