Search results for ""author words"

Reminiscent of Dan Brown''s work but with a tone and momentum all its own, Kelly''s yarn will delight thriller fans looking for an exciting read. - Kirkus Reviews Rich in culture, themes of belief, and the grand implications of its relic, The Malachi Covenant exemplifies its genre, blending brisk plotting, action-packed sequences, and jolting betrayals with thoughtful spiritual inquiry, keeping the suspense potent up to a satisfying conclusion. - BookLife Dee Kelly, Jr. is a master wordsmith. The Malachi Covenant is a propulsive thriller that takes the reader on an electrifying adventure. The characters are fully drawn and his research is on broad display. This story will draw you in and not let you go until the heart pounding ending. Even then, the story will stay with you. -Glenn Dye

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Solve every puzzle, just like the Secret Seven, in this fun book of 100 brain-teasers inspired by Enid Blyton's famous sleuths. Perfect for travel and holidays.Bursting with codes, puzzles, sudokos, crosswords, wordsearches, I-spy games and more, this fun book is inspired by the mystery-solving kids in the bestselling Secret Seven stories by Enid Blyton. This is the perfect book to keep kids busy on long journeys or in the holidays, anywhere, any time. No need to stare at a screen or hunt for a charger - you'll only need a pencil and your brain for hours of entertainment.*The Secret Seven®, Enid Blyton ® and Enid Blyton's signature are Registered Trademarks of Hodder and Stoughton Limited. No trademark or copyrighted material may be reproduced without the express written permission of the trademark and copyright owner.

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From its origins in the 13th century the University of Cambridge has attracted many notable students and teachers, both brilliant and eccentric. From Erasmus to Bertrand Russell and Wittgenstein, the university has been at the forefront of philosophical inquiry. Actors and directors like Sir Ian Mckellen and Sir Peter Hall have earned Cambridge a reputation for theatrical excellence, while the colleges have been home to an extraordinary list of poets, including Milton and Wordsworth, Byron and Tennyson, Sylvia Plath and Ted Hughes. During the 20th century the city surrounding the university grew rapidly as a once small fenland town became a magnet for high-tech industries. But there are still quiet courts and green spaces - Parker's Piece, Midsummer Common, Jesus Green, and the Backs. The University City: courts and gardens, dons and students; Cambridge poets and spies; the struggle for women's colleges and degrees The City of Science and Discovery: Newton, Darwin, the Cambridge physicists, the double helix, Stephen hawking and the secrets of the universe The City of Drama and Comedy: from latin entertainments for Elizabeth I to the Footlights and Monty Python

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The six great Romantic poets represented in this concise collection – Blake, Wordsworth, Coleridge, Byron, Shelley and Keats – are those considered essential reading for anyone with an interest in the verse of the period. An essential selection of poetry by the six great Romantic poets. Ideal for general readers or for students taking short courses in Romanticism. Includes the whole of Blake's Songs of Innocence and Experience. Gives readers a concise overview of Romantic poetry.

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Harry Styles is a multi-platinum recording artist, film actor, and a fashion icon whose rise to fame took him from a TV talent show to becoming one of the most globally recognized celebrities of his generation. Now his fans of all ages can express their creativity and put their knowledge to the test with this colouring and activity book. Commemorate Harry''s most iconic performances and appearances in 30 amazingly realistic coloring pages. And whether your fandom alliance is with the Harries or Stylers, you are sure to enjoy the challenge of solving a variety of Harry-themed games, puzzles, and quizzes including spot-the-difference, mazes, and wordsearch inspired by his legendary career. Throughout you''ll learn more fun-facts and Harry-isms on the back of each detachable coloring page including how his song, Treat People with Kindness (TPWK) has become a movement to promote acceptance and diversity. Round out your Harry Styles experience and enjoy the array of beautiful photographs of

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Besides drooling over the gorgeous photos, it is guaranteed that you will salivate over the recipes that accompany each adventure and hopefully utilize Morgan''s sustainable outdoor cooking tips.'' - American Trail Running Association. Outlandish is a sun-soaked starter manual to fueling your own epic, equal parts fuel for the body and food for the soul. In this guide, the canyoneering wordsmith and adventurer Morgan Sjogren shows how outdoor adventure can become your lifestyle. Through her riveting personal stories, flavorful recipes, and the book''s gotta-go-there photographs, Sjogren shares her advice and lessons learned from years exploring the desert Southwest while living out of her canary-yellow Jeep Wrangler. Outlandish is a gorgeous guide to a more adventurous life. In Outlandish, Sjogren shows how to sleep better in a car, build a cooking fire, overcome calamity, repurpose bacon grease, leave no trace, sun-dry tomatoes on your car hood, cook food on a hot engine block, and se

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‘What distinguished Clare is an unspectacular joy and a love for the inexorable one-thing-after-anotherness of the world’ Seamus Heaney John Clare (1793-1864) was a great Romantic poet, with a name to rival that of Blake, Byron, Wordsworth or Shelley – and a life to match. The ‘poet’s poet’, he has a place in the national pantheon and, more tangibly, a plaque in Westminster Abbey’s Poets’ Corner, unveiled in 1989. Here at last is Clare’s full story, from his birth in poverty and employment as an agricultural labourer, via his burgeoning promise as a writer – cultivated under the gaze of rival patrons – and moment of fame, in the company of John Keats, as the toast of literary London, to his final decline into mental illness and the last years of his life, confined in asylums. Clare’s ringing voice – quick-witted, passionate, vulnerable, courageous – emerges through extracts from his letters, journals, autobiographical writings and poems, as Jonathan Bate brings this complex man, his revered work and his ribald world, vividly to life.

