Search results for ""the university press of kentucky""

In the years before the Revolutionary War, intrepid frontiersmen with roots in northern Ireland claimed vast tracts of land in Kentucky on which they developed plantations. They settled the land and with their families built enduring stone houses that became the centerpieces of their properties. In Early Stone Houses of Kentucky, author Carolyn Murray-Wooley examines these early frontier homes as well as the people who built and lived in them. What traditions did these settlers call on to provide construction techniques and plans? How do the frontier dwellings of settlers with differing origins compare with these stone houses? Murray-Wooley looks at these and many other questions, exploring the transfer of cultural traditions from northern Ireland to the state of Kentucky. Drawing on extensive field work and genealogical research, Murray-Wooley examines the history of these resourceful settlers and their architectural practices, uses scale drawings and floor plans to illustrate how the houses would have appeared at the time of construction, and compares them to modern photographs. The book includes color plates of more than thirty stone houses, as well as many black and white construction illustrations. Early Stone Houses of Kentucky is a fascinating look at the impact of a little-known community on the architecture and culture of the Bluegrass State.

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Human dependence on technology has increased exponentially over the past several centuries, along with the notion that environmental problems can be solved with scientific applications. The Virtues of Ignorance: Complexity, Sustainability, and the Limits of Knowledge proposes an alternative to this hubristic, shortsighted, and dangerous worldview. The contributors offer profound arguments for the advantages of an ignorance-based worldview. Examining the relationship between the land and the future generations who will depend on it, they propose that, while we cannot improve upon nature, by putting this new perspective to work in our professional and personal lives we can live sustainably on Earth.

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More than three decades after the withdrawal of American troops from Southeast Asia, the Vietnam War still resonates in political and cultural discourse and still motivates vibrant historical inquiry. The eminent scholars featured in The War That Never Ends present the newest perspectives on the war in Vietnam, from the homefront to Ho Chi Minh City, from the government halls to the hotbeds of activist opposition. The seventeen essays compiled by David L. Anderson and John Ernst examine Vietnamese as well as American experiences of the grueling conflict, breaking new ground on questions relating to gender, religion, ideology, media, and public opinion. The War That Never Ends sheds new light on the evolving historical meanings of the Vietnam War, its enduring influence on current matters of global significance, and its potential to influence American foreign policy, in times of peace and war.

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Between 1907 and 1980, many state and local governments empowered motion picture censor boards with the legal authority to keep any movie they considered obscene, indecent, or harmful from being shown. Although the mainstream American film industry accepted the form of censorship known as "prior restraint," the independent distributors and exhibitors challenged the government censors in court. In Freedom of the Screen, Laura Wittern-Keller tells the story of those who fought prior restraint on movies. By drawing attention to this inequity -- film was the only medium so constricted by the 1950s -- the distributors pushed a reluctant judiciary to square its interpretation of movie expression with the rights of other media. As these legal interpretations gradually became more sympathetic to artistic freedom -- largely because of the independent distributors' lawsuits -- Hollywood was free to discard its outmoded restraints and deliver provocative, relevant movies to American audiences.

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Guerrilla insurgencies continue to rage across the globe, fueled by ethnic and religious conflict and the easy availability of weapons. Reflecting the massive global movement of population from the countryside to cities, guerrilla conflict in urban areas, similar to the current violence in Iraq, will become more frequent. In his wide-ranging and richly detailed comparative analysis, Anthony James Joes examines eight key examples of urban guerrilla conflict across half a century and four continents: Warsaw in 1944, Budapest in 1956, Algiers in 1957, Montevideo and Sao Paulo in the 1960s, Saigon in 1968, Northern Ireland from 1970 to 1998, and Grozny from 1994 to 1996. He illustrates the fundamental differences between traditional and urban guerrilla warfare, traces the diverse origins of urban conflicts, and identifies similarities and differences in the methods of counterinsurgent forces. Joes argues persuasively against committing U.S. troops in urban counterinsurgencies but also offers cogent recommendations for the successful conduct of such operations if they must be undertaken. Urban Guerrilla Warfare is a readable, thorough, and convincing exposition of a form of conflict whose dangers will increasingly confront the American people for many years to come.

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With an Afterword by Joseph T. Glatthaar The View from the Ground brings together the perspectives of Civil War soldiers on all aspects of the conflict, revealing as much about nineteenth-century America as it does about the war itself. The contributors investigate the issues engaged by soldiers during the war, including slavery and racial tensions, the isolation that many men of faith felt in the early months of the war, the divide between soldiers and civilians, and the inherent difficulty in reconciling the act of killing with Christian precepts of charity and peacefulness. They also explore the ways veterans remembered the war. The View from the Ground shows that soldiers willfully shaped the course of the war, as soldiers and as citizens. The result is a collection that illustrates how new questions and fresh analyses of participants' lives and writings can expand our knowledge of our nation's greatest conflict.

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" The South continues to be the most distinctive region in American politics. Over the last half century, Democratic dominance in the South has given way to the emergence of a truly competitive two-party system that leans Republican in presidential elections. In some ways, the region is increasingly like the rest of the country, yet even the degree of change and the speed with which it occurred give the South a distinctive air. The contributors to Southern Political Party Activists examine both the development of American political party organizations and the changing political character of the South, focusing on grassroots party activists-those who are involved in party organizations at the county level. John A. Clark is associate professor of political science at Western Michigan University. Charles L. Prysby is professor of political science at the University of North Carolina at Greensboro.

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With more than 1,800 entries, The Encyclopedia of Louisville is the ultimate reference for Kentucky's largest city. For more than 125 years, the world's attention has turned to Louisville for the annual running of the Kentucky Derby on the first Saturday in May. Louisville Slugger bats still reign supreme in major league baseball. The city was also the birthplace of the famed Hot Brown and Benedictine spread, and the cheeseburger made its debut at Kaelin's Restaurant on Newburg Road in 1934. The "Happy Birthday" had its origins in the Louisville kindergarten class of sisters Mildred Jane Hill and Patty Smith Hill. Named for King Louis XVI of France in appreciation for his assistance during the Revolutionary War, Louisville was founded by George Rogers Clark in 1778. The city has been home to a number of men and women who changed the face of American history. President Zachary Taylor was reared in surrounding Jefferson County, and two U.S. Supreme Court Justices were from the city proper. Second Lt. F. Scott Fitzgerald, stationed at Camp Zachary Taylor during World War I, frequented the bar in the famous Seelbach Hotel, immortalized in The Great Gatsby. Muhammad Ali was born in Louisville and won six Golden Gloves tournaments in Kentucky.

