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‘Grab a copy and a box of tissues ASAP – simply beautiful’ Reader Review ⭐⭐⭐⭐⭐‘Summer read of the year! Absolute perfection’ Reader Review ⭐⭐⭐⭐⭐‘Wow…there are still tears in my eyes!’ Reader Review ⭐⭐⭐⭐⭐ Will walking in her mother’s footsteps help Sophie discover who she was meant to be all along…? Devastated by her mother’s death, Sophie longs to get away from an empty house full of memories and a life that hasn’t quite turned out as she had imagined. So when a chance discovery among her mother’s belongings hints at a past Sophie knows nothing of, she jumps at the opportunity for escape and a chance to heal. The magical, idyllic Greek town of Methoni awaits… But Sophie – determined to uncover her mother’s secrets – is about to discover so much more. Among the tranquil waters and cosy tavernas, Methoni’s locals offer Sophie the answers she craves, along with unexpected romance and, if she’ll take it, a chance at her own happiness… The breathtaking, escapist debut novel from Emma Cowell, perfect for fans of Victoria Hislop, Carol Kirkwood and Karen Swan. Praise for One Last Letter from Greece: ‘This book made me cry (a lot)! A gorgeous read I can’t recommend enough!’ Reader Review ⭐⭐⭐⭐⭐ ‘A compelling and tender story, beautifully told by an exciting new voice’ Santa Montefiore ‘I’m in love with this story – I couldn’t stop reading’ Reader Review ⭐⭐⭐⭐⭐ ‘Emma’s written a beauty’ Peter Andre ‘This book has it all…romance, forbidden love, highs, lows, a great setting and a happy ever after. An easy 5 star read from me’ Reader Review ⭐⭐⭐⭐⭐ ‘Emma Cowell tells an emotional, gripping tale about family secrets, love and loss’ Adriana Trigiani ‘Gripping…heartbreaking…simply wonderful’ Reader Review ⭐⭐⭐⭐⭐ ‘An emotional rollercoaster. I fell in love with Theo and with Methoni which sounds so beautiful. Such an emotive tale of love and loss’ Rosanna Ley ‘Your perfect summer escape guaranteed!’ Reader Review ⭐⭐⭐⭐⭐ ‘A delicious slice of Greek life. A beautiful love story. A lovely tribute to a mother's love’ Jo Thomas

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The Trans-Antarctic Expedition of 1953-58 organised and led by Sir Vivian Fuchs and supported by Sir Edmund Hillary was one of the most extraordinary exploits ever undertaken in Antarctica - but it has been underappreciated. On the sixtieth anniversary of the crossing, this book tells the complete story of this remarkable episode in the history of exploration. The Crossing is illustrated with photographs from the Royal Geographical Society, with the kind permission of Mary Lowe, widow of expedition photographer George Lowe, and from Peter and Sarah Hillary and the Auckland War Memorial Museum. Sir Ernest Shackleton had tried unsuccessfully to cross the Antarctic in 1914. He called it the Last Great Journey, but he and his men escaped by the skin of their teeth. The new post-war expedition was therefore, with knowledge of what had gone before, a brave attempt to conquer the vast frozen continent. For this historic endeavour, planning had to be done at opposite ends of the Earth, in the UK and New Zealand, and members of the expedition were drawn from the Commonwealth. The plan was meticulous but flawed, and the stakes were high: national, political and scientific interests all depended on its success. John Knight's account shows how the expedition was organised, from the scientific insight it relied on, to the voyage to Antarctica and the choice of the largely mechanised transport intended to carry the men across the ice desert - though the courageous dog teams would be crucial as pathfinders. Survival at times was touch and go, and controversies arose amid the pressure of the journey. This book not only provides a technical insight into a ground-breaking venture but touches on the human aspects of the challenge. Crucially, did Ed Hillary exceed his remit by pushing on south, when his specific instructions were to establish depots for ‘Bunny’ Fuchs’s journey, not to engage in a ‘Second Race to the Pole’? The Crossing charts a unique event in postwar history.

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It is hard to think of an area of Christian theology that provides more scope for interdisciplinary conversation than the doctrine of creation. This doctrine not only invites reflection on an intellectual concept: it calls for contemplation of the endlessly complex, dynamic, and fascinating world that human being inhabit. But the possibilities for wide-ranging discussion are such that scholars sometimes end up talking past one another. Productive conversation requires mutual understanding of insights across disciplinary boundaries. Knowing Creation offers an essential resource for helping scholars from a range of fields to appreciate one another's concerns and perspectives. In so doing, it offers an important step forward in establishing a mutually-enriching dialogue that addresses, amongst others, the following key questions: Who is the God who creates? Why does God create? What is "creation"? What does it mean to recognize that a theology of creation speaks of a natural world that is subject to the observation of the natural sciences? What does it mean to talk about both a "natural" order and a "created" order? What are the major tensions that have arisen between the natural sciences and Christian thinking historically, and why? How can we move beyond such tensions to a positive and constructive conversation, while also avoiding facile notions such as a "god of the gaps"? Is it feasible for a natural scientist to maintain a belief in God's continuing creative activity? In what ways might a naturalistic understanding of the natural world be said to be limited? How can biblical studies, theology, philosophy, history, and science talk better together about these questions? At a time when the doctrine of creation - and even a mention of "creation" - has been disparaged due to its supposed associations with anti-scientific dogma, and theological offerings sometimes risk appearing a little more than reactionary exercises in naive apologetics, ill-informed by science or distinctly wary of engagement with it, it is more important than ever to offer a cross-disciplinary resource that can voice a positive account of a Christian theology of creation, and do so as a genuinely broad-ranging conversation about science and faith.Contributors to Knowing Creation include Marilyn McCord Adams, Denis Alexander, Susan Eastman, C. Stephen Evans, Peter van Inwagen, Christoph Schwobel, John H. Walton, Francis Watson, and more.

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With a career spanning more than five decades, Ian McKeever is one of Britain’s most senior artists working on the international stage. This publication documents the Henge paintings – a series started in 2017 and completed over the course of five years, inspired by prehistoric standing stones in the county of Wiltshire, England, and continuing the artist’s long-standing investigation into the languages and possibilities of abstract painting.Comprising thirty paintings along with numerous works on paper, the genesis of the series was a visit by McKeever to the world-famous neolithic site in the village of Avebury in 2016, where he took black and white photographs of the large stones that form three discrete circles: two smaller ones contained within the largest. Erected some 4500 years ago, Avebury is the largest stone circle in Britain, and forms part of what English Heritage asserts to be ‘a set of neolithic and Bronze Age ceremonial sites that seemingly formed a vast sacred landscape.’Art historian and curator Paul Moorhouse, in his essay commissioned for the publication, describes how McKeever ‘framed each megalith in close-up, their edges visible at the extremity of the resulting images,’ explaining how ‘the experience of moving around Avebury and responding to the huge stones’ monumental presence made an abiding impression that resonated with deep-seated preoccupations.’ McKeever’s resulting body of work is an earnest and considered exploration into how paint can convey universal forces and properties such as mass, gravity and time, and how colour, texture and abstraction can converse with three-dimensional space, form and materiality.The relationship between painting and sculpture in McKeever’s work is discussed by means of an in-conversation between the artist and Dr Jon Wood. ‘My interest in alluding to early megalithic sites in titling the group of paintings Henge paintings,’ says McKeever, ‘was in touching that deeper sense of time, time’s weight, so to speak. How to imbue a painting with its own weight of time, forsake the immediacy of the here and now.’Designed and produced by Tim Harvey, the publication has been printed by Narayana Press in Odder, Denmark. It is published by Anomie, London, with support from Galleri Susanne Ottesen, Copenhagen, and Heather Gaudio Fine Art, New Canaan, Connecticut. The publication accompanies exhibitions of selected works from the Henge paintings at both galleries in 2022.Ian McKeever was born 1946, Withernsea, Yorkshire, UK. He lives and works in Hartgrove, Dorset. McKeever has received numerous awards including the prestigious DAAD scholarship in Berlin 1989/90 and was elected a Royal Academician in 2003. He has held several teaching positions including Guest Professor at the Städel Akademie der Kunst in Frankfurt, Senior Lecturer, Slade, University of London and Visiting Professor at the University of Brighton. He has also published many texts on painting.Recent public solo exhibitions include Ian McKeever / Tony Cragg – Painting and Sculpture, Skulpturenpark Waldfrieden, Wuppertal, Germany (2020); Paintings 1992–2018, Ferens Art Gallery, Hull, UK (2018); Hours of Darkness, Hours of Light, Kunstmuseet i Tønder, Denmark (2015); Between Darkness and Light, National Gallery of the Faroe Islands, Tórshavn, Faroe Islands (2015); Hours of Darkness, Hours of Light, Kunst-Station Sankt Peter Köln, Cologne, Germany (2014); and Hartgrove. Malerei und Fotografie, Josef Albers Museum, Bottrop, Germany (2012). McKeever’s work is represented in leading international public collections, including Tate, British Museum, Royal Academy of Arts, London; Museum Moderner Kunst (mumok), Vienna; Museum of Fine Arts, Budapest; Louisiana Museum of Modern Art, Humlebæk; Glyptotek, Copenhagen; Museum of Contemporary Art, Helsinki; Brooklyn Museum of Art, New York; Metropolitan Museum of Art, New York; Boston Museum of Fine Art and Yale Center for British Art, Connecticut.