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Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems.In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.”In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.

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A unique look at how classical notions of ascent and flight preoccupied early modern British writers and artistsBetween the late sixteenth century and early nineteenth century, the British imagination—poetic, political, intellectual, spiritual and religious—displayed a pronounced fascination with images of ascent and flight to the heavens. Celestial Aspirations explores how British literature and art during that period exploited classical representations of these soaring themes—through philosophical, scientific and poetic flights of the mind; the ascension of the disembodied soul; and the celestial glorification of the ruler.From textual reachings for the heavens in Spenser, Marlowe, Shakespeare, Donne and Cowley, to the ceiling paintings of Rubens, Verrio and Thornhill, Philip Hardie focuses on the ways that the history, ideologies and aesthetics of the postclassical world received and transformed the ideas of antiquity. In England, narratives of ascent appear on the grandest scale in Milton’s Paradise Lost, an epic built around a Christian plot of falling and rising, and one of the most intensely classicizing works of English poetry. Examining the reception of flight up to the Romanticism of Wordsworth and Tennyson, Hardie considers the Whig sublime, as well as the works of Alexander Pope and Edward Young. Throughout, he looks at motivations both public and private for aspiring to the heavens—as a reward for political and military achievement on the one hand, and as a goal of individual intellectual and spiritual exertion on the other.Celestial Aspirations offers an intriguing look at how creative minds reworked ancient visions of time and space in the early modern era.

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Just who did the British think they were? For much of the last 1,500 years, when the British looked back to their origins they saw the looming mythological figure of Brutus of Troy. A great-great-grandson of the love goddess Aphrodite through her Trojan son Aeneas (the hero of Virgil's Aeneid), Brutus accidentally killed his father and was exiled to Greece. He liberated the descendants of the Trojans who lived there in slavery and led them on an epic voyage to Britain. Landing at Totnes in Devon, Brutus overthrew the giants who lived in Britain, laid the foundations of Oxford University and London and sired a long line of kings, including King Arthur and the ancestors of the present Royal Family.Invented to give Britain a place in the overarching mythologies of the Classical world and the Bible, Brutus's story long underpinned the British identity and played a crucial role in royal propaganda and foreign policy. His story inspired generations of poets and playwrights, including Spenser, Shakespeare, Milton, Pope, Wordsworth, Dickens and Blake, whose hymn 'Jerusalem' was a direct response to the story of Brutus founding London as the New Troy in the west.Leading genealogist Anthony Adolph traces Brutus's story from Roman times onwards, charting his immense popularity and subsequent fall from grace, along with his lasting legacy in fiction, pseudo-history and the arcane mythology surrounding some of London's best-known landmarks, in this groundbreaking biography of the mythological founder of Britain.

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There's no doubt that technology has overrun our lives. Over the past few decades, the world has embraced "progress" and we're living with the resultant clicking, beeping, anxiety-inducing frenzy. But a creative backlash is gathering steam, helping us cope with the avalanche of data that threatens to overwhelm us daily through our computers, tablets, and smartphones. The Joy of Missing Out considers the technologically focused life, with its impacts on our children, relationships, communities, health, work, and more, and suggests opportunities for those of us longing to cultivate a richer on- and off-line existence. By examining the connected world through the lens of her own internet fast, Christina Crook creates a convincing case for increasing intentionality in our day-to-day lives. Using historical data, typewritten letters, chapter challenges, and personal accounts, she invites us to explore a new way of living, beyond our steady state of distracted connectedness. Most of us can't throw away our smartphone or cut ourselves off from the internet. But we can all rethink our relationship with the digital world, discovering new ways of introducing balance and discipline to the role of technology in our lives. This book is a must-read for anyone wishing to rediscover quietness of mind and seeking a sense of peace amidst the cacophony of the modern world. Christina Crook is a wordsmith and communications professional and instigator of the project Letters from a Luddite, which chronicled her thirty-one day internet fast and fueled her passion for exploring the intersection of technology, relationships, and joy.

