Search results for ""everyman""

Lewis Carroll's Alice has been enchanting children for over 150 years. Head strong Alice, the impatient White Rabbit, the fearsome Queen of Hearts and the hilarious Mad Hatter are among the best loved literary creations.This beautiful collectable illustrated edition has the original illustrations and is cloth bound.

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John Milton (1608-74) was celebrated in his time as a public servant of the Cromwellian regime and as the author of brilliant polemical pamphlets about education religion and freedom of speech, but his posthumous reputation rests principally on his work as a poet, noteably in PARADISE LOST. This poem, written after the poet was driven out of public life by the Restoration, and begun when he was already blind, is a worthy successor to the epics of Homer and Virgil. In majestic blank verse it describes Lucifer's fall from heaven, the creation of mankind, Eve's temptation, and the expulsion of Adam and Eve from paradise. After the Bible, this is perhaps the greatest masterpiece of Christian literature. The present volume contains extensive selections from PARADISE LOST, chosen to illustrate its author's genius for high drama, vivid description and savage irony. In addition, there are substantial extracts from COMUS and SAMSON AGONISTES, and many of Milton's sonnets and shorter poems, including the famous LYCIDAS.

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Distringuished as both a great novelist and a great poet. Thomas Hardy (1840-1928) had a writing career which spanned more than sixty years, concentrating first on prose and then, after publishing his last novel in 1895, on verse. A master of the short lyric and the vivid narrative, Hardy is pre-eminently the poet of remembrance and tender regret for lost happiness; but he is also an ironist whose exquisite descriptions of rural life are the setting for bitingly sharp observations of human frailty.

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An exciting addition to Everyman's Library: a new series of small, handsome hardcover volumes devoted to the world's classic poets. Our books will have twice as many pages as Bloomsbury Classics' 128pp and will cost 7. 99 against Bloomsbury's 9. 99. The binding, paper and production will be visibly superior in every way to that of Bloomsbury

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Struggling manufacturer Robert Moore has introduced labour saving machinery to his Yorkshire mill, arousing a ferment of unemployment and discontent among his workers. Robert considers marriage to the wealthy and independent Shirley Keeldar to solve his financial woes, yet his heart lies with his cousin Caroline, who, bored and desperate, lives as a dependent in her uncle's home with no prospect of a career. Shirley, meanwhile, is in love with Robert's brother, an impoverished tutor - a match opposed by her family. As industrial unrest builds to a potentially fatal pitch, can the four be reconciled? Set during the Napoleonic wars at a time of national economic struggles, "Shirley" (1849) is an unsentimental, yet passionate depiction of conflict between classes, sexes and generations.

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‘Am dining at Goldini’s Restaurant, Gloucester Road, Kensington. Please come at once and join me there. Bring with you a jemmy, a dark lantern, a chisel, and a revolver – S. H.’ The game's afoot for the most famous amateur detective of all time in this collection of eight of Sir Arthur Conan Doyle's classic tales.‘The Speckled Band’, a Victorian melodrama in a country house, comes complete with murderous villain, murdered heroine, and a very unpleasant snake; ‘Silver Blaze’ tells of a missing race horse on Dartmoor which turns out not to be missing at all, and a murder that never was. In ‘The Redheaded League’ a pawnbroker answers an advertisement for a red-headed man and bizarrely finds himself copying out the Encyclopedia Britannica; in ‘The Bruce Partington Plans’ Holmes is skulking in the London Underground with a dead body when his patriotic services are called upon to find some stolen state secrets in the run-up to World War I. Sidney Paget was the original illustrator and helped to form the image of Sherlock Holmes which exists to this day - in fact, it was he who created the famous deer-stalker!