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This authoritative volume provides a comprehensive guide to the 282 species of woody plants found in Kentucky, Illinois, Indiana, Ohio, Pennsylvania, West Virginia, Virginia, Tennessee, and Eastern Missouri. Illustrated with more than 1,150 photographs, this book shows not only leaves and bark, but also buds, flowers, and fruits to enable you to recognize trees at any season. Complete with an identification guide that really works, this beautiful book will be valuable to both specialist and amateur.

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Orson Welles was once asked which directors he most admired. He replied: "The old masters. By which I mean John Ford, John Ford, and John Ford." A legend in his own time, John Ford (1894-1973) received a record four Academy Awards for best director, and two of his World War II documentaries won Oscars for the US Navy. He directed 136 films in a career that lasted from the early silent era through the late 1960s. Ford is celebrated throughout the world as the cinema's foremost chronicler of American history, the leading poet of the Western genre, and a wide-ranging filmmaker of profound emotional impact. His classic films - including Stagecoach (1939), The Grapes of Wrath (1940), How Green Was My Valley (1941), The Quiet Man (1952), The Searchers (1956), and The Man Who Shot Liberty Valance (1962) - remain widely popular, and he has been acknowledged as a major influence on filmmakers such as Jean Renoir, Ingmar Bergman, Akira Kurosawa, Howard Hawks, Frank Capra, Samuel Fuller, Elia Kazan, Sidney Lumet, Martin Scorsese, Steven Spielberg, and George Lucas. In this groundbreaking critical study, Joseph McBride and Michael Wilmington provide an overview of Ford's career as well as in-depth analyses of key Ford films. Analyzing recurring Fordian themes and relating each film to his entire body of work, the authors insightfully explore the full richness of Ford's tragicomic vision of history. This new and revised version includes a study of the twenty-seven Ford silent films now known to survive in whole or in part (more than double the number available when the original edition was published); essays on three controversial aspects of Ford: his tragicomic sensibility, his views of race, and the influence of his Irish heritage; and an expanded version of McBride's interview with Ford on the last day of his career.

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In this vital transnational study, Kimberly D. Hill critically analyzes the colonial history of central Africa through the perspective of two African American missionaries: Alonzo Edmiston and Althea Brown Edmiston. The pair met and fell in love while working as a part of the American Presbyterian Congo Mission - an operation which aimed to support the people of the Congo Free State suffering forced labor and brutal abuses under Belgian colonial governance. They discovered a unique kinship amid the country's growing human rights movement and used their familiarity with industrial education, popularized by Booker T. Washington's Tuskegee Institute, as a way to promote Christianity and offer valuable services to local people.From 1902 through 1941, the Edmistons designed their mission projects to promote community building, to value local resources, and to incorporate the perspectives of the African participants. They focused on childcare, teaching, translation, construction, and farming - ministries that required constant communication with their Kuba neighbors. Hill concludes with an analysis of how the Edmistons' pedagogy influenced government-sponsored industrial schools in the Belgian Congo through the 1950s. A Higher Education illuminates not only the work of African American missionaries - who are often overlooked and under-studied - but also the transnational implications of black education in the South. Significantly, Hill also addresses the role of black foreign missionaries in the early civil rights movement, an argument that suggests an underexamined connection between earlier nineteenth-century Pan-Africanisms and activism in the interwar era.

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From 1935 until 1975, just about every junkie busted for dope went to the Narcotic Farm. Equal parts federal prison, treatment center, farm, and research laboratory, the Farm was designed to rehabilitate addicts and help researchers discover a cure for drug addiction. Although it began as a bold and ambitious public works project, and became famous as a rehabilitation center frequented by great jazz musicians among others, the Farm was shut down forty years after it opened amid scandal over its drug-testing program, which involved experiments where inmates were being used as human guinea pigs and rewarded with heroin and cocaine for their efforts.Published to coincide with a documentary to be aired on PBS, The Narcotic Farm includes rare and unpublished photographs, film stills, newspaper and magazine clippings, government documents, as well as interviews, writings, and anecdotes from the prisoners, doctors, and guards that trace the Farm's noble rise and tumultuous fall, revealing the compelling story of what really happened inside the prison walls.

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The first biography dedicated to the namesake of Joint Base Andrews, this book sheds a light on Andrews's crucial role in orchestrating US involvement in World War II, as well as the professional relationship and rapport that Andrews and Marshall shared.

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Born in Fallsburg, Kentucky, in a tenant house insulated with newspapers, Paul Patton had a humble upbringing that held few clues about his future as one of the most prominent politicians in the history of the state. From the coal mines of eastern Kentucky to the governor's office in Frankfort, Patton's life exemplifies triumph through hard work, determination, and perseverance, as well as the consequences of personal mistakes.In The Coal Miner Who Became Governor, Patton, with Jeffrey S. Suchanek, details his personal, professional, and political life as Kentucky's fifty-ninth governor. This comprehensive memoir details the beginning of his career in the coal industry—from working for his father-in-law, J. C. Cooley, in the 1950s to partnering with his brother-in-law, Nick, to establish their own company, which they sold for millions in 1978—and how he leveraged his coal connections into a political career. Patton started raising money for Democratic candidates before becoming the chair of the Kentucky Democratic Party. He first took elected office in 1981 as Pike County Judge-Executive; he then served a term as lieutenant governor (1991–1995), followed by an unprecedented two consecutive terms as governor. His overhaul of higher education in Kentucky led to his role as the University of Pikeville's greatest champion and eventual president and chancellor, even after a scandal-ridden second term in Frankfort effectively ended his political career.In this compelling account, Patton reveals the decision-making process for many of his controversial choices, including campaign strategies, selection of running mates, his postsecondary education and workers' compensation reforms, his work on early childhood development initiatives, and his attempt at tax reform. He gives his unfiltered opinion about Mitch McConnell's "scorched-earth political philosophy" and how it has failed Kentucky, and he draws connections between public policy and party machinations during his time in office and the present day. He also addresses his fall from grace—his extramarital affair with Tina Conner and its effects on his personal and professional life.

