Search results for ""Author Sixth"

The Early Anglo-Saxon Kings takes a new look at the adventus Saxonum, the arrival of the Saxons, recorded in the earliest literary sources. As the Roman provincial structure fragmented, new cultural identities emerged. In fifth century Britain whatever sense of pax Romana remained gave way to a war-band culture which dominated both Brythonic and Germanic peoples. Villas left abandoned were replaced by the mead-hall. These halls now rang with the songs and poems of bards and scops. Tales of famous battles such as mons Badonicus and Cattraeth filled the air. Out of the ashes of the former Roman diocese new kingdoms emerged. One major factor was the settlement of significant numbers of Germanic peoples in Britain in the fifth and sixth centuries. The first kings of these peoples are shrouded in legends and myth, such as the leaders of the first group of mercenaries, Hengest and Horsa, as well as Ælle of the South Saxons, Cerdic and Cynric and later Ceawlin of Wessex. The book takes the reader from the early-fifth century through to the mid-seventh century and the death of the last great pagan Anglo-Saxon king, Penda of Mercia. An entertaining journey across the landscape of Britain in search of battle-sites and burial-mounds, this book brings to life the world that produced Y Gododdin and Beowulf; a world that saw warlords and kings carve out new kingdoms from the carcass of post-Roman Britain.

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It is arguably Confucianism, not Communism, which lies at the core of China's deepest sense of self. Although reviled by Chinese intellectuals of the 1950s-1990s, who spoke of it as 'yellow silt clotting the arteries of the country', Confucianism has defied eradication, remaining a fundamental part of the nation's soul for 2500 years. And now, as China assumes greater ascendancy on the world economic stage, it is making a strong comeback as a pragmatic philosophy of personal as well as corporate transformation, popular in both home and boardroom. What is this complex system of ideology that stems from the teachings of a remarkable man called Confucius (Kongzi), who lived in the distant sixth century BCE? Though he left no writings of his own, the oral teachings recorded by the founder's disciples in the 'Analects' left a profound mark on later Chinese politics and governance. They outline a system of social cohesiveness dependent upon personal virtue and self-control. For Confucius, society's harmony relied upon the appropriate behaviour of each individual within the social hierarchy; and its emphasis on practical ethics has led many to think of Confucianism as a secular philosophy rather than a religion. In this new, comprehensive introduction, Ronnie Littlejohn argues rather that Confucianism is profoundly spiritual, and must be treated as such. He offers full coverage of the tradition's sometimes neglected metaphysics, as well as its varied manifestations in education, art, literature and culture.

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Although Classical Athenian ideology did not permit women to exercise legal, economic, and social autonomy, the tragedies of Aeschylus, Sophocles, and Euripides often represent them as influential social and moral forces in their own right. Scholars have struggled to explain this seeming contradiction. Helene Foley shows how Greek tragedy uses gender relations to explore specific issues in the development of the social, political, and intellectual life in the polis. She investigates three central and problematic areas in which tragic heroines act independently of men: death ritual and lamentation, marriage, and the making of significant ethical choices. Her anthropological approach, together with her literary analysis, allows for an unusually rich context in which to understand gender relations in ancient Greece. This book examines, for example, the tragic response to legislation regulating family life that may have begun as early as the sixth century. It also draws upon contemporary studies of virtue ethics and upon feminist reconsiderations of the Western ethical tradition. Foley maintains that by viewing public issues through the lens of the family, tragedy asks whether public and private morality can operate on the same terms. Moreover, the plays use women to represent significant moral alternatives. Tragedy thus exploits, reinforces, and questions cultural cliches about women and gender in a fashion that resonates with contemporary Athenian social and political issues.

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Composed by three poet-saints between the sixth and eighth centuries A.D., the Tevaram hymns are the primary scripture of the Tamil Saivism, one of the first popular large-scale devotional movements within Hinduism. Indira Peterson eloquently renders into English a substantial portion of these hymns, which provide vivid and moving portraits of the images, myths, rites, and adoration of Siva and which continue to be loved and sung by the millions of followers of the Tamil Saiva tradition. Her introduction and annotations illuminate the work's literary, religious, and cultural contexts, making this anthology a rich sourcebook for the study of South Indian popular religion. Indira Peterson highlights the Tevaram as a seminal text in Tamil cultural history, a synthesis of pan-Indian and Tamil civilization, as well as a distinctly Tamil expression of the love of song, sacred landscape, and ceremonial religion. Her discussion of this work draws on her pioneering research into the performance of the hymns and their relation to the art and ritual of the South Indian temple. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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The poetry found in the Book of Lamentations is an eloquent expression of one man’s, and one nation’s, despair. The poet is deep in mourning as a result of the fall of Jerusalem to the Babylonians in the sixth century b.c.e. He looks to Israel’s own sins to explain the catastrophe, and yet he recites poignant examples of Israel’s suffering in wondering aloud if God has abandoned his people altogether. Thus his lament is both a confession and a prayer for hope in spite of the horrible defeat. Lamentations is traditionally thought to have been written by the prophet Jeremiah; today the question is whether one man wrote it or many. In his Introduction, Delbert Hillers gives the evidence against Jeremiah’s authorship and suggests that the poems should be treated as an intelligible unity, most likely written by an eyewitness to the events described. The Book of Lamentations has been taken up through history both as poetry and as an expression of boundless grief. It has become part of the Jewish and Christian liturgies, as well as a source of comfort far beyond the time in which it was written. This commentary fills in the book’s literary and historical background, and we emerge with a fresh respect for the artistry with which it was composed. The poetry itself demands this respect, with a translation here that carries the emotion and heartbreak of the original Hebrew.This new edition by Delbert R. Hillers is a thorough revision of his earlier Anchor Bible commentary, incorporating new literary theories and textual discoveries connected with the very latest Dead Sea Scrolls scholarship.

