Search results for ""author sixth"

The true story behind hit BBC drama THE SIXTH COMMANDMENT'[A] real-life Midsomer Murder ... it's chilling, but [David Wilson's] explanation of how a psychopath thinks is masterly' The TimesTwo deaths.Three doors apart.An unsuspecting community about to realise there's a killer in their midst. In October 2015, Peter Farquhar was found dead in his house in Maids Moreton, lying on the sofa next to a bottle of whisky. An inquest was made, and Peter's death was quickly ruled an accident.But after the death of another elderly neighbour, the dreadful truth began to emerge: both victims had been groomed, seduced and mentally tortured by a young man, Benjamin Field, who had used his position of power in the community to target and exploit the elderly.He almost got away with it. Very little shocks criminologist David Wilson, but this extraordinary case in his sleepy hometown astounded him. Wilson felt duty-bound to follow its trail, discovering how his tightknit community failed to intervene, how a psychopath went undetected for years, and how Peter unwittingly supplied the blueprint for his own murder.A Plot to Kill is a chilling, gripping account of a callous murder in the heart of middle England, a fight for justice, and a revealing insight into the mind of a killer.

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Classic Blunder - After a noticeably happy day I sleep - and wake at dawn to a sudden sense of having erred. What have I done? I've made the classic blunder the blunder of living onward forwardly toward some disappointing future - what a fool - I should have lived not forwardly but sideways or circularly to stay in days like (what now has to be called) yesterday. Instead I've allowed the sun already to start pouring through the curtains the diminishments and inferiorities of a crude and unsentimental next day. To keep that train from leaving the station must call for some incredible level of concentration. In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O'Hara and Kenneth Koch to explore life's emotional mysteries - both dire and hilarious - from the perpetual dissolving of our past to the perpetnal frustration of our cravings for ego triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday's voice-driven poetry wants to find insight - or at least a stay against confusion - through personality without being trapped in personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can: let posterity (if any) say we rambled truly.

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Follow London's newest detective, Enola Holmes, in her thrilling sixth adventure - from the series that inspired the films, starring Millie Bobby Brown.Read them all before the next film lands!Enola Holmes - sister of the world's most famous detective, Sherlock Holmes - always has an eye for mystery-solving. Still on the run from her brothers, Enola continues her investigative work in the busy streets of London, disguised under a new alias, and is now searching for the missing Lady Blanchefleur del Campo.She soon finds out that Sherlock is searching for Enola herself, but not to return her home this time. He has a message from their long-lost mother, a message only Enola can decipher.Armed with clues about her mother's whereabouts, Enola walks a path of self-discovery and reconciliation.Will Enola finally be reunited with her mother? And can she solve the mystery of what has happened to Lady Blanchefleur del Campo before it's too late?'A story of a young girl who is empowered, capable, and smart ... the Enola Holmes book series conveys an impactful message to kids and teenagers all over the world that you can do anything if you set your mind to it, and it does so in an exciting and adventurous way.' - MILLIE BOBBY BROWN

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'Huge fun' Katie Fforde'I love Jeevani's writing! Her characters leap from the page' Sue Moorcroft'A fantastic and fascinating read' Phillipa AshleySnuggle up and fall in love with the perfect holiday romance, as one ordinary girl learns what it means to love a prince. Perfect for fans of Heidi Swain. Not even in her wildest imaginings did Kumari ever think she'd become a princess. But having fallen for Ben - or rather Prince Benedict, sixth in line to the throne - it looks like nothing will ever go as planned again. And as Christmas rapidly approaches the distinction between family festivities and Royalty becomes ever more apparent.With the paparazzi hounding her, her job on the line and some rather frustrating royal training, Kumari feels panic set in.Does loving Prince Charming mean she'll get her fairy tale ending - and on her own terms?What readers are saying:'Two very enthusiastic thumbs up on this excellent royal romance!''A lovely, feel good story''I could not put this book down once I had started''I adored this book, it is feisty, romantic, and clearly a lot of love and research has gone into the story''A beautiful, feel good, romantic book''A hug in a book! Sparkly, delightful and so romantic.'

