Search results for ""bodleian library""

Book one of the New York Times-bestselling All Souls trilogy—a wonderfully imaginative grown-up fantasy with all the magic of Harry Potter and Twilight” (People).  Now “[a] hot show that’s like Twilight meets Outlander” (Thrillist) airing Sundays on AMC and BBC America, as well as streaming on Sundance Now and Shudder. Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has

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New edition of, and commentary on, one of the most important liturgical books to have come down to us from the late Anglo-Saxon church. Oxford, Bodleian Library, Bodley 579, the so-called 'Leofric Missal', is for the most part not really a missal, but a late-ninth or early-tenth-century combined sacramentary, pontifical and ritual with cues for the sung parts of various masses by the original, possibly French or Lotharingian, scribe. Subsequently, over the course of a hundred and thirty or so years, the sacramentary-pontifical-ritual was considerably augmented, first most probably for thesuccessors of Plegmund, archbishop of Canterbury (890-923), the man for whom it was probably originally compiled, then later at Exeter for Bishop Leofric (1050-72).

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Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books. Our greeting cards are printed on FSC paper and wrapped in biodegradable cellobag, and are themed with our art calendars, foiled notebooks and illustrated art books. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and this handsome trio of spines are just three examples of the beautiful objects in the Library’s collection. With colourful illustrations and charming tales, these story anthologies showcase the sports and hobbies young people could enjoy during the 1930s.

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Now available in a three-volume paperback set, this is a must-have treasure for Dee aficionados and esoteric scholars who absolutely need the most meticulously detailed version of these highly influential works. A labour of love ten years in the making, these volumes include transcripts of four manuscripts from the British Library and one from the Bodleian Library in Oxford. Two of these manuscripts are only available in this set. Each page is laid out to match the original manuscripts, including lines, marks, notations, diagrams, and notes that Dee wrote on the paper. Also includes ten appendices featuring maps, a gazetteer, the 48 Keys, the complete Angelic lexicon, a glossary of archaic words, a manuscript index, and much more.

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Keep the page in your book with this gorgeous pack of 10 foiled bookmarks, printed on both sides, with a silky ribbon and featuring the Bodleian High Jinks! bookshelves. Late 19th- and early 20th- century children’s books are the subjects of this print from the Bodleian Libraries. Richly illustrated covers in bright reds, blues and greens adorn the rows of shelves, featuring titles such as Little Miss Sunshine, No Ordinary Girl and A Girl of High Adventure. They are all light-hearted tales with brave female characters that can be found within the Bodleian Library, which is one of the oldest libraries in Europe.

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Before Douce manuscript 116 landed in Oxford's Bodleian Library, this compilation of magical operations passed through the hands of four occult philosophers who recorded charms, seals, talismans, and magical lore over the seventeenth, eighteenth, and nineteenth centuries. Through expert annotations and translations of the original English, Latin, and Welsh content, Daniel Harms has made this untitled volume accessible to all collectors with this new hardcover book. The Book of Four Occult Philosophers reveals the secrets Robert Cross Smith (Raphael), Olivia Serres (Princess Olive), Thomas Harrington, and an unknown individual credited as 'W.' recorded over three centuries. This compendium of ceremonial magic contains historical spells, recipes, and rituals alongside passages about fairies, astrology, numerology, demon conjuring, and more. With red and black text and hundreds of illustrations by S. Aldarnay, this magical miscellany is the perfect addition to any collection of treasured occult works.

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Garland's magnificent facsimile series of the manuscripts of Percy Bysshe Shelley and Mary Wollstonecraft Shelley in the Bodleian Library, Oxford ( The Bodleian Shelley Manuscripts , 22 volumes, 1986-1997) is now made complete by the publication of its Index-volume. Volume XXIII provides the key to the contents of the Shelleyan notebooks and papers in all their complexity: poems, prose, translations, fragments, calculations, drawing and doodles, addresses and other miscellaneous jottings. The accumulated findings provide a treasure-trove of information about the Shelley's lives: their writings and readings, and echoes of classical and later authors; the people they met, corresponded with, rented houses from, or saw perform; the towns they visited, the very houses in which they lived, the lakes and rivers they sailed and the mountains they climbed. The intellectual and physical data of these manuscripts will help open new vistas for students of their lives, thought and creative writing.