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Inspired by the 1976 exhibition Drawing Now at The Museum of Modern Art, Drawing Then investigates revolutionary developments in the practice of drawing that emerged in the United States during a decade of radical social and political upheaval. With more than 70 works by 39 artists--almost half of whom were not represented in the 1976 exhibition--Drawing Then includes works by Josef Albers, Mel Bochner, Chuck Close, Dan Flavin, Eva Hesse, Jasper Johns, Ellsworth Kelly, Sol LeWitt, Roy Lichtenstein, Brice Marden, Agnes Martin, Cy Twombly, Andy Warhol, Barnett Newman, Robert Rauschenberg and Ed Ruscha, among other greats. The volume also includes newly commissioned work by poet Mei-mei Berssenbrugge in addition to rare archival material, artists’ biographies and a comprehensive chronology linking developments in the art world with the larger social and political events of the decade.

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A detailed study of changing patterns of consumption, showing how these related to wider political, social and economic developments. This book, based on extensive original research, argues that everyday Irish consumption underwent major changes in the 16th century. The book considers the changing nature of imported goods in relation especially to two major activities of daily living: dress and diet. It integrates quantitative data on imports with qualitative sources, including wills, archaeological and pictorial evidence, and contemporary literature and legislation. It shows that changes in Irish consumption mirrored changes occurring in England and across Europe and that they were a function of broader developments in the Irish economy, including the increasing participation of Irish merchants in European markets. The book also discusses how consumption was related to wider political, economic and cultural developments in Ireland, showing how the acquisition and interpretation of material goods were key factors in the mediation of political and social boundaries in a semi-colonised and contested society. Susan Flavin completed her doctorate in early modern history at the University of Bristol.

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

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John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP?In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.

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Can a type of music be "owned"? Examining how music is linked to racial constructs and how African American musicians and audiences reacted to white appropriation, Blues Music in the Sixties shows the stakes when whites claim the right to play and live the blues.In the 1960s, within the larger context of the civil rights movement and the burgeoning counterculture, the blues changed from black to white in its production and reception, as audiences became increasingly white. Yet, while this was happening, blackness--especially black masculinity--remained a marker of authenticity. Crossing color lines and mixing the beats of B.B. King, Eric Clapton, and Janis Joplin; the Newport Folk Festival and the American Folk Blues Festival; and publications such as Living Blues, Ulrich Adelt discusses these developments, including the international aspects of the blues. He highlights the performers and venues that represented changing racial politics and addresses the impact and involvement of audiences and cultural brokers.

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This Is Our Music, declared saxophonist Ornette Coleman's 1960 album title. But whose music was it? At various times during the 1950s and 1960s, musicians, critics, fans, politicians, and entrepreneurs claimed jazz as a national art form, an Afrocentric race music, an extension of modernist innovation in other genres, a music of mass consciousness, and the preserve of a cultural elite. This original and provocative book explores who makes decisions about the value of a cultural form and on what basis, taking as its example the impact of 1960s free improvisation on the changing status of jazz. By examining the production, presentation, and reception of experimental music by Ornette Coleman, Cecil Taylor, John Coltrane, and others, Iain Anderson traces the strange, unexpected, and at times deeply ironic intersections between free jazz, avant-garde artistic movements, Sixties politics, and patronage networks. Anderson emphasizes free improvisation's enormous impact on jazz music's institutional standing, despite ongoing resistance from some of its biggest beneficiaries. He concludes that attempts by African American artists and intellectuals to define a place for themselves in American life, structural changes in the music industry, and the rise of nonprofit sponsorship portended a significant transformation of established cultural standards. At the same time, free improvisation's growing prestige depended in part upon traditional highbrow criteria: increasingly esoteric styles, changing venues and audience behavior, European sanction, withdrawal from the marketplace, and the professionalization of criticism. Thus jazz music's performers and supporters—and potentially those in other arts—have both challenged and accommodated themselves to an ongoing process of cultural stratification.