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Get an in-depth look at where nursing's most timely issues and trends all began with Ross-Kerr and Wood's Canadian Nursing: Issues & Perspectives, 6th Edition. This extensively updated, engaging text examines the latest issues and trends in Canadian nursing, along with the history which laid the groundwork for where nursing in Canada is now and can be in the future. Comprehensive coverage includes everything from the development of the profession of nursing in Canada to discussions of nursing knowledge, nursing research, and the theoretical foundations of modern nursing. The authors also examine issues in the delivery of nursing care as well as nursing education, credentialing, standards of care, entry to practice, informatics, and much more. In addition to its relevant and cutting-edge content additions, this new dual-colour sixth edition boasts a wealth of new reader-friendly learning features, easy-to-follow explanations, consistent chapter formatting, and extensive visual updates to help you better engage with content and apply learning. Comprehensive coverage of Canadian-specific nursing issues includes Canadian statistics, research, and legislation. Wealth of reader-friendly in-text learning features include Apply Content Knowledge boxes that provide focused opportunities for reflection and discussion, and Research Focus boxes that highlight current research to help make content more applicable and relevant. UPDATED! Detailed references at the end of each chapter give you a direct path to further learning on a particular topic. Clear writing style, logical content organization, and consistent chapter formatting helps you better learn and retain complex chapter information. Thoughtful end-of-chapter features including chapter summaries and critical thinking questions help you gauge your mastery of chapter concepts. NEW! Revamped two-colour layout improves readability and visual appeal. NEW! Expanded and updated art program incorporates more vivid and up-to-date photos, charts, and graphs throughout the text. NEW! Coverage of the latest top-of-mind topics hits on historical colonialism vis-a-vis Canada's Indigenous population and its impact on nursing education; how nursing education will respond to the Calls to Action set forth by the Truth and Reconciliation Commission (TRC); (MAID) Medical Assistance in Dying, and much more. NEW! Separate chapters on Indigenous health and gender allows for greater attention to be placed on cultural diversity, feminism, and men's roles. NEW! Personal Perspectives boxes start each chapter and present real-world topics and situations to pique your interest in chapter content and stimulate critical thinking. NEW! Case studies added across the text help you apply theory to practice. NEW! Gender Considerations boxes and Cultural Considerations boxes are threaded throughout all applicable text chapters to ensure you are well-grounded in how race, ethnicity, culture, and gender identity affects the patient experience. NEW! Balanced coast-to-coast Canadian coverage now includes the CAN 2017 Code of Ethics and updated CASN Standards.

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A foolproof guide both to lying and to detecting deception,Lying and Lie Detection: A CIA Insider's Guide will teach you how the pros can tell if and when somebody is lying. People lie all the time. Studies show that the average American lies between six and twenty times a day. Most lies are of the “little white” variety or are meant to spare a person’s feelings. But what about the big lies? What about the consequential ones? You have a right to know when somebody is lying to you. Now, imagine if you had the tools to spot a lie from the truth—a guide to perfect your sixth sense. Whether it's finding out if you truly got the job, unmasking an infidelity, or a simple recommendation, you will no longer have to spend hours, days, or even weeks pondering about it. Through the easy-to-follow instructions and professional anecdotes in Lying and Lie Detection: A CIA Insider's Guide, you’ll learn to lie and spot lies from John Kiriakou, a former CIA counterterrorism officer and senior investigator for the Senate Foreign Relations Committee responsible for the capture of Abu Zubaydah.Remember, CIA operations officers are trained to lie. They lie all the time. When they are working undercover, they are actually living a lie. With the CIA as a teacher, you’ll learn how to tell.

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No complete translation of the Latin text of the Book of Pontiffs—the Liber Pontificalis of the Roman Church—exists in any language, though the work is indispensable to students of late antiquity and the early middle ages; this book provides an english version of the first ninety papal biographies, from St Peter down to AD 715. These lives were first compiled in the sixth century and then regularly brought up to date. In them the reader will find the curious mixture of fact and legend which had come by the Ostrogothic period to be accepted as history by the Church in Rome, and also the subsequent records maintained through to the early eighth century while Rome was under Byzantine sovereignty. In no sense was the Liber Pontificalis an ‘official’ chronicle of these centuries, and there emerge throughout the interests and prejudices of compilers who belonged, it seems, to the lower levels of the papal administration. For this new edition the translation has been carefully emended, and in places the underlying text has been reconsidered. Vignoli section numbers have been added, as in the translator’s later volumes of the Liber Pontificalis (ttH 13 and 20). The translation has been reset to distinguish more clearly the status and value of additions to the standard Liber Pontificalis text by the use of different type. there have been revisions and extensions to both the glossary and the bibliography, and material has been added to Appendix 3.