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A cutting-edge view of the digital humanities at a time of global pandemic, catastrophe, and uncertaintyWhere do the digital humanities stand in 2023? Debates in the Digital Humanities 2023 presents a state-of-the-field vision of digital humanities amid rising social, political, economic, and environmental crises; a global pandemic; and the deepening of austerity regimes in U.S. higher education. Providing a look not just at where DH stands but also where it is going, this fourth volume in the Debates in the Digital Humanities series features both established scholars and emerging voices pushing the field’s boundaries, asking thorny questions, and providing space for practitioners to bring to the fore their research and their hopes for future directions in the field. Carrying forward the themes of political and social engagement present in the series throughout, it includes crucial contributions to the field—from a vital forum centered on the voices of Black women scholars, manifestos from feminist and Latinx perspectives on data and DH, and a consideration of Indigenous data and artificial intelligence, to essays that range across topics such as the relation of DH to critical race theory, capital, and accessibility.Contributors: Harmony Bench, Ohio State U; Christina Boyles, Michigan State U; Megan R. Brett, George Mason U; Michelle Lee Brown, Washington State U; Patrick J. Burns, New York U; Kent K. Chang, U of California, Berkeley; Rico Devara Chapman, Clark Atlanta U; Marika Cifor, U of Washington; María Eugenia Cotera, U of Texas; T. L. Cowan, U of Toronto; Marlene L. Daut, U of Virginia; Quinn Dombrowski, Stanford U; Kate Elswit, U of London; Nishani Frazier, U of Kansas; Kim Gallon, Brown U; Patricia Garcia, U of Michigan; Lorena Gauthereau, U of Houston; Masoud Ghorbaninejad, University of Victoria; Abraham Gibson, U of Texas at San Antonio; Nathan P. Gibson, Ludwig-Maximilians-Universität, Munich; Kaiama L. Glover, Barnard College; Hilary N. Green, Davidson College; Jo Guldi, Southern Methodist U; Matthew N. Hannah, Purdue U Libraries; Jeanelle Horcasitas, DigitalOcean; Christy Hyman, Mississippi State U; Arun Jacob, U of Toronto; Jessica Marie Johnson, Johns Hopkins U and Harvard U; Martha S. Jones, Johns Hopkins U; Annette K. Joseph-Gabriel, Duke U; Mills Kelly, George Mason U; Spencer D. C. Keralis, Digital Frontiers; Zoe LeBlanc, U of Illinois at Urbana-Champaign; Jason Edward Lewis, Concordia U; James Malazita, Rensselaer Polytechnic Institute; Alison Martin, Dartmouth College; Linda García Merchant, U of Houston Libraries; Rafia Mirza, Southern Methodist U; Mame-Fatou Niang, Carnegie Mellon U; Jessica Marie Otis, George Mason U; Marisa Parham, U of Maryland; Andrew Boyles Petersen, Michigan State U Libraries; Emily Pugh, Getty Research Institute; Olivia Quintanilla, UC Santa Barbara; Jasmine Rault, U of Toronto Scarborough; Anastasia Salter, U of Central Florida; Maura Seale, U of Michigan; Celeste Tường Vy Sharpe, Normandale Community College; Astrid J. Smith, Stanford U Libraries; Maboula Soumahoro, U of Tours; Mel Stanfill, U of Central Florida; Tonia Sutherland, U of Hawaiʻi at Mānoa; Gabriela Baeza Ventura, U of Houston; Carolina Villarroel, U of Houston; Melanie Walsh, U of Washington; Hēmi Whaanga, U of Waikato; Bridget Whearty, Binghamton U; Jeri Wieringa, U of Alabama; David Joseph Wrisley, NYU Abu Dhabi. Cover alt text: A text-based cover with the main title repeating right-side up and upside down. The leftmost iteration appears in black ink; all others are white.

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter is faced with an ancient Inca curse, which is causing its victims to fall into a life-threatening coma. The tomb of Rascar Capac has been unearthed! But one by one, the finders fall into a terrifying coma. Can this be the curse of the Inca gods? Tintin must somehow fathom out the meaning behind his only clue: the shattered crystal ball lying beside each of the victims … Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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One of the most iconic characters in children’s literature Hergé’s classic comic book creation Tintin is one of the most recognisable characters in children’s books. These highly collectible editions of the original 24 adventures will delight Tintin fans old and new. Perfect for lovers of graphic novels, mysteries and historical adventures. The world’s most famous travelling reporter struggles to keep his feet on the ground as his adventures take him to the moon! Following on from the events of Destination Moon, Tintin finds himself in a rocket on a collision course with the moon. And with Snowy the dog, Captain Haddock, Professor Calculus and the Thompson twins aboard, things quickly spiral further and further out of control. Join the most iconic character in comics as he embarks on an extraordinary adventure spanning historical and political events, and thrilling mysteries. Still selling over 100,000 copies every year in the UK and having been adapted for the silver screen by Steven Spielberg and Peter Jackson in 2011. The Adventures of Tintin continue to charm more than 90 years after they first found their way into publication. Since then more than 230 million copies have been sold, proving that comic books have the same power to entertain children and adults in the 21st century as they did in the early 20th. Hergé (Georges Remi) was born in Brussels in 1907. Over the course of 54 years he completed over 20 titles in The Adventures of Tintin series, which is now considered to be one of the greatest, if not the greatest, comics series of all time. Have you collected all the graphic novel adventures? Tintin in the Land of the SovietsTintin in AmericaTintin: Cigars of the PharaohTintin: The Blue LotusTintin: The Broken EarTintin: The Black IslandTintin: King Ottakar’s SceptreTintin: The Crab with the Golden ClawsTintin: The Shooting StarTintin: The Secret of the UnicornTintin: Red Rackham’s TreasureTintin: The Seven Crystal BallsTintin: Prisoners of the SunTintin: Land of Black GoldTintin: Destination MoonTintin: Explorers of the MoonTintin: The Calculus AffairTintin: The Red Sea SharksTintin in TibetTintin: The Castafiore EmeraldTintin: Flight 714 to SydneyThe Adventures of Tintin and the PicarosTintin and Alph-Art

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A new generation of teachers envisions a liberal arts education that is good for everyone. Why would anyone study the liberal arts? It’s no secret that the liberal arts have fallen out of favor and are struggling to prove their relevance. The cost of college pushes students to majors and degrees with more obvious career outcomes. A new cohort of educators isn’t taking this lying down. They realize they need to reimagine and rearticulate what a liberal arts education is for, and what it might look like in today’s world. In this book, they make an honest reckoning with the history and current state of the liberal arts. You may have heard – or asked – some of these questions yourself: Aren’t the liberal arts a waste of time? How will reading old books and discussing abstract ideas help us feed the hungry, liberate the oppressed and reverse climate change? Actually, we first need to understand what we mean by truth, the good life, and justice. Aren’t the liberal arts racist? The “great books” are mostly by privileged dead white males. Despite these objections, for centuries the liberal arts have been a resource for those working for a better world. Here’s how we can benefit from ancient voices while expanding the conversation. Aren’t the liberal arts liberal? Aren’t humanities professors mostly progressive ideologues who indoctrinate students? In fact, the liberal arts are an age-old tradition of moral formation, teaching people to think for themselves and learn from other perspectives. Aren’t the liberal arts elitist? Hasn’t humanities education too often excluded poor people and minorities? While that has sometime been the case, these educators map out well-proven ways to include people of all social and educational backgrounds. Aren’t the liberal arts a bad career investment? I really just want to get a well-paying job and not end up as an overeducated barista. The numbers – and the people hiring – tell a different story. In this book, educators mount a vigorous defense of the humanist tradition, but also chart a path forward, building on their tradition’s strengths and addressing its failures. In each chapter, dispatches from innovators describe concrete ways this is being put into practice, showing that the liberal arts are not only viable today, but vital to our future. *** Contributors include Emily Auerbach, Nathan Beacom, Jeffrey Bilbro, Joseph Clair, Margarita Mooney Clayton, Lydia Dugdale, Brad East, Don Eben, Becky L. Eggimann, Rachel Griffis, David Henreckson, Zena Hitz, David Hsu, L. Gregory Jones, Brandon McCoy, Peter Mommsen, Angel Adams Parham, Steve Prince, John Mark Reynolds, Erin Shaw, Anne Snyder, Sean Sword, Noah Toly, Jonathan Tran, and Jessica Hooten Wilson

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In full command of both Hollywood stylistics and camp aesthetics, Spain's Pedro Almodóvar (b. 1951) has become a master of the audacious and the unorthodox, of the permissive and the polemical. Pedro Almodóvar: Interviews documents the 22-year-long cinematic career of the most internationally celebrated Spanish art-film director since Luís Buñuel. Many of these interviews, from French, Italian, and Spanish periodicals, appear for the first time in English. Almodóvar's early cinematic ventures in Super 8 and 16mm in the 1970s marked and memorialized the rise of the Movida, Madrid's underground vanguard artistic movement. Almodóvar's critical success in his native Spain came with What Have I Done to Deserve This? Almodóvar made his mark in the United States with his kitschy, melodramatic comedy and Academy Award nominee Women on the Verge of a Nervous Breakdown, and his outlandish and irreverently funny Tie Me Up! Tie Me Down! For all its taboo-breaking plots, eccentric characterizations, and explosive palettes, Almodóvar's cinema of excess has matured into one of tender compassion. All About My Mother, winner of the Best Foreign Language Film Oscar and of Best Director at the Cannes Film Festival, and his fourteenth feature to date, Talk to Her, winner of the Oscar for Best Original Screenplay, 2003, cement Almodóvar's commitment to characters on the margins and to social critique. Covering more than two decades, the interviews collected here trace Almodóvar's journey from the small village of Calzada de Calatrava to Madrid, from his humble and Catholic provincial upbringing to his superstar status as Spain's leading postmodern auteur. Originally published in Spain, France, Italy, and the United States, these conversations disclose as much about Almodóvar's personal biography as they do about his thematic universe, his directorial personality, and his maturing style. Paula Willoquet-Maricondi is assistant professor of media arts at Marist College, in Poughkeepsie, New York. She is the co-editor of Peter Greenaway's Postmodern/Poststructuralist Cinema.

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Voices of Cherokee Women is a compelling collection of first-person accounts by Cherokee women. It includes letters, diaries, newspaper articles, oral histories, ancient myths, and accounts by travelers, traders, and missionaries who encountered the Cherokees from the 16th century to the present. Among the stories told by these “voices” are those of Rebecca Neugin being carried as a child on the Trail of Tears; Mary Stapler Ross seeing her beautiful Rose Cottage burned to the ground during the Civil War; Hannah Hicks watching as marauders steal her food and split open her feather beds, scattering the feathers in the wind; and girls at the Cherokee Female Seminary studying the same curriculum as women at Mount Holyoke. Voices of Cherokee Women recounts how Cherokee women went from having equality within the tribe to losing much of their political and economic power in the 19th century to regaining power in the 20th, as Joyce Dugan and Wilma Mankiller became the first female chiefs of the Cherokee Nation. The book’s publication was timed for the commemoration of the 175th anniversary of the Trail of Tears. Carolyn Ross Johnston has a B.A. from Samford University and a Ph.D. in history from the University of California–Berkeley. Her previous publications Cherokee Women in Crisis: Removal, The Civil War, and Allotment, 1838-1907; Sexual Power: Feminism and the Family in America; Jack London: An American Radical; and My Father’s War: Fighting with the Buffalo Soldiers in World War II. A recipient of Woodrow Wilson and Danforth fellowships and a Pulitzer-prize nominee, Johnston teaches at Eckerd College in St. Petersburg, Florida, where she is professor of history and American studies and the Elie Wiesel Professor of Humane Letters. "In her spirited and well-sourced collection, Johnston...unfolds history through the voices of people who remembered terrible events....An academic account that respectfully resurrects long-dead voices from a people who still have a lot to tell us." - Kirkus Reviews"

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The Worlds of Jacob Eichholtz explores the life and times of an oft-overlooked figure in early American art. Jacob Eichholtz (1776–1842) began his career in the metal trades but with much practice, some encouragement from his friend Thomas Sully, and a few weeks instruction from America’s preeminent portraitist, Gilbert Stuart, he transformed himself into one of the nation’s most productive portrait painters. Eichholtz worked primarily in the Middle Atlantic region from his homes in Lancaster and Philadelphia. While Stuart and Sully concentrated on the elite of American society, Eichholtz captured the images of a rising middle class with its craftsmen, merchants, doctors, lawyers, and their families. From a lifetime that spanned the American Revolution to the Industrial Revolution, and a career that produced more than 800 paintings, Eichholtz offers a collective portrait of early American culture in the first half of the nineteenth century.The Worlds of Jacob Eichholtz begins with four insightful essays by Thomas Ryan, David Jaffee, Carol Faill, and Peter Seibert that examine Eichholtz’s life and work. The second part of the book—a visual essay—brings together for the first time more than 100 color reproductions of Eichholtz’s work. These images include over 60 oil-on-canvas portraits, more than 30 profiles on panel, and seven of the landscape, historical, or biblical paintings he produced. Also illustrated are artifacts associated with Eichholtz and his family, examples of the tinsmith’s and coppersmith’s trade, and the work of artists who influenced his career. The Worlds of Jacob Eichholtz promises to be the finest color catalog of Eichholtz’s oeuvre for years to come. This book, made possible by the Richard C. von Hess Foundation, accompanies a major three-part exhibition that will run concurrently at the Lancaster County Historical Society, the Heritage Center Museum of Lancaster County, and the Phillips Museum of Art at Franklin & Marshall College from April through December 2003.