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Today, we do not expect a symptomatic reading to refer to bodily symptoms, or a literary dissection to be more than metaphorical. But this was not always true. In Romantic Autopsy, Arden Hegele considers a moment at the turn of the nineteenth century, when literature and medicine seemed embattled in rivalry, to find that the two fields collaborated to develop interpretive analogies that saw literary texts as organic bodies and anatomical features as legible texts. Together, Romantic readers and doctors elaborated protocols of diagnosis-practices for interpretation that could be used to diagnose disease, and to understand fiction and poetry. This volume puts essential works of British Romantic literature that seem at first to have little to do with medicine, such as the lyrics of William Wordsworth, the elegies of Percy Shelley and Alfred Tennyson, and the novels of Mary Wollstonecraft, Jane Austen, and Mary Shelley, back into conversation with emergent medical disciplines of the period -- anatomy, pathology, psychiatry, and semiology. Poems and novels, Hegele argues, were historically understood through techniques designed for the analysis of disease; meanwhile, autopsy reports and case histories adopted stylistic features associated with literature. Countering the assumption of a growing specialization in Romanticism, these practices suggest that symptomatic reading (treating a text's superficial signs as evidence of deeper meaning), a practice still used and debated today, might have originated from Romantic diagnostics. The first study of the interconnected literary and medical analytics of British Romanticism, Romantic Autopsy charts an important history underlying our own approaches to literary analysis.

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Across the nineteenth century, meter mattered—in more ways and to more people than we might well appreciate today. For the period’s poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century’s literature, and in its culture.

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Find it! In the backyard contains 25 things for children to search for whilst out the back of the house, along with amazing facts and mind-bending puzzles. Perfect for minimising screen time, Find it! books keep children entertained, engaged and curious about the world around them. - Search for worms, flower pots and weeds amongst many other things. - Learn fascinating facts about the things you are searching for. - Play wordsearches, mazes, spot the differences, and various other quizzes and games. The back of the book contains a certificate to award when everything has been successfully found, and for every 3 books completed, you can send off for a Find it! Super Spotter badge!

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Find it! In the garden contains 25 things for children to search for whilst out the back of the house, along with amazing facts and mind-bending puzzles. Perfect for minimising screen time, Find it! books keep children entertained, engaged and curious about the world around them. - Search for worms, flower pots and weeds amongst many other things. - Learn fascinating facts about the things you are searching for. - Play wordsearches, mazes, spot the differences, and various other quizzes and games. The back of the book contains a certificate to award when everything has been successfully found, and for every 3 books completed, you can send off for a Find it! Super Spotter badge!

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Countless writers have been inspired by the beauty of birds – their colours, their easy flight, their lightness and softness, and the grace and whimsicality of their ways. Our literature, especially our poetry, is full of them. This annotated edition of Poems About Birds selects the very best from H. J. Massingham’s original collection which was first published in 1922.Part of the Macmillan Collector’s Library; a series of stunning, pocket-sized classics with ribbon markers. These beautiful books make perfect gifts or a treat for any book lover.Spanning from the Middle Ages to the twentieth century, Poems About Birds captures the enticing lives of birds through the eyes of classic poets. From John Keats’ ‘Ode to a Nightingale’ to Sylvia Lynd’s ‘The Return of the Goldfinches’, and from Alfred Lord Tennyson’s ‘The Eagle’ to William Wordsworth’s ‘To The Skylark’, countless varieties of bird are celebrated here.

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As Poet Laureate during much of Queen Victoria's reign, Alfred Lord Tennyson's spellbinding poetry epitomized the Victorian age, and Selected Poems is edited with an introduction and notes by Christopher Ricks.'Into the jaw of DeathInto the mouth of HellRode the six hundred'The works in this volume trace nearly sixty years in the literary career of one of the nineteenth century's greatest poets, and show the wide variety of poetic forms he mastered. This selection gives some of Tennyson's most famous works in full, including Maud, depicting a tragic love affair, and In Memoriam, a profound tribute to his dearest friend. Excerpts from Idylls of the King show a lifelong passion for Arthurian legend, also seen in the dream-like The Lady of Shalot and in Morte d'Arthur. Other works respond to contemporary events, such as Ode on the Death of the Duke of Wellington, written in Tennyson's official role as Poet Laureate, or the patriotic Charge of the Light Brigade, while Locksley Hall provides a Utopian vision of the future, and the late poem Crossing the Bar is a haunting meditation on his own mortality.In his introduction, Christopher Ricks discusses aspects of Tennyson's life and works, his revisions of his poems, and his friendship with Arthur Hallam. This edition also includes a chronology, further reading and notes.Alfred Lord Tennyson (1809-1892) was born at Somersby, Lincolnshire, the sixth of eleven children. His first important book, Poems, Chiefly Lyrical, was published in 1830, and was not a critical success, but his two volumes of Poems, 1842, which contain some of his finest work, established him as the leading poet of his generation.If you enjoyed Selected Poems, you might like William Wordsworth and Samuel Taylor Coleridge's Lyrical Ballads, also available in Penguin Classics.'He had the finest ear of any English poet since Milton'T.S. Eliot

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This is a collection of three history plays, each displaying the sparkling muscularity of language that marks Berkoff out as one of the foremost wordsmiths in the English language. Set in thirteenth-century England, Ritual in Blood looks at the persecution of the Jews. Messiah begins with the image of Christ on the cross and pits His humanity and transcendent goodness against the evil of those who would kill Him. Finally, Berkoff offers a sharp and accessible adaptation of Sophocles's Oedipus tragedy.

