Search results for ""author glen"

One young woman missing, two found murdered -- the gripping true story of Australia's longest-running homicide investigation ** Winner of the Ned Kelly Award for True Crime**In the early hours of January 27, 1996, after an evening spent celebrating at Club Bayview in the Perth suburb of Claremont, 18-year-old Sarah Spiers called a taxi to nearby Mosman Park. But when the cab arrived, she'd already gone.Sarah was never seen again.Four months later, on June 9, 1996, 23-year-old Jane Rimmer disappeared from the same area, her body later found in bushland south of Perth. When the body of a third young woman, 27-year-old Ciara Glennon, was found north of the city, having vanished from Claremont in August 1997, it was clear a serial killer was on the loose, and an entire city lived in fear he would strike again.A massive manhunt focused first on taxi drivers, then the outspoken local mayor and a quiet public servant. However, almost 20 years later, Australia's longest and most expensive investigation had failed to make an arrest, until forensic evidence linked the murders to two previous attacks - and an unlikely suspect.Stalking Claremont, by local newsman Bret Christian, is a riveting story of promising young lives cut short, a city in panic, an investigation fraught by oversights and red herrings, and a surprising twist that absolutely no one saw coming.

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**THE INSTANT NEW YORK TIMES BESTSELLER **'Funny and frank, a chance to spend time with a brave and big-hearted woman who's grown up to be not so mean, after all' JENNIFER LARUE, WASHINGTON POST'Grabs you by the collar and says listen to all that I have to say: about love, pain, motherhood, illness, celebrity and the tidal ferocity that pours through all our lives. Read it and be caught in the voice of one of our luminous stars' ESMÉ WEIJUN WANGThe first story Selma Blair Beitner ever heard about herself is that she was a mean, mean baby. Although Selma went on to become a celebrated Hollywood actress and model, she could never quite shake the periods of darkness that overtook her, the certainty that there was a great mystery at the heart of her life. Over the course of this beautiful and, at times, shocking memoir, Selma lays bare her addiction to alcohol, her devotion to her brilliant and complicated mother, and the moments she flirted with death. There is violence, love, true friendship, the gift of motherhood and, finally, the simultaneous devastation and surprising salvation of a multiple sclerosis diagnosis. 'A fascinating exploration about the power of prophecy, of labels, and of one woman's determination to defy them all. Blair is a rebel, an artist, and it turns out: a writer' GLENNON DOYLE'I laughed out loud more than I cried' FRANCES RYAN, GUARDIAN

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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**THE INSTANT NEW YORK TIMES BESTSELLER **'Funny and frank, a chance to spend time with a brave and big-hearted woman who's grown up to be not so mean, after all' JENNIFER LARUE, WASHINGTON POST'Grabs you by the collar and says listen to all that I have to say: about love, pain, motherhood, illness, celebrity and the tidal ferocity that pours through all our lives. Read it and be caught in the voice of one of our luminous stars' ESME WEIJUN WANG The first story Selma Blair Beitner ever heard about herself is that she was a mean, mean baby. Although Selma went on to become a celebrated Hollywood actress and model, she could never quite shake the periods of darkness that overtook her, the certainty that there was a great mystery at the heart of her life. Over the course of this beautiful and, at times, shocking memoir, Selma lays bare her addiction to alcohol, her devotion to her brilliant and complicated mother, and the moments she flirted with death. There is violence, love, true friendship, the gift of motherhood and, finally, the simultaneous devastation and surprising salvation of a multiple sclerosis diagnosis. 'A fascinating exploration about the power of prophecy, of labels, and of one woman's determination to defy them all. Blair is a rebel, an artist, and it turns out: a writer' GLENNON DOYLE'I laughed out loud more than I cried' FRANCES RYAN, GUARDIAN

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You could have saved her. Sure as the tide against his Highland shores, the refrain beats into Constable Angus ‘Dubh’ MacNeil’s mind. For years it has haunted him, accompanied by the faces of those he could not save—the Burned Man, the Strangled Woman, the Drowned Boy. All witnesses to a secret he cannot share and a gift he now refuses to embrace.You could have saved her. The refrain drives Angus to the seashore at dawn, where a girl lies on the unblemished sand. She wears a green cloak and cradles a corps creadha, a Highland voodoo doll. She has suffered a ritualistic, three-fold death—her head bludgeoned, her throat cut, and symbolically drowned.It is Faye Chichester, daughter of an American billionaire whose mission to reintroduce wolves to the Highlands has embroiled the village of Glenruig. But even as media and police swarm the area, that refrain—you could have saved her—echoes in all Angus’s thoughts. For he carries a burden, a blessing, a curse, a secret—dà-shealladh, the second sight of Gaelic lore. Gills MacMurdo, noted folklorist, academic, and Angus’s oldest friend, confirms what the dà-shealladh is warning. Just as Faye’s death was three-fold, so must the murder victims fulfil the ancient pattern. More will die, unless Angus does what he must—close his eyes and see.

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This newly delineated guide describes some of the best scrambles and easy rock climbs in the North-West Highlands of Scotland, the Outer Hebrides and Rum. With 200 routes stretching from Sutherland in the north to Glenfinnan in the south, and from Uist in the west to Caithness in the east, its scope and range offer scrambling options across all levels and rock types. Keen hillwalkers can build their confidence on straightforward itineraries with a bit of exposure, and there's plenty to whet the appetites of those who already have some experience and want to explore new territory on sustained, technical journeys requiring greater commitment. From the elegant bands of Lewisian gneiss that comprise much of the Outer Hebrides and the northern hinterland of Ben Stack and Foinaven to Torridon's terraced sandstone cliffs and the pinnacled ridges of An Teallach, there are many hidden gems to discover. You'll also find updates of well-established and much-loved classics, including the Forcan Ridge, Stac Pollaidh and the Rum Cuillin. Presented in our new contemporary style, Highland Scrambles North includes high-resolution photo diagrams and beautifully rendered maps for greater clarity and accessibility. With venue and route information accompanied by advice on conditions, this guidebook has everything you need for a superb day out in the Scottish mountains

