Search results for ""experiment""

It is difficult to imagine how our highly evolved technological society would function, or how life would even exist on our planet, if polymers did not exist. The intensive study of polymeric systems, which has been under way for several decades, has recently yielded new insights into the properties of assemblies of these complex molecules and the physical principles that govern their behavior. These developments have included new concepts to describe aspects of the many body behavior in these systems, microscopic analyses that bring our understanding of these systems much closer to our understanding of simple liquids and solids, and the discovery of novel chemistry that these molecules can catalyze. This special topic volume of Advances in Chemical Physics surveys a number of these recent accomplishments. Supplemented with more than 250 illustrations, it provides a significant, up-to-date selection of papers by inter-nationally recognized researchers. Topics include: * Theory of Polyelectrolyte Solutions * Star Polymers: Experiment, Theory, and Simulation * Tethered Polymer Layers * Living Polymers * Transport and Kinetics in Electroactive Polymers Self-contained, authoritative, and timely, Polymeric Systems makes the cutting edge of polymer research available to scientists in every branch of chemical physics. Contributors to POLYMERIC SYSTEMS JEAN-LOUIS BARRAT, Departement de Physique des Materiaux, Universite Claude Bernard-Lyon l, France A. BAUMGARTNER, Institut fur Festkorperforschung, Germany M. A. CARIGNANO, Department of Chemistry, Purdue University, West Lafayette, Indiana LEWIS J. FETTERS, Corporate Research Science Laboratories, Exxon Research and Engineering Company, Annandale, New Jersey SANDRA C. GREER, Department of Chemical Engineering, University of Maryland at College Park GARY S. GREST, Corporate Research Science Laboratories, Exxon Research and Engineering Company, Annandale, New Jersey JOHN S. HUANG, Corporate Research Science Laboratories, Exxon Research and Engineering Company, Annandale, New Jersey JEAN-FRANCOIS JOANNY, Institut Charles Sadron, France MICHAEL E. G. LYONS, Electroactive Polymer Research Group, Physical Chemistry Laboratory, University of Dublin, Ireland M. MUTHUKUMAR, Department of Polymer Science, University of Massachusetts, Amherst, Massachusetts DIETER RICHTER, Institut fur Festkorperforschung, Germany I. SZLEIFER, Department of Chemistry, Purdue University, West Lafayette, Indiana

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Winner of the Alice Davis Hitchcock Award sponsored by the Society of Architectural Historians Winner of the M. Fuat Koprulu Book Prize in Turkish Studies sponsored by the Turkish Studies Association With the proclamation of the Turkish republic by Mustafa Kemal Ataturk in 1923, Turkey’s political and intellectual elites attempted to forge from the ruins of the Ottoman Empire a thoroughly modern, secular, European nation-state. Among many other public expressions of this bold social experiment, they imported modern architecture as both a visible symbol and an effective instrument of their modernizing agenda. They abandoned the prevailing Ottoman revivalist style and transformed the entire profession of architecture in Turkey according to the aesthetic canons and rationalist doctrines of European modernism. In this book, the architectural historian Sibel Bozdogan offers a cultural history of modern Turkish architecture and its impact on European modernism from the Young Turk revolution of 1908 to the end of the Kemalist single-party regime in 1950. Drawing on official propaganda publications, professional architectural journals, and popular magazines of the day, Bozdogan looks at Turkish architectural culture in its broad political, historical, and ideological context. She shows how modern architecture came to be the primary visual expression of the so-called republican revolution--especially in the case of representative public buildings and in the idealized form of the modern house. She also illustrates Turkish architects’ efforts to legitimize modern forms on rational, scientific grounds and to “nationalize” them by showing their compatibility with Turkish building traditions. After Ataturk’s death in 1938, the initial revolutionary spirit in Turkish architectural culture gave way to nationalist trends in German and Italian architecture and to the inspiration of Central Asian and pre-Islamic Turkish monuments. The resulting departure from the distinct modernist aesthetic of the early 1930s toward a more classicized and monumental architecture representative of state power brought this heroic era of modern Turkish history to a close. Today, when Turkey’s project of modernity is being critically reevaluated from many perspectives, this comprehensive survey of Kemalism’s architectural legacy is timely and provocative.

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Here is the whole sweep of the Soviet experiment and experience as told by its last steward. Drawing on his own experience, rich archival material, and a keen sense of history and politics, Mikhail Gorbachev speaks his mind on a range of subjects concerning Russia's past, present, and future place in the world. Here is Gorbachev on the October Revolution, Gorbachev on the Cold War, and Gorbachev on key figures such as Lenin, Stalin, and Yeltsin. The book begins with a look back at 1917. While noting that tsarist Russia was not as backward as it is often portrayed, Gorbachev argues that the Bolshevik Revolution was inevitable and that it did much to modernize Russia. He strongly argues that the Soviet Union had a positive influence on social policy in the West, while maintaining that the development of socialism was cut short by Stalinist totalitarianism. In the next section, Gorbachev considers the fall of the USSR. What were the goals of perestroika? How did such a vast superpower disintegrate so quickly? From the awakening of ethnic tensions, to the inability of democrats to unite, to his own attempts to reform but preserve the union, Gorbachev retraces those fateful days and explains the origins of Russia's present crisis. But Gorbachev does not just train his critical eye on the past. He lays out a blueprint for where Russia needs to go in the next century, suggesting ways to strengthen the federation and achieve meaningful economic and political reforms. In the final section of the book, Gorbachev examines the "new thinking" in foreign policy that helped to end the Cold War and shows how such approaches could help resolve a range of current crises, including NATO expansion, the role of the UN, the fate of nuclear weapons, and environmental problems. Gorbachev: On My Country and the World reveals the unique vision of a man who was a powerful actor on the world stage and remains a keen observer of Russia's experience in the twentieth century.

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Whitney La Rocca and Jeff Anderson adapt their vibrant approach to grammar instruction in Patterns of Wonder, Grades Prek-1: Inviting Emergent Writers to Play with the Conventions of Language. Here, young, emergent writers are invited to notice the conventions of language and build off them in this inquiry-based approach to instructional grammar. The book comes with standards-aligned lessons that can be incorporated in just 10 minutes a day. Patterns of Wonder’s responsive, invitational approach allows young students to play and inquire about language and experiment, take risks, and have fun. Inside you’ll find: Ready-to-use lesson plan sets that pinpoint and build across the most common needs of emergent writers An adjusted invitational process adapted for young learners, and the "Phases of Emergent Writing" as tools to plan for effective, scaffolded instruction How to position grammar concepts about print instruction across three overlapping levels of support: oral language, illustrating, and writing Over 200 engaging picture book recommendations to stir curious classroom conversations Patterns of Wonder, Grades PreK-1 provides a simple classroom routine that is structured in length and approach, but provides teachers flexibility in choosing the texts, allowing for numerous, diverse voices in the classroom. The practice helps students build cognitive recognition and provides a formative assessment for teachers on student progress. Grounded in play, conversation, and most of all, wonder, Patterns of Wonder brings the authors’ irrepressible excitement for inquiry and writing instruction to the ways we support our Pre-K, Kindergarten and 1st grade emergent writers. The Patterns of Power series also includes Patterns of Power, Grades 6-8: Inviting Adolescent Writers into the Conventions of Language; Patterns of Power, Grades 1-5: Inviting Young Writers into the Conventions of Language; Patterns of Power, Grades 9-12: Teaching Grammar Through Reading and Writing; and Patterns of Power en Español. Grades 1-5: Inviting Bilingual Writers into the Conventions of Spanish.

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A powerful and personalized process to improve your life and advance your career Do you sometimes feel stuck, despite real efforts to gain momentum on goals you’ve set? Momentum means you’re doing more than simply getting things done. It’s that feeling of satisfaction, the belief that you can achieve big goals and complete important projects that fulfill you both personally and professionally. Get Momentum coaches you in the mindset, skill set, and toolkit required to make progress on the items you have on your life and work goals faster and easier, while living a less stressful, more meaningful life. The authors, Jodi Womack and her husband Jason Womack, provide valuable insights into the psychology of change and how to direct your focus to experience fulfillment at work and in life. The authors share what they know having built a successful executive coaching firm together, as well as facilitating leadership workshops in their home town and more than twenty countries around the world. Contrary to the promise of many self-help/business books, they believe there is no one-size-fits-all recipe for success.Get Momentum teaches you how to make proactive changes based on the solid foundation of your own “quality of life” criteria. Jodi and Jason offer clear, step-by-step guidance on how to define your personal criteria so that you can Get Momentum, improve your life and enhance your career. You will learn how to: Answer the Call (What to do when you say “Someone should do something about this!") Organize a Team and Gain the Perspective of People You Trust Measure Something (Just Not Everything At Once) Experiment Specifically and Practice Deliberately Build Momentum, Recognize Your Wins, and Pay It Forward With kindness, accountability and encouragement, Get Momentum will help you tap into your natural way of being to achieve professional goals and personal experiences that are on your bucket list, living a life you’re proud to share with others.

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Exam Board: Cambridge Assessment International EducationLevel & Subject: Cambridge International AS & A Level DramaFor examination from 2021 (AS Level), 2022 (AS and A Level) The Student’s Book is structured to build skills and knowledge in a clear sequence, and to help students to apply their skills. With in-depth coverage of the syllabus topics and a stimulating range of international play script extracts, this is the ideal resource for advanced level drama study.• Offers a clear route through the syllabus, helping teachers to plan for the first years of teaching and find material for each Component of the course.• Fosters a creative, experiential approach with practical activities in every unit and suggestions of how to experiment with imaginative approaches to individual tasks.• Introduces the excitement of World Theatre: a chapter on World Theatre traditions and practitioners enables students to draw on this knowledge in their own practice throughout the course and opens avenues for further exploration.• Helps students to acquire a vocabulary of performing arts terms with Key terms boxes throughout and a collated Glossary of key terms.• Supports successful writing with clear modelling of the planning, structuring and writing process, and sample writing at different levels.• Provides an exciting range of high quality, international play script extracts for students to perform individually and in groups.• Contextualises plays for international students – Key context boxes introduce texts and their social, historical and cultural contexts, while Vocabulary boxes explain any culturally specific vocabulary or references.• Differentiated to support all learners with Thinking more deeply sections in each chapter to stretch those who require a challenge, and a clear, accessible writing style to assist international learners.• Written by experienced A Level drama teachers, whose expertise includes technical and production skills as well as devising, performing and writing.• Supports teachers through the free, editable scheme of work available on www.collins.co.uk/cambridge-international-downloads. This title is endorsed by Cambridge Assessment International Education.