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Culture is the lens through which we make sense of the world. In any conflict, from petty disputes to wars between nation-states, the players invariably view that conflict through the filter of their own cultural experiences. This innovative volume prompts us to pause and think through our most fundamental assumptions about how conflict arises and how it is resolved. Even as certain culturally based disputes, such as the high-profile cases in which an immigrant engages in conduct considered normal in the homeland but which is explicitly illegal in his/her new country, enter public consciousness, many of the most basic intersections of culture and conflict remain unexamined. How are some processes cultured, gendered, or racialized? In what ways do certain groups and cultures define such concepts as "justice" and "fairness" differently? Do women and men perceive events in similar fashion, use different reasoning, or emphasize disparate values and goals? Spanning a wide array of disciplines, from anthropology and psychology to law and business, and culling dozens of intriguing essays, The Culture and Conflict Reader is edited for maximum pedagogical usefulness and represents a bedrock text for anyone interested in conflict and dispute resolution. Contributors include: Kevin Avruch, Peter W. Black, Jeffrey Z. Rubin, Frank E. A. Sander, John Paul Lederach, Heather Forest, Sara Cobb, Janet Rifkin, Ryunosuke Akutagawa, Laura Nader, Pat Chew, Stella Ting-Toomey, Harry C. Triandis, Christopher McCusker, C. Harry Hui, Anita Taylor, Judi Beinstein Miller, Carol Gilligan, Trina Grillo, James W. Grosch, Karen G. Duffy, Paul V. Olczak, Michele Hermann, Martha Chamallas, Loraleigh Keashly, Phil Zuckerman, Tracy E. Higgins, Howard Gadlin, Janie Victoria Ward, Kyeyoung Park, Taunya Lovell Banks, Margaret Read MacDonald, Mary Patrice Erdmans, Manu Aluli Meyer, Doriane Lambelet Coleman, Bruce D. Bonta, Paul E. Salem, Mohammed Abu-Nimer, Marc H. Ross, Z.D. Gurevitch, Mari J. Matsuda, Charles R. Lawrence III, Hsien Chin Hu, Glenn R. Butterton,Walter Otto Weyrauch, Maureen Anne Bell, Martti Gronfors, Thomas Donaldson, Marjorie Shostak, and Heather Forest.

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Boost your confidence and change your life for the betterLow self-esteem can make life difficult in all sorts of ways. It can make you anxious and unhappy, tormented by doubts and self-critical thoughts. It can get in the way of feeling at ease with other people and stop you from leading the life you want to lead. It makes it hard to value and appreciate yourself in the same way you would another person you care about.Melanie Fennell's acclaimed and bestselling self-help guide Overcoming Low Self-esteem has become a classic of self-help literature, winning widespread praise for its practical and user-friendly approach. At last, this benchmark work is available as a large format, practical manual, complete with worksheets, diaries and exercises.The Overcoming Low Self-esteem Handbook will help you to understand your low self-esteem and break out of the vicious circle of self-destructive thinking, distress and unhelpful behaviour. Using practical techniques from cognitive behavioural therapy (CBT), this book will help you learn the art of self-acceptance and so transform your sense of yourself for the better. Specifically, you will:· Find out how low self-esteem develops and what keeps it going· Question your negative thoughts and the attitudes that underlie them· Identify your strengths and good qualities, allow yourself to enjoy life to the full, and discover a more balanced, kindly view of yourself· Trace your progress, monitor your behaviour and record step-by-step improvementsIdeal for working through on your own or with guided assistance, this is a complete step-by-step treatment guide.Overcoming self-help guides use clinically proven techniques to treat long-standing and disabling conditions, both psychological and physical. Many guides in the Overcoming series are recommended under the Reading Well scheme.Series Editor: Emeritus Professor Peter Cooper

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The Baltic Story recounts the shared history of the countries around the Baltic, from the events of a thousand years ago to today. It shows the ties of blood and commerce that have bound the different lands which now lie in Denmark, Sweden, Finland, Estonia, Latvia, Lithuania, Poland, Western Russia and eastern Germany. The narrative encompasses the foundation of some of Europe’s greatest cities, including St Petersburg, Stockholm, Copenhagen and Gdánsk. The earliest settlers created a commercial network. As these Hansa merchants became wealthier, they began to impose on the political affairs of their neighbours. In Poland, descendants of her first rulers eventually united their territories and created a state offering religious tolerance and an elective monarchy. Meanwhile, one of Europe’s most ancient dynasties, the Oldenburgs, assumed power in Denmark, but the king was deposed after his massacre of Swedish nobles. When Gustav Vasa takes the Swedish throne, the Kalmar Union collapses. The Catholic king of Poland invades Russia and his son is elected tsar. Russia’s turmoil ends with the election of Michael, the first of the Romanovs. As the feud between the Poles and Swedes continues, Karl X ravages Poland and moves on to Denmark, where he crosses the frozen sea to attack Copenhagen. Having stood firm against further Swedish assault, the Danish king attains absolute power. This history shows the growth of autocracy, from Denmark’s absolutist kings to the opulent world of the eighteenth-century Russian empresses. It analyses the period of the Enlightenment, in particular the achievements of Frederick II of Prussia and Catherine II of Russia and the problems facing Poland that ended with the country’s collapse. And it shows how Enlightenment thinking influenced Denmark and Sweden and rocked the monarchies. It also explores the threat of Napoleon’s France to the Baltic and the impact of the First World War and the Russian Revolution, which led to the radical re-shaping of the region.

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A collection of the most important writings on understanding and treating PTSD Essential Papers on Post Traumatic Stress Disorder collects the most important writings on the comprehension and treatment of Post Traumatic Stress Disorder. Editor Mardi J. Horowitz provides a concise and illuminating introductory essay on the evolution of our understanding of Post Traumatic Stress Disorder, and establishes the conceptual framework and terminology necessary to understand the disorder. The collected essays which follow provide a rich and comprehensive take on the complexity of Post Traumatic Stress Disorder, illuminating such issues as the variety of individual and cultural responses, the roles of pre- and post-traumatic causative forces, and the fluctuating complexities of diagnostic categories. Divided into sections addressing the broad topics of diagnosis, etiology, and treatment, Essential Papers on Post Traumatic Stress Disorder combines classic essays with more challenging and controversial approaches. Contributors include Sigmund Freud, Erich Lindemann, Leo Eitinger, Carol C. Nadelson, Malkah T. Notman, Hannah Zackson, Janet Gornick, Bonnie L. Green, Mary C. Grace, Jacob D. Lindy, James L. Titchener, Joanne G. Lindy, Lenore C. Terr, Rosemarie Galante, Dario Foa, Edna B. Foa, Barbara Olasov Rothbaum, David S. Riggs, Tamara B. Murdock, James H. Shore, Ellie L. Tatum, William M. Vollmer, Roger K. Pittman, Scott P. Orr, Dennis F. Forgue, Bruce Altman, Jacob B. de Jong, Lawrence R. Herz, Judith Lewis Herman, Rachel Yehuda, Alexander McFarlane, Frank W. Putnam, Robert Jay Lifton, Eric Olson, Nancy Wilner, Nancy Kaltrider, William Alvarez, Michael R. Trimble, Epstein, Terence M. Keane, Rose T. Zinering, Juesta M. Caddell, John H. Krystal, Thomas R. Kosten, Steven Southwick, John W. Mason, Bruce D. Perry, Earl L. Giller, David Spiegel, Thurman Hunt, Harvey E. Dondershire, Bessel A. van der Kolk, Peter J. Lang, Robert S. Pynoos, Spencer Eth, Matthew J. Friedman, Francine Shapiro, John P. Wilson, Jacob D. Lindy, I. Lisa McCann, and Laurie Anne Pearlman.

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"In Rough Meditations, reading about golf courses is almost as much fun as playing them." --Arnold Palmer "Many golfers have strong opinions when it comes to course architecture. Nobody, however, matches Brad Klein's ability to explain the difference between good and bad design. Rough Meditations deserves a place on that select list of must-reads for anyone who cares about the art of the golf course." --Peter Jacobsen "Rough Meditations is eloquently written, blends a variety of topics seamlessly together, and touches repeatedly on aspects of golf that are barely acknowledged by the majority of golfers and pretty much disregarded by devotees of the 'aerial game.' If you haven't done so already, buy this book. Read it. Digest what it says. Become architecturally 'literate.' It's worth it." --Bob Weisgerber, Golf Today Magazine Rough Meditations is a unique collection of fascinating essays that bring the world's greatest golf courses to life with brilliantly colorful prose. These charming and often hilarious essays take golf enthusiasts on an intimate tour of the game's most distinguished courses. Along the way, readers gain a privileged look at the differences between good and bad golf course design. Featured essays include: * In Golf as in Life * Longest Wait That Was Worth It * Goofiest Modern Green * Business or Art? * Read Any Good Greens Lately? * In the Beginning There Was Sand * Worst Shot in Golf * Treasure Hunting Long considered one of golf's most talented writers, Bradley Klein offers more than fifty essays, ranging from instructive to inspirational, that cover the architecture of courses, how to read greens, the ins and outs of green committees, the relationships that grow from the game, and much more. With a style all his own, Klein takes readers to where he was for years as a caddie on the PGA and LPGA tours--onto the grass and into the game.