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This book offers a bold reconsideration of the meaning of 1960s San Francisco counterculture.""Counterculture Kaleidoscope"" explores the traditions represented in the cultural and musical practices of the late Sixties San Francisco counterculture. Dismantling the notion that the movement was all about rebellion and opposition, the book dislodges two myths: first, that the counterculture was an organized socio political movement consisting of progressive people (dubbed ""hippies"") with a shared agenda who opposed the mainstream, and second, that the counterculture was a pure and innocent entity co-opted by commercialism and transformed over time into an agent of so-called ""hip consumerism.""As several recent books on the concept of hipness illustrate, counterculture has become synonymous with rebellion and opposition. Movement-based Sixties histories, nostalgic accounts of the great ""sex, drugs, and rock n' roll"" era, and conservative polemics stigmatizing counter cultural radicalism have reinforced this equation. As an alternative, this book examines primary source material (including music, artwork, popular literature, personal narratives, and first-hand historical accounts) to demonstrate that the San Francisco counterculture in 1966-67 displayed no interest in commitment to a cause and made no association with divisive issues - embracing everything in general, but nothing in particular.

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Winner of the Society for Theatre Research Book Prize – 2016 This is the final volume in a new paperback edition of Steve Nicholson’s definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday’s conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

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In Human Nature, 12 of today's most influential nature and conservation photographers address the biggest environmental concerns of our time. Joel Sartore Paul Nicklen Ami Vitale Brent Stirton Frans Lanting Brian Skerry Tim Laman Cristina Mittermeier J Henry Fair Richard John Seymour George Steinmetz Steve Winter Alongside their reflections, they present curated selections from their photographic careers. Stories and extraordinary images from around the world come together in a powerful call to awareness and action. The United Nations has declared that nature is in more trouble now than at any other time in human history. Extinction looms over one million species of plants and animals. Human Nature wrestles with challenging questions: What do we have? What do we stand to lose? This book offers inspiration to environmentalists, activists, photography fans, and anyone concerned about the future of our world. This illuminating book tackles our modern environmental future through the lens of preeminent photographers Great gift for photographers, nature enthusiasts, those who enjoy backpacking and camping, and anyone who cares about Earth's climate and future Add it to the shelf with books like National Geographic The Photo Ark Vanishing: The World's Most Vulnerable Animals by Joel Sartore, The Sixth Extinction: An Unnatural History by Elizabeth Kolbert, and Dire Predictions: The Visual Guide to the Findings of the IPCC by Michael E. Mann and Lee R. Kump

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From 1837 to 1861, Thoreau kept a Journal that began as a conventional record of ideas, grew into a writer's notebook, and eventually became the principal imaginative work of his career. The source of much of his published writing, the Journal is also a record of both his interior life and his monumental studies of the natural history of his native Concord, Massachusetts. In contrast to earlier editions, the Princeton Edition reproduces the Journal in its original and complete form, in a reading text that is free of editorial interpolations but keyed to a comprehensive scholarly apparatus. Journal 6 comprises a single manuscript notebook of nearly five hundred pages that Thoreau filled between March 9 and August 18, 1853. During this period, Thoreau divided his energies among his increasingly professional studies as a naturalist in Concord, the revision of his Walden manuscript, and surveying, which provided him a living and established him more securely as a contributing member of the Concord community. Thoreau's writing and his understanding of natural history were enriched by surveying, which gave him the opportunity to regularly observe seasonal occurrences and other natural events in and around Concord. Thoreau recorded these observations in his Journal, making both literary and scientific use of them. Substantial passages from Journal 6 were incorporated into the sixth draft of Walden, and its observations formed the basis for later compilations of field ecology. They are made available here, along with Journal entries, completely unrevised. This volume will delight all custodians of literary and natural history and be an essential addition to the libraries of all Thoreau devotees.

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Who will mourn with me? Who will break bread with me? Who is my neighbor? In the wake of the religious reformations of the sixteenth century, such questions called for a new approach to the communal religious rituals and verses that shaped and commemorated many of the brightest and darkest moments of English life. In England, new forms of religious writing emerged out of a deeply fractured spiritual community. Conflicts of Devotion reshapes our understanding of the role that poetry played in the re-formation of English community, and shows us that understanding both the poetics of liturgy and the liturgical character of poetry is essential to comprehending the deep shifts in English spiritual attitudes and practices that occurred during the sixteenth and seventeenth centuries. The liturgical, communitarian perspective of Conflicts of Devotion sheds new light on neglected texts and deepens our understanding of how major writers such as Edmund Spenser, Robert Southwell, and John Donne struggled to write their way out of the spiritual and social crises of the age of the Reformation. It also sheds new light on the roles that poetry may play in negotiating—and even overcoming—religious conflict. Attention to liturgical poetics allows us to see the broad spectrum of ways in which English poets forged new forms of spiritual community out of the very language of theological division. This book will be of great interest to teachers and students of early modern poetry and of the various fields related to Reformation studies: history, politics, and theology.