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The question of control for Black women is a costly one. From 1986 onwards, the trajectory of Janet Jackson’s career can be summed up in her desire for control. Control for Janet was never simply just about her desire for economic and creative control over her career but was, rather, an existential question about the desire to control and be in control over her bodily integrity as a Black woman. This book examines Janet’s continuation of her quest for control as heard in her sixth album, The Velvet Rope. Engaging with the album, the promotion, the tour, and its accompanying music videos, this study unpacks how Janet uses Black cultural production as an emancipatory act of self-creation that allows her to reconcile with and, potentially, heal from trauma, pain, and feelings of alienation. The Velvet Rope’s arc moves audiences to imagine the possibility of what emancipation from oppression--from sexual, to internal, to societal--could look like for the singer and for others. The sexually charged content and themes of abuse, including self-harm and domestic violence, were dismissed as “selling points” for Janet at the time of its release. The album stands out as a revelatory expression of emotional vulnerability by the singer, one that many other artists have followed in the 20-plus years since its release.

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In this Coretta Scott King Award-winning novel and sequel to the New York Times bestseller and Newbery Honor Book One Crazy Summer, the Gaither sisters return to Brooklyn and find that changes large and small have come to their home. This extraordinary novel earned five starred reviews, with Publishers Weekly calling it "historical fiction that's as full of heart as it is of heartbreak" and The Horn Book considering it "funny, wise, poignant, and thought-provoking." After spending the summer in Oakland, California, with their mother and the Black Panthers, Delphine, Vonetta, and Fern arrive home with a newfound streak of independence. The sisters aren't the only ones who have changed. Now Pa has a girlfriend. Uncle Darnell returns from Vietnam a different man. But Big Ma still expects Delphine to keep her sisters in line. That's much harder now that Vonetta and Fern refuse to be bossed around. Besides her sisters, Delphine's got plenty of other things to worry about-like starting sixth grade, being the tallest girl in her class, and dreading the upcoming school dance. The one person she confides in is her mother, Cecile. Through letters, Delphine pours her heart out and receives some constant advice: to be eleven while she can. Supports the Common Core State Standards

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A portable, easy-to-use map guide that locates over 700 hundred Islamic-era monuments in historic Cairo using the most sophisticated Geographic Information Systems (GIS) technologyThis portable, easy-to-use map guide helps you locate over seven hundred Islamic-era monuments in Cairo’s historic core, stretching from the city’s northern walls all the way southward to the Mosque of Ibn Tulun and the Citadel, and beyond to Coptic Cairo, which includes monuments that pre-date Islamic rule. Clearly divided into six digestible main sections, the first five contain clusters of monuments, while the sixth covers structures scattered all around the old Cairene urban fabric.The clear, uncluttered cartographic style makes finding where you want to go a pleasure, and the maps are accompanied by a comprehensive index of monuments that gives their dates where known, their location referenced to their corresponding map pages, and a timeline of key periods and dynasties.Attractively designed in full color and including over twenty photographs of key monuments, this guide is conveniently packed into a slim 104 pages—handy enough to take anywhere and great for planning and remembering excursions. It is not only an ideal companion for the city’s visitors and residents but an invaluable resource for historians, writers, and students.

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The Age of Ashes Adventure Path concludes! The heroes have defeated the Scarlet Triad, but in doing so have learned a shocking truth—the Scarlet Triad has been financed all these years by the enigmatic ruler of the island nation of Hermea, the gold dragon Mengkare! After a devastating manifestation of a violent dragon god erupts from the portals the heroes have been using the entire campaign, they must travel to Hermea to confront Mengkare about the Scarlet Triad and find out what the gold dragon's plans actually are. Does he seek to save the world... or to end it in a devastating Age of Ashes? Age of Ashes is the first Adventure Path using the brand new rules for the Pathfinder RPG. This sixth and final adventure is for 18th-level characters, and also includes a gazetteer of the utopian city of Promise, advice for GMs on how the events of this campaign can change the world, a wealth of new options for player characters to discover, and more than half a dozen new monsters! Each monthly full-color softcover Pathfinder Adventure Path volume contains an in-depth adventure scenario, stats for several new monsters, and support articles meant to give Game Masters additional material to expand their campaign. Pathfinder Adventure Path volumes use the Open Game License and work with both the Pathfinder RPG and the world’s oldest fantasy RPG.

