Search results for ""Faber Faber""

DR FIRENZE SHARPTOOTHcordially invitesST IMMACULATE'S SCHOOL FOR THE GIFTEDto Draconis Hallfor the Great Fossil HuntJack is very excited when he learns that this year's school trip is a visit to the seaside to hunt for fossils. And even better - there's going to be a prize for the best find, which is he desperate to win! Unfortunately, his best friend Picklewitch is not impressed, until she discovers the local Sea Wizard, whose secret lair is hiding the biggest treasure of all . . .

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Mungojerrie and Rumpelteazer were a very notorious couple of cats.As knockabout clowns, quick-change comedians, tight-rope walkers and acrobats.And when you heard a dining-room smashThen the family would say: 'It's that horrible cat!It was Mungojerrie! and Rumpelteazer!' - And there's nothing at all to be done about that!Join the cat-burglars Mungojerrie and Rumpleteazer in the fifth picture-book pairing from Arthur Robins and T. S. Eliot's Old Possum's cats, as they steal meat from the oven and pearls from the drawers.

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Winner of the Red House Children's Book Award, 2014When Atticus receives a mysterious message asking him to a meeting in a sleepy coastal town, he packs his bags and sets off. The world's greatest cat burglar likes a good mystery and this time curiosity has got the better of him. The writer of the message, it turns out, is none other than Jimmy the Magpie, gang leader. He wants Atticus to steal all the jewels in town and leave the humans baffled.And what could be more straightforward? But when Atticus moves in with Inspector Cheddar and his family, he starts to wonder if a life of crime is really for him . . .

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SHORTLISTED FOR THE CWA IAN FLEMING STEEL DAGGER'Spine-chilling' ERIN KELLY'Enthralling.' MEGAN ABBOTT'I was utterly hooked' Stylist'Keeps you guessing until the very last chapter.' Sunday TimesFROM THE INTERNATIONAL BESTSELLING AUTHORYears ago Gerry Anderson wrote a novel about his dream girl, Aubrey, and for years people speculated about who she must have been based on.Now, with Gerry unwell and bed bound, he thinks someone is trying to contact him, someone claiming to be the real Aubrey.As Gerry's about to find out, dreams can quickly turn to nightmares. . .What readers are saying:***** 'A very clever crime novel that should keep your thoughts spinning for quite. Highly recommended!***** 'It's going to be stitched up in the end, you may not actually see it coming. I didn't, and I'm glad Ms. Lippman kept me guessing.'***** 'A Dream Read! hould definitely go on everyone's 'must read' list.'***** 'Many twists that I did not see coming! I highly recommend! I could not put this down once I started!'

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THE KIND WORTH SAVING, THE UN-PUT-DOWNABLE SEQUEL TO BESTSELLER THE KIND WORTH KILLING, AVAILABLE TO PRE-ORDER NOWFrom the author of the Richard and Judy Book Club picks The Kind Worth Killing and Rules for Perfect Murders'Another top-notch thriller . . . it proves the adage: marry for money and you'll earn every penny.' Alice O'Keefe, The Bookseller, Editor's Pick'Hitchcockian chills and thrills abound . . . a twisty tale of survival and deception.' O, The Oprah MagazineAfter a whirlwind, fairytale romance, Abigail Baskin marries freshly-minted Silicon Valley millionaire Bruce Lamb.For their honeymoon, he whisks her away to an exclusive retreat at a friend's resort off the Maine coast on Heart Pond Island. But once there, Abigail's perfect new life threatens to crash down around her as she recognises one of their fellow guests as the good looking, charismatic stranger who weeks earlier had seduced her at her own Bachelorette party...'Peter Swanson is in the ranks of the killer elite alongside Tana French and Gillian Flynn. He's the real deal.' Joe HillWhat readers are saying'A terrifying thriller . . . you are in for a treat.''Please do yourself a favor and go into this one blind.''It starts at a nice, steady, honeymoon pace . . . until all hell breaks lose and your heart is pounding along with the characters'. Another great one!''A truly bonkers page turner. Definitely recommend.''Prepare to read it in one sitting.'