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A fresh close reading of the texts of one of the four surviving major manuscripts of Old English poetry, reappraising Oxford, Bodleian Library, MS Junius 11 to discover some of the preoccupations of its compliers. Oxford, Bodleian Library MS Junius 11 is one of the four major manuscripts of Old English poetry to survive and the only one of these to have had a planned sequence of illuminations. Junius 11 is made up of different poems - Genesis A, Genesis B, Exodus, Daniel and Christ and Satan - compiled to resemble a long narrative that represents salvation history from its violent origins to its Last Days. While the poems draw inspiration from biblical, apocryphal and commentary traditions, they combine in the manuscript to create powerful effects that can also be understood through an appreciation of the distinctive craft and complexity of early medieval vernacular verse. But can the language of the poetry within the manuscript tell us anything about the aims of the Junius 11 project, or the preoccupations of its compilers? This book approaches Junius 11 as an ambitious poetic endeavour that was designed to offer counsel through the medium of Old English verbal art. Tracing thematic language across and between the poems, and offering close readings of them in their manuscript context, MS Junius 11 and its Poetry argues that it is early medieval political ideas represented by the Old English words ræd (good counsel) and unræd (ill counsel) that emerge as the key components underlying the central conflicts of the history of humankind the makers of this manuscript sought to create. The poems themselves, by giving us many examples of rulers and leaders falling to ruin, have the potential to offer their own ræd to those who may have found themselves in relatable positions. But Junius 11 demands work for such gifts. Its poems generate impressions cumulatively and collectively, offering instruction to those who might build connections across pages, demanding audiences become attentive and active readers so that they might find solace and advice in a world that moves towards destruction.

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Address book companion to the exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Bodleian Libraries: A Readers' Delight. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and this handsome trio of spines are just three examples of the beautiful objects in the Library’s collection. With colourful illustrations and charming tales, these story anthologies showcase the sports and hobbies young people could enjoy during the 1930s.

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Artisan Art Notebooks, the new Journals from Flame Tree in a range of hues to suit the moment and featuring magnificent art. They’re hand crafted with decorated edges overflowing with petals, teasing vines and patterns. A unique blend of the practical and beautiful, with two ribbons and lined pages, the Artisan Art Notebooks are perfect for notes, creative writing, poetry, doodles and lists. And, with robust flexi covers, they’re easy to slip into your bag, a pleasure to use. Simply, they feel good! Late 19th- and early 20th- century children’s books are the subjects of this print from the Bodleian Libraries. The Bodleian Library, is one of the oldest libraries in Europe. Since the doors first opened to scholars in 1602 many extensions and buildings have been added and together the Bodleian Libraries now house over 12 million printed items.

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew''s forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking saf

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''I loved this memoir'' - Raynor Winn, author of The Salt Path''A whole new way of looking at a familiar landscape'' - Neil Ansell, author of The Last Wilderness''Simmons observes the natural world with precision and affection'' - Times Literary SupplementAn old map. A lost pilgrimage route. A journey in search of our walking heritage.On an antique map in Oxford''s Bodleian Library, a faint red line threading through towns and villages between Southampton and Canterbury suggests a significant, though long-forgotten, road. Renamed the Old Way, medieval pilgrims are thought to have travelled this route to reach the celebrated shrine of Thomas Becket.Over four seasons, travel writer Gail Simmons walks the Old Way, winding 240 miles between the chalk hills and shifting seascapes of the south coast, to rediscover what a long journey on foot offers us today. What it means to embrace ''slow travel'' in the age of the car?

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Behold the majesty of the ancient cathedral of Ely! This striking notebook design comes from the 1830 cover of James Bentham’s The History and Antiquities of the Conventual and Cathedral Church of Ely, an exactingly crafted ode to the magnificence of the cathedral and the ancient curiosities held within its walls.Ely’s rich history begins with the Anglo-Saxon princess Saint Ethelreda, who founded a monastic community in the Cambridgeshire Fens in 673 ad. Over the centuries, the original abbey was built, destroyed and rebuilt in various forms, with today’s cathedral beginning construction in 1083. With architect George Gilbert Scott at the helm, the Ely Cathedral underwent restorations between 1845 and 1870, rebuilding the galilee porch, lady chapel and choir in an exuberant Decorated Gothic style.With such a rich artistic and spiritual history, it is no wonder that the cathedral would inspire James Bentham to dedicate his life’s work to documenting its artifacts. We are honoured to work with the Bodleian Library to celebrate Bentham’s passion project.

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The first-ever print edition of a play by one of the first women playwrights in England. E. Polwhele (c. 1651-c. 1691) was one of the first women to write for the stage in Restoration London. This book presents the first printed edition of Polwhele’s first play, The Faithful Virgins, which until now has existed only in an unsigned manuscript in the Bodleian Library at Oxford University. A tragicomedy apparently performed in London by the Duke's Company ca. 1669–1671, The Faithful Virgins is altogether different in tone from Polwhele's later, better-known prose comedy, The Frolicks; or, The Lawyer Cheated (1671). The introduction to this modern-spelling edition of The Faithful Virgins discusses the play in terms of radical changes in English stage practices following the restoration of the monarchy after England’s civil war and situates Polwhele’s play within the social and political life of seventeenth-century London.