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'Extraordinary' TONY BLAIR'Riveting' - PHILIPPE SANDS'Brutal, brilliant and scurrilously funny' - MISHA GLENNYThe real scoop isn't on the front page'As FT editor, I was a privileged interlocutor to people in power around the world, each offering unique insights into high-level decision-making and political calculation, often in moments of crisis. These diaries offer snapshots of leadership in an age of upheaval...'Lionel Barber was Editor of the Financial Times for the tech boom, the global financial crisis, the rise of China, Brexit, and mainstream media's fight for survival in the age of fake news.In this unparalleled, no-holds-barred diary of life behind the headlines, he reveals the private meetings and exchanges with political leaders on the eve of referendums, the conversations with billionaire bankers facing economic meltdown, exchanges with Silicon Valley tech gurus and pleas from foreign emissaries desperate for inside knowledge, all against the backdrop of a wildly shifting media landscape.The result is a fascinating - and at times scathing - portrait of power in our modern age; who has it, what it takes and what drives the men and women with the world at their feet. Featuring close encounters with Trump, Cameron, Blair, Putin, Merkel and Mohammed Bin Salman and many more, this is a rare portrait of the people who continue to shape our world and who quite literally, make the news.

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From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as 'the little beast'. In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase 'mad, bad and dangerous to know' became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much of her later life, as well as influencing her own writing - most notably the Gothic novel Glenarvon - and Byron's. Antonia Fraser's vividly compelling biography animates the life of 'a free spirit' who was far more than mad, bad and dangerous to know.

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I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers who consider thirteen monumental works of art created for The New School between 1930 and the present. The nucleus of The New School's Art Collection, these commissions—ranking among the finest site-specific works in New York City—range from murals by José Clemente Orozco and Thomas Hart Benton to installations by Agnes Denes, Kara Walker, Alfredo Jaar, Glenn Ligon, Sol LeWitt, and Martin Puryear + Michael Van Valkenburgh, among others. Providing a kaleidoscopic view into these works, this richly illustrated volume explores each installation through three to four essays written by critics, poets, and scholars from diverse fields including anthropology, mathematics, art history, media studies, and design. Their texts are complemented by three additional essays reflecting on each piece's art historical significance; the architectural contexts in which the works reside on the university's campus; and The New School's relationship to adventurous art practice. Also included is a roundtable discussion among leading arts educators and artists who reflect on the pedagogical potential of a campus-based contemporary art collection. The book's final section presents a history of each commissioned work, highlighted by archival images never before published. Published by The New School. Distributed by Duke University Press. Contributors. Saul Anton, Daniel A. Barber, Stefano Basilico, Carol Becker, Naomi Beckwith, Omar Berrada, Gregg Bordowitz, Tisa Bryant, Holland Cotter, Mónica de la Torre, Aruna D'Souza, Elizabeth Ellsworth, Julia L. Foulkes, Andrea Geyer, Kathleen Goncharov, Jennifer A. González, Michele Greet, Randall Griffey, Victoria Hattam, Pablo Helguera, Jamer Hunt, Anna Indych-López, Luis Jaramillo, Jeffrey Kastner, Robert Kirkbride, Lynda Klich, Carin Kuoni, Sarah E. Lawrence, Tan Lin, Lucy R. Lippard, Laura Y. Liu, Reinhold Martin, Shannon Mattern, Lydia Matthews, Maggie Nelson, Olu Oguibe, G. E. Patterson, Hugh Raffles, Claudia Rankine, Jasmine Rault, Heather Reyes, Frances Richard, Silvia Rocciolo, Carl Hancock Rux, Luc Sante, Mira Schor, Eric Stark, Radhika Subramaniam, Edward J. Sullivan, Roberto Tejada, Otto von Busch, Wendy S. Walters, Jennifer Wilson, Mabel O. Wilson

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Spurs On This Day revisits all the most magical and memorable moments from the club's glorious past, mixing in a maelstrom of quirky anecdotes and legendary characters to produce an irresistibly dippable diary of the club's history - with an entry for every day of the year. From their Victorian roots as Hotspur FC up to the Premier League era, Spurs fans have witnessed a unique FA Cup victory as a non-League side, League and Cup triumphs, hard-fought derbies and unforgettable European nights - all featured here. Timeless greats such as Glenn Hoddle and Danny Blanchflower, Dave Mackay, Jurgen Klinsmann and Bill Nicholson all loom larger than life. Revisit January 22, 2008 when Spurs beat Arsenal 5-1 in the Carling Cup semi-final. May 6, 1961 when Spurs became the 20th century's first Double winners. And July 13 2001, when Steffen Freund scored against Stevenage, his first and only Tottenham goal!

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*THE MUST-READ ENGLAND FOOTBALL BOOK FOR EURO 2024**Includes exclusives interviews with Raheem Sterling, Dan Ashworth, Martin Glenn, Steve Cooper and Jesse Lingard, as well as previous conversations with Gareth Southgate, Harry Kane, Declan Rice, John Stones, Bukayo Saka, Danny Rose, Wayne Rooney, Gary Neville and many more*The definitive, behind-the-scenes account of England's journey from no-hopers to genuine contenders.Under the stewardship of Gareth Southgate and captained by Harry Kane, England will arrive in Germany as favourites to win Euro 2024 and finally end all those trophy-less years of hurt. It's taken for granted that England are now considered serious challengers at major football tournaments but prior to Southgate, this wasn't the case. 'Golden generations' came and went, with club rivalries and big egos ensuring that England camps had a fractured, toxic atmosphere. So, how did we get here?De