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'A wonderful treat.' Melvyn Bragg'A sparkling curio that will appeal to both Janeites and Jamesites.' Daily TelegraphThe world is classic Jane Austen. The mystery is vintage P.D. James.In their six years of marriage, Elizabeth and Darcy have forged a peaceful, happy life for their family at Pemberley, Darcy's impressive estate.But on the eve of their annual autumn ball, chaos descends. A chaise appears, rocking down the path from Pemberley's wild woodland. As it pulls up, Lydia Wickham - Elizabeth Bennet's younger, unreliable sister - stumbles out screaming that her husband has been murdered.Plunged into frightening mystery and a lurid murder trial, the lives of Pemberley's owners and servants alike may never be the same . . .Now a major Netflix series starring Matthew Rhys, Anna Maxwell Martin and Jenna Coleman

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Reeling in the face of collapsing systems, of politics, identity and the banalities and distortions of modern living, Nick Laird confronts age-old anxieties, questions of aloneness, friendship, the push and pull of daily life. At the book's heart lies the title sequence, a profound meditation on a father's dying, the reverberations of which echo throughout in poems that interrogate inheritance and legacy, illness and justice, accounts of what is lost and what, if anything, can be retrieved.Laird is a poet capable of heading off in any and every direction, where layers of association transport us from a clifftop in County Cork to the library steps in New York's Washington Square, from a face-off between Freud and Michelangelo's Moses to one between the poet and a squirrel in a Kilburn garden. There is conflation and conflagration, rage and fire, neither of which are seen as necessarily destructive. But there is great tenderness, too, a fondness for what grows between the cracks, especially those glimpses into the unadulterated world of childhood, before the knowledge or accumulation of loss, where everything is still at stake and infinite, 'the darkness under the cattle grid'.

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Meet the Oracle of Delphi in ancient Greece in this transporting tale of the classical world by the radical Nobel Laureate and author of Lord of the Flies, introduced by Bettany Hughes.Did I believe in what I was doing? Or rather, since I was doing nothing, did I believe in what someone, something was doing to me? It begins with the half-burnt fish, miraculously restored to life, and the healing of the ill child.Young Arieka is an unloved misfit, but as rumours of her spiritual powers reach the High Priest of Apollo, her life is transformed. She is taken to Delphi to become a Pythia: a mouthpiece for the god Apollo, an oracle uttering riddling prophecies from a smoky cave to frenzied crowds.But when this role is dramatically thrust upon her, the priestess must navigate political conspiracy and the threat of the Romans to preserve her belief - and sanity.'A remarkable work ... A compelling storyteller as well as a clear-eyed philosopher of the dangerous puzzles of being human.' The Timesx'A marvellously apt surprise ... Will excite, tantalize and enthral Golding devotees.' Sunday Times'Most brilliantly and hair-raisingly evoked.' Sunday Telegraph'A wonderful central character. The story stretches out as clean and dry and clear as the beach in Lord of the Flies.' Independent

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'Who knew that writing with this degree of care and pain and tact was still possible? For my money it's the best first volume in decades, I would say since Tom Paulin's A State of Justice (1977): no dead weight, foot-perfect and engaging.' Michael Hofmann, Times Literary Supplement, Books of the YearCrisis Actor chronicles various failures and farewells. It is peopled by faded heroes and deferential devotees; a hanged donkey, a bloated rat; solitary bachelors and disillusioned youths - these are the watchers, not the players. The poems are awash with rueful self-accusation and laconic scepticism. There are touching elegies, reportage and bruised, wary replayings. A blistering sequence about boxers and their fates weaves through the collection. The overwhelming sense is of life going on elsewhere, the halcyon days and brightest of years long past. This is the aftermath of being one who - in Matthew Arnold's words - 'has reached his utmost limits and finds . . . himself far less than he had imagined himself'.But there are still flashes of camaraderie, of stars aligning: lunchtimes in sunlit garden squares, languorous pub afternoons, cheering on and hard-won triumphs. These precious, precarious moments point to how we might reclaim potential, discover human connection in times of defeat or despair, and reach towards grace and redemption.'Elegant and heartaching, these poems illuminate the sorrows of life with a bright flame, returning us to that miraculous human capacity for love and faith even in our darkest days.' Liz Berry'Declan Ryan reveals himself a master of both the telling detail and of narrative suspense. Each exquisitely orchestrated vignette delivers a punch worthy of the heroes of the ring here commemorated.' Mark Ford

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'Hilarious and full of heart.' - A. M. Dassu'Will inspire a whole generation of music-lovers.' - Rashmi Sirdeshpande'Fizzing with originality and energy.' - Katya BalenKofi had an idea . . . one big lightning bolt of an idea that hit him like electricity. And all it needed was Kelvin's incredible memory for words. Kofi is used to stuff going wrong, he's usually in detention or about to be. But when he finds out his best friend Kelvin has a photographic memory, he comes up with a genius money-making scheme. The whole school is obsessed with music, no one can ever make out the words, so the boys hit the jackpot selling a new fanzine full of song lyrics: PAPER JAM. It's not long before one of the teacher's tells Kofi: 'You could be a real leader at this school, you know that?' and . . . suddenly it's turning out to be the best summer ever!