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Christine M. Korsgaard presents a compelling new view of humans' moral relationships to the other animals. She defends the claim that we are obligated to treat all sentient beings as what Kant called "ends-in-themselves". Drawing on a theory of the good derived from Aristotle, she offers an explanation of why animals are the sorts of beings for whom things can be good or bad. She then turns to Kant's argument for the value of humanity to show that rationality commits us to claiming the standing of ends-in-ourselves, in two senses. Kant argued that as autonomous beings, we claim to be ends-in-ourselves when we claim the standing to make laws for ourselves and each other. Korsgaard argues that as beings who have a good, we also claim to be ends-in-ourselves when we take the things that are good for us to be good absolutely and so worthy of pursuit. The first claim commits us to joining with other autonomous beings in relations of moral reciprocity. The second claim commits us to treating the good of every sentient creature as something of absolute importance. Korsgaard argues that human beings are not more important than the other animals, that our moral nature does not make us superior to the other animals, and that our unique capacities do not make us better off than the other animals. She criticizes the "marginal cases" argument and advances a new view of moral standing as attaching to the atemporal subjects of lives. She criticizes Kant's own view that our duties to animals are indirect, and offers a non-utilitarian account of the relation between pleasure and the good. She also addresses a number of directly practical questions: whether we have the right to eat animals, experiment on them, make them work for us and fight in our wars, and keep them as pets; and how to understand the wrong that we do when we cause a species to go extinct.

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In 1791, General Arthur St. Clair led the United States army in a campaign to destroy a complex of Indian villages at the Maumee River in northwestern Ohio. Almost within reach of their objective, St. Clair's 1,400 men were attacked by about one thousand Indians. The U.S. force was decimated, suffering nearly one thousand casualties in killed and wounded, while Indian casualties numbered only a few dozen. But despite the lopsided result, it wouldn't appear to carry much significance; it involved only a few thousand people, lasted less than three hours, and the outcome, which was never in doubt, was permanently reversed a mere three years later. Neither an epic struggle nor a clash that changed the course of history, the battle doesn't even have a name. Yet, as renowned Native American historian Colin Calloway demonstrates here, St. Clair's Defeat--as it came to be known-- was hugely important for its time. It was both the biggest victory the Native Americans ever won, and, proportionately, the biggest military disaster the United States had suffered. With the British in Canada waiting in the wings for the American experiment in republicanism to fail, and some regions of the West gravitating toward alliance with Spain, the defeat threatened the very existence of the infant United States. Generating a deluge of reports, correspondence, opinions, and debates in the press, it produced the first congressional investigation in American history, while ultimately changing not only the manner in which Americans viewed, raised, organized, and paid for their armies, but the very ways in which they fought their wars. Emphasizing the extent to which the battle has been overlooked in history, Calloway illustrates how this moment of great victory by American Indians became an aberration in the national story and a blank spot in the national memory. Calloway shows that St. Clair's army proved no match for the highly motivated and well-led Native American force that shattered not only the American army but the ill-founded assumption that Indians stood no chance against European methods and models of warfare. An engaging and enlightening read for American history enthusiasts and scholars alike, The Victory with No Name brings this significant moment in American history back to light.

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"We’ve long admired Anna’s way with flowers (especially when she reminds us that even a staircase can be the perfect place to install something floral and dramatic) and we’re all just so happy to see her incredible style turned into something we can bring home." - Design*SpongeThe Flower Fix presents wild inspiration and modern arrangements by Swallows and Damsons florist Anna Potter, with beautiful photography by India Hobson. Blousy blooms, speckled branches, rich foliage and delicate petals; nature has the power to inspire and energise, calm and soothe, focus and still. Anna has harnessed this magic with 26 tailor-made combinations of flowers to bring a floral boost to your home, no matter what your mood. With easy-to-find seasonal blooms, found items such as twigs and dried fruit, and any assortment of containers, discover how simple it is to bring a little bit of nature’s mystery into the everyday. Spanning all seasons and including both larger installations and smaller, simpler projects, there is something for anyone looking to play, experiment and create atmosphere with flowers. Get your daily flower fix with these and more inspiring arrangements: Inspire Playfulness is a spring arrangement to bring joy, featuring lilac, roses, ranunculus, poppy, narcissi and forget-me-nots. Flowers for Gratitude is a mix of summer’s bounty to inspire thankfulness, including garden rose, daucus, echinacea and chocolate sunflower. Find Beauty in the Everyday is a colourful arrangement to bring a fresh perspective, featuring autumn foliage, hydrangea, dahlia, crab apple and rosehip. The Shape of Self-Expression is a circular wreath design to express individuality, with holly, lamb’s ear, yellow holly berries, twigs and dried seedheads, and ivy berries. Each project lists the equipment, flowers and foliage needed to start the project along with step-by-step instructions. You’ll also find a guide to basic flower arranging; notes on colour palettes and how to use colour; and a flower glossary listing the colour, seasonal availability and vase life of each flower. Be led by the flowers, foliage, stems, follow their shapes and form, feel their weight and heft to create versions of these gorgeous arrangements that are uniquely your own.

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A GLOBE & MAIL BEST BUSINESS BOOK OF 2021 The COVID-19 pandemic forced an unprecedented experiment that reshaped white-collar work and turned remote work into a kind of "new normal." Now comes the hard part. Many employees want to continue that normal and keep working remotely, and most at least want the ability to work occasionally from home. But for employers, the benefits of employees working from home or hybrid approaches are not so obvious. What should both groups do? In a prescient new book, The Future of the Office: Work from Home, Remote Work, and the Hard Choices We All Face, Wharton professor Peter Cappelli lays out the facts in an effort to provide both employees and employers with a vision of their futures. Cappelli unveils the surprising tradeoffs both may have to accept to get what they want. Cappelli illustrates the challenges we face by in drawing lessons from the pandemic and deciding what to do moving forward. Do we allow some workers to be permanently remote? Do we let others choose when to work from home? Do we get rid of their offices? What else has to change, depending on the approach we choose? His research reveals there is no consensus among business leaders. Even the most high-profile and forward-thinking companies are taking divergent approaches:Facebook, Twitter, and other tech companies say many employees can work remotely on a permanent basis. Goldman Sachs, JP Morgan, and others say it is important for everyone to come back to the office.Ford is redoing its office space so that most employees can work from home at least part of the time, and GM is planning to let local managers work out arrangements on an ad-hoc basis. As Cappelli examines, earlier research on other types of remote work, including telecommuting offers some guidance as to what to expect when some people will be in the office and others work at home, and also what happened when employers tried to take back offices. Neither worked as expected. In a call to action for both employers and employees, Cappelli explores how we should think about the choices going forward as well as who wins and who loses. As he implores, we have to choose soon.

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Probability as an Alternative to Boolean LogicWhile logic is the mathematical foundation of rational reasoning and the fundamental principle of computing, it is restricted to problems where information is both complete and certain. However, many real-world problems, from financial investments to email filtering, are incomplete or uncertain in nature. Probability theory and Bayesian computing together provide an alternative framework to deal with incomplete and uncertain data. Decision-Making Tools and Methods for Incomplete and Uncertain DataEmphasizing probability as an alternative to Boolean logic, Bayesian Programming covers new methods to build probabilistic programs for real-world applications. Written by the team who designed and implemented an efficient probabilistic inference engine to interpret Bayesian programs, the book offers many Python examples that are also available on a supplementary website together with an interpreter that allows readers to experiment with this new approach to programming.Principles and Modeling Only requiring a basic foundation in mathematics, the first two parts of the book present a new methodology for building subjective probabilistic models. The authors introduce the principles of Bayesian programming and discuss good practices for probabilistic modeling. Numerous simple examples highlight the application of Bayesian modeling in different fields.Formalism and AlgorithmsThe third part synthesizes existing work on Bayesian inference algorithms since an efficient Bayesian inference engine is needed to automate the probabilistic calculus in Bayesian programs. Many bibliographic references are included for readers who would like more details on the formalism of Bayesian programming, the main probabilistic models, general purpose algorithms for Bayesian inference, and learning problems.FAQsAlong with a glossary, the fourth part contains answers to frequently asked questions. The authors compare Bayesian programming and possibility theories, discuss the computational complexity of Bayesian inference, cover the irreducibility of incompleteness, and address the subjectivist versus objectivist epistemology of probability. The First Steps toward a Bayesian ComputerA new modeling methodology, new inference algorithms, new programming languages, and new hardware are all needed to create a complete Bayesian computing framework. Focusing on the methodology and algorithms, this book describes the first steps toward reaching that goal. It encourages readers to explore emerging areas, such as bio-inspired computing, and develop new programming languages and hardware architectures.

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Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.