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The sequel to Jason Offutt's award-winning novel, The Girl in the Corn, which critics have raved is an outstanding blend of horror, speculative fiction, and apocalyptic fantasy topped with madness (HorrorDNA) and a haunting, unsettling, gripping novel (Richard Thomas, a Bram Stoker and Shirley Jackson nominee).Evil comes in pretty packages. Thomas Cavanaugh's life is now a blur, a blend of foggy memories and hidden horrors. When his fae girlfriend Jillian begins to act strangely, he wonders whether he should put an end to their relationship. Then Jillian does the unthinkable and vanishes with four-year-old Jacob Jenkins, a boy with terrifying supernatural powers. Suddenly, years later, Jacob reappears unaged, claiming to have been in another world. Sheriff Glenn is called in to investigate a series of violent murders, all with evidence pointing toward the boy from two worlds. Someone with dark magic is devouring souls but for what purpose? Thomas and his allies must prepare for a b

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

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A fascinating and immersive chronicle of hockey's original maskless warriors More than 400 stitches decorated Terry Sawchuk's face during his 16 years as a goaltender in the National Hockey League, the result of high-speed collisions and slapshots that whizzed directly at his skull. All in a day's work for an elite goalie of his era. Before facemasks became standard equipment in the 1960s and '70s, men like Sawchuk, Glenn Hall, and Jacques Plante—the first goalie to ever wear a mask in the NHL—put their bodies on the line in the name of hockey, enduring broken bones, damaged organs, and even psychological turmoil. In this thoroughly researched book, Rob Vanstone illuminates the stories of these intrepid warriors while examining how the goaltender position has changed throughout the decades. As masks evolved from ghoulish-looking creations not out of place in horror films to today's caged helmets with custom artwork, goalies' body positioning and tactics were similarly transformed along with NHL regulations.Told with charm and verve, this is an essential portrait of a uniquely brutal and harrowing chapter in hockey history.

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A complete history of White Hart Lane, the home of Tottenham Hotspur from 1899 to 2017 and the setting for some of their greatest successes.For a football supporter, a real fan, there is nothing more evocative than the journey to their home ground, a place where they have experienced the highs and lows that the game brings - delight, despair, hope, pain and, occasionally, pure joy. But while those stadiums seem permanent, they are not.In May 2017, White Hart Lane, the backdrop to more than a century of Spurs history, staged its final game. With the active support and endorsement of the club, who have granted him exclusive access to senior figures and historical documents, Martin Lipton pays fitting tribute to the glory days at the Lane. He has talked to, among others, Jimmy Greaves, Martin Chivers, Pat Jennings, Glenn Hoddle, Ossie Ardiles, Chris Waddle, Teddy Sheringham, Jurgen Klinsmann, David Ginola, Gareth Bale and Harry Kane. And he has also interviewed fans, support staff, managers and board members in order to provide the complete and definitive story of White Hart Lane.

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“Jason Moran [is] shaping up to be the most provocative thinker in current jazz.” —Rolling Stone This is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a “torchbearer for jazz,” Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran—who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon—pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation. This volume, published in conjunction with the Walker Art Center’s 2018 exhibition, considers the artist’s practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and visual art. It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran. These are supplemented by sections documenting the creation of Moran’s mixed-media “set sculptures” including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018). This is an essential volume for anyone interested in the intersection of contemporary art and music. Jason Moran was born in Houston, Texas, in 1975, and received a BM from the Manhattan School of Music in 1997. He joined the faculty of the New England Conservatory in 2010. In 2014, was named artistic director for jazz at the Kennedy Center in Washington, DC. He was a 2015 Grammy nominee for Best Jazz Instrumental Album for ALL RISE: A Joyful Elegy for Fats Waller, and he composed his first feature film score for Selma (2014), directed by Ava DuVernay.

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How are great turning points in history experienced by individuals?As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.Contributors include:Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young

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'I absolutely loved it. Hester is one heck of a woman!' Heidi Swain'A charming book seasoned with romance and a sprinkling of danger' Western MailCan Hester help her family escape desperate poverty and fulfil her dreams?1908: Hester always loved her mother best, her father had always been a hard man to like, spending more time (and money) in the local than with his family. After her mother's sudden death, followed by an injury forcing her father to give up his job as the ferryman, Hester is placed in the position of care-giver for her young brother and sister. As the years pass Hester must row the ferry night and day to keep them all from starvation, while her hopes of working in a kitchen and one day becoming a cook, slip further and further away. But just how far is Hester willing to go to make her dream a reality? And as the threat of war comes ever closer to the Cornish coast, will it bring opportunities or despair for Hester and her family?A gripping family saga perfect for fans of Sheila Newberry, Glenda Young and Mollie Walton. Escape to the Cornish coast and discover a strong woman who will do anything for her family and for her dreams... Readers are already falling in love with Hester:'This was a superb read, and I thoroughly enjoyed every moment' Being Anne'A sublime novel, written deftly, and with a keen attention to detail' Netgalley reviewer'Lovely family saga book' Netgalley reviewer

