Search results for ""Author Glen"

One young woman missing, two found murdered -- the gripping true story of Australia's longest-running homicide investigation ** Winner of the Ned Kelly Award for True Crime**In the early hours of January 27, 1996, after an evening spent celebrating at Club Bayview in the Perth suburb of Claremont, 18-year-old Sarah Spiers called a taxi to nearby Mosman Park. But when the cab arrived, she'd already gone.Sarah was never seen again.Four months later, on June 9, 1996, 23-year-old Jane Rimmer disappeared from the same area, her body later found in bushland south of Perth. When the body of a third young woman, 27-year-old Ciara Glennon, was found north of the city, having vanished from Claremont in August 1997, it was clear a serial killer was on the loose, and an entire city lived in fear he would strike again.A massive manhunt focused first on taxi drivers, then the outspoken local mayor and a quiet public servant. However, almost 20 years later, Australia's longest and most expensive investigation had failed to make an arrest, until forensic evidence linked the murders to two previous attacks - and an unlikely suspect.Stalking Claremont, by local newsman Bret Christian, is a riveting story of promising young lives cut short, a city in panic, an investigation fraught by oversights and red herrings, and a surprising twist that absolutely no one saw coming.

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**THE INSTANT NEW YORK TIMES BESTSELLER **'Funny and frank, a chance to spend time with a brave and big-hearted woman who's grown up to be not so mean, after all' JENNIFER LARUE, WASHINGTON POST'Grabs you by the collar and says listen to all that I have to say: about love, pain, motherhood, illness, celebrity and the tidal ferocity that pours through all our lives. Read it and be caught in the voice of one of our luminous stars' ESMÉ WEIJUN WANGThe first story Selma Blair Beitner ever heard about herself is that she was a mean, mean baby. Although Selma went on to become a celebrated Hollywood actress and model, she could never quite shake the periods of darkness that overtook her, the certainty that there was a great mystery at the heart of her life. Over the course of this beautiful and, at times, shocking memoir, Selma lays bare her addiction to alcohol, her devotion to her brilliant and complicated mother, and the moments she flirted with death. There is violence, love, true friendship, the gift of motherhood and, finally, the simultaneous devastation and surprising salvation of a multiple sclerosis diagnosis. 'A fascinating exploration about the power of prophecy, of labels, and of one woman's determination to defy them all. Blair is a rebel, an artist, and it turns out: a writer' GLENNON DOYLE'I laughed out loud more than I cried' FRANCES RYAN, GUARDIAN

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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MoMA PS1 presents the fourth iteration of Greater New York. Recurring every five years, the exhibition has traditionally showcased the work of emerging artists living and working in the New York metropolitan area. Considering the “greater” aspect of its title in terms of both geography and time, Greater New York. begins roughly with the moment when MoMA PS1 was founded in 1976 as an alternative venue that took advantage of disused real estate, reaching back to artists who engaged the margins of the city. In conjunction with the exhibition, MoMA PS1 is publishing a series of readers that will be released throughout the run of the exhibition. These short volumes revisit older histories of New York while also inviting speculation about its future, highlighting certain works in the exhibition and engaging a range of subjects including disco, performance anxiety, real estate and newly unearthed historical documents. The series features contributions from Fia Backström, Mark Beasley, Gregg Bordowitz, Susan Cianciolo, Douglas Crimp, Catherine Damman, David Grubbs, Angie Keefer, Aidan Koch, Glenn Ligon, Gordon Matta-Clark, Claudia Rankine, Collier Schorr, and Sukhdev Sandhu, concluding with a round-table conversation with exhibition curators Peter Eleey, Douglas Crimp, Thomas J. Lax and Mia Locks. The series is edited by Jocelyn Miller, Curatorial Associate, MoMA PS1.

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**THE INSTANT NEW YORK TIMES BESTSELLER **'Funny and frank, a chance to spend time with a brave and big-hearted woman who's grown up to be not so mean, after all' JENNIFER LARUE, WASHINGTON POST'Grabs you by the collar and says listen to all that I have to say: about love, pain, motherhood, illness, celebrity and the tidal ferocity that pours through all our lives. Read it and be caught in the voice of one of our luminous stars' ESME WEIJUN WANG The first story Selma Blair Beitner ever heard about herself is that she was a mean, mean baby. Although Selma went on to become a celebrated Hollywood actress and model, she could never quite shake the periods of darkness that overtook her, the certainty that there was a great mystery at the heart of her life. Over the course of this beautiful and, at times, shocking memoir, Selma lays bare her addiction to alcohol, her devotion to her brilliant and complicated mother, and the moments she flirted with death. There is violence, love, true friendship, the gift of motherhood and, finally, the simultaneous devastation and surprising salvation of a multiple sclerosis diagnosis. 'A fascinating exploration about the power of prophecy, of labels, and of one woman's determination to defy them all. Blair is a rebel, an artist, and it turns out: a writer' GLENNON DOYLE'I laughed out loud more than I cried' FRANCES RYAN, GUARDIAN

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You could have saved her. Sure as the tide against his Highland shores, the refrain beats into Constable Angus ‘Dubh’ MacNeil’s mind. For years it has haunted him, accompanied by the faces of those he could not save—the Burned Man, the Strangled Woman, the Drowned Boy. All witnesses to a secret he cannot share and a gift he now refuses to embrace.You could have saved her. The refrain drives Angus to the seashore at dawn, where a girl lies on the unblemished sand. She wears a green cloak and cradles a corps creadha, a Highland voodoo doll. She has suffered a ritualistic, three-fold death—her head bludgeoned, her throat cut, and symbolically drowned.It is Faye Chichester, daughter of an American billionaire whose mission to reintroduce wolves to the Highlands has embroiled the village of Glenruig. But even as media and police swarm the area, that refrain—you could have saved her—echoes in all Angus’s thoughts. For he carries a burden, a blessing, a curse, a secret—dà-shealladh, the second sight of Gaelic lore. Gills MacMurdo, noted folklorist, academic, and Angus’s oldest friend, confirms what the dà-shealladh is warning. Just as Faye’s death was three-fold, so must the murder victims fulfil the ancient pattern. More will die, unless Angus does what he must—close his eyes and see.