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Behold the majesty of the ancient cathedral of Ely! This striking notebook design comes from the 1830 cover of James Bentham’s The History and Antiquities of the Conventual and Cathedral Church of Ely, an exactingly crafted ode to the magnificence of the cathedral and the ancient curiosities held within its walls.Ely’s rich history begins with the Anglo-Saxon princess Saint Ethelreda, who founded a monastic community in the Cambridgeshire Fens in 673 ad. Over the centuries, the original abbey was built, destroyed and rebuilt in various forms, with today’s cathedral beginning construction in 1083. With architect George Gilbert Scott at the helm, the Ely Cathedral underwent restorations between 1845 and 1870, rebuilding the galilee porch, lady chapel and choir in an exuberant Decorated Gothic style.With such a rich artistic and spiritual history, it is no wonder that the cathedral would inspire James Bentham to dedicate his life’s work to documenting its artifacts. We are honoured to work with the Bodleian Library to celebrate Bentham’s passion project.

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Discovered in the stacks of the Bodleian Library at Oxford, this authentic work of 17th-century English magic has been meticulously transcribed and translated by Daniel Harms and illustrated by James R. Clark, the team that created the bestselling Book of Oberon (9780738743349). With a comprehensive introduction, annotations, and more than 100 figures and illustrations, this beautifully reconstructed historical work is filled with never-before published rituals for calling forth demons, fairies, elementals, and other spiritual beings. This elegantly bound book provides new insights into a fascinating tradition, where a sorcerer or cunning-man was paid to perform magic for uncovering theft, healing, combating witchcraft, hunting for treasure, or for having a spirit fulfil one s commands. As an additional feature, this deluxe edition retains the red type found in the original manuscript to emphasise key words.

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Born in Qatar in the early seventh century AD, Isaac of Niniveh (also known as Isaac the Syrian) was the author of a number of very fine writings on the spiritual life which have proved very influential, especially in monastic circles, over the centuries. The first part of his writings was translated into Greek in the ninth century at the monastery of St Saba in Palestine, and thence it found its way into many other languages (including in the twentieth century, Japanese). In 1983 a complete manuscript of the second part, hitherto only partially known, was discovered in the Bodleian Library, Oxford, and chapters IV-XLI of these new texts are edited and translated here for the first time. The remaining chapters I-III, which include four sets of Kephalaia on spiritual knowledge, will be published subsequently in CSCO by P. Bettiolo.

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Volume Two of this new documentary history of the Soviet Union comprises over 270 documents and is organised into four chronologically distinct parts, subdivided thematically; it runs from the fraught diplomatic and military preamble of the Great Patriotic War to the final fracturing of the USSR along the national fault-lines of its 15 Union Republics. Slight overlap of chronological coverage with Volume One allows increased attention in Volume Two to foreign affairs. Areas in this volume that attract greatest student interest are the epic dramas at the beginning and end of the period — the Great Patriotic War and Perestroika.The commentary is by Edward Acton, Professor of Modern European History at the University of East Anglia, who has published widely on the Russian revolution and the history of Russia and the USSR. The documents have been translated by Tom Stableford, Assistant Librarian, Slavonic and East European Collections, Bodleian Library, Oxford

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A monastic ritual intended for use in the Benedictine monastery of St Mary and St Egwin, Evesham, Worcestershire, edited from Oxford, Bodleian Library, Barlow MS 7 [SC 6419]. Although similar to other surviving manuscripts that have benn labelled as pontificals, this MS contains no episcopal offices, all rites being appropriate for celebration by the abbot or his delegate. Of the three sections, the first contains general regulations concerning the role of the abbot in liturgical and extraliturgical ceremonial, 'ordines' for catechumens, tonsure, monastic profession, admission of laybrothers, marriage, blessing of pilgrims, blessing of various vestments, and various blessings for use at the night office. The second has the special blessings relating to liturgical celebrations from 2 February to Easter, and blesings for use at the night office on 1 November. The third section has 'ordines' for the visitation of the sick and Christian burial. It was probably written c. 1300, for John de Brokehampton, abbot 1282-1316, although the first two sections appear to be copied from earlier compilations.

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The newly revised Pevsner guide to the buildings of Oxford and South-East Oxfordshire This updated guide addresses half a century of change and development since the previous edition, including a wealth of ambitious new buildings for the University and its colleges. Familiar buildings such as the Bodleian Library and the Radcliffe Camera are reinterpreted, and the many renovations and extensions are described and assessed. Oxford’s commercial buildings, suburbs, and houses are also explored in depth, including much that is published here for the first time. The county area extends from the outskirts of Oxford to Henley-on-Thames, following the historic Thameside boundary of Oxfordshire and taking in the hills of the southern Chilterns. Here the new volume includes fresh accounts of major country houses such as Nuneham Courtenay and Thame Park, new assessments of church restorations, furnishings, and stained glass, more inclusive coverage of commercial buildings in the towns and a fuller selection of vernacular and rural buildings across the whole of this attractive and rewarding part of England.