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SHORTLISTED FOR THE CWA IAN FLEMING STEEL DAGGER'Spine-chilling' ERIN KELLY'Enthralling.' MEGAN ABBOTT'I was utterly hooked' Stylist'Keeps you guessing until the very last chapter.' Sunday TimesFROM THE INTERNATIONAL BESTSELLING AUTHORYears ago Gerry Anderson wrote a novel about his dream girl, Aubrey, and for years people speculated about who she must have been based on.Now, with Gerry unwell and bed bound, he thinks someone is trying to contact him, someone claiming to be the real Aubrey.As Gerry's about to find out, dreams can quickly turn to nightmares. . .What readers are saying:***** 'A very clever crime novel that should keep your thoughts spinning for quite. Highly recommended!***** 'It's going to be stitched up in the end, you may not actually see it coming. I didn't, and I'm glad Ms. Lippman kept me guessing.'***** 'A Dream Read! hould definitely go on everyone's 'must read' list.'***** 'Many twists that I did not see coming! I highly recommend! I could not put this down once I started!'

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'A mysterious, subtle, haunting novel.'Chris PowerAn unnamed man arrives in Berlin as a visiting professor. It is a place fused with Western history and cultural fracture lines. He moves along its streets and pavements; through its department stores, museums and restaurants. He befriends Faqrul, an enigmatic exiled poet, and Birgit, a woman with whom he shares the vagaries of attraction. He tries to understand his white-haired cleaner. Berlin is a riddle-he becomes lost not only in the city but in its legacy.Sealed off in his own solitude, and as his visiting professorship passes, the narrator awaits transformation and meaning. Ultimately, he starts to understand that the less sure he becomes of his place in the moment, the more he knows his way.'Chaudhuri has already proved that he can write better than just about anybody of his generation.' Jonathan Coe

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In The Call of the Tribe, Mario Vargas Llosa surveys the readings that have shaped the way he thinks and has viewed the world over the past fifty years. The Nobel Laureate maps out the liberal thinkers who helped him develop a new body of ideas after the great ideological traumas of his disenchantment with the Cuban Revolution and departure from the ideas of Jean-Paul Sartre, the author who most inspired Vargas Llosa in his youth.Writers like Adam Smith, Friedrich A. Hayek, Karl Popper and Isaiah Berlin helped the author navigate through these uneasy years of intellectual formation. They showed him another school of thought that placed the individual before the tribe, nation, class or party, and defended freedom of expression as a fundamental value for the exercise of democracy. The Call of the Tribe documents Vargas Llosa's engagement with their work and charts the evolution of his personal and philosophical ideology.Mario Vargas Llosa is one of the world's greatest living novelists, but, as Clive James wrote in Cultural Amnesia, his 'true strength' is 'undoubtedly in the essay'.

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'Action-packed and panoramic.' Observer'Magnificent . . . there won't be a finer piece of Scottish fiction published this year.' Big Issue 'A galloping and impressively wide-ranging read.' Herald (Scotland) 'Gripping.' Times Literary Supplement 1956, the Scottish Highlands: Aaron and Robbie, a schoolmaster's son and a farmer's boy, are fast friends with a shared passion for diving, but very divergent ideas of what they will do with their lives.Meanwhile, Mark and Ally, bright pupils at Edinburgh's grandest private school, are aspiring to make change in the world - one through high finance, the other on the political stage.And Joseph, heir to an Aberdeen trawler-fishing dynasty, is brooding over whether his true ambitions are set higher than his father's succession plan.For each of them, the discovery of oil under the North Sea will make their dreams achievable. But behind the promise and temptation of 'black gold,' there is a price to be paid; and they will discover that oil can overthrow relationships, turn friends into foes, and even put lives in peril.