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Rebecca O'Connor's first collection of poetry We'll Sing Blackbird was shortlisted for the Shine/Strong Award. Her writing has appeared in the Guardian, the Spectator, Poetry Review and elsewhere. She was a writer in residence at the Wordsworth Trust, the Centre for British Romanticism and is a recipient of a Geoffrey Dearmer Prize. She is co-founder and publisher of The Moth magazine. She lives in County Cavan, Ireland. He Is Mine and I Have No Other is her first novel.@RebeccaMoth themothmagazine.com

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Writer, teacher, and adventurer Kurt Caswell has spent his adult life canoeing, hiking, and pedaling his way toward a deeper understanding of our vast and varied world. Getting to Grey Owl: Journeys on Four Continents chronicles over twenty years of Caswell's travels as he buys a rug in Morocco, rides a riverboat in China, attends a bullfight in Spain, climbs four mountains in the United Kingdom, and backpacks a challenging route through Iceland's wild Hornstrandir Peninsula. Writing in the tradition of such visionary nomads as Hermann Hesse, Robert Louis Stevenson, Bruce Chatwin, Paul Theroux, Pico Iyer, Samuel Taylor Coleridge, and William Wordsworth, Caswell travels through wild and urban landscapes, as well as philosophical and ideological vistas, championing the pleasures of a wandering life. Far from the trappings of the everyday, he explores a range of ideas: the meaning of roads and pathways, the story of Cain and Abel, nomadic life and the evolution of the human animal, the role of agriculture in the making of the modern world, and the fragility of love.

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In 1954 William Golding was 43 years old and a nobody. He had been demobbed from the navy at the end of World War Two and returned to his pre-war job teaching English at Bishop Wordsworth’s School in Salisbury. Always hard up, he lived in what he called a “lousy council flat” with his wife, Ann, and their two young children. In 1952 he finished the novel that was to become Lord of the Flies, and sent it to five publishers and a literary agency. They all rejected it. The sixth publisher he tried was Faber and Faber, and the professional reader wrote her opinion on the typescript: “Time the Future. Absurd & uninteresting fantasy about the explosion of an atom bomb on the Colonies. A group of children who land in jungle country near New Guinea. Rubbish & dull.”  But the novel was rescued from the reject pile by a new recruit to Faber, and when it was finally published in September 1954 the poet Stevie Smith greeted it as “this beautiful and de

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Alice's second adventure takes her through the looking-glass to a place even curiouser than Wonderland. She finds herself caught up in the great looking-glass chess game and sets off to become a queen. It isn't as easy as she expects: at every step she is hindered by nonsense characters who crop up and insist on reciting poems. Some of these poems, such as 'The Walrus and The Carpenter' and 'Jabberwocky', are as famous as the Alice stories themselves.Macmillan was the original publisher of Alice in 1865 and is proud to remain true to the vision of its creators. Every bit as iconic are Sir John Tenniel's remarkable black line illustrations, perfectly capturing the combination of the ordinary and the extraordinary at the heart of Wonderland.This beautiful, celebratory, edition of Through the Looking-Glass has a gorgeous cover with a shiny silver foiled looking-glass, and is packed full of fun bonus material, including a quiz, wordsearch and a glossary. Lewis Carroll's classic children's book is brought to life like never before!

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'A deeply satirical and thought-provoking thriller' Sunday ExpressA couple of ice cubes, first, then the apple that really started it all. A loft apartment in London's East End; cool but doomed, demolition and redevelopment slated for the following week. Ken Nott, devoutly contrarian leftish shock-jock attending a mid-week wedding lunch, starts dropping stuff off the roof towards the deserted car park a hundred feet below. Other guests join in and soon half the contents of the flat are following the fruit towards the pitted tarmac... just as mobiles start to ring, and the apartment's remaining TV is turned on, because apparently a plane has crashed into the World Trade Center... Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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‘If you find the subject of food to be both vexing and transfixing, you’ll love What She Ate’ Elle Did you know that Eleanor Roosevelt dished up Eggs Mexican (a concoction of rice, fried eggs, and bananas) in the White House? Or that Helen Gurley Brown’s commitment to ‘having it all’ meant dining on supersized portions of diet gelatine? In the irresistible What She Ate, Laura Shapiro examines the plates, recipe books and shopping trolleys of six extraordinary women, from Dorothy Wordsworth to Eva Braun.Delving into diaries, newspaper articles, cook books and more, Shapiro casts a different light on the usual narratives of women’s lives. Finding meaning in every morsel, and looking through the lens of their attitudes towards food, she masterfully reveals the love and rage, desire and denial, need and pleasure, behind six remarkable appetites.

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An extremely varied collection of poetry mostly written in the period May 2021 to October 2023. The second part of the title, "at the road side" is, according to the Introduction, “a metaphor for where an ageing man feels himself to be in relation to the deteriorating world situation”. Included are several poems responding to the Russian invasion of Ukraine, and towards the end of the book to the Israeli bombardment of Gaza. There are autobiographical sketches from the distant past, humorous and even silly poems, accounts of several dreams and their connection to reality, some anti-Christian poems, and as an appendix a nine-page piece of literary criticism in verse attacking Wordsworth's Ode on "The Intimations of Immortality from Recollections of Early Childhood". Many poems use constrained verse forms such as tanka and haiku and the 23-syllable 4-line stanza that Hirst has been using since the 1990s.