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Gregory Doran's account of his quest to re-discover Cardenio, the lost play written by Shakespeare and John Fletcher. A thrilling act of literary detection that takes him from the Bodleian Library in Oxford, via Cervantes' Spain to the stage of the Royal Shakespeare Company in Stratford. Fully illustrated throughout, Shakespeare’s Lost Play tells a fascinating story, which, like the play itself, will engross Shakespeare buffs and theatregoers alike. Doran’s much-praised production of Cardenio for the Royal Shakespeare Company marked the culmination of years spent searching for a famously 'lost’ play co-authored by William Shakespeare. In this book, Doran takes us with him on his quest to unearth every extant clue and then into the rehearsal room as he pieces together a play unseen since its first performance in 1613. The result, as the Guardian attested, is ‘an extraordinary and theatrically powerful piece, one that should both please audiences and keep academic scholars in work for years’.

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Someone called Jacques Derrida, someone called him on the phone, someone who was dead -- this was August 22nd 1979. A mystery, he thought; but it is a mystery that began more than ten years earlier, in 1968, when Derrida, a philosopher, visits Oxford and there, before the very eyes of the Philosophy Sub-Faculty, he dies, several times. Murder, he thought. And so I shall investigate, and begin with a sign that the philosopher says he left within a book from the thirteenth century, a strange fortune-telling book that he had found in the oldest part of Oxford's Bodleian Library. In the book are a host of cryptic questions, but the philosopher directs us to one in particular, a peculiar question about a boy, and the question is this: Does the boy live? The philosopher will not, though, give the answer; he requires, instead, that we go to Oxford to open the book for ourselves.

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David Oppenheim (1664–1736), chief rabbi of Prague in the early eighteenth century, built an unparalleled collection of Jewish books and manuscripts, all of which have survived and are housed in the Bodleian Library at Oxford. His remarkable collection testifies to the myriad connections Jews maintained with each other across political borders, and the contacts between Christians and Jews that books facilitated. From contact with the great courts of European nobility to the poor of Jerusalem, his family ties brought him into networks of power, prestige, and opportunity that extended across Europe and the Mediterranean basin. Containing works of law and literature alongside prayer and poetry, his library served rabbinic scholars and communal leaders, introduced old books to new readers, and functioned as a unique source of personal authority that gained him fame throughout Jewish society and beyond. The story of his life and library brings together culture, commerce, and politics, all filtered through this extraordinary collection. Based on the careful reconstruction of an archive that is still visited by scholars today, Joshua Teplitsky’s book offers a window into the social life of Jewish books in early modern Europe.

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Book one of the New York Times bestselling All Souls series, from the author of The Black Bird Oracle.“A wonderfully imaginative grown-up fantasy with all the magic of Harry Potter and Twilight” (People).Look for the hit series “A Discovery of Witches,” now streaming on AMC+, Sundance Now, and Shudder! Deborah Harkness’s sparkling debut, A Discovery of Witches, has brought her into the spotlight and galvanized fans around the world. In this tale of passion and obsession, Diana Bishop, a young scholar and a descendant of witches, discovers a long-lost and enchanted alchemical manuscript, Ashmole 782, deep in Oxford's Bodleian Library. Its reappearance summons a fantastical underworld, which she navigates with her leading man, vampire geneticist Matthew Clairmont. Harkness has created a universe to rival those of Anne Rice, Diana Gabaldon, and Elizabeth Kostova, and she adds a scholar's depth to this riveting tale of magic and suspense. The story continues in book two, Shadow of Night, book three, The Book of Life, and the fourth in the series, Time’s Convert.

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Scholar Susan Godwin is hooked when she comes across the captivating story of Mary of Modena—a seventeenth-century Italian princess who was only fourteen when coerced into marriage with the future king of England, James II, yet went on to cultivate a court full of women writers in an age when female authorship was rare. How did Mary achieve such a feat? Rain Dodging is Susan’s creative nonfiction account of the years-long search upon which this question—and her own unquenchable curiosity—launched her. Godwin travels through both space and time, solo adventuring through Britain in pursuit of truth and, in a spicy parallel arc, chronicling her own cluttered but resilient feminist path. From schizophrenic lovers to out-there musicians to one unhinged mother, Susan tells the story of her personal enlightenment even as she visits the palaces and manor houses in England and Scotland Mary once inhabited and pores over materials in Oxford’s stunning 400-year-old Bodleian Library, finding moments of transcendence and unexpected delight along the way. Join Susan in this irreverent and illuminating journey—a fascinating account of the late Stuart monarchy, the progression of feminist history, and the unexpected connection between the two.