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Aphorisms have been described as 'the obscure hinterland between poetry and prose' (New Yorker) - short pithy statements that capture the essence of the human condition in all its shades. In this New and Selected, master of the form Don Paterson brings the best examples from his two previous volumes together with ingenious new material relevant to today's world. Moving and mischievous, canny and profound - these wide-ranging observations of no more than one or two lines demonstrate that the aphorism is the perfect form for our times. Consciousness is the turn the universe makes to hasten its own end. * Agnosticism is indulged only by those who have never suffered belief. * Poet: someone in the aphorism business for the money.

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WINNER OF THE 2019 VICTORIAN PREMIER'S LITERARY AWARD FOR FICTIONShortlisted for the Edward Stanford Award2019 Walter Scott Prize Academy Recommended1923, north-eastern Italy: Maria Vittoria's father has left the village to find her a husband. He has taken his mule, a pack of food and a photograph of Maria. There are no eligible men in this valley, or the next one, and her father will not allow her to marry just anyone.Just as Fascism blooms in the country, the crops ripen, and the state demands babies - a new generation. There is much work to be done, and Maria faces a stony path, but one she will surely climb to the summit.

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The year is 1949. In the bombed-out ruins of Cologne, Hanno Dasch is king. Director of the most successful black market operation in post-war Germany, Dasch has kept his clients supplied with goods so extravagant and rare that they were almost impossible to find even at the height of Germany's conquests.Nobody but Dasch, his enigmatic daughter and the war criminal he keeps as his bodyguard know how he does it.None of this has escaped the attention of Allied Intelligence, who face not only the systemic corruption of a country where everything is in short supply, but the growing threat of Stalin's KGB.Fearing that Dasch will soon expand his business to include dealings with Russia, and invite the further meddling of Russian agents in the west, the CIA sets in motion an undercover operation to infiltrate and, ultimately, destroy Dasch's empire. A disgraced American Army officer, Nathan Carter, is recruited to approach Dasch and to ingratiate himself with promises of stolen army supplies. As Carter moves further and further into the labyrinth of Dasch's world, it soon becomes clear that the black market ring has already been compromised, but by someone even more dangerous than the Russians.Carter stumbles upon a counterfeiting ring, with whom Dasch has unwittingly gone into business, which seems to have been created with the sole purpose of destroying the Soviet economy, something it could easily do with the superlative quality of the forged bills it is producing. With Carter caught in the middle, and facing the danger that his cover might be blown at any moment, a race begins between the Russian and American spy agencies to uncover who is responsible, before the situation escalates to war.

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It's hard being the normal one in such a crazy family.Bluebell's life is chaotic: Mum and Dad are always away, the new babysitter has no idea what he's doing, and the whole family is trying to get used to life without Iris.There are tears and tantrums. Pregnant pets and broken windows. Boys next door and friends turned enemies. But there is also laughter and most importantly, there is love - and that's what being a family is all about.

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One night in 1974, a young Frenchman secretly - and illegally - rigged a tightrope between the twin towers of the World Trade Center. At daybreak, he gave the high-wire performance of all time, making eight crossings over the course of an hour, 110 floors up above the earth, as a hundred thousand people gathered on the ground to watch.In To Reach the Clouds, now filmed as The Walk, Philippe Petit re-creates a six-year quest to realise his dream, an adventure as thrilling as the walk itself. In an unforgettable memoir he tells the story of how he conspired, connived, improvised, and insisted his way to this 'coup', abetted by a motley crew of accomplices, the occasional miracle, and his own unflagging passion. He reveals himself to be not only a virtuoso of the air but also a bold and inspired performer on the page. Animated by never-seen photographs and Petit's ingenious sketches, To Reach the Clouds is a tour de force of the imagination and a serenade to his beloved towers.