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This newly delineated guide describes some of the best scrambles and easy rock climbs in the North-West Highlands of Scotland, the Outer Hebrides and Rum. With 200 routes stretching from Sutherland in the north to Glenfinnan in the south, and from Uist in the west to Caithness in the east, its scope and range offer scrambling options across all levels and rock types. Keen hillwalkers can build their confidence on straightforward itineraries with a bit of exposure, and there's plenty to whet the appetites of those who already have some experience and want to explore new territory on sustained, technical journeys requiring greater commitment. From the elegant bands of Lewisian gneiss that comprise much of the Outer Hebrides and the northern hinterland of Ben Stack and Foinaven to Torridon's terraced sandstone cliffs and the pinnacled ridges of An Teallach, there are many hidden gems to discover. You'll also find updates of well-established and much-loved classics, including the Forcan Ridge, Stac Pollaidh and the Rum Cuillin. Presented in our new contemporary style, Highland Scrambles North includes high-resolution photo diagrams and beautifully rendered maps for greater clarity and accessibility. With venue and route information accompanied by advice on conditions, this guidebook has everything you need for a superb day out in the Scottish mountains

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'Extraordinary' TONY BLAIR'Riveting' - PHILIPPE SANDS'Brutal, brilliant and scurrilously funny' - MISHA GLENNYThe real scoop isn't on the front page'As FT editor, I was a privileged interlocutor to people in power around the world, each offering unique insights into high-level decision-making and political calculation, often in moments of crisis. These diaries offer snapshots of leadership in an age of upheaval...'Lionel Barber was Editor of the Financial Times for the tech boom, the global financial crisis, the rise of China, Brexit, and mainstream media's fight for survival in the age of fake news.In this unparalleled, no-holds-barred diary of life behind the headlines, he reveals the private meetings and exchanges with political leaders on the eve of referendums, the conversations with billionaire bankers facing economic meltdown, exchanges with Silicon Valley tech gurus and pleas from foreign emissaries desperate for inside knowledge, all against the backdrop of a wildly shifting media landscape.The result is a fascinating - and at times scathing - portrait of power in our modern age; who has it, what it takes and what drives the men and women with the world at their feet. Featuring close encounters with Trump, Cameron, Blair, Putin, Merkel and Mohammed Bin Salman and many more, this is a rare portrait of the people who continue to shape our world and who quite literally, make the news.

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The catalogue to accompany the first museum exhibition to examine the digitally crafted works of Wendell Castle, acclaimed figure of the American art furniture movement.

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History is steeped in wonderful and strange folklore. Here, premier storyteller Cynthia Moore Brown tells 17 old-timey favorites, each one including a special home-style recipe connected to the story. As for the lore, avoid a brush with death in "Wait Until Spring," discover the dark secret a little bunny is hiding in "Bee Keeper," root for Jack and his animal friends as they come face to face with Wild Hair Willy in "Jack and the Robbers," and rediscover a mountain classic, told as only Cynthia can tell, in "Simple Jack." This series of folktales is beautifully put to paper by mythologist, Theresa Bane, with a foreword presented by Etta Skaggs Reid, genealogist and historian. Drawings are by T. Glenn Bane, winner of a silver medal in the national Benjamin Franklin awards. So bake a batch of biscuits or brew some Southern Brunswick Stew as you curl up to some mighty exciting stories heard for generations!

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Bill Shankly is the man who shaped Liverpool Football Club. His legendary status on Merseyside and within the history of the game cannot be overestimated. Renowned for his commitment, restless energy and laconic aphorisms, he followed a respectable career as a player with an incredible one as a manager.Having been in charge at Carlisle, Grimsby, Workington and swiftly Huddersfield, he arrived at a struggling Liverpool in 1959 and transformed the club into one of the most successful in British football. This, together with the force of his incredible personality, ensured Bill Shankly would be remembered forever as one of the all-time great figures in football.With superb photography from sports photographer Steve Hale, prolific Merseyside writer Phil Thompson records Shankly's life in this delightful biography from his birth in Glenbuck to the glory days when Shankly laid the foundations for Liverpool's rise to domination of the domestic and European f

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***This short fiction collection includes 'Chivalry', this year's Radio 4 Neil Gaiman Christmas Day special, starring Glenda Jackson and Kit Harington. This is the story of Mrs Whitaker, who finds the Holy Grail in a charity shop.***Open your mind to one of the brightest, most brilliant writers of our generation...'Gaiman is god in the universe of story' - Stephen Fry'There's no one quite like Neil Gaiman' - George R. R. MartinAn elderly widow finds the Holy Grail beneath an old fur coat. A stray cat fights and refights a terrible nightly battle to protect his unwary adoptive family from unimaginable evil. A young couple receives a wedding gift that reveals a chilling alternative history of their marriage...These tales and much more await in this extraordinary book, revealing one of our most gifted storytellers at the height of his powers.Includes extra material exclusive to this Headline Review edition.

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From the outset, Caroline Lamb had a rebellious nature. From childhood she grew increasingly troublesome, experimenting with sedatives like laudanum, and she had a special governess to control her. She also had a merciless wit and talent for mimicry. She spoke French and German fluently, knew Greek and Latin, and sketched impressive portraits. As the niece of Georgiana, Duchess of Devonshire, she was already well connected, and her courtly skills resulted in her marriage to the Hon. William Lamb (later Lord Melbourne) at the age on nineteen. For a few years they enjoyed a happy marriage, despite Lamb's siblings and mother-in-law detesting her and referring to her as 'the little beast'. In 1812 Caroline embarked on a well-publicised affair with the poet Lord Byron - he was 24, she 26. Her phrase 'mad, bad and dangerous to know' became his lasting epitaph. When he broke things off, Caroline made increasingly public attempts to reunite. Her obsession came to define much of her later life, as well as influencing her own writing - most notably the Gothic novel Glenarvon - and Byron's. Antonia Fraser's vividly compelling biography animates the life of 'a free spirit' who was far more than mad, bad and dangerous to know.