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A Classic adapted to modern times Rewritten and updated, this new edition of Statistics for Experimenters adopts the same approaches as the landmark First Edition by teaching with examples, readily understood graphics, and the appropriate use of computers. Catalyzing innovation, problem solving, and discovery, the Second Edition provides experimenters with the scientific and statistical tools needed to maximize the knowledge gained from research data, illustrating how these tools may best be utilized during all stages of the investigative process. The authors’ practical approach starts with a problem that needs to be solved and then examines the appropriate statistical methods of design and analysis. Providing even greater accessibility for its users, the Second Edition is thoroughly revised and updated to reflect the changes in techniques and technologies since the publication of the classic First Edition. Among the new topics included are: Graphical Analysis of Variance Computer Analysis of Complex Designs Simplification by transformation Hands-on experimentation using Response Service Methods Further development of robust product and process design using split plot arrangements and minimization of error transmission Introduction to Process Control, Forecasting and Time Series Illustrations demonstrating how multi-response problems can be solved using the concepts of active and inert factor spaces and canonical spaces Bayesian approaches to model selection and sequential experimentation An appendix featuring Quaquaversal quotes from a variety of sources including noted statisticians and scientists to famous philosophers is provided to illustrate key concepts and enliven the learning process. All the computations in the Second Edition can be done utilizing the statistical language R. Functions for displaying ANOVA and lamba plots, Bayesian screening, and model building are all included and R packages are available online. All theses topics can also be applied utilizing easy-to-use commercial software packages. Complete with applications covering the physical, engineering, biological, and social sciences, Statistics for Experimenters is designed for individuals who must use statistical approaches to conduct an experiment, but do not necessarily have formal training in statistics. Experimenters need only a basic understanding of mathematics to master all the statistical methods presented. This text is an essential reference for all researchers and is a highly recommended course book for undergraduate and graduate students.

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In the 1990s, Ed Galindo (Yaqui), a high school science teacher on the Fort Hall Reservation in Idaho, took a team of Shoshone-Bannock students first to Johnson Space Center in Texas and then to Kennedy Space Center in Florida. These students had entered a project in a competitive NASA program that was usually intended for college students—and they earned a spot to see NASA astronauts test out their experiment in space. The students designed and built the project themselves: a system to mix phosphate and water in space to create a fertilizer that would aid explorers in growing food on other planets. In Children of the Stars, Galindo narrates his experience with this first team and with successive student teams, who continued to participate in NASA programs over the course of a decade. This is a story indelibly grounded in place and Indigenous communities: students chose a project influenced by their local knowledge of and easy access to phosphate fertilizer (mined on the reservation); found creative ways to build their project with cheap materials, often donated by local businesses; raised funds in the tribe and community to cover travel expenses; asked questions about space exploration and agriculture based on their own understanding of the colonization of North America; and involved their families at every step. Galindo discusses the challenges of teaching Indigenous students: understanding the practical limits of a rural reservation school, the importance of community and family support, respecting and incorporating Indigenous knowledge systems, and meeting students where they are in order to help them succeed. In describing how he had to earn the trust of his students to truly be successful as their teacher, Galindo also touches on the complexities of community belonging and understanding; although Indigenous himself, Galindo is not a member of the Shoshone-Bannock Tribes and was still an outsider who had as much to learn as the students. Written in a conversational style, Children of the Stars is an accessible story of success, of students who were supported and educated in culturally relevant ways and so overcame the limitations of an underfunded reservation school to reach (literal) great heights.

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Una espectacular guía ilustrada de repostería y pastelería con recetas para todas las ocasiones ¿Cuál es el secreto para un buen brownie? ¿Sabes cómo evitar que las capas de un pastel se mezclen? ¿Cómo desmoldar un bizcocho sin que se pegue?Todo lo que necesitas saber para preparar deliciosos pasteles, bizcochos, búdines, panes artesanos, galletas, tartaletas y un sin fin de delicias dulces y saladas. ¡No habrá masa o relleno que se te resista! - 80 recetas clásicas explicadas paso a paso con imágenes - 250 adaptaciones y variaciones originales - Técnicas de pastelería y trucos para hacer pasteles como un profesional- Consejos sobre moldes y utensilios básicos, hornos y temperaturas, medidas, etc. para lograr un buen horneado Un libro imprescindible para pasteleros experimentados o principiantes y todos los amantes de los postres caseros.—---------------------------------------------------------------------------------------------------------The ultimate guide to classic bakes and modern favorites that doesn't just tell you what to do - it shows you.What's the difference between beating and folding? What should "soft peaks" look like? How do you line a pastry crust? When it comes to baking, knowing what an instruction means can be the difference between a showstopper and a soggy bottom. That's where (Pastelería paso a paso) Illustrated Step-by-Step Baking comes in.Each of the 80 classic recipes in this essential collection is fully illustrated, with photographs of every stage of the baking process. See what other baking books only tell you: how to knead the dough, rub together butter and flour, and create a pastry lattice to top a pie or tart. Then try your hand at more than 250 variations on those classics, or use them as inspiration to build on what you've learned and experiment with your own baking creations.If you're spoilt for choice, at-a-glance recipe choosers help you find the right recipe for any occasion, while tips on freezing help you to prepare your bakes ahead of time. With sweet and savory recipes that everyone will enjoy, it's time to roll up your sleeves, flour your work surface, and whip up something superb with (Pasteleria paso a paso) Illustrated Step-by-Step Baking.

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An epic poem is a performance. The telling of Beowulf carries something of the days of its pre-literary composition, as it evolved as something memorised, half spoken and half sung, over many generations. The single manuscript we have, from about 1000 AD, is the end result of a great chain of poetic adaptation. Of all new versions Seamus Heaneys (1999) has made the most striking impact, in part for his willingness to experiment, to be a new scop or oral poet, to depart at times from the exact text and join the tradition when there was no such thing. The licence such an approach adopts can make for a riveting poem in itself, a work of wonder. But there is a different route to the flame of the original. J.D. Winters rendering of the Beowulf song accepts the text as historical fact, and by a gradual revelation of its deeper music, discovers an illumination from within. The voice is less his and more nearly of the time and world of the poem itself. But this is without recourse to an archaic register. It is the modern language and yet not the modern man speaking. The phrases of the text, like phrases of music with their crescendos and diminuendos, steadily and unhurriedly move towards the culmination of a powerfully fulfilling symphony. It is the expression of a simpler time than ours, and perhaps a more plain-speaking one. Yet its art was at least as sophisticated as the modern worlds. The clarity and concentration of meaning in the brilliantly alliterated half-lines can never be properly reconstructed. But a suggestion of that force and beauty, together with an underlying sense of the inexorable, may always be rediscovered. In the knock and flow of the lines, too, one can sense the poetry of a sea-faring nation. The nation is not England or Sweden or Denmark. It is an intermingled part of Northern Europe using the West Saxon dialect of the language in England to convey a mix of Scandinavian history and Teutonic legend. In this evocative transcreation the reader may come, no doubt as did the early listeners, to a simple truth behind the medley of international borders: the inevitable journey of the universal human.

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Foreword Book of the Year Award Independent Publishers Award (IPPY) Lambda Literary Award Finalist Publishing Triangle Award Finalist GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009 Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News” Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajectory (diagnosis, surgery, chemotherapy, radiation), with the aim of discovering unexpected vectors of observation, meaning and desire inside each phase of the typically mandated four-part ritual. A lyrical feminist critique of living with cancer at the turn of the twenty-first century in the United States, the book looks through the lens of cancer to discover new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Offering original exegeses of the work of Marsden Hartley, Emily Dickinson, Gertrude Stein, and Marcel Proust, Called Back relies on these artists’ queer aesthetics to tease the author back to life. What might a person tutored as a reader of signs “see” inside breast cancer’s paces, protocols, and regimes? What does the experience occlude, and what can we afford to liberate? The first chapter paves the way for the book’s central emphases: a meditation on the nature of “news” and the new, on noticing, on messages—including those that the body itself relies upon in the assumption of disease—and the interpretive methods we bring to them in medical crisis. Language is paramount for how we understand and act on the disease, how we imagine it, how we experience it, and how we treat it, Cappello argues. Working at the borders of memoir, literary nonfiction, and cultural analysis, Called Back aims to displace tonal and affective norms— infantilizing or moralizing, redemptive, sentimental or cute—with reverie, rage, passionate intensity, intelligence, and humor.

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Emily Dickinson wrote a "letter to the world" and left it lying in her drawer more than a century ago. This widely admired epistle was her poems, which were never conventionally published in book form during her lifetime. Since the posthumous discovery of her work, general readers and literary scholars alike have puzzled over this paradox of wanting to communicate widely and yet apparently refusing to publish. In this pathbreaking study, Martha Nell Smith unravels the paradox by boldly recasting two of the oldest and still most frequently asked questions about Emily Dickinson: Why didn't she publish more poems while she was alive? and Who was her most important contemporary audience?Regarding the question of publication, Smith urges a reconception of the act of publication itself. She argues that Dickinson did publish her work in letters and in forty manuscript books that circulated among a cultured network of correspondents, most important of whom was her sister-in-law, Susan Huntington Gilbert Dickinson. Rather than considering this material unpublished because unprinted, Smith views its alternative publication as a conscious strategy on the poet's part, a daring poetic experiment that also included Dickinson's unusual punctuation, line breaks, stanza divisions, calligraphic orthography, and bookmaking—all the characteristics that later editors tried to standardize or eliminate in preparing the poems for printing.Dickinson's relationship with her most important reader, Sue Dickinson, has also been lost or distorted by multiple levels of censorship, Smith finds. Emphasizing the poet-sustaining aspects of the passionate bonds between the two women, Smith shows that their relationship was both textual and sexual. Based on study of the actual holograph poems, Smith reveals the extent of Sue Dickinson's collaboration in the production of poems, most notably "Safe in Their Alabaster Chambers." This finding will surely challenge the popular conception of the isolated, withdrawn Emily Dickinson.Well-versed in poststructuralist, feminist, and new textual criticism, Rowing in Eden uncovers the process by which the conventional portrait of Emily Dickinson was drawn and offers readers a chance to go back to original letters and poems and look at the poet and her work through new eyes. It will be of great interest to a wide audience in literary and feminist studies.

