Search results for ""author arthur"

"An invaluable resource a delightful and compendious opus." - The Pre-Raphaelite Society Review The Death of Chatterton hangs from the wall of the Tate Britain, a resplendent depiction of tragedy. This is the canvas that earned Henry Wallis his lasting legacy. It embodies the Pre-Raphaelite aesthetic, from its morbid subject (Thomas Chatterton, a precocious 18th-century poet who poisoned himself to escape poverty, aged only seventeen), to its vibrant colourwork and detailed naturalism, characteristic of the first phase of Pre-Raphaelitism. Despite this, no significant study has been dedicated to Wallis - until now. Henry Wallis: From Pre-Raphaelite to Collector/Connoisseur - delivers the first comprehensive appraisal of this often-overlooked Pre-Raphaelite. Composed of three parts - a biography, a catalogue raisonné and a series of important appendices - this book demonstrates the full range of Wallis's contributions to the world of Victorian art. The biography acknowledges Wallis's expertise as a colourist and draughtsman, while paying respect to his lesser-known accomplishments as both collector and connoisseur. The Illustrated Catalogue gathers every identifiable work in the painter's name - of which there are many, including The Stonebreaker: Wallis's other great masterpiece. Finally, the appendices present a selection of correspondence between Wallis and various members of the Pre-Raphaelite circle - William Holman Hunt, Frederic George Stephens, Dante Gabriel Rossetti, William Bell Scott, Arthur Hughes, Edward Burne-Jones and William Morris. A pioneering exploration of the artist and the man, Henry Wallis will be at home on the bookshelf of any Pre-Raphaelite enthusiast.

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How design made America modern: masterpieces of furniture, metalware and plastics from the early 20th century During the 1920s and 1930s, the speed of modern life in the United States, accelerated by advances in transportation, communication, technology and advertising, changed how people lived their lives, and the objects they chose to live with. A new profession emerged to help American manufacturers and consumers navigate the overwhelming transitions of the era. Through the power of design—form, color, ornament and materials—the earliest industrial designers created a modern aesthetic that came to represent American hopes, dreams and fantasies. America Goes Modern explores these designers’ achievements through close examination of selected masterworks. Each of these exceptional objects offers a window into the social, cultural, technological and economic world in which they were made and used. The book features sleek furniture, vibrant ceramics, streamlined metalwares and innovative plastics from the leading designers of the era. Designers include: Norman Bel Geddes, Manning Bowman Company, Jules Buoy, Donald Deskey, Paul Frankl, Earl Harvey, Ianelli Studios, Belle Kogan, William Lescaze, Erik Magnussen, Peter Muller Munk, Gilbert Rhode, RumRill Art Pottery, Victor Schreckengost, Walter Dorwin Teague, The Hall China Company, Harold Van Doren, John Vassos, Kem Weber, Western Coil and Electric Company and Russel Wright. Photographers and painters include: Berenice Abbott, Arthur Dove, Archibald Motley, Alvin Langdon Coburn, M. Murray Lebowitz, Norman Lewis, Max Weber, Margaret Bourke-White, Henry Callahan and Alfred Stieglitz.

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Victorian London harbours many secrets: alien visitors, strange phenomena and unearthly powers. But a trio of investigators stands ready to delve into such mysteries - the Great Detective, Madame Vastra, her resourceful spouse, Jenny Flint, and their loyal valet, Strax. If an impossible puzzle needs solving, or a grave injustice needs righting, help can be found on Paternoster Row. But even heroes can never escape their past...1.The Cars That Ate London by Jonathan Morris.The advent of electric carriages on London’s streets causes a stir –until they start careening out of control. Elsewhere, factory workers lose their senses, while a brand-new power plant suffers mysterious outages. 2.A Photograph to Remember by Roy Gill. The Paternoster Gang are shocked to discover a rival group on the streets. A Sontaran, a Silurian and a human – only their intentions are not quite so noble as Madame Vastra and friends. 3.The Ghosts of Greenwich by Paul Morris. Strange things are happening to the people of Greenwich. Phantoms of the living appear, while others are aged beyond their years. A cloaked figure stalks the streets, and time is out of joint. CAST: Neve McIntosh (Madame Vastra), Catrin Stewart (Jenny Flint), Dan Starkey (Strax), Daisy Ashford (Penny Lambeth/Angie Sangster), Lucy Briggs-Owen (Charlotte Mayfly), Trevor Cooper (Sir Jasper Eagleton/Old Smallpiece/Jonathan Mayfly), Alan Cox (Fabian Solak), Beth Goddard (Vella), Julia Hills(Madeline/Ethel Pullman), Arthur Hughes (Tom Foster), Joseph Kloska (Neville Plumstead/Bobby Harris), Alex Lower (Archie Flowers), Finlay Robertson (Inspector Cotton/Silas Beckett), Christopher Ryan (Stonn). Other parts played by members of the cast.

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Hermann Beckh’s masterful study of Mark’s Gospel offers much more than scholarly argument. It is the work of a true visionary who allows his readers to discover the meaning of the Earth and of humanity for themselves. Beckh was in the forefront of entirely new research and recovery of the Gospel, writing more for the future than for his own time. It is not uncommon for biblical scholars to view St. Mark’s Gospel as little more than an assemblage of fragmentary sources and a copy of uncertain, early memories. The Gospel is said to have little historical veracity, harmony or guiding structure. Beckh’s contemporary, the German writer Arthur Drews, even argued that the text was nothing more than a simplistic solar myth, wherein another Sun-hero pursued his way around the Greco-Roman constellations. Mark’s Gospel: The Cosmic Rhythm is a response to such twentieth-century materialistic thinking. He was asked to write the book in the 1920s by the leaders of The Christian Community, who sought to rescue the desecrated Gospel from its opponents. Inspired by Rudolf Steiner and a vast knowledge of ancient languages – Tibetan, Sanskrit, Pali and Avestan along with Hebrew, Greek and Latin – the Rev. Professor Hermann Beckh perceived how the Gospel reflects God’s Everlasting Covenant, and meticulously expressed its aesthetic unity, the consonance of its parts and its consequent radiant clarity. His far-reaching understanding of sacred texts in the original languages, always associated with the disciplined meditation he had attained from anthroposophy, led to unprecedented insight. This new edition of his classic study has been revised and redesigned.

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For a Kentucky rifleman who spent his tour trudging through Vietnam's Central Highlands, it was Nancy Sinatra's ""These Boots Are Made for Walkin'."" For a ""tunnel rat"" who blew smoke into the Viet Cong's underground tunnels, it was Jimi Hendrix's ""Purple Haze."" For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin's ""Chain of Fools."" And for countless other Vietnam vets, it was ""I Feel Like I'm Fixin' to Die,"" ""Who'll Stop the Rain,"" or the song that gives this book its title.In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans -- black and white, Latino and Native American, men and women, officers and ""grunts"" -- whose personal reflections drive the book's narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also ""solo"" pieces by veterans whose writings have shaped our understanding of the war -- Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers -- as well as songwriters and performers whose music influenced soldiers' lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories -- individual and cultural -- that capture a central if often overlooked component of the American war in Vietnam.

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What if the Knights of the Round Table had a female counterpart? An epic Arthurian fantasy reimagining from the UK’s leading and bestselling feminist writer, Laura Bates, for fans of Leigh Bardugo and Sarah J. Maas.'An interesting thing happens, when a man is defeated in combat by a woman . . . He tells nobody.' Destined for an arranged marriage, Cass dreams of freedom. So when a fierce and beautiful leather‑clad woman rides up and offers to take her away, Cass doesn’t hesitate to join her. She is introduced to the Sisters of Sword and Shadow - a group of female knights training to fight, protect their community and right the wrongs of men. Drawn into a world of ancient feuds, glorious battles, and deadly intrigue, Cass soon discovers she holds a power that could change not only her own fate but that of her entire sisterhood. Introducing Laura Bates' fantasy debut, the first in a breathtaking and sweeping duology, exploring questions about power, courage and the stories we tell about the past. Praise for Sisters of Sword and Shadow: ‘Sisters of Sword and Shadow is absolutely brilliant. Beautiful, fierce, and furious - full of the power and magic of sisterhood in every sense. I loved it.’ Katherine Webber, bestselling author of Twin Crowns ‘An empowering and courageous tale of a daring sisterhood in which true chivalry means fighting for what you believe in.’ Bea Fitzgerald, bestselling author of Girl, Goddess, Queen ‘A dazzling tale of courage, power and sisterhood, with a heroine to truly root for. I loved every breathtaking minute of this fierce, feminist epic fantasy.’ Catherine Doyle, bestselling author of Twin Crowns