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A delightful and often witty description of the Oxford colleges in the eighteenth century. Shepilinda's Memoirs of the City and University of Oxford is a light-hearted but valuable manuscript account of the Oxford colleges in 1738, written by a lively and engaging young woman who had a measure of social access to many of them. Elizabeth Sheppard (pen-name "Shepilinda") was accompanied on her visits by a friend and confidante with the nickname "Scrippy", for whom the resulting memoir and appended collection of poems are intended as a gift. Elizabeth clearly had a facility for getting people to talk to her quite freely, together with a quick grasp of the information she received; she also had a lively, sometimes mischievous, sense of humour. The work, frequently unflattering to the dons (the wife of one is described as "ever a Moving Dumpling"), is entertaining, informative, and also unusual, in that women's voices are rarely heard at that date. The Memoirs are presented here with anintroduction and notes, providing information on the people involved and setting them into context. Until his retirement GEOFFREY NEATE worked at the Bodleian Library, Oxford, with particular responsibility for computerising the catalogue entries for books published before 1920.

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This volume in the definitive edition of Thomas Traherne contains his best-known works, Centuries of Meditations and Select Meditations. Thomas Traherne (1637?-1674), a clergyman of the Church of England during the Restoration, was little known until the early twentieth century, when his poetry and Centuries of Meditations were first printed. There have beensince only miscellaneous publications of his poetry and devotional writings. The Works of Thomas Traherne brings together for the first time all Traherne's extant works, including his notebooks, in a definitive, printed edition. The six works in this volume are taken from two manuscripts. The first, held at the Bodleian Library, University of Oxford (MS Eng. th. e. 50), contains Centuries of Meditations; the other, held at the BeineckeRare Book and Manuscript Library, Yale University (Osborn MS b. 308), is comprised of three works by Traherne, Select Meditations and two brief untitled treatises, "Being a Lover of the world" and "The best principle whereby a man can Steer his course". It also includes two works by an unidentified writer, A Prayer for Ash Wednesday and A Meditation; neither work is of Traherne's making.

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Providing a sweeping millennium-plus history of the learned book in the West, John Willinsky puts current debates over intellectual property into context, asking what it is about learning that helped to create the concept even as it gave the products of knowledge a different legal and economic standing than other sorts of property. Willinsky begins with Saint Jerome in the fifth century, then traces the evolution of reading, writing, and editing practices in monasteries, schools, universities, and among independent scholars through the medieval period and into the Renaissance. He delves into the influx of Islamic learning and the rediscovery of classical texts, the dissolution of the monasteries, and the founding of the Bodleian Library before finally arriving at John Locke, whose influential lobbying helped bring about the first copyright law, the Statute of Anne of 1710. Willinsky's bravura tour through this history shows that learning gave rise to our idea of intellectual property while remaining distinct from, if not wholly uncompromised by, the commercial economy that this concept inspired, making it clear that today's push for marketable intellectual property threatens the very nature of the quest for learning on which it rests.

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A colourful showcase of one of the most beautiful cities in the world. Inspired by Oxford’s unique architecture and historic university, over 50 artists have produced a unique collection of contemporary images illustrating all aspects of the city and surrounding area. Oxford is both a thriving city and a byword for one of the world’s best universities. Its ancient buildings are the wonder of the world, still used and inhabited by an energetic and passionate student community. From tightly-packed Cornmarket street catering for the shoppers of the busy city to Oxford’s lush riverside walks that provide an asylum from the bustle of everyday life, to traditional St Giles’s Fair and May Day that attract visitors from across Oxfordshire and beyond, this book represents them all, including: - Quirky hidden gems such as The Eagle and Child (the pub frequented by J.R.R. Tolkien and C.S. Lewis) and the many cafes of the Covered Market - Innovative representations of classic tourist sites: the Bodleian Library, the Radcliffe Camera, the Sheldonian Theatre, Christ Church College, Magdalen College and many more... - The Mini Car Plant and Cowley Road transformed into artworks There is so much to wonder at in this lovely book. Its enthusiasm reveals a passion for both contemporary art and the lovely city of Oxford. It will renew memories and inspire visits and revisits to all its haunts.