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David Baldacci's heart-stopping Hour Game is the second fast-paced thriller in the King and Maxwell series.Following their collaboration in Split Second, ex-Secret Service agents Sean King and Michelle Maxwell have gone into partnership and are investigating the robbery of some secret documents at the residence of the incredibly wealthy Battle family. It seems like a straightforward case of domestic burglary, but soon they begin to suspect links to larger, more terrifying events now shaking the prosperous town of Wrightsburg . . . The unidentified corpse of an attractive young woman turns up in the woods; two high school kids, one shot in the back, the other in the face, are found dead in their car; a successful lawyer is discovered stabbed to death in her own home. A serial killer is on the loose. The murderer kills in the manner of famous killers of the past but takes care to leave a stopped watch at the scene of each crime – corresponding to the victim's position on his hit list. As the killing spree escalates it seems that the fractured Battle family are somehow involved and Maxwell and King suddenly find themselves racing to solve an intricate puzzle, one that is full of tantalizing clues but barren of solid evidence, and one that is leaving even the FBI confounded. And all the while, the body count is rising . . .Hour Game is followed by Simple Genius, First Family, The Sixth Man and King and Maxwell.

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Liturgical Subjects examines the history of the self in the Byzantine Empire, challenging narratives of Christian subjectivity that focus only on classical antiquity and the Western Middle Ages. As Derek Krueger demonstrates, Orthodox Christian interior life was profoundly shaped by patterns of worship introduced and disseminated by Byzantine clergy. Hymns, prayers, and sermons transmitted complex emotional responses to biblical stories, particularly during Lent. Religious services and religious art taught congregants who they were in relation to God and each other. Focusing on Christian practice in Constantinople from the sixth to eleventh centuries, Krueger charts the impact of the liturgical calendar, the eucharistic rite, hymns for vigils and festivals, and scenes from the life of Christ on the making of Christian selves. Exploring the verse of great Byzantine liturgical poets, including Romanos the Melodist, Andrew of Crete, Theodore the Stoudite, and Symeon the New Theologian, he demonstrates how their compositions offered templates for Christian self-regard and self-criticism, defining the Christian "I." Cantors, choirs, and congregations sang in the first person singular expressing guilt and repentence, while prayers and sermons defined the collective identity of the Christian community as sinners in need of salvation. By examining the way models of selfhood were formed, performed, and transmitted in the Byzantine Empire, Liturgical Subjects adds a vital dimension to the history of the self in Western culture.

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A recently discovered plaster of Little Dancer, Aged Fourteen is critically challenging our understanding of Edgar Degas' most famous work. Documentary and technical evidence confirm that the plaster was cast from Degas' Little Dancer before the wax sculpture was extensively reworked after 1903. The plaster thus records Degas' wax as it appeared when it shocked the Parisian art world at the sixth Impressionist exhibition of 1881. It reveals a far more revolutionary work than the reworked Little Dancer wax and the posthumous Hébrard bronzes we know today. The plaster shows why Joris-Karl Huysmans, in 1881, raved that Degas' Little Dancer was "the only truly modern attempt I know of in sculpture" and why the work left Whistler in a state of near delirium. The plaster reveals Degas at his most innovative by introducing a radical idea of posing a lowly 'opera rat' as a revered figure by giving her an iconic pose, then locking her into a square vitrine, thus emphasising her symmetrical, four-sided stance. It is now clear that in his Little Dancer Degas anticipated radical ideas that came to define key aspects of modern art, dramatically impacting his most noted peers, including Whistler, Manet, Seurat and Sargent. Even twentieth-century masterpieces by Duchamp, Giacometti, Oldenburg, Warhol and Hirst reflect, albeit indirectly, Degas' masterful innovations.