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In an important and unique contribution to the study of noh, this volume includes, for the first time, essays on the subject of one noh play written by scholars from both sides of the Pacific Ocean in their own language, Japanese or English (with a summary of each contribution translated into the other language also included). The essays show some of the breadth and depth that is available for the study of Japanese literature and drama both in Japan and abroad. Japanese scholars Amano Fumio, Nishino Haruo, Takemoto Mikio, and Wakita Haruko join with actor Uzawa Hisa and American scholars Monica Bethe, Steven Brown, Susan Klein, William LaFleur, Susan Matisoff, Carolyn Morley, Mae Smethurst, and Arthur Thornhill, to interpret the noh Ominameshi, all from the vantage point of their own analytical approaches. The intent is to provide the reader with more than just an introduction to the variety of ways of studying noh in general by focusing on one particular play and analyzing it closely and from many directions.The volume includes a preface and introduction plus 19 color and 4 black-and-white illustrations; one less literal and one more literal translation of the noh accompanied by the Japanese texts; and contributions interpreting Ominameshi in the light of medieval commentaries, the ai-kyōgen, new historicism, gender studies, legends surrounding the history of the play's setting, the etiology of the graves of the two principal characters, poetic usage, other plays on the subject of ominameshi, the religious background and meaning, authorship, structure, performance, costumes and masks. The volume concludes with reflections on the performance of the play by Uzawa Hisa in Pittsburgh, Pennsylvania, during the conference out of which the book developed.

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During the twentieth century the Mexican government invested in the creation and promotion of a national culture more aggressively than any other state in the western hemisphere. Fragments of a Golden Age provides a comprehensive cultural history of the vibrant Mexico that emerged after 1940. Agreeing that the politics of culture and its production, dissemination, and reception constitute one of the keys to understanding this period of Mexican history, the volume’s contributors—historians, popular writers, anthropologists, artists, and cultural critics—weigh in on a wealth of topics from music, tourism, television, and sports to theatre, unions, art, and magazines. Each essay in its own way addresses the fragmentation of a cultural consensus that prevailed during the “golden age” of post–revolutionary prosperity, a time when the state was still successfully bolstering its power with narratives of modernization and shared community. Combining detailed case studies—both urban and rural—with larger discussions of political, economic, and cultural phenomena, the contributors take on such topics as the golden age of Mexican cinema, the death of Pedro Infante as a political spectacle, the 1951 “caravan of hunger,” professional wrestling, rock music, and soap operas. Fragments of a Golden Age will fill a particular gap for students of modern Mexico, Latin American studies, cultural studies, political economy, and twentieth century history, as well as to others concerned with rethinking the cultural dimensions of nationalism, imperialism, and modernization. Contributors. Steven J. Bachelor, Quetzil E. Castañeda, Seth Fein, Alison Greene, Omar Hernández, Jis & Trino, Gilbert M. Joseph, Heather Levi, Rubén Martínez, Emile McAnany, John Mraz, Jeffrey M. Pilcher, Elena Poniatowska, Anne Rubenstein, Alex Saragoza, Arthur Schmidt, Mary Kay Vaughan, Eric Zolov

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Boost sales results by zeroing in on the metrics that matter most“Sales may be an art, but sales management is a science. Cracking the Sales Management Code reveals that science and gives practical steps to identify the metrics you must measure to manage toward success.”—Arthur Dorfman, National Vice President, SAP“Cracking the Sales Management Code is a must-read for anyone who wants to bring his or her sales management team into the 21st century.”—Mike Nathe, Senior Vice President, Essilor Laboratories of America“The authors correctly assert that the proliferation of management reporting has created a false sense of control for sales executives. Real control is derived from clear direction to the field—and this book tells how do to that in an easy-to-understand, actionable manner.”—Michael R. Jenkins, Signature Client Vice President, AT&T Global Enterprise Solutions “There are things that can be managed in a sales force, and there are things that cannot. Too often sales management doesn’t see the difference. This book is invaluable because it reveals the manageable activities that actually drive sales results.”—John Davis, Vice President, St. Jude Medical“Cracking the Sales Management Code is one of the most important resources available on effective sales management. . . . It should be required reading for every sales leader.”—Bob Kelly, Chairman, The Sales Management Association“A must-read for managers who want to have a greater impact on sales force performance.”—James Lattin, Robert A. Magowan Professor of Marketing, Graduate School of Business, Stanford University“This book offers a solution to close the gap between sales processes and business results. It shows a new way to think critically about the strategies and tactics necessary to move a sales team from good to great!”—Anita Abjornson, Sales Management Effectiveness, Abbott LaboratoriesAbout the Book:There are literally thousands of books on selling, coaching, and leadership, but what about the particulars of managing a sales force? Where are the frameworks, metrics, and best practices to help you succeed?Based on extensive research into how world-class companies measure and manage their sales forces, Cracking the Sales Management Code is the first operating manual for sales management. In it you will discover: The five critical processes that drive sales performance How to choose the right processes for your own team The three levels of sales metrics you must collect Which metrics you can “manage” and which ones you can’t How to prioritize conflicting sales objectives How to align seller activities with business results How to use CRM to improve the impact of coaching As Neil Rackham writes in the foreword: “There’s an acute shortage of good books on the specifics of sales management. Cracking the Sales Management Code is about the practical specifics of sales management in the new era, and it fills a void.”Cracking the Sales Management Code fills that void by providing foundational knowledge about how the sales force works. It reveals the gears and levers that actually control sales results. It adds clarity to things that you intuitively know and provides insight into things that you don’t. It will change the way you manage your sellers from day to day, as well as the results you get from year to year.

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How do I get a job as a dancer? Where and when should I train? How can I protect my body from injury? How do I become a choreographer? These and many more such questions asked by young or aspiring dancers are answered in this book – the most revealing and instructive book yet on what it means to be a dancer. Here is advice from some of the best dancers and choreographers in the world, crossing the fields of ballet, contemporary, South Asian dance, musical theatre and hip hop, and covering subjects both motivational and mundane, from tapping into your own reserves of creativity and resilience, to the important matter of when to eat your pre-show banana. The twenty-five experts in these pages have performed with the likes of the Royal Ballet, English National Ballet, Rambert, Matthew Bourne’s New Adventures and BalletBoyz; they range from stars of the West End stage to TV talent-show successes and Kylie’s backing dancers – as well as some of Britain’s leading choreographers. They are Carlos Acosta, Matthew Bourne, Teneisha Bonner, Darcey Bussell, Lauren Cuthbertson, Maxine Doyle, Tommy Franzén, Adam Garcia, Jonathan Goddard, Matthew Golding, Melissa Hamilton, Wayne McGregor, Steven McRae, Stephen Mear, Cassa Pancho, Seeta Patel, Arlene Phillips, Arthur Pita, Kate Prince, Matthew Rees, Tamara Rojo, Kenrick ‘H2O’ Sandy, Hofesh Shechter, Aaron Sillis and Marlon ‘Swoosh’ Wallen.

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Winner, 2023 Best Book Award, Italian Association for the History of Economic ThoughtOne of the most original social scientists of the twentieth century, Albert O. Hirschman led an uncommonly dramatic life. After fleeing Nazi Germany as a youth, he fought in the Spanish Civil War, took part in antifascist activities in Italy, and organized an underground rescue operation in Marseille through which more than 2,000 people, including Marc Chagall, Arthur Koestler, and Hannah Arendt, escaped Europe. Hirschman moved across topics, methodologies, and disciplinary boundaries as fluidly as he did among countries and languages. His work is marked by a deep suspicion of all-encompassing theories, valuing instead doubt and a sensitivity to contingencies and unexpected consequences.In this intellectual biography, the economic historian Michele Alacevich explores the development and trajectory of Hirschman’s characteristic approach to social-scientific questions. He traces the many strands of Hirschman’s thought and their place in his multifaceted body of work, considering their limitations as well as their strengths. Alacevich puts Hirschman’s ideas into context, following his participation in the major intellectual and political debates of his times. He examines Hirschman’s pioneering work in development studies and his analyses of social change, the history of capitalism, and the workings of democracy alongside his activities in the postwar reconstruction of Europe and economic development in Latin America. A compelling intellectual portrait of a profoundly distinctive thinker, this book also reflects on Hirschman’s legacy and lasting influence.