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The fantastic first book in the Sunday Times bestselling Science of Discworld seriesWhen a wizardly experiment goes adrift, the wizards of Unseen University find themselves with a pocket universe on their hands: Roundworld, where neither magic nor common sense seems to stand a chance against logic. The Universe, of course, is our own. And Roundworld is Earth. As the wizards watch their accidental creation grow, we follow the story of our universe from the primal singularity of the Big Bang to the internet and beyond. Through this original Terry Pratchett story (with intervening chapters from Cohen and Stewart) we discover how puny and insignificant individual lives are against a cosmic backdrop of creation and disaster. Yet, paradoxically, we see how the richness of a universe based on rules, has led to a complex world and at least one species that tried to get a grip of what was going on. Terry Pratchett is the acclaimed creator of the global bestselling Discworld series, the first of which, The Colour of Magic, was published in 1983. Raising Steam is his fortieth Discworld novel. His books have been widely adapted for stage and screen, and he is the winner of multiple prizes, including the Carnegie Medal, as well as being awarded a knighthood for services to literature. After falling out with his keyboard he now talks to his computer. Occasionally, these days, it answers back.www.terrypratchett.co.uk@terryandrob Professor Ian Stewart is the author of many popular science books. He is the mathematics consultant for New Scientist and a Professor of Mathematics at the University of Warwick. He was awarded the Michael Faraday Prize for furthering the public understanding of science, and in 2001 became a Fellow of the Royal Society. Dr Jack Cohen is an internationally-known reproductive biologist, and lives in Newent, Gloucestershire. Jack has a laboratory in his kitchen, helps couples get pregnant by referring them to colleagues, invents biologically realistic aliens for science fiction writers and, in his spare time, throws boomerangs. Jack, who has more letters to his name than can be repeated here, writes, lectures, talks and campaigns to promote public awareness of science, particularly biology. He is mostly retired.

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The standard (Markovian) transport model based on the Boltzmann equation cannot describe some non-equilibrium processes called anomalous that take place in many disordered solids. Causes of anomality lie in non-uniformly scaled (fractal) spatial heterogeneities, in which particle trajectories take cluster form. Furthermore, particles can be located in some domains of small sizes (traps) for a long time. Estimations show that path length and waiting time distributions are often characterized by heavy tails of the power law type. This behavior allows the introduction of time and space derivatives of fractional orders. Distinction of path length distribution from exponential is interpreted as a consequence of media fractality, and analogous property of waiting time distribution as a presence of memory.In this book, a novel approach using equations with derivatives of fractional orders is applied to describe anomalous transport and relaxation in disordered semiconductors, dielectrics and quantum dot systems. A relationship between the self-similarity of transport, the Levy stable limiting distributions and the kinetic equations with fractional derivatives is established. It is shown that unlike the well-known Scher-Montroll and Arkhipov-Rudenko models, which are in a sense alternatives to the normal transport model, fractional differential equations provide a unified mathematical framework for describing normal and dispersive transport. The fractional differential formalism allows the equations of bipolar transport to be written down and transport in distributed dispersion systems to be described. The relationship between fractional transport equations and the generalized limit theorem reveals the probabilistic aspects of the phenomenon in which a dispersive to Gaussian transport transition occurs in a time-of-flight experiment as the applied voltage is decreased and/or the sample thickness increased. Recent experiments devoted to studies of transport in quantum dot arrays are discussed in the framework of dispersive transport models. The memory phenomena in systems under consideration are discussed in the analysis of fractional equations.It is shown that the approach based on the anomalous transport models and the fractional kinetic equations may be very useful in some problems that involve nano-sized systems. These are photon counting statistics of blinking single quantum dot fluorescence, relaxation of current in colloidal quantum dot arrays, and some others.

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This book focuses on the performance art of Marilyn Arsem, an internationally acclaimed performance artist known for her innovative and experimental work. Arsem’s work addresses women’s history and myth-making capacities, the potency of site and geography, the idea of the audience as witnesses and the intimacy of one-to-one works. One of the most prolific performance artists working in the United States today, Arsem performs carefully choreographed durational actions that are developed site-responsively and range from deceptively simple interventions to elaborately orchestrated actions. This edited volume seeks to extend Arsem’s legacy beyond the audiences of her live performances and enter her work into the lexicon of the art world. Accompanied by 200 images, this book will be of interest to scholars and students of performance studies, feminist performance, feminist art history and performance history. It will also contribute to the history of alternative spaces and galleries, which is only now being written. I have had the privilege of knowing Marilyn for over 30 years. Her work has given me so many epiphanies about live art, time-based art practice and durational performance practice. How and why do you choose a single action and enact it over an extended period of time? How do you respond to site and create a sacred meditational zone; a reflexive space about the human condition? And most importantly, how do you teach future generations about the importance of living while making art as a spiritual and philosophical practice? This book is yet another example of Arsem’s legacy. Fundamental, I’d say. Guillermo Gómez-Peña Watching Marilyn Arsem perform can be a slow, careful, vulnerable and heart-stoppingly profound experience. To see her is to know better the complex, intermingling particularities of body, space, time, being and action. Reading this comprehensive, lucidly written and deeply insightful book – the first significant publication on Arsem’s practice as a performance artist – will enable new perspectives on a major artist’s work. It also sheds vivid light upon enduring themes for the critical encounter with art: duration and doing, materiality and nothingness, truth and representation, commitment and experiment, togetherness and solitude, experience and endurance. Dominic Johnson, Queen Mary University of London

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A deeply reported look at the rise of home genetic testing and the seismic shock it has had on individual lives You swab your cheek or spit into a vial, then send it away to a lab somewhere. Weeks later you get a report that might tell you where your ancestors came from or if you carry certain genetic risks. Or the report could reveal a long-buried family secret and upend your entire sense of identity. Soon a lark becomes an obsession, an incessant desire to find answers to questions at the core of your being, like “Who am I?” and “Where did I come from?” Welcome to the age of home genetic testing. In The Lost Family, journalist Libby Copeland investigates what happens when we embark on a vast social experiment with little understanding of the ramifications. Copeland explores the culture of genealogy buffs, the science of DNA, and the business of companies like Ancestry and 23andMe, all while tracing the story of one woman, her unusual results, and a relentless methodical drive for answers that becomes a thoroughly modern genetic detective story. The Lost Family delves into the many lives that have been irrevocably changed by home DNA tests—a technology that represents the end of family secrets. There are the adoptees who’ve used the tests to find their birth parents; donor-conceived adults who suddenly discover they have more than fifty siblings; hundreds of thousands of Americans who discover their fathers aren’t biologically related to them, a phenomenon so common it is known as a “non-paternity event”; and individuals who are left to grapple with their conceptions of race and ethnicity when their true ancestral histories are discovered. Throughout these accounts, Copeland explores the impulse toward genetic essentialism and raises the question of how much our genes should get to tell us about who we are. With more than thirty million people having undergone home DNA testing, the answer to that question is more important than ever. Gripping and masterfully told, The Lost Family is a spectacular book on a big, timely subject.

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Step back in time and discover the wonderful world of dinosaurs! Whether you're a dinosaur fan or just simply enjoy practical hands-on projects, this dynamic dinosaur book combines creativity with a prehistoric twist. Each of the super-fun make-and-do projects in this book comes with simple step-by-step photographs and instructions that will inspire imaginative minds and bring the dinosaur world to life!Join the journey back to prehistoric times and explore: - 24 hands-on projects that appeal to young readers aged 9+ - All materials used are inexpensive and easy-to-find- Crystal-clear instructions are easy-to-follow- Clear photography shows how to make each project step-by-step Perfect for kids who are interested in STEM (science, technology, engineering, and maths), SI Dinosaur Activity Lab features activities that cover many aspects of prehistoric life, from the evolution of dinosaurs to what might have caused them to die out. You'll combine science and maths with art and craft by making your own dinosaur fossils, constructing a 3D diorama to learn about dinosaur habitats, designing a fearsome Tyrannosaurus mask, hatching your own mini dinosaur out of a bath bomb, and even creating a meteorite impact experiment to find out how dinosaurs may have become extinct! Throughout the book there are information boxes with incredible facts about prehistoric life and panels to explain how the skills you've learned are used in the real world.SI Dinosaur Activity Lab is perfect for children aged 9 + with an interest in dinosaurs, the prehistoric world and geology. The ideal package for creative kids who are interested in making dinosaurs roar back to life, discover how to make dinosaur-feet pen pots, dinosaur egg bath bombs and so much more!Whether you're a dinosaur fan or just simply enjoy practical hands-on projects, this dynamic dinosaur book combines creativity with a prehistoric twist. Each of the super-fun make-and-do projects in this book comes with simple step-by-step photographs and instructions that will inspire imaginative minds and bring the dinosaur world to life!

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When the Korean War broke out in 1950, the Marine Corps was ordered to deploy an air-ground brigade in less than ten days, even though no such brigade existed at the time. Assembled from the woefully understrength 1st Marine Division and 1st Marine Air Wing units, the Brigade shipped out only six days after activation, sailed directly to Korea, was in combat within ninety-six hours of landing and, despite these enormous handicaps and numerically superior enemy forces, won every one of its engagements and helped secure the Pusan Perimeter. Despite its remarkable achievements, the Brigade’s history has largely been lost amid accounts of the sweeping operations that followed. Its real history has been replaced by myths that attribute its success to tough training, great conditioning, unit cohesion, and combat-experienced officers. None of which were true. T. X. Hammes now reveals the real story of the Brigade’s success, prominently citing the Corps’ crucial ability to maintain its ethos, culture, and combat effectiveness during the period between World War II and Korea, when its very existence was being challenged. By studying the Corps from 1945 to 1950, Hammes shows that it was indeed the culture of the Corps—a culture based on remembering its storied history and learning to face modern challenges—that was responsible for the Brigade’s success. The Corps remembered the human factors that made it so successful in past wars, notably the ethos of never leaving another marine behind. At the same time, the Corps demonstrated commendable flexibility in adapting its doctrine and operations to evolutions in modern warfare. In particular, the Corps overcame the air-ground schism that marked the end of World War II to excel at close air support. Despite massive budget and manpower cuts, the Corps continued to experiment and learn even as it clung to its historical lodestones. This approach was validated during the Brigade’s trial by fire. More than a mere battle history, Forgotten Warriors gets to the heart of marine culture to show that fighting forces have to both remember and learn. As today’s armed forces face similar challenges, this book confirms that culture as much as technology prepares America’s fighting men and women to answer their country’s call.