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'The Mueller report is that rare Washington tell-all that surpasses its pre-publication hype…the best book by far on the workings of the Trump presidency.' Carlos Lozada, The Washington PostThe only book with exclusive analysis by the Pulitzer Prize-winning staff of The Washington Post, and the most complete and authoritative available. Read the findings of the Special Counsel’s investigation into Russian interference in the 2016 election, complete with accompanying analysis by the Post reporters who’ve covered the story from the beginning. This edition from The Washington Post/Simon & Schuster contains: * The long-awaited Report On The Investigation Into Russian Interference In The 2016 Presidential Election * An introduction by The Washington Post titled 'A President, a Prosecutor and the Protection of American Democracy' * A timeline of the major events of the Special Counsel’s investigation from May 2017, when Robert Mueller was appointed, to the report’s delivery * A guide to individuals involved, including in the Special Counsel’s Office, the Department of Justice, the FBI, the Trump Campaign, the White House, the Trump legal defence team and the Russians* Key documents in the Special Counsel’s investigation, including filings pertaining to General Michael T. Flynn, Paul Manafort, Michael Cohen, Roger Stone and the Russian internet operation in St Petersburg. Each document is introduced and explained by Washington Post reporters. One of the most urgent and important investigations ever conducted, the Mueller inquiry focuses on Donald Trump, his presidential campaign and Russian interference in the 2016 election, and draws on the testimony of dozens of witnesses and the work of some of the country’s most seasoned prosecutors. The special counsel’s investigation looms as a turning point in American history. The Mueller Report is essential reading for all citizens concerned about the fate of the presidency and the future of our democracy.

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'A belter of a thriller. Creepy, convincing, it kept me gripped and guessing' Peter James A twisty and chilling thriller about a woman who did one bad thing when she was young... and must now suffer the consequences. She thought she'd got away with it. She was wrong. Hannah Godley is an agony aunt on a London radio show Queen of Hearts. She's warm and empathetic; a good listener. Her catchphrase is: Always be kind. But when a stranger phones in to tell a tragic story about her brother who killed himself after he was the victim of a terrible prank by two people, Hannah goes cold. Because she remembers Diane's brother well. In fact, all these years later, he still haunts her dreams. All because of that one bad thing she did when she was young... Is Diane just a sad, lonely woman looking for a friend, or does she know what Hannah did, and is looking for revenge? Because as Diane insinuates herself into her life and family, Hannah is going to discover that you can never truly escape that One Bad Thing you did – sooner or later, you're going to have to pay the price... Praise for M.K. Hill: 'One Bad Thing is chock-full of suspense... I genuinely had no nails left by the end!' Lisa Hall 'A tense and twisted page-turner that kept me guessing right to the very clever end' Susi Holliday 'Thoroughly enjoyable' Daily Mail 'An engaging, creepy thriller full of twists. One Bad Thing had me so absorbed I read it in a day' Elisabeth Carpenter 'Chilling' Crime Monthly 'A rollercoaster ride with an abundance of twists' William Ryan 'One Bad Thing is addictive right from the go... Impossible to put down!' Rachael Blok 'An addictive read that pulled me in and didn't let go' Cass Green 'Absorbing and twisty' Mark Edwards 'This is a real rollercoaster of a read! Packed full of twists, turns, secrets and suspicions it's a total must read for all psychological thriller lovers. Murderously good!' Steph Broadribb

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Shakesqueer puts the most exciting queer theorists in conversation with the complete works of William Shakespeare. Exploring what is odd, eccentric, and unexpected in the Bard’s plays and poems, these theorists highlight not only the many ways that Shakespeare can be queered but also the many ways that Shakespeare can enrich queer theory. This innovative anthology reveals an early modern playwright insistently returning to questions of language, identity, and temporality, themes central to contemporary queer theory. Since many of the contributors do not study early modern literature, Shakesqueer takes queer theory back and brings Shakespeare forward, challenging the chronological confinement of queer theory to the last two hundred years. The book also challenges conceptual certainties that have narrowly equated queerness with homosexuality. Chasing all manner of stray desires through every one of Shakespeare’s plays and poems, the contributors cross temporal, animal, theoretical, and sexual boundaries with abandon. Claiming adherence to no one school of thought, the essays consider The Winter’s Tale alongside network TV, Hamlet in relation to the death drive, King John as a history of queer theory, and Much Ado About Nothing in tune with a Sondheim musical. Together they expand the reach of queerness and queer critique across chronologies, methodologies, and bodies.Contributors. Matt Bell, Amanda Berry, Daniel Boyarin, Judith Brown, Steven Bruhm, Peter Coviello, Julie Crawford, Drew Daniel, Mario DiGangi, Lee Edelman, Jason Edwards, Aranye Fradenburg, Carla Freccero, Daniel Juan Gil, Jonathan Goldberg, Jody Greene, Stephen Guy-Bray, Ellis Hanson, Sharon Holland, Cary Howie, Lynne Huffer, Barbara Johnson, Hector Kollias, James Kuzner , Arthur L. Little Jr., Philip Lorenz, Heather Love, Jeffrey Masten, Robert McRuer , Madhavi Menon, Michael Moon, Paul Morrison, Andrew Nicholls, Kevin Ohi, Patrick R. O’Malley, Ann Pellegrini, Richard Rambuss, Valerie Rohy, Bethany Schneider, Kathryn Schwarz, Laurie Shannon, Ashley T. Shelden, Alan Sinfield, Bruce Smith, Karl Steel, Kathryn Bond Stockton, Amy Villarejo, Julian Yates

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On April 4, 1866, just as Alexander II stepped out of Saint Petersburg's Summer Garden and onto the boulevard, a young man named Dmitry Karakozov pulled out a pistol and shot at the tsar. He missed, but his "unheard-of act" changed the course of Russian history—and gave birth to the revolutionary political violence known as terrorism. Based on clues pulled out of the pockets of Karakozov's peasant disguise, investigators concluded that there had been a conspiracy so extensive as to have sprawled across the entirety of the Russian empire and the European continent. Karakozov was said to have been a member of "The Organization," a socialist network at the center of which sat a secret cell of suicide-assassins: "Hell." It is still unclear how much of this "conspiracy" theory was actually true, but of the thirty-six defendants who stood accused during what was Russia's first modern political trial, all but a few were exiled to Siberia, and Karakozov himself was publicly hanged on September 3, 1866. Because Karakozov was decidedly strange, sick, and suicidal, his failed act of political violence has long been relegated to a footnote of Russian history. In The Odd Man Karakozov, however, Claudia Verhoeven argues that it is precisely this neglected, exceptional case that sheds a new light on the origins of terrorism. The book not only demonstrates how the idea of terrorism first emerged from the reception of Karakozov's attack, but also, importantly, what was really at stake in this novel form of political violence, namely, the birth of a new, modern political subject. Along the way, in characterizing Karakozov's as an essentially modernist crime, Verhoeven traces how his act profoundly impacted Russian culture, including such touchstones as Repin's art and Dostoevsky's literature. By looking at the history that produced Karakozov and, in turn, the history that Karakozov produced, Verhoeven shows terrorism as a phenomenon inextricably linked to the foundations of the modern world: capitalism, enlightened law and scientific reason, ideology, technology, new media, and above all, people's participation in politics and in the making of history.

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Homelessness became a conspicuous facet of Russian cityscapes only in the 1990s, when the Soviet criminalization of vagrancy and similar offenses was abolished. In spite of the host of social and economic problems confronting Russia in the demise of Soviet power, the social dislocation endured by increasing numbers of people went largely unrecognized by the state. Being homeless carries a special burden in Russia, where a permanent address is the precondition for all civil rights and social benefits and where homelessness is often regarded as a result of laziness and drinking, rather than external factors. In Needed by Nobody, the anthropologist Tova Höjdestrand offers a nuanced portrait of homelessness in St. Petersburg. Based on ethnographic work at railway stations, soup kitchens, and other places where the homeless gather, Höjdestrand describes the material and mental world of this marginalized population. They are, she observes, "not needed" in two senses. The state considers them, in effect, as noncitizens. At the same time they stand outside the traditionally intimate social networks that are the real safety net of life in postsocialist Russia. As a result, they are deprived of the prerequisites for dealing with others in ways that they themselves value as "decent" and "human." Höjdestrand investigates processes of social exclusion as well as the remaining "world of waste": things, tasks, and places that are wanted by nobody else and on which "human leftovers" are forced to survive. In this bleak context, Höjdestrand takes up the intimate worlds of the homeless—their social relationships, dirt and cleanliness, and physical appearance. Her interviews with homeless people show that the indigent have a very good idea of what others think of them and that they are liable to reproduce the stigma that is attached to them even as they attempt to negotiate it. This unique and often moving portrait of life on the margins of society in the new Russia ultimately reveals how human dignity may be retained in the absence of its very preconditions.

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WINNER OF THE FRENCH GRAND PRIX DU ROMAN POLICIER'Beautifully written . . . An excellent thriller.' WALL STREET JOURNAL'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVERAN AURELIO ZEN MYSTERYPrince Ludovico Ruspanti died falling a hundred and fifty feet in St Peter's church, in the heart of the Vatican. But did he fall, or was he pushed? Inspector Aurelio Zen finds that getting answers isn't easy, as witness after witness is mysteriously silenced - by violent death. To crack the secrets of the Vatican, Zen must penetrate the most secret place of all: the Cabal.'A terrific read combining history, travel, sex, violence and of course the very understated brilliance of that complex character Aurelio Zen.' 5* reader review'Excellent.' 5* reader review'You plunge straight into Zen's Italian crime-world. Gripping in its intensity, its atmosphere and its understanding of character: this is a masterpiece and I read and re-read it.' 5* reader reviewPRAISE FOR MICHAEL DIBDIN AND THE INSPECTOR ZEN SERIES:'He wrote with real fire.' IAN RANKIN'A maestro of crime writing.' SUNDAY TIMES'One of the genre's finest stylists . . . And Zen himself is a masterly creation: he is anti-heroic and pragmatic but obstinate, cunning and positively burdened with integrity.' GUARDIAN'Dibdin tells a rollicking good tale that you want both to read fast, because of its gripping storyline, and to linger over, to savour the evocative descriptions of place and mood.' INDEPENDENT'One of British crime fiction's most distinguished and distinctive voices.' ANDREW TAYLOR'Dibdin has a gift for shocking the unshockable reader.' Ruth Rendell'Zen is one of the greatest creations of contemporary crime fiction.' OBSERVER'I love the way these books capture the atmosphere and contradictions of Italy.' 5* reader review'Aurelio Zen novels are a great treat.' 5* reader review'There is no better writer than Dibdin. His books are a joy to read.' 5* reader review'Love these books . . . I am sure you will get hooked too!' 5* reader review

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Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be "good Europeans", avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In "The Good European" Iain Bamforth reports on fifteen years of "experimental living" during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in "Tristram Shandy". Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show "Bouillon de Culture", a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe.