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'Will open your mind to your own future and show you a new world of adventure.' - ARTHUR C. BROOKSFor the first time in human history, eight defined generations live together side by side, from Alphas to the Greatest Generation by way of Boomers, Xennials, Millennials and more. However, these definitions have so often been used to pigeonhole us into rigid categories, all underpinned by the restrictive 'four stages of life' model - of play, study, work, retirement. This means that potential is left untapped on a societal level; also individuals are tied into a trajectory that minimises opportunity and fulfilment.In The Perennials, Mauro Guillén unpacks the megatrends - such as increasing longevity and the explosion of technology, among others - that are transforming life as we know it. How, within this milieu, a new group of 'perennials' must emerge: individuals who cannot be so easily defined by the pervasive metrics of age and experience or by simple inter-generational conflict. These post-generational perennials offer the promise of liberating us from the constraints of the accepted four stages of life model, therefore allowing everyone the chance of living a much more rewarding and fulfilling life. Guillén proceeds to unveil how this revolution will impact young people just entering the world of work, as well as those who are living and working longer.This multigenerational revolution is already happening and Mauro Guillén identifies how we can usher in a new era of innovation in almost every facet of life and work - powered by the perennials.

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On paper, the chubby, poor, gay son of a lesbian who wrote pornographic letters to Jesus isn’t the person that you think of when you hear the word “success.” Yet Patrick Hinds has somehow managed to bungle his way through to become the successful co-host of True Crime Obsessed - a podcast with more than 200 million downloads. Before that, though, he failed at many, many things. Patrick’s life is a series of fiascos, missteps, and just plain bad ideas. An eternal optimist, he’s always thrown himself into everything he’s done, even when he probably shouldn’t have. He devoted himself to becoming an actor even though he was terrible, started a daycare even though he hated kids, and somehow had a disastrous time with Bea Arthur . . . even though he couldn’t be gayer. Both heartfelt and hilarious, Failure Is Not Not an Option lets Patrick’s signature storytelling style shine - and it’s also the only book to bravely and definitively declare: 1: Failing simply means that you tried (and if you try enough, eventually success will be an option, too). 2: Ted Bundy is. Not. Hot. By trying, and yes, failing at so many things, Patrick finally found his way - to a great career, a great husband, and a great family. Along the way, there were hurdles to jump, unexpected surprises, and no shortage of laughter. Failure is Not NOT an Option is a fun and outrageous read that will raise you up - and provide a soft landing pad for the next time you fall.

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Shortlist, Charles Taylor Prize for Literary Non-Fiction Journey with No Maps is the first biography of P.K. Page, the brilliant twentieth-century poet and a fine artist. The product of over a decade's research and writing, the book follows Page as she becomes one of Canada's best-loved and most influential writers. "A borderline being," as she called herself, she recognized the new choices offered to women by modern life but followed only those related to her quest for self-discovery. Tracing Page's life through two wars, world travels, the rise of modernist and Canadian cultures, and later Sufi study, biographer Sandra Djwa details the people and events that inspired her work. Page's independent spirit propelled her from Canada to England, from work as a radio actress to a scriptwriter for the National Film Board, from an affair with poet F.R. Scott to an enduring marriage with diplomat Arthur Irwin. Page wrote her story in poems, fiction, diaries, librettos, and her visual art. Journey with No Maps reads like a novel, drawing on the poet's voice from interviews, diaries, letters, and writings as well as the voices of her contemporaries. With the vividness of a work of fiction and the thoroughness of scholarly dedication, Djwa illustrates the complexities of Page's private experience while also documenting her public emergence as an internationally known poet. It is both the captivating story of a remarkable woman and a major contribution to the study of Canada's literary and artistic history.

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“An incisive history of the venture-capital industry.”—New Yorker“An excellent and original economic history of venture capital.”—Tyler Cowen, Marginal Revolution“A detailed, fact-filled account of America’s most celebrated moneymen.”—New Republic“Extremely interesting, readable, and informative…Tom Nicholas tells you most everything you ever wanted to know about the history of venture capital, from the financing of the whaling industry to the present multibillion-dollar venture funds.”—Arthur Rock“In principle, venture capital is where the ordinarily conservative, cynical domain of big money touches dreamy, long-shot enterprise. In practice, it has become the distinguishing big-business engine of our time…[A] first-rate history.”—New YorkerVC tells the riveting story of how the venture capital industry arose from America’s longstanding identification with entrepreneurship and risk-taking. Whether the venture is a whaling voyage setting sail from New Bedford or the latest Silicon Valley startup, VC is a state of mind as much as a way of doing business, exemplified by an appetite for seeking extreme financial rewards, a tolerance for failure and experimentation, and a faith in the promise of innovation to generate new wealth.Tom Nicholas’s authoritative history takes us on a roller coaster of entrepreneurial successes and setbacks. It describes how iconic firms like Kleiner Perkins and Sequoia invested in Genentech and Apple even as it tells the larger story of VC’s birth and evolution, revealing along the way why venture capital is such a quintessentially American institution—one that has proven difficult to recreate elsewhere.

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An in-depth exploration of the design process and teaching methods of the remarkable British architect as revealed by the archives of the Canadian Centre for Architecture, Montreal The British architect James Frazer Stirling (1924–1992) stimulated impassioned responses among both supporters and detractors, and he continues to be the subject of fierce debate. He earned international renown through such innovative—and frequently controversial—projects as the Leicester University Engineering Building (1959–63); the History Faculty building at Cambridge University (1964–67); the Neue Staatsgalerie, Stuttgart (1977–84); the Clore Gallery at Tate Britain (1984); and the Arthur M. Sackler Museum at Harvard University (1979–84). Stirling was also a visiting professor at the Yale School of Architecture, where he trained and influenced many of the current leaders in the field.Fully illustrated with previously unpublished documents and new photography from the James Stirling/Michael Wilford Archive at the Canadian Centre for Architecture, Montreal, this book allows for a close examination of design drawings, photographs, and models spanning Stirling’s entire career. These materials deepen our understanding of the influences, early formation, approach, and process of an architect whose work resists labeling. Filled with in-depth analytical and critical presentations of exemplary projects and their reception, the volume reveals Stirling to be a remarkably informed and consistent thinker and writer on architecture.Published in association with the Yale Center for British Art and the Canadian Centre for ArchitectureExhibition Schedule:Yale Center for British Art 10/14/2010 – 01/02/2011Canadian Centre for Architecture, Montreal Spring 2012

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In 1846 the Crokers, a Presbyterian landlord family, flee famine-stricken West Cork aboard the Henry Clay, survive shipwreck and land in New York. There they are confronted with the grim realities of the teeming city – poverty, prostitution, and street gangs. In this world their youngest son, Richard Eyre ‘Boss’ Croker (1841-1922) thrives. Through sheer ambition, the barely literate Croker – engineer, prize-fighter, fixer, union organizer -battles his way from the backstreets to seize control of Tammany Hall, the very seat of power in New York. Charming but corrupt, Croker manipulates all who fall within his sphere, becoming one of the city’s most influential citizens in the late nineteenth century. Boss Croker also captures the drama of his later years – his move to Dublin, where he rebuilds Glencairn in Sandyford; how in 1907, his horse Orby becomes the first Irish horse to win the Epsom Derby; and his support for rebellion in Ireland through his contacts with Clan na Gael and Michael Collins. After the death of his first wife, heiress Elizabeth Frazer, he defies the disapproval of his children by marrying Bula Edmondson, a beautiful young Cherokee Indian. He is finally carried to his grave in 1922 by Oliver Gogarty and Arthur Griffith. Boss Croker is a gripping novel that unleashes all the extravagant energy of its subject. Telling Croker’s story in full for the first time – and brings New York and Irish America into vivid focus through the prism of one extraordinary, flamboyant, life.

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Arthur Wellesley, the Duke of Wellington, was the outstanding British individual of the nineteenth century. His victories at Seringapatam and Assaye extended British control in India and his famous campaign in Spain and Portugal helped to drive Napoleon into exile. Wellington is, of course, mostly remembered for defeating Napoleon at Waterloo and his prestige after that epoch-changing event saw him becoming Prime Minister of Great Britain on two occasions. These are the commonly-known facts about the Iron Duke, but in this remarkable investigation into the life of Britain's greatest general, we learn so much more about Wellington as a person, through the objects, large and small, that marked key episodes in his personal, military and public life. Renowned historian Gareth Glover details Wellington's family background in Ireland, his early military career, his one-and-only meeting with Nelson, his campaigns in Flanders, the Iberian Peninsula and Waterloo. What we also learn is of his difficult marriage - and his scandalous womanising, even bedding the same woman as Napoleon - and his strained relationship with his two boys. His political career was a controversial one, including his fight to pass the Catholic Emancipation Bill and of a period of three months when he ran the government by himself because he refused to appoint any Cabinet ministers! Packed with more than 200 full-colour photographs, _The Duke of Wellington in 100 Objects_ will show the world the objects he touched, or which touched him, in the life of one of the most outstanding characters Britain has ever produced.