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A tender, moving and joyous story from one of our nation's premier poets, John AgardFrom above earth, from above sky,from below earth, from under water,come all you little personscome exactly as you are.Come little bird person, come little bee person, come little tree person - little persons from all over the world join together to celebrate the dance of life and love in this stunning poem from John Agard. Stunningly illustrated by Jessica Courtney-Tickle, this is a book that both little persons and big persons will treasure and pore over for a lifetime, and is a true poem of our time.'A lyrical collaboration . . . a joyful, tender dance, celebrating people, places and the glory of existence.' Guardian'This book is a celebration of childhood and the natural world in all its rich diversity.' BookTrust

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WINNER OF THE eDUNNIT AARD'Intriguing premise, stunning reveal, irresistible read.' VAL McDERMID 'A satisfying mystery' ALEX MARWOOD'Engrossing, suspenseful and substantial.' SCOTT TUROW In an acclaimed modern twist on To Kill a Mockingbird, Laura Lippman once again proves herself to be one of crime writing's most thrilling reads.Luisa Brant has just been elected State's Attorney, a job her revered father once held, and is prosecuting her first murder, by a homeless man on a woman to whom he had seemingly no connection. However, as Luisa investigates, she is startled to learn that this murder might have its roots in a violent event in the past involving her own family. And that maybe no one - her precious father, her brother, her late mother - is quite who she thought. .

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Bampton, Derbyshire, January 1978. Two girls go missing: Rachel Jones returns, Sophie Jenkins is never found. Thirty years later: Sophie Jenkins's mother commits suicide. Rachel Jones has tried to put the past behind her and move on with her life. But news of the suicide re-opens old wounds and Rachel realises that the only way she can have a future is to finally discover what really happened all those years ago. This is a story about loss and family secrets, and how often the very darkest secrets are those that are closest to you.

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Shot through with Stoppard's voice, and illuminating all his plays, Lee's gripping narrative draws on unprecedented access to archive material, interviews and long conversations with Stoppard himself. She traces the dramatic story of his family's flight from Nazi-occupied Czechoslovakia, his sudden leap to fame, his personal life and his dazzling successes. A riveting account of a very public and very private man.

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A Daily Telegraph, Times, Evening Standard, TLS and Spectator Book of the Year.Winner of the Hawthornden Prize.Edward Lear is well-loved for his 'nonsenses', from joyous limericks to great love songs, and for his wonderful natural history paintings, landscapes and travel writing. But although Lear belongs to the age of Darwin and Dickens, his genius for the absurd and his dazzling word-play make him a very modern spirit. He was also a man of great simplicity and charm - children loved him - yet his humour masked epilepsy, depression and loneliness. Jenny Uglow's beautifully illustrated biography brings us his swooping moods, passionate friendships and restless travels. Above all it shows how this uniquely gifted man lived all his life on the boundaries of disciplines and desires - an exile of the heart.

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Sir John Betjeman (1906-84) was born in Highgate, the son of a manufacturer of Dutch descent. His poetry enjoyed immense popularity, as did his personality, and his knighthood in 1969 and appointment as Poet Laureate in 1972 were universally welcomed.Other volumes in this series: Auden, Eliot, Plath, Hughes and Yeats.

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The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti. 'Re-sisters' is the story of three women consumed by their passion for life, a passion they expressed through music, art and lifestyle - their recordings. In 2018, boundary-breaking visual and sonic artist Cosey Fanni Tutti received a commission to write the soundtrack to a film about Delia Derbyshire, the pioneering electronic composer who influenced the likes of Aphex Twin and The Chemical Brothers. At the same time, Tutti began reading about Margery Kempe, the 15th-century mystic visionary who wrote the first English-language autobiography.

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John McConnell's list of collaborators includes many household names - Boots, Faber & Faber, Halfords, Clarks, John Lewis. The man behind the Biba logo (for which he won the D&AD Silver in 1969), the logo of the National Grid and the covers of a Penguin student textbook series from the early '70s has exerted a quiet influence over British design since the sixties. His awards alone speak to his prowess: the Prince Philip Designers' Prize (2002) and the title of RDI (Royal Designer of Industry, 1987) among them. Part biography, part showcase for some of McConnell's most celebrated designs, this book gathers McConnell's exclusive redesign for Faber & Faber - a revolutionary new approach to book covers from the early 1980s.

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Dr Shahed Yousaf is a GP who works in prisons, substance misuse and with the homeless community. He was shortlisted for the Bath Flash Fiction Prize 2016 and commended for the Faber & Faber FAB Prize 2017. Shahed won a place on to the Writing West Midlands Room 204 Mentoring scheme and the Middle Way Mentoring Project in 2019.