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The all-American spirit of midcentury modernism, in three US State Department-sponsored exhibitions This revelatory volume recovers and presents the history of three exhibitions organized by the US State Department’s Traveling Exhibition Service almost 70 years ago: Contemporary American Textiles, curated by Florence Knoll, Contemporary American Wallpapers, curated by Tom Lee, and Containers & Packaging, curated by Will Burtin. These exhibitions were made for presentation in West German schools, museums and trade fairs, and through the Amerika Haus program. By joining consumer choice with political choice, the State Department tried to convince West Germans and other Europeans that the United States, its system of government and its capitalist values offered more and better lifestyle choices than those of the Soviet bloc. This book is both an exhibition catalog and a reader. It restores the spirit of these three exhibitions to the public memory and challenges the idea that design has little political purpose. By piecing together primary sources found within archival collections, libraries and special collections, the book reveals how the State Department deliberately employed design, a process that binds people to daily life, to embody a connection between a rhetoric of political freedom and capitalist values of consumer freedom. Considering these exhibitions and their showcased objects, characteristically associated with midcentury modernism, A Designed Life suggests that, even now, the Cold War affects our lives, habits and culture. Designers and curators include: Anni Albers, Evelyn Anselevicius, Richard Lee Brecker, Will Burtin, Serge Chermayeff, Morton and Millie Goldsholl, Elizabeth Gordon, Eszter Haraszty, Peter Harnden, Ilonka Karasz, Katzenbach and Warren Inc., Juliet Kepes, Florence Knoll, Walter Landor, Laverne Originals, Tom Lee, Dorothy Liebes, Raymond Loewy, Jack Masey, George Nelson, Walter Paepcke, Annemarie Henle Pope, Noémi Raymond, Bernard Rudofsky, Herwin Schaefer, Saul Steinberg, Angelo Testa and the Tilletts.

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Text in English and German. The basic features of Deutsche Lufthansa's present corporate image emerged almost 45 years ago. It was created by Otl Aicher, one of the principal figures at the now legendary Hochschule für Gestaltung in Ulm. Another work by Aicher that spoke to the whole of Germany, as it were (and still does, in rudiments), is the 1972 corporate image for the Zweites Deutsches Fernsehen. The corporate image he created for the Olympic Games in Munich, which made an essential contribution to the ambience of the event, has also remained memorable. Since the ideas developed by Aicher and his colleagues were implemented in the early sixties, the airline has been seen world-wide as a perfect example of a consistently developed corporate image. Aicher based himself on ideas from the Deutscher Werkbund and took the company's entire inventory into consideration: "house colours, pictorial and typographic logos, typeface, graphic and typographic rules and standards, photographic style, quality of support materials, packaging, exhibition systems, architectural characteristics, forms (design) of interior furnishings and equipment, style of work and service clothes". As well as Otl Aicher, numerous other product and graphic designers, fashion designers and advertising and marketing agencies have worked for Lufthansa. They include Otto Firle, whose ideas led to the crane logo, Hartmut Esslinger and his company frog design, Priestman & Goode, Müller Romca Industriedesign, Don Wallance, Wilhelm Wagenfeld, Hans Theo Baumann, Nick Roericht, Wolfgang Karnagel, Topel & Pauser and the bhar design practice, fashion designers Uli Richter, Ursula Tautz and Werner Machnick, Jürgen Weiss, Gabriele Strehle and the Jobis company as well as the agencies Zintzmeyer & Lux, the Peter Schmidt Group, Ogilvy & Mather, Young & Rubicam, Spiess/Ermisch/Abel, Springer & Jacoby, McCann & Erickson and Fanghänel & Lohmann. An exhibition of the same name at the Museum for Applied Arts in Frankfurt deals with the same subject as the book.

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As a survivor of a brutal attack by the Yorkshire Ripper, this book gives fresh insight into the consequences of being labeled a victim of this notorious serial killer. Mo Lea was followed home and attacked by Peter Sutcliffe, who hit her over the head repeatedly with a hammer. She was stabbed with a screwdriver leaving her with life threatening injuries. The book reveals how Mo has wrestled with the past, struggling to come to terms with the well-trodden, morbid narrative. She has written a new, fresh perspective for the present day. Her writing offers an alternative account, one which repositions her as a survivor with a success story. While sympathy has its place for the victims, this book gives insight into processes of recovery and success. Mo had no control over unwanted media interventions. Sometimes the Ripper story would appear on the morning news while she was getting ready to go to work. She learnt to contain her anxiety but she could neither predict or escape these uncomfortable moments that reminded her of her past trauma. Mo Lea's art practice has been an important factor in her life. She has been fortunate to use this as an outlet to explore her pain, anger, suffering and recovery. After years of personal growth and recovery, a short film was made of Mo Lea creating a drawing from the iconic photograph of the man who had tried to take her life. She is filmed ripping up the Ripper. She is filmed tearing up the portrait that she had so carefully drawn, rendering him as disposable as a piece of litter. The film shows how Mo turned her story around, making Sutcliffe the victim and herself, the triumphant survivor. Mo had finally found a way of stepping out of the frame. She no longer felt Iike running away. The illustrations contained within describe better than any words, her journey from tragic despair to calmness and acceptance. By writing this book Mo Lea has found a way to reclaim her story.

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"Now Michael, you're the son of a naval officer, you must behave like a naval officer at all times..."What Captain William Rutherford told his seven-year-old son Michael was to stay with him all his life. Born in 1950, Michael was truly his father's son, even serving in the naval section of the student cadet corps at one of England's top public schools, Charterhouse. Mike's future lay in the civil service: it was a subject that he discussed with his father at Captain Crawford's gentlemen's club. But then something happened. Mike discovered rock music. As one of the founder members of Genesis, Mike was to tour the world and achieve international fame. From unpromising beginnings - demonised by his teachers as a fomenter of revolution, driving to gigs in a bread van - Mike would go on to crisscross the globe with bandmates Peter Gabriel and, later, Phil Collins, playing to packed-out stadiums and achieving record sales of over 150 million. Swapping old school ties and Savile Row suits for flares and Afghan coats, Mike and Genesis would pioneer the pomp and theatricality of 1970s progressive rock before becoming household names in the 1980s with hits like Turn It On Again, Mama and Land of Confusion. There was drink, there were drugs; there were arguments and excess. But, in the background - and sometimes in the audience - there was also the loyal Captain Rutherford, earplugs at the ready, Melody Maker in hand. A proud father still.The Living Years spans the entire history of Genesis, from the earliest days as a school band to the triumphant 2007 reunion tour when Genesis played to over 500,000 people in Rome. But this is not just another rock 'n' roll memoir. This is also a book about two men whose lives and complex relationship reflect the seismic social and cultural shifts that took place during the twentieth century. A book for every father and son.

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A woman starved to death. A tech genius with his hands hacked off. The heist of the century.When DC Fiona Griffiths and her colleagues piece together the clues to several grim crimes, they realise they're staring at one of the world's most daring robberies. Fiona is asked to take on her toughest case yet: will she go undercover to penetrate this criminal gang from within?When Fiona says yes, she has to give up her old life entirely. She becomes Fiona Grey, a homeless woman struggling to get her life back together again. When the criminal gang adopt her as one of their own, she's totally alone, vulnerable - and dangerous as hell.Praise for the Fiona Griffiths mystery series: 'With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham...finds a sweet spot in crime fiction...think Stieg Larsson's Lisbeth Salander...[or] Lee Child's Jack Reacher... The writing is terrific' The Boston Globe 'The easiest five stars I've ever awarded a book. Fiona Griffiths is by far the most original detective I've come across' Loretta Milan'Gritty, compelling...a procedural unlike any other you are likely to read this year' USA Today 'Compelling...a new crime talent to treasure' Daily Mail 'Fiona Griffiths may be the most fascinating protagonist in fiction. She is similar to Lisbeth Salander, an intelligent but profoundly damaged young woman, but Fiona is less hostile and more curious, sort of a good guy sociopath. This is definitely one my favourite thriller series' Audrey, Top 500 ReviewerFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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A freezing cold winter. A dead body from the past. A tale of love - and murder. A human leg is discovered in a suburban freezer. The victim is a teenage girl killed some ten years earlier. But then other body parts start appearing. And these ones are male, dark-skinned, and very fresh...Is this a tangled tale of love gone wrong? Or are there more sinister lines connecting the dead bodies to a recent tragedy in a Cardiff prison, and an engineering company that's up to a whole lot more than is first apparent?Fiona Griffiths starts to investigate, in the midst of the coldest winter on record. Up in a remote cottage in the Welsh Black Mountains, she finds the data that contains the clue to the entire mystery. But, as the first snow starts to fall, she discovers that she's not alone...Praise for the Fiona Griffiths mystery series: 'Compelling...a new crime talent to treasure' Daily Mail 'A dark delight, and I look forward to Fiona's future struggles with criminals, her demons and the mysteries of her past' Washington Post 'With Detective Constable Fiona 'Fi' Griffiths, Harry Bingham...finds a sweet spot in crime fiction...think Stieg Larsson's Lisbeth Salander...[or] Lee Child's Jack Reacher... The writing is terrific' The Boston Globe 'A police procedural with a twist. Quirky, gripping, and rather like its lead character, utterly unconventional. That's what makes it such a delight to read. Highly recommended' Crime Thriller Girl'A cracking read that is both fresh and compelling' Red HandedFans of Angela Marsons, Peter James and Ann Cleeves will be gripped by the other titles in the Fiona Griffiths mystery series: 1. Talking to the Dead2. Love Story, With Murders3. The Strange Death of Fiona Griffiths4. This Thing of Darkness5. The Dead House 6. The Deepest Grave (coming soon!)If you're looking for a crime thriller series to keep you hooked, then go no further: you've just found it.** Each Fiona Griffiths thriller can be read as a standalone or in series order **