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A thoroughly updated edition of the classic guide to project management of construction projects For more than thirty years, Construction Project Management has been considered the preeminent guide to all aspects of the construction project management process, including the Critical Path Method (CPM) of project scheduling, and much more. Now in its Sixth Edition, it continues to provide a solid foundation of the principles and fundamentals of project management, with a particular emphasis on project planning, demonstrated through an example project, along with new pedagogical elements such as end-of-chapter problems and questions and a full suite of instructor's resources. Also new to this edition is information on the Earned Value Analysis (EVA) system and introductory coverage of Building Information Modeling (BIM) and Lean Construction in the context of project scheduling. Readers will also benefit from building construction examples, which illustrate each of the principles of project management. This information, combined with the case studies provided in the appendix, gives readers access to hands-on project management experience in the context of real-world project management problems. Features two integrated example projects—one civil and one commercial—fully developed through the text Includes end-of-chapter questions and problems Details BIM in scheduling procedures, Lean Construction, and Earned Value Analysis, EVA Provides teaching resources, including PowerPoint slides, interactive diagrams, and an Instructor's Manual with solutions for the end-of-chapter questions Construction Management and Civil Engineering students and professionals alike will find everything they need, to understand and to master construction project management in this classic guide.

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"I believe every sunrise and I remember the smell of wet grass, the color of robins, and rustle of leaves on the big oaks that outlive nations, all this comes with each sunrise."Sonata marks the sixth and final installment of Charles Bowden’s towering “Unnatural History of America” series. While his earlier volumes were suffused with violence and war, Bowden offers here a celebration of rebirth and regrowth. Rendered in Bowden's inimitable style, more prose poetry than reportage, he evokes panoramas that contain the potential for respite and offer a state of grace all but lost in the endless wars of man.Bowden travels back in time to the worlds of artists Francisco Goya and Vincent van Gogh, the latter painting furiously against encroaching madness. “Van Gogh tries to dream a life of color,” writes Bowden. “Powder blue sheds, yellow stubble, pink skies—but the fears and dark things drag him down.” As Bowden’s vivid prose wrestles with the madness of the world, van Gogh’s paintings represent an act of resistance, ultimately unsuccessful, against depression and suicide.Moving from the vibrant hues of van Gogh’s painted gardens to America’s southern border, Bowden returns once more to the Mexican asylum run by "El Pastor," Jose Antonio Galvan, who was first introduced to readers of the sextet in Jericho. Here, too, is the dream of a garden that will be planted in the desert, a promise of regeneration in a world gone mad. Poetic, elegiac, and elliptical, Sonata is the final, captivating book of Bowden’s monumental career.

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Lewis Carroll’s beloved classic stories are reimagined in this deluxe illustrated gift edition from the award-winning design studio behind the graphics for the Harry Potter film franchise, MinaLima—designed with stunning full color artwork and several interactive features.Originally published in 1865, Lewis Carroll’s exquisite Alice’s Adventures in Wonderland & Through the Looking-Glass have remained revered classics for generations. The story of Alice, an inquisitive heroine who falls through a rabbit hole and into a whimsical world, has captured the hearts of readers of all ages. Perhaps the most popular female character in English literature, Alice is accompanied on her journey of trials and tribulations by the frantic White Rabbit, the demented and terrifying Queen of Hearts, the intriguing Mad Hatter, and many other eccentric characters.Lewis Carroll’s beloved companion stories Alice’s Adventures in Wonderland and Through the Looking Glass are reinvented on one volume by the talented design firm MinaLima, whose fey drawings of some of Western literature’s most famous characters will delight and enthrall, In addition, they have created interactive features exclusive to this edition, including: Alice with extendable legs and arms The rabbit’s house which opens to reveal a giant Alice The Cheshire cat with a pull tab that removes the cat and leaves the cat’s grin A flamingo croquet club that swings to hit the hedgehog A removable map of the Looking Glass world This keepsake illustrated edition—the sixth book in Harper Design’s series of illustrated children’s classics—will be treasured by for years to come.

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The BBC primetime series, The Great British Sewing Bee, is back.The companion book to the sixth series of this flagship BBC show, The Great British Sewing Bee: Sustainable Style accompanies sewers at all levels on their creative journey to reduce, reuse and recycle – ultimately creating their own considered closet.Starting with the essentials, sewers will learn how to maintain and care for their sewing machine, find out the secrets to using an overlocker (and what to do if you don’t have one) and the key to pattern matching. With a guide that demystifies the fitting process, and with expert sewing tips on making alterations, you’ll be able to choose from 27 projects, for both women and men, that will ease you into the world of sustainable sewing.For burgeoning dressmakers, this book showcases a vast array of sustainable and natural fabrics, reveals how to breathe life into old garments and entices the would-be sewer to dress handmade. Interspersed with sustainable tips, from advice on keeping an eco-friendly sewing space and how to better care for your garments, to guidance on recycling old clothes, using up fabric scraps and making repairs, this book is an indispensable reference to a more considered approach to sewing, that will encourage you to create long-lasting projects to cherish.With womenswear sizes ranging from 8 to 22 and menswear sizes ranging from XS to XL, along with five downloadable pattern sheets, expert sewers Caroline Akselson and Alexandra Bruce cover everything you need to build your sewing repertoire and grow in confidence as you sew yourself sustainable.