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Paul Scott's epic study of British India in its final years has no equal. Tolstoyan in scope and Proustian in detail but completely individual in effect, it records the encounter between East and West through the experiences of a dozen people caught up in the upheavals of the Second World War and the growing campaign for Indian independence. Book one, The Jewel in the Crown, describes the doomed love between an English girl and an Indian boy, Daphne Manners and Hari Kumar. This affair touches the lives of other characters in three subsequent books, most of them unknown to Hari and Daphne but involved in the larger social and political conflicts which destroy the lovers.On occasions unsparing in its study of personal dramas and racial differences, the Raj Quartet is at all times profoundly humane, not least in the author's capacity to identify with a huge range of characters. It is also illuminated by delicate social comedy and wonderful evocations of the Indian scene, all narrated in luminous prose.

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This handsome edition of McCarthy's completed Border Trilogy in one volume gives the reader one of the most important works of American fiction of the last decades. McCarthy's work is far more than a western, but crosses the borders between fiction and philosophy, the real and the world of dream. With influences ranging from the traditional western; the coming-of-age story; the courtly romance; classical tragedy; and magical realism, McCarthy's masterpiece is a work to be read and read again. This new volume containing all three of the novels, All the Pretty Horses, The Crossing, and Cities of the Plain, is a welcome addition to the canon of McCarthy's works in print.

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When the eminent naturalist Charles Darwin returned from South America on board the H.M.S Beagle in 1836, he brought with him the notes and evidence which would form the basis of his landmark theory of evolution of species by a process of natural selection. This theory, published as The Origin of Species in 1859, is the basis of modern biology and the concept of biodiversity. It also sparked a fierce scientific, religious and philosophical debate which still continues today.

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Herman Melville (1819-91) brought as much genius to the smaller-scale literary forms as he did to the full-blown novel: his poems and the short stories and novellas collected in this volume reveal a deftness and a delicacy of touch that is in some ways even more impressive than the massive, tectonic passions of Moby-Dick. In a story like “Bartleby, the Scrivener” — one of the very few perfect representatives of the form in the English language — he displayed an unflinching precision and insight and empathy in his depiction of the drastically alienated inner life of the title character. In “Benito Cereno,” he addressed the great racial dilemmas of the nineteenth century with a profound, almost surreal imaginative clarity. And in Billy, Budd, Sailor, the masterpiece of his last years, he fused the knowledge and craft gained from a lifetime’s magnificent work into a pure, stark, flawlessly composed tale of innocence betrayed and destroyed. Melville is justly honored for the epic sweep of his mind, but his lyricism, his skill in rendering the minute, the particular, the local, was equally sublime.SEE LESS

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Includes 'The Freedom of the Press', intended as the preface to 'Animal Farm' but undiscovered until 1972. Considered by Noam Chomsky to be Orwell's most important essay. These essays demonstrate the life and work of one of the most individual writers of the last century.

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Tolstoy is said to have called Les Miserables the greatest novel ever written, and it exerted a powerful influence on the creation of War and Peace. At one level a detective story in which the relentless Inspector Javert obsessively pursues the escaped convict Jean Valjean, culminating in a dramatic chase through the sewers of Paris, at another level Hugo's masterpiece is a drama of crime, punishment and rehabilitation set against a panoramic description of French society in the years after Napoleon's fall from power. But this book is also about the metaphysical struggle between good and evil in the soul of every man and every community. Coloured by Hugo's distinctive philosophy, it is a plea for social justice, political enlightenment and personal charity which continues to speak with the undiminished authority more than a century after its first appearance.

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Scott Fitzgerald's first novel, written when the author was twenty-four, appeared in 1920 and immediately established him as a leading literary figure in the brilliant and dangerous world of 1920s America. The novel tells the story of a spoilt child in search of happiness. Pampered as a child, wealthy, brilliant at school, Amory Blaine looks for the love of others but only finds himself. A short, sharp masterpiece with an intriguing religious undertow, this is also a touchingly autobiographical novel which reflects ominously on Fitzgerald's own future.

