Search results for ""nero""

If you could go back in time and talk to famous villains from the past, what would you ask? Brave animal interviewer and author Andy Seed has adapted his incredible 'tranimalator' device into a time machine, allowing him to go back and talk to all kinds of figures from history! Get to know 10 famous villains who take a quick break from dastardly deeds to answer all sorts of (very nosy) questions about their actions and unique perspectives. Are they as wicked as we've been led to believe? Will Andy make it out alive? Discover the good, the bad, and the unexpected as each villain reveals the truth about their lives – and attempts to find out about the future!In this fun and fact-filled book, bite-sized text in a question-and-answer format is paired with engaging illustrations, perfect for reluctant readers and humour-seeking history fans. Featuring interviews with Blackbeard, Ivan the Terrible, Nero and more – plus bonus facts about the time period and its events.Perfect for fans of the Horrible Histories books, this series offers a fun, fresh take on history, featuring true stories from historical figures from across the world.

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'Outstanding. An extraordinary recreation of ancient Rome. Miss this at your peril' Ben KaneMore gripping than Game of Thrones and more ruthless than House of Cards - this a stunning new thriller of power, treachery and revengeIn a darkened cell, a brutally deposed dictator lies crippled - deprived of his power, his freedom - and his eyes.On the edge of utter despair, his only companion is the young boy who brings him his meagre rations, a mere child who fears his own shadow. But to one who has held and lost the highest power, one thing alone is crystal clear: even emperors were mere children once.Ten years later, the new ruler's son watches uneasily over his father's empire. Wherever he looks rebellion is festering, and those closest to him have turned traitor once before.To this city in crisis comes a hugely wealthy senator from the very edge of the empire, a young and angry ward at his heels. He is witty but inscrutable, generous with his time and money to a leader in desperate need of a friend - and he wears a bandage over his blinded eyes.The fallen emperor's name is Nero.But this isn't his story.

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In a time of hyperactive communication, unending consumerism, and political confusion, Wolfgang Tillmans guest-edits an issue of Aperture on the subject of spirituality and its connection to solidarity. “People are touched and moved by experiences of genuine solidarity,” Tillmans notes. “Solidarity describes a degree of selflessness, or experiences that remind people of values higher than the pure mate-rialistic culture we’re in.” This issue, featuring contributions by leading artists, scientists, novelists,and philosophers, will look at different ways of considering humanity’s longing for spiritual connection—from the shared sense of purpose behind global mass protests, to the collective spirit of the dance floor, to how image-makers have strived to visualize the intangible and the inexplicable. Key features include: a look at the role of spiritualism in the work of Minor White, Aperture’s founding editor; esteemed physicist Peter Galison on the recent landmark image of a black hole; David Swindells’s chronicle of underground rave culture in London; Siddhartha Mitter on images of protests in Hong Kong, Cairo, and Standing Rock; a collaborative project by Olivia Laing and Mary Manning; Sean O’Toole on Santu Mofokeng and South Africa’s spiritual landscapes; plus portfolios by Susan Hiller, Mare Nero, Harit Srikhao, and more

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In AD 66 a local disturbance in Caesarea caused by Greeks sacrificing birds in front of a local synagogue exploded into a pan-Jewish revolt against their Roman overlords. Gaining momentum, the rebels successfully occupied Jerusalem and drove off an attack by the Roman legate of Syria, Cestus Gallius, who was defeated at the battle of Beth Horon. The emperor Nero dispatched the Roman general Vespasian along with reinforcements and, having crushed the revolt in Galilee he became embroiled in the events of the Year of the Four Emperors that would lead to his assumption of the Imperial throne. His son Titus was left to carry on the war which culminated in the dramatic siege of Jerusalem in AD 70. Remorselessly, the legions strangled the life out of the defense street by street, leaving nothing but rubble and ashes in their wake. The apotheosis of the conflict was the final stand of the last holdouts in the Temple precinct itself, and the utter annihilation of this, the physical manifestation of Judaism itself. The last remnants held out in the mountain fortress of Masada until AD 73 when with the Romans breaking down the walls the defenders committed mass suicide bringing the revolt to an end.

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Meditative missives.Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle. We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost. The 124 epistles are collected in Volumes IV–VI of the Loeb Classical Library’s ten-volume edition of Seneca.

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Inside Rick Steves Sicily you'll find:* Comprehensive coverage for spending a week or more exploring Sicily* Rick's strategic advice on how to get the most out of your time and money, with rankings of his must-see favourites* Top sights and hidden gems, from Mount Etna and the Byzantine mosaics of Monreale to the Ballarò street market and Siracusa's puppet museum* How to connect with culture: Savour seafood-centric cuisine made from ancient recipes, catch an opera performance at the Teatro Massimo, or sample authentic Marsala wine* Beat the crowds, skip the lines, and avoid tourist traps with Rick's candid, humorous insight* The best places to eat, sleep, and relax with a glass of local Nero d'Avola* Self-guided walking tours of lively neighbourhoods and incredible museums* Detailed maps for exploring on the go* Useful resources including a packing list, a historical overview, and useful Italian phrases* Over 450 bible-thin pages include everything worth seeing without weighing you down* Complete, up-to-date information on Palermo, Cefalù, Trapani and the West Coast, Agrigento and the Valley of the Temples, Ragusa and the Southeast, Catania, Taormina, and moreMake the most of every day and every dollar with Rick Steves Sicily.Expanding your trip? Check out Rick Steves Italy.