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New Surrealism: The Uncanny in Contemporary Painting by Robert Zeller offers a sweeping exposition of both historical Surrealism and its legacy in the world of contemporary art. It demonstrates the many ways in which the most significant art movement of the last century continues to be relevant today, featuring an international selection of contemporary artists whose compositions and studio practice reveal its influence. There are many modalities of historical Surrealism that still maintain contemporary currency: presenting the familiar as unfamiliar and uncanny, the juxtaposition of seemingly unrelated imagery, the use of absurdity to critique political or social issues, and the use of erotic imagery in an irrational, non-linear context. Not all the artists brought together in this book self-identify as Surrealist, per se, but each uses some variation of Surrealism in a personal manner. The book begins with a study of the origins, leadership, participating artists, and major milestones of historical Surrealism. Zeller chronicles the movement starting at the end of World War I and the birth of Dada. The most important players and events emerge throughout the timeline of events—including World War II, and such notable artists as Max Ernst, Marcel Duchamp, Leonora Carrington, and many others—up until the death of its leader Andre Breton in 1966. Zeller then explores how elements of New Surrealism are being put into practice in the contemporary art world. Section Two offers a survey of 29 contemporary artists who engage in New Surrealism’s seemingly unlimited variations of the movement’s original themes, including Rosa Loy, Glenn Brown, and Arghavan Khosravi. Section Three features 14 artists, including important contemporary artists such as Inka Essenhigh, Ginny Casey and Anna Weyant, who speak to Surrealism’s influence on their studio practice, detailing in their own words how they create a composition from start to finish.

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This beautifully illustrated guide reveals the cities, towns and windswept landscapes that have formed the backdrop to some of Scotland’s most famous films. Colour photographs and detailed descriptions of each location allow you to follow in the footsteps of some of cinemas most famous characters. Among the films covered in the book are Gregory’s Girl, the Harry Potter films, Monty Python and the Holy Grail, One Day, The Prime of Miss Jean Brodie, Rob Roy, Shallow Grave, Trainspotting and The Wicker Man. TV series include Taggart, Outlander and Game of Thrones. Scotland Film Locations takes in some of the most popular and beautiful sites in Scotland, from the streets of Edinburgh and the famous train journey over Glenfinnan Viaduct that inspired Harry Potter to Doune Castle, which featured in Game of Thrones, and the Isle of Skye, which formed a backdrop to The BFG and Macbeth. With this indispensable guide you will be able to step into some of your favourite films and discover the locations that created movie magic.

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A celebration of over 100 years of queer creativity, featuring 70 outstanding works of drawing, painting, photography, sculpture and installation. Over the last century, many artists have made works that challenge dominant models of gender and sexuality. The results can be sexy or serious, satirical or tender, discreetly coded or defiantly outspoken. This beautiful book illustrates the wide variety of queer art from around the world – exploring bodies and identity, love and desire, prejudice and protest through drawing, painting, photography, sculpture and installation. 70 outstanding works - from 1900 to the present – reveal how queer experiences have differed across time and place, and how art has been part of a story of changing attitudes and emerging identities. Featuring works by, among others, Egon Schiele, Duncan Grant, Claude Cahun, Hannah Hoch, Frida Kahlo, David Hockney, Glenn Ligon, Zanele Muholi, Allyson Mitchell and Tomoko Kashiki – all of whom subverted the norms of their day via bold, new forms of expression, A Queer Little History of Art is a celebration of over 100 years of queer creativity.

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'We play and are played and the best we can hope for is to do it with style.'Football has come to the ancient city of Ankh-Morpork. And now the wizards of Unseen University must win a football match without using magic . . . so they're in the mood for trying everything else.To do this, they recruit an unlikely group of players: Trev, a street urchin with a talent for kicking a tin can; Glenda, the night chef who makes a mean pie; Juliet, the kitchen hand turned world's greatest fashion model; and the mysterious Mr Nutt, who has something powerful, and dark, locked away inside him . . .And the thing about football - the important thing about football - is that it is not just about football. Here we go, here we go, here we go!'This isn't just football, it's Discworld football. Or, to borrow another phrase, it's about life, the Universe and everything' The Times'No one mixes the fantastical and mundane to better comic effect' Daily MailUnseen Academicals is the seventh book in the Wizards series, but you can read the Discworld novels in any order.

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Explores how authoritarian regimes are deploying "sharp power" to undermine democracies from within by weaponizing universities, institutions, media, technology, and entertainment industries.The world's dictators are no longer content with shoring up control over their own populations—they are now exploiting the openness of the free world to spread disinformation, sow discord, and suppress dissent. In Defending Democracy in an Age of Sharp Power, editors William J. Dobson, Tarek Masoud, and Christopher Walker bring together leading analysts to explain how the world's authoritarians are attempting to erode the pillars of democratic societies—and what we can do about it. Popular media, entertainment industries, universities, the tech world, and even critical political institutions are being manipulated by dictators who advance their regimes' interests by weakening democracies from within. Autocrats' use of "sharp power" constitutes one of the gravest threats to liberal, representative government today. The optimistic, early twenty-first-century narrative of how globalization, the spread of the internet, and the rise of social media would lead to liberalization everywhere is now giving way to the realization that these same forces provide inroads to those wishing to snuff out democracy at the source. And while autocrats can do much to wall their societies off from democratic and liberal influences, free societies have not yet fully grasped how they can resist the threat of sharp power while preserving their fundamental openness and freedom.Far from offering a counsel of despair, the international contributors in this collection identify the considerable resources that democracy provides for blunting sharp power's edge. With careful case studies of successful resistance efforts in such countries as Australia, the Czech Republic, and Taiwan, this book offers an urgent message for anyone concerned with the defense of democracy in the twenty-first century.Contributors: Ketty W. Chen, Sarah Cook, William J. Dobson, John Fitzgerald, Martin Hála, Samantha Hoffman, Aynne Kokas, Edward Lucas, Tarek Masoud, Nadège Rolland, Ruslan Stefanov, Glenn Tiffert, Martin Vladimirov, Christopher Walker