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"The 'Backwards' Research Guide for Writers: Using Your Life for Reflection, Connection and Inspiration" demystifies the writing process by inviting writers of all levels to focus on their passions, questions, and obsessions as the key to generating seeds for further exploration of the world around them. Writers then develop these questions into focused projects that explore the teller's central role in the open-ended quest of unfolding a research topic. The boom in narrative journalism, memoir, and creative nonfiction has generated wonderful writing, but no resource for writers exists to bridge the gap between passionate research and the page. This book addresses that gap by turning the task of research on its head and by speaking to students who resist the idea of research as an objective and dry assignment. Students are invited to experiment creatively with collecting observations and information and then to step beyond their subjective realities to interact with the world around them and ultimately become vulnerable authors willing to change their perspectives as they research and write. Developed with input from college student writers, "The 'Backwards' Research Guide for Writers" is relevant as a text for undergraduate and postgraduate courses in composition, creative nonfiction, literary journalism, and feature writing as well as for working journalists and other writers seeking a new way of approaching a writing project. It includes interviews with notable authors that focus not on the completed and intimidating project of a successful author, but on the project as it took shape and mystified a researcher. Another unique feature is a section in every chapter on ethics, as ethical questions are central to the writing process as well as a method for sparking interest in writing and learning. The guide includes extensive examples of research challenges and dilemmas, strategies for planning a research project, exercises for generating ideas, a guide for writing the research-based work, an appendix of on-line databases, a section in each chapter focused on ethics in research and writing called gray matter, a selection of recommended readings, and a bibliography of conventional research guides.

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"The 'Backwards' Research Guide for Writers: Using Your Life for Reflection, Connection and Inspiration" demystifies the writing process by inviting writers of all levels to focus on their passions, questions, and obsessions as the key to generating seeds for further exploration of the world around them. Writers then develop these questions into focused projects that explore the teller's central role in the open-ended quest of unfolding a research topic. The boom in narrative journalism, memoir, and creative nonfiction has generated wonderful writing, but no resource for writers exists to bridge the gap between passionate research and the page. This book addresses that gap by turning the task of research on its head and by speaking to students who resist the idea of research as an objective and dry assignment. Students are invited to experiment creatively with collecting observations and information and then to step beyond their subjective realities to interact with the world around them and ultimately become vulnerable authors willing to change their perspectives as they research and write. Developed with input from college student writers, "The 'Backwards' Research Guide for Writers" is relevant as a text for undergraduate and postgraduate courses in composition, creative nonfiction, literary journalism, and feature writing as well as for working journalists and other writers seeking a new way of approaching a writing project. It includes interviews with notable authors that focus not on the completed and intimidating project of a successful author, but on the project as it took shape and mystified a researcher. Another unique feature is a section in every chapter on ethics, as ethical questions are central to the writing process as well as a method for sparking interest in writing and learning. The guide includes extensive examples of research challenges and dilemmas, strategies for planning a research project, exercises for generating ideas, a guide for writing the research-based work, an appendix of on-line databases, a section in each chapter focused on ethics in research and writing called gray matter, a selection of recommended readings, and a bibliography of conventional research guides.

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This book critically analyses the topic of US-led external interventions in the affairs of developing countries by using one of the most contested experiments of modern times, namely, the invasion of Iraq and its aftermath. The March 2003 invasion of Iraq has so far failed to deliver the benefits and outcomes its supporters anticipated, prompting international discussion as to whether the promises of externally-led nation-building (as an attempt to mould rogue states in a democratic, market-friendly fashion) are outweighed by the kinds of pitfalls and perils of intervention that have come to characterise the Iraq experience. This book identifies and addresses the major issues emerging from the current debate including the evolution of external interventionism as an idea, an explanation of what went wrong in post-Saddam Iraq and why the Iraq experiment is flawed by the Bush administration's refusal to address long standing political and historical grievances among Muslims as part of the 'War on Terror'. The contributors assess the troubled relationship between Islam and the West, the prospects for democracy in the Middle East, foreign policy debates in the US, and how economics and politics are juxtaposed in a highly contentious manner in any project of externally-driven nation-building.Beyond the Iraq War brings together scholars and practitioners in an attempt to move beyond the polemical dimensions of the existing debate and provide a balanced analysis of what the Iraq enterprise can tell us about the brand of external interventionism espoused by the Bush administration and also the lessons it holds for any future interventions into the affairs of states. It combines a mix of disciplines, most notably international relations and economics as well as theory and empirical evidence. The book is written in a non-technical, but rigorous, manner in order to make complex and diverse issues accessible to the general reader.This fascinating and scholarly work will appeal to academics and scholars in the fields of political economics, political science and international relations. Policymakers, journalists and media commentators will also find this work to be of great interest and value.

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A GLOBE & MAIL BEST BUSINESS BOOK OF 2021 The COVID-19 pandemic forced an unprecedented experiment that reshaped white-collar work and turned remote work into a kind of "new normal." Now comes the hard part. Many employees want to continue that normal and keep working remotely, and most at least want the ability to work occasionally from home. But for employers, the benefits of employees working from home or hybrid approaches are not so obvious. What should both groups do? In a prescient new book, The Future of the Office: Work from Home, Remote Work, and the Hard Choices We All Face, Wharton professor Peter Cappelli lays out the facts in an effort to provide both employees and employers with a vision of their futures. Cappelli unveils the surprising tradeoffs both may have to accept to get what they want. Cappelli illustrates the challenges we face by in drawing lessons from the pandemic and deciding what to do moving forward. Do we allow some workers to be permanently remote? Do we let others choose when to work from home? Do we get rid of their offices? What else has to change, depending on the approach we choose? His research reveals there is no consensus among business leaders. Even the most high-profile and forward-thinking companies are taking divergent approaches:Facebook, Twitter, and other tech companies say many employees can work remotely on a permanent basis. Goldman Sachs, JP Morgan, and others say it is important for everyone to come back to the office.Ford is redoing its office space so that most employees can work from home at least part of the time, and GM is planning to let local managers work out arrangements on an ad-hoc basis. As Cappelli examines, earlier research on other types of remote work, including telecommuting offers some guidance as to what to expect when some people will be in the office and others work at home, and also what happened when employers tried to take back offices. Neither worked as expected. In a call to action for both employers and employees, Cappelli explores how we should think about the choices going forward as well as who wins and who loses. As he implores, we have to choose soon.

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Do you love bright, geometric quilt designs but wonder how to get such sharp points and accurate piecing? English paper piecing is the answer and this collection shows you how to sew your own patchwork projects even if you've never made a quilt before. English paper piecing (EPP) is a traditional patchwork technique which uses hexagon-shaped paper templates which are pieced together by hand sewing rather than machine piecing. This process of hand piecing is both mindful and calming and the fact that it doesn't rely on a sewing machine makes EPP the perfect 'sofa sewing' project that can be done while relaxing in front of your favourite TV show or while socialising with friends. Jenny Jackson is an expert in EPP and has been demonstrating the technique and showcasing her patterns on TV craft channels and magazines for a number of years. She has created this collection of techniques and patterns for modern EPP projects for the home including some really striking, large quilts. Jenny holds your hand through the EPP process so, even if you've never tried it before, you can complete projects to be proud of. Even if you already have some experience with EPP, Jenny shares her tips and tricks for quicker and sharper results so you can improve your skills. There are 18 projects for the home in a variety of sizes so you can build up to a full-sized quilt but you can also dip in and out of some smaller projects such as coasters, wall hangings and cushions while you hone your skills. The projects include repeats of EPP patterns and blocks as well as how to use EPP blocks and rosettes as applique within quilts and other projects. It's not just about the hexagon either: Jenny's geometric designs feature 20 different paper pieced templates including diamonds, octagons and even curved shapes for really exciting results. These sheets can be photocopied to give you multiple templates, fast. You can even flex your own creative muscle with the colouring pages included for every project so you can experiment with your own colour combinations to make your own unique designs.

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Learn to weave your own stories and make personalised woven wall art with this guide to tapestry weaving. A collection of wonderful woven hangings for you to build your tapestry weaving skills. Learn all the techniques you'll need to create your own woven tapestries with a unique, personalised element. Author, Kristin Carter, explains all the skills required to make heirloom woven wall art with a very personal theme and how to recreate images of people, pets and places to create your own paintings with thread'. Learn all the basic techniques for tapestry weaving including a quick and easy way to make your own loom using an old photo frame, how to choose the right yarn, working with a template and how to start off a weave. Kristin then explores all the tapestry weaving techniques you will need to make your own stunning wall hangings. All of these techniques are accompanied by step-by-step photography so the instructions are super clear and suitable for absolute beginners. Learn how to do rya loops, weft facing weaving, soumak, pile weaving, diamond twill, overweaving, boubles, and an inverted rya fringe. There are 17 incredible projects for you to experiment and try out your new skills. Each of these can be adapted in order to create your own personalised wall hangings so you can make special heirloom woven art for friends and family. Kristin explains how to set up the loom, gives guidance for yarn amounts and what other tools and equipment are needed for each project. All of the projects are suitable for a an A3 sized loom so you only need one size to try out all of the variations. There are projects for abstract patterns, gradient weaving, blending compatible yarns, pet and people portraits with special techniques for recreating the texture of fur and hair, how to play with transparency in a weaving and creating texture using different yarns. Other techniques covered include cartooning (how to make a cartoon template from photographs); creating templates from your own sketches, how to create a marble effect and advice about colour theory and weaving.