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A FINANCIAL TIMES BEST SPORTS BOOK OF 2022 'This book delivers a thousand memories'. - Mark Lawrenson ---- A football fan's dream come true – every complete UK PANINI sticker album 1978-1985 reproduced together for the very first time. 'Swapsies', 'Got, Got, Need' and 'Shinies'... This landmark illustrated book is a fantastic feast of nostalgia for any football fan of a certain age. PANINI albums were a must-have if you were a football-mad kid growing up in the late 70s and 80s, when player stickers were bought, bartered and collected in a treasured rite of passage. This book will bring back all those ‘I had that one’, ‘I’d forgotten about him’ and ‘look at that haircut!’ memories as well as providing in-depth details on all the players and teams of the era. Licensed by PANINI, this is a comprehensive collection of PANINI'S UK domestic football albums from 1978 to 1985 inclusive. Covering all English First Division and Scottish Premier teams, it features not only all the great teams and players of the era, but the one-season wonders and the also-rans as well. Inside the book: – Nearly 5,000 images of iconic PANINI stickers, album covers and sticker packet designs. – Hundreds of clubs including Manchester United, Liverpool, Chelsea, Arsenal, Celtic, Rangers, Manchester City, Spurs, Newcastle United, Dundee United, Nottingham Forest, Sunderland, Aston Villa, Aberdeen and West Ham United. – Photographs and pen portraits of the great players of the day, such as Bryan Robson, Glenn Hoddle, Kevin Keegan, Ossie Ardiles, Ian Rush and John Barnes, plus World Cup winners in the twilight of their careers and young stars in the making, like Peter Beardsley, Chris Waddle, Mark Hughes and Gary Lineker.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the "greater" aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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Throughout the late 1980s and early 1990s, a radical cultural scene emerged in cities across the globe, finding expression in the galleries, nightclubs, and bedrooms of New York, London, Los Angeles, and Rome. In Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs , the artist’s archive of 35 mm Ektachrome images are presented alongside journal entries and recollections from a host of artistic and cultural figures. It offers a unique document of what Harris has described as “ephemeral moments and emblematic figures shot in the 1980s and ’90s, against a backdrop of seismic shifts in the art world, the emergence of multiculturalism, the second wave of AIDS activism, and incipient globalization.” As a young artist experimenting with installation, performance, and collage at the time, Harris obsessively photographed his friends, lovers, and individuals who either were, or would become, figures of influence, such as Marlon Riggs, Cornel West, bell hooks, Stuart Hall, Klaus Biesenbach, Nan Goldin, Catherine Opie, Glenn Ligon, and others. The images record the confluence of multiple international communities— gathering points for the exchange of ideas and the development of theoretical positions on art and culture that continue to resonate to this day. Together, these photographs and the journals not only sketch a personal history of a unique time of importance to contemporary art, but also show the development and shaping of Harris’s eye and influences as an artist.

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Harold Raeburn was one of Scotland's greatest ever mountaineers, with a legacy of prized lines scattered far and wide across the Highlands. In feats of extraordinary vitality, he made winter ascents of Tower Ridge, North-East Buttress and Crowberry Gully in four days, cycling from Fort William to Glencoe in between. His breathtaking ascent of Green Gully, cutting steps up near-vertical ice with a single axe, was doubtless the hardest ice climb anywhere at the time and was unsurpassed in difficulty in Scotland for nearly three decades. But perhaps Raeburn's finest achievement was the first winter ascent in 1920 of Observatory Ridge, which remains one of Ben Nevis's longest and most serious winter climbs. These routes, amongst so many others, were visionary, while beyond Scotland, he pioneered climbs in the Alps, Norway and the Caucasus, attempted Kangchenjunga and was Climbing Leader on the calamitous 1921 British Mount Everest Reconnaissance Expedition. Tragically, the latter was to be his undoing, precipitating a 'melancholia' that had perhaps, to some degree, dogged him all his life. With extracts from Raeburn's own elegant writings and accounts from his friends and climbing companions, The Steps of a Giant is an intimate portrait of a master craftsman, chronicling his outstanding mountaineering record while digging beneath the surface of his modest reserve to reveal a complex, driven character upon whose shoulders subsequent generations of climbing luminaries stand.

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The 78th Glass Problem Conference (GPC) including the 11th Advances in Fusion and Processing of Glass (AFPG) Symposium is organized by the Kazuo Inamori School of Engineering, The New York State College of Ceramics, Alfred University, Alfred, NY 14802 and The Glass Manufacturing Industry Council (GMIC), Westerville, OH 43082. The Program Director was S. K. Sundaram, Inamori Professor of Materials Science and Engineering, Kazuo Inamori School of Engineering, The New York State College of Ceramics, Alfred University, Alfred, NY 14802. The Conference Director was Robert Weisenburger Lipetz, Executive Director, Glass Manufacturing Industry Council (GMIC), Westerville, OH 43082. Donna Banks of the GMIC coordinated the events and provided support. The Conference started with a half-day plenary session followed by technical sessions. The themes and chairs of four half-day technical sessions were as follows: Modeling, Sensors, and Furnace DesignJames Uhlik, Toledo Engineering Company, Inc., Toledo, OH and Michelle Korwin-Edson, Owen Corning Composite Solutions, Granville, OH Refractories & TestingLaura Lowe – North American Refractory Company, Pittsburgh, PA, Larry McCloskey – Anchor Acquisition, LLC, Lancaster, OH, and Laura Lowe – North American Refractory Company, Pittsburgh, PA and Larry McCloskey – Anchor Acquisition, LLC, Lancaster, OH CombustionGlenn Neff, Glass Service USA, Inc., Stuart, FL and Uyi Iyoha, Praxair Inc., Tonawanda, NY Environmental & SafetyPhil Tucker, Johns Manville, Denver, CO and Elmer Sperry, Libbey Glass, Toledo, OH

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The first comparative analysis of minority conservatism In Guess Who's Coming to Dinner Now? Angela Dillard offers the first comparative analysis of a conservatism which today cuts across the boundaries of race, ethnicity, gender, and sexuality. To be an African-American and a conservative, or a Latino who is also a conservative and a homosexual, is to occupy an awkward and contested political position. Dillard explores the philosophies, politics, and motivation of minority conservatives such as Ward Connerly, Glenn Loury, Linda Chavez, Clarence Thomas, and Bruce Bawer, as well as their tepid reception by both the Left and Right. Welcomed cautiously by the conservative movement, they have also frequently been excoriated by those African Americans, Latinos, women, and homosexuals who view their conservatism as betrayal. Dillard's comprehensive study, among the first to take the history and political implications of multicultural conservatism seriously, is a vital source for understanding contemporary American conservatism in all its forms.