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When one thinks of influential World War II military figures, five-star generals such as Dwight D. Eisenhower and Omar Bradley instantly come to mind. As important as these central figures were to the Second World War, the conflict produced equally effective lower-profile leaders whose influence had an undeniable impact.Among these leaders are William Simpson, commander of the US Ninth Army, and James Moore, his chief of staff. Working in tandem, the pair helmed a unit that gained recognition as "uncommonly normal," an affectionate designation driven by their steadfast professionalism in all endeavors. It was their unobtrusive leadership style that relegated these career military men to the footnotes of military history.Commanding Professionalism: Simpson, Moore, and the Ninth US Army corrects this historical oversight by examining the achievements of these overlooked heroes. Focusing on Simpson and Moore's careers from 1940 through the end of World War II, author William Stuart Nance recounts the pair's working relationship. Together, they successfully maneuvered through the squabbling of the American and British forces and developed an army admired for its consistency of conduct and military prowess, capable of resisting the complex external and political machinations of the time.Simpson and Moore's unflinching devotion to the greater good and their steady handle on the dynamics of command/staff relationships proved essential to the war effort and its ultimate success. Their example, Nance argues, remains aspirational and worthy of emulation in the military command structure of today.

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Although US involvement in the Vietnam conflict began long before 1965, Lyndon Johnson's substantial large commitment of combat troops that year marked the official beginning of America's longest twentieth-century war. By 1969, after years of intense fighting and thousands of casualties, an increasing number of Americans wanted the United States out of Vietnam. Richard Nixon looked for a way to pull out while preserving the dignity of the United States at home and abroad, and at the same time, to support the anticommunist Republic of Vietnam. Ultimately, he settled on the strategy of Vietnamization—the gradual replacement of US soldiers with South Vietnamese forces.Drawing on newly declassified documents and international archives, Unwilling to Quit dissects the domestic and foreign contexts of America's withdrawal from the Vietnam War. David L. Prentice demonstrates how congressional and presidential politics were a critical factor in Nixon's decision to abandon his hawkish sensibilities in favor of de-escalation. Prentice reframes Nixon's choices, emphasizes Secretary of Defense Melvin Laird's outsized yet subtle role in the decision-making process, and considers how South Vietnam's Nguyen Van Thieu and North Vietnam's Le Duan decisively shaped the American exit. Prentice brings Vietnamese voices into the discussion and underscores the unprecedented influence of American civilians on US foreign policy during the Vietnamization era.

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While other industries chase after the new and improved, bourbon makers celebrate traditions that hearken back to an authentic frontier craft. Distillers enshrine local history in their branding and time-tested recipes, and rightfully so. Kentucky's unique geography shaped the whiskeys its settlers produced, and for more than two centuries, distilling bourbon fundamentally altered every aspect of Kentucky's landscape and culture.Making Bourbon: A Geographical History of Distilling in Nineteenth-Century Kentucky illuminates how the specific geography, culture, and ecology of the Bluegrass converged and gave birth to Kentucky's favorite barrel-aged whiskey. Expanding on his fall 2019 release Bourbon's Backroads, Karl Raitz delivers a more nuanced discussion of bourbon's evolution by contrasting the fates of two distilleries in Scott and Nelson Counties. In the nineteenth century, distilling changed from an artisanal craft practiced by farmers and millers to a large-scale mechanized industry. The resulting infrastructure - farms, mills, turnpikes, railroads, steamboats, lumberyards, and cooperage shops - left its permanent mark on the land and traditions of the commonwealth. Today, multinational brands emphasize and even construct this local heritage. This unique interdisciplinary study uncovers the complex history poured into every glass of bourbon.

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This comprehensive biography is the first to present Lewis Milestone's remarkable life -- a classic rags-to-riches American narrative -- in full and explores his many acclaimed films from the silent to the sound era. Creator of All Quiet on the Western Front, Of Mice and Men, the original Ocean's Eleven and Mutiny on the Bounty, Lewis Milestone (1895-1980) was one of the most significant, prolific, and influential directors of our time. A serious artist who believed in film's power not only to entertain, but also to convey messages of social importance, Milestone was known as a man of principle in an industry not always known for an abundance of virtue.Born in Ukraine, Milestone came to America as a tough, resourceful Russian-speaking teenager and learned about film by editing footage from the front as a member of the Signal Corps of the US Army during World War I. During the course of his film career, which spanned more than 40 years, Milestone developed intense personal and professional relationships with such major Hollywood figures as Howard Hughes, Kirk Douglas, Marlene Dietrich, and Marlon Brando. Addressed are Milestone's successes -- he garnered 28 Academy Award nominations -- as well as his challenges. Using newly available archival material, this work also examines Milestone's experience during the Hollywood Blacklist period, when he was one of the first prominent Hollywood figures to fall under suspicion for his alleged Communist sympathies.

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With the rapid development of computer science and the expanding use of computers in all facets of American life, there has been made available a wide range of instructional and informational films on automation, data processing, and computer science. Here is the first annotated bibliography of these and related films, gathered from industrial, institutional, and other sources.This bibliography annotates 244 films, alphabetically arranged by title, with a detailed subject index. Information is also provided concerning the intended audience, rental-purchase data, ordering procedures, and such specifications as running time and film size.

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Born at the turn of the twentieth century in Cynthiana, Kentucky, Elizabeth Cromwell Kremer was a woman who strove for excellence in all things.