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In a novella which remains highly controversial to this day, Conrad explores the relations between Africa and Europe. On the surface, this is a horrifying tale of colonial exploitation. The narrator, Marlowe journeys on business deep into the heart of Africa. But there he encounters Kurtz, an idealist apparently crazed and depraved by his power over the natives, and the meeting prompts Marlowe to reflect on the darkness at the heart of all men. This short but complex and often ambiguous story, which has been the basis of several films and plays, continues to provoke interpretation and discussion.

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Dicken's third novel, published in 1839, is a brilliant and vivid melodrama of honest youth triumphing over vice and injustice. Bursting with energy and populated by a whole world of inimitable and memorable characters - including especially the theatrical troupe with whom Nicholas performs - the book is both a griping story and a series of magnificent scenes. It is also indignant protest against cruelty and oppression, most memorably encapsulated in Dickens's powerful portrayal of Mr Squeers and his wicked boarding school - a passage which was to be instrumental in helping to reform the Victorian education system. The novel has been adapted for television stage and screen.

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Albert Camus' laconic masterpiece about a Frenchman who murders an Arab in colonial Algeria is famous in its time for diagnosing a state of alienation and spiritual exhaustion which summed up the mood of the mid-twentieth century. Today, more than fifty years after its first appearance, we can see that this early success was no passing fashion: The Outsider continues to speak to us of ultimate things with the force of a parable and the excitement of a thriller and remains one of the most widely read and influential classics of the century.

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One of Hemingway's finest novels, A FAREWELL TO ARMS was published in 1929 when the author was at the height of his power, It draws on his own experiences serving with the Italins in World War One when he was severely wounded in action and awarded the Croce de Guerra. This is a vivid portrait of men at war which also explores their deeper responses to the cruetly and heroism of Battle

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The heroine of this story, Edna Pontellier, goes through the stages of a compelling but ultimately tragic search for personal freedom. On publication in 1899, this book provided a frank treatment on adultery which aroused a storm of controversy.

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THE SECOND SEX is a hymn to human freedom and a classic of the existentialist movement. It also has claims to be the most important s ingle book in the history of feminism. In the forty years since its publication De Beauvoir's then revolutionary thesis - that the subordination of women is not a fact of nature but the product of social conditioning has become part of our everyday thinking.

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James' novel featuring a complex and bizarre battle between two wives - the shy Maggie, who marries an Italian prince, and the prince's former mistress, who marries Maggie's widowed father. Determined to take back her lover, the brilliant Charlotte is nevertheless defeated by her rival.

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Augustine’s spiritual autobiography is not only a major document in the history of Christianity and a classic of Roman Africa: it also marks a vital moment in the history of Western culture. As Augustine explains how, when and why he became the man he is at the time of writing, he probes the great themes which others were to explore after him – faith, time, truth, identity and self-understanding – in a detail unmatched in ancient literature.Illustrated with vivid portraits of friends, family, colleagues and enemies, The Confessions provides a remarkably candid account of the passage from a life of sensuality and superstition to a genuine spiritual awakening. The result is a powerful narrative of one man’s religious journey which continues to shape the way we write and behave today.

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Dickens' celebrated novel of innocence betrayed and then triumphant. It recreates the London underworld populated by such characters as Fagin, Bill Sikes, Nancy and the Artful Dodger, who are contrasted with the friends and family of the orphaned Oliver.

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Homer's Odyssey is one of the supreme masterpieces of Western literature. Of this much acclaimed translation by Robert Fitzgerald, George Steiner has written, 'Fitzgerald is taking his place beside Chapman and Pope in the unbroken lineage of English Homeric translations...it has an economy and soar of a poet'. Introduced by Seamus Heaney

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This volume presents a complete text of all Milton's verse. Coleridge linked Milton and Shakespeare as the greatest of English poets, and even in our time Milton continues to exert a powerful influence, both on the writing of poetry and on critical debate.

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Anna Karenina is the story of a woman who ab andons her empty existence as a society wife and embarks on a doomed love affair with the passionate but emotionally ban krupt Vronsky. It is widely acknowledged as the greatest nov el in any language '

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Comprises such sacred books of India as the hymns of the "Rig-Veda", the world's first recorded poems, the stirring pantheistic speculations of the "Upanishads" and the "Bhagavad-Gita", a cosmic drama of God's self-revelation in human history, on the field of human battle.