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A BRUTAL ACT OF VIOLENCEA body has been found dumped on the shores of Southend. Already under scrutiny following the murder of a corrupt cop, DS Frank Pearson and DC Cat Russell of the Essex Major Investigation Team are tasked with solving the case quickly, and quietly.A WOMAN TOO SCARED TO TALKWhen the victim's identity is revealed, the list of suspects begins to grow: a young woman knows more than she's letting on, but is she really involved? Or there's the estranged father, who's been trying to find the victim for months. One thing is clear: no one is telling the whole truth.A KILLER BACK FOR MORE?Then a shocking tragedy leads Pearson to a similar murder case from decades before. Is it a coincidence, or is history repeating itself? As Pearson and Russell search for the answer, they find themselves drawn into a terrifying cover-up going back fifty years...If you like Peter James, LJ Ross, Erin Kelly, TM Logan and Patricia Gibney, then you'll love Mark Hardie's gripping novels.****Praise for Mark Hardie:'Immensely impressive' The Times'The investigation into a copper's dramatic death in downbeat Southend scoops a cast of equally downbeat characters into its net, and tensions rise as their stories fold around each other. An accomplished debut' Sunday Times'Emotional, intelligent, sensual and with such a strong voice, Burned and Broken by Mark Hardie is a crime debut that deserves huge success' Harry Illingworth (Goldsboro Books)'I absolutely LOVED, LOVED, LOVED this book and I would recommend it to anybody. I can't wait to read more investigations led by DS Frank Pearson and DC Cat Russell' Amanda Oughton (Ginger Book Geek)'The story is easy to follow without being too simple, and the novel really manages to evoke a sense of atmosphere and reality within its pages. I didn't find myself becoming distracted whilst reading at all, and raced through it in hours. I will certainly be reading any future novels, particularly in this series which I wholeheartedly enjoyed' Laura Naz (Snazzy Books)

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This book investigates the life and work, and the literary and historical background, of the most popular Armenian poet and minstrel of the early modern era, Arut'in called Sayat'-Nova (c. 1712-1795). The most important of his songs in Armenian, Tiflis Armenian, Georgian and Azeri Turkish, one in four languages (these plus Persian), are edited in a unified transliteration from the original Georgian and Armenian scripts on the texts in the Tetrak, a 1765/6 MS in at least partly his own hand, and versions made in 1823 at St. Petersburg by his youngest son Ioane, with notes on variants, loanwords, cryptica ("trobar clus"), puns, etc. Six odes in poor Russian, hitherto ignored, are examined for motive and sentiments. Chapters are devoted to versification, genres and influences (mainly Persian), an attempt being made to analyse the attraction of his verse. Comparisons are drawn with the work, and where relevant the lives of Sappho, Ovid (fellow exile), Hafiz, Bernard de Ventadorn (fellow victim of the backbiter), Shakespeare (and his Dark Lady), etc. Sayat'-Nova's poems are mainly love-songs, others, mainly in Georgian, are complaints to his patron (eulogised as "the Emperor of China", etc.) concerning injustices at his hand and those of Georgian courtiers who held him, and Armenian Orthodox (which he was proud to be, as he declared in Azeri) among Georgian Orthodox and Muslims, for an unwelcome upstart. His religious odes (ilahis) and his religious views, to some extent coloured by Islam, are discussed. According to tradition, he died a martyr, refusing to apostasize when challenged by the troops of Agha Mahmad Khan on the invasion of Tiflis in 1795. Sayat'-Nova considered himself a builder of bridges between the various ethnic cultures of Georgia in whose languages he sang, reflecting the statesman-like aspirations of his royal patron. The present work is one of the few to treat the poems in each language on an equal basis.

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When Jean-Jacques Dessalines proclaimed Haitian independence on January 1, 1804, Haiti became the second independent republic, after the United States, in the Americas; the Haitian Revolution was the first successful antislavery and anticolonial revolution in the western hemisphere. The histories of Haiti and the early United States were intimately linked in terms of politics, economics, and geography, but unlike Haiti, the United States would remain a slaveholding republic until 1865. While the Haitian Revolution was a beacon for African Americans and abolitionists in the United States, it was a terrifying specter for proslavery forces there, and its effects were profound. In the wake of Haiti's liberation, the United States saw reconfigurations of its geography, literature, politics, and racial and economic structures. The Haitian Revolution and the Early United States explores the relationship between the dramatic events of the Haitian Revolution and the development of the early United States. The first section, "Histories," addresses understandings of the Haitian Revolution in the developing public sphere of the early United States, from theories of state sovereignty to events in the street; from the economic interests of U.S. merchants to disputes in the chambers of diplomats; and from the flow of rumor and second-hand news of refugees to the informal communication networks of the enslaved. The second section, "Geographies," explores the seismic shifts in the ways the physical territories of the two nations and the connections between them were imagined, described, inhabited, and policed as a result of the revolution. The final section, "Textualities," explores the wide-ranging consequences that reading and writing about slavery, rebellion, emancipation, and Haiti in particular had on literary culture in both the United States and Haiti. With essays from leading and emerging scholars of Haitian and U.S. history, literature, and cultural studies, The Haitian Revolution and the Early United States traces the rich terrain of Haitian-U.S. culture and history in the long nineteenth century. Contributors: Anthony Bogues, Marlene Daut, Elizabeth Maddock Dillon, Michael Drexler, Laurent Dubois, James Alexander Dun, Duncan Faherty, Carolyn Fick, David Geggus, Kieran Murphy, Colleen O'Brien, Peter P. Reed, Siân Silyn Roberts, Cristobal Silva, Ed White, Ivy Wilson, Gretchen Woertendyke, Edlie Wong.

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These essays offer a historically rigorous dismantling of Western claims about the superiority of celibate priests. Although celibacy is often seen as a distinctive feature of the Catholic priesthood, both Catholic and Orthodox Churches in fact have rich and diverse traditions of married priests. The essays contained in Married Priests in the Catholic Church offer the most comprehensive treatment of these traditions to date. These essays, written by a wide-ranging group that includes historians, pastors, theologians, canon lawyers, and the wives and children of married Roman Catholic, Eastern Catholic, and Eastern Orthodox priests, offer diverse perspectives from many countries and traditions on the subject, including personal, historical, theological, and canonical accounts. As a collection, these essays push especially against two tendencies in thinking about married priesthood today. Against the idea that a married priesthood would solve every problem in Catholic clerical culture, this collection deromanticizes and demythologizes the notion of married priesthood. At the same time, against distinctively modern theological trends that posit the superiority, apostolicity, and “ontological” necessity of celibate priests, this collection refutes the claim that priestly ordination and celibacy must be so closely linked. In addressing the topic of married priesthood from both practical and theoretical angles, and by drawing on a variety of perspectives, Married Priests in the Catholic Church will be of interest to a wide audience, including historians, theologians, canon lawyers, and seminary professors and formators, as well as pastors, parish leaders, and laypeople. Contributors: Adam A. J. DeVille, David G. Hunter, Dellas Oliver Herbel, James S. Dutko, Patrick Viscuso, Alexander M. Laschuk, John Hunwicke, Edwin Barnes, Peter Galadza, David Meinzen, Julian Hayda, Irene Galadza, Nicholas Denysenko, William C. Mills, Andrew Jarmus, Thomas J. Loya, Lawrence Cross, and Basilio Petrà.

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These essays offer a historically rigorous dismantling of Western claims about the superiority of celibate priests. Although celibacy is often seen as a distinctive feature of the Catholic priesthood, both Catholic and Orthodox Churches in fact have rich and diverse traditions of married priests. The essays contained in Married Priests in the Catholic Church offer the most comprehensive treatment of these traditions to date. These essays, written by a wide-ranging group that includes historians, pastors, theologians, canon lawyers, and the wives and children of married Roman Catholic, Eastern Catholic, and Eastern Orthodox priests, offer diverse perspectives from many countries and traditions on the subject, including personal, historical, theological, and canonical accounts. As a collection, these essays push especially against two tendencies in thinking about married priesthood today. Against the idea that a married priesthood would solve every problem in Catholic clerical culture, this collection deromanticizes and demythologizes the notion of married priesthood. At the same time, against distinctively modern theological trends that posit the superiority, apostolicity, and “ontological” necessity of celibate priests, this collection refutes the claim that priestly ordination and celibacy must be so closely linked. In addressing the topic of married priesthood from both practical and theoretical angles, and by drawing on a variety of perspectives, Married Priests in the Catholic Church will be of interest to a wide audience, including historians, theologians, canon lawyers, and seminary professors and formators, as well as pastors, parish leaders, and laypeople. Contributors: Adam A. J. DeVille, David G. Hunter, Dellas Oliver Herbel, James S. Dutko, Patrick Viscuso, Alexander M. Laschuk, John Hunwicke, Edwin Barnes, Peter Galadza, David Meinzen, Julian Hayda, Irene Galadza, Nicholas Denysenko, William C. Mills, Andrew Jarmus, Thomas J. Loya, Lawrence Cross, and Basilio Petrà.

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Insight Guides RussiaTravel made easy. Ask local experts. Comprehensive travel guide packed with inspirational photography and fascinating cultural insights, now with free eBook.From deciding when to go, to choosing what to see when you arrive, this guide to Russia is all you need to plan your perfect trip, with insider information on must-see, top attractions like St Basil's, the Kremlin and Red Square, and cultural gems like wandering around Kizhi's magnificent churches, exploring the vast Lake Baikal and riding the epic Trans-Siberian Railway. Features of this travel guide to Russia:- Inspirational colour photography: discover the best destinations, sights and excursions, and be inspired by stunning imagery- Historical and cultural insights: immerse yourself in Russia's rich history and culture, and learn all about its people, art and traditions- Practical full-colour maps: with every major sight and listing highlighted, the full-colour maps make on-the-ground navigation easy- Editor's Choice: uncover the best of Russia with our pick of the region's top destinations- Key tips and essential information: packed full of important travel information, from transport and tipping to etiquette and hours of operation- The ultimate travel tool: download the free app and eBook to access this and bonus content from your phone or tablet- Covers: Moscow; The Golden Ring; St Petersburg; The European North; Southwest of Moscow; Along the Volga; The Urals; The European South; Siberia; Russian Far EastLooking for a specific guide to Moscow? Check out City Guide Moscow for a detailed and entertaining look at all the city has to offer.About Insight Guides: Insight Guides is a pioneer of full-colour guide books, with almost 50 years' experience of publishing high-quality, visual travel guides with user-friendly, modern design. We produce around 400 full-colour print guide books and maps, as well as phrase books, picture-packed eBooks and apps to meet different travellers' needs. Insight Guides' unique combination of beautiful travel photography and focus on history and culture create a unique visual reference and planning tool to inspire your next adventure.