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By the middle of 1811, Brigadier General Robert Craufurd's Light Division was emerging as the elite of the Peninsular Army and Wellington was seeking opportunities to go over to the offensive, following the expulsion of Marshal Mass na from Portugal. After a period of outpost duty for the Light Division on the familiar ground of the Spanish borders, Wellington seized the keys to Spain' in the epic sieges of Ciudad Rodrigo and Badajoz. Still reeling from the loss of General Craufurd, The Division' led the army against Marshal Marmont and after a protracted period of marching and counter marching, the French were finally brought to battle at Salamanca. As a result of King Joseph being driven out of Madrid, the French marshals united and in the autumn of 1812, the British were driven back to Ciudad Rodrigo in another gruelling retreat. With news of Napoleon's disaster in Russia and with reinforcements from Britain, Wellington prepared his army to drive the French from the Peninsular. A lightening march across Spain to cut the Great Road found King Joseph and Marshal Jourdan at Vitoria and the resulting battle, in which the Light Division fought their way into the heart of the French position, was a triumph of arms for Wellington's light troops. The pursuit into the Pyrenees, had a sting in the tail when Marshal Soult mounted counter offensives in an attempt to relieve San Sebastian and Pamplona. Having thrown the French back and with the Sixth Coalition intact, the Light Division fought their way through the mountains and into Napoleon's France. With the allies closing in on all sides, the French fought on into 1814 and the Light Bobs had further fighting before the spoils of peace in a war-weary France could be enjoyed.

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Choices about budget priorities are arguably the most important made by the federal government, profoundly affecting the well-being of citizens. Bruce Jansson documents how presidents from FDR to Clinton have made ill-advised choices that wasted trillions of dollars. Going beyond charges of corruption or bureaucratic waste, the book is an eye-opening expose revealing innumerable useless projects (military as well as civilian), unnecessary tax concessions, and the use of interest payments to cover deficit spending, among other costly mistakes. Using Office of Management and Budget projections through 2004, Jansson shows how the madness continues-and how an informed electorate can put an end to it.

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Choices about budget priorities are arguably the most important made by the federal government, profoundly affecting the well-being of citizens. Bruce Jansson documents how presidents from FDR to Clinton have made ill-advised choices that wasted trillions of dollars. Going beyond charges of corruption or bureaucratic waste, the book is an eye-opening expose revealing innumerable useless projects (military as well as civilian), unnecessary tax concessions, and the use of interest payments to cover deficit spending, among other costly mistakes. Using Office of Management and Budget projections through 2004, Jansson shows how the madness continues-and how an informed electorate can put an end to it.

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This volume focuses on the convergence between journalism and literature in the 1960s. The sixties is shorthand for a ubiquitous social, political and cultural upheaval in the Western world with its culmination point in 1968. The changes in society were so encompassing and impressive that many considered traditional ways of making sense of the world no longer sufficient; accepted cultural forms suddenly seemed to lose their capacity to interpret reality. While witnessing and experiencing the reshaping of society both journalists and novelists - as well as film makers and artists - had to find new ways to describe what was happening. Imagination and commitment, subjectivity and performativity were pervading literary and journalistic representations alike. The contributions in this volume explore how journalistic and literary norms, practices and forms got entwined in the 1960s and how the limits of both domains were stretched.

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Coinage and currency—abstract and socially created units of value and power—were basic to early modern society. By controlling money, the people sought to understand and control their complex, expanding, and interdependent world. In Making Money in Sixteenth-Century France, Jotham Parsons investigates the creation and circulation of currency in France. The royal Cour des Monnaies centralized monetary administration, expanding its role in the emerging modern state during the sixteenth century and assuming new powers as an often controversial repository of theoretical and administrative expertise. The Cour des Monnaies, Parsons shows, played an important role in developing the contemporary understanding of money, as a source of both danger and opportunity at the center of economic and political life. More practically, the Monnaies led generally successful responses to the endemic inflation of the era and the monetary chaos of a period of civil war. Its work investigating and prosecuting counterfeiters shone light into a picaresque world of those who used the abstract and artificial nature of money for their own ends. Parsons’s broad, multidimensional portrait of money in early modern France also encompasses the literature of the age, in which money’s arbitrary and dangerous power was a major theme.

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Irish fairytales portray a rich and unpredictable world of enchantment and adventure. Witches and shape-changers, beautiful princesses and noble heroes, giants with untold strength and little people who play tricks wherever they go - these are some of the characters in the traditional stories of Ireland. This delightful volume contains some of the best stories from the rich fund of Irish myth and legend. Read about the cunning defeat of the giant Cucullin by Fin M'Coul, of how King Whiskers tricked the haughty princess into marriage to rid her of her terrible pride, and of the two farmers Hudden and Dudden who lost their cattle through their silly jealousy of a poor old man. With its beguiling stories and beautiful illustrations this charming anthology offers a delight to young and old alike.

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Drawn from Peter H. Lee's Sourcebook of Korean Civilization, Volume I, this abridged introductory collection offers students and general readers primary readings in the social, intellectual, and religious traditions of Korea from ancient times through the sixteenth century. Sources of Korean Tradition is arranged according to the major epochs of Korean history, including sections on: Korean culture - its origins, writing, education, poetry, song, social life, and rituals; religion - the rise of Buddhism and Confucianism; the economy - the land, agriculture, commerce, and currency; and its changing political structures. A superb collection by the foremost scholars in the field, Sources of Korean Tradition is supplemented by a bibliography and prefaces by both editors. An impressive storehouse for the grand corpus of thought, beliefs, and customs held by people of Korea for centuries, this volume is a valuable companion for those interested in the history of Korea and East Asian studies.