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This novel, considered by Lawrence to be his best, centres on the characters of Birkin (a self portrait), Gerald, the son of a colliery owner, and the two women, Gudrun and Ursula. The text has been cleared of accumulated errors and omissions due to censorship.

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His stories are fillled with the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. He writes of social decline, sexual desire and exploitation, corruption and personal failure, yet creates a brilliantly compelling, unique vision of the world and of human experience. The stories all centre around the city of Dublin and its inhabitants at the beginning of the twentieth century. They offer a moving portrait of an entire world and era long since disappeared.

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"My favorite novel -it's just the greatest explosion of imagination, craziness, satire, humor, and heart." Daniel Radcliffe.The devil with his retinue, a poet incarcerated in a mental institution for speaking the truth, and a startling re-creation of the story of Pontius Pilate, constitute the elements out of which Mikhail Bulgakov wove The Master and Margarita, the unofficial masterpiece of twentieth-century Soviet fiction. Long suppressed in its native land, this account of strange doings in Moscow in the 1930s provides us with the essence of the sceptical, trenchant, unadulterated voice of dissent

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The talented and beautiful Isabel Archer, courted by several suitors and enriched by her dying uncle, chooses to marry the cold and ambitious Gilbert Osmond. The heroine soon discovers to her cost that freedom of choice is never what it seems.

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A bitter-sweet tale of quiet lives in the small and apparently timeless world of mid-19th century Sicilian nobility. Through the eyes of his princely protagonist, the author chronicles the details of an aristocratic, pastoral society, torn apart by revolution, death and decay.

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Uses the narrative of a mock travel writer to explore exotic and imaginary locations. This book mounts a scathing attack on the morals, politics and learning of the 18th century, culminating in possibly the greatest satire ever written: the story of the Houyhnhnms.

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The title of the novel comes from the Yorkshire manor on the moors of the story. The narrative centres on the all-encompassing, passionate, but ultimately doomed love between Catherine Earnshaw and Heathcliff, and how this unresolved passion eventually destroys them and the people around them

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'All good poetry is the spontaneous poetry of powerful feelings' -William WordsworthNo generation of poets has felt more powerfully and enduringly than the Romantics of the late eighteenth and early nineteenth centuries. In this indispensable volume, Sir Jonathan Bate - prizewinning biographer of Wordsworth, Keats and John Clare - brings together the most loved poems of the age, together with many forgotten gems. Alongside classics such as Coleridge's 'Kubla Khan' and 'Frost at Midnight', the odes of Keats and generous selections from Wordsworth's Lyrical Ballads and The Prelude, the reader will discover the wit of Byron, the wildness of Blake, the passion of Shelley, a wealth of nature poems by Clare, and the distinctive voices of women Romantics such as Charlotte Smith, Mary Robinson, Felicia Hemans, Dorothy Wordsworth and Letitia Landon.

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The Uyghur people of Central Asia have a long and distinguished tradition of poetry - indeed, their first oral epic was circulating as early as the 2nd century BCE. In the medieval period Sufi poetry flourished, embracing Persian forms such as the ghazal, which spoke eloquently of beauty, love, loss and separation. A major poet, Alshir Navayi (1441­-1501) fully established classical Turkic or Chagatai as a perfect vehicle for poetic expression. Some contemporary poets continue to find inspiration within the traditional forms, while others experiment with a freer style of verse.Uyghur poetry reflects the magnificent natural landscapes where the Uyghurs have lived for two millennia - endless steppes, soaring mountain ranges and mysterious deserts, crossed by the historic Silk Road. It is also shaped by their turbulent past, caught between warring empires or marauding warlords - and their deeply troubled present.The Uyghurs form a minority in China, where the government is now making a systematic attempt to erase their language and culture. Many intellectuals have been imprisoned, and many poets are now writing from exile, including the editor and translator of this volume, Aziz Isa Elkun, who lives in London. Uyghur Poems is not only a celebration of an ancient and vibrant poetic tradition, but also a vital witness to a culture under threat.