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'One of the best opening lines of any novel' Guardian'It was the day my grandmother exploded. I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmony to Bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach.'Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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'A gothic horror story of quite exceptional quality' Financial Times'Two years after I killed Blyth I murdered my young brother Paul, for quite different reasons than I'd disposed of Blyth, and then a year after that I did for my young cousin Esmerelda, more or less on a whim. That's my score to date. Three. I haven't killed anybody for years, and don't intend to ever again. It was just a stage I was going through.' Enter - if you can bear it - the extraordinary private world of Frank, just sixteen, and unconventional, to say the least.Praise for Iain Banks:'The most imaginative novelist of his generation' The Times'His verve and talent will always be recognised, and his work will always find and enthral new readers' Ken MacLeod, Guardian'His work was mordant, surreal, and fiercely intelligent' Neil Gaiman'An exceptional wordsmith' Scotsman

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English Romantic poetry from its beginnings and its flowering to the first signs of its decadence. Nearly all the famous piéces de résistance will be found here - 'Intimations of Immortality', 'The Ancient Mariner', 'The Tyger', excerpts from 'Don Juan' - as well as some less familiar poems. As far as possible the poets are arranged in chronological order, and their poems in order of composition, beginning with eighteenth-century precursors such as Gray, Cowper, Burns and Chatterton. Naturally most space has been given over to the major Romantics - Blake, Wordsworth, Coleridge, Byron, Shelley, Clare and Keats - although their successors, poets such as Beddoes and Poe, are included too, as well as early poems by Tennyson and Browning. In an excellent introduction David Wright discusses the Romantics as a historical phenomenon, and points out their central ideals and themes.

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Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being.Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, intellectual love is a pillar of Romanticism.This book will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, affect studies, ecocriticism, aesthetics, and those who work at the intersection of literature and science.

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Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can "do" grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel—interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain.

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Situated at the intersection of affect studies, ecocriticism, aesthetics, and Romantic studies, this book presents a genealogy of love in Romantic-era poetry, science, and philosophy. While feeling and emotion have been traditional mainstays of Romantic literature, the concept of love is under-studied and under-appreciated, often neglected or dismissed as idealized, illusory, or overly sentimental. However, Seth Reno shows that a particular conception of intellectual love is interwoven with the major literary, scientific, and philosophical discourses of the period. Romantic-era writers conceived of love as integral to broader debates about the nature of life, the biology of the human body, the sociology of human relationships, the philosophy of nature, and the disclosure of being.Amorous Aesthetics traces the development of intellectual love from its first major expression in Baruch Spinoza’s Ethics, through its adoption and adaptation in eighteenth-century moral and natural philosophy, to its emergence as a Romantic tradition in the work of six major poets. From William Wordsworth and John Clare’s love of nature, to Percy Shelley’s radical politics of love, to the more sceptical stances of Felicia Hemans, Alfred Tennyson, and Matthew Arnold, intellectual love is a pillar of Romanticism.This book will interest scholars and students of Romanticism, eighteenth- and nineteenth-century British literature, affect studies, ecocriticism, aesthetics, and those who work at the intersection of literature and science.

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Legendary wordsmith Raekwon the Chef opens up about his journey from the staircases of Park Hill in Staten Island to sold-out stadiums around the world with the Wu-Tang Clan in this revealing memoir - perfect for fans of The Autobiography of Gucci Mane and Hustle Harder, Hustle Smarter. There are rappers that everyone loves, and there are rappers that every rapper loves, and Corey Woods, a.k.a. Raekwon the Chef, is one of the few who is both. His versatile flow, natural storytelling and evocative imagery has inspired legions of fans and a new generation of rappers. As one of the founding members of Wu-Tang Clan, Raekwon’s voice and cadence is synonymous with the inimitable sound that has made the group iconic since 1991. Now, for the first time, Raekwon tells his full story, from struggling through poverty to make ends meet to turning a hobby into a legacy. The Wu-Tang story is dense, complex and full of drama, and here nothing is off limits: the group’s underground origins, secrets behind songs like 'C.R.E.A.M.' and 'Protect Ya Neck', and what it took to be one of the first hip-hop groups to break into the mainstream. Raekwon also dives deep into the making of his meticulous solo albums - particularly the classic Only Built 4 Cuban Linx - and talks about how spirituality and fatherhood continue to inspire his unstoppable creative process.A celebration of perseverance and the power of music, From Staircase to Stage is a master storyteller’s lifelong journey to stay true to himself and his roots.