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Publicada originalmente en 1907, esta novela supuso un escándalo en su época al tratarse de las supuestas memorias de un asesino judío. La historia de un criminal emparentado con la aristocracia inglesa que decide lograr un título nobiliario eliminando a todos los que le preceden en la línea sucesoria. Mordaz y efectiva, Israel Rank ha sido recientemete reeditada en el Reino Unido por Faber & Faber y Cavalier Classic y fue llevada al cine en 1946 por Robert Hamer con el título Kind Hearts and Coronets, en una película donde Alec Guiness interpreta ocho papeles diferentes. Recientemente, en 2013, se ha estrenado en Londres un musical basado en esta obra. Memorias de un asesino supone un análisis certero de la condición humana, porque el hecho de que el protagonista sea un asesino no le impide gozar de una enorme claridad de ideas, que disecciona brutalmente las sombras de la clase alta británica. Tampoco se queda atrás en el varapalo al antisemitismo de la sociedad británica. Sin caer e

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“In The History of the Future, McPherson explores America in all its beauty and strangeness. He is funny and searching—a joy to read.”—Elizabeth KolbertPraise for Edward McPherson:“Mr. McPherson is an intrepid traveler. . . a charming and literate companion, and he approaches his task with becoming modesty.”—The Wall Street JournalWhat does it mean to think about Dallas in relationship to Dallas? In The History of the Future, McPherson reexamines American places and the space between history, experience, and myth. Private streets, racism, and the St. Louis World’s Fair; fracking for oil and digging for dinosaurs in North Dakota boomtowns—Americana slides into apocalypse in these essays, revealing us to ourselves.Edward McPherson is the author of two previous books: Buster Keaton: Tempest in a Flat Hat (Faber & Faber) and The Backwash Squeeze and Other Improbable Feats (HarperCollins). He has written for the New York Times Magazine, the Paris Review, Tin House, and the American Scholar, among others. He teaches creative writing at Washington University in St. Louis.

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A week-to-view diary, this elegant and practical publication gathers extracts from twenty years of outstanding writing from Irish Pages (the island’s premier literary journal) and The Irish Pages Press (“British Book Award Small Press of the Year 2022, Island of Ireland”).With an array of distinguished Irish and international authors, The Irish Pages Diary 2024 is an essential holiday gift for readers, writers, and anyone interested in the life of the mind and the state of the world. The Diary features classic texts by celebrated authors such as Seamus Heaney, Kathleen Jamie, Susan Sontag, Patricia Craig, Slavenka Drakulić, Julia Kristeva and Chinua Achebe, as well as the remarkable work of emerging writers living in Ireland. The Diary includes quotations in English, Scots, Scots Gaelic and Irish, highlighting the linguistic range across Ireland and Britain. Offering illuminating insights throughout the year, the Diary pairs literary passages with corresponding holidays, historical anniversaries and elegant illustrations. Irish Pages and its authors inhabit “the space outside” the Pale of the Received – business-as-usual in all its (especially Western) forms: literary, intellectual, cultural, social, political. The Diary celebrates this emphasis on original imaginative engagement with the world and its dilemmas, and is intended especially for all those readers for whom ethical issues count. Similar to the Faber & Faber Poetry Diary, The LRB Diary or The Redstone Diary, The Irish Pages Diary offers a unique combination of Irish and international literary perspectives.

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Brought back into print in 2017 to mark the 50th anniversary of Vernon Watkins' death. Vernon Watkins (1906-1967) was called by Kathleen Raine: 'the greatest lyric poet of my generation.' Dylan Thomas referred to him as: 'the most profound and greatly accomplished Welshman writing poems in English', or, in a letter, as 'the only other poet except me whose poetry I really like today.' Philip Larkin wrote: 'In Vernon's presence poetry seemed like a living stream, in which one had only to dip the vessel of one's devotion. He made it clear how one could, in fact, 'live by poetry'; it was a vocation, at once difficult as sainthood and easy as breathing.' All Watkins's poetry was published by Faber & Faber in his lifetime, and he was friends with such widely differing poets as: W.B. Yeats, T.S. Eliot, David Jones, Dylan Thomas, Marianne Moore, Philip Larkin, R.S. Thomas and Kathleen Raine. When he died, in 1967, he was being considered for poet laureate, after the death of John Masefield. Since that time, however, although a few have continued to praise his poetry very highly, public awareness of it has ceased almost completely, creating a bizarre gap in the perception of 20th Century poetry.100 years after Watkins's birth (June 27th, 1906), "New Selected Poems of Vernon Watkins" offers the first widely available selection of his poetry since his death, with a new introduction and notes, outlining the literary and biographical context of his work, and a foreword by Rowan Williams, the Archbishop of Canterbury. It is a rare joy thus to be reintroducing the work of a major poet to a new generation of readers.