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From 1989 through 2002 there was an unprecedented surge in American sitcoms featuring explicitly Jewish lead characters, thirty-two compared to seven in the previous forty years. Several of these—Mad About You, The Nanny, and Friends—were among the most popular and influential of all shows over this period; one program—Seinfeld—has been singled out as the “defining” series of the nineties. In addition, scriptwriters have increasingly created “Jewish” characters, although they may not be perceived to be by the show’s audience, Rachel Green on Friends being only one example.In Something Ain’t Kosher Here, Vincent Brook asks two key questions: Why has this trend appeared at this particular historical moment and what is the significance of this phenomenon for Jews and non-Jews alike? He takes readers through three key phases of the Jewish sitcom trend: The early years of television before and after the first Jewish sitcom, The Goldbergs’, appeared; the second phase in which America found itself “Under the Sign of Seinfeld”; and the current era of what Brook calls “Post- Jewishness.”Interviews with key writers, producers, and “showrunners” such as David Kohan, (Will and Grace), Marta Kauffman (Friends and Dream On), Bill Prady (Dharma and Greg), Peter Mehlman and Carol Leifer (Seinfeld), and close readings of individual episodes and series provoke the inescapable conclusion that we have entered uncharted “post-Jewish” territory. Brook reveals that the acceptance of Jews in mainstream white America at the very time when identity politics have put a premium on celebrating difference reinforces and threatens the historically unique insider/outsider status of Jews in American society. This paradox upsets a delicate balance that has been a defining component of American Jewish identity.The rise of the Jewish sitcom represents a broader struggle in which American Jews and the TV industry, if not American society as a whole, are increasingly operating at cross-purposes— torn between the desire to celebrate unique ethnic identities, yet to assimilate: to assert independence, yet also to build a consensus to appeal to the widest possible audience. No reader of this book will ever be able to watch these television programs in quite the same way again.

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‘A fascinating catalogue, torqued around the notion of a film critic watching moving images by day and then focussing on still ones at night’ -- Irish Art ReviewIn 2004 the British Museum received a bequest of 211 modern and contemporary prints and drawings from the influential film critic Alexander Walker (1930–2003). Undoubtedly one of the most important bequests in recent years, the acquisition of these works has transformed and significantly expanded the Museum’s collection of modern and contemporary Western graphic art. Walker was born in Portadown, Northern Ireland but spent most of his career in London, writing weekly film reviews for the Evening Standard for over 40 years. He also wrote a number of highly successful books about film including the ground-breaking 1969 publication Sex in the Movies, a trilogy of books about the British film industry and numerous biographies of directors and actors including Stanley Kubrick, Audrey Hepburn, Elizabeth Taylor and Peter Sellers. Walker’s collecting began tentatively in the early 1960s but gained in momentum as his confidence grew and his disposable income increased due to the success of his books. In a letter to a fellow collector in 1996, Walker wrote ’Audrey goes on selling strongly and has enabled me to buy some things I could hardly have afforded a few years ago: a beautiful Matisse etching ..., a rare print by Morandi ... and a marvellous woodcut by ... Vija Celmins‘. He lived with his collection around him, using every inch of space in his modest London apartment including the walls of his bathroom and kitchen. Walker developed a network of art dealers, gallerists and publishers whom heviewed as advisors, mentors and friends. These trusted figures introduced him to the work of many of the artists represented in his collection and recommended books, exhibitions and museums to visit. Walker remarked of his collection to one art dealer: ‘It’s an eclectic one, I know, but everything in it has added to my pleasure (and education), and the sum total has introduced me to a vast range of new acquaintances...’. As part of the bequest, the British Museum obtained Walker’s complete archive of correspondence and paperwork relating to his prints and drawings collection, which this publication draws on in both the essay and the catalogue. As a result, Walker’s own voice is fully present in this book.

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Rob Young's Electric Eden: Unearthing Britain's Visionary Music is a seminal book on British music and cultural heritage, that spans the visionary classical and folk tradition from the nineteenth-century to the present day. 'A thoroughly enjoyable read and likely to remain the best-written overview for a long time.'GUARDIAN'A perfectly timed, perfectly pitched alternative history of English folk music . . . wide-ranging, insightful, authoritative, thoroughly entertaining.'NEW STATESMAN'A stunning achievement.'SIMON REYNOLDS'A masterpiece.' CAUGHT BY THE RIVER'Excellent . . . blissfully quotable.' NEW YORK TIMES'An authoritative account.' THE TIMES'Consistently absorbing.' INDEPENDENT'An impassioned and infectious rallying cry of a book.' SUNDAY TIMESIn this groundbreaking survey of more than a century of music making in the British Isles, Rob Young investigates how the idea of folk has been handed down and transformed by successive generations - song collectors, composers, Marxist revivalists, folk-rockers, psychedelic voyagers, free festival-goers, experimental pop stars and electronic innovators.In a sweeping panorama of Albion's soundscape that takes in the pioneer spirit of Cecil Sharp; the pastoral classicism of Ralph Vaughan Williams and Peter Warlock; the industrial folk revival of Ewan MacColl and A. L. Lloyd; the folk-rock of Fairport Convention, Sandy Denny, Nick Drake, Shirley Collins, John Martyn and Pentangle; the bucolic psychedelia of The Incredible String Band, The Beatles and Pink Floyd; the acid folk of Comus, Forest, Mr Fox and Trees; The Wicker Man and occult folklore; the early Glastonbury and Stonehenge festivals; and the visionary pop of Kate Bush, Julian Cope and Talk Talk, Electric Eden maps out a native British musical voice that reflects the complex relationships between town and country, progress and nostalgia, radicalism and conservatism.An attempt to isolate the 'Britishness' of British music - a wild combination of pagan echoes, spiritual quest, imaginative time-travel, pastoral innocence and electrified creativity - Electric Eden will be treasured by anyone interested in the tangled story of Britain's folk music and Arcadian dreams.'A treat.' TIME OUT'Young is a fine writer.' MOJO'Young's immense narrative is both educative and gripping.' UNCUT'A multitudinous, fascinating and beautifully written account.' TLS

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Named One of the Best Books of the Week by the New York Post!In a historical debut evoking the style of The Crown, the daughter of an impoverished noble is swept into the fame and notoriety of the royal family and Princess Margaret's fast-living friends when she is appointed as Margaret's second Lady-in-Waiting.Diana, Catherine, Meghan…glamorous Princess Margaret outdid them all. Springing into post-World War II society, and quite naughty and haughty, she lived in a whirlwind of fame and notoriety. Georgie Blalock captures the fascinating, fast-living princess and her “set” as seen through the eyes of one of her ladies-in-waiting. In dreary, post-war Britain, Princess Margaret captivates everyone with her cutting edge fashion sense and biting quips. The royal socialite, cigarette holder in one hand, cocktail in the other, sparkles in the company of her glittering entourage of wealthy young aristocrats known as the Margaret Set, but her outrageous lifestyle conflicts with her place as Queen Elizabeth’s younger sister. Can she be a dutiful princess while still dazzling the world on her own terms?Post-war Britain isn’t glamorous for The Honorable Vera Strathmore. While writing scandalous novels, she dreams of living and working in New York, and regaining the happiness she enjoyed before her fiancé was killed in the war. A chance meeting with the Princess changes her life forever. Vera amuses the princess, and what—or who—Margaret wants, Margaret gets. Soon, Vera gains Margaret’s confidence and the privileged position of second lady-in-waiting to the Princess. Thrust into the center of Margaret’s social and royal life, Vera watches the princess’s love affair with dashing Captain Peter Townsend unfurl. But while Margaret, as a member of the Royal Family, is not free to act on her desires, Vera soon wants the freedom to pursue her own dreams. As time and Princess Margaret’s scandalous behavior progress, both women will be forced to choose between status, duty, and love…

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Gary Dorrien expounds in this book the religious philosophy underlying his many magisterial books on modern theology, social ethics, and political philosophy. His constructive position is liberal-liberationist and post-Hegelian, reflecting his many years of social justice activism and what he calls "my dance with Hegel." Hegel, he argues, broke open the deadliest assumptions of Western thought by conceiving being as becoming and consciousness as the social-subjective relation of spirit to itself; yet his white Eurocentric conceits were grotesquely inflated even by the standards of his time. Dorrien emphasizes both sides of this Hegelian legacy, contending that it takes a great deal of digging and refuting to recover the parts of Hegel that still matter for religious thought. By distilling his signature argument about the role of post-Kantian idealism in modern Christian thought, Dorrien fashions a liberationist form of religious idealism: a religious philosophy that is simultaneously both Hegelianâas it expounds a fluid, holistic, open, intersubjective, ambiguous, tragic, and reconciliatory idea of revelationâand post-Hegelian, as it rejects the deep-seated flaws in Hegel's thought. Dorrien mines Kant, Schleiermacher, and Hegel as the foundation of his argument about intellectual intuition and the creative power of subjectivity. After analyzing critiques of Hegel by SÃ,ren Kierkegaard, Karl Marx, Karl Barth, and Emmanuel Levinas, Dorrien contends that though these monumental figures were penetrating in their assessments, they appear one-sided compared to Hegel. In a Post-Hegelian Spirit further engages with the personal idealist tradition founded by Borden Parker Bowne, the process tradition founded by Alfred North Whitehead, and the daring cultural contributions of Paul Tillich, W. E. B. Du Bois, Martin Luther King Jr., Rosemary Radford Ruether, David Tracy, Peter Hodgson, Edward Farley, Catherine Keller, and Monica Coleman. Dispelling common interpretations that Hegel's theology simply fashioned a closed system, Dorrien argues instead that Hegel can be interpreted legitimately in six different ways and is best interpreted as a philosopher of love who developed a Christian theodicy of love divine. Hegel expounded a process theodicy of God salvaging what can be salvaged from history, even as his tragic sense of the carnage of history cuts deep, lingering at Calvary.

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Into the Light: Lauretta Vinciarelli centres on the interdisciplinary work of Lauretta Vinciarelli (1943-2011), a key yet relatively unknown figure who inhabited a world of "firsts": she was the first woman to have drawings acquired by the Department of Architecture and Design at the Museum of Modern Art (in 1974); she was among the first women hired to teach architecture studio courses at Columbia University (in 1978); and she was the first and only woman granted a solo exhibition at Peter Eisenman's influential Institute of Architecture and Urban Studies in New York (also 1978). Raised in northern Italy and educated at La Sapienza University in Rome during the tumultuous 1960s, Vinciarelli would bring her socio-political consciousness to bear on her work in New York, where she relocated in 1969. By 1976, she and Minimalist artist Donald Judd had become a romantic and professional pair, collaborating for nearly ten years on architecture, furniture design, and printmaking. Her influence on Judd's work and her historical place in the story of contemporary architecture has been overlooked by art historians, however, and her legacy today resides with the luminous watercolor paintings she created from the 1980s until the end of her life. This book presents the first comprehensive study of Vinciarelli's work in art and architecture, offering a unique lens through which to reassess the revival of architectural drawing in the late 1970s as connected to larger theoretical, pedagogical, and political aims to shed new light on this electrifying period. More than simply a book of reclamation, Into the Light argues that Vinciarelli is an overlooked missing link in the exchange between Italy and the United States at a pivotal point in contemporary architecture, in the architectural drawings revival of the 1970s as connected to the socio-political context of Italy, and in the historiography of Minimalism. It consequently offers a wholly new appraisal of not only Vinciarelli's career, but of the art and architectural scene in New York during this period; of the revival of architectural drawing; of the slow inclusion of women into the architectural academy; and of creative collaborations between couples.