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"...the uber-manual of all legislative drafting manuals" Statute Law Review, 2023, 44 If you’re involved in drafting or amending legislation in the Commonwealth, the EU or beyond, you need a guide that will help you with both the traditional and modern techniques of drafting good quality statutory law. Thornton’s Legislative Drafting is recognised as the leading professional title in this area, used and referred to by legal officers and drafters internationally. Completely refreshed and updated, the new sixth edition includes full coverage of contemporary drafting developments and advances. Fully updated and alongside the detailed, learned and professional guidance and examples of best, and bad, practice, the new 6th edition includes new chapters on: - Legislation as a Tool for Regulation - Transposition of EU Legislation - Pre- and post-legislative scrutiny: the lifecycle of legislation Thornton's Legislative Drafting helps the reader to: - Identify the aim of legislation as one of the regulatory tools - Align their concept of legislative quality with that of effectiveness of legislation - Use effectiveness as the criterion for resolving drafting dilemmas - Apply the effectiveness doctrine to all aspects of legislative drafting - Earn exposure to examples of best and bad practice drawn from a plethora of jurisdictions - Earn awareness of best practice in aspects of legislative drafting worldwide - Understand the “why” behind legislative conventions, thus becoming equipped with the tools for their application in practice.

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Following the collapse of the western Roman Empire, the Franks established in northern Gaul one of the most enduring of the Germanic barbarian kingdoms. They produced a legal code (which they called the Salic law) at approximately the same time that the Visigoths and Burgundians produced theirs, but the Frankish code is the least Romanized and most Germanic of the three. Unlike Roman law, this code does not emphasize marriage and the family, inheritance, gifts, and contracts; rather, Lex Salica is largely devoted to establishing fixed monetary or other penalties for a wide variety of damaging acts such as "killing women and children," "striking a man on the head so that the brain shows," or "skinning a dead horse without the consent of its owner." An important resource for students and scholars of medieval and legal history, made available once again in Katherine Fischer Drew's expert translation, the code contains much information on Frankish judicial procedure. Drew has here rendered into readable English the Pactus Legis Salicae, generally believed to have been issued by the Frankish King Clovis in the early sixth century and modified by his sons and grandson, Childbert I, Chlotar I, and Chilperic I. In addition, she provides a translation of the Lex Salica Karolina, the code as corrected and reissued some three centuries later by Charlemagne.

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Since antiquity, the vast Central Eurasian region of Xinjiang, or Eastern Turkestan, has stood at the crossroads of China, India, the Middle East, and Europe, playing a pivotal role in the social, cultural, and political histories of Asia and the world. Today, it comprises one-sixth of the territory of the People’s Republic of China and borders India, Pakistan, Afghanistan, Tajikistan, Kyrgyzstan, Kazakhstan, Russia, and Mongolia.Eurasian Crossroads is an engaging and comprehensive account of Xinjiang’s history and people from earliest times to the present day. Drawing on primary sources in several Asian and European languages, James A. Millward surveys Xinjiang’s rich environmental and cultural heritage as well as its historical and contemporary geopolitical significance. Xinjiang was once the hub of the Silk Road and the conduit through which Buddhism, Christianity, and Islam entered China. It was also a fulcrum where Sinic, steppe nomadic, Tibetan, and Islamic imperial realms engaged and struggled. In the twentieth and twenty-first centuries, the Han-dominated Chinese Communist Party has failed to include Xinjiang’s diverse indigenous Central Asian peoples. Its nationalistic visions have spurred domestic troubles that now affect the PRC’s foreign affairs and global ambitions.This revised and updated edition features new empirically grounded and balanced analysis of the latest developments in the region, focusing on the circumstances of the Uyghurs, Kazakhs, and other Xinjiang peoples in the face of policies implemented by the Chinese Communist Party.

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Unprecedented in scope – like its companion volume on the High Renaissance, Mannerism – this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries – particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo.It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years’ War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome – Maderno, Cortona, Borromini and Bernini – and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters – above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter’s followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North – the Netherlands, Denmark, Sweden and Britain; the Divided Centre – the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South – the Iberian kingdoms and their dominions in southern Italy and the Americas.