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A fantastical tale rooted in Greek mythology - perfect for fans of Madeline Miller! 'A fast-paced read packed with historical detail, In the Shadow of Heroes is a clever blend of intrigue, polititics, crime, history and a bit of fantasy ... The plot is twisty and inventive ensuring that the reader remains enthralled throughout.' LOVEREADING4KIDS 'A brilliant romp of a tale which seamlessly blends Greek Mythology with the Roman Empire.' STORGY KIDS Fourteen-year-old Cadmus has been scholar Tullus's slave since he was a baby - his master is the only family he knows. But when Tullus disappears and a taciturn slave called Tog - formerly a British princess - arrives with a secret message, Cadmus's life is turned upside down. The pair follow a trail that leads to Emperor Nero himself, and his crazed determination to possess the Golden Fleece of Greek mythology. This madcap quest will push Cadmus to the edge of the Roman Empire - and reveal unexpected truths about his past ... The second novel by the critically acclaimed author of Witchborn; perfect for young fans of Madeline Miller Themes of myth, stories, heroism and truth in a spellbinding classical setting We follow lovable Cadmus as he embarks on an epic journey, featuring fantastical elements but firmly rooted in its historial world

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**New York Times bestseller** 'One of the most vivid and convincing portraits of contemporary America I've read' Observer When powerful real-estate tycoon Nero Golden immigrates to the States under mysterious circumstances, he and his three adult children assume new identities, taking 'Roman' names, and move into a grand mansion in downtown Manhattan. Arriving shortly after the inauguration of Barack Obama, he and his sons, each extraordinary in his own right, quickly establish themselves at the apex of New York society. The story of the Golden family is told from the point of view of their Manhattanite neighbour and confidant, René, an aspiring filmmaker who finds in the Goldens the perfect subject. René chronicles the undoing of the house of Golden: the high life of money, of art and fashion, a sibling quarrel, an unexpected metamorphosis, the arrival of a beautiful woman, betrayal and murder, and far away, in their abandoned homeland, some decent intelligence work. In a new world order of alternative truths, Salman Rushdie has written the ultimate novel about identity, truth, terror and lies. A brilliant, heart-breaking realist novel that is not only uncannily prescient but shows one of the world's greatest storytellers working at the height of his powers.

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*Shortlist, Debut Fiction, 2023 Nero Book Awards * The Sunday Times Novel of the Year *London, 1894. John and Henry have a vision for a new way of life. But as the Oscar Wilde trial ignites public outcry, everything they long for could be under threat.'Beautifully written' Graham Norton'Subtle, sexy and beautifully crafted' Sarah Waters'Lavishly imagined' Sunday Times______________After a lifetime spent navigating his desires, John has finally found a man who returns his feelings. Meanwhile, Henry is convinced that his new unconventional marriage will bring freedom.United by a shared vision, they begin work on a revolutionary book arguing for the legalisation of homosexuality.Before it can be published however, Oscar Wilde is arrested and their daring book threatens to throw them, and all around them, into danger. How high a price are they willing to pay for a new way of living?______________'A very fine new writer' Kate Atkinson'I loved this book' Zadie Smith'Some of the best writing on desire I've read' Douglas Stuart'Extraordinary' Jonathan Bailey'Filled with nuance and tenderness . . . charting the lives of men and women who inspired not only political progress but an entire new way of living and loving' Colm Tóibín

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'A stunning debut . . . laugh-out-loud funny' - ObserverDiscover the hilarious New York Times bestselling mystery adventure perfect for fans of Robin Stevens and Lemony Snicket.On the day they are born, each Swift is brought before the Family Dictionary. They are given a name and a definition, and it is assumed they will grow up to match. Unfortunately, Shenanigan Swift has other ideas.So what if her relatives all think she's destined to turn out as a troublemaker, just because of her name? Shenanigan knows she can be whatever she wants - pirate, explorer or even detective.Which is lucky, really, because when one of the Family tries to murder Arch-Aunt Schadenfreude, someone has to work out whodunit.With the help of her sisters and cousin, Shenanigan grudgingly takes on the case, but more murders, a hidden treasure and an awful lot of suspects make thing seriously complicated.Can Shenanigan catch the killer before the whole household is picked off? And in a Family where definitions are so important, can she learn to define herself?'Murder most splendid' - The Telegraph.Winner of the Barnes & Noble Children's Book Award, shortlisted for the Nero Book Awards and nominated for the Carnegie Medal.