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Horror films. Deanna Durbin musicals. Francis the talking mule. Ma and Pa Kettle. Ross Hunter weepies. Theme parks. ET. Apollo 13. These are only a few of the many faces of Universal Pictures. In February 1906 Carl Laemmle, German immigrant and former clothing store manager, opened his first nickelodeon in Chicago. He quickly moved from exhibition to distribution and to film production. A master of publicity and promotions, within ten years "Uncle Carl" had moved his entire operation to southern California, founded a city, and established Universal Pictures as one of the major Hollywood studios. In time Universal found its niche in horror films featuring Karloff and Lugosi, comedies starring Abbott and Costello and W.C. Fields, and low-budget musicals. But Carl Laemmle Jr. proved less adept than his father at empire building. Eventually he was forced out by financial difficulties, opening the way for a string of studio heads who entered and exited one after another. Thus the age of corporate Hollywood arrived at Universal Pictures earlier than at other studios. The Universal-International merger in 1946, Decca's stock takeover in the early 1950s, and MCA's buyout in 1962 all presaged today's Hollywood, where the art of the deal often eclipses the art of making movies. Stars and executives have come and gone, shaping and reshaping the studio's image, but through it all Universal's revolving globe logo has remained on movie screens around the world. And, unlike several other studios of Hollywood's golden age, Universal still makes movies today.

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One of the defining features of United States foreign policy since World War II has been the nation's special relationship with Israel. This informal alliance, rooted in shared values and culture, grew out of a moral obligation to promote Israel's survival in the aftermath of the Holocaust as US policymakers provided military aid, weapons, and political protection. In return, Israel served American interests through efforts to contain communism and terrorism in the region. Today, the US provides almost four billion dollars in military aid per year, which raises questions regarding interest and propriety: At what point does US support for Israel exceed the boundaries of the countries' unconventional relationship and become counterproductive to other national interests, including the pursuit of peace in the Middle East?Kenneth Kolander provides a vital new perspective on the US-Israel bond by focusing on Congress's role in developing and maintaining the special relationship during a crucial period. Previous studies have focused on the executive branch, but Kolander demonstrates that US-Israel relations did not follow a course preferred by successive presidential administrations, especially in the 1960s and 1970s. Instead, he illuminates how influential lobbies, America's affinity for Israel and antipathy towards Arabs, and economic pressures influenced legislators and inspired congressional action in support of Israel. In doing so, he presents an essential investigation of the ways in which legislators exert influence in foreign policy and adds new depth to the historiography of an important dynamic in postwar world politics.

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The hills of the Appalachia region hold secretsdark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and hillfolk for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentuckytales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or haints, strange creatures or boogers, haunted locations or stained earth, uncanny happenings or high strangeness, and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the st

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Affrilachia, a term first coined in 1991 by Kentucky poet Frank X Walker, refers to the cultural contributions of African Americans who live in Appalachia, a largely mountainous region stretching over thirteen states from Mississippi to New York. Although Black Americans have greatly influenced the popular culture landscape in this region, their stories, trials, and triumphs are often undocumented because Appalachia is perceived as wholly white. In this stunning visual history, photographer and curator Chris Aluka Berry gives voice to the broad spectrum of African Americans who have lived in the Appalachian region over the centuries. Berry, who spent six years in western North Carolina, northeast Georgia, and eastern Tennessee, immersed himself in the communities and lives of Black Appalachians to present the diversity and commonalities of the proud people in the region. His intimate and revealing photographs capture Arican Americans in various settingschurches, homes, revival servic

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I could dream in poetry, could summon words for spiritual experience, could name God in twelve ways and in ten times and places in history. Award-winning writer Karen Salyer McElmurray details her life's journey across continents and decades in a poetic collection that is equal parts essay-as-memoir, memoir-as-Künstlerroman, and travelogue-as-meditation. It is about the deserts of India. A hospital ward in Maryland. The blue seas of Greece. A greenhouse in Virginia. It is about the spirit houses of Thailand. The mountains of eastern Kentucky. The depths of the Grand Canyon. A creative writing classroom in Georgia. An attic in a generations-old house. It is about coming to terms with both memory and the power of writing itself. At turns lyrical, poignant, and alluring, McElmurray probes her personal history from the stance of different places, perspectives, and vulnerabilities as she tenderly and fiercely searches for acceptance and a place to call home.

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In a span of minutes, the lives of four members of Brickton Community College change forever when an active shooter enters the campus and opens fire. Running on adrenaline and fear, the groupa crew of students and their teachersubdues the perpetrator in a violent frenzy that leads to the man''s death. Reeling from the shock of their collective actions, the group is thrown into turmoil when they realize that the person they have killed is someone they all knew. Narrated in alternating voices and set against the backdrop of an economically depressed Appalachian town, Laura Leigh Morris''s The Stone Catchers explores the immeasurable pain and loss felt by the survivors of a school shooting. Forced to process the horror of the event, mourn, and to reconcile themselves to their newfound recognition as local heroes, the survivors grapple with the losses suffered by their community and their own actions. In the process they come face to face with the unquantifiable cost gun violence takes on

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Nineteen-year-old Cowney Sequoyah yearns to escape his hometown of Cherokee, North Carolina, in the heart of the Smoky Mountains. When a summer job at Asheville's luxurious Grove Park Inn and Resort brings him one step closer to escaping the hills that both cradle and suffocate him, he sees it as an opportunity. The experience introduces him to the beautiful and enigmatic Essie Stamper—a young Cherokee woman who is also working at the inn and dreaming of a better life.With World War II raging in Europe, the resort is the temporary home of Axis diplomats and their families, who are being held as prisoners of war. A secret room becomes a place where Cowney and Essie can escape the white world of the inn and imagine their futures free of the shadows of their families' pasts. Outside of this refuge, however, racism and prejudice are never far behind, and when the daughter of one of the residents goes missing, Cowney finds himself accused of abduction and murder.Even As We Breathe invokes the elements of bone, blood, and flesh as Cowney navigates difficult social, cultural, and ethnic divides. Betrayed by the friends he trusted, he begins to unearth deeper mysteries as he works to prove his innocence and clear his name. This richly written debut novel explores the immutable nature of the human spirit and the idea that physical existence, with all its strife and injustice, will not be humanity's lasting legacy.