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This new, sixth edition of Bradt's Montenegro is the most comprehensive guide available to one of Europe's hidden corners and features many areas not covered by other guides. Thoroughly updated to incorporate all the most recent developments, from practical information on where to go, stay and eat to vivid descriptions, historical insights and in-depth background on both well-known and off-the-beaten track sights, it is an ideal companion for both independent and group travellers. Beach lovers, culture aficionados, hikers, adrenaline-seekers, birding and wildlife enthusiasts and foodies are all catered for, with details of everything from coastal retreats, the Buljarica wetlands and Ulcinj saltpans to Durmitor and Biogradska national parks, Prokletije Mountains and cultural big-hitters such as Cetinje and Kotor, as well as the many reminders of the country's Ottoman and Venetian heritage. With new flight routes opening up and the tourist board working hard to promote the country, Montenegro's popularity is on the rise. The Via Dinarica and Balkan Peaks long-distance trails both pass through Montenegro and are drawing ever greater numbers, while adventure sports - climbing, skiing, mountain biking, sea kayaking, coasteering, and white-water rafting, to name a few - form an increasingly significant part of the country's appeal. Montenegrin wine, too, is attracting a growing band of devotees. With medieval gems and a stark rugged beauty, the country offers something for everyone and with Bradt's Montenegro you are perfectly equipped for a successful trip.

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The Early Anglo-Saxon Kings takes a new look at the adventus Saxonum, the arrival of the Saxons, recorded in the earliest literary sources. As the Roman provincial structure fragmented, new cultural identities emerged. In fifth century Britain whatever sense of pax Romana remained gave way to a war-band culture which dominated both Brythonic and Germanic peoples. Villas left abandoned were replaced by the mead-hall. These halls now rang with the songs and poems of bards and scops. Tales of famous battles such as mons Badonicus and Cattraeth filled the air. Out of the ashes of the former Roman diocese new kingdoms emerged. One major factor was the settlement of significant numbers of Germanic peoples in Britain in the fifth and sixth centuries. The first kings of these peoples are shrouded in legends and myth, such as the leaders of the first group of mercenaries, Hengest and Horsa, as well as Ælle of the South Saxons, Cerdic and Cynric and later Ceawlin of Wessex. The book takes the reader from the early-fifth century through to the mid-seventh century and the death of the last great pagan Anglo-Saxon king, Penda of Mercia. An entertaining journey across the landscape of Britain in search of battle-sites and burial-mounds, this book brings to life the world that produced Y Gododdin and Beowulf; a world that saw warlords and kings carve out new kingdoms from the carcass of post-Roman Britain.

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It is arguably Confucianism, not Communism, which lies at the core of China's deepest sense of self. Although reviled by Chinese intellectuals of the 1950s-1990s, who spoke of it as 'yellow silt clotting the arteries of the country', Confucianism has defied eradication, remaining a fundamental part of the nation's soul for 2500 years. And now, as China assumes greater ascendancy on the world economic stage, it is making a strong comeback as a pragmatic philosophy of personal as well as corporate transformation, popular in both home and boardroom. What is this complex system of ideology that stems from the teachings of a remarkable man called Confucius (Kongzi), who lived in the distant sixth century BCE? Though he left no writings of his own, the oral teachings recorded by the founder's disciples in the 'Analects' left a profound mark on later Chinese politics and governance. They outline a system of social cohesiveness dependent upon personal virtue and self-control. For Confucius, society's harmony relied upon the appropriate behaviour of each individual within the social hierarchy; and its emphasis on practical ethics has led many to think of Confucianism as a secular philosophy rather than a religion. In this new, comprehensive introduction, Ronnie Littlejohn argues rather that Confucianism is profoundly spiritual, and must be treated as such. He offers full coverage of the tradition's sometimes neglected metaphysics, as well as its varied manifestations in education, art, literature and culture.

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Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition. Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural cliches about women and gender in a fashion that resonates with contemporary Athenian social and political issues.

