Search results for ""kant""

In this illuminating study of Kant's theory of imagination and its role in interpretation, Rudolf A. Makkreel argues against the commonly held notion that Kant's transcendental philosophy is incompatible with hermeneutics. The charge that Kant's foundational philosophy is inadequate to the task of interpretation can be rebutted, explains Makkreel, if we fully understand the role of imagination in his work. In identifying this role, Makkreel also reevaluates the relationship among Kant's discussions of the feeling of life, common sense, and the purposiveness of history.

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Frontier: the border between two countries; the limits of civilization; the bounds of established knowledge; a new field of activity. At a time when all borders, boundaries, margins, and limits are being—often violently—challenged, erased, or reinforced, we must rethink the concept of frontier itself. But is there even such a concept? Through an original and imaginative reading of Kant, Geoffrey Bennington casts doubt upon the conceptual coherence of borders. The frontier is the very element of Kant’s thought yet the permanent frustration of his conceptuality. Bennington brings out the frontier’s complex, abyssal, fractal structure that leaves a residue of violence in every frontier and complicates Kant’s most rational arguments in the direction of cosmopolitanism and perpetual peace. Neither a critique of Kant nor a return to Kant, this book proposes a new reflection on philosophical reading, for which thinking the frontier is both essential and a recurrent, fruitful, interruption.

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This volume fills a lamentable gap in the philosophical literature by providing a collection of writings from the pivotal generation of thinkers between Kant and Hegel. It includes some of Hegel's earliest critical writings--which reveal much about his thinking before the first mature exposition of his position in 1807--as well as Schelling's justification of the new philosophy of nature against skeptical and religious attack. This edition contains George di Giovanni’s extensive corrections, new preface, and thoroughly updated bibliography.

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Vor dem Hintergrund der Frage, ob der souveräne Staat noch die angemessene Gestalt ist, in der sich menschliches Zusammenleben organisieren kann, klärt Marco Haase Grundfragen der Rechts- und Staatsphilosophie. Ausgangspunkt ist die erkenntnistheoretische Frage, was unter einem gesellschaftlichen Gebilde wie dem Staat zu begreifen sei. Dabei erweist sich, daß der Geltungs- und Wirkgrund einer staatlichen Rechtsordnung der freie, autonome Wille ist.Im Mittelpunkt der Untersuchung steht Hegels hermeneutische Rechts- und Staatstheorie, die einerseits von Kelsens positivistischer Rechtslehre, andererseits von Kants vernunftrechtlichem Ansatz abgegrenzt wird. Der Autor zeigt dabei die innere Denknotwendigkeit auf, die von Kelsen über Kant zu Hegel führt. Er weist nach, daß sich hinter Kelsens Begriff der Grundnorm das Problem des freien Willens verbirgt, und legt dar, daß die Frage, wie der freie Wille in der Welt wirken kann, zu Kants Theorie der Kunst führt, die zugleich den Schlüssel für die Deutung der Kantischen Erkenntnis- und Sozialphilosophie bildet. Auf diesen Ergebnissen aufbauend läßt sich zeigen, inwiefern Hegels Begriff des freien, sich selbst bestimmenden Geistes Gestalt in der Rechtsordnung des souveränen Staates gewinnt.Die Untersuchung macht nicht nur deutlich, inwiefern Kultur und Recht sich wechselseitig bedingen, sondern auch, daß die Frage nach der Souveränität des Staates und nach der Autonomie des Menschen zugleich die Frage danach ist, was den Sinn des Weltgefüges im ganzen begründet.

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This is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art. Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the "speculative theory." According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between "high art" and popular art, and between artists and their public. Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes. "[A] remarkable work...[Schaeffer's] writing is governed by ...the ideals of clarity and consequence, the ideas of logic, truth, and evidence...Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation."--From the foreword by Arthur C. Danto

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A crucial moment came in the developing split between Anglo-American and continental European philosophers when G. E. Moore and Bertrand Russell rebelled against the “Hegelianism” of their teachers and inaugurated the tradition of “analytic” philosophy. In this new book, John McDowell builds on his much discussed Mind and World—one of the most highly regarded books in contemporary philosophy. McDowell, who has long commanded attention for his fresh approach to issues in contemporary epistemology, philosophy of language, and philosophy of mind, shocked some mainstream analytic philosophers in Mind and World by drawing inspiration not only from analytic philosophers but also from continental philosophers, most notably Hegel.McDowell argues that the roots of some problems plaguing contemporary philosophy can be found in issues that were first discerned by Kant, and that the best way to get a handle on them is to follow those issues as they are reshaped in the writings of Hegel and Sellars. Having the World in View will be a decisive further step toward healing the divisions in contemporary philosophy, by showing how central methods of the two traditions remain deeply entangled and by revealing how philosophers in both camps might still learn from each other.