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Spurs On This Day revisits all the most magical and memorable moments from the club's glorious past, mixing in a maelstrom of quirky anecdotes and legendary characters to produce an irresistibly dippable diary of the club's history - with an entry for every day of the year. From their Victorian roots as Hotspur FC up to the Premier League era, Spurs fans have witnessed a unique FA Cup victory as a non-League side, League and Cup triumphs, hard-fought derbies and unforgettable European nights - all featured here. Timeless greats such as Glenn Hoddle and Danny Blanchflower, Dave Mackay, Jurgen Klinsmann and Bill Nicholson all loom larger than life. Revisit January 22, 2008 when Spurs beat Arsenal 5-1 in the Carling Cup semi-final. May 6, 1961 when Spurs became the 20th century's first Double winners. And July 13 2001, when Steffen Freund scored against Stevenage, his first and only Tottenham goal!

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*THE MUST-READ ENGLAND FOOTBALL BOOK FOR EURO 2024**Includes exclusives interviews with Raheem Sterling, Dan Ashworth, Martin Glenn, Steve Cooper and Jesse Lingard, as well as previous conversations with Gareth Southgate, Harry Kane, Declan Rice, John Stones, Bukayo Saka, Danny Rose, Wayne Rooney, Gary Neville and many more*The definitive, behind-the-scenes account of England's journey from no-hopers to genuine contenders.Under the stewardship of Gareth Southgate and captained by Harry Kane, England will arrive in Germany as favourites to win Euro 2024 and finally end all those trophy-less years of hurt. It's taken for granted that England are now considered serious challengers at major football tournaments but prior to Southgate, this wasn't the case. 'Golden generations' came and went, with club rivalries and big egos ensuring that England camps had a fractured, toxic atmosphere. So, how did we get here?De

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The sequel to Jason Offutt's award-winning novel, The Girl in the Corn, which critics have raved is an outstanding blend of horror, speculative fiction, and apocalyptic fantasy topped with madness (HorrorDNA) and a haunting, unsettling, gripping novel (Richard Thomas, a Bram Stoker and Shirley Jackson nominee).Evil comes in pretty packages. Thomas Cavanaugh's life is now a blur, a blend of foggy memories and hidden horrors. When his fae girlfriend Jillian begins to act strangely, he wonders whether he should put an end to their relationship. Then Jillian does the unthinkable and vanishes with four-year-old Jacob Jenkins, a boy with terrifying supernatural powers. Suddenly, years later, Jacob reappears unaged, claiming to have been in another world. Sheriff Glenn is called in to investigate a series of violent murders, all with evidence pointing toward the boy from two worlds. Someone with dark magic is devouring souls but for what purpose? Thomas and his allies must prepare for a b

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‘An absolute gem’ Sunday Times ‘A mouthwatering history’ The Guardian In this delicious history of Britain’s food traditions, Diane Purkiss invites readers on a unique journey through the centuries, exploring the development of recipes and rituals for mealtimes such as breakfast, lunch, and dinner, to show how food has been both a reflection of and inspiration for social continuity and change. Purkiss uses the story of food as a revelatory device to chart changing views on class, gender, and tradition through the ages. Sprinkled throughout with glorious details of historical quirks – trial by ordeal of bread, a fondness for ‘small beer’ and a war-time ice-cream substitute called ‘hokey pokey’ made from parsnips – this book is both an education and an entertainment. English Food explores the development of the coffee trade and the birth of London’s coffee houses, where views were exchanged on politics, art, and literature. Purkiss introduces the first breeders of British beef and reveals how cattle triggered the terrible Glencoe Massacre. We are taken for tea, to the icehouse, the pantry, and the beehive. We learn that toast is as English as the chalk cliffs. We bite into chicken, plainly poached or exotically spiced. We join bacon curers and fishermen at work. We follow the scent of apples into ancient orchards. A rich and indulgent history, English Food will change the way you view your food and understand your past. The table is set, have a seat, and tuck in.

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A fascinating and immersive chronicle of hockey's original maskless warriors More than 400 stitches decorated Terry Sawchuk's face during his 16 years as a goaltender in the National Hockey League, the result of high-speed collisions and slapshots that whizzed directly at his skull. All in a day's work for an elite goalie of his era. Before facemasks became standard equipment in the 1960s and '70s, men like Sawchuk, Glenn Hall, and Jacques Plante—the first goalie to ever wear a mask in the NHL—put their bodies on the line in the name of hockey, enduring broken bones, damaged organs, and even psychological turmoil. In this thoroughly researched book, Rob Vanstone illuminates the stories of these intrepid warriors while examining how the goaltender position has changed throughout the decades. As masks evolved from ghoulish-looking creations not out of place in horror films to today's caged helmets with custom artwork, goalies' body positioning and tactics were similarly transformed along with NHL regulations.Told with charm and verve, this is an essential portrait of a uniquely brutal and harrowing chapter in hockey history.

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A complete history of White Hart Lane, the home of Tottenham Hotspur from 1899 to 2017 and the setting for some of their greatest successes.For a football supporter, a real fan, there is nothing more evocative than the journey to their home ground, a place where they have experienced the highs and lows that the game brings - delight, despair, hope, pain and, occasionally, pure joy. But while those stadiums seem permanent, they are not.In May 2017, White Hart Lane, the backdrop to more than a century of Spurs history, staged its final game. With the active support and endorsement of the club, who have granted him exclusive access to senior figures and historical documents, Martin Lipton pays fitting tribute to the glory days at the Lane. He has talked to, among others, Jimmy Greaves, Martin Chivers, Pat Jennings, Glenn Hoddle, Ossie Ardiles, Chris Waddle, Teddy Sheringham, Jurgen Klinsmann, David Ginola, Gareth Bale and Harry Kane. And he has also interviewed fans, support staff, managers and board members in order to provide the complete and definitive story of White Hart Lane.