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Tony Harrison's sixth collection includes a foreword by Lee Hall. The book contains Harrison's translation of Euripides's Hecuba, which inaugurated the modern amphitheatre of Delphi in 2005; the remarkable Fram, which opened at the National Theatre in 2008; and Iphigenia in Crimea, after Euripides, which premiered on BBC Radio 3 to mark Tony Harrison's eightieth birthday in 2016.'Tony is that incredibly rare beast: as great a playwright as he is a poet.' Lee Hall 'I am convinced that Tony Harrison is one of the truly great poets writing in English today.' Melvyn BraggHecuba 'Harrison's urgent translation never lets us forget the aching topicality of Euripides' study of the powerful and the powerless.' Guardian Fram'Harrison brings gloriously rich life to the stage, by turns funny and rending. His couplets are a feast for rhyme junkies.' Financial Times'As visually resplendent a piece of theatre as you will see all year. The words more than hold their own, however, expressing in rhymes to be relished that poetry might yet, if not lead us out of the darkness, at least make us feel ashamed we're still stuck in it.' Sunday Times Iphigenia in Crimea Set in Sebastapol, 1854, inthe midst of the Crimean war, a lieutenant decides to stage an all-male production of Euripides's tragedy. After initial raucous incredulity, the atmosphere changes as the men commit themselves to the drama until, as it draws to a close, ancient and modern worlds collide and warfare resumes in earnest.

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LAST SACRIFICE is the sixth book in the international Number 1 bestselling Vampire Academy series by Richelle Mead - NOW A MAJOR TV SERIES ON SKY AND NOWTV. Higher Learning. Higher Stakes.MURDER, LOVE, JEALOUSY. AND THE ULTIMATE SACRIFICE.The Queen is dead and the Moroi world will never be the same.Rose Hathaway is awaiting wrongful execution and there exists only one man who can stall this terrible fate.Rose must look to both Dimitri and Adrian, the two great loves of her life, to find him.With her best friend, Lissa, in a deadly struggle for the royal throne, the girls find themselves forced to rely upon enemies and questioning those they thought they could trust . . . But what if true freedom means sacrificing the most important thing of all?'Exciting, empowering and un-put-downable.' MTV's Hollywood Crush Blog 'We're suckers for it!' - Entertainment WeeklyAlso available in the Vampire Academy series:Vampire Academy (Book 1)Vampire Academy: Frostbite (Book 2) Vampire Academy: Shadow Kiss (Book 3)Vampire Academy: Blood Promise (Book 4)Vampire Academy: Spirit Bound (Book 5) Vampire Academy: Last Sacrifice (Book 6) And don't miss the bestselling Vampire Academy spin-off series, Bloodlines:.Bloodlines (Book 1)Bloodlines: The Golden Lily (Book 2)Bloodlines: The Indigo Spell (Book 3)Bloodlines: The Fiery Heart (Book 4)Bloodlines: Silver Shadows (Book 5)www.richellemead.com Facebook.com/VampireAcademyNovelsFacebook.com/BloodlinesBooks

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The sixth book in the smart, snarky, and action-packed Heroine series continues the adventures of Asian-American superheroine Bea Tanaka as she takes on demons in Hawaii.Nobody loves Christmas like Bea Tanaka—so when her family visits her for a special holiday celebration, she’s beside herself with joy. After years of chaos, questionable decisions, and flirtations with the supervillain path, Bea is finally thriving. She’s got a sweet, new gig hunting demons in Maui, she’s working hard to hone her powers, and her big sister Evie is proud of her at last. In fact, everyone is so proud of her that she can’t tell them the truth: she’s feeling lost and adrift. She and her boyfriend Sam Fujikawa are struggling to make their long-distance love work, and her powers are displaying some intriguing new elements—elements that could lead her down an evil, mind-controlling path once more. When her family’s holiday visit is disrupted by otherworldly monsters rising out of the Maui ocean, Bea throws herself into the battle—until she’s suddenly and mysteriously transported to the perfect Christmas back in San Francisco, surrounded by her family and an excess of merrymaking. As she finds herself trapped in the bizarre holiday rom-com of her nightmares, Bea must unravel a treacherous demon plot, save the world from unspeakable evil, and resist the siren song of a supervillain destiny. And hey, maybe she’ll find time for a little holiday cheer after all....