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The definitive guide to the principles and practice of experimental organic chemistry - fully updated and now featuring more than 100 experiments The latest edition of this popular guide to experimental organic chemistry takes students from their first day in the laboratory right through to complex research procedures. All sections have been updated to reflect new techniques, equipment and technologies, and the text has been revised with an even sharper focus on practical skills and procedures. The first half of the book is devoted to safe laboratory practice as well as purification and analytical techniques; particularly spectroscopic analysis. The second half contains step-by-step experimental procedures, each one illustrating a basic principle, or important reaction type. Tried and tested over almost three decades, over 100 validated experiments are graded according to their complexity and all are chosen to highlight important chemical transformations and to teach key experimental skills. New sections cover updated health and safety guidelines, additional spectroscopic techniques, electronic notebooks and record keeping, and techniques, such as semi-automated chromatography and enabling technologies such as the use of microwave and flow chemistry. New experiments include transition metal-catalysed cross-coupling, organocatalysis, asymmetric synthesis, flow chemistry, and microwave-assisted synthesis. Key aspects of this third edition include: Detailed descriptions of the correct use of common apparatus used in the organic laboratory Outlines of practical skills that all chemistry students must learn Highlights of aspects of health and safety in the laboratory, both in the first section and throughout the experimental procedures Four new sections reflecting advances in techniques and technologies, from electronic databases and information retrieval to semi-automated chromatography More than 100 validated experiments of graded complexity from introductory to research level A user-friendly experiment directory An instructor manual and PowerPoint slides of the figures in the book available on a companion website A comprehensive guide to contemporary organic chemistry laboratory principles, procedures, protocols, tools and techniques, Experimental Organic Chemistry, Third Edition is both an essential laboratory textbook for students of chemistry at all levels, and a handy bench reference for experienced chemists.

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ENABLES READERS TO UNDERSTAND THE METHODS OF EXPERIMENTAL DESIGN TO SUCCESSFULLY CONDUCT LIFE TESTING TO IMPROVE PRODUCT RELIABILITY This book illustrates how experimental design and life testing can be used to understand product reliability in order to enable reliability improvements. The book is divided into four sections. The first section focuses on statistical distributions and methods for modeling reliability data. The second section provides an overview of design of experiments including response surface methodology and optimal designs. The third section describes regression models for reliability analysis focused on lifetime data. This section provides the methods for how data collected in a designed experiment can be properly analyzed. The final section of the book pulls together all of the prior sections with customized experiments that are uniquely suited for reliability testing. Throughout the text, there is a focus on reliability applications and methods. It addresses both optimal and robust design with censored data. To aid in reader comprehension, examples and case studies are included throughout the text to illustrate the key factors in designing experiments and emphasize how experiments involving life testing are inherently different. The book provides numerous state-of-the-art exercises and solutions to help readers better understand the real-world applications of experimental design and reliability. The authors utilize R and JMP® software throughout as appropriate, and a supplemental website contains the related data sets. Written by internationally known experts in the fields of experimental design methodology and reliability data analysis, sample topics covered in the book include: An introduction to reliability, lifetime distributions, censoring, and inference for parameter of lifetime distributions Design of experiments, optimal design, and robust design Lifetime regression, parametric regression models, and the Cox Proportional Hazard Model Design strategies for reliability achievement Accelerated testing, models for acceleration, and design of experiments for accelerated testing The text features an accessible approach to reliability for readers with various levels of technical expertise. This book is a key reference for statistical researchers, reliability engineers, quality engineers, and professionals in applied statistics and engineering. It is a comprehensive textbook for upper-undergraduate and graduate-level courses in statistics and engineering.

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Enjoy hours of fun with this classic build-your-own kit, complete with rocket body, detonator, press-out parts, groovy design decals, and a full-color instruction book. Well before Neil Armstrong set foot on the moon, people have been fascinated with space—whether it’s the movements of the moon, sun, stars, and planets or the possibilities of what (or who!) they contain—incorporating celestial objects into their mythologies and art. No longer the stuff of science fiction, space (and space travel) continues to challenge our curiosity and our imagination to this day. But even with the advent of private missions to “zero gravity” and travel to Mars a distant possibility, being an astronaut is still out of reach for most of us. So if you’ve ever had dreams of building your own rocket, here’s your chance. The all-in-one Build Your Own Rocket kit is exciting to build, whether on your own or with your family, and will lift off flight after flight. Included in this kit is an easy-to-follow instruction manual for putting together not only the rocket body and boosters, nose cones, and fins, but also the launcher and detonator. Learn why these parts are important and also what helps propel them through the air. Also in the manual are safety tips, hints for streamlining the building process, suggestions for personalizing the rocket with the included design decals, and just a bit of moon mythology. Inside, you will find: 16-page illustrated instruction book with easy-to-follow assembly directions along with space and rocket facts Press-out templates for rocket boosters, nose cones, fins, and more Rocket body tube Foam nose cone and tube Launcher base and detonator Rubber hoses and bicycle-pump-nozzle adapter Design decals to personalize your rocket before lift off This kit is perfect for anyone who has ever dreamed of joining NASA, enjoys tinkering with projects, or just likes to have a good time outdoors. While your rocket won’t go to the moon, you can take it wherever you go and experiment with different types of wind. How far will it go? The sky’s the limit!

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The pages of these five journals covering the years 1843 to 1847 are filled with Ralph Waldo Emerson’s struggle to formulate the true attitude of the scholar to the vexing question of public involvement. Pulled between his belief that a disinterested independence was a requisite for the writer and the public demands heaped upon him as a leading intellectual figure, he notes to himself that he “pounds…tediously” on the “exemption of the writer from all secular works.”Although Emerson concluded his editorship of The Dial in 1844, he was continually beset by calls for public service, most of which drew their impetus from the reformist syndrome of the 1840s. In response to such issues as the Temperance Movement, the utopian communities, and Henry Thoreau’s experiment in self-reliance at Walden Pond, Emerson exercised sympathetic skepticism and held a growing conviction that the society of the day was not the lost cause many of his contemporaries believed it to be.These journals record Emerson’s optimistic attitudes and show how later they existed side-by-side with concerns that, under the impulse of abolition, Texas, and the Mexican War, led him to some bitter conclusions about the state of the nation. Thoreau’s refusal to pay his poll tax in demonstration against slavery and the war particularly horrified him, and he confides in his journal that Thoreau’s action diverted attention from the possibility of real reform.The moral ambivalence and cynicism of the day strengthened Emerson’s belief that the self-reliant individual was the only answer. These individuals—men like Garrison, Phillips, and Carlyle—were, in Emerson’s estimation, destined to set the standards by which society would be judged. Encouraged by the prospective publication of his first volume of poetry in 1846, Emerson also spent much of this period composing verse. Among the poems in these journals are “Uriel,” “Merlin,” “Ode to Beauty,” and a section from “Initial, Daemonic, and Celestial Love.”In anticipation of his second visit to Europe, Emerson began preparing a lecture series on “Mind and Manners of the Nineteenth Century.” In these lectures he would take to the Old World his observations on the complexities of the times.

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Baseball is much more than the national pastime. It has become an emblem of America itself. From its initial popularity in the mid-nineteenth century, the game has reflected national values and beliefs and promoted what it means to be an American. Stories abound that illustrate baseball's significance in eradicating racial barriers, bringing neighborhoods together, building civic pride, and creating on the field of play an instructive civics lesson for immigrants on the national character. In A People's History of Baseball, Mitchell Nathanson probes the less well-known but no less meaningful other side of baseball: episodes not involving equality, patriotism, heroism, and virtuous capitalism, but power--how it is obtained, and how it perpetuates itself. Through the growth and development of baseball Nathanson shows that, if only we choose to look for it, we can see the petty power struggles as well as the large and consequential ones that have likewise defined our nation. By offering a fresh perspective on the firmly embedded tales of baseball as America, a new and unexpected story emerges of both the game and what it represents. Exploring the founding of the National League, Nathanson focuses on the newer Americans who sought club ownership to promote their own social status in the increasingly closed caste of nineteenth-century America. His perspective on the rise and public rebuke of the Players Association shows that these baseball events reflect both the collective spirit of working and middle-class America in the mid-twentieth century as well as the countervailing forces that sought to beat back this emerging movement that threatened the status quo. And his take on baseball’s racial integration that began with Branch Rickey’s “Great Experiment” reveals the debilitating effects of the harsh double standard that resulted, requiring a black player to have unimpeachable character merely to take the field in a Major League game, a standard no white player was required to meet. Told with passion and occasional outrage, A People's History of Baseball challenges the perspective of the well-known, deeply entrenched, hyper-patriotic stories of baseball and offers an incisive alternative history of America's much-loved national pastime.

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Here is the whole sweep of the Soviet experiment and experience as told by its last steward. Drawing on his own experience, rich archival material, and a keen sense of history and politics, Mikhail Gorbachev speaks his mind on a range of subjects concerning Russia's past, present, and future place in the world. Here is Gorbachev on the October Revolution, Gorbachev on the Cold War, and Gorbachev on key figures such as Lenin, Stalin, and Yeltsin. The book begins with a look back at 1917. While noting that tsarist Russia was not as backward as it is often portrayed, Gorbachev argues that the Bolshevik Revolution was inevitable and that it did much to modernize Russia. He strongly argues that the Soviet Union had a positive influence on social policy in the West, while maintaining that the development of socialism was cut short by Stalinist totalitarianism. In the next section, Gorbachev considers the fall of the USSR. What were the goals of perestroika? How did such a vast superpower disintegrate so quickly? From the awakening of ethnic tensions, to the inability of democrats to unite, to his own attempts to reform but preserve the union, Gorbachev retraces those fateful days and explains the origins of Russia's present crises. But Gorbachev does not just train his critical eye on the past. He lays out a blueprint for where Russia needs to go in the twenty-first century, suggesting ways to strengthen the federation and achieve meaningful economic and political reforms. In the final section of the book, Gorbachev examines the "new thinking" in foreign policy that helped to end the Cold War and shows how such approaches could help resolve a range of crises, including NATO expansion, the role of the UN, the fate of nuclear weapons, and environmental problems. On My Country and the World reveals the unique vision of a man who was a powerful actor on the world stage and remains a keen observer of Russia's experience in the twentieth century.This anniversary edition features a new foreword by William Taubman, award-winning biographer of Khrushchev and Gorbachev.