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'No man is crushed by misfortune unless he has first been deceived by prosperity.' In these dialogues and essays the Stoic philosopher Seneca outlines his thoughts on how to live in a troubled world. Tutor to the young emperor Nero, Seneca wrote exercises in practical philosophy that draw upon contemporary Roman life and illuminate the intellectual concerns of the day. They also have much to say to the modern reader, as Seneca ranges widely across subjects such as the shortness of life, tranquillity of mind, anger, mercy, happiness, and grief at the loss of a loved one. Seneca's accessible, aphoristic style makes his writing especially attractive as an introduction to Stoic philosophy, and belies its reputation for austerity and dogmatism. This edition combines a clear and modern translation with an introduction to Seneca's life and philosophical interests, and helpful notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Topics in Stoicism.Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle. We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost. His moral essays are collected in Volumes I–III of the Loeb Classical Library’s ten-volume edition of Seneca.

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This is the story of the greatest empire the world has ever known. Simon Baker charts the rise and fall of the world's first superpower, focusing on six momentous turning points that shaped Roman history. Welcome to Rome as you've never seen it before - awesome and splendid, gritty and squalid. From the conquest of the Mediterranean beginning in the third century BC to the destruction of the Roman Empire at the hands of barbarian invaders some seven centuries later, we discover the most critical episodes in Roman history: the spectacular collapse of the 'free' republic, the birth of the age of the 'Caesars', the violent suppression of the strongest rebellion against Roman power, and the bloody civil war that launched Christianity as a world religion. At the heart of this account are the dynamic, complex but flawed characters of some of the most powerful rulers in history: men such as Pompey the Great, Julius Caesar, Augustus, Nero and Constantine. Putting flesh on the bones of these distant, legendary figures, Simon Baker looks beyond the dusty, toga-clad caricatures and explores their real motivations and ambitions, intrigues and rivalries. The superb narrative, full of energy and imagination, is a brilliant distillation of the latest scholarship and a wonderfully evocative account of Ancient Rome.

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A classic introduction to Latin literature, with translations of the best passages from Virgil, Livy, Ovid, Seneca and many others.This classic anthology traces the development of Latin literature from the early Republican works of Cicero and Catullus, to the writers of the Empire such as Lucan and Petronius, to the later writings of St Augustine. The selections cover comedy and epic, history and philosophy, in prose and in verse, and each passage is prefaced by an introduction to the author and his influence. The translators range across history from Alexander Pope and Lord Byron to contemporaries. The result is a broad and brilliant overview of the civilization of Rome and its Empire - an ideal introduction to Latin literature.Michael Grant was born in 1914. He served as an intelligence officer during the Second World War, and subsequently held academic posts at the universities of Cambridge, Edinburgh, Khartoum and Belfast. Over his lifetime, he published nearly fifty books on the ancient world, ranging from studies of Roman coinage, to biographies of Caesar, Nero and Jesus, to books on Ancient Israel and the Middle Ages. Many of his translations were published in Penguin Classics. Professor Grant moved to Italy in 1966, where he spent most of the rest of his life until his death in 2004.

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'You ask what is the proper measure of wealth? The best measure is to have what is necessary, and next best, to have enough. Keep well!' The letters written by the Stoic philosopher and tragedian Seneca to his friend Lucilius are in effect moral essays, whose purpose is to reinforce Lucilius' struggle to achieve wisdom and serenity, uninfluenced by worldly emotions. Seneca advises his friend on how to do without what is superfluous, whether on the subject of happiness, riches, reputation, or the emotions. The letters include literary critical discussions, moral exhortation, exemplary heroes and episodes from Roman history, and a lurid picture of contemporary luxury. We learn about Seneca's household and estates and about life in the time of Nero; the topic of death is never far away. This readable new translation is the largest selection of Seneca's letters currently available. Accompanied by an invaluable introduction and notes, it opens a window on to Seneca's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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*Shortlist, Debut Fiction, 2023 Nero Book Awards * The Sunday Times Novel of the Year * A Times and Guardian Book of the Year *London, 1894. John and Henry have a vision for a new way of life. But as the Oscar Wilde trial ignites public outcry, everything they long for could be under threat.'Beautifully written' Graham Norton'Clever and kind... A book of wonderful generosity and compassion' Alice Winn'Subtle, sexy and beautifully crafted' Sarah WatersAfter a lifetime spent navigating his desires, John has finally found a man who returns his feelings. Meanwhile, Henry is convinced that his new unconventional marriage will bring freedom.United by a shared vision, they begin work on a revolutionary book arguing for the legalisation of homosexuality.Before it can be published however, Oscar Wilde is arrested and their daring book threatens to throw them, and all around them, into danger. How high a price are they willing to pay for a new way of living?'Lavishly imagined' Sunday Times'A very fine new writer' Kate Atkinson'I loved this book' Zadie Smith'Some of the best writing on desire I've read' Douglas Stuart'Filled with nuance and tenderness . . . charting the lives of men and women who inspired not only political progress but an entire new way of living and loving' Colm Tóibín

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Phaedra * Oedipus * Medea * Trojan Women * Hercules Furens * Thyestes Seneca's plays are the product of a sensational, frightening, and oppressive period of history. Tutor to the emperor Nero, Seneca lived through uncertain and violent times, and his dramas depict the extremes of human behaviour. Rape, suicide, child-killing, incestuous love, madness and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Passion is constantly set against reason, and passion wins out. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgement, and about how, if at all, a person can be good, calm, or happy in a corrupt society and under constant threat of death. Seneca was one of the most prolific, versatile, and influential of all classical Latin writers, and the only tragic playwright from ancient Rome whose work survives. This new edition of his six best plays captures Seneca's style in a verse translation that is both lively and accurate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete.