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Joshua "Josh" Gibson (1911–1947) is a baseball legend - one of the greatest power hitters in the Negro Leagues, and in all of baseball history. At the height of his career, this trailblazing athlete suffered grueling physical ailments, lost his young wife who died giving birth to their twins, and endured years of Jim Crow–era segregation and discrimination - all the while breaking records on the ball field.Dorian Hairston's debut poetry collection explores the Black American experience through the lens of Gibson's life and seventeen-year baseball career, which culminated in his posthumous election to the Baseball Hall of Fame in 1972. Hairston brilliantly reconstructs the personas of Gibson and others in his orbit whose encounters with white supremacy interweave with the inevitability of losing loved ones. By alternating between the perspectives of Gibson, members of his family, and contemporary Black baseball players, Hairston captures the complexity and the pain of living under the oppressive weight of grief and racial discrimination.Emotive, prescient, and absorbing, these powerful poems address social change, culture, family, race, death, and oppression - while honoring and giving voice to Gibson and a voiceless generation of African Americans.

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On August 17, 1942, twelve Boeing B-17 Flying Fortresses of the United States Eighth Air Force carried out the first American raid over occupied Europe, striking the rail yards at Rouen, France. Soon after, hundreds of American B-17s and Consolidated B-24 Liberators filled the skies above Europe. Despite frequent attacks against Germany and its allies by four different air forces, American commanders failed to stage a successful air offensive against Germany in the summer and fall of 1943. When victory in the air war against the Axis powers appeared bleak at the threshold of 1944, a change in command accompanied by top-down organizational restructuring allowed the American leaders to snatch victory from the jaws of defeat for the first time.Uniting against the Reich: The American Air War in Europe addresses how the United States swiftly reversed its air war against the Axis powers by reevaluating both individual agency and the structural elements that impeded the US from taking the lead in the European Theater. Luke W. Truxal argues that the appointment of General Dwight D. Eisenhower as the Supreme Allied Commander incorporated various air commands under a single authority, which allowed them to unify their efforts against a specific strategic objective. In this narrative, victory in Europe hinged on restructuring the air force under one command system in order to wage a series of sustained and targeted bombings against German infrastructure and industry. Truxal's provocative reinterpretation of personality, material, and command organization helps to explain the success of the American war effort in Europe leading up to and after February 1944, when Germany lost 355 fighters during an operation that lasted only five days. This comprehensive and well-written account offers a compelling new assessment of the development of the American war in Europe and emphasizes the importance of developing an "air-mindedness" when evaluating and strategizing large-scale operations.

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Deviant Hollers: Queering Appalachian Ecologies for a Sustainable Future uses the lens of queer ecologies to explore environmental destruction in Appalachia while mapping out alternative futures that follow from critical queer perspectives on the United States' exploitation of the land. With essays by Lis Regula, Jessica Cory, Chet Pancake, Tijah Bumgarner, MJ Eckhouse, and other essential thinkers, this collection brings to light both emergent and long-standing marginalized perspectives that give renewed energy to the struggle for a sustainable future. A new and valuable contribution to the field of Appalachian studies, rural queer studies, Indigenous studies, and ethnographic studies of the United States, Deviant Hollers presents a much-needed objection to the status quo of academic work, as well as to the American exceptionalism and white supremacy pervading US politics and the broader geopolitical climate. By focusing on queer critiques and acknowledging the status of Appalachia as a settler colony, Deviant Hollers offers new possibilities for a reimagined way of life.

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When Louis Gatewood Galbraith passed away in 2012, the flood of tributes honoring him merely scratched the surface of the life of this colorful and controversial figure. Throughout his political career, regional and national media outlets focused on the policy ideas and public acts that made Gatewood a cultural fixture: public demonstrations, an affinity for recreational drug use, unfiltered language, and recurring political campaigns. Best known as an advocate for the legalization of cannabis, Second Amendment rights, and smaller government, Gatewood was a perennial candidate whose once-quixotic platform might have found traction in contemporary Kentucky politics.In Gatewood: Kentucky's Uncommon Man, Matthew Strandmark weaves together personal stories, public records, and oral history interviews to provide a comprehensive overview of the life and career of an eccentric and fascinating figure. From his ailment-plagued childhood in Carlisle, Kentucky, to his young adulthood spent at the fringes of Lexington society, the opening chapters of Gatewood's life were vital in developing the values that later came to define his political career—his passion for rural communities and low tolerance for bullies. As a college dropout in the 1960s, Gatewood explored both conventional and unconventional avenues of self-discovery before returning to the University of Kentucky, where he graduated from law school and found his calling as an evangelist for cannabis legalization. His appetite for the spotlight and his penchant for standing up for the underdog launched Gatewood into a thirty-year career of campaigning, groundbreaking legal cases, public activism throughout the commonwealth—and friendships with celebrities, including Woody Harrelson, Jack Herer, and Willie Nelson.As an attorney, activist, author, father, friend, and opponent, Galbraith wore many hats—and not just his beloved fedora. This revealing biography features insightful conversations with Gatewood's family and colleagues, as well as commentary from Paul E. Patton, Ernie Fletcher, Andy Barr, Ben Chandler, and other well-known Kentuckians. Gatewood provides a richer and nuanced understanding of a generous, complicated, and flawed public figure who devoted his life to helping others and whose legacy will continue to resonate with Kentuckians for generations to come.

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In poems at once profound and accessible, Nadia Colburn finds splendor and astonishment in a natural world - and a human world - that is deeply troubled yet still majestically beautiful. Both elegy and celebration, I Say the Sky addresses some of the most challenging aspects of human existence, from childhood trauma to environmental devastation, and discovers, in unexpected and clear-sighted ways, wisdom, wonder, and peace.Colburn's brilliant second book charts a journey to meet the self. From girlhood to parenthood, loss to discovery, in poems that sing, the book explores how meaning is made. Claiming the female voice from silence, the poems find their grounding in the body and achieve rootedness and hope.I Say the Sky is a meditative and ultimately inspiring book that will be savored by seasoned readers as well as those new to poetry.