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A Swedish crime writer as thrilling as Mankell, a detective as compelling as Wallander . . . Håkan Nesser's The Inspector and Silence is the fifth gripping crime novel in the Van Veeteren series.In the heart of summer, the country swelters in a fug of heat. In the beautiful forested lake-town of Sorbinowo, Sergeant Merwin Kluuge's tranquil existence is shattered when he receives a phone call from an anonymous woman. She tells him that a girl has gone missing from the summer camp of the mysterious The Pure Life, a religious sect buried deep in the woods. Chief Inspector Van Veeteren is recruited to help solve the mystery. But Van Veeteren's investigations at The Pure Life go nowhere fast. The strange priest-like figure who leads the sect – Oscar Yellineck – refuses even to admit anyone is missing. Things soon take a sinister turn, however, when a young girl's body is discovered in the woods, raped and strangled; and Yellineck himself disappears. Yet even in the face of these new horrors, the remaining members of the sect refuse to co-operate with Van Veeteren, remaining largely silent. As the body count rises, a media frenzy descends upon the town and the pressure to find the monster behind the murders weighs heavily on the investigative team. Finally Van Veeteren realizes that to solve this disturbing case, faced with silence and with few clues to follow, he has only his intuition to rely on . . .The Inspector and Silence is followed by the sixth book in the series, The Unlucky Lottery.

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‘A minor masterpiece. I laughed so much I fell from my armchair’ Time OutThe Discworld is very much like our own – if our own were to consist of a flat planet balanced on the back of four elephants which stand on the back of a giant turtle, that is . . .'Anything you do in the past changes the future. The tiniest little actions have huge consequences. You might tread on an ant now and it might entirely prevent someone from being born in the future.'The Discworld's most inept wizard has found himself on the Discworld’s last continent, a completely separate creation.It's hot. It's dry . . . very dry. There was this thing once called The Wet, which no one believes in. Practically everything that's not poisonous is venomous. But it's the best bloody place in the world, all right?And in a few days, it will be except . . . Who is this hero striding across the red desert? Champion sheep shearer, horse rider, road warrior, beer drinker, bush ranger, and someone who'll even eat a Meat Pie Floater when he's sober? A man in a hat whose luggage follows him on little legs, who's about to change history by preventing a swagman stealing a jumbuck by a billabong?Yes . . . all this place has between itself and wind-blown doom is Rincewind, the inept wizard who can't even spell wizard. Still . . . no worries, eh?____________________The Discworld novels can be read in any order but The Last Continent is the sixth book in the Wizards series.

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An in-depth look at the distinctly different ways that China and India govern their cities and how this impacts their residentsUrbanization is rapidly overtaking China and India, the two most populous countries in the world. One-sixth of humanity now lives in either a Chinese or Indian city. This transformation has unleashed enormous pressures on land use, housing, and the environment. Despite the stakes, the workings of urban governance in China and India remain obscure and poorly understood.In this book, Xuefei Ren explores how China and India govern their cities and how their different styles of governance produce inequality and exclusion. Drawing upon historical-comparative analyses and extensive fieldwork (in Beijing, Guangzhou, Wukan, Delhi, Mumbai, and Kolkata), Ren investigates the ways that Chinese and Indian cities manage land acquisition, slum clearance, and air pollution. She discovers that the two countries address these issues through radically different approaches. In China, urban governance centers on territorial institutions, such as hukou and the cadre evaluation system. In India, urban governance centers on associational politics, encompassing contingent alliances formed among state actors, the private sector, and civil society groups. Ren traces the origins of territorial and associational forms of governance to late imperial China and precolonial India. She then shows how these forms have evolved to shape urban growth and residents’ struggles today.As the number of urban residents in China and India reaches beyond a billion, Governing the Urban in China and India makes clear that the development of cities in these two nations will have profound consequences well beyond their borders.

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The discovery and translation of the Gnostic Gospels have revealed Mary Magdalene to be a gifted visionary teacher and the best qualified disciple to lead the Jesus movement following his death. Yet, according to most scholars, only a few fragments of her actual teachings have survived. Sharing more than 20 years of research, inspired by a profound experience at the cave in southern France where Mary Magdalene is reputed to have spent her final years, Jack Angelo reveals that the Fourth Gospel of the New Testament, traditionally attributed to John, is actually a direct transcription of Mary Magdalene's oral teachings. He explains how the Fourth Gospel was recast by more conservative members of the Jesus movement, such as Peter and Andrew, to hide Mary's authorship and suppress her role as head disciple. Delving deeply into the many layers of meaning within the "Gospel of Signs"--the first 11 chapters of the Fourth Gospel which describe seven of Jesus' miracles--he shows how Mary's teachings outline seven key steps for personal transformation and profound healing. For example, the sixth sign describes the shamanic healing of a blind man when Jesus spits on clay and smears the paste over the man's eyes. Angelo explains how the deeper meaning of this sign is about perceiving with the "eyes of the heart." Beyond the beauty and simplicity of Mary's wisdom for personal transformation and healing, Angelo also shows how Mary's heart-centered teachings embody the resurgence of feminine energy that is vitally needed to restore balance to the psyche and health of humanity as well as to Earth.