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A companion volume to On Understanding Understanding, this second edition incorporates corrections to the previous text and includes new readings. The works collected in this volume are mainly from the British Empiricists. The breadth of the selection is not so diverse that the pieces cannot be readily understood by a newcomer to Epistemology, they have a logical progression of development (from Locke to Berkeley to Hume), and all of the philosophers whose work is represented have had great influence on contemporary Anglo-American philosophy. In the Introduction, Potter sets the selections in their historical context and urges the readers to form their own viewpoint in terms of the period’s contribution to the advancement of culture, politics, and society. He gives a concise summary of the Enlightenment period, demonstrating how and why Rationalism and Empiricism came about, and challenges the reader not to simply note the points of disparity between the two schools, but to notice the similarities of their common assumptions – both substantive and methodological. Readings in Epistemology, Second Edition is an excellent classroom tool. A biographical note on the philosopher, and list of suggested books for further study, heads each of the readings. Study Questions which stimulate discussion, are at the end of each piece.

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In this book, Stone Sweet and Ryan provide an accessible introduction to Kantian constitutional theory and the law and politics of European rights protection. Part I sets out Kant's blueprint for achieving Perpetual Peace and constitutional justice within and beyond the nation state. Part II applies these ideas to explain the gradual constitutionalization of a Cosmopolitan Legal Order: a transnational legal system in which justiciable rights are held by individuals; where public officials bear the obligation to fulfil the fundamental rights of all who come within the scope of their jurisdiction; and where domestic and transnational judges supervise how officials act. Such an order was instantiated in Europe through the combined effects of Protocol no. 11 (1998) to the ECHR and the incorporation of the Convention into national law. The authors then describe and assess the strengthening of the European Court's capacities to meet the challenge of chronic failures of protection at the domestic level; its progressive approach to the "qualified" rights covering privacy and family life, and the freedoms of expression, conscience, and religion; the robust enforcement of the "absolute" rights, including the prohibition of torture and inhuman treatment; and its determined efforts to render justice to all people that come under its jurisdiction, including non-citizens whose rights are violated beyond Europe. Today, the Strasbourg Court is the most active and important rights-protecting court in the world, its jurisprudence a catalyst for the construction of a cosmopolitan constitution in Europe and beyond.

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This is a collection of four essays on aesthetic, ethical, and political issues by Dieter Henrich, the preeminent Kant scholar in Germany today. Although his interests have ranged widely, he is perhaps best known for rekindling interest in the great classical German tradition from Kant to Hegel. The first essay summarizes Henrich's research into the development of the Kant's moral philosophy, focusing on the architecture of the third Critique. Of special interest in this essay is Henrich's intriguing and wholly new account of the relations between Kant and Rousseau. In the second essay, Henrich analyzes the interrelations between Kant's aesthetics and his cognitive theories. His third essay argues that the justification of the claim that human rights are universally valid requires reference to a moral image of the world. To employ Kant's notion of a moral image of the world without ignoring the insights and experience of this century requires drastic changes in the content of such an image. Finally, in Henrich's ambitious concluding essay, the author compares the development of the political process of the French Revolution and the course of classical German philosophy, raise the general question of the relation between political processes and theorizing, and argues that both the project of political liberty set in motion by the French Revolution, and the projects of classical German philosophy remain incomplete.

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The first book that presents key original texts from the modern German philosophical tradition to English-language students and scholars of German, with introductions, commentaries, and annotations that make them accessible. German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts - in the original German - from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, andliterary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today. The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukács, Max Horkheimer and Theodor Adorno, Jürgen Habermas. Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of European Literature and Translation at the University of East Anglia.