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The second novel in the dazzling Last Hundred Years trilogy, Early Warning follows the Langdon family from the 50s, through to the 1980s, in this stunning family saga from the winner of the Pulitzer Prize1953. When a funeral brings the Langdon family together once more, they little realize how much, over the coming years, each of their worlds will shift and change. For now Walter and Rosanna's sons and daughters are grown up and have children of their own.Frank, the eldest - restless, unhappy - ignores his troubled wife and instead finds himself distracted by a face from the past. Lillian must watch as her brilliant, eccentric husband Arthur is destroyed by the guilt arising from his secretive government work. Claire, too, finds that marriage is not quite what she expected it to be.In Iowa where the Langdons began, Joe sees that some aspects of life on the farm never change, while others are unrecognizable. And though a few members of the family remain mired in the past, others will attempt to move beyond the lives they have always known; and some will push forward as never before. The dark shadow of the Vietnam War hangs over every one . . .In sickness and health, through their best and darkest times, the Langdon family will live and love and suffer against the broad, merciless sweep of American history. Moving from the 1950s to the 1980s, Early Warning by Jane Smiley is epic storytelling at its most wise and compelling from a writer at the height of her powers.

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Transfigured New York presents conversations with iconic, genre-bending artists who shaped the sounds of experimental movements like no wave, avant-jazz, and electronic music. As an undergrad in the 1980s, Brooke Wentz hosted the show Transfigured Night on Columbia University’s WKCR-FM, discussing art and ideas with avant-garde music luminaries. She unearths these candid interviews—heard before only when first broadcast—from cassettes and reel-to-reel tapes, letting readers today feel the excitement and creative energy of the 1980s New York underground scene.Musicians and artists, now icons of their craft, tell their stories and share their thoughts about the creative process, capturing the ambition and energy that animated their work. Legends in the making like Bill Frisell, Philip Glass, and Laurie Anderson convey what it was like to be a struggling artist in 1980s New York, when the city was alive with possibilities. Others who were well known at the time, including John Cage, La Monte Young, and Ravi Shankar, advocate for their distinctive ideas about art and open up about their creative lives.Featuring an astonishing range of interviewees—Morton Subotnick, Joan Tower, Steve Reich, Glenn Branca, Joan La Barbara, Living Colour, Arthur Russell, John Lurie, Eric Bogosian, Bill T. Jones, and many more—Transfigured New York provides new insight into the city’s cultural landscape in this era. It is a one-of-a-kind account of one of the most exhilarating and inventive periods for art and culture in New York City’s history.

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Examines legal and literary narratives of personhood in the 19th century Traces the concept of character through related areas of law, cultural discourses of character and the formal structures of the novel Offers new readings of works by Nathaniel Hawthorne, George Eliot, Anne Bronte, Elizabeth Gaskell, Anthony Trollope, Robert Louis Stevenson, Oscar Wilde and Arthur Conan Doyle Analyses literary constructions of character in relation to specific legal cases and doctrines, including the right to silence, libel and privacy Includes new work on Anthony Trollope's topical and editorial interest in libel Covers the relationship between libel, the development of privacy rights and emerging modernist aesthetics Presents a transatlantic approach to select works and issues, including the right to silence and privacy Why would Hawthorne and Eliot grant their fallen women an anachronistic right to silence that could only worsen their punishment? Why did Bronte and Gaskell find gossip such a useful source of information when lawyers excluded it as hearsay? How did Trollope's work as an editor influence his preoccupation throughout his novels with libel? Drawing on a range of primary sources including novels, Victorian periodical literature, legislative debate, case law, and legal treatise, Cathrine O. Frank traces the ways conventions of literary characterisation mingled with character-centred legal developments to produce a jurisprudential theory of character that extends beyond the legal profession. She explores how key categories and representational strategies for imagining individual personhood also defined communities and mediated relations within them, in life and in fiction.

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Costume jewellery is commonly understood to mean fashionable yet affordable adornments made from non-precious material. Originating in in mid-1700s France with the rise of the bourgeoise, the earliest 'costume jewellery' mimicked fine jewellery styles. Since then, costume jewellery has always been evolving. From Victorian sentimentalism to the mass-produced ornaments available today, costume jewellery has developed into an artform in its own right. An encyclopaedic study of its history is long overdue. Flush with expert information, identification tips and historical anecdotes, Adorning Fashion explores the development of costume jewellery across the past four centuries. The styles of each era - Victorian, Edwardian, Arts & Crafts, Jugenstil, Art Nouveau, and each decade of the twentieth century - are given individual attention. Production methods are also explained in depth. Alloys and gilded electroplating can mimic silver and gold, while the refraction index of treated glass can, to the untrained eye, be mistaken for diamond. Adorning Fashion discusses the contributions of a remarkable roster of designers and innovators, including Kokichi Mikimoto, Arthur L. Liberty, Carlo Giuliano, René Lalique, Elizabeth Bonté, the Castellani brothers, Jean Fouquet, Jean Després, Fulco di Verdura, Jean Schlumberger, Salvador Dalí, Miriam Haskell, Lina Baretti, Countess Cissy Zoltowska, Line Vautrin, Kenneth Jay Lane, Francisco Rebajes, Diane Love, Christian Dior, Balenciaga, Chanel, Van Cleef & Arpels, Paco Rabanne, Yves Saint Laurent, Napier, Haskell, Trifari, Brania, Bulgari, Versace and more.

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This Norton Critical Edition includes: The texts of eleven complete, authoritative romances—four new to the Second Edition: Havelok, Ywain and Gawain, Of Kyng Robert of Cisyle, Hou Pride dude Him Begyle, Sir Orfeo, Sir Launfal, Athelston, The Awntyrs off Arthure at the Terne Wathelyne, The Weddyng of Syr Gawen and Dame Ragnell for Helpyng of Kyng Arthoure, The Grene Knight, The Sege off Melayne, and The Taill of Rauf Coilyear, How He Harbreit King Charlis. A thorough introduction accompanied by updated and expanded explanatory footnotes by Stephen H. A. Shepherd. In “Sources and Backgrounds,” detailed contextualizing headnotes and comparative analogues (many complete) for each of the eleven romances. In “Criticism,” eight essays—four new to the Second Edition—that help students analyze the themes of Middle English romances. An updated selected bibliography “This welcome Second Edition of Stephen Shepherd’s collection of Middle English romances offers an authoritative entry into the richly varied world of medieval narrative. The expanded selection, which now also includes Older Scots, invites readers to make any number of connections between these important works and a range of fascinating contextual material that includes chronicles; Continental romances; biblical tales; and other central Middle English poems, such as Sir Gawain and the Green Knight. The thematic groupings present a provocative stimulus to comparative reading, while the new critical pieces on madness, magic, history, and representations of Islam offer a thoughtful selection of fresh approaches to the texts. Professor Shepherd is to be thanked for providing a wonderful resource for students and teachers alike.” —Sarah Wood, University of Warwick

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This authoritative manual presents an accessible 18-step program widely used by clinicians working with challenging teens. Steps 1-9 comprise parent training strategies for managing a broad range of problem behaviors, including those linked to oppositional defiant disorder (ODD) and attention-deficit/hyperactivity disorder (ADHD). Steps 10-18 focus on teaching all family members to negotiate, communicate, and problem-solve more effectively, while facilitating adolescents' individuation and autonomy. In a convenient large-size format, the book includes practical reproducible handouts and forms. Purchasers also get access to a Web page where they can download and print the reproducible materials. New to This Edition *Incorporates 15 years of research advances and the authors' ongoing clinical experience. *Fully updated model of the nature and causes of ODD. *Revised assessment tools and recommendations. *Reflects cultural changes, such as teens' growing technology use. See also the authors' related parent guide, Your Defiant Teen, Second Edition: 10 Steps to Resolve Conflict and Rebuild Your Relationship, an ideal client recommendation. For a focus on younger children, see also Dr. Barkley's Defiant Children, Third Edition (for professionals) and Your Defiant Child, Second Edition (for parents).