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What will your 100-year life look like? A new edition of the international bestseller, featuring a new preface 'Brilliant, timely, original, well written and utterly terrifying' Niall Ferguson Does the thought of working for 60 or 70 years fill you with dread? Or can you see the potential for a more stimulating future as a result of having so much extra time? Many of us have been raised on the traditional notion of a three-stage approach to our working lives: education, followed by work and then retirement. But this well-established pathway is already beginning to collapse – life expectancy is rising, final-salary pensions are vanishing, and increasing numbers of people are juggling multiple careers. Whether you are 18, 45 or 60, you will need to do things very differently from previous generations and learn to structure your life in completely new ways. The 100-Year Life is here to help. Drawing on the unique pairing of their experience in psychology and economics, Lynda Gratton and Andrew J. Scott offer a broad-ranging analysis as well as a raft of solutions, showing how to rethink your finances, your education, your career and your relationships and create a fulfilling 100-year life. · How can you fashion a career and life path that defines you and your values and creates a shifting balance between work and leisure? · What are the most effective ways of boosting your physical and mental health over a longer and more dynamic lifespan? · How can you make the most of your intangible assets – such as family and friends – as you build a productive, longer life? · In a multiple-stage life how can you learn to make the transitions that will be so crucial and experiment with new ways of living, working and learning? Shortlisted for the FT/McKinsey Business Book of the Year Award and featuring a new preface, The 100-Year Life is a wake-up call that describes what to expect and considers the choices and options that you will face. It is also fundamentally a call to action for individuals, politicians, firms and governments and offers the clearest demonstration that a 100-year life can be a wonderful and inspiring one.

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From the author of the 100,000+ copy-selling rom-com, Love to Hate You! No one makes you laugh like Jo Watson!'If you want a book that is TRULY "laugh out loud" start here' Goodreads reviewerIf you love Sophie Ranald, Sophie Kinsella and Paige Toon, you'll LOVE Jo Watson!'A hilarious, laugh-out-loud romance that is a breath of fresh air' 5* reader review'A masterclass in character development... This is truly a novel for the times we live in. I would highly recommend' 5* reader review'Another absolutely gorgeous read by one of my favourite authors...completely impossible to put down' 5* reader review'I loved this book. It was so funny and I really wish a movie could be made of it' 5* reader review.................................................................................On the scale of one to worst idea ever, agreeing to give the toast at her best friend's engagement party when she's been in love with him for three years was not Val's finest decision. Nor was accidentally confessing her love to him in front of all their guests, including his fiancee. Boarding a plane that will take her literally anywhere to get away from the humiliation, Val is pleasantly surprised to find herself on the dazzlingly beautiful island of Reunion where she hopes she can heal her wounded pride, broken heart and bruised knees. When a painful face mask experiment leads her to a fellow broken-hearted traveller, Alex, they decide to give each other a helping hand and follow a foolproof ten-step plan to get over their respective exes. And so begins their crazy adventure. What could possibly go wrong?.................................................................................Don't miss Jo's laugh-out-loud rom-coms, Love You, Love You Not, Love to Hate You, Burning Moon, Almost A Bride, Finding You, After the Rain and The Great Ex-scape. Love funny, romantic stories? You don't want to miss Jo Watson: 'The perfect choice for fans of romantic comedies' Gina's Bookshelf 'It was amazing, it was hilarious' Rachel's Random Reads 'A brilliant read from beginning to end' Hopeless Romantics

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Create stunning crochet collages with this collection of 100 patterns for crochet flowers, plants and petals. Crochet designer and gardener, Chris Norrington, has created 100 crochet motifs arranged in 10 collages based on the beautiful flowers and plants found in her wonderful cottage garden on the edge of the beautiful North York Moors National Park. All of the motifs are inspired in some way by Chris' garden and the collages roughly follow the pattern of the seasons from the first flowers in spring, through to the frosty leaves of winter. The motif designs are inspired by the colours and shapes found in nature and, while some are recognisable as specific plant species, they are not intended to be botanically accurate representations of particular plants. Alongside the more usual front-on view of flowers in full bloom, Chris has included some patterns for flowers viewed from the side, half-opened flowers, buds, seedheads, berries and fungi. There is also a large variety of foliage types from individual leaves to leafy stems, ferns and grasses. Each of the collages has a different, sometimes seasonal, theme and all of the compositions are different - there are wreaths and bouquets, some are arranged in a jug or a vase while others grow straight from the ground. The collage themes include Woodland Glade, inspired by a sun-dappled, shady forest corner with ferns and snowdrops, the Vintage Blue Bouquet collage is inspired by the shapes and soft pastel colours of Lily-of-the-valley and Scabious, and the Flower Meadow collage evokes a prairie-style meadow with ornamental grasses interspersed with tall perennial flowers. You can have fun recreating the collages that Chris has designed or you can mix and match the motifs of your favourite plants and flowers to make your own creations. There are instructions for which yarn to use to create the motifs but you can experiment with different types of yarn to create your own versions. As well as creating the beautiful crochet collages which could be mounted and framed, there are ideas for what to make from the crocheted motifs including decorative applique embellishments on clothes and homewares, as well as bookmarks and keyring charms.

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Semiconductor Microchips and Fabrication Advanced and highly illustrated guide to semiconductor manufacturing from an experienced industry insider Semiconductor Microchips and Fabrication is a practical yet advanced book on the theory, design, and manufacturing of semiconductor microchips that describes the process using the principles of physics and chemistry, fills in the knowledge gaps for professionals and students who need to know how manufacturing equipment works, and provides valuable suggestions and solutions to many problems that students or engineers often encounter in semiconductor processing, including useful experiment results to help in process work. The explanation of the semiconductor manufacturing process, and the equipment needed, is carried out based on the machines that are used in clean rooms over the world so readers understand how they can use the equipment to achieve their design and manufacturing ambitions. Combining theory with practice, all descriptions are carried out around the actual equipment and processes by way of a highly visual text, with illustrations including equipment pictures, manufacturing process schematics, and structures of semiconductor microchips. Sample topics covered in Semiconductor Microchips and Fabrication include: An introduction to basic concepts, such as impedance mismatch from plasma machines and theories, such as energy bands and Clausius-Clapeyron equation Basic knowledge used in semiconductor devices and manufacturing machines, including DC and AC circuits, electric fields, magnetic fields, resonant cavity, and the components used in the devices and machines Transistor and integrated circuits, including bipolar transistors, junction field effect transistors, and metal-semiconductor field effect transistors The main processes used in the manufacturing of microchips, including lithography, metallization, reactive-ion etching (RIE), plasma-enhanced chemical vapor deposition (PECVD), thermal oxidation and implantation, and more The skills in the design and problem solving of processes, such as how to design a dry etching recipe, and how to solve the micro-grass problems in Bosch process Through Semiconductor Microchips and Fabrication, readers can obtain the fundamental knowledge and skills of semiconductor manufacturing, which will help them better understand and use semiconductor technology to improve their product quality or project research. Before approaching this text, readers should have basic knowledge of physics, chemistry, and circuitry.

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Some 200 years after the original invention, internal design of a Stirling engine has come to be considered a specialist task, calling for extensive experience and for access to sophisticated computer modelling. The low parts-count of the type is negated by the complexity of the gas processes by which heat is converted to work. Design is perceived as problematic largely because those interactions are neither intuitively evident, nor capable of being made visible by laboratory experiment. There can be little doubt that the situation stands in the way of wider application of this elegant concept. Stirling Cycle Engines re-visits the design challenge, doing so in three stages. Firstly, unrealistic expectations are dispelled: chasing the Carnot efficiency is a guarantee of disappointment, since the Stirling engine has no such pretentions. Secondly, no matter how complex the gas processes, they embody a degree of intrinsic similarity from engine to engine. Suitably exploited, this means that a single computation serves for an infinite number of design conditions. Thirdly, guidelines resulting from the new approach are condensed to high-resolution design charts – nomograms. Appropriately designed, the Stirling engine promises high thermal efficiency, quiet operation and the ability to operate from a wide range of heat sources. Stirling Cycle Engines offers tools for expediting feasibility studies and for easing the task of designing for a novel application. Key features: Expectations are re-set to realistic goals. The formulation throughout highlights what the thermodynamic processes of different engines have in common rather than what distinguishes them. Design by scaling is extended, corroborated, reduced to the use of charts and fully Illustrated. Results of extensive computer modelling are condensed down to high-resolution Nomograms. Worked examples feature throughout. Prime movers (and coolers) operating on the Stirling cycle are of increasing interest to industry, the military (stealth submarines) and space agencies. Stirling Cycle Engines fills a gap in the technical literature and is a comprehensive manual for researchers and practitioners. In particular, it will support effort world-wide to exploit potential for such applications as small-scale CHP (combined heat and power), solar energy conversion and utilization of low-grade heat.

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Why is America so rich and powerful? The answer lies in our genes, according to psychologist John Gartner.Hypomania, a genetically based mild form of mania, endows many of us with unusual energy, creativity, enthusiasm, and a propensity for taking risks. America has an extraordinarily high number of hypomanics—grandiose types who leap on every wacky idea that occurs to them, utterly convinced it will change the world. Market bubbles and ill-considered messianic crusades can be the downside. But there is an enormous upside in terms of spectacular entrepreneurial zeal, drive for innovation, and material success. Americans may have a lot of crazy ideas, but some of them lead to brilliant inventions. Why is America so hypomanic? It is populated primarily by immigrants. This self-selection process is the boldest natural experiment ever conducted. Those who had the will, optimism, and daring to take the leap into the unknown have passed those traits on to their descendants. Bringing his audacious and persuasive thesis to life, Gartner offers case histories of some famous Americans who represent this phenomenon of hypomania. These are the real stories you never learned in school about some of those men who made America: Columbus, who discovered the continent, thought he was the messiah. John Winthrop, who settled and defined it, believed Americans were God’s new chosen people. Alexander Hamilton, the indispensable founder who envisioned America’s economic future, self-destructed because of pride and impulsive behavior. Andrew Carnegie, who began America's industrial revolution, was sure that he was destined personally to speed up human evolution and bring world peace. The Mayer and Selznick families helped create the peculiarly American art form of the Hollywood film, but familial bipolar disorders led to the fall of their empires. Craig Venter decoded the human genome, yet his arrogance made him despised by most of his scientific colleagues, even as he spurred them on to make great discoveries. While these men are extraordinary examples, Gartner argues that many Americans have inherited the genes that have made them the most successful citizens in the world.