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Immanuel Kant (1724-1804) transformed the philosophical, cultural, and religious landscape of modern Europe. Emphasizing the priority of practical reason and moral autonomy, Kant's radically original account of human subjectivity announced new ethical imperatives and engendered new political hopes. This collection of essays investigates the centrality of progress to Kant's philosophical project and the contested legacy of Kant's faith in reason's capacity to advance not only our scientific comprehension and technological prowess, but also our moral, political, and religious lives. Accordingly, the first half of the volume explores the many facets of Kant's thinking about progress, while the remaining essays each focus on one or two thinkers who play a crucial role in post-Kantian German philosophy: J. G. Herder (1744-1803), J. G. Fichte (1762-1814), G. W. F. Hegel (1770-1831), Søren Kierkegaard (1813-1855), Friedrich Nietzsche (1844-1900), Walter Benjamin (1892-1940), and Martin Heidegger (1889-1976). This two-part structure reflects the central thesis of the volume that Kant inaugurates a distinctive theoretical tradition in which human historicity is central to political philosophy. By exploring the origins and metamorphoses of this tremendously influential tradition, the volume offers a timely perspective on fundamental questions in an age increasingly suspicious of the Enlightenment's promise of universal rational progress. It aims to help us face three sets of questions: (1) Do we still believe in the possibility of progress? If we do, on what grounds? If we do not, why have we lost the hope for a better future that animated previous generations? (2) Is the belief in progress necessary for the maintenance of today's liberal democratic order? Does a cosmopolitan vision of politics ultimately depend on a faith in humanity's gradual, asymptotic realization of that lofty aim? (3) And, if we no longer believe in progress, can we dispense with hope without succumbing to despair?

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Passions of the Sign traces the impact of the French Revolution on Enlightenment thought in Germany as evidenced in the work of three major figures around the turn of the nineteenth century: Immanuel Kant, Johann Wolfgang von Goethe, and Heinrich von Kleist. Andreas Gailus examines a largely overlooked strand in the philosophical and literary reception of the French Revolution, one which finds in the historical occurrence of revolution the expression of a fundamental mechanism of political, conceptual, and aesthetic practice. With a close reading of a critical essay by Kleist, an in-depth discussion of Kant's philosophical writing, and new readings of the novella form as employed by both Goethe and Kleist, Gailus demonstrates how these writers set forth an energetic model of language and subjectivity whose unstable nature reverberates within the very foundations of society. Unfolding in the medium of energetic signs, human activity is shown to be subject to the counter-symbolic force that lies within and beyond it. History is subject to contingency and is understood not as a progressive narrative but as an expanse of revolutionary possibilities; language is subject to the extra-linguistic context of utterance and is conceived primarily not in semantic but in pragmatic terms; and theindividual is subject to impersonal affect and is figured not as the locus of self-determination but as the site of passions that exceed the self and its pleasure principle. At once a historical and a conceptual study, this volume moves between literature and philosophy, and between textual analysis and theoretical speculation, engaging with recent discussions on the status of sovereignty, the significance of performative language in politics and art, and the presence of the impersonal, even inhuman, within the economy of the self.

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What if Immanuel Kant floated down from his transcendental heights, straight through Alice's rabbit hole, and into the fabulous world of Lewis Carroll? For Ben-Ami Scharfstein this is a wonderfully instructive scenario and the perfect way to begin this wide-ranging collection of decades of startlingly synthesized thought. Combining a deep knowledge of psychology, cultural anthropology, art history, and the history of religions - not to mention philosophy - he demonstrates again and again the unpredictability of writing and thought and how they can teach us about our experiences. Scharfstein begins with essays on the nature of philosophy itself, moving from an autobiographical account of the trials of being a comparativist to philosophy's function in the outside world to the fear of death in Kant and Hume. From there he explores an impressive array of art: from China and Japan to India and the West; from an essay on sadistic and masochistic body art to one on the epistemology of the deaf and the blind. He then returns to philosophy, writing on Machiavelli and political ruthlessness, then on the ineffable, and closes with a review of Walter Kaufmann's multivolume look at the essence of humanity, Discovering the Mind. Altogether, these essays are a testament to adventurous thought, the kind that leaps to the furthest reaches of the possible.