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I Stand in My Place with My Own Day Here features essays by more than fifty renowned international writers who consider thirteen monumental works of art created for The New School between 1930 and the present. The nucleus of The New School's Art Collection, these commissions—ranking among the finest site-specific works in New York City—range from murals by José Clemente Orozco and Thomas Hart Benton to installations by Agnes Denes, Kara Walker, Alfredo Jaar, Glenn Ligon, Sol LeWitt, and Martin Puryear + Michael Van Valkenburgh, among others. Providing a kaleidoscopic view into these works, this richly illustrated volume explores each installation through three to four essays written by critics, poets, and scholars from diverse fields including anthropology, mathematics, art history, media studies, and design. Their texts are complemented by three additional essays reflecting on each piece's art historical significance; the architectural contexts in which the works reside on the university's campus; and The New School's relationship to adventurous art practice. Also included is a roundtable discussion among leading arts educators and artists who reflect on the pedagogical potential of a campus-based contemporary art collection. The book's final section presents a history of each commissioned work, highlighted by archival images never before published. Published by The New School. Distributed by Duke University Press. Contributors. Saul Anton, Daniel A. Barber, Stefano Basilico, Carol Becker, Naomi Beckwith, Omar Berrada, Gregg Bordowitz, Tisa Bryant, Holland Cotter, Mónica de la Torre, Aruna D'Souza, Elizabeth Ellsworth, Julia L. Foulkes, Andrea Geyer, Kathleen Goncharov, Jennifer A. González, Michele Greet, Randall Griffey, Victoria Hattam, Pablo Helguera, Jamer Hunt, Anna Indych-López, Luis Jaramillo, Jeffrey Kastner, Robert Kirkbride, Lynda Klich, Carin Kuoni, Sarah E. Lawrence, Tan Lin, Lucy R. Lippard, Laura Y. Liu, Reinhold Martin, Shannon Mattern, Lydia Matthews, Maggie Nelson, Olu Oguibe, G. E. Patterson, Hugh Raffles, Claudia Rankine, Jasmine Rault, Heather Reyes, Frances Richard, Silvia Rocciolo, Carl Hancock Rux, Luc Sante, Mira Schor, Eric Stark, Radhika Subramaniam, Edward J. Sullivan, Roberto Tejada, Otto von Busch, Wendy S. Walters, Jennifer Wilson, Mabel O. Wilson

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some "crossover" between "high art" and "popular culture," Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

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“Jason Moran [is] shaping up to be the most provocative thinker in current jazz.” —Rolling Stone This is the first in-depth publication to investigate the practice of pianist, composer and visual artist Jason Moran, whose work bridges the fields of visual arts and performing arts. As a “torchbearer for jazz,” Moran challenges traditional forms of musical composition; his experimental works merge object and sound, underscoring the theatricality of both mediums. Moran—who often collaborates with prominent visual artists such Joan Jonas, Stan Douglas, Lorna Simpson and Glenn Ligon—pushes beyond the conventions of sculpture and the concert stage while continuing to embrace the essential tenets of jazz and improvisation. This volume, published in conjunction with the Walker Art Center’s 2018 exhibition, considers the artist’s practice and his collaborative works as interdisciplinary investigations that further the fields of experimental jazz and visual art. It features essays by curators, artists, musicians and art historians, plus an interview and photo essay by Moran. These are supplemented by sections documenting the creation of Moran’s mixed-media “set sculptures” including STAGED: Savoy Ballroom 1, STAGED: Three Deuces (both 2015) and STAGED: Slugs (2018). This is an essential volume for anyone interested in the intersection of contemporary art and music. Jason Moran was born in Houston, Texas, in 1975, and received a BM from the Manhattan School of Music in 1997. He joined the faculty of the New England Conservatory in 2010. In 2014, was named artistic director for jazz at the Kennedy Center in Washington, DC. He was a 2015 Grammy nominee for Best Jazz Instrumental Album for ALL RISE: A Joyful Elegy for Fats Waller, and he composed his first feature film score for Selma (2014), directed by Ava DuVernay.

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How are great turning points in history experienced by individuals?As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.Contributors include:Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young

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Each of the five volumes in the Stone Art Theory Institutes series, and the seminars on which they are based, brings together a range of scholars who are not always directly familiar with one another’s work. The outcome of each of these convergences is an extensive and “unpredictable conversation” on knotty and provocative issues about art. This third volume in the series, What Do Artists Know?, is about the education of artists. The MFA degree is notoriously poorly conceptualized, and now it is giving way to the PhD in art practice. Meanwhile, conversations on freshman courses in studio art continue to be bogged down by conflicting agendas. This book is about the theories that underwrite art education at all levels, the pertinent history of art education, and the most promising current conceptualizations. The contributors are Areti Adamopoulou, Glenn Adamson, Rina Arya, Louisa Avgita, Jan Baetens, Su Baker, Ciarín Benson, Andrew Blackley, Jeroen Boomgaard, Brad Buckley, William Conger, John Conomos, Christopher Csikszentmihályi, Anders Dahlgren, Jonathan Dronsfield, Marta Edling, Laurie Fendrich, Michael Fotiadis, Christopher Frayling, Miguel González Virgen, R.E.H. Gordon, Charles Green, Vanalyne Green, Barbara Jaffee, Tom McGuirk, William Marotti, Robert Nelson, Håkan Nilsson, Saul Ostrow, Daniel Palmer, Peter Plagens, Stephan Schmidt-Wulffen, Howard Singerman, Henk Slager, George Smith, Martin Søberg, Ann Sobiech Munson, Roy Sorensen, Bert Taken, Hilde Van Gelder, Frank Vigneron, Janneke Wesseling, Frances Whitehead, Gary Willis, and Yeung Yang.