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Composed by three poet-saints between the sixth and eighth centuries A.D., the Tevaram hymns are the primary scripture of the Tamil Saivism, one of the first popular large-scale devotional movements within Hinduism. Indira Peterson eloquently renders into English a substantial portion of these hymns, which provide vivid and moving portraits of the images, myths, rites, and adoration of Siva and which continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Her introduction and annotations illuminate the work's literary, religious, and cultural contexts, making this anthology a rich sourcebook for the study of South Indian popular religion. Indira Peterson highlights the Tevaram as a seminal text in Tamil cultural history, a synthesis of pan-Indian and Tamil civilization, as well as a distinctly Tamil expression of the love of song, sacred landscape, and ceremonial religion. Her discussion of this work draws on her pioneering research into the performance of the hymns and their relation to the art and ritual of the South Indian temple. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The poetry found in the Book of Lamentations is an eloquent expression of one man’s, and one nation’s, despair. The poet is deep in mourning as a result of the fall of Jerusalem to the Babylonians in the sixth century b.c.e. He looks to Israel’s own sins to explain the catastrophe, and yet he recites poignant examples of Israel’s suffering in wondering aloud if God has abandoned his people altogether. Thus his lament is both a confession and a prayer for hope in spite of the horrible defeat. Lamentations is traditionally thought to have been written by the prophet Jeremiah; today the question is whether one man wrote it or many. In his Introduction, Delbert Hillers gives the evidence against Jeremiah’s authorship and suggests that the poems should be treated as an intelligible unity, most likely written by an eyewitness to the events described. The Book of Lamentations has been taken up through history both as poetry and as an expression of boundless grief. It has become part of the Jewish and Christian liturgies, as well as a source of comfort far beyond the time in which it was written. This commentary fills in the book’s literary and historical background, and we emerge with a fresh respect for the artistry with which it was composed. The poetry itself demands this respect, with a translation here that carries the emotion and heartbreak of the original Hebrew.This new edition by Delbert R. Hillers is a thorough revision of his earlier Anchor Bible commentary, incorporating new literary theories and textual discoveries connected with the very latest Dead Sea Scrolls scholarship.

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Choices about budget priorities are arguably the most important made by the federal government, profoundly affecting the well-being of citizens. Bruce Jansson documents how presidents from FDR to Clinton have made ill-advised choices that wasted trillions of dollars. Going beyond charges of corruption or bureaucratic waste, the book is an eye-opening expose revealing innumerable useless projects (military as well as civilian), unnecessary tax concessions, and the use of interest payments to cover deficit spending, among other costly mistakes. Using Office of Management and Budget projections through 2004, Jansson shows how the madness continues-and how an informed electorate can put an end to it.

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Choices about budget priorities are arguably the most important made by the federal government, profoundly affecting the well-being of citizens. Bruce Jansson documents how presidents from FDR to Clinton have made ill-advised choices that wasted trillions of dollars. Going beyond charges of corruption or bureaucratic waste, the book is an eye-opening expose revealing innumerable useless projects (military as well as civilian), unnecessary tax concessions, and the use of interest payments to cover deficit spending, among other costly mistakes. Using Office of Management and Budget projections through 2004, Jansson shows how the madness continues-and how an informed electorate can put an end to it.

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Inspired by the 1976 exhibition Drawing Now at The Museum of Modern Art, Drawing Then investigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats. The volume also includes newly commissioned work by poet Mei-mei Berssenbrugge in addition to rare archival material, artists’ biographies and a comprehensive chronology linking developments in the art world with the larger social and political events of the decade.

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A detailed study of changing patterns of consumption, showing how these related to wider political, social and economic developments. This book, based on extensive original research, argues that everyday Irish consumption underwent major changes in the 16th century. The book considers the changing nature of imported goods in relation especially to two major activities of daily living: dress and diet. It integrates quantitative data on imports with qualitative sources, including wills, archaeological and pictorial evidence, and contemporary literature and legislation. It shows that changes in Irish consumption mirrored changes occurring in England and across Europe and that they were a function of broader developments in the Irish economy, including the increasing participation of Irish merchants in European markets. The book also discusses how consumption was related to wider political, economic and cultural developments in Ireland, showing how the acquisition and interpretation of material goods were key factors in the mediation of political and social boundaries in a semi-colonised and contested society. Susan Flavin completed her doctorate in early modern history at the University of Bristol.

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

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Can a type of music be "owned"? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, Blues Music in the Sixties shows the stakes when whites claim the right to play and live the blues.In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness--especially black masculinity--remained a marker of authenticity. Crossing color lines and mixing the beats of B.B. King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

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This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.