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The most ambitious and diverse survey of the book arts published to date, Book Art Object 2 serves as a record of the third biennial Codex Book Fair and Symposium, "The Fate of the Art," held in Berkeley, California in 2011. The event showcased contemporary artist books, and fine press and fine art editions produced by the world's most esteemed printers, designers, book artists, and artisans. In addition to showcasing 300 projects by 140 artists/printers, Book Art Object 2 also presents a selection of the papers delivered at the 2009 and 2011 symposium lectures: Paul van Capelleveen, The National Library of the Netherlands: Changing Books: Art and the Contemporary Dutch Private Press Book Richard Ovenden, Keeper of Special Collections and Associate Director, Bodleian Library, Oxford: Book Arts in the 21st Century Research Library Juan Nicanor Pascoe, Proprietor, Taller Martin Pescador, Michoacán: Fine Printing in Mexico: Taller Martin Pescador, Michoacán Antoine Coron, Head of Special Collections, Bibliothèque Nationale de France: Publishing Artists' Books in France Today Ron King, artist, History and Collaboration: Circle Press Also presented are 'dispatches' from renowned artists, printers, and curators including Johannes Strugalla and Ulrike Stoltz of Germany; Jason Dewinetz of Canada; Des Cowley of New Zealand; Sarah Bodmen and Tom Sowden of United Kingdom; and Sandro Berra of Italy.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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The fourteenth-century Piers Plowman is one of the most influential poems from the Age of Chaucer. Following the character Will on his quest for the true Christian life, the three dream narratives that make up this work address a number of pressing political, social, moral, and educational issues of the late Middle Ages. Miceal F. Vaughan presents a fresh edition of the A version, an earlier and shorter version of this great work. Unlike the B and C versions, there is no modern, affordable edition of the A version available. For the first time in decades, students and scholars of medieval literature now have access to this important work. Vaughan's clean, uncluttered text is accompanied by ample glossing of difficult Middle English words. An expansive introduction, which includes a narrative summary of the poem, textual notes, detailed endnotes, and a select bibliography frame the text, making this edition ideal for classroom use. This is the first classroom edition of the A version since Thomas A. Knott and David C. Fowler's celebrated 1952 publication. Based on an early-fifteenth-century manuscript from the University of Oxford's Bodleian Library, Vaughan's text offers a unique rendition of the poem, and it is the first modern edition not to attribute the poem to William Langland. By conservatively editing one important witness of Piers Plowman, Vaughan takes a new generation of students to an early version of this great medieval poem.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the Slimline Journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper, printed with lines. THE ARTIST. The Bodleian Library, is one of the oldest libraries in Europe. Since the doors first opened to scholars in 1602 many extensions and buildings have been added and together the Bodleian Libraries now house over 12 million printed items. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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The Savilian Professorships in Geometry and Astronomy at Oxford University were founded in 1619 by Sir Henry Savile, distinguished scholar and Warden of Merton College. The Geometry chair, in particular, is the earliest University-based mathematics professorship in England, predating the first Cambridge equivalent by about sixty years. To celebrate the 400th anniversary of the founding of the geometry chair, a meeting was held at the Bodleian Library in Oxford, and the talks presented at this meeting have formed the basis for this fully edited and lavishly illustrated book, which outlines the first 400 years of Oxford's Savilian Professors of Geometry. Starting with Henry Briggs, the co-inventor of logarithms, this volume proceeds via such figures as John Wallis, a founder member of the Royal Society, and Edmond Halley, via the 19th-century figures of Stephen Rigaud, Baden Powell, Henry Smith, and James Joseph Sylvester, to the 20th century and the present day. Oxford's Savilian Professors of Geometry: The First 400 Years assumes no mathematical background, and should therefore appeal to the interested general reader with an interest in mathematics and the sciences. It should also be of interest to anyone interested in the history of mathematics or of the development of Oxford and its namesake university. To all of these audiences it offers portraits of mathematicians at work and an accessible exposition of historical mathematics in the context of its times.

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford. It holds over 13 million printed items and these book spines are just a few examples of the beautiful objects in the Library’s collection. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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First full collection on the seven most significant English mappae mundi from the twelfth and thirteenth centuries. Mappae mundi (maps of the world), beautiful objects in themselves, offer huge insights into how medieval scholars conceived the world and their place within it. They are a fusion of "real" geographical locations with fantastical, geographic, historical, legendary and theological material. Their production reached its height in England in the twelfth and thirteenth centuries, with such well-known examples as the Hereford map, the maps of Matthew Paris, and the Vercelli map. This volume provides a comprehensive Companion to the seven most significant English mappae mundi. It begins with a survey of the maps' materials, types, shapes, sources, contents, conventions,idiosyncrasies, commissioners and users, moving on to locate the maps' creation and use in the realms of medieval rhetoric, Victorine memory theory and clerical pedagogy. It also establishes the shared history of map and book making, and demonstrates how pre-and post-Conquest monastic libraries in Britain fostered and fed their complementary relationship. A chapter is then devoted to each individual map. An annotated bibliography of multilingual resourcescompletes the volume. DAN TERKLA is Emeritus Professor of English at Illinois Wesleyan University; NICK MILLEA is Map Librarian, Bodleian Library, University of Oxford. Contributors: Nathalie Bouloux, Michelle Brown. Daniel Connolly, Helen Davies, Gregory Heyworth, Alfred Hiatt, Marcia Kupfer, Nick Millea, Asa Simon Mittman, Dan Terkla, Chet Van Duzer.