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Winner of the Shaughnessy Cohen Prize for Political Writing'Reading this book might make you wish to set fire to your smartphone, but it might also make you wish to call for reform. If you do the latter you might consider the former, as long as that thing is on, they know where you live.' Margaret Atwood How to comprehend and correct the negative impact of the internet on politics, the economy, the environment and humanity? Reset is a fast-paced, compelling expose; and a rallying call for clear change. Drawing on the cutting-edge research of the Citizen Lab, the world-renowned digital security research group he founded, Ronald J. Deibert exposes the influence of the communications ecosystem on civil society. He tracks a mostly unregulated surveillance industry, innovations in technologies of remote control, superpower policing practices, dark PR firms and highly profitable hack-for-hire services feeding off rivers of poorly secured personal data. He also unearths how dependence on social media and its expanding universe of consumer electronics creates immense pressure on the natural environment.  Determined to find solutions, Deibert has written a unique, readable and forward-looking book. In order to combat authoritarian practices, environmental degradation and rampant electronic consumerism, Deibert urges for very specific restraints on tech platforms and governments to reclaim the internet for civil society. It's time for us to push RESET. 'Deibert is a rare hybrid who combines an advanced understanding of computer technology with a rich background in political science. He is also a legend in security and tech circles.' Misha Glenny

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In the 1940s and 1950s The Review of Politics, under the dynamic leadership of Waldemar Gurian, emerged as one of the leading journals of political and social theory in the United States. This volume celebrates that legacy by bringing together classic essays by a remarkable group of American and European émigré intellectuals, among them Jacques Maritain, Hannah Arendt, Josef Pieper, Eric Voegelin, and Yves Simon. For these writers, the emergence of new dictatorial regimes in Germany and Russia and the looming threat of another, even more devastating, European war demanded that one rethink the reigning philosophical perspectives of the time. In their view, the western world had lost sight of its founding principles. Individually and collectively, they maintained that the West could be saved only if its leaders embraced the idea that society should be governed by moral standards and a commitment to human dignity. Since the first issue appeared in 1939, The Review of Politics has influenced generations of political theorists. To complement these essays A. James McAdams has written an introduction that discusses the history of the journal and reflects on the contributions of these influential figures. He underscores the continuing relevance of these essays in assessing contemporary issues. Contributors: A. James McAdams, Desmond Fitzgerald, Jacques Maritain, C. J. Friedrich, Denis de Rougemont, John U. Nef, Aron Gurwitsch, Josef Pieper, Leo Strauss, Eric Voegelin, Hannah Arendt, Russell Kirk, Robert Strausz-Hupé, Waldemar Gurian, Louis de Raeymaeker, Frank O’Malley, Glenn Tinder, and Yves R. Simon.

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Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This third volume in the series, What Do Artists Know?, is about the education of artists. The MFA degree is notoriously poorly conceptualized, and now it is giving way to the PhD in art practice. Meanwhile, conversations on freshman courses in studio art continue to be bogged down by conflicting agendas. This book is about the theories that underwrite art education at all levels, the pertinent history of art education, and the most promising current conceptualizations. The contributors are Areti Adamopoulou, Glenn Adamson, Rina Arya, Louisa Avgita, Jan Baetens, Su Baker, Ciarín Benson, Andrew Blackley, Jeroen Boomgaard, Brad Buckley, William Conger, John Conomos, Christopher Csikszentmihályi, Anders Dahlgren, Jonathan Dronsfield, Marta Edling, Laurie Fendrich, Michael Fotiadis, Christopher Frayling, Miguel González Virgen, R.E.H. Gordon, Charles Green, Vanalyne Green, Barbara Jaffee, Tom McGuirk, William Marotti, Robert Nelson, Håkan Nilsson, Saul Ostrow, Daniel Palmer, Peter Plagens, Stephan Schmidt-Wulffen, Howard Singerman, Henk Slager, George Smith, Martin Søberg, Ann Sobiech Munson, Roy Sorensen, Bert Taken, Hilde Van Gelder, Frank Vigneron, Janneke Wesseling, Frances Whitehead, Gary Willis, and Yeung Yang.

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Seven years ago in Cape Town three young white South African schoolboys were abducted in broad daylight on three consecutive days. They were never heard of again.Now, a new case for the unpredictable Colonel Vaughn de Vries casts a light on the original enquiry; for him, a personal failure which has haunted him for those seven years and has cost him his marriage and peace of mind.A former British government agent, friend to De Vries, provides intelligence on this new case, but is any of it admissible? Struggling in a mire of departmental and racial rivalry, De Vries seeks the whole truth and unravels a complex history of abuse, deception and murder. Challenging friends, colleagues and enemies, De Vries comes to realise he doesn't know who is which.Set against the background of Cape Town and the endless, rolling South African veld, this chilling thriller reveals layer after layer of abuse - physical, political and psychological.Shortlisted for the Crime Writer's Association Gold Dagger 2014 (Crime Novel of the Year)Praise for Paul Mendelson:'An excellent, uncompromising crime thriller made even better by its setting ... the story is two journeys in one, and I'm glad I took both' Lee Child'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister'The First Rule of Survival is an incredibly atmospheric, complex and dazzling debut from a thrilling and authentic new voice in crime fiction' Brian McGilloway'An impressive debut' The Times

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“Will the future confront us with human GMOs? Greely provocatively declares yes, and, while clearly explaining the science, spells out the ethical, political, and practical ramifications.”—Paul Berg, Nobel Laureate and recipient of the National Medal of ScienceWithin twenty, maybe forty, years most people in developed countries will stop having sex for the purpose of reproduction. Instead, prospective parents will be told as much as they wish to know about the genetic makeup of dozens of embryos, and they will pick one or two for implantation, gestation, and birth. And it will be safe, lawful, and free. In this work of prophetic scholarship, Henry T. Greely explains the revolutionary biological technologies that make this future a seeming inevitability and sets out the deep ethical and legal challenges humanity faces as a result.“Readers looking for a more in-depth analysis of human genome modifications and reproductive technologies and their legal and ethical implications should strongly consider picking up Greely’s The End of Sex and the Future of Human Reproduction… [It has] the potential to empower readers to make informed decisions about the implementation of advancements in genetics technologies.”—Dov Greenbaum, Science“[Greely] provides an extraordinarily sophisticated analysis of the practical, political, legal, and ethical implications of the new world of human reproduction. His book is a model of highly informed, rigorous, thought-provoking speculation about an immensely important topic.”—Glenn C. Altschuler, Psychology Today