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The Lives of the Caesars include the biographies of Julius Caesar and the eleven subsequent emperors: Augustus, Tiberius, Gaius Caligula, Claudius, Nero, Galba, Otho, Vitelius, Vespasian, Titus, Domitian. Suetonius composed his material from a variety of sources, without much concern for their reliability. His biographies consist the ancestry and career of each emperor in turn; however, his interest is not so much analytical or historical, but anecdotal and salacious which gives rise to a lively and provocative succession of portraits. The account of Julius Caesar does not simply mention his crossing of the Rubicon and his assassination, but draws attention to his dark piercing eyes and attempts to conceal his baldness. The Live of Caligula presents a vivid picture of the emperor's grotesque appearance, his waywardness, and his insane cruelties. The format and style of Suetonius' Lives of the Caesars was to set the tone for biography throughout western literature - his work remains thoroughly readable and full of interest. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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*Shortlist, Debut Fiction, 2023 Nero Book Awards * The Sunday Times Novel of the Year * A Times and Guardian Book of the Year *London, 1894. John and Henry have a vision for a new way of life. But as the Oscar Wilde trial ignites public outcry, everything they long for could be under threat.'Beautifully written' Graham Norton'Clever and kind... A book of wonderful generosity and compassion' Alice Winn'Subtle, sexy and beautifully crafted' Sarah WatersAfter a lifetime spent navigating his desires, John has finally found a man who returns his feelings. Meanwhile, Henry is convinced that his new unconventional marriage will bring freedom.United by a shared vision, they begin work on a revolutionary book arguing for the legalisation of homosexuality.Before it can be published however, Oscar Wilde is arrested and their daring book threatens to throw them, and all around them, into danger. How high a price are they willing to pay for a new way of living?'Lavishly imagined' Sunday Times'A very fine new writer' Kate Atkinson'I loved this book' Zadie Smith'Some of the best writing on desire I've read' Douglas Stuart'Filled with nuance and tenderness . . . charting the lives of men and women who inspired not only political progress but an entire new way of living and loving' Colm Tóibín

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Roman tragedies were written for over three hundred years, but only fragments remain of plays that predate the works of Seneca in the mid-first century C.E., making it difficult to define the role of tragedy in ancient Roman culture. Nevertheless, in this pioneering book, Mario Erasmo draws on all the available evidence to trace the evolution of Roman tragedy from the earliest tragedians to the dramatist Seneca and to explore the role played by Roman culture in shaping the perception of theatricality on and off the stage. Performing a philological analysis of texts informed by semiotic theory and audience reception, Erasmo pursues two main questions in this study: how does Roman tragedy become metatragedy, and how did off-stage theatricality come to compete with the theatre? Working chronologically, he looks at how plays began to incorporate a rhetoricized reality on stage, thus pointing to their own theatricality. And he shows how this theatricality, in turn, came to permeate society, so that real events such as the assassination of Julius Caesar took on theatrical overtones, while Pompey's theatre opening and the lavish spectacles of the emperor Nero deliberately blurred the lines between reality and theatre. Tragedy eventually declined as a force in Roman culture, Erasmo suggests, because off-stage reality became so theatrical that on-stage tragedy could no longer compete.

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As with everything else, there were good and bad Roman emperors. The good, like Trajan (98-117), Hadrian (117-138), Antoninus Pius (138-161) and Marcus Aurelius (161-180) were largely civilized and civilizing. The bad, on the other hand, were sometimes nothing less than monsters, exhibiting varying degrees of corruption, cruelty, depravity and insanity. It is a sobering thought that these ogres were responsible for governing the greatest civilization in the world, simultaneously terrorizing, brutalizing and massacring. Tiberius, Caligula, Nero, Domitian, Commodus, Caracella, Elagabalus, Septimius Severus, Diocletian, Maximinus Thrax, Justinian and Theodora all had more bad days than good; they are all covered in this book. Their exploits have, of course, been well documented since classical times but much of the coverage can only be called gratuitous, sensationalist or tabloid. This book is different because it is based on primary sources and evidence - and attempts to balance out the shocking with any mitigating aspects in each of their lives. Many of our monsters have some redeeming factors and it is important that these are exposed if a true record of their lives is to be conveyed. The book also examines how each of the twelve has been treated for posterity in literature, theatre and film, and the lessons intended to be drawn from popular culture through the ages.