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In 1659, a vast and unusual map of China arrived in the Bodleian Library, Oxford. It was bequeathed by John Selden, a London business lawyer, political activist, former convict, MP and the city's first Orientalist scholar. Largely ignored, it remained in the bowels of the library, until called up by an inquisitive reader. When Timothy Brook saw it in 2009, he realised that the Selden Map was 'a puzzle that had to be solved': an exceptional artefact, so unsettlingly modern-looking it could almost be a forgery. But it was genuine, and what it has to tell us is astonishing. It shows China, not cut off from the world, but a participant in the embryonic networks of global trade that fuelled the rise of Europe - and which now power China's ascent. And it raises as many question as it answers: how did John Selden acquire it? Where did it come from? Who re-imagined the world in this way? And most importantly - what can it tell us about the world at that time? Brook, like a cartographic detective, has provided answers - including a surprising last-minute revelation of authorship. From the Gobi Desert to the Philippines, from Java to Tibet and into China itself, Brook uses the map (actually a schematic representation of China's relation to astrological heaven) to tease out the varied elements that defined this crucial period in China's history.

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The Look of the Book assesses the role of the city of Shiraz in Iranian book production between the early fourteenth and mid-fifteenth centuries. It is the first detailed analysis of all aspects of the book--illumination, codicology, illustration, calligraphy, and binding--during this significant era when the "look of the book" was transformed. Four periods of change are identified: the years following 1340, until the end of Injuid rule in Shiraz; the later 1350s and the 1360s, during Muzaffarid rule; the years from 1409 to 1415, when the Timurid prince Iskandar Sultan was governor of Shiraz; and the decade (1435-45) following the death of Ibrahim Sultan, Iskandar's cousin and successor as governor. Although the focus is Shiraz, the author’s comparative and chronological approach to the material means production elsewhere in Iran is also considered, while the results of the study increase our understanding of the history and development of the arts of the book not only in Shiraz, or even Iran as whole, but also in other centers of the Islamic world that followed the Iranian model. Highlights of this book, which is heavily illustrated with exquisite illuminated manuscript pages, are its examination of illumination, an overlooked area of book production; the codicological aspects of the manuscripts, including paper and text layout; and the development of nasta‘liq script. The manuscripts studied are held in more than fifty collections, primarily those in Dublin (Chester Beatty Library), Istanbul (Topkapi Palace Library and Museum of Turkish and Islamic Arts), London (British Library), Oxford (Bodleian Library); Paris (Bibliothèque Nationale de France); and Washington, DC (Freer and Sackler Galleries of the Smithsonian Institution).

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A range of approaches (literary, historical, art-historical, codicological) to this mysterious but hugely significant manuscript. Extravagantly heterogeneous in its contents, Oxford, Bodleian Library, MS Digby 86 is an utterly singular production. On its last folio, the scribe signs off with a self-portrait - a cartoonishly-drawn male head wearing a close-fitted hood - and an inscription: "scripsi librum in anno et iii mensibus" (I wrote the book in a year and three months). His fifteen months' labour resulted in one of the most important miscellanies to survive from medieval England: a trilingual marvel of a compilation, with quirky combinations of content that range from religion, to science, to literature of a decidedly secular cast. It holds medical recipes, charms, prayers, prognostications, magic tricks, pious doctrine, a liturgical calendar, religious songs, lively debates, poetry on love and death, proverbs, fables, fabliaux, scurrilous games, and gender-based diatribes. That Digby is from the thirteenth century adds to its appeal, for English literary remnants from before 1300 are all too rare. Scholars on both sides of the vernacular divide, French and English, are deeply intrigued by it. Many of its texts are found nowhere else: for example, the French Arthurian Lay of the Horn, the English fabliau Dame Sirith and the beast fable Fox and Wolf, and the French Strife between Two Ladies (a candid debate on feminine politics). The interpretationsoffered in this volume of its contents, presentation, and ownership, show that there is much to discover in Digby's lively record of the social and spiritual pastimes of a book-owning gentry family. SUSANNA FEIN is Professor of English at Kent State University. CONTRIBUTORS: Maureen Boulton, Neil Cartlidge, Marilyn Corrie, Susanna Fein, Marjorie Harrington, John Hines, Jennifer Jahner, Melissa Julian-Jones, Jenni Nuttall, David Raybin, Delbert Russell, J.D. Sargan, Sheri Smith