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'Do you like the truth? It is well for you. Adhere to that preference - never swerve thence.' - Charlotte Brontë, 'Shirley' The Jenkins family knew the Brontës in Brussels and West Yorkshire. Eager to learn about them, their descendant read the Brontë biographies, and discovered that no one had researched this family, and, worse, that what was written was fabricated, with one biographer copying another, embroidering, even making up dialogue. Yet Mrs Gaskell had deliberately sought out Mrs Jenkins when researching her famous Life of Charlotte. If it had not been for Mrs Jenkins, Charlotte would never have gone to Brussels, never met M. Heger. There would be no 'Villette', no 'Jane Eyre'. This book purges the lies and identifies one of Charlotte's characters for the first time. It reveals a thrumming wire that connects Byron to Trollope to Henry James, and gives further evidence of the adultery of William Wordsworth's eldest son. Above all, it gives a radical new perspective on the inspiration for Charlotte's novels and those vital two years she spent in Brussels.

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One of our most incisive critics asks where the assault against the canons of Western culture has led us. Engaging a wide range of literature and criticism, Hartman considers the term "culture" and its many uses, and calls for the restoration of literature to its place as the focus of thinking about culture and for the renewal of aesthetic education to help ensure the balance between art, culture, and politics. Lost among the shouts and skirmishes of the "culture wars" is the very idea of culture itself. In this illuminating book, one of our most distinguished critics and scholars asks what the assault against the canons of Western culture has left in its place. If art and literature are largely the products of ideology and interest, how do they matter? And what does the idea of culture mean in today's sprawling, fragmented, critical world where everything -poetry or pornography- gets "read" in the same way? Engaging an extraordinary range of literature, philosophy, social criticism, and popular culture, Geoffrey Hartman probes the meanings and uses of culture in contemporary society. The triumph of cultural studies -and its critiques of bourgeois Eurocentric tradition- is largely complete, Hartman writes. Against the political appropriation of culture, he posits, instead, a definition of culture as public conversation, intellectual and social debate among diverse communities. And against reactionary pressures to impose -or reinstate- a singular culture, or to seek in art or literature an affirmation of group identity, Hartman sketches new roles for human imagination in a postmodern world. For Hartman, the fusion of culture and politics, of whatever ideology, is disastrous. At a time of abstraction, fragmentation, and alienation, art and literature offer wholeness and meaning. But the promise is frought with danger, Hartman argues, in a provocative discussion of the uses of culture as exemplified in the Romantic legacy. He pays special attention to literature's role in reconnecting us to the world. The choice is ours: Wordsworth or Heidegger, literature as shared experience or as reactionary ideology. Hartman ranges widely in these elegant pages. He confronts the shock to the universalistic sense of culture from the Holocaust, as well as the problematic responses of such critic as Adorno and Derrida; explores the poetry of Wordsworth both as a diagnostic and a counter-model to the desensitization of modern life; and addresses the impact of politics of inclusion and diversity on the claims of high culture. Perhaps Hartman's most publicly engaged book, The Fateful Question of Culture embraces both the masterworks of European literature and art and the signs and symbols of popular media and daily life. It is a powerful reaffirmation of the liberating discourses that have always been at the very center of the Western tradition.

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A calming collection of nature poems to help you relax and unwind at the end of every day. Now more than ever we’re all in need of a daily fix of the natural world, to comfort and distract us from the cares of everyday life. Keep this beautiful book by your bedside and enjoy a dreamy stroll through nature every evening, just before you go to sleep. All the great, time-honoured poets are here – William Wordsworth, John Keats, Emily Dickinson, Robert Bridges – along with some newer and less-well known poetic voices. The poems reflect and celebrate the changing seasons: read Emily Brontë on bluebells in spring and Edward Thomas’s evocative ‘Adlestrop’ in summer, then experience golden autumn with Hartley Coleridge and William Blake's 'To Winter'. Beautifully illustrated with scenes from each season, this wonderful book deserves a place on your bedside table for years to come.

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This book revisits British Romanticism as a poetics of heightened attention. At the turn of the nineteenth century, as Britain was on the alert for a possible French invasion, attention became a phenomenon of widespread interest, one that aligned and distinguished an unusual range of fields (including medicine, aesthetics, theology, ethics, pedagogy, and politics). Within this wartime context, the Romantic aesthetic tradition appears as a response to a crisis in attention caused by demands on both soldiers and civilians to keep watch. Close formal readings of the poetry of Blake, Coleridge, Cowper, Keats, (Charlotte) Smith, and Wordsworth, in conversation with research into Enlightenment philosophy and political and military discourses, suggest the variety of forces competing for—or commanding—attention in the period. This new framework for interpreting Romanticism and its legacy illuminates what turns out to be an ongoing tradition of war literature that, rather than give testimony to or represent warfare, uses rhythm and verse to experiment with how and what we attend to during times of war.