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Opera developed during a time when the position of women--their rights and freedoms, their virtues and vices, and even the most basic substance of their sexuality--was constantly debated. Many of these controversies manifested themselves in the representation of the historical and mythological women whose voices were heard on the Venetian operatic stage. Drawing upon a complex web of early modern sources and ancient texts, this engaging study is the first comprehensive treatment of women, gender, and sexuality in seventeenth-century opera. Wendy Heller explores the operatic manifestations of female chastity, power, transvestism, androgyny, and desire, showing how the emerging genre was shaped by and infused with the Republic's taste for the erotic and its ambivalent attitudes toward women and sexuality. Heller begins by examining contemporary Venetian writings about gender and sexuality that influenced the development of female vocality in opera. The Venetian reception and transformation of ancient texts--by Ovid, Virgil, Tacitus, and Diodorus Siculus--form the background for her penetrating analyses of the musical and dramatic representation of five extraordinary women as presented in operas by Claudio Monteverdi, Francesco Cavalli, and their successors in Venice: Dido, queen of Carthage (Cavalli); Octavia, wife of Nero (Monteverdi); the nymph Callisto (Cavalli); Queen Semiramis of Assyria (Pietro Andrea Ziani); and Messalina, wife of Claudius (Carlo Pallavicino).

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Jean Racine (1639-99) remains to this day the greatest of French poetic dramatists. Britannicus (1669), the first play in this volume, takes its themes from Roman history: the setting is bloody and treacherous court of the Emperor Nero. Phaedra (1677) dramatizes the Greek myth of Phaedra's doomed love for her stepson Hippolytus. Athaliah (1691), Racine's last and perhaps finest play, draws on the Old Testament story of Athaliah, Queen of Judah and worshipper of Baal, who is threatened and finally forced to concede victory to Joash, a son of the house of David and survivor of Athaliah's massacres. Racine's tragedies portray characters wrestling with ambition, treachery, religion, and love. In this translation, specially commissioned for The World's Classics series, C.H. Sisson has captured admirably the lucidity of Racine's language, both analytic and passionate, and the rhythm of his four-part Alexandrine, a combination that previous translators have consistently failed to achieve. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Over the last one hundred years, the term “sovereignty” has often been associated with the capacity of leaders to declare emergencies and to unleash harmful, extralegal force against those deemed enemies. Friendly Sovereignty explores the blind spots of this influential perspective.Ted H. Miller challenges the view of sovereignty propounded by Carl Schmitt, the Weimar and Nazi–period jurist and political theorist whose theory undergirds this understanding of sovereignty. Claiming a return to concepts of sovereignty forgotten by his liberal contemporaries, Schmitt was preoccupied with the legal exceptions required, he said, to rescue polities in crisis. Much is missing from what Schmitt harvests from the past. His framework systematically overlooks another extralegal power, one that often caused consternation, even among absolutists like Thomas Hobbes. Sovereigns also made exceptions for friends, allies, and dependents. Friendly Sovereignty plumbs the history of political thought about sovereignty to illustrate this other side of the sovereign’s exception-making power. At the core of this extensive study are three thinkers, each of whom stakes out a distinct position on the merits and demerits of a “friendly sovereign”: the nineteenth-century historian Jules Michelet, the seventeenth-century political philosopher Thomas Hobbes, and Seneca, the ancient Stoic and teacher of Nero.Analytically rigorous and thorough in its intellectual history, Friendly Sovereignty presents a more comprehensive understanding of sovereignty than the one typically taught today. It will be particularly useful to scholars and students of political theory and philosophy.

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A terrifying new quest into the unknown! The Roman standard – the eagle borne at the front of each Roman legion – was more than just a symbol of the soldiers that carried it… It was a symbol of Rome itself, the ultimate embodiment of the empire’s power… But now, in the mist-shrouded Germanic forest of Tottenwald, the unthinkable has happened: A rampaging barbarian horde has crushed three of Rome’s most highly skilled detachments in battle… and captured their mighty Roman eagles. His authority threatened by this all-too-public shame, the mad emperor Nero has dispatched Antonius Axia, the empire’s finest “detectioner” and hero of Britannia, and Achillia, the sword-wielding champion of the gladiatorial arena, to reclaim his stolen relics at any cost. But what began as a simple mission will soon become a terrifying journey into the dark heart of belief itself as the isolated woodlands of Rome’s enemies reveal unseen dimensions…and the true power of the legion’s lost eagles threatens to consume any who would pursue them… Valiant's sold-out descent into the horrors of the ancient world returns with an all-new volume from legendary comics master Peter Milligan (Detective Comics) and Harvey Award-nominated artist Robert Gill (BOOK OF DEATH) as Antonius Axia, history's first detective, launches into an otherworldly mystery of monsters, magic, and conspiracy at the boundaries of human understanding… Collecting BRITANNIA: LOST EAGLES OF ROME #1–4.