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“At once an elegy and an exhortation.”—ELIZABETH KOLBERT A revelatory exploration of climate change from the perspective of wild species and natural ecosystems - an homage to the miraculous, vibrant entity that is life on Earth. The stories we usually tell ourselves about climate change tend to focus on the damage inflicted on human societies by big storms, severe droughts, and rising sea levels. But the most powerful impacts are being and will be felt by the natural world and its myriad species, which are already in the midst of the sixth great extinction. Rising temperatures are fracturing ecosystems that took millions of years to evolve, disrupting the life forms they sustain - and in many cases driving them towards extinction. The natural Eden that humanity inherited is quickly slipping away. Although we can never really know what a creature thinks or feels, The End of Eden invites the reader to meet wild species on their own terms in a range of ecosystems that span the globe. Combining classic natural history, firsthand reportage, and insights from cutting-edge research, Adam Welz brings us close to creatures like moose in northern Maine, parrots in Puerto Rico, cheetahs in Namibia, and rare fish in Australia as they struggle to survive. The stories are intimate yet expansive and always dramatic. An exquisitely written and deeply researched exploration of wild species reacting to climate breakdown, The End of Eden offers a radical new kind of environmental journalism that connects humans to nature in a more empathetic way than ever before and galvanizes us to act in defense of the natural world before it's too late.

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Conwy has been involved in military conflict for over 2,000 years. The Iron Age hill fort of Caer Seion defended the area from the sixth century BC. Many slingshot stones have been discovered here, attesting to troubled times. In 881 the Welsh defeated an Anglo-Saxon army led by Aethelred of Mercia. The most spectacular outcome of Conwy’s strategic military significance at the mouth of the River Conwy was Edward I’s mighty castle, creating a walled town. In 1399 Richard II sought refuge in Conwy Castle against the future Henry IV’s forces and the castle was besieged again during the English Civil War by Parliamentary forces. An army camp was established at Morfa in the nineteenth century, becoming home to the Salford Pals and the Royal Engineers in the First World War and a Polish resettlement camp after the First World War. During the war, the sulphur mine at Caer Coch was the country’s largest producer of sulphur, vital for munitions. Conwy also played a vital role in the Second World War as Mulberry Harbours, crucial for the Normandy landings, were initially designed and then assembled here, and Ratcliffe Engineering built parts for Beaufighter and Halifax aircraft. The town was also a centre of prisoner-of-war camps in the area and despite some accounts of conflict between townsfolk and prisoners, relations were generally harmonious and some ex-prisoners married and settled in the area after the war. This book will be of interest to all those who would like to know more about Conwy’s remarkable military history.

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In the late-second century, Tatian the Assyrian constructed a new Gospel by intricately harmonizing Matthew, Mark, Luke, and John. Tatian's work became known as the Diatessaron, since it was derived 'out of the four' eventually canonical Gospels. Though it circulated widely for centuries, the Diatessaron disappeared in antiquity. Nevertheless, numerous ancient and medieval harmonies survive in various languages. Some texts are altogether independent of the Diatessaron, while others are definitely related. Yet even Tatian's known descendants differ in large and small ways, so attempts at reconstruction have proven confounding. In this book James W. Barker forges a new path in Diatessaron studies. Covering the widest array of manuscript evidence to date, Tatian's Diatessaron reconstructs the compositional and editorial practices by which Tatian wrote his Gospel. By sorting every extant witnesses according to its narrative sequence, the macrostructure of Tatian's Gospel becomes clear. Despite many shared agreements, there remain significant divergences between eastern and western witnesses. This book argues that the eastern ones preserve Tatian's order, whereas the western texts descend from a fourth-century recension of the Diatessaron. Victor of Capua and his scribe used the recension to produce the Latin Codex Fuldensis in the sixth century. More controversially, Barker offers new evidence that late medieval texts such as the Middle Dutch Stuttgart harmony independently preserve traces of the western recension. This study uncovers the composition and reception history behind one of early Christianity's most elusive texts.

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In this volume, Michael Flexsenhar III advances the argument that imperial slaves and freedpersons in the Roman Empire were essential to early Christians’ self-conception as a distinct people in the Mediterranean and played a multifaceted role in the making of early Christianity.Scholarship in early Christianity has for centuries viewed Roman emperors’ slaves and freedmen as responsible for ushering Christianity onto the world stage, traditionally using Paul’s allusion to “the saints from Caesar’s household” in Philippians 4:22 as a core literary lens. Merging textual and material evidence with diaspora and memory studies, Flexsenhar expands on this narrative to explore new and more nuanced representations of this group, showing how the long-accepted stories of Christian slaves and freepersons in Caesar’s household should not be taken at face value but should instead be understood within the context of Christian myth- and meaning-making. Flexsenhar analyzes textual and material evidence from the first to the sixth century, spanning Roman Asia, the Aegean rim, Gaul, and the coast of North Africa as well as the imperial capital itself. As a result, this book shows how stories of the emperor’s slaves were integral to key developments in the spread of Christianity, generating origin myths in Rome and establishing a shared history and geography there, differentiating and negotiating assimilation with other groups, and expressing commemorative language, ritual acts, and a material culture.With its thoughtful critical readings of literary and material sources and its fresh analysis of the lived experiences of imperial slaves and freedpersons, Christians in Caesar’s Household is indispensable reading for scholars of early Christianity, the origins of religion, and the Roman Empire.

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