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From the gritty streets of nineteenth century London, the loyal and courageous Dr. Watson offers a tale unearthed after generations of lore: the harrowing story of Sherlock Holmes’s attempt to hunt down Jack the Ripper.As England’s greatest specialist in criminal detection, Sherlock Holmes is unwavering in his quest to capture the killer responsible for terrifying London’s East End. He hires an “unfortunate” known as Mary Ann Monk, the friend of a fellow streetwalker who was one of the Ripper’s earliest victims; and he relies heavily on the steadfast and devoted Dr. John H. Watson. When Holmes himself is wounded in Whitechapel during an attempt to catch the savage monster, the popular press launches an investigation of its own, questioning the great detective’s role in the very crimes he is so fervently struggling to prevent. Stripped of his credibility, Holmes is left with no choice but to break every rule in the desperate race to find the madman known as “the Knife” before it is too late. A masterly re-creation of history’s most diabolical villain, Lyndsay Faye’s debut brings unparalleled authenticity to the atmosphere of Whitechapel and London in the fledgling days of tabloid journalism and recalls the ideals evinced by Sir Arthur Conan Doyle’s most beloved and world-renowned characters. Jack the Ripper’s identity, still hotly debated around the world more than a century after his crimes were committed, remains a mystery ripe for speculation. Dust and Shadow explores the terrifying prospect of tracking a serial killer without the advantage of modern forensics, and the result is a lightning-paced novel brimming with historical detail that will keep you on the edge of your seat.

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Interest in constitutionalism and in the relationship among constitutions, national identity, and ethnic, religious, and cultural diversity has soared since the collapse of socialist regimes in Eastern Europe and the former Soviet Union. Since World War II there has also been a proliferation of new constitutions that differ in several essential respects from the American constitution. These two developments raise many important questions concerning the nature and scope of constitutionalism. The essays in this volume—written by an international group of prominent legal scholars, philosophers, political scientists, and social theorists—investigate the theoretical implications of recent constitutional developments and bring useful new perspectives to bear on some of the longest enduring questions confronting constitutionalism and constitutional theory. Sharing a common focus on the interplay between constitutional identity and individual or group diversity, these essays offer challenging new insights on subjects ranging from universal constitutional norms and whether constitutional norms can be successfully transplanted between cultures to a consideration of whether constitutionalism affords the means to reconcile a diverse society’s quest for identity with its need to properly account for its differences; from the relation between constitution-making and revolution to that between collective interests and constitutional liberty and equality. This collection’s broad scope and nontechnical style will engage scholars from the fields of political theory, social theory, international studies, and law. Contributors. Andrew Arato, Aharon Barak, Jon Elster, George P. Fletcher, Louis Henkin, Arthur J. Jacobson, Carlos Santiago Nino, Ulrich K. Preuss, David A. J. Richards, Michel Rosenfeld, Dominique Rousseau, András Sajó, Frederick Schauer, Bernhard Schlink, M. M. Slaughter, Cass R. Sunstein, Ruti G. Teitel, Robin West

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A sweeping account of the century of experimentation that confirmed Einstein’s general theory of relativity, bringing to life the science and scientists at the origins of relativity, the development of radio telescopes, the discovery of black holes and quasars, and the still unresolved place of gravity in quantum theory.Albert Einstein did nothing of note on May 29, 1919, yet that is when he became immortal. On that day, astronomer Arthur Eddington and his team observed a solar eclipse and found something extraordinary: gravity bends light, just as Einstein predicted. The finding confirmed the theory of general relativity, fundamentally changing our understanding of space and time.A century later, another group of astronomers is performing a similar experiment on a much larger scale. The Event Horizon Telescope, a globe-spanning array of radio dishes, is examining space surrounding Sagittarius A*, the supermassive black hole at the center of the Milky Way. As Ron Cowen recounts, the foremost goal of the experiment is to determine whether Einstein was right on the details. Gravity lies at the heart of what we don’t know about quantum mechanics, but tantalizing possibilities for deeper insight are offered by black holes. By observing starlight wrapping around Sagittarius A*, the telescope will not only provide the first direct view of an event horizon—a black hole’s point of no return—but will also enable scientists to test Einstein’s theory under the most extreme conditions.Gravity’s Century shows how we got from the pivotal observations of the 1919 eclipse to the Event Horizon Telescope, and what is at stake today. Breaking down the physics in clear and approachable language, Cowen makes vivid how the quest to understand gravity is really the quest to comprehend the universe.

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A Sunday Times Art Book of the Year: the first critical illustrated biography of this much-loved artist, locating her firmly in the art worlds of late 19th- and early 20th-century London and Paris. One of the most significant British artists of the twentieth century, Gwen John (1867-1939) made her life and work within the heady art worlds of London and Paris. This critical biography demolishes the myth of Gwen John as a recluse and situates her, brilliant, singular and assured, amid a rich cultural milieu that included James McNeill Whistler, Henri Matisse, Pablo Picasso, Paula Modersohn-Becker and Maude Gonne. Art historian, curator and novelist Alicia Foster draws on previously unpublished archival sources to explore John’s many relationships with artists and writers, including her affair with Auguste Rodin, passionate friendships with Jeanne Robert Foster and Véra Oumançoff, and correspondence with, among others, the poet Rainer Maria Rilke and her Slade compatriot and fellow painter Ursula Tyrwhitt. John’s library, ranging from writing by her friends Rilke and Arthur Symonds to French philosophy and religious thought, is considered, as is her part in the increasing presence and visibility of women artists in the early-twentieth-century art world. From the life rooms of the Slade to the Paris salons, this is the story of an artist both devoted to her craft and deeply involved in the life and creativity of her era. With over 120 illustrations, Gwen John: Art and Life in London and Paris offers a lively, meticulously researched portrait of Gwen John as a vital and utterly compelling figure in twentieth-century art history.

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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent, faded glory of the English aristocracy in the run-up to the Second World War.The most nostalgic and reflective of Evelyn Waugh's novels, Brideshead Revisited looks back to the golden age before the Second World War. It tells the story of Charles Ryder's infatuation with the Marchmains and the rapidly disappearing world of privilege they inhabit. Enchanted first by Sebastian Flyte at Oxford, then by his doomed Catholic family, in particular his remote sister, Julia, Charles comes finally to recognise his spiritual and social distance from them.Evelyn Waugh (1903-66) was born in Hampstead, second son of Arthur Waugh, publisher and literary critic, and brother of Alec Waugh, the popular novelist. In 1928 he published his first work, a life of Dante Gabriel Rossetti, and his first novel, Decline and Fall, which was soon followed by Vile Bodies (1930), A Handful of Dust (1934) and Scoop (1938). In 1939 he was commissioned in the Royal Marines and later transferred to the Royal Horse Guards, serving in the Middle East and in Yugoslavia. In 1942 he published Put Out More Flags and then in 1945 Brideshead Revisited. Men at Arms (1952) was the first volume of 'The Sword of Honour' trilogy, and won the James Tait Black Memorial Prize; the other volumes, Officers and Gentlemen and Unconditional Surrender, followed in 1955 and 1961.If you enjoyed Brideshead Revisited, you might like Waugh's Vile Bodies, also available in Penguin Classics.'Lush and evocative ... Expresses at once the profundity of change and the indomitable endurance of the human spirit'The Times

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*Winner of the Best Fantasy Novel Aurealis Award*'Maria Lewis is a must-read' Buzzfeed'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember' One More PageConsidering her status as the world's most powerful medium, Casper von Klitzing and her twin brother Baristan have lived a pretty normal life - until now. After a horrific incident in her home city of Berlin, orchestrated by the mysterious Oct, Casper is consumed with vengeance towards an enemy she doesn't understand. But the only other person ever to escape Oct was a witch - and so Casper is soon on her trail. But this witch does not want to be found. Diving headfirst into the supernaturally secretive world of spells, charms and covens, it's not long before Casper is crossing more than just the line between the living and the dead . . . Reinventing witches and ghosts with a much-needed feminist twist, this is an unmissable new read from one of the most exciting voices in fantasy:'If you haven't heard about Maria Lewis you must have been living under a rock' Good Reading Magazine'I can't wait to find out what happens next!' Keri Arthur'Truly one of the best in the genre I have ever read.' Oscar-nominee Lexi Alexander (Green Street Hooligans, Punisher: War Zone, Arrow, Supergirl)'Journalist Maria Lewis grabs the paranormal fiction genre by the scruff of its neck and gives it a shake' The West Australian'An intriguing take on a classic monster with vibrant, modern characters.' Sci Fi Bulletin'Pay attention urban fantasy fans - Maria Lewis is a name you'll want to remember.' One More Page