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Sculpture has the longest memory of the arts: from the Paleolithic era we find stone carvings and clay figures embedded with human longing. And poets have long been fascinated by the idea of eternity embodied by the monumental temples and fragmented statues of ancient civilizations.From Keats's Grecian urn and Shelley's 'Ozymandias' to contemporary verse about Maya Lin's Vietnam Veterans Memorial and Janet Echelman's windborne hovering nets, the pieces in this collection convert the physical materials of the plastic arts - clay, wood, glass, marble, granite, bronze - into lapidary lines of poetry. Whether the sculptures celebrated here commemorate love or war, objects or apparitions, forms human or divine, they have called forth evocative responses from a wide range of poets, including Homer, Ovid, Shakespeare, Baudelaire, Rilke, Dickinson, Yeats, Auden and Plath. A compendium of dazzling examples of one art form reflecting on another, Poems About Sculpture is a treat for art lovers.

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The Arabic poetic legacy is as vast as it is deep, spanning a period of fifteen centuries in regions from Morocco to Iraq. As a unifying principle, editor Marlé Hammond has selected eighty poems reflecting desire and longing of various kinds: for the beloved, for the divine, for the homeland, and for change and renewal. Poets include the legendary pre-Islamic warrior 'Antara Ibn Shaddad, medieval Andalusian poet Ibn Zaydun, the wandering poet Al-A’sha, and the influential Egyptian Romantic Ahmad Zaki Abu Shadi. Here too are literary giants of the past century: Khalil Jibran, author of the bestselling The Prophet; popular Syrian poet Nizar Qabbani; Palestinian feminist Fadwa Tuqan; Mahmoud Darwish, bard of occupation and exile; acclaimed iconoclast Adonis, and more. In their evocations of heroism, nostalgia, mysticism, grief, and passion, the poems gathered here transcend the limitations of time and place.

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The arc of poetry of the South, from slave songs to Confederate hymns to Civil War ballads, from Reconstruction turmoil to the Agrarian movement to the dazzling poetry of the New South, is richly varied and historically vibrant. No other region of the United States has been as mythologized as the South, nor contained as many fascinating, beguiling, and sometimes infuriating contradictions. Poems of the American South includes poems both by Southerners and by famous observers of the South who hailed from elsewhere. These range from Herman Melville, Walt Whitman, Edgar Allan Poe, and Francis Scott Key through Langston Hughes, Robert Penn Warren, Wallace Stevens, Elizabeth Bishop, James Dickey, and Donald Justice, and include a host of living poets as well: Wendell Berry, Rita Dove, Sandra Cisneros, Yusef Komunyakaa, Naomi Shihab Nye, C. D. Wright, Natasha Trethewey, and many more. Organized thematically, the anthology places poems from past centuries in fruitful dialogue with a diverse array of modern voices who are redefining the South with a verve that is reinvigorating American poetry as a whole.

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A poet in a former life, Archy has been reincarnated as a cockroach who types by diving headfirst onto a typewriter (and is famously unable to operate the shift key to produce capital letters); his side-kick Mehitabel is an alley cat who claims to have once been Cleopatra. Archy's poems irresistibly evoke Jazz Age New York - as seen from the alley; funny, wise, tender and tough, they represent the very best of American humour. Including George Herriman's whimsical illustrations and a classic introduction by novelist E.B. White, this Pocket Poet selection will make a beautiful volume, perfectly sized for its tiny hero.