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** WINNER Fortnum and Masons Cookery Book of the year 2023 **** WINNER Jane Grigson Award 2022 **** Shortlisted IACP Cookbook awards 2023 **A beautiful cookbook that celebrates the wonderfully diverse flavors in Caribbean cooking with over 100 riveting recipes to try. Introducing West Winds - a joyous celebration of Caribbean cooking, with a special focus on the sensational flavors of Jamaican cuisine. Winner of the Jane Grigson Trust Award 2022, the all-encompassing Caribbean cookbook West Winds introduces everyone, everywhere to the enriching and mouth-watering flavors that Jamaica has to offer.Growing up in London and now living in Berlin, food writer Riaz Phillips is passionate about celebrating the familiar Caribbean food of his childhood while also demystifying new and unknown ingredients for home cooks from around the globe. With 120 traditional and delicious dishes that draw on Riaz’s personal memories, West Winds is so much more than a showcase of Jamaicancooking, it is also rooted in the exploration of the island’s heritage and culture. Featuring colorful and sun-drenched imagery, and easy-to-follow instructions, the versatility of Jamaican cuisine is apparent.Riaz blends authentic Jamaican ingredients and dishes with popular trends – discover recipes for nose-to-tail and vegan cooking. Why not also recreate popular takeaway food, Oxtail and Butterbean, or feel as though you’re on the beach with a Langoustine Soup. This cookbook has everything – main meals, sauces, soups, juices and preserves, bakes and desserts.Explore the riveting recipes of this colorful cookbook to find: - A varied collection of 100 Caribbean easy-to-follow recipes written by Riaz Phillips- Captivating recipe and travel photography- Feature essays which capture the history and culture of the foodSo whether you seek connection with your heritage, or you’re simply looking to expand your culinary repertoire, take a trip to Jamaica with West Winds, proving the ideal cookbook for those with an interest in Caribbean flavors, cooking and culture, or doubling up as the perfect gift for chefs who are looking to experiment with new flavors. Read it, cook from it, immerse yourself in it and more!

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During the global BlackLivesMatter protests of 2020, many called upon the United States to finally face its painful past. Tim Gruenewald’s new book is an in-depth investigation of how that past is currently remembered at the national museums in Washington, DC. Curating America’s Painful Past reveals how the tragic past is either minimized or framed in a way that does not threaten dominant national ideologies. Gruenewald analyzes the National Museum of American History (NMAH), the United States Holocaust Memorial Museum (USHMM), the National Museum of African American History and Culture (NMAAHC), and the National Museum of the American Indian (NMAI).The NMAH, the nation’s most popular history museum, serves as the benchmark for the imagination of US history and identity. The USHMM opened in 1993 as the United States’ official Holocaust memorial and stands adjacent to the National Mall. Gruenewald makes a persuasive case that the USHMM established a successful blueprint for narrating horrific and traumatic histories. Curating America’s Painful Past contrasts these two museums to ask why America’s painful memories were largely absent from the memorial landscape of the National Mall and argues that social injustices in the present cannot be addressed until the nation’s painful past is fully acknowledged and remembered.It was only with the opening of the NMAAHC in 2016 that a detailed account of atrocities committed against African Americans appeared on the National Mall. Gruenewald focuses on the museum’s narrative structure in the context of national discourse to provide a critical reading of the museum. When the NMAI opened in 2004, it presented for the first time a detailed history from a Native American perspective that sought to undo conventional museum narratives. However, criticism led to more traditional exhibitions and national focus. Nevertheless, the museum still marginalizes memories of the vast numbers of Indigenous victims to European colonization and to US expansion. In a final chapter, Gruenewald offers a thought experiment, imagining a memory site like the recently opened National Memorial for Peace and Justice (Montgomery, Alabama) situated on the National Mall so the reader can assess how profound an effect projects of national memory can have on facing the past as a matter of present justice.

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Is it possible to pursue your passions, love your family, and not feel guilty about wanting to do both? One Beautiful Dream is your invitation to the unexpected joy of saying yes to the life you long to live.Work and family, individuality and motherhood, the creative life and family life—women are told constantly that they can’t have it all. One Beautiful Dream is the deeply personal, often humorous tale of what happened when one woman dared to believe that you can have it all—if you’re willing to reimagine what having it all looks like. Jennifer Fulwiler is the last person you might expect to be the mother of six young children. First of all, she’s an introvert only child, self-described workaholic, and former atheist who never intended to have a family. Oh, and Jennifer has a blood-clotting disorder exacerbated by pregnancy that has threatened her life on more than one occasion.One Beautiful Dream is the story of what happens when one woman embarks on the wild experiment of chasing her dreams with multiple kids in diapers. It’s the tale of learning that opening your life to others means that everything will get noisy and chaotic, but that it is in this mess that you’ll find real joy.Jennifer’s quest takes her in search of wisdom from a cast of colorful characters, including her Ivy-League-educated husband, her Texan mother-in-law who crushes wasps with her fist while arguing with wrong number calls about politics, and a best friend who’s never afraid to tell it like it is. Through it all, Jennifer moves toward the realization that the life you need is not the life you would have originally chosen for yourself. And maybe, just maybe, it’s better that way.Hilarious, highly relatable, and brutally honest, Jennifer’s story will spark clarity and comfort to your own tug-of-war between all that is good and beautiful about family life and the incredible sacrifice it entails. Parenthood, personal ambitions, family planning, and faith—it’s complicated. Let this book be your invitation to the unexpected, yet beautiful dream of saying yes to them all, with God’s help.

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A Washington Post Book World Best Seller “Robert A. Dahl . . . is about as covered in honors as a scholar can be. . . . He knows what he is talking about. And he thinks that the Constitution has something the matter with it.”—Hendrik Hertzberg, New Yorker “A devastating attack on the undemocratic character of the American Constitution.”—Gordon S. Wood, New York Review of Books In this provocative book, one of our most eminent political scientists poses the question, “Why should Americans uphold their constitution?” The vast majority of Americans venerate the Constitution and the democratic principles it embodies, but many also worry that the United States has fallen behind other nations on crucial issues, including economic equality, racial integration, and women’s rights. Robert Dahl explores this vital tension between the Americans’ belief in the legitimacy of their constitution and their belief in the principles of democracy. Dahl starts with the assumption that the legitimacy of the American Constitution derives solely from its utility as an instrument of democratic governance. Dahl demonstrates that, due to the context in which it was conceived, our constitution came to incorporate significant antidemocratic elements. Because the Framers of the Constitution had no relevant example of a democratic political system on which to model the American government, many defining aspects of our political system were implemented as a result of shortsightedness or last-minute compromise. Dahl highlights those elements of the American system that are most unusual and potentially antidemocratic: the federal system, the bicameral legislature, judicial review, presidentialism, and the electoral college system. The political system that emerged from the world’s first great democratic experiment is unique—no other well-established democracy has copied it. How does the American constitutional system function in comparison to other democratic systems? How could our political system be altered to achieve more democratic ends? To what extent did the Framers of the Constitution build features into our political system that militate against significant democratic reform? Refusing to accept the status of the American Constitution as a sacred text, Dahl challenges us all to think critically about the origins of our political system and to consider the opportunities for creating a more democratic society.

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One of O, The Oprah Magazine’s “Most Anticipated Historical Fiction Novels That Will Sweep You Away” and LitHub’s “Most Anticipated Books of 2021.” For fans of Amy Bloom’s White Houses and Colm Tóibín’s The Master, a page-turning novel about Surrealist artist Leonora Carrington and the art, drama, and romance that defined her coming-of-age during World War II.1940. A train carrying exiled German prisoners from a labor camp arrives in southern France. Within moments, word spreads that Nazi capture is imminent, and the men flee for the woods, desperate to disappear across the Spanish border. One stays behind, determined to ride the train until he reaches home, to find a woman he refers to simply as “her.” 1937. Leonora Carrington is a twenty-year-old British socialite and painter dreaming of independence when she meets Max Ernst, an older, married artist whose work has captivated Europe. She follows him to Paris, into the vibrant revolutionary world of studios and cafes where rising visionaries of the Surrealist movement like Andre Breton, Pablo Picasso, Lee Miller, Man Ray, and Salvador Dali are challenging conventional approaches to art and life. Inspired by their freedom, Leonora begins to experiment with her own work, translating vivid stories of her youth onto canvas and gaining recognition under her own name. It is a bright and glorious age of enlightenment—until the shadow of war looms over Europe and headlines emerge denouncing Max and his circle as “degenerates,” leading to his arrest and imprisonment. Left along as occupation spreads throughout the countryside, Leonora battles terrifying circumstances to survive, reawakening past demons that threaten to consume her. As Leonora and Max embark on remarkable journeys together and apart, the full story of their tumultuous and passionate love affair unfolds, spanning time and borders as they seek to reunite and reclaim their creative power in a world shattered by war. When their paths cross with Peggy Guggenheim, an art collector and socialite working to help artists escape to America, nothing will be the same. Based on true events and historical figures, Leonora in the Morning Light is an unforgettable story of love, art, and destiny that restores a twentieth-century heroine to her rightful place in our collective imagination.

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Fintan O’Toole was born in the year the revolution began. It was 1958, and the Irish government—in despair, because all the young people were leaving—opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don’t Know Ourselves, O’Toole, one of the Anglophone world’s most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary “backwater” to an almost totally open society—perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O’Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland’s main export was beef and it was still not unknown for herds of cattle to clatter down Dublin’s streets. Yet the Westerns were a sign of what was to come. O’Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O’Toole’s telling, America became a lodestar, from John F. Kennedy’s 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O’Toole in coruscating prose captures the peculiar Irish habit of “deliberate unknowing,” which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don’t Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us.

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