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'I am insanely in love with George Cross' Stephen Fry To solve any murder, you must first know your victim . . . THE DETECTIVE DS George Cross has unique and unmatchable talents. He uses a combination of logic, determination and, often, pedantry to get answers where others have failed for families who have long given up hope. So when a ravaged body is found in a local demolition site, it's up to Cross to piece together the truth from whatever fragments he can find. THE VICTIM Cross has little to go on, but from the faint tan lines on the ravaged body, and strange scars on his forearms, an identity gradually emerges: a male amateur cyclist; a reliance on performance-enhancing drugs. But what happened that led to this man's death? How did he end up here? And, most importantly, who is he? THE FAMILY In the face of ever-mounting challenges, including budget cuts and unreliable witnesses, Cross must first work out who the man is to have any chance of solving the murder. But in searching for this man's identity, Cross will come up against a lot that he is unfamiliar with – jealousy, ambition and a family tearing itself apart . . . Perfect for fans of M.W. Craven, Peter James and Joy Ellis, The Cyclist is part of the DS George Cross thriller series, which can be read in any order. Why readers love George Cross . . . 'A clever mystery full of tension but also humour and compassion. George Cross is becoming one of my favourite detectives.’ Elly Griffiths 'In DS George Cross, Tim Sullivan has created a character who is as endearing as any I’ve ever come across in this genre. His quirks are his gift, and with Sullivan’s tremendous plotting and superb writing, this series is a gift to readers.' Liz Nugent 'The fact that Cross has been diagnosed with autism spectrum disorder makes him just as intriguing as the murder mystery' The Times 'A British detective for the 21st century who will be hard to forget' Daily Mail 'The plot is meticulously worked out... Can't wait for the next in the series!' Reader review 'I find myself really caring about George and his way of thinking' Reader review 'It's good to believe that somewhere there is a Cross pursuing truth against the odds, and winning' Reader review

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2019 Banff Mountain Book Competition Category Finalist in Mountain Literature 2019 Boardman Tasker Award for Mountain Literature Finalist "If you climbed during that era, you'll turn each page eagerly to find out what happens next (even though you know). If you didn't, you'll likely do the same.... In many ways, Hangdog Days reads as the great American climbing novel. Smoot accepts Todd [Skinner]'s call to join him, and brings us along." -Gripped Fast-paced history-cum-memoir about rock climbing in the wild-and-wooly '80s Highlights ground-breaking achievements from the era Hangdog Days vividly chronicles the era when rock climbing exploded in popularity, attracting a new generation of talented climbers eager to reach new heights via harder routes and faster ascents. This contentious, often entertaining period gave rise to sport climbing, climbing gyms, and competitive climbing--indelibly transforming the sport. Jeff Smoot was one of those brash young climbers, and here he traces the development of traditional climbing "rules," enforced first through peer pressure, then later through intimidation and sabotage. In the late '70s, several climbers began introducing new tactics including "hangdogging," hanging on gear to practice moves, that the old guard considered cheating. As more climbers broke ranks with traditional style, the new gymnastic approach pushed the limits of climbing from 5.12 to 5.13. When French climber Jean-Baptiste Tribout ascended To Bolt or Not to Be, 5.14a, at Smith Rock in 1986, he cracked a barrier many people had considered impenetrable. In his lively, fast-paced history enriched with insightful firsthand experience, Smoot focuses on the climbing achievements of three of the era's superstars: John Bachar, Todd Skinner, and Alan Watts, while not neglecting the likes of Ray Jardine, Lynn Hill, Mark Hudon, Tony Yaniro, and Peter Croft. He deftly brings to life the characters and events of this raucous, revolutionary time in rock climbing, exploring, as he says, "what happened and why it mattered, not only to me but to the people involved and those who have followed."

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The Scum of the Earth explores the common soldiers the Duke of Wellington angrily condemned as ‘scum’ for their looting at Vitoria, from their great victory over Napoleon at the Battle of Waterloo in 1815 to their return home to a Regency Britain at war with itself. It follows men like James Graham, the Irishman hailed as the bravest man in the British Army for his heroic action in closing the north gate at Hougoumont, and fresh documentary evidence that he was forced to plead for charity because he was so poor; Francis Styles, who went to his grave claiming that he had captured the eagle that was credited to his superior officer; and John Lees, a spinner from Oldham who joined up at 15, braved shell and shot to deliver ammunition to the guns at Waterloo and was cut down four years later at the Peterloo Massacre by some of the cavalry with whom he served. All this is set against a backdrop of civil unrest on a scale unprecedented in British history. The Regency age is famous for its elegance, its exuberance, the industrial revolution that made Britain the powerhouse of Europe and the naval might that made it a global superpower. But it was also an age of riots and the fear that the mob would win control just as it had done in Paris. Britain came closer to bloody revolution than ever before or since, as ordinary men – including some of the men whom Wellington called the scum of the earth – took to the streets to fight for their voices to be heard in Parliament. The riots were put down by a series of repressive measures while Wellington stood like a bastion against the tide of history. He was defeated with the passage of the Great Reform Act in 1832. There is no one better placed to take a cold, hard look at the battle and its aftermath in order to save us from a bicentenary of misty-eyed backslapping than a former political editor with a reputation for myth busting. Colin Brown provides original research into the heroes of Waterloo and the myths that have clouded the real story.

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‘Spellbinding. Once you start reading you don’t want to put it down. It is emotional and your heart will go out to these children… I loved it. I couldn’t put it down’ NetGalley review ⭐⭐⭐⭐⭐ The USA Today Bestseller Two sisters. One secret. A daring wartime journey… Desperate to escape their stepfather’s house, sisters Amy and Lillian stow away aboard a train full of children being evacuated from London and the threat of Hitler’s bombs. Arriving in the seaside town of Worthing, they are taken in by kindly Norah and her husband Jim. With their future now entrusted to strangers, can the girls finally find a safe harbour in these dark days of war? And will they find the strength to confront what they have been running from, when their past finally catches up with them? An absolutely heartbreaking and uplifting wartime story of courage, sisterhood and the power of love. Perfect for fans of Shirley Dickson, Glynis Peters and Lisa Wingate. Don’t miss the next chapter of the sisters’ story, The Lost Orphan, available to pre-order now! Readers love The Runaway Orphans: ‘Read this book in ONE sitting… Heartbreak, love… A story to lift your heart. Wonderful’ NetGalley review ⭐⭐⭐⭐⭐ ‘Impossible to put down… Heart-breaking and heart-warming all at the same time’ NetGalley review ⭐⭐⭐⭐⭐ ‘A very emotional book and had me in tears… Excellent 5*’ NetGalley review ⭐⭐⭐⭐⭐ ‘So emotional that will touch your heart… A wonderful atmospheric journey and I enjoyed every single chapter ’ NetGalley review ⭐⭐⭐⭐⭐ ‘Gripping and emotional… Once I started it, I didn't want to put it down and read it in two sittings’ NetGalley review ⭐⭐⭐⭐⭐ ‘Oh this book had me on the edge of my seat so many times! I was rooting for those poor girls’ NetGalley review ⭐⭐⭐⭐⭐ ‘Wow… Loved all the characters… I enjoyed it so much I finished it within 24hrs. Would highly recommend’ NetGalley review ⭐⭐⭐⭐⭐ ‘What a beautiful book. I couldn't stop reading until the last page’ NetGalley review ⭐⭐⭐⭐⭐ ‘I loved this… Gripping and emotional. Once I started it, I didn't want to put it down and read it in two sittings’ NetGalley review ⭐⭐⭐⭐⭐

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Philip's created this new series for walkers, cyclists and local explorers at a scale that provides greener options to uncover all the nature and hidden gems in your local area. With over 18,000 streets and lanes and alleys, and from Aylesbury to Wolverton, we cover Buckinghamshire in enticing detail.Who hasn't explored and enjoyed their surrounding area in recent years and come to appreciate what is on our respective doorsteps? Philip's have created this new series for walkers, cyclists and local explorers at a scale that provides greener options to uncover all the nature and hidden gems in your local area.Includes all the streets in AYLESBURY, BLETCHLEY, CHESHAM, HIGH WYCOMBE, MILTON KEYNES, SLOUGH, Amersham, Beaconsfield, Berkhamsted, Buckingham, Burnham, Chalfont St Giles, Chalfont St Peter, Chesham Bois, Chorleywood, Cookham, Denham, Flackwell Heath, Gerrards Cross, Great Missenden, Haddenham, Hazlemere, Iver, Linslade, Little Chalfont, Loudwater, Loughton, Maidenhead, Marlow, Newport Pagnell, Olney, Prestwood, Princes Risborough, Stoke Mandeville, Stoke Poges, Stony Stratford, Thame, Tring, Uxbridge, Wendover, Windsor, Winslow, Wolverton.The detailed scale allows explorers, walkers and cyclists to avoid main roads and select pathways, bridleways and lanes for optimum enjoyment. Whether it's meandering through the local parks or historic houses, exploring neighbourhood nature spots or the local town, we have the clear mapping and information you need.If you do have to travel to reach areas you'd like to explore, all A and B roads are clearly shown on our Route Planner and we include. Exceptional detail allows the user to pinpoint exactly where they need to go and the best route to follow.· The only atlas with every road, street and lane in the county named, along with the best pedestrian routes, long-distance cycle routes.· Highlighting lanes, alleyways, footpaths and bridleways, camping and caravan sites, golf courses, parks, gardens and many, many other places of interest· Contains all the usual one-way streets, barriers, car parks, railway and bus stations, hospitals, colleges and schools, police and fire stations, places of worship, post offices, shopping and leisure centres

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Ben Cohen’s dad didn’t know anything about the sport his young son had taken up, but he was happy to drive him to practice, and was soon helping out at the club. When his business went bankrupt money was tight, but Ben’s hard working parents inspired their son to put his all into rugby.Then, when Ben was 20, his father intervened in a fight in the nightclub where he worked. He was viciously beaten and one month later he died in hospital. Ben was doing an England press conference at the time, and it was down to coach Clive Woodward to deliver the devastating news. But the ordeal was far from over. The inquest lasted five months before the funeral could be held, and it was a year before the family were in court, facing Peter’s assailants.Ben put all of the anger and pain from his father’s death into his rugby. Fast and powerful on the wing, he was soon the best in the world in his position and a cornerstone of the England team, culminating in the legendary World Cup win in Sydney in 2003. And yet he always felt like an outsider. Most people didn’t know that Ben is clinically deaf. His sixth sense for the game got him through on the pitch, but off it his poor hearing was often taken for arrogance.This is an inspirational story of passion and pain; of the highs of achieving your goals, and the grief of losing something you can never get back.

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Since his death in 1942, St Ives has become marinated in the spirit of the naïve painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.

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