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An "anatomical" study of building systems integration with guidelines for practical applications Through a systems approach to buildings, Integrated Buildings: The Systems Basis of Architecture details the practice of integration to bridge the gap between the design intentions and technical demands of building projects. Analytic methods are introduced that illustrate the value, benefit, and application of systems integration, as well as guidelines for selecting technical systems in the conceptual, schematic, and design development stages of projects. Landmark structures such as Eero Saarinen's John Deere Headquarters, Renzo Piano's Kansai International Airport, Glenn Murcutt's Magney House, and Richard Rogers's Lloyd's of London headquarters are presented as part of an extensive collection of case studies organized into seven categories: Laboratories Offices Pavilions Green Architecture High Tech Architecture Airport Terminals Residential Architecture Advanced material is provided on methods of integration, including an overview of integration topics, the systems basis of architecture, and the integration potential of various building systems. An expanded case study of Ibsen Nelsen's design for the Pacific Museum of Flight is used to demonstrate case study methods for tracing integration through any work of architecture. Visually enhanced with more than 300 illustrations, diagrams, and photographs, Integrated Buildings: The Systems Basis of Architecture is a valuable reference guide for architecture and civil engineering students, as well as architects, engineers, and other professionals in the construction industry.

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More than just a collection of Hugh's recipes, this book is a witty, practical guide to the River Cottage lifestyle from Channel 4's iconoclastic back-to-basics chef. Includes tips on how best to buy organic produce and, for the more adventurous, advice on rearing your own meat, growing your own vegetables, and tapping into the free wild harvest. ‘How much of this book you incorporate into your life is up to you. But if all you do is grow a few herbs in a window box, make nettle soup once a year, and try a free-range goose for Christmas instead of a frozen turkey, you will already, I hope, be enjoying your life more.’ Hugh Fearnley-Whittingstall With over one hundred recipes and Simon Wheeler’s acclaimed photography, The River Cottage Cookbook has been a hugely influential and original book, appealing to all downshifters and those who prefer their food to be full-blooded and wholesome. The River Cottage Cookbook has won the Andre Simon Food Book of the Year Award, the Guild of Food Writers’ Michael Smith Award and the Glenfiddich Trophy and Food Book of the Year. This new edition’s preface looks back at River Cottage from the perspective of 2011. The book also includes new recipes, new pictures and an updated directory that reflects the changes over the past ten years.

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The first novel in Anthony Trollope's 'Palliser' series, Can You Forgive Her? traces the fortunes of three very different women in an exploration of whether social obligations and personal happiness can ever coincide. This Penguin Classics edition is edited with an introduction by Stephen Wall.Alice Vavasor cannot decide whether to marry her ambitious but violent cousin George or the upright and gentlemanly John Grey - and finds herself accepting and rejecting each of them in turn. Increasingly confused about her own feelings and unable to forgive herself for such vacillation, her situation is contrasted with that of her friend Lady Glencora - forced to marry the rising politician Plantagenet Palliser in order to prevent the worthless Burgo Fitzgerald from wasting her vast fortune. In asking his readers to pardon Alice for her transgression of the Victorian moral code, Trollope created a telling and wide-ranging account of the social world of his day.In his introduction, Stephen Wall examines Trollope's skill in depicting the strengths and weaknesses of his characters, their behaviour and inner lives. This edition also includes notes and a bibliography.Anthony Trollope (1815-82) had an unhappy childhood characterised by a stark contrast between his family's high social standing and their comparative poverty. He wrote his earliest novels while working as a Post Office inspector, but did not meet with success until the publication of the first of his 'Barsetshire novels', The Warden (1855). As well as writing over forty novels, including such popular works as Can You Forgive Her? (1865), Phineas Finn (1869), He Knew He Was Right (1869) and The Way We Live Now (1875) Trollope is credited with introducing the postbox to England.If you enjoyed Can You Forgive Her?, you might enjoy Henry James's The Ambassadors, also available in Penguin Classics.

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A sweeping retrospective of Philip Guston’s influential work, from Depression-era muralist to abstract expressionist to tragicomic contemporary master A Wall Street Journal 2020 holiday gift guide pick Philip Guston—perhaps more than any other figure in recent memory—has given contemporary artists permission to break the rules and paint what, and how, they want. His winding career, embrace of “high” and “low” sources, and constant aesthetic reinvention defy easy categorization, and his 1968 figurative turn is by now one of modern art’s most legendary conversion narratives. “I was feeling split, schizophrenic. The war, what was happening in America, the brutality of the world. What kind of man am I, sitting at home, reading magazines, going into a frustrated fury about everything—and then going into my studio to adjust a red to a blue?” And so Guston’s sensitive abstractions gave way to large, cartoonlike canvases populated by lumpy, sometimes tortured figures and mysterious personal symbols in a palette of juicy pinks, acid greens, and cool blues. That Guston continued mining this vein for the rest of his life—despite initial bewilderment from his peers—reinforced his reputation as an artist’s artist and a model of integrity; since his death 50 years ago, he has become hugely influential as contemporary art has followed Guston into its own antic twists and turns. Published to accompany the first retrospective museum exhibition of Guston’s career in over 15 years, Philip Guston Now includes a lead essay by Harry Cooper surveying Guston's life and work, and a definitive chronology reflecting many new discoveries. It also highlights the voices of artists of our day who have been inspired by the full range of his work: Tacita Dean, Peter Fischli, Trenton Doyle Hancock, William Kentridge, Glenn Ligon, David Reed, Dana Schutz, Amy Sillman, Art Spiegelman and Rirkrit Tiravanija. Thematic essays by co-curators Mark Godfrey, Alison de Lima Greene and Kate Nesin trace the influences, interests and evolution of this singular force in modern and contemporary art—including several perspectives on the 1960s and ’70s, when Guston gradually abandoned abstraction, returning to the figure and to current history but with a personal voice, by turns comic and apocalyptic, that resonates today more than ever.