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Basil Bunting (1900-85) was one of the most important British poets of the 20th century. Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of Briggflatts, which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's Four Quartets'. As well as Briggflatts, this new Complete Poems includes Bunting's other great Sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realised 'Overdrafts' (as he called his free translations of Horace, Rudaki and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). Like the earlier Oxford edition, it presents in its entirety Bunting's own Collected Poems, with addition of the posthumous Uncollected Poems; but this centenary edition from Bloodaxe also has a new introduction by the late Richard Caddel. Bunting wrote that 'Poetry, like music, is to be heard.' His own readings of his own work are essential listening for a full appreciation of his highly musical poetry. The new separate Bloodaxe edition of Briggflatts (2009) includes a CD with an audio recording Bunting made of Briggflatts in 1967 and a DVD of Peter Bell’s 1982 film portrait of Bunting. Bloodaxe has sublicensed a critical edition of Bunting’s complete poetry, The Poems, edited by Don Share (2016), to Faber & Faber. This has three poems not included in the Bloodaxe edition, together with a number of variants, anomalies, fragments and "false starts": apart from those additions, Bloodaxe's Complete Poems is complete (but has no critical apparatus).

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In its far-ranging and comprehensive scope, Crafting: Transforming Materials & the Maker is at once both a manual and a manifesto for crafters and craft enthusiasts the world over. A must-have for any craft and educational library, it is a volume that draws together an unparalleled range of craftspeople, practitioners and educationalists from a mix of backgrounds so eclectic that the overall feel of this volume is one of refreshing new perspectives on age-old issues. It is underpinned throughout by critical thinking on a range of social, economic, cultural and ecological debates, and is committed on the seriousness with which we must engage hands-on and outdoor learning as part of a curriculum that values the individual and celebrates the human position within the planet. This is a book that causes us to rethink what constitutes wisdom and knowledge in an age that has detached us from that which defines us as both thinkers and makers. The context of craft, an overview of craft history and the development of a tradition, along with the spiritual underpinning and deep origins of craft production, are all given a thorough review before chapters that embark on an exploration of fabrics, leather, baskets, green wood, pottery, and metal - and glass-working. This timely contribution to the world of contemporary craft revival is a book that is to be applauded for the manner in which it will engage a wide and diverse audience. From master craftsperson to novice beginner, from enthusiast to critic, Crafting: Transforming Materials & the Maker will be an inevitable source of inspiration and an invocation for social change. I certainly envisage it won't be long before my own copy is well-thumbed as a consequence of repeated visits to its passionately written chapters. Alexander Landland, author of Craft: How Traditional Crafts Are About More Than Just Making Faber & Faber 2017

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Two orphaned sisters in a house of secrets...On a foggy evening in 1947, seventeen-year-old Eliza and her troubled little sister Rebecca are banished by their aunt and sent to work at an isolated Welsh mansion. But there are rumours of missing maidservants and a ghost that stalks the deserted halls... Wandering through the mansion's dusty rooms, Eliza finds blood-spattered books, crumpled photographs and portraits of a mysterious woman - clues to a terrible past that might just become Eliza's future.As Eliza unravels a mystery that has endured for decades, Rebecca falls under the spell of cruel housekeeper Mrs Pollard, who will stop at nothing to keep the house's secrets. But can the sisters uncover the truth and escape back to London before they meet a dreadful fate?"Lauren A. Forry was PA to Zooey Deschanel on The Happening - that being an M. Night Shyamalan movie, she's obviously well versed in nightmares... This debut novel of the Faber & Faber Creative Writing MA prize winner, touted as Daphne Du Maurier meets hitchcock, is one to watch."THE SKINNY"Lauren Forry has created a brilliant debut novel, one that creeped me out, kept me hooked and will have me recommending Abigale Hall to everyone."READING WITH A VIEW"Abigale Hall hooks you in... Death hangs on the edge of the pages."HEATHER WRITES (4 Stars)"The mansionis something out of a gothic horror in its own right, and there's even a sinister housekeeper something along the lines of the terrifying Mrs Danvers from... what was that book... Ah yes, Rebecca!"CRIME FICTION LOVER"A beautifully written novel full of rumours, intrigue, love and loss."THE WELSH LIBRARIAN"Forry ratches up the tension expertly, until we don't know if it's madness, ghosts, someone toying with Eliza, or her own imagination that makes the mansion such a place of fear. Whatever it is, it works - keep the lights on when reading!"CRIME WORM