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The stunningly written, evocative new debut crime thriller you won’t want to miss! A detective ready for a new lifeFor years, Jake Jackson has been a high-flying detective in the city. One day he receives a letter from his reclusive uncle – he has left Jake his property in the middle of the countryside. It is the perfect opportunity for a fresh start. A rural idyll the stuff of dreamsLife in the middle of nowhere is everything Jake could wish for. His home is beautiful and his surroundings are stunning. While the locals are eccentric, they are also friendly, and invite him to join their annual treasure hunt. A death that disrupts everythingWhat starts as an innocent game turns sinister, when a young woman’s bones are discovered. And Jake is thrust once again into the role of detective, as he tries to unearth a dangerous killer in this most unlikely of settings. Praise for Death Under a Little Sky ‘Tense but patient, fast but thoughtful, and twisty but substantial – this is a truly excellent debut, and I want the next installment now’ Lee Child ‘I LOVED this. I found it totally immersive, and couldn’t wait to squeeze some time from my day to return to it. The writing is very classy and the conclusion came as a surprise, which is always a treat’ Ann Cleeves ‘Gloriously atmospheric and masterfully plotted with such a strong sense of place, this is a huge treat for crime fiction lovers. I can’t wait for the next instalment!’ Lucy Foley ‘Stylish…a more than promising debut’ The Times ‘Stylishly written by a skilled wordsmith, and an absorbing tale’ Sun ‘A vivid, atmospheric debut’ Daily Mail ‘A cosy crime read with an appealing protagonist’ Guardian

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This book delineates different manifestations of the vagabond spirit of poetry through the ages. In doing so, it makes claims for the efficacy of poetry in our industrialized world, where we are presented with environmental, political and economic challenges. The Vagabond Spirit of Poetry demonstrates that poems are vital now more than ever because they can transform our relations with each other and with the earth. It acknowledges the awesome power of poems by providing you with fresh ways to apprehend their profound spiritual insights. You will be surprised by how sharp your imagination becomes once you start following the paths opened by Edward Clarke's original readings. This region is full of unexpected turns and pleasant clearings. Beginning in the middle of things with Wordsworth, you will be taken on a journey from Shakespeare to Wallace Stevens. Significant older poets, including Homer, Virgil and Dante, will enliven conversations with the wisest British, Irish and American poets of the modern age. As you proceed, poetry will teach you how to put into practice its perennial wisdom.

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The collection includes alphabet, calendar, list and found poems, as well as a sequence conceived as a ‘variable construction’, with one of many possible versions presented here. Many of the poems were written as collaborations with visual artists, and have appeared in booklets and exhibitions, and as public art works. Some were written as commissions, from organisations including The National Trust for Scotland and The Wordsworth Trust, or for occasions such as UNESCO World Heritage Day. Floating the Woods collects these poems at last into a single volume.

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Keep kids busy with this fun-filled i-SPY activity book Keep little travellers busy with this fun-filled i-SPY activity book. Packed with puzzles, photos and things to spot in the countryside for hours of entertainment. It’s bursting with boredom-busting puzzles including wordsearches, mazes, spot the difference, and more, plus there’s lots of things to spot in the countryside and points to score. Whether in the car, waiting at the airport, on the train, or on holiday i-SPY activity books provide hours of fun on kids’ travels!

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This illuminating collection of previously unpublished talks traces the development of Sangharakshita's presentation of the Dharma in the West from 1965 to 2011. It includes some of his characteristic teachings in their earliest forms (the levels of Going for Refuge to the Three Jewels, for example), and makes other talks accessible for the first time in published form. We see the unfolding of the Buddhist movement he founded, from Sangharakshita's talks before the movement began, his early teachings that foreshadow aspects of its nature, and then its beginnings in a basement in 1960s London. Other talks cover development of the sangha over the years, and Sangharakshita's reflections on what would help it develop in the years to come. Drawing on a wide range of sources, from the Pali canon and The Tibetan Book of the Dead to Beowulf and William Wordsworth, there are many intriguing perspectives: an exploration of Buddhist psychology, the histories of great teachers like Padmasambhava and Atisa, reflections on going forth, creativity, the demons around and within us, the role of the will in the spiritual life, and much more. The final talks in the volume, given towards the end of Sangharakshita's life, are more personal, and they include reflections on dreams, old age and rebirth.

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Certain moments in British Romantic poetry and art depict a state from which the attributes of existence time and space, subject and object, language and visuality have fallen away, leaving a domain prior to the world and to thought, the condition of mere existence. As Blank Splendour demonstrates, poems by Wordsworth, Coleridge, Keats, and Clare as well as paintings by Turner evoke a condition that transpires in a time without time, a life without life.David Collings argues that these works invite us to move beyond the subtle remnants of ontology that linger in current versions of posthuman thought, such as affect theory and speculative realism, by opening up a domain of affect without affect, a world without objects. Anticipating the philosophers Emmanuel Levinas and Maurice Blanchot, these works bring into view the mode of a deconstruction that emerged before the linguistic turn, one that meditates on the blank condition underlying modernity. Ultimately, Bla

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William Hazlitt (1778-1830), that most engaging of English essayists, is provocatively and congenially at home in this new collection of his city essays that spark with urbane wit and gossip. Characters from his world come alive: Wordsworth and Beau Brummell, street jugglers and coffee house politicians, the ladies' maid returning from Italy 'as giddy as if she had been up in a balloon' and the literary footmen who 'wear green spectacles' and 'are seen reading books they do not understand at the Museum and public libraries'.Gregory Dart's selection reminds us that Hazlitt is not only an important critic and polemicist, but also a reflective, wry, wise and humorous writer, a man who relished London life. Many of the essays included here are made available for the first time in paperback. A detailed introduction and notes set them in their context and clarify contemporary references.