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American anthropologist Penny Spring and British archaeologist Sir Toby Glendower have received a tantalizing invitation. Would they join old friend Jules Lefau on a three-week cruise among the Greek islands? Toby is wary of any invitation from the wily Lefau, but Penny sets off eagerly, children and grandchildren in tow. Arriving, the Springs find an astonishing assemblage of multimillionaires, entire dynasties and paramours included. Soon, however, Penny senses a dark purpose behind the festivities, especially following the sudden, mysterious death of patriarch Demetrios. Then Demetrios's heir is found murdered, his body floating in a swimming pool. Toby, summoned from Oxford, arrives in the Mediterranean just as another attempt on the life of an heir takes place. Clearly, someone is out to eradicate an entire clan, and only Penny and Sir Toby have the wits to pursue a perilous investigation to its alarming conclusion. "A new Margot Arnold mystery is always a pleasure," writes the Chicago Sun-Times. "She should be better known, particularly since her mysteries are often compared to those of the late Ngaio Marsh."

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Despite American education’s recent mania for standardized tests, testing misses what really matters about learning: the desire to learn in the first place. Curiosity is vital, but it remains a surprisingly understudied characteristic. The Hungry Mind is a deeply researched, highly readable exploration of what curiosity is, how it can be measured, how it develops in childhood, and how it can be fostered in school.“Engel draws on the latest social science research and incidents from her own life to understand why curiosity is nearly universal in babies, pervasive in early childhood, and less evident in school…Engel’s most important finding is that most classroom environments discourage curiosity…In an era that prizes quantifiable results, a pedagogy that privileges curiosity is not likely to be a priority.”—Glenn C. Altschuler, Psychology Today“Susan Engel’s The Hungry Mind, a book which engages in depth with how our interest and desire to explore the world evolves, makes a valuable contribution not only to the body of academic literature on the developmental and educational psychology of children, but also to our knowledge on why and how we learn.”—Inez von Weitershausen, LSE Review of Books

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From the 'team of the century' to relegation, from Feyenoord to Field Mill, from trophies under the iconic Bill Nicholson to relegation under former Zambia coach Keith Burkinshaw - all in a little over three years. The 1970s weren't kind to Spurs. Nicholson's exit, the loss of legendary players and the club's eventual relegation all took place during a defining decade for British sport, painted against a backdrop of dramatic change for society at large. Social and economic malaise both informed and fed off a blooming culture of football hooliganism. The defining images of the decade were violent ones, both on and off the terraces. This book explores Tottenham's place in that unfolding drama, the club's own Götterdämmerung. But, as in Wagner's Ring, there was also a renaissance. The sun rose again as that same maligned Burkinshaw built an exciting team around the young Glenn Hoddle and World Cup-winning duo Ossie Ardiles and Ricky Villa. By the end of the decade, Tottenham had been reborn and were ready for more glory, glory days.

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The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time.In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves.Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith

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For the first time, the Sunday Times bestseller Austerity Britain is available in one complete paperback volume. Coursing through Austerity Britain is an astonishing variety of voices - vivid, unselfconscious, and unaware of what the future holds. A Chingford housewife endures the tribulations of rationing; a retired schoolteacher observes during a royal visit how well-fed the Queen looks; a pernickety civil servant in Bristol is oblivious to anyone's troubles but his own. An array of working-class witnesses describe how life in post-war Britain is, with little regard for liberal niceties or the feelings of their 'betters'. Many of these voices will stay with the reader in future volumes, jostling alongside well-known figures like John Arlott (here making his first radio broadcast, still in police uniform), Glenda Jackson (taking the 11+) and Doris Lessing, newly arrived from Africa, struck by the levelling poverty of postwar Britain. David Kynaston weaves a sophisticated narrative of how the victorious 1945 Labour government shaped the political, economic and social landscape for the next three decades.Deeply researched, often amusing and always intensely entertaining and readable, the first volume of David Kynaston's ambitious history offers an entirely fresh perspective on Britain during those six momentous years.

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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Longlisted, Gerald Lampert Memorial AwardOn "A Girl Like This Might Have Loved Glenn Gould":"The poem sits up at its greasy-spoon counter and recounts its tale, a kind of cryptic plain-speech, an inverted code, all the more puzzling for what it plainly says: 'Under a spell so the wrong ones can’t find it, / So can’t get saved,’ as Robert Frost said." — Jeffery DonaldsonAbsorbed in the small, everyday rituals of existence, this remarkable collection of poems tears open the fruit of life and scoops out beauty and joy, pain and suffering, in equal measure. Ritual Lights takes the reader on a journey through an underworld that is both familiar and uncanny, a space between death and life where one nourishes the other. Shadowed by the aftermath of sexual assault, Joelle Barron places candles in the darkest alcoves, illuminates mysteries, and rises again to an abundant Earth where the darkness is transformed into rich loam.These poems follow the speaker through grieving and loss, heartbreak, repression, and discovery, seeking, never finding an answer, but finding meaning in the work of continuing. A meditation on trauma and identity, deeply vulnerable and reserved, funny and full of rage, Ritual Lights explores the sometimes messy and ugly, but always necessary, nature of survival.

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'Searingly honest... gripping... fascinating and hugely entertaining.'- Sunday Times'Moving and frank ... A story of a childhood defined by loneliness, the absence of a father and the grim experience of a Quaker boarding school. It is also one of the most perceptive accounts of Britain in the 1970s.'- Misha Glenny'A crisp, unself-pitying memoir of a 'trainwreck' youth ... I've always likes Webb on the radio. But I like him much more after reading this book. He offers precisely the kind of brisk honesty and considered analysis he expects from his interviewees. Our politicians should all read it, and step up their game.' -Telegraph.........................................................................................................................................................Justin Webb's childhood in the 1970s was far from ordinary.Between his mother's un-diagnosed psychological problems, and his step-father's untreated ones, life at home was dysfunctional at best. But with gun-wielding school masters and sub-standard living conditions, Quaker boarding school wasn't much better.Candid, unsparing and darkly funny, Justin Webb's memoir is as much a portrait of a troubled era as it is the story of a dysfunctional childhood, shaping the urbane and successful radio presenter we know and love now.........................................................................................................................................'I thoroughly enjoyed Justin Webb's bonkers childhood. He captures the middle class of the age with a tenacity only possible in one of its victims.' -Jeremy Paxman