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THE SUNDAY TIMES TOP TEN BESTSELLER & BEST HISTORY BOOK OF 2023 THE NEW YORK TIMES BESTSELLER A TELEGRAPH BEST HISTORY BOOK OF 2023 A BLOOMBERG BEST BOOK OF 2023 A PROSPECT BEST HISTORY BOOK OF 2023 BLACKWELL'S NON-FICTION BOOK OF THE YEAR SHORTLISTED FOR THE WATERSTONES BOOK OF THE YEAR 2023 '[Mary Beard] has always had the sharpest eyes for telling detail and colourful anecdote' Sunday Times 'Britain's most famous classicist ... at the peak of her powers' The Times 'Extraordinary ... a deliciously varied tapestry of detail drawn from across nearly three centuries' Telegraph 'The reigning Queen of Classics' Spectator What was it really like to rule and be ruled in the Ancient Roman world? In her international best-seller SPQR, Mary Beard told the thousand-year story of ancient Rome. Now, she shines her spotlight on the emperors who ruled the Roman empire, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE). Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

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Rome's transition from a republican system of government to an imperial regime comprised more than a century of civil upheaval and rapid institutional change. Yet the establishment of a ruling dynasty, centered around a single leader, came as a cultural and political shock to Rome's aristocracy, who had shared power in the previous political order. How did the imperial regime manage to establish itself and how did the Roman elites from the time of Julius Caesar to Nero make sense of it? In this compelling book, Matthew Roller reveals a "dialogical" process at work, in which writers and philosophers vigorously negotiated and contested the nature and scope of the emperor's authority, despite the consensus that he was the ultimate authority figure in Roman society. Roller seeks evidence for this "thinking out" of the new order in a wide range of republican and imperial authors, with an emphasis on Lucan and Seneca the Younger. He shows how elites assessed the impact of the imperial system on traditional aristocratic ethics and examines how several longstanding authority relationships in Roman society--those of master to slave, father to son, and gift-creditor to gift-debtor--became competing models for how the emperor did or should relate to his aristocratic subjects. By revealing this ideological activity to be not merely reactive but also constitutive of the new order, Roller contributes to ongoing debates about the character of the Roman imperial system and about the "politics" of literature.

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AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

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The first volume to expound African American literary theory from the 1920s to present African American Literary Theory: A Reader is the first volume to document the central texts and arguments in African American literary theory from the 1920s through the present. As the volume progresses chronologically from the rise of a black aesthetic criticism, through the Blacks Arts Movement, feminism, structuralism and poststructuralism, and the rise of queer theory, it focuses on the key arguments, themes, and debates in each period. By constantly bringing attention to the larger political and cultural issues at stake in the interpretation of literary texts, the critics gathered here have contributed mightily to the prominence and popularity of African American literature in this country and abroad. African American Literary Theory provides a unique historical analysis of how these thinkers have shaped literary theory, and literature at large, and will be a indispensable text for the study of African American intellectual culture. Contributors include Sandra Adell, Michael Awkward, Houston A. Baker, Jr., Hazel V. Carby, Barbara Christian, W.E.B. DuBois, Ann duCille, Ralph Ellison, Henry Louis Gates, Jr., Addison Gayle Jr., Carolyn F. Gerald, Evelynn Hammonds, Phillip Brian Harper, Mae Gwendolyn Henderson, Stephen E. Henderson, Karla F.C. Holloway, Langston Hughes, Zora Neale Hurston, LeRoi Jones (Amiri Baraka), Joyce A. Joyce, Alain Locke, Wahneema Lubiano, Deborah E. McDowell, Harryette Mullen, Larry Neal, Charles I. Nero, Robert F. Reid-Pharr, Marlon B. Ross, George S. Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Sherley Anne Williams, and Richard Wright.

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Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman SenecaIn his essay “On Anger” (De Ira), the Roman Stoic thinker Seneca (c. 4 BC–65 AD) argues that anger is the most destructive passion: “No plague has cost the human race more dear.” This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from “On Anger,” presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society.Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula’s horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world’s evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics.Seneca’s thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca’s wisdom, a valuable antidote to the ills of an angry age.

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From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion. Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. Written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir, The Mysterious Romance of Murder will delight fans of the genre and newcomers alike.

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Tacitus was the greatest historian of the Roman empire. Born in about AD 55, he served as administrator and leading senator. This career gave him an intimate view of the empire at its highest levels, experience brought to bear on his writing.His major works are the Annals and the Histories, both of which have come down to us incomplete. Between them, they cover a period of about 80 years, from the death of the first emperor, Augustus, to the death of Domitian in 96AD. In addition, Tacitus also composed two short historical books or essays, the Agricola (about his father-in-law, a distinguished provincial governor) and the Germania, an account of the tribes beyond the Rhine.Tacitus is a brilliant narrator and master stylist who had ample material for his story in the dramatic, violent and often bloody events of the first century. His portraits - especially those of Tiberius, Nero, and Nero's immediate circle - are unforgettable, his scene-setting masterly, his psychological analysis as acute as any novelist. He is also a fierce critic of the decadence and corruption which marked struggles for the imperial succession. As Robin Lane Fox writes in his brilliant introduction, 'Above all Tacitus was supremely wary of the distortions and "spin" of official announcements. He had no illusions about the capacities of presidential, one-man rule.' Napoleon disliked him, not surprisingly.Everyman reprints the classic translation by A.J. Church and W.J. Brodribb, with extensive notes considerably revised and updated by Dr Eleanor Cowan.