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This book offers a bold reconsideration of the meaning of 1960s San Francisco counterculture.""Counterculture Kaleidoscope"" explores the traditions represented in the cultural and musical practices of the late Sixties San Francisco counterculture. Dismantling the notion that the movement was all about rebellion and opposition, the book dislodges two myths: first, that the counterculture was an organized socio political movement consisting of progressive people (dubbed ""hippies"") with a shared agenda who opposed the mainstream, and second, that the counterculture was a pure and innocent entity co-opted by commercialism and transformed over time into an agent of so-called ""hip consumerism.""As several recent books on the concept of hipness illustrate, counterculture has become synonymous with rebellion and opposition. Movement-based Sixties histories, nostalgic accounts of the great ""sex, drugs, and rock n' roll"" era, and conservative polemics stigmatizing counter cultural radicalism have reinforced this equation. As an alternative, this book examines primary source material (including music, artwork, popular literature, personal narratives, and first-hand historical accounts) to demonstrate that the San Francisco counterculture in 1966-67 displayed no interest in commitment to a cause and made no association with divisive issues - embracing everything in general, but nothing in particular.

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Winner of the Society for Theatre Research Book Prize – 2016 This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

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Who will mourn with me? Who will break bread with me? Who is my neighbor? In the wake of the religious reformations of the sixteenth century, such questions called for a new approach to the communal religious rituals and verses that shaped and commemorated many of the brightest and darkest moments of English life. In England, new forms of religious writing emerged out of a deeply fractured spiritual community. Conflicts of Devotion reshapes our understanding of the role that poetry played in the re-formation of English community, and shows us that understanding both the poetics of liturgy and the liturgical character of poetry is essential to comprehending the deep shifts in English spiritual attitudes and practices that occurred during the sixteenth and seventeenth centuries. The liturgical, communitarian perspective of Conflicts of Devotion sheds new light on neglected texts and deepens our understanding of how major writers such as Edmund Spenser, Robert Southwell, and John Donne struggled to write their way out of the spiritual and social crises of the age of the Reformation. It also sheds new light on the roles that poetry may play in negotiating—and even overcoming—religious conflict. Attention to liturgical poetics allows us to see the broad spectrum of ways in which English poets forged new forms of spiritual community out of the very language of theological division. This book will be of great interest to teachers and students of early modern poetry and of the various fields related to Reformation studies: history, politics, and theology.

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This volume focuses on the convergence between journalism and literature in the 1960s. The sixties is shorthand for a ubiquitous social, political and cultural upheaval in the Western world with its culmination point in 1968. The changes in society were so encompassing and impressive that many considered traditional ways of making sense of the world no longer sufficient; accepted cultural forms suddenly seemed to lose their capacity to interpret reality. While witnessing and experiencing the reshaping of society both journalists and novelists - as well as film makers and artists - had to find new ways to describe what was happening. Imagination and commitment, subjectivity and performativity were pervading literary and journalistic representations alike. The contributions in this volume explore how journalistic and literary norms, practices and forms got entwined in the 1960s and how the limits of both domains were stretched.

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Coinage and currency—abstract and socially created units of value and power—were basic to early modern society. By controlling money, the people sought to understand and control their complex, expanding, and interdependent world. In Making Money in Sixteenth-Century France, Jotham Parsons investigates the creation and circulation of currency in France. The royal Cour des Monnaies centralized monetary administration, expanding its role in the emerging modern state during the sixteenth century and assuming new powers as an often controversial repository of theoretical and administrative expertise. The Cour des Monnaies, Parsons shows, played an important role in developing the contemporary understanding of money, as a source of both danger and opportunity at the center of economic and political life. More practically, the Monnaies led generally successful responses to the endemic inflation of the era and the monetary chaos of a period of civil war. Its work investigating and prosecuting counterfeiters shone light into a picaresque world of those who used the abstract and artificial nature of money for their own ends. Parsons’s broad, multidimensional portrait of money in early modern France also encompasses the literature of the age, in which money’s arbitrary and dangerous power was a major theme.

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Irish fairytales portray a rich and unpredictable world of enchantment and adventure. Witches and shape-changers, beautiful princesses and noble heroes, giants with untold strength and little people who play tricks wherever they go - these are some of the characters in the traditional stories of Ireland. This delightful volume contains some of the best stories from the rich fund of Irish myth and legend. Read about the cunning defeat of the giant Cucullin by Fin M'Coul, of how King Whiskers tricked the haughty princess into marriage to rid her of her terrible pride, and of the two farmers Hudden and Dudden who lost their cattle through their silly jealousy of a poor old man. With its beguiling stories and beautiful illustrations this charming anthology offers a delight to young and old alike.

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