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Seven years ago in Cape Town three young white South African schoolboys were abducted in broad daylight on three consecutive days. They were never heard of again.Now, a new case for the unpredictable Colonel Vaughn de Vries casts a light on the original enquiry; for him, a personal failure which has haunted him for those seven years and has cost him his marriage and peace of mind.A former British government agent, friend to De Vries, provides intelligence on this new case, but is any of it admissible? Struggling in a mire of departmental and racial rivalry, De Vries seeks the whole truth and unravels a complex history of abuse, deception and murder. Challenging friends, colleagues and enemies, De Vries comes to realise he doesn't know who is which.Set against the background of Cape Town and the endless, rolling South African veld, this chilling thriller reveals layer after layer of abuse - physical, political and psychological.Shortlisted for the Crime Writer's Association Gold Dagger 2014 (Crime Novel of the Year)Praise for Paul Mendelson:'An excellent, uncompromising crime thriller made even better by its setting ... the story is two journeys in one, and I'm glad I took both' Lee Child'A jaw-droppingly brilliant crime thriller. Imagine The Killing moved to Cape Town and into the landscape of the hot and dusty African veld' Philip Glenister'The First Rule of Survival is an incredibly atmospheric, complex and dazzling debut from a thrilling and authentic new voice in crime fiction' Brian McGilloway'An impressive debut' The Times

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

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The first comparative analysis of minority conservatism In Guess Who's Coming to Dinner Now? Angela Dillard offers the first comparative analysis of a conservatism which today cuts across the boundaries of race, ethnicity, gender, and sexuality. To be an African-American and a conservative, or a Latino who is also a conservative and a homosexual, is to occupy an awkward and contested political position. Dillard explores the philosophies, politics, and motivation of minority conservatives such as Ward Connerly, Glenn Loury, Linda Chavez, Clarence Thomas, and Bruce Bawer, as well as their tepid reception by both the Left and Right. Welcomed cautiously by the conservative movement, they have also frequently been excoriated by those African Americans, Latinos, women, and homosexuals who view their conservatism as betrayal. Dillard's comprehensive study, among the first to take the history and political implications of multicultural conservatism seriously, is a vital source for understanding contemporary American conservatism in all its forms.

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“Will the future confront us with human GMOs? Greely provocatively declares yes, and, while clearly explaining the science, spells out the ethical, political, and practical ramifications.”—Paul Berg, Nobel Laureate and recipient of the National Medal of ScienceWithin twenty, maybe forty, years most people in developed countries will stop having sex for the purpose of reproduction. Instead, prospective parents will be told as much as they wish to know about the genetic makeup of dozens of embryos, and they will pick one or two for implantation, gestation, and birth. And it will be safe, lawful, and free. In this work of prophetic scholarship, Henry T. Greely explains the revolutionary biological technologies that make this future a seeming inevitability and sets out the deep ethical and legal challenges humanity faces as a result.“Readers looking for a more in-depth analysis of human genome modifications and reproductive technologies and their legal and ethical implications should strongly consider picking up Greely’s The End of Sex and the Future of Human Reproduction… [It has] the potential to empower readers to make informed decisions about the implementation of advancements in genetics technologies.”—Dov Greenbaum, Science“[Greely] provides an extraordinarily sophisticated analysis of the practical, political, legal, and ethical implications of the new world of human reproduction. His book is a model of highly informed, rigorous, thought-provoking speculation about an immensely important topic.”—Glenn C. Altschuler, Psychology Today

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An "anatomical" study of building systems integration with guidelines for practical applications Through a systems approach to buildings, Integrated Buildings: The Systems Basis of Architecture details the practice of integration to bridge the gap between the design intentions and technical demands of building projects. Analytic methods are introduced that illustrate the value, benefit, and application of systems integration, as well as guidelines for selecting technical systems in the conceptual, schematic, and design development stages of projects. Landmark structures such as Eero Saarinen's John Deere Headquarters, Renzo Piano's Kansai International Airport, Glenn Murcutt's Magney House, and Richard Rogers's Lloyd's of London headquarters are presented as part of an extensive collection of case studies organized into seven categories: Laboratories Offices Pavilions Green Architecture High Tech Architecture Airport Terminals Residential Architecture Advanced material is provided on methods of integration, including an overview of integration topics, the systems basis of architecture, and the integration potential of various building systems. An expanded case study of Ibsen Nelsen's design for the Pacific Museum of Flight is used to demonstrate case study methods for tracing integration through any work of architecture. Visually enhanced with more than 300 illustrations, diagrams, and photographs, Integrated Buildings: The Systems Basis of Architecture is a valuable reference guide for architecture and civil engineering students, as well as architects, engineers, and other professionals in the construction industry.

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More than just a collection of Hugh's recipes, this book is a witty, practical guide to the River Cottage lifestyle from Channel 4's iconoclastic back-to-basics chef. Includes tips on how best to buy organic produce and, for the more adventurous, advice on rearing your own meat, growing your own vegetables, and tapping into the free wild harvest. ‘How much of this book you incorporate into your life is up to you. But if all you do is grow a few herbs in a window box, make nettle soup once a year, and try a free-range goose for Christmas instead of a frozen turkey, you will already, I hope, be enjoying your life more.’ Hugh Fearnley-Whittingstall With over one hundred recipes and Simon Wheeler’s acclaimed photography, The River Cottage Cookbook has been a hugely influential and original book, appealing to all downshifters and those who prefer their food to be full-blooded and wholesome. The River Cottage Cookbook has won the Andre Simon Food Book of the Year Award, the Guild of Food Writers’ Michael Smith Award and the Glenfiddich Trophy and Food Book of the Year. This new edition’s preface looks back at River Cottage from the perspective of 2011. The book also includes new recipes, new pictures and an updated directory that reflects the changes over the past ten years.