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Immanuel Kant is strict about the limits of self-knowledge: our inner sense gives us only appearances, never the reality, of ourselves. Kant may seem to begin his inquiries with an uncritical conception of cognitive limits, but in Kant and the Subject of Critique, Avery Goldman argues that, even for Kant, a reflective act must take place before any judgment occurs. Building on Kant's metaphysics, which uses the soul, the world, and God as regulative principles, Goldman demonstrates how Kant can open doors to reflection, analysis, language, sensibility, and understanding. By establishing a regulative self, Goldman offers a way to bring unity to the subject through Kant's seemingly circular reasoning, allowing for critique and, ultimately, knowledge.

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Taking the title of his book from Isaiah Berlin's famous essay distinguishing a negative concept of liberty connoting lack of interference by others from a positive concept involving participation in the political realm, Samuel Fleischacker explores a third definition of liberty that lies between the first two. In Fleischacker's view, Kant and Adam Smith think of liberty as a matter of acting on our capacity for judgment, thereby differing both from those who tie it to the satisfaction of our desires and those who translate it as action in accordance with reason or "will." Integrating the thought of Kant and Smith, and developing his own stand through readings of the Critique of Judgment and The Wealth of Nations, Fleischacker shows how different acting on one's best judgment is from acting on one's desires--how, in particular, good judgment, as opposed to mere desire, can flourish only in favorable social and political conditions. At the same time, exercising judgment is something every individual must do for him- or herself, hence not something that philosophers and politicians who reason better than the rest of us can do in our stead. For this reason advocates of a liberty based on judgment are likely to be more concerned than are libertarians to make sure that government provides people with conditions for the use of their liberty--for example, excellent standards of education, health care, and unemployment insurance--while at the same time promoting a less paternalistic view of government than most of the movements associated for the past thirty years with the political left.

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What can guilt, the painful sting of the bad conscience, tell us about who we are as human beings? How can it be explained or justified? Being Guilty seeks to answer these questions through an examination of the views of Kant, Schelling, Schopenhauer, Paul Rée, Nietzsche, and Heidegger on guilt, freedom, responsibility, and conscience. The concept of guilt has not received sufficient attention from scholars working in the history of German philosophy. What's more, even individual thinkers whose conceptions of guilt have been researched have not been studied fully within their historical contexts. Guy Elgat redresses both these scholarly lacunae to show how these philosophers' arguments can be more deeply grasped once read in their historical context, a history that should be read as proceeding dialectically. Thus, in Kant, Schelling, and Schopenhauer, we find variations on the idea that guilt for specific actions we perform is justified because the human agent is guilty in his very being--a guilt for which he is responsible. In contrast, in Rée and Nietzsche, these ideas are rejected and guilt is seen as rarely justified but rather explainable through human psychology. Finally, in Heidegger, we find a near synthesis of the views of the previous philosophers, as he argues we are guilty in our very being yet are not responsible for this guilt. In the process of unfolding the trajectory of these evolving conceptions of guilt, the philosophers' views on these and many other issues are explored in depth, and through them Elgat articulates an entirely new approach to guilt.

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Welche Erklärungs- und Handlungsmöglichkeiten für ein glückliches Leben bieten uns die philosophische Vernunft und die religiöse Weltsicht? Zehn Theorien aus Philosophie und Religion führen in die elementaren Fragen unseres Lebens ein. Anschaulich präsentiert der Band zentrale Ideen der großen Denker: u. a. Platon, Aristoteles, Kant, Marx, Freud und Sartre. Zudem werden Vorstellungen aus Judentum, Christentum, Hinduismus und Konfuzianismus beleuchtet. Spannende und gut lesbare Einführung, gerade auch für Philosophie-Anfänger.

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This book presents the classic works of Kant, Bentham and Rousseau together in a valuable and accessible style. It provides a contemporary 'compilation' of the eighteenth century's 'perpetual peace' proposals together with an introduction providing an overview of the perpetual peace ideal and its links to contemporary notions of global governance and cosmopolitan democracy.

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Presenting an unparalleled collection of primary texts in two flexible, portable volumes, The Norton Anthology of Western Philosophy also provides the rich editorial apparatus—introductions, headnotes, explanatory annotations, bibliographies—for which Norton Anthologies have been known and trusted by professors and students alike for more than fifty years. A comprehensive history of both the European interpretive tradition in one volume and the Anglo-American analytic tradition in the other, this anthology belongs on every philosopher’s bookshelf.

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