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A landmark examination of the art and artists inspired by American dance from 1830 to 1960 As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body. This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1830 to 1960. Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America’s most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell. The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph. Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form. Distributed for the Detroit Institute of ArtsExhibition Schedule:Detroit Institute of Arts (03/20/16–06/12/16)Denver Art Museum (07/10/16-10/02/16)Crystal Bridges Museum of American Art (10/22/16-01/16/17)

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This Maclean of Duart genuine tartan cloth large notebook is made with genuine British tartan cloth. It measures 21cm x 13cm, and has 192 pages of 80gsm cream paper, with left page plain, right page ruled. Cloth supplied by tailors and kilt makers Kinloch Anderson. With a ribbon marker, inner note pocket, elastic enclosure, history of tartan leaflet, and colourful bookmark with a brief history of the Maclean of Duart tartan. Presented in a clear acetate bag. The Maclean of Duart tartan is red with black, and touches of yellow, white and blue. The Macleans claim descent from Gillean of the Battleaxe, a kinsman of Fergus Mor, the sixth-century-ruler of the ancient kingdom of Dalriada. Lands given to the clan chief included the isle of Mull, off the west coast of Scotland. During the 16th century the Campbells emerged as the most powerful clan in the West Highlands. Several marriages took place between the Macleans and the Campbells. Septs of the Maclean clan include Beaton, Black, Dowart, Dowie, Duart, Garvie, Gillan, Lane, Lean, Leith, MacBeth, MacCormick, MacFadyen, Macgeachan, MacVey, Patten and Rankin. Scientists, thinkers and writers in the Scottish Enlightenment used 'commonplace notebooks' to record thoughts and ideas. Many British writers such as Virginia Woolf and Arthur Conan Doyle continued to use them. Tartan belongs to Scottish heritage and culture, and thrives today both at home and overseas. There are now over 7,000 tartans officially recorded in the Scottish Register of Tartans located within the National Archive of Scotland. Waverley Books (Waverley Scotland) are delighted to innovate on the commonplace notebook idea with the Waverley tartan notebooks bound in genuine tartan cloth supplied by kilt makers and tailors Kinloch Anderson, Edinburgh.

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Book of the Year in The Economist, Guardian, New Statesman, Wall Street Journal and New York Times.Shortlisted for the Duff Cooper Prize & the Elizabeth Longford Prize for Historical Biography.'A wonderful book about one of the most important, brilliant and flawed scientists of the 20th century.' Peter Frankopan'Superb' Matt Ridley, The Times'Fascinating... The best Haldane biography yet.' New York TimesJ.B.S. Haldane's life was rich and strange, never short on genius, never lacking for drama. He is best remembered as a geneticist who revolutionized our understanding of evolution, but his peers thought him a polymath; one student called him 'the last man who knew all there was to be known'.Beginning in the 1930s, Haldane was also a staunch Communist - a stance that enhanced his public profile, led him into trouble, and even drew suspicions that he was spying for the Soviets. He wrote copiously on science and politics for the layman, in newspapers and magazines, and he gave speeches in town halls and on the radio, all of which made him, in his day, as famous in Britain as Einstein. Arthur C. Clarke called Haldane 'the most brilliant science popularizer of his generation'. He frequently narrated aspects of his life: of his childhood, as the son of a famous scientist; of his time in the trenches in the First World War and in Spain during the Civil War; of his experiments upon himself; of his secret research for the British Admiralty; of his final move to India, in 1957. A Dominant Character unpacks Haldane's boisterous life in detail, and it examines the questions he raised about the intersections of genetics and politics - questions that resonate all the more strongly today.

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Since the late eighteenth century, writers and thinkers have used the idea of love—often unrequited or impossible love—to comment on the changing cultural, social, and political position of Jews in the German-speaking countries. In Mixed Feelings, Katja Garloff asks what it means for literature (and philosophy) to use love between individuals as a metaphor for group relations. This question is of renewed interest today, when theorists of multiculturalism turn toward love in their search for new models of particularity and universality. Mixed Feelings is structured around two transformative moments in German Jewish culture and history that produced particularly rich clusters of interfaith love stories. Around 1800, literature promoted the rise of the Romantic love ideal and the shift from prearranged to love-based marriages. In the German-speaking countries, this change in the theory and practice of love coincided with the beginnings of Jewish emancipation, and both its supporters and opponents linked their arguments to tropes of love. Garloff explores the generative powers of such tropes in Moses Mendelssohn, G. E. Lessing, Friedrich Schlegel, Dorothea Veit, and Achim von Arnim. Around 1900, the rise of racial antisemitism had called into question the promises of emancipation and led to a crisis of German Jewish identity. At the same time, Jewish- Christian intermarriage prompted public debates that were tied up with racial discourses and concerns about procreation, heredity, and the mutability and immutability of the Jewish body. Garloff shows how modern German Jewish writers such as Arthur Schnitzler, Else Lasker-Schüler, and Franz Rosenzweig wrest the idea of love away from biologist thought and reinstate it as a model of sociopolitical relations. She concludes by tracing the relevance of this model in post-Holocaust works by Gershom Scholem, Hannah Arendt, and Barbara Honigmann.

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On their 100th anniversary, the story of the extraordinary scientific expeditions that ushered in the era of relativityIn 1919, British scientists led extraordinary expeditions to Brazil and Africa to test Albert Einstein’s revolutionary new theory of general relativity in what became the century’s most celebrated scientific experiment. The result ushered in a new era and made Einstein a global celebrity by confirming his dramatic prediction that the path of light rays would be bent by gravity. Today, Einstein’s theory is scientific fact. Yet the effort to “weigh light” by measuring the gravitational deflection of starlight during the May 29, 1919, solar eclipse has become clouded by myth and skepticism. Could Arthur Eddington and Frank Dyson have gotten the results they claimed? Did the pacifist Eddington falsify evidence to foster peace after a horrific war by validating the theory of a German antiwar campaigner? In No Shadow of a Doubt, Daniel Kennefick provides definitive answers by offering the most comprehensive and authoritative account of how expedition scientists overcame war, bad weather, and equipment problems to make the experiment a triumphant success.The reader follows Eddington on his voyage to Africa through his letters home, and delves with Dyson into how the complex experiment was accomplished, through his notes. Other characters include Howard Grubb, the brilliant Irishman who made the instruments; William Campbell, the American astronomer who confirmed the result; and Erwin Findlay-Freundlich, the German whose attempts to perform the test in Crimea were foiled by clouds and his arrest.By chronicling the expeditions and their enormous impact in greater detail than ever before, No Shadow of a Doubt reveals a story that is even richer and more exciting than previously known.

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From the Queen of Crime, the first time all of her spookiest and most macabre stories have been collected in one volume. ‘From behind the curtains there still sounded the terrible high long-drawn scream – such a scream as Raoul had never heard. It died away with a horrible kind of gurgle. Then there came the thud of a body falling…’ For lovers of the supernatural and the macabre comes this collection of ghostly and chilling tales from Agatha Christie. Acknowledged the world over as the undisputed Queen of Crime, in fact she dabbled in her early writing career with mysteries of a more unearthly kind – stories featuring fantastic psychic visions, spectres looming in the shadows, encounters with deities, eerie messages from the Other Side, even a man who switches bodies with a cat… This haunting compendium gathers together all of Christie’s spookiest and most macabre short stories, some featuring her timeless detectives Hercule Poirot and Miss Marple. Finally together in one volume, it shines a light on the darker side of Agatha Christie, one that she herself relished, identifying ten of them as ‘my own favourite stories written soon after The Mysterious Affair at Styles, some before that’. Contains 20 stories:The Last Séance • In a Glass Darkly • The Adventure of the Egyptian Tomb • SOS • The Fourth Man • The Idol House of Astarte • The Gipsy • Philomel Cottage • The Dream • The Lamp • Wireless • The Mystery of the Blue Jar • The Blue Geranium • The Wife of the Kenite • The Strange Case of Sir Arthur Carmichael • The Call of Wings • The Red Signal • The Flock of Geryon • The Dressmaker’s Doll • The Hound of Death ‘Reading a perfectly plotted Agatha Christie is like crunching into a perfect apple: pure, crisp, absolute satisfaction.’TANA FRENCH