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Rural life and culture hold a practical and symbolic importance in American society. A central tenet to the survival of our cherished values - and of ourselves as a species - is the stewardship of cultural diversity and the places that foster it, like rural America. These may be the places that teach us to use land to make a living and to make a life, to forge and carry on our identities, and to feel history. They may yield a harvest of policies for managing an environmental balancing act that will preserve essential resources for America's children's children. Power and Place: Preservation, Progress, and the Culture War over Land examines the ongoing culture wars that pit conservation against economic progress. For author Melinda Bollar Wagner, what began as a study of Appalachia's long-standing and continuing status as an energy sacrifice zone evolved into a twenty-four-year research project that sheds new light on the physical and emotional parameters of cultural attachment to land. Drawing on interviews with more than 220 residents from ten communities in five Appalachian counties, Power and Place gives voice to rural citizens whose place at the table is far from assured with regard to critical energy, environmental, and infrastructure decisions.

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No one will protect you. Months after being named the 2022 Kentucky Teacher of the Year, Willie Edward Taylor Carver Jr. announced his decision to leave the public school system. His career as a high school English teacher had spanned more than a decade but ended abruptly - another casualty of the cruel and dangerous anti-LGBTQ+ discrimination that is creeping back into the halls of government and the homes of Americans. At the beginning of Carver's career, an administrator warned him about discussing his otherwise openly gay identity at work: "No one will protect you, including me." A new administration allowed for more freedom, but the initial warning eventually rang true. School officials failed repeatedly to address harassment of students and of Carver himself, until he could no longer endure such a purposeful deterioration of human rights. While Carver's testimony before the House of Representatives brought much-needed attention to the need for protections for LGBTQ+ people in schools, the damage was done.In Gay Poems for Red States, Carver counters the injustice of a persistent anti-LGBTQ+ movement by asserting that a life full of beauty and pride is possible for everyone. More than a collection of poetry, Carver's earnest and heartfelt verses are for those wishing to discover and understand the vastness of Appalachia, and for the LGBTQ+ Appalachians who long for a future - for a home - in an often unwelcoming place.

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Since the 1920s, fashion has played a central role in Hollywood. As the movie-going population consisted largely of women, studios made a concerted effort to attract a female audience by foregrounding fashion. Magazines featured actresses like Jean Harlow and Joan Crawford bedecked in luxurious gowns, selling their glamour as enthusiastically as the film itself. Whereas actors and actresses previously wore their own clothing, major studios hired costume designers and wardrobe staff to fabricate bespoke costumes for their film stars. Designers from a variety of backgrounds, including haute couture and art design, were offered long-term contracts to work on multiple movies. Though their work typically went uncredited, they were charged with creating an image for each star that would help define an actor both on- and off-screen. The practice of working long-term with a single studio disappeared when the studio system began unravelling in the 1950s. By the 1970s, studios had disbanded their wardrobe departments and auctioned off their costumes and props. In Designing Hollywood: Studio Wardrobe in the Golden Age, Christian Esquevin showcases the designers who dressed Hollywood's stars from the late 1910s through the 1960s and the unique symbiosis they developed with their studios in creating iconic looks. Studio by studio, Esquevin details the careers of designers like Vera West, who worked on Universal productions such as Phantom of the Opera (1925), Dracula (1931), and Bride of Frankenstein (1931); William Travilla, the talent behind Marilyn Monroe's dresses in Gentleman Prefer Blondes (1953) and The Seven Year Itch (1955); and Walter Plunkett, the Oscar-winning designer for film classics like Gone with the Wind (1939) and An American in Paris (1951). Featuring black and white photographs of leading ladies in their iconic looks as well as captivating original color sketches, Designing Hollywood takes the reader on a journey from drawing board to silver screen.

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For decades, James Bawden and Ron Miller have established themselves as maestros of provocative interviews, giving fans unmatched insights into the lives of Hollywood A-listers. In their fourth collection, the authors pay tribute to film pioneers who lit up Tinseltown from the 1930s through the 1960s. They Made the Movies features conversations with legendary directors who created many of film's all-time classics, including Frank Capra (It's A Wonderful Life, 1946), Richard Fleischer (20,000 Leagues Under the Sea, 1954), Alfred Hitchcock (Psycho, 1960), Ralph Nelson (Lilies of the Field, 1963), Robert Wise (The Sound of Music, 1965), and Chuck Jones (How the Grinch Stole Christmas! 1966). Tantalizing firsthand details about many acclaimed films are revealed, such as the revelation of Mervyn LeRoy's first-choice of lead actress for The Wizard of Oz ("Shirley Temple... but Shirley couldn't sing like Judy [Garland]"), Billy Wilder's insights on directing ("You have to be a sycophant, a sadist, a nurse, a philosopher"), and how megaproducer Hal B. Wallis purchased an unproduced play titled Everyone Comes to Rick's and transformed it into Casablanca ("The part [of Sam] almost went to Lena Horne, but I thought she was too beautiful"). The authors also celebrate the contributions of marginalized filmmakers such as Ida Lupino, James Wong Howe, Oscar Micheaux, and Luis Valdez, who prevailed in Hollywood despite the discrimination they faced throughout their careers. They Made the Movies appeals to film and television enthusiasts of all ages.

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Public education plays a crucial role in crafting a nation's future. In the United States, education reform policy, particularly the reliance on large-scale, standardized testing, is a growing topic of national conversation and concern. An Illusion of Equity: The Legacy of Eugenics in Today's Education demonstrates how centuries of propaganda have led us to accept the idea that test scores indicate something so valuable about human beings that they should be used to organize society.Drawing on decades of experience as an educator, author Wendy Zagray Warren unpacks the origins of this practice, inviting us to probe the ideologies underlying testing procedures and score interpretation and to evaluate the rationale for using test scores as the sole markers for academic achievement. From the beginning, large-scale tests have produced scores divided by race and class. Initially, these results aligned with the eugenic ideology of its creators. Warren shows that while the rhetoric used to justify test-based policy has changed, the model used to produce test scores remains much the same. Therefore, so do the outcomes of test-based policies, which continue to reproduce and reinforce the existing social hierarchy of the United States.The hope of equity lies in educators charting new paths and scholars around the world who are dreaming new educational paradigms into being. Ultimately, Warren invites policymakers, educators, and parents to explore the richness of possibility when education is designed around the belief that every child is worthy of the opportunity to thrive.