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'Anything can happen... You turn the pages wondering, 'Whatever next?''' - SFXPolly, an average, completely ordinary property lawyer, is convinced she's losing her mind. Someone keeps drinking her coffee. And talking to her clients. And doing her job. And when she goes to the dry cleaner's to pick up her dress for the party, it's not there. Not the dress - the dry cleaner's.And then there are the chickens who think they are people. Something strange is definitely going on - and it's going to take more than a magical ring to sort it out.A wonderfully quirky and comedic outing from the hugely talented Tom HoltBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Danielle Alvarez is an acclaimed restaurant chef, but Recipes for a Lifetime of Beautiful Cooking is dedicated to her favourite way of cooking: at home, for and with friends and family. This fully photographed and illustrated hardback, featuring over 110 recipes and a ribbon marker, draws on Danielle's love of Italian and French food, her Cuban roots, time spent cooking in California and then in Australia, and all the incredible Asian influences that have coloured her time in Sydney.The recipes are eclectic because her interests in flavour are diverse. We are so lucky to live in a world where one night we might be cooking something Indian, then next something Italian and then something Australian. Danielle celebrates this luxury, then applies the essential principles of respecting where food comes from and preparing it with care and attention.Wherever you live, if you have a basic grocery store, you can adopt and enjoy the 100-plus recipes in this book. Every idea - from easy weeknight meals such as a Zucchini frittata or a hearty Cavolo nero and anchovy risotto, to more elaborate weekend projects like Bolognese with homemade Tagliatelle or a Sweet and sour cumin lamb shoulder, to gorgeous desserts such as Plum galette with a fennel crme anglaise - is designed to help you find happiness in your kitchen with the best that is available to you, and according to the ebbs and flows of your mood, budget, and tastes.A lifetime of beautiful home cooking starts here.

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Valiant’s critically acclaimed, 10-time sold-out magnum opus returns with a brand-new journey into myth and mystery, from comics master Peter Milligan (Shade, the Changing Man) and incendiary artist Juan José Ryp (Britannia!) Fifty thousand Romans stand on their feet, watching from the rafters of the coliseum with captured breath as Achillia, a Gladiator unlike any that Rome has seen before, faces incredible odds – one lone warrior against five of Rome’s greatest. Such is the tradition, when a female gladiator enters the fray. When the carnage is complete, the coliseum roars its approval as Achillia stands victorious. Now only one match away from winning her freedom, she has begun to gain renown. The women of Rome, suppressed by their husbands and fathers, have noticed. The men of Rome, husbands and fathers to a growing horde of women entertaining ideas of independence, have noticed as well. On the other side of Rome, a strange mystery swirls through the Palatine Hill. In the dead of night, down winding alleys, Rome’s elite swear that they see visions of a blood-soaked Apollo walking thecity...visions that are driving them mad. Even more are becoming sick with weird fever god-dreams. Panic ensues in the city. The Chief Vestal, Rubria, is arrested by Emperor Nero and threatened with crucifi xion unless the deadly curse that’s fallen on Rome is lifted. She asks Antonius Axia, hero of Britannia and Rome’s only detective, for help. She offers only one clue...the gladiator Achillia. Collecting BRITANNIA: WE WHO ARE ABOUT TO DIE #1–4.

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Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-González, Sandra L. Richards, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young

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Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-González, Sandra L. Richards, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young

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The second book in the latest series from international bestselling author, Rick Riordan He was once an immortal God, now he's an awkward teenager. Things aren't going well for Apollo. There's only one way he can earn back Zeus' favour, and that's to seek and restore the ancient oracles - but that's easier said than done. Apollo must head to the American Midwest where, rumour has it, a haunted cave may hold answers. There are a few things standing in his way though. The cave could kill him, or drive him insane. Oh, and a Roman Emperor, whose love of bloodshed makes Nero look tame.To stay alive, Apollo needs the help of a mortal goddess, a bronze dragon, and some familiar faces from Camp Half-Blood. Will he survive the greatest challenge of his four thousand year existence? __________More books by Rick Riordan:The Percy Jackson series:Percy Jackson and the Lightning ThiefPercy Jackson and the Sea of MonstersPercy Jackson and the Titan's CursePercy Jackson and the Battle of the LabyrinthPercy Jackson and the Last OlympianPercy Jackson: The Demigod FilesThe Heroes of Olympus series:The Lost HeroThe Son Of NeptuneThe Mark of AthenaThe Heroes of Olympus: The Demigod FilesThe Kane Chronicles series:The Red PyramidThe Throne of FireThe Serpent's ShadowThe Magnus Chase Series:Magnus Chase and the Sword of SummerMagnus Chase and the Hammer of Thor Magnus Chase and the Ship of the Dead

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How Romans used the world of the house to interpret and interrogate the role of the emperor.The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.