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Captain Cook is generally acknowledged as the first great European scientific explorer. His voyage of exploration to the Pacific in HM bark Endeavour, commencing in 1768, lasted almost three years, recorded thousands of miles of uncharted lands and seas – including New Zealand, the east coast of Australia and many Pacific islands – and tested all Cook’s skills as a navigator, seaman and leader. His voyages were among the first to take civilian scientists, notably Sir Joseph Banks, and they revealed to European eyes the mysterious and exotic lands, peoples, flora and fauna of the Pacific, never before seen. But while Cook understandably dominates the story of 18th-century Pacific exploration, the achievements of those who followed him on many voyages of science and exploration into the Pacific have been neglected and deprived of the greater attention they deserve. Correcting this imbalance, Pacific Exploration explores the European voyages that continued Cook’s work not only of charting but also starting to exploit and control the Pacific. These voyages, by William Bligh, George Vancouver, Matthew Flinders, Malaspina, Lapérouse and Arthur Phillip, span a period that saw Britain becoming the world’s leading maritime power, a situation well in place by the time that Charles Darwin’s voyage in Fitzroy’s Beagle laid the basis of even greater understanding of the development of life on earth. Recounting and illustrating these achievements and legacies using fascinating text and beautiful illustrations and artworks from the period, this book explores topics of scientific discovery, engagement with indigenous peoples, the use of shipboard artists and scientists, the growing professionalism of the hydrographic service, the vessels used and the colonial, commercial and imperial contexts of the voyages.

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Racquet was founded in 2016 to be the voice of a new tennis boom. When the popularity of tennis peaked in the late ’70s and early ’80s, the sport was populated by buccaneering talents with outsize personas, such as Borg, Evert, McEnroe, Navratilova, Gerulaitis, Austin, King, and Connors. The game was played in every park, and tennis clothes became appropriate attire for cocktails as well as for a match. With success, however, came polish, and tennis—if not the game itself, then how it came to be represented in the culture—got boring. Having a big personality was no longer a virtue. Tennis went back to being a bastion of the elite. Racquet is a place for those who knew all along that the spirit of the tennis boom was alive. Tennis has always been present in the arts, in the popular culture, in the skateboarding, hip-hop, and fashion worlds. That side of tennis was—and is—obscured by the tightly controlled messaging of the athletes, the corporate glean of the major tournaments, and the all-white attire of the country-club scene. Racquet was launched to represent the latent, diverse, and large constituency of tennis that has not been embraced by the sport writ large. Featuring the work of some of today’s finest writers, the quarterly independent magazine highlights the art, culture, and style that are adjacent to the sport—and just enough of the pro game to keep the diehards satisfied. This collection features some of the best writing from the first four years of Racquet and tackles such immediate topics as: How should tennis smell? What’s the deal with Andre Agassi’s private jet? What can a professional tennis player learn from Philip Roth? Why is tennis important in Lolita? How was Arthur Ashe like Muhammad Ali? And, crucially, what lessons have we learned from the implosion of that first tennis boom?

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A major feat of research and synthesis, this book presents the first comprehensive history of the Dutch economy in the nineteenth century--an important but poorly understood piece of European economic history. Based on a detailed reconstruction of extensive economic data, the authors account for demise of the Dutch economy's golden age. After showing how institutional factors combined to make the Dutch economy a victim of its own success, the book traces its subsequent emergence as a modern industrial economy. Between 1780 and 1914, the Netherlands went through a double transition. Its economy--which, in the words of Adam Smith, was approaching a "stationary state" in the eighteenth century--entered a process of modern economic growth during the middle decades of the nineteenth. At the same time, the country's sociopolitical structure was undergoing radical transformation as the decentralized polity of the republic gave way to a unitary state. As the authors show, the dramatic transformation of the Dutch political structure was intertwined with equally radical changes in the institutional structure of the economy. The outcome of this dual transition was a rapidly industrializing economy on one side and, on the other, the neocorporatist sociopolitical structure that would characterize the Netherlands in the twentieth century. Analyzing both processes with a focus on institutional change, this book argues that the economic and political development of the Netherlands can be understood only in tandem.

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For those who have always wanted to discover the joy of physics, this is the book that they've been waiting for. Many people remember their struggles with physics in high school and have wished for the right opportunity to gain an appreciation of this significant area of knowledge. Now is their chance not only to understand physics, but to do physics. The author provides the general reader with a fun-filled, entertaining, and truly educational tour of this all-important science. What makes the study of physics so worthwhile? The author says that, despite its reputation for difficulty, physics has an enormously ambitious goal, which appeals to people's innate curiosity: to understand the workings of the entire universe, from the smallest quarks to the largest galaxies. Learning and comprehending as much as we can about the inner and outer workings of the universe is what evokes the joy of physics. Taking a hands-on approach, he invites the reader to share the joy. Easy, practical experiments pepper the book and connect the ideas of physics with the reality of the universe. The yo-yo, flying disc, shake flashlight, laser pointer, LED, and even a microwave experiment with an edible result add to the fun. Complete with lively, memorable cartoons by Sidney Harris-America's premier science cartoonist-this book reveals the inherent fun, intellectual pleasure, and supreme importance of a subject that we can now finally tackle and enjoy.

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This is Costa Rica advice the way a friend would give it to you: fiercely opinionated, funny, and brimming not only with advice about what to see and do, but also what’s not worth your time. Whether you plan to hike through rainforests (and cloud forests), windsurf on Lake Arenal, bathe in geothermal pools or head to sun-soaked beaches where sea turtles nest, our expert has your back. A seasoned journalist, Nicholas Gill offers how to smartly explore this exhilarating country.Frommer’s Costa Rica contains: Dozens of stunning, full-color photos throughout Helpful maps, including a fully-detachable fold-out map Strategic itineraries, including for families and short stays, so you can make the most of your time Authentic experiences to help you appreciate Costa Rican culture, food, nature sights and customs like a local Candid reviews of the best restaurants, attractions, tours, shops, and experiences—and advice on the ones not worth your time and money Accurate, up-to-date info on transportation, useful websites, costs, telephone numbers, and more Budget-planning help with the lowdown on prices and ways to save money, whether you’re traveling on a shoestring or in the lap of luxury About Frommer’s: There’s a reason that Frommer’s has been the most trusted name in travel for more than sixty years. Arthur Frommer created the best-selling guide series in 1957 to help American servicemen fulfill their dreams of travel in Europe, and since then, we have published thousands of titles became a household name helping millions upon millions of people realize their own dreams of seeing our planet. Travel is easy with Frommer’s.

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'Jewellery in all its guises has been a signifier of glamour in the pages of Vogue since the magazine's inception in 1916...the jewellery always commands the image - infinitely powerful and desirable, inventive and extraordinary.' - Alexandra Shulman'This book sparkles with glamour and flamboyance.' - Daily Mail'From simple strings of gleaming pearls to showstopping tiaras, this book is perfect for anyone with a true love of jewels.' - Condé Nast TravellerIllustrated with fabulous images from Vogue's archive, Vogue: The Jewellery is the ultimate book for fashion and jewellery lovers.From couture to costume jewellery, the brilliant pieces featured on the pages of British Vogue for more than a century have encapsulated the fashion zeitgeist of each new age for which they were created. Adorning princesses and rock chicks alike, the jewels shown in Vogue: The Jewellery reveal a dazzling array of styles and moods - from fairytale romance to Jazz-age glamour, sculptural modernism to timeless elegance. On every page sumptuous jewellery is the star of the show, nourishing dreams in us all.Carol Woolton has curated a collection of more than 300 fabulous images within five thematic chapters: Show-stoppers, Rock Chick, Minimalist, Exotic and Classic. From diamond-encrusted tiaras and intricate jet chokers to sculptural silver cuffs and simple strings of pearls, the book provides an evocative celebration of a century of jewellery, while showcasing British Vogue's best photographers including Norman Parkinson, David Bailey, Arthur Elgort, Corinne Day, Cecil Beaton and Tim Walker.Now available in a new format with a luxurious real cloth cover, at a more pocket-friendly price of £30, this is essential reading for fashionistas everywhere.