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"Even in death, who has ownership over Black women's bodies?"Questions like this sit between the lines of this stunning collection of stories that engage the nuance of African women's histories. Their history is not just one thing, there is heartbreak and pain, and joy, and flying and magic, so much magic. An avenging spirit takes on the patriarchy from beyond the grave.An immigrant woman undergoes a naturalization ceremony in an imagined American state that demands that immigrants pay a toll of the thing they love the most to be allowed to stay. A first-generation Zimbabwean-American woman haunted by generational trauma is willing to pay the ultimate price to take her pain away - giving up her memories. A neighborhood gossip wakes up to find that houses are mysteriously vanishing in the night. A shapeshifting freedom fighter leaves a legacy of resistance to her granddaughter.In Drinking from Graveyard Wells, Yvette Lisa Ndlovu assembles a collection of poignantly reflective stories that ventilate the voices of African women charting a Black history across oceans between southern Africa and America. Ndlovu's stories play with genres ranging from softly surreal to deeply fantastical. Each narrative is wrapped in the literary eloquence and tradition of southern African mythology, in a way that transports readers into the lives of African women who have fought across time and space to be seen.Drawing on her own experiences as a Zimbabwean whose early life was spent under the Mugabe dictatorship, Ndlovu's stories are grounded in truth and empathy. Ndlovu boldly offers up alternative interpretations of a past and a present that speculates into the everyday lives of a people disregarded. Her words explore the erasure of African women - while highlighting their beauty potential and limitless possibility. Immersed in worlds both fantastical and familiar, readers find themselves walking alongside these women, grieving their pain, and celebrating their joy, all against the textured backdrop of African histories, languages, and cultures.

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British-born actress, singer, director, and producer Ida Lupino (1918-1995) cut one of the most alluring profiles of any Hollywood persona during the forties and fifties. The star of classic films such as They Drive by Night (1940), High Sierra (1941), and Road House (1948), she was a stalwart of the screen throughout her early career and frequently received top billing ahead of stars such as Humphrey Bogart. While her talent was undeniable, her insistence on taking only roles she felt would challenge her professionally often put her at odds with the demands of studio executives.It was in those periods of frustration and suspension as an actor that Lupino fostered a talent for the filmmaking process. In a decision relatively unprecedented for women in her era, she founded her own independent production company where she became widely regarded as one of the most prolific filmmakers working at the height of the Hollywood studio system. She has been described by fellow directors such as Martin Scorsese as "resilient, with a remarkable empathy for the fragile and heartbroken."William Donati's Ida Lupino: A Biography chronicles the dramatic life of one of Hollywood's most substantive and innovative artists who lived her life unapologetically both behind and in front of the camera.

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The stories and accounts of Kentucky basketball's players, iconic coaches and epic games have been told and retold, but lesser known are the stories of the arenas and venues that have been home to the Wildcats face=Calibri>– buildings that have witnessed the sights, sounds, and shared spirit of the Big Blue Nation for over a century.In House of Champions author Kevin Cook combines archival research and numerous interviews with players and coaches to reveal the rich history and colorful details of the structures that have hosted UK basketball. A number of fascinating backstories are uncovered, including the excitement of Alumni Gym's opening night in 1925; the problematic acquisition of a Black community for Memorial Coliseum; and the moving account of the displays of nearly ten thousand names of Kentucky's WWII and Korean War heroes on the Coliseum's pedestrian ramps. The account concludes with a compelling overview of the development of historic Rupp Arena: its inner workings, the prominent figures involved face=Calibri>– and how the initial conversation to build it began over a slice of Jerry's pie in 1968.This insightful and entertaining history reveals how the impact of these sporting facilities extended far beyond the courts' sidelines to directly shape and influence the social, economic, and political landscapes of Lexington and Central Kentucky. House of Champions also faithfully recreates the full game day experience of fans in the stands for several key games in UK's storied past. It ultimately offers an even greater appreciation of the history of the Wildcats and what the famed indoor stadiums have brought to the program face=Calibri>– a must for any true Big Blue Basketball fan.

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When one thinks of the quintessential Frenchman, one likely pictures Jean Gabin (1904-1976). The son of music hall performers, the Paris-born actor grew up in the entertainment business. His onscreen debut in the 1930's marked the beginning of many memorable roles in films such as La Grande Illusion (1937) and Émile Zola's La Bête Humaine (1938). His performances would earn him international recognition and establish his reputation as one of the greatest stars of film noir.Pausing his performances on screen, Gabin joined the Allied struggle of WWII. Serving under General Charles De Gaulle in the Free French Forces as a tank commander, Gabin was awarded several medals for his service. Upon his return to acting after the war, he became the embodiment of the uniquely French spirit face=Calibri>– a persona that would define his future roles.In Jean Gabin: The Actor Who Was France, Joseph Harriss tells the story of this French icon. This well-researched biography documents Gabin's life from his start as a reluctant singer and dancer in Parisian music halls to his rise to film superstardom. Harriss recounts the actor's multi-faceted persona, including his famously fiery temper, his tumultuous love affairs face=Calibri>– including a six-year relation with the German star Marlene Dietrich face=Calibri>– and his military valor. With this enthralling work, film enthusiasts can gain an appreciation of France's quintessential movie star and his lasting impact on world cinema during its Golden Age.