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While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace

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Big lies are told by governments, politicians and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos and gain power and wealth. Big lies are as old as civilisation. They corrupt public understanding and discourse, turn science upside down and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilise the world. The modern age has provided ever-more-effective ways of spreading lies but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book’s final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable and so does an allegation. BIG LIES soars across history: alighting on the “noble lies” of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of “othering” the vulnerable for personal gain; up to the equal-opportunity spotlight in America. “Belief is a choice”, Kurlansky writes, “and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world’s people if we do not keep asking what is true.”

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NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 FINALIST FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023 SHORTLISTED FOR THE NERO BOOK AWARDS 2023 FROM THE WINNER OF THE BOOKER PRIZE Birnam Wood is on the move... Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice, on the sides of roads, in forgotten parks, and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, the enigmatic American billionaire, has snatched it up to build his end-times bunker - or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other? A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Birnam Wood is Shakespearean in its wit, drama and immersion in character. A brilliantly constructed consideration of intentions, actions, and consequences, it is an unflinching examination of the human impulse to ensure our own survival.

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Germanicus (a.k.a. Germanicus Iulius Caesar) was regarded by many Romans as a hero in the mould of Alexander the Great. His untimely death, in suspicious circumstances, ended the possibility of a return to a more open republic and ambitions for the outright conquest of Germania Magna (Germany). This, the first modern biography of Germanicus, is in parts a growing-up story, a history of war, a tale of political intrigue and a murder mystery. It is a natural sequel to the author's first book, Eager for Glory, which discussed the life of Germanicus' natural father, Nero Claudius Drusus, for the first time. Born in 15 BC, Germanicus grew up to be a skilled diplomat and bold soldier. Married to the granddaughter of Augustus (by whom he fathered the future Emperor Caligula) and responsible for avenging Rome's humiliating defeat at the Teutoburg Forest through victory at Idistaviso (AD16) and the recovery of one of the lost standards, his reputation and popularity were immense. The Emperor Tiberius, his adoptive father, granted him a triumph, but refused to let him complete the reconquest of Germania, sending him instead to command in the East. Did Tiberius feel jealous and threatened?Germanicus fortunes waned when he fell out with one of Tiberius appointees, Piso. His death in mysterious circumstances, aged 34, brought great outpourings of public grief and anger, with many suspecting murder on the orders of Tiberius. Piso was put on trial but he committed suicide - or was he murdered? - before the senate could reach a verdict.

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A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, da Ponte, and many more. An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome.A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution.McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.

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'Exactly what I needed right now – a delightful, heartwarming, hilarious historical romp, overflowing with queer panic and terrible jokes. I loved it' - ALICE OSEMAN, bestselling author of HEARTSTOPPER 'Fun and genuinely funny, with lovely friendships and first-rate dialogue. Gwen and Art may not be in love, but I fell for both of them' - RAINBOW ROWELL, #New York Times bestselling author of the SIMON SNOW trilogy * Winner of the Books Are My Bag Readers' Award for Young Adult Fiction * * Shortlisted for the Café Nero Children's Fiction Award * * Instant New York Times Bestseller* _______________ Gwen, the quick-witted Princess of England, and Arthur, future lord and general gadabout, have been betrothed since birth. Unfortunately, the only thing they can agree on is that they hate each other. When Gwen catches Art kissing a boy and Art discovers where Gwen hides her diary (complete with racy entries about Bridget Leclair, the kingdom's only female knight), they become reluctant allies. By pretending to fall for each other, their mutual protection will be assured. But how long can they keep up the ruse? With Gwen growing closer to Bridget, and Art becoming unaccountably fond of Gabriel, Gwen's infuriatingly serious, bookish brother, the path to true love is looking far from straight … _______________ 'A total rollicking delight … Lex Croucher is one of my favourite romcom authors, and they should be yours too' - CASEY MCQUISTON, #1 New York Times bestselling author of I KISSED SHARA WHEELER and RED, WHITE & ROYAL BLUE 'Congrats to Gwen and Arthur on their permanent acquisition of my ENTIRE heart. Suffice it to say that I loved this book to a degree that’s slightly ridiculous' - BECKY ALBERTALLI, bestselling author of SIMON VS. THE HOMOSAPIENS AGENDA

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'A definite must for all fans of comic fantasy' - ENIGMA'Wacky humour bubbles through the polished narrative ... Holt doesn't skimp on the flashes of brilliance' - SFXEver been offered a promotion that seems too good to be true? You know - the sort they'd be insane to be offering to someone like you. The kind where you snap their arm off to accept, then wonder why all your long-serving colleagues look secretly relieved, as if they're off some strange and unpleasant hook ...It's the kind of trick that deeply sinister companies like J.W. Wells & Co. pull all the time. Especially with employees who are too busy mooning over the office intern to think about what they're getting into. And it's why, right about now, Paul Carpenter is wishing he'd paid much less attention to the gorgeous Melze, and rather more to a little bit of job description small-print referring to 'pest' control ...Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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