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How have ruins become so valued in Western culture and so central to our art and literature? Covering a vast chronological and geographical range, from ancient Egyptian inscriptions to twentieth-century memorials, Susan Stewart seeks to answer this question as she traces the appeal of ruins and ruins images, and the lessons that writers and artists have drawn from their haunting forms. Stewart takes us on a sweeping journey through founding legends of broken covenants and original sin, the Christian appropriation of the classical past, and images of decay in early modern allegory. Stewart looks in depth at the works of Goethe, Piranesi, Blake, and Wordsworth, each of whom found in ruins a means of reinventing his art. Lively and engaging, The Ruins Lesson ultimately asks what can resist ruination—and finds in the self-transforming, ever-fleeting practices of language and thought a clue to what might truly endure.

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Winner of the 2006 Truman Capote Prize for Literary Achievement Geoffrey Hartman's interests range over almost the entire field of contemporary literature and culture. In this, the first Reader of his work, significant essays reflect his abiding interest in English and American poetry, focusing not only on Romanticism but also on the transition from early modern to modern and including reflections on the radical elements in artistic representation. Hartman, whose book on Wordsworth changed our understanding of that poet, brings theory and close reading together. A major consideration of Freud is accompanied by intensive analyses of Lacan and Derrida, and a psychoesthetic theory of literary genesis is proposed. Popular literature is examined through the American detective novel; Jane Austen, Virginia Woolf, and Bernard Malamud are brought together in an examination of realism; the premodern mode of midrashic interpretation is reintroduced to literary study; and major trends in criticism, including trauma studies, receive attention. Hartman's assessment of the media revolution and cultural studies is represented by shorter pieces of film criticism as well as his classic essays on 'Public Memory and its Discontents' and 'Tele-Suffering and Testimony' - the latter also describes a pioneering effort to collect on video the experiences of Holocaust survivors. This anthology is both highly readable and, because of its range and intellectual vigour, essential for all those concerned with the fate of the humanities and the future of literary criticism. Features *Leading US critic of contemporary literature and culture, particularly in the areas of poetry, Romanticism, trauma studies, public culture, pedagogy, and literary theory and criticism *Selection ranges across Geoffrey Hartman's illustrious career with the readings organised into six thematic parts *Publication coincides with the 50th anniversary of Geoffrey Hartman's first published book

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Richard Eldridge explores the ability of dense and formally interesting literature to respond to the complexities of modern life. Beyond simple entertainment, difficult modern works cultivate reflective depth and help their readers order and interpret their lives as subjects in relation to complex economies and technological systems. By imagining themselves in the role of the protagonist or the authorial persona, readers become immersed in structures of sustained attention, under which concrete possibilities of meaningful life, along with difficulties that block their realization, are tracked and clarified. Literary form, Eldridge argues, generates structures of care, reflection, and investment within readers, shaping--if not stabilizing--their interactions with everyday objects and events. Through the experience of literary forms of attention, readers may come to think and live more actively, more fully engaging with modern life, rather than passively suffering it. Eldridge considers the thought of Descartes, Kant, Adorno, Benjamin, Stanley Cavell, and Charles Taylor in his discussion of Goethe, Wordsworth, Rilke, Stoppard, and Sebald, advancing a philosophy of literature that addresses our desire to read and the meaning and satisfaction that literary attention brings to our fragmented modern lives.

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The magnificent ruins of Furness Abbey are now in the care of English Heritage and attract thousands of visitors every year. Dating back to the twelfth century, the abbey was one of the wealthiest Cistercian monasteries in the country. Over the centuries, writers and artists including William Wordsworth and Turner have been inspired by the splendour of the sandstone ruins and the tranquillity of their location in a peaceful valley. In Furness Abbey Through Time, local historian Gill Jepson, Chair of the Furness Abbey Fellowship, presents an excellent visual chronicle that looks at how the abbey precinct has changed over the last century and more. Using an impressive collection of archive photographs, postcard views and colour photographs, readers will see that successive generations have been drawn here to explore the abbey’s heritage and enjoy the scenery. In addition to the main abbey precinct, photographs of its closer landholdings, such as Piel Castle, Bow Bridge, Abbot’s Wood and Dalton Castle, are also included, to provide a more comprehensive collection. This superbly illustrated book will be of interest to local people and visitors to the abbey and the surrounding area.

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This striking Art Deco design comes from the celebrated British bookbinder Sybil Pye (1879–1959). It was crafted to hold a collection of William Wordsworth’s poems illustrated by Pye’s lifelong friend Thomas Sturge Moore.Self-taught, Pye began producing her first works in the early 1900s using naturally coloured leather, before graduating to multi-coloured panels. By 1934 she was creating complex covers of up to six different inlays, and her work was regularly exhibited around the world. One of the youngest pre–First World War women binders, Pye was the only binder in England who specialized in inlaid leather bindings. With this series, we pay tribute to a pioneering woman in the art of book design.

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