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‘A wonderful book: Nancy Campbell is a fine storyteller with a rare physical intelligence. The extraordinary brilliance of her eye confers the reader a total immersion in the rimy realms she explores. Glaciers, Arctic floe, verglas, frost and snow — I can think of no better or warmer guide to the icy ends of the Earth’ Dan Richards, author of Climbing DaysA vivid and perceptive book combining memoir, scientific and cultural history with a bewitching account of landscape and place, which will appeal to readers of Robert Macfarlane, Roger Deakin and Olivia Laing. Long captivated by the solid yet impermanent nature of ice, by its stark, rugged beauty, acclaimed poet and writer Nancy Campbell sets out from the world’s northernmost museum – at Upernavik in Greenland – to explore it in all its facets. From the Bodleian Library archives to the traces left by the great polar expeditions, from remote Arctic settlements to the ice houses of Calcutta, she examines the impact of ice on our lives at a time when it is itself under threat from climate change.The Library of Ice is a fascinating and beautifully rendered evocation of the interplay of people and their environment on a fragile planet, and of a writer’s quest to define the value of her work in a disappearing landscape.‘The writer and poet offers reflections on ice and snow that draw on art, science and history… a dreamlike book.’ – The Guardian ‘It is a sparkling and wonderful meditation on a substance we must cherish’ – The Independent ‘It is a pleasant brew infused with elements not only of travel and history, but also of memoir and personal reflection’- Literary Review‘Ms Campbell, a penniless but intrepid traveller, braves miserable bus journeys, freezing rain, dark and intense cold, but still manages to write rapturously of the beauties of the Arctic’- The Economist

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A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year.BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table.PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy.THE ARTIST. The Bodleian Library is one of the oldest libraries in Europe and is the main research library of the University of Oxford.These charming, brightly-coloured story anthologies highlight the changing role of girls and women in the 1930s. Featuring cheerful illustrations of sporting, spirited girls ready for adventure, they are tangible evidence of the slow and steady social progress of the era, and the new freedoms and opportunities afforded to many women. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

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A richly illustrated exploration of the impact of South Asian Miniature painting on contemporary art. This book tells the dynamic story of contemporary art’s engagement with the miniature painting traditions of South Asia from the sixteenth century onwards, and the role of Britain in these developments. This is the first publication to address this remarkable painting tradition on a transhistorical and transnational scale. Readers are invited to admire the formal, technical and conceptual innovations of some of the most exciting historic and contemporary artists from South Asia, while reflecting on questions of culture and power in the entangled histories of empire and globalization. Many of the greatest collections of South Asian paintings are held in Britain, and some of the pivotal encounters that shaped this story happened in London. The process of these acquisitions and their central role within British and South Asian art histories are explored in this book. The book also demonstrates how the traditions of South Asian miniature painting have been reclaimed and reinvented by modern and contemporary artists, exploding beyond the pages of illuminated manuscripts to experimental forms that include installation, sculpture and film. While miniature painting represented a strand of cultural resistance to colonial rule in the early twentieth century, artists continue to find contemporary relevance in the possibilities offered by this tradition. Beyond the Page is richly illustrated with historic works from the Victoria & Albert Museum, the British Library, the British Museum, the Ashmolean, the Bodleian Library and the Royal Collection Trust. It also features work by artists from different generations working in dialogue with the miniature tradition, including Hamra Abbas, David Alesworth, Nandalal Bose, Noor Ali Chagani, Lubna Chowdhary, Adbur Rahman Chughtai, Samuel Fyzee-Rahamin, N.S. Harsha, Howard Hodgkin, Ali Kazim, Bhupen Khakhar, Jess MacNeil, Imran Qureshi, Nusra Latif Qureshi, Mohan Samant, Nilima Sheikh, the Singh Twins, Shahzia Sikander and Abanindranath Tagore.

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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*NOW A MAJOR SKY TV SERIES. Read the novel Season 2 is based on.*Fall deeper under the spell of Diana and Matthew in the captivating second volume of the No.1 internationally bestselling ALL SOULS series, following A DISCOVERY OF WITCHES. Perfect for fans of Neil Gaiman, Diana Gabaldon and J. K. Rowling.---In a world of witches, daemons and vampires the fragile balance of peace is unravelling. Diana and Matthew's forbidden love has broken the laws dividing creatures. To discover the manuscript which holds their hope for the future, they must now travel back to the past.When Diana Bishop, descended from a line of powerful witches, discovered a significant alchemical manuscript in the Bodleian Library, she sparked a struggle in which she became bound to long-lived vampire Matthew Clairmont. Now the coexistence of witches, daemons, vampires and humans is dangerously threatened.Seeking safety, Diana and Matthew travel back in time to London, 1590. But they soon realise that the past may not provide a haven. Reclaiming his former identity as poet and spy for Queen Elizabeth, the vampire falls back in with a group of radicals known as the School of Night. Many are unruly daemons, the creative minds of the age, including playwright Christopher Marlowe and mathematician Thomas Harriot.Together Matthew and Diana scour Tudor London for the elusive manuscript Ashmole 782, and search for the witch who will teach Diana how to control her remarkable powers...Praise for Deborah Harkness:'Rich, thrilling . . . captivating' E L James'Intelligent and off-the-wall' The Sunday Times'I could lose myself in here and never want to come out' Manda Scott'A bubbling cauldron of illicit desire' Daily Mail

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