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These some three hundred poems from the Tang Dynasty (618-907)-an age in which poetry and the arts flourished-were gathered in the eighteenth century into what became one of the best-known books in the world, and which is still cherished in Chinese homes everywhere. Many of China's most famous poets-Du Fu, Li Bai, Bai Juyi, and Wang Wei-are represented by timeless poems about love, war, the delights of drinking and dancing, and the beauties of nature. There are poems about travel, about grief, about the frustrations of bureaucracy, and about the pleasures and sadness of old age. Nearly every Chinese household owns a copy of Tang Shi and poems from it are still included in textbooks and to be memorized by students.

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In the opening volume of Proust's great novel, the narrator travels backwards in time in order to tell the story of a love affair that had taken place before his own birth. Swann's jealous love for Odette provides a prophetic model of the narrator's own relationships. All Proust's great themes - time and memory, love and loss, art and the artistic vocation - are here in kernel form.

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China has a strong and ancient tradition of erotic poetry by both men and women, and this unique collection includes poems from three thousand years ago to the present day, ranging from the highly literary to the sexually explicit - many of them appearing in English for the first time. While literary poets such as Zi Ye ('Lady Midnight') and Emperor Li Yu of the Tang Dynasty are already known in the West, popular Chinese verse has been largely ignored by translators. Tony Barnstone and Chou Ping mine a richly erotic vein, uncovering ancient Chinese Daoist sex manuals, erotic novels and plays (which contain poems at moment of sexual epiphany); the tradition of erotic prints, which were often accompanied by poems; folksongs and bawdy jokes. The contrast between the discretion and subtlety of classical Chinese erotic poetry and the earthy comedy of its popular counterpart makes for a fascinating and entertaining anthology.

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Scotland, like so many other nations, has produced poetry that is patriotic, that paints landscapes, people and situations, that speaks to personal matters, and those equally everyday matters pertaining to the mind and to the spirit. The Christian heritage of Scotland has long been played out in verse, through Celtic devotional works, Catholic works, Protestant works, and not forgetting satires on the Puritanism in Scotland's post-Reformation identity. Language and culture have been equally multifarious in the nation so that three major languages: Scots, English and Gaelic (examples of which are translated in this anthology) compete and co-exist in poetry. The fifteenth century poet, William Dunbar, joked that there was no music in hell except for the bagpipes, and there speaks something of the historic lowland attitude to the Gaidhealtachd (Gaelic speaking Scotland, principally the highlands). Hostility and eventual harmony is a marker of the Scottish highlands/lowlands divide as much as for that between Scotland and England. Historic tension is not to be dismissed but, certainly, the poetic palette of Scotland is one of multilingual richness, and shows an enduringly high quality whatever the cultural vicissitudes that play a part. The medieval Makars, most prominently Robert Henryson, William Dunbar and Gavin Douglas, are often taken to represent a golden age when poetry in Scots ran the full range of mood, mode and subject matter. If this has, perhaps, never been bettered, the sixteenth century lyrics and sonnets of Alexander Montgomerie, Alexander Scott and other poets around the court of James VI, and the eighteenth century vernacular 'revival' of Allan Ramsay, Alexander Ross, Robert Fergusson and Robert Burns represent at points equally brilliant periods; and the twentieth century 'modern renaissance' of Hugh MacDiarmid, Violet Jacob and William Souter proved that Scots remained a viable poetic currency, as a living poet such as Tom Leonard continues to demonstrate. Poetry in Gaelic too has its tradition of peaks where the flame seems to burn more visibly at certain times than others. Alexander Macdonald (Alasdair Mac Mhaghstir Alasdair), Rob Donn (Rob Donn MacAoidh) and Duncan MacIntyre (Donnchadh Bàn Mac an t-Saoir) make the eighteenth century a high point in achievement, while Sorley Maclean, George Campbell Hay and Iain Crichton Smith do similarly for the twentieth century: the latter three, arguably, making Gaelic verse the most able variety in Scotland during the last sixty years. Historically as many successes are scored in Scottish poetry in English. James Thomson, author of The Seasons, joins James Macpherson translator/creator of the poetry of 'Ossian' in promulgating works that are seminally iconic and influential right across the artistic genres, painting and music as much as literature, in western culture. The romantic, patriotic poetic image of Scotland is sounded in English as much as in any other language, as the writing of Walter Scott or Lady Nairne attests. James (B.V.) Thomson, John Davidson, Edwin Muir, Norman MacCaig, W.S. Graham, Edwin Morgan, Liz Lochhead, Kathleen Jamie and Don Paterson are all deeply Scottish poets speaking through the nineteenth and twentieth centuries to the worldwide audience that exists for creative utterance that both emanates from but is never limited by the particularity of place. Scotland's story is one that is never certain, but, enduringly and importantly its poetry is.