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A FINANCIAL TIMES BEST SPORTS BOOK OF 2022 'This book delivers a thousand memories'. - Mark Lawrenson ---- A football fan's dream come true – every complete UK PANINI sticker album 1978-1985 reproduced together for the very first time. 'Swapsies', 'Got, Got, Need' and 'Shinies'... This landmark illustrated book is a fantastic feast of nostalgia for any football fan of a certain age. PANINI albums were a must-have if you were a football-mad kid growing up in the late 70s and 80s, when player stickers were bought, bartered and collected in a treasured rite of passage. This book will bring back all those ‘I had that one’, ‘I’d forgotten about him’ and ‘look at that haircut!’ memories as well as providing in-depth details on all the players and teams of the era. Licensed by PANINI, this is a comprehensive collection of PANINI'S UK domestic football albums from 1978 to 1985 inclusive. Covering all English First Division and Scottish Premier teams, it features not only all the great teams and players of the era, but the one-season wonders and the also-rans as well. Inside the book: – Nearly 5,000 images of iconic PANINI stickers, album covers and sticker packet designs. – Hundreds of clubs including Manchester United, Liverpool, Chelsea, Arsenal, Celtic, Rangers, Manchester City, Spurs, Newcastle United, Dundee United, Nottingham Forest, Sunderland, Aston Villa, Aberdeen and West Ham United. – Photographs and pen portraits of the great players of the day, such as Bryan Robson, Glenn Hoddle, Kevin Keegan, Ossie Ardiles, Ian Rush and John Barnes, plus World Cup winners in the twilight of their careers and young stars in the making, like Peter Beardsley, Chris Waddle, Mark Hughes and Gary Lineker.

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American anthropologist Penny Spring and British archaeologist Sir Toby Glendower have received a tantalizing invitation. Would they join old friend Jules Lefau on a three-week cruise among the Greek islands? Toby is wary of any invitation from the wily Lefau, but Penny sets off eagerly, children and grandchildren in tow. Arriving, the Springs find an astonishing assemblage of multimillionaires, entire dynasties and paramours included. Soon, however, Penny senses a dark purpose behind the festivities, especially following the sudden, mysterious death of patriarch Demetrios. Then Demetrios's heir is found murdered, his body floating in a swimming pool. Toby, summoned from Oxford, arrives in the Mediterranean just as another attempt on the life of an heir takes place. Clearly, someone is out to eradicate an entire clan, and only Penny and Sir Toby have the wits to pursue a perilous investigation to its alarming conclusion. "A new Margot Arnold mystery is always a pleasure," writes the Chicago Sun-Times. "She should be better known, particularly since her mysteries are often compared to those of the late Ngaio Marsh."

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Despite American education’s recent mania for standardized tests, testing misses what really matters about learning: the desire to learn in the first place. Curiosity is vital, but it remains a surprisingly understudied characteristic. The Hungry Mind is a deeply researched, highly readable exploration of what curiosity is, how it can be measured, how it develops in childhood, and how it can be fostered in school.“Engel draws on the latest social science research and incidents from her own life to understand why curiosity is nearly universal in babies, pervasive in early childhood, and less evident in school…Engel’s most important finding is that most classroom environments discourage curiosity…In an era that prizes quantifiable results, a pedagogy that privileges curiosity is not likely to be a priority.”—Glenn C. Altschuler, Psychology Today“Susan Engel’s The Hungry Mind, a book which engages in depth with how our interest and desire to explore the world evolves, makes a valuable contribution not only to the body of academic literature on the developmental and educational psychology of children, but also to our knowledge on why and how we learn.”—Inez von Weitershausen, LSE Review of Books

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From the 'team of the century' to relegation, from Feyenoord to Field Mill, from trophies under the iconic Bill Nicholson to relegation under former Zambia coach Keith Burkinshaw - all in a little over three years. The 1970s weren't kind to Spurs. Nicholson's exit, the loss of legendary players and the club's eventual relegation all took place during a defining decade for British sport, painted against a backdrop of dramatic change for society at large. Social and economic malaise both informed and fed off a blooming culture of football hooliganism. The defining images of the decade were violent ones, both on and off the terraces. This book explores Tottenham's place in that unfolding drama, the club's own Götterdämmerung. But, as in Wagner's Ring, there was also a renaissance. The sun rose again as that same maligned Burkinshaw built an exciting team around the young Glenn Hoddle and World Cup-winning duo Ossie Ardiles and Ricky Villa. By the end of the decade, Tottenham had been reborn and were ready for more glory, glory days.

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The most compelling art form to emerge from the United States in the second half of the twentieth century, rock & roll stands in an edgy relationship with its own mythology, its own musicological history and the broader culture in which it plays a part. In Present Tense, Anthony DeCurtis brings together writers from a wide variety of fields to explore how rock & roll is made, consumed, and experienced in our time.In this collection, Greil Marcus creates a collage of words and pictures that evokes and explores Elvis Presley's grisly fate as an American cultural image, while Robert Palmer tells the gripping tale of the origins and meanings of the electric guitar. Rap music, MTV, and the issue of gender identity in the work of Bruce Springsteen all undergo thorough examination; rock & roll's complex relationship with the forces of censorship gets a remarkably fresh reading; and the mainstreaming of rock & roll in the 1980s is detailed and analyzed. And, in an interview with Laurie Anderson and an essay by Atlanta musician Jeff Calder, the artists speak for themselves.Contributors. Jeff Calder, Anthony DeCurtis, Mark Dery, Paul Evans, Glenn Gass, Trent Hill, Michael Jarrett, Alan Light, Greil Marcus, Robert Palmer, Robert B. Ray, Dan Rubey, David R. Shumway, Martha Nell Smith, Paul Smith

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For the first time, the Sunday Times bestseller Austerity Britain is available in one complete paperback volume. Coursing through Austerity Britain is an astonishing variety of voices - vivid, unselfconscious, and unaware of what the future holds. A Chingford housewife endures the tribulations of rationing; a retired schoolteacher observes during a royal visit how well-fed the Queen looks; a pernickety civil servant in Bristol is oblivious to anyone's troubles but his own. An array of working-class witnesses describe how life in post-war Britain is, with little regard for liberal niceties or the feelings of their 'betters'. Many of these voices will stay with the reader in future volumes, jostling alongside well-known figures like John Arlott (here making his first radio broadcast, still in police uniform), Glenda Jackson (taking the 11+) and Doris Lessing, newly arrived from Africa, struck by the levelling poverty of postwar Britain. David Kynaston weaves a sophisticated narrative of how the victorious 1945 Labour government shaped the political, economic and social landscape for the next three decades.Deeply researched, often amusing and always intensely entertaining and readable, the first volume of David Kynaston's ambitious history offers an entirely fresh perspective on Britain during those six momentous years.