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Winner of the Oscar's Book Prize 2018 What if a PIG got stuck up your NOSE? How ever would you get it out? When Natalie has to go to school with a pig stuck up her nose, her whole class gets together to find a way to get the pig out. But how will they do it? The zany humour of Sue Hendra (of Supertato and Barry the Fish with Fingers fame) meets Babe the Pig in this funny picture book. This delightfully silly tale, brought to life by warm, comical artwork from rising star Laura Hughes, will have children giggling and oinking out loud to try to work out how to get a farmyard animal out of someone's nose. The perfect picture book for boys and girls aged 3 years and up – or for anyone who has ever got something stuck up their nose! "This very funny, sweet story won the hearts of the judging panel. Oink!" @oscarsbookprize "The surprise comes right at the start, and what a wonderfully dotty premise to begin a story with, about problem solving in the classroom. Brilliantly structured too" – Julia Eccleshare "Everything about There's a Pig Up My Nose! is entrancing, from the title onwards; it also features the best PE excuse note ever" – The Guardian “…we really want to understand and pick out the books that kids want, as opposed to the books that adults think they should want. The winner that epitomises that more than any other is John Dougherty and Laura Hughes’ There’s A Pig Up My Nose from 2018, which is just glorious.” – James Ashton, co-founder of Oscar's Book Prize (The Bookseller) John Dougherty was born in Larne, Northern Ireland and worked as a children's primary school teacher for several years before leaving to concentrate on his writing. He has published several books for children and has been shortlisted for a number of prestigious awards. His book, Zeus Sorts It Out, was one of The Times children's books of the year 2011. Laura Hughes studied illustration at Kingston University and is the illustrator and artist behind Daddy’s Sandwich, nominated for the Kate Greenaway Medal 2016. She has worked with several publishers including Bloomsbury, Harper Collins US and Faber & Faber. She lives in east London with her cat. Disclaimer: neither of them have ever had a pig stuck up their nose …

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“Old Poets is an indispensable jewel.” —Washington Post“An astonishing array of encounters...Hall’s observations are shrewd and generous.” —Boston Globe Intimate portraits of great poets in old age, giving new insight into their work and their lives, and context to the often flawless art created by flawed human beings. The best of themselves endure, and the old poets’ existence and endurance gives readers courage to pursue their own vision. Donald Hall (Essays After Eighty and A Carnival of Losses: Notes Nearing Ninety) knew a great deal about work, about poetry, and about age. Each of those things come together in this unique collection. We hear about Robert Frost as Hall knew him: vain and cruel, a man possessed by guilt. But, as Hall writes, “The poet who survives is the poet to celebrate; the human being who confronts darkness and defeats it is the one to admire. For all his vanity, Robert Frost is admirable: He looked into his desert places, confronted his desire to enter the oblivion of the snowy woods, and drove on.”Hall’s essays are once both intimate portraits and learned treatises. He takes us on a pub crawl through the Welsh countryside with the word-mad Dylan Thomas; to the Faber & Faber office of T. S. Eliot, who had discovered more happiness in age than in youth; to a reading where Robert Frost’s public persona hid the truth; to Brooklyn for lunch with the enigmatic Marianne Moore; and to Italy and for a visit with the notorious Ezra Pound. By the time Hall met them, each poet was, he observed, “old enough to have detached from ongoing poetry, to feel alien to the ambitions of the grandchildren.”Also included are portraits of the poets who taught Hall as a writer: the unfailingly kind Archibald MacLeish and Yvor Winters, from whom he learned the most about poetry. Along the way are observations about many other poets and the literary cultures that sustained them.Contents include: “Vanity, Fame, Love, and Robert Frost,” “Dylan Thomas and Public Suicide,” “Notes on T. S. Eliot,” “Rocks and Whirlpools: Archibald MacLeish and Yvor Winters,” “Marianne Moore: Valiant and Alien,” and “Fragments of Ezra Pound.”For lovers of literature, this is a gorgeous remembrance and likely to compel an immediate visit to the poetry section of the nearest bookstore—as Hall writes, “Their presences have been emblems in my life, and I remember these poets as if I kept them carved in stone.”

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