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From sipping scotch and sampling haggis to touring castles and historic museums, make the most of your Scottish adventure with Moon Edinburgh, Glasgow & the Isle of Skye. Inside you'll find:*Flexible itineraries such as one to three days in Edinburgh and Glasgow, two days in the Highlands, and four days on the Isle of Skye that can be expanded or combined into a longer trip, including day trips to Loch Lomond, Ben Nevis, and more*Strategic advice for art lovers, history buffs, road trippers, and more*Explore the Cities: Walk along Edinburgh's historic Royal Mile from the Edinburgh Castle to the Queen's Scottish Palace or climb the Arthur's Seat peak. Sample authentic haggis and dine at innovative new restaurants. Catch a traditional music performance in Glasgow (the UNESCO City of Music!) or chat with locals at a corner pub over folk music and a pint*Escape the Crowds: Hike through wild moors and pine forests to deserted villages on Skye, sip your way through Islay's whisky distilleries, or take a seaplane over Loch Lomond for dramatic views of the Highlands*Valuable perspective from Scotland expert Sally Coffey*Full-colour photos and detailed maps throughout*Background information on the landscape, history, and cultural customs of Scotland*Handy tools such as a glossary and list of Scottish phrases, and helpful tips for seniors, disability access, families with children, LGBTQ visitors, and travellers of colorWith Moon Edinburgh, Glasgow & the Isle of Skye's practical tips and local insight, you can plan your trip your way.Exploring beyond Scotland? Check out Moon Ireland.

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'Thoroughly researched…brings superbly to life figures whom history should not have forgotten.' - Simon Heffer, Daily Telegraph 'A highly readable, enjoyable and informative book.' - John McTernan, Financial Times 'A meticulously researched collective biography.' - Andrew Marr, New Statesman In 1923, four short years since the end of the First World War, and after the passing of the Act which gave all men the vote, an inconclusive election result and the prospect of a constitutional crisis opened the door for a radically different sort of government: men from working-class backgrounds who had never before occupied the corridors of power at Westminster. Who were these ‘wild men’? Ramsay MacDonald, their leader and Labour’s first Prime Minster, was the illegitimate son of a Scottish farm labourer; Arthur Henderson was a Scottish iron moulder; J. H. Thomas, a Welsh railwayman; John Wheatley, an Irish-born miner and publican; and William Adamson, a Fife coal miner. Never before had men from such backgrounds occupied the corridors of power in Westminster. The Wild Men tells the story of that first Labour administration – its unexpected birth, fraught existence, and controversial downfall – through the eyes of those who found themselves in the House of Commons, running the country for the people. Blending biography and history into a compelling narrative, David Torrance reassesses the UK’s first Labour government a century after it shook up a British establishment still reeling from the War – and how the establishment eventually fought back. This is an extraordinary period in British political history which echoes down the years to our current politics and laid the foundations for the Britain of today.

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'Wicked witches, bad fairies, and the restless dead be damned, for those who are looking to fill up their folk horror fiction shelves, Damnable Tales is a must-have' Andy Paciorek, Horrified Magazine'I had to keep pulling myself away from it so I didn’t finish it in one sitting . . . An incredible book' Annie Kapur, Vocal Media This richly illustrated anthology gathers together classic short stories from masters of supernatural fiction including M. R. James, Sheridan Le Fanu and Arthur Machen, alongside lesser-known voices in the field including Eleanor Scott and Margery Lawrence, and popular writers less bound to the horror genre, such as Thomas Hardy and E. F. Benson.These are damnable tales, selected and beautifully illustrated by Richard Wells. They stalk the moors at night, the deep forests, cornered fields and dusky churchyards, the narrow lanes and old ways of these ancient places, drawing upon the haunted landscapes of folk-horror – a now widely used term first applied to a series of British films from the late 1960s and 1970s: Witchfinder General (1968), Blood on Satan’s Claw (1971), and The Wicker Man (1973).But as this collection shows, writers of uncanny fiction were dabbling in the dark side of folklore long before. These twenty-two stories take the reader beyond the safety and familiarity of the town into the isolated and untamed wilderness. Unholy rites, witches’ curses, sinister village traditions and ancient horrors that lurk within the landscape all combine to remind us that the shiny modern, urban world might not have all the answers…

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In the early twentieth century, Native American baskets, blankets, and bowls could be purchased from department stores, “Indian stores,” dealers, and the U.S. government’s Indian schools. Men and women across the United States indulged in a widespread passion for collecting Native American art, which they displayed in domestic nooks called “Indian corners.” Elizabeth Hutchinson identifies this collecting as part of a larger “Indian craze” and links it to other activities such as the inclusion of Native American artifacts in art exhibitions sponsored by museums, arts and crafts societies, and World’s Fairs, and the use of indigenous handicrafts as models for non-Native artists exploring formal abstraction and emerging notions of artistic subjectivity. She argues that the Indian craze convinced policymakers that art was an aspect of “traditional” Native culture worth preserving, an attitude that continues to influence popular attitudes and federal legislation.Illustrating her argument with images culled from late-nineteenth- and early-twentieth-century publications, Hutchinson revises the standard history of the mainstream interest in Native American material culture as “art.” While many locate the development of this cross-cultural interest in the Southwest after the First World War, Hutchinson reveals that it began earlier and spread across the nation from west to east and from reservation to metropolis. She demonstrates that artists, teachers, and critics associated with the development of American modernism, including Arthur Wesley Dow and Gertrude Käsebier, were inspired by Native art. Native artists were also able to achieve some recognition as modern artists, as Hutchinson shows through her discussion of the Winnebago painter and educator Angel DeCora. By taking a transcultural approach, Hutchinson transforms our understanding of the role of Native Americans in modernist culture.

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The long-awaited and wildly entertaining memoir of the star of stage and screen, the legendary Chita Rivera—three-time Tony Award–winner, Kennedy Centers honoree, and recipient of the Presidential Medal of Freedom.She was born Dolores Conchita Figueroa del Rivero—until the entertainment world renamed her. But Dolores—the irreverent side of the sensual, dark and ferocious Chita—was always present center stage, and was influential in creating some of Broadway most iconic and acclaimed roles, including Anita in West Side Story‚ the part that made her a star—Rosie in Bye Bye, Birdie, Velma in Chicago, and Aurora in Kiss of the Spider Woman.Written in gratitude to her longstanding fans and with the hope that new generations may learn from her extraordinary experience, Chita takes us behind the curtain to reveal the highs and lows of one extraordinary showbusiness career—the creative fermentation, the ego clashes, the miraculous discoveries, the exhilaration when it all went right, and the disappointment when it all went wrong. Chita invites us into workrooms and rehearsal studies, on stage and on set as she works with some of the greatest talents of the age, including Leonard Bernstein, Arthur Laurents, Stephen Sondheim, Bob Fosse, Jerome Robbins, Hal Prince, Liza Minnelli, Sammy Davis Jr, Gwen Verdon, Shirley MacLaine, and many others. We also learn deeply moving, revelatory details about her upbringing and her heritage, and how they indelibly shaped her work and career.This colorful and entertaining memoir—as vital and captivating as Chita herself—is the unforgettable and engrossing personal story of a performer who blazed her own trail and inspired countless performers to forge their own unique path to success.

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Medicine and the media exist in a unique symbiosis. Increasingly, health-care consumers turn to media sources—from news reports to Web sites to tv shows—for information about diseases, treatments, pharmacology, and important health issues. And just as the media scour the medical terrain for news stories and plot lines, those in the health-care industry use the media to publicize legitimate stories and advance particular agendas. The essays in Cultural Sutures delineate this deeply collaborative process by scrutinizing a broad range of interconnections between medicine and the media in print journalism, advertisements, fiction films, television shows, documentaries, and computer technology. In this volume, scholars of cinema studies, philosophy, English, sociology, health-care education, women’s studies, bioethics, and other fields demonstrate how the world of medicine engages and permeates the media that surround us. Whether examining the press coverage of the Jack Kevorkian–euthanasia controversy; pondering questions about accessibility, accountability, and professionalism raised by such films as Awakenings, The Doctor, and Lorenzo’s Oil; analyzing the depiction of doctors, patients, and medicine on E.R. and Chicago Hope; or considering the ways in which digital technologies have redefined the medical body, these essays are consistently illuminating and provocative.Contributors. Arthur Caplan, Tod Chambers, Stephanie Clark-Brown, Marc R. Cohen, Kelly A. Cole, Lucy Fischer, Lester D. Friedman, Joy V. Fuqua, Sander L. Gilman, Norbert Goldfield, Joel Howell, Therese Jones, Timothy Lenoir, Gregory Makoul, Marilyn Chandler McEntyre, Faith McLellan, Jonathan M. Metzl, Christie Milliken, Martin F. Norden, Kirsten Ostherr, Limor Peer, Audrey Shafer, Joseph Turow, Greg VandeKieft, Otto F. Wahl

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