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From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. Akhmatova's first collection, Evening, appeared in 1912. Rosary (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for Poem Without A Hero and Requiem, a sequencemourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.

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It is often said that Rumi (aka Jalal al-Din, 1207-73) is now the most popular poet in the United States. This conquest of the new world by a middle-eastern medieval writer who died before Chaucer was even born has been achieved with extraordinary speed in less than thirty years.The main key to Rumi's success is the spiritual appeal of his work. It combines lyrical beauty with philosophical profundity, a sense of rapture and an acute awareness of human suffering in ways which speak directly to contemporary audiences. Like the metaphysical poets, Donne, Vaughan and Herbert, Rumi yokes together everyday images with complex ideas. He talks about divine love in vivid human terms. As a religious teacher of the Dervish order, he expounds the mystical doctrines of Sufism which focus on the notion of union with the Beloved to whom many of the poems are addressed.Persian poetry of this period is not easy to translate. In order to give the greatest possible access to a wonderful poet this selection draws on avariety of translations from the early 20th century to the present, ranging from scholarly renderings to free interpretations.

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Poets have always drawn inspiration from the wild fancies of dream-life. We spend a third of our lives asleep, and throughout history our nocturnal visions have engaged the interpretive talents of our greatest writers.It includes poems about daydreams and nightmares, about falling asleep and about waking up, about insomnia, night thoughts, monsters of the dark, twilight, dawn, and the rebirth of morning. From Yeats's "Lullaby" to Rosetti's "Nuptial Sleep," from Salvatore Quasimodo's "Insomnia" to Thom Gunn's "Annihilation of Nothing," Poems of Sleep and Dreams evokes the whole haunting, magical spectrum of sleep and dream.

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From Sappho to Shakespeare to Cole Porter – a marvellous and wide-ranging collection of classic gay and lesbian love poetry. The poets represented here include Walt Whitman, Hart Crane, Gertrude Stein, Federico García Lorca, Djuna Barnes, Constantine Cavafy, Elizabeth Bishop, W. H. Auden, and James Merrill. Their poems of love are among the most perceptive, the most passionate, the wittiest, and the most moving we have. From Michelangelo’s ‘‘Love Misinterpreted’’ to Noël Coward’s ‘‘Mad About the Boy,’’ from May Swenson’s ‘‘Symmetrical Companion’’ to Muriel Rukeyser’s ‘‘Looking at Each Other,’’ these poems take on both desire and its higher power: love in all its tender or taunting variety.

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Throughout history, poets have felt the ancient pull of the sea, exploring the full range of mankind's nautical fears, dreams, and longings. The colorful legends of the sea-pirates and mermaids, phantom ships and the sunken city of Atlantis-have inspired as many imaginations as have the realities of lighthouses and shipwrecks, of icebergs and frothing foam and seaweed.This marvelous collection includes classics old and new, from Homer and Milton to Plath and Merwin. Here are Tennyson's seductive sea-fairies next to Poe's beloved Annabel Lee. Here is Coleridge's darkly brooding "The Rime of the Ancient Mariner" alongside the grandeur of Shakespeare's "Full Fathom Five." And here is Masefield's "I must go down to the seas again" alongside Cavafy's "Ithaka" and Stevens's "The Idea of Order at Key West." In the wide variety of lyrics collected here-sonnets and sea chanteys, ballads and hymns and prayers-we feel the encompassing power of our planet's restless

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