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Despite his numerous hits and Grammy nominations - and his induction into the Rock & Roll Hall of Fame - John Mellencamp remains one of America’s most underrated songwriters. In Mellencamp, David Masciotra explores the life and career of this important talent, persuasively arguing that he deserves to be celebrated alongside artists like Bruce Springsteen, Neil Young, and Bob Dylan.Starting with his modest beginnings in Seymour, Indiana, Masciotra details Mellencamp’s road to fame, examining his struggles with the music industry and his persistent dedication to his midwestern roots as he found success by remaining true to where he came from. Masciotra addresses the numerous themes Mellencamp introduces into his songs, which range from small town life, race, and Christianity to poverty and the struggles of adulthood, placing them within the social and historical context of contemporary America.From a cultural critic who has contributed to the Washington Post, Atlantic, and Los Angeles Review of Books, this thoughtful analysis highlights four decades of the artist’s music, which has consistently elevated the dignity of everyday people and honored the quiet heroism of raising families and working hard.

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Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted, as the result of rumors.The Hollywood Motion Picture Blacklist: Seventy-Five Years Later offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Author Larry Ceplair draws on previously published work while introducing new material to vigorously recount the events that took place between the US government, Hollywood unions, and motion picture studios. Ceplair thoroughly examines the role of Jewish identity in many anti-communist efforts—a concept that has never been fully examined by scholars - and analyzes the actions of subpoenaed witnesses who were forced to choose between cooperating with the House Committee or joining the blacklist. This fascinating book is an illuminating examination of a dark period in American history and the fragility of our rights to free speech and due process. The book includes a comprehensive annotated bibliography and filmography.

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Wilbur H. Siebert published his landmark study of the Underground Railroad in 1898, revealing a secret system of assisted slave escapes. A product of his time, Siebert based his research on the accounts of white, male, northern abolitionists. While useful in understanding the northern boundaries of the slaves' journey, this account leaves out the complicated narrative of assistance below the Mason-Dixon Line. In The Gospel of Freedom: Black Evangelicals and the Underground Railroad, author Alicestyne Turley positions Kentucky as a crucial 'pass through' territory for escaping slaves and addresses the important contributions of white and Black antislavery southerners who united to form organised networks to assist slaves in the Deep South.Drawing both on family history and lore, as well as a large range of primary sources, Turley shows how free and enslaved African Americans directly influenced efforts to physically and spiritually resist slavery and how slaves successfully developed their own systems to help others enslaved below the Mason-Dixon Line. Illuminating the roles of these black freedom fighters, Turley questions the validity of long-held conclusions based on Siebert's original work and suggests new areas of inquiry for further exploration. Picking up where other scholarship has left off, this book seeks to fill the historical gaps and promote the lost voices of the Underground Railroad, unveiling these invisible 'tracks' for the first time.

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By 1926, it seemed that John R. Brinkley's experimental rejuvenation cure face=Calibri>– transplanting goat glands into aging men face=Calibri>– had taken the nation by storm. Never mind that 'Doc' Brinkley's medical credentials were shaky at best and that he prescribed medication over the airwaves via his high-power radio stations. To most in the medical field, he was a quack; to his many patients and listeners he was a brilliant surgeon, a saviour of their lost manhood and youth. His rogue radio stations, XER and its successor XERA, eventually broadcast at an antenna-shattering 1,000,000 watts and were not only a haven for Brinkley's lucrative quackery, but also hosted an unprecedented number of then-unknown country musicians and other guests. Indisputably, he transformed the fields of medicine, politics, and radio broadcasting in the 20th century.The Bizarre Careers of John R. Brinkley tells the story of the infamous 'Goat Gland Doctor' face=Calibri>– a controversial medical charlatan, groundbreaking radio impresario, and prescient political campaigner face=Calibri>– and recounts his amazing rags-to-riches-to-rags career. A master manipulator and skilled con artist, Brinkley's story was but a patchy perpetuation of myths by journalistic and personal accounts – until now. Alton Lee brings Brinkley's infamous legacy to the forefront, exploring how he ruthlessly exploited the sexual frustrations of aging men and the general public's antipathy toward medical doctors for his personal gain. Lee leaves no stone unturned in this account of a man who changed the course of American institutions forever.

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What do we learn from eating? About ourselves? Others? In this unique memoir, Doris Friedensohn takes eating as an occasion for inquiry. Munching on quesadillas and kimchi in her suburban New Jersey neighborhood, she reflects on the meanings of cultural inclusion and what it means to our diverse nation. Enjoying couscous in Tunisia and khatchapuri (cheese bread) in the Republic of Georgia, she explores the ways strangers maintain their differences and come together. Friedensohn's subjects range from Thanksgiving at a Middle Eastern restaurant to fried grasshoppers in Oaxaca. Her wry dramas of the dining room, restaurant, market, and kitchen ripple with geopolitical, economic, psychological, and spiritual tensions. Eating as I Go is Friedensohn's distinctive combination of memoir, traveler's tale, and cultural commentary.

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Football and Philosophy: Going Deep investigates many of the issues surrounding the nation's biggest sport. From a review of the flaws of the Bowl Championship Series, to a study of the violence inherent in the game, to an examination of Vince Lombardi's views on winning, the essays in this collection tackle the moral and philosophical principles behind gridiron competition. The result is an insightful, humorous, and original book that will engage all fans of the game.

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A sequel to the award-winning Buffalo Dance, Frank X Walker's When Winter Come: The Ascension of York is a dramatic reimagining of Lewis and Clark's legendary exploration of the American West. Grounded in the history of the famous trip, Walker's vibrant account allows York -- little more than a forgotten footnote in traditional narratives -- to embody the full range of human ability, knowledge, emotion, and experience. Knowledge of the seasons unfolds to York "like a book," and he "can read moss, sunsets, the moon, and a mare's foaling time with a touch." During the journey, York forges a spiritual connection and shares sensual delights with a Nez Perce woman, and Walker's poems capture the profound feelings of love and loss on each side of this ill-fated meeting of souls. As the perspectives of Lewis, Clark, Sacagawea, and others in the party emerge, Walker also gives voice to York's knife, his hunting shirt, and the river waters that have borne thousands of travelers before and after the Lewis and Clark expedition. The alternately heartbreaking and uplifting poems in When Winter Come are told from multiple perspectives and rendered in vivid detail. When Winter Come exalts the historical persona of a slave and lifts the soul of a man; York ascends out of his chains, out of oblivion, and into flight.

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