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.

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Longlisted, Gerald Lampert Memorial AwardOn "A Girl Like This Might Have Loved Glenn Gould":"The poem sits up at its greasy-spoon counter and recounts its tale, a kind of cryptic plain-speech, an inverted code, all the more puzzling for what it plainly says: 'Under a spell so the wrong ones can’t find it, / So can’t get saved,’ as Robert Frost said." — Jeffery DonaldsonAbsorbed in the small, everyday rituals of existence, this remarkable collection of poems tears open the fruit of life and scoops out beauty and joy, pain and suffering, in equal measure. Ritual Lights takes the reader on a journey through an underworld that is both familiar and uncanny, a space between death and life where one nourishes the other. Shadowed by the aftermath of sexual assault, Joelle Barron places candles in the darkest alcoves, illuminates mysteries, and rises again to an abundant Earth where the darkness is transformed into rich loam.These poems follow the speaker through grieving and loss, heartbreak, repression, and discovery, seeking, never finding an answer, but finding meaning in the work of continuing. A meditation on trauma and identity, deeply vulnerable and reserved, funny and full of rage, Ritual Lights explores the sometimes messy and ugly, but always necessary, nature of survival.

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'Searingly honest... gripping... fascinating and hugely entertaining.'- Sunday Times'Moving and frank ... A story of a childhood defined by loneliness, the absence of a father and the grim experience of a Quaker boarding school. It is also one of the most perceptive accounts of Britain in the 1970s.'- Misha Glenny'A crisp, unself-pitying memoir of a 'trainwreck' youth ... I've always likes Webb on the radio. But I like him much more after reading this book. He offers precisely the kind of brisk honesty and considered analysis he expects from his interviewees. Our politicians should all read it, and step up their game.' -Telegraph.........................................................................................................................................................Justin Webb's childhood in the 1970s was far from ordinary.Between his mother's un-diagnosed psychological problems, and his step-father's untreated ones, life at home was dysfunctional at best. But with gun-wielding school masters and sub-standard living conditions, Quaker boarding school wasn't much better.Candid, unsparing and darkly funny, Justin Webb's memoir is as much a portrait of a troubled era as it is the story of a dysfunctional childhood, shaping the urbane and successful radio presenter we know and love now.........................................................................................................................................'I thoroughly enjoyed Justin Webb's bonkers childhood. He captures the middle class of the age with a tenacity only possible in one of its victims.' -Jeremy Paxman

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The first novel in Anthony Trollope's 'Palliser' series, Can You Forgive Her? traces the fortunes of three very different women in an exploration of whether social obligations and personal happiness can ever coincide. This Penguin Classics edition is edited with an introduction by Stephen Wall.Alice Vavasor cannot decide whether to marry her ambitious but violent cousin George or the upright and gentlemanly John Grey - and finds herself accepting and rejecting each of them in turn. Increasingly confused about her own feelings and unable to forgive herself for such vacillation, her situation is contrasted with that of her friend Lady Glencora - forced to marry the rising politician Plantagenet Palliser in order to prevent the worthless Burgo Fitzgerald from wasting her vast fortune. In asking his readers to pardon Alice for her transgression of the Victorian moral code, Trollope created a telling and wide-ranging account of the social world of his day.In his introduction, Stephen Wall examines Trollope's skill in depicting the strengths and weaknesses of his characters, their behaviour and inner lives. This edition also includes notes and a bibliography.Anthony Trollope (1815-82) had an unhappy childhood characterised by a stark contrast between his family's high social standing and their comparative poverty. He wrote his earliest novels while working as a Post Office inspector, but did not meet with success until the publication of the first of his 'Barsetshire novels', The Warden (1855). As well as writing over forty novels, including such popular works as Can You Forgive Her? (1865), Phineas Finn (1869), He Knew He Was Right (1869) and The Way We Live Now (1875) Trollope is credited with introducing the postbox to England.If you enjoyed Can You Forgive Her?, you might enjoy Henry James's The Ambassadors, also available in Penguin Classics.

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Winner of the Shaughnessy Cohen Prize for Political Writing'Reading this book might make you wish to set fire to your smartphone, but it might also make you wish to call for reform. If you do the latter you might consider the former, as long as that thing is on, they know where you live.' Margaret Atwood How to comprehend and correct the negative impact of the internet on politics, the economy, the environment and humanity? Reset is a fast-paced, compelling expose; and a rallying call for clear change. Drawing on the cutting-edge research of the Citizen Lab, the world-renowned digital security research group he founded, Ronald J. Deibert exposes the influence of the communications ecosystem on civil society. He tracks a mostly unregulated surveillance industry, innovations in technologies of remote control, superpower policing practices, dark PR firms and highly profitable hack-for-hire services feeding off rivers of poorly secured personal data. He also unearths how dependence on social media and its expanding universe of consumer electronics creates immense pressure on the natural environment.  Determined to find solutions, Deibert has written a unique, readable and forward-looking book. In order to combat authoritarian practices, environmental degradation and rampant electronic consumerism, Deibert urges for very specific restraints on tech platforms and governments to reclaim the internet for civil society. It's time for us to push RESET. 'Deibert is a rare hybrid who combines an advanced understanding of computer technology with a rich background in political science. He is also a legend in security and tech circles.' Misha Glenny

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