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary. This timely Research Agenda provides in-depth analysis of emerging threats posed to academic integrity, alongside practical, evidence-based recommendations for creating cultures of integrity, demonstrating their importance within the commercialised field of higher education. Analysing the latest research on contract cheating, and how to identify and respond to it, this book explores the potential role of cyber-security research as arguably the next academic integrity frontier. Internationally renowned scholars from a range of disciplines and countries examine challenges surrounding academic integrity, offering advice to all higher education stakeholders. Chapters discuss the role of quality assurance, moving through specific cultural contexts and academic disciplines to provide insights into how to identify serious academic integrity breaches. This Research Agenda also looks at how to foster cultures of integrity, calling for further research on plagiarism, cheating and all forms of academic misconduct. The opportunities for future research in the book will make this a useful read for scholars examining higher education policy and practice. It will also be helpful to higher education teachers and professionals, policy-makers, and staff working directly with students, as the sector deals with growing concerns about breaches of academic integrity. Contributors include: P. Ayala-Enríquez, T. Bretag, J. Clare, G. Curtis, P. Dawson, D. Dlabolová, R. Dressler, S. Eaton, C. Ellis, T. Foltynek, N. Franco-Pérez, T.B. Gallant, I. Glendinning, J. Guerrero-Dib, R. Harper, D. House, E. Morris, G. Pizarro-Puccio, F. Prentice, A. Rogerson, K. Rundle, K. Seaton, K. van Haeringen, A. White

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Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent? The contributors are Christophe Cherix, Vishakha N. Desai, Steve Dietz, Howard N. Fox, Chrissie Iles and Henriette Huldisch, Pamela McClusky, Gabriel Perez-Barreiro, Lowery Stokes Sims, Robert Storr, Jeffrey Weiss, and Glenn Wharton.

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Warfare between the clans of the Highlands in the late Middle Ages determined the course of history in this region of Scotland, and Chris Peers's gripping account of it - and of the rivalry between the strongest clans - gives the reader a deep insight into this bloody, turbulent phase in the development of the far north of the British Isles. The battles he describes, all of them fought between the 1430s and the 1540s, were flash points in the long struggle for dominance between the leading clans of the region. The battles are reconstructed in vivid detail. The first, Druim n Coub, was fought in 1433 between the Mackays and the Sutherlands. Then came Bloody Bay, a sea fight between rival MacDonald factions, Blar na Parc between the MacDonalds and the Mackenzies, Creag an Airgid between the MacDonalds and the MacIains, Glendale between the MacDonalds and MacLeods, and Torran Dubh between alliances headed by the Mackays and Sutherlands. The final battle, Blar na Leine, fought between the MacDonalds and the Frasers in 1544, marked the end of an era. The subsequent fate of the leading clans, principally the MacDonalds and Mackays, is also covered in a narrative that gives the reader a fascinating new perspective of clan loyalties and conflict which still resonates today. As well as covering the fighting Chris Peers explains the way war in the Highlands was organized by the contending clans during the period - the strategies and tactics, weapons and armour they employed. The result is an absorbing all-round account of the military history of the Highlands before the clans eventually lost their independence.

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In the 1940s and 1950s The Review of Politics, under the dynamic leadership of Waldemar Gurian, emerged as one of the leading journals of political and social theory in the United States. This volume celebrates that legacy by bringing together classic essays by a remarkable group of American and European émigré intellectuals, among them Jacques Maritain, Hannah Arendt, Josef Pieper, Eric Voegelin, and Yves Simon. For these writers, the emergence of new dictatorial regimes in Germany and Russia and the looming threat of another, even more devastating, European war demanded that one rethink the reigning philosophical perspectives of the time. In their view, the western world had lost sight of its founding principles. Individually and collectively, they maintained that the West could be saved only if its leaders embraced the idea that society should be governed by moral standards and a commitment to human dignity. Since the first issue appeared in 1939, The Review of Politics has influenced generations of political theorists. To complement these essays A. James McAdams has written an introduction that discusses the history of the journal and reflects on the contributions of these influential figures. He underscores the continuing relevance of these essays in assessing contemporary issues. Contributors: A. James McAdams, Desmond Fitzgerald, Jacques Maritain, C. J. Friedrich, Denis de Rougemont, John U. Nef, Aron Gurwitsch, Josef Pieper, Leo Strauss, Eric Voegelin, Hannah Arendt, Russell Kirk, Robert Strausz-Hupé, Waldemar Gurian, Louis de Raeymaeker, Frank O’Malley, Glenn Tinder, and Yves R. Simon.

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Close to the Enemy is a seven-part television series, mostly set in a bomb-damaged London hotel in the aftermath of the Second World War. The drama follows intelligence officer Captain Callum Ferguson whose last task for the Army is to ensure that a captured German scientist, Dieter, starts working for the British RAF on urgently developing the jet engine. With the background of the emerging Cold War, it is clear to all that it's crucial for British national security that cutting-edge technology is made available to the armed forces as quickly as possible. Callum uses unorthodox methods in his attempt to convince Dieter to work with the British and eventually a friendship develops between the two men, but soon tensions arise as all is not as it seems. Over the course of the series, Callum encounters a number of other characters whose stories all intertwine. These characters include Victor, Callum’s younger brother, struggling to deal with psychological trauma caused by his experience in the fighting; Harold, a Foreign Office official who reveals some startling truths about the outbreak of the war; Rachel, an enchanting Anglophile American engaged to his best friend; and Kathy, a tough young woman working for the War Crimes Unit, fighting to bring war criminals who escaped prosecution to justice. All these characters are trying to rebuild and move their lives forward in the aftermath of the war, a war that scarred them all so deeply. Close to the Enemy was first screened on BBC2 in November 2016 in a production by Little Island Productions. It starred Jim Sturgess, Freddie Highmore, Charlotte Riley, Phoebe Fox, August Diehl, Robert Glenister, Alfie Allen, Charity Wakefield, Angela Bassett, Lindsay Duncan and Alfred Molina.

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