Search results for ""bloomsbury publishing""

European consumer law has become a vital part of both legal education and practice. This Casebook details the most fundamental judgments of the Court of Justice on consumer law to date and their effect on national legal systems. It contains twenty leading European cases and is then followed by concise analyses of the effect of these decisions on some of the national legal systems of the Member States,and how national legislatures and national courts have reacted to this ever burgeoning area of European law. The focus of the book is private law, including consumer contracts, advertisement law, European product liability and consumer dispute resolutions. The Casebook is an essential guide for students and practitioners alike. It provides the reader with an overview of the most important cases and analyses in the area of European consumer law on both European and national levels. The editors and contributors to the country reports are members of the EU- funded research network 'Common Principles of European Private Law'.

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In this new book Robert Stevens looks at the English Judiciary from an historical perspective with especial reference to its changing role in the 20th Century. He examines current debates about the position of the judges in the light of the possible future role of the judiciary in the Constitution. The centrepiece of the book is a detailed study of the political influences on the judiciary and the influence the judiciary has had on politics in the 20th Century. It concludes with a series of proposed reforms to ensure that the English judiciary will both maintain its strength but enhance its utility in the 21st Century. It offers no simple-minded argument for separation of powers but analyses what is needed to clarify the balance of powers and to advance the debate about the role of an unelected judiciary in an increasingly democratic society.

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The European Competition Law Annual 2001 is the sixth in a series of volumes following the annual workshops on EU Competition Law and Policy held at the Robert Schuman Centre of the European University in Florence. The volume reproduces the materials of the roundtable debate that took place at the sixth edition of the Workshop (1-2 June 2001),which examined the conditions for an effective private enforcement of EC antitrust rules. The application of EC antitrust rules in the context of private litigation before national courts and arbitration tribunals is becoming a highly topical subject against the background of the on-going debate about the decentralisation of EC antitrust enforcement. The participants - a group of senior representatives of the Commission, national judges, arbitrators, renowned academics and international legal experts in the field of antitrust - discussed in particular the following aspects: a) the availability and effectiveness of substantive remedies in the enforcement of EC antitrust rules at the EU level in general and in four major EU jurisdictions in particular (England, France, Italy and Germany); b) the procedural issues arising in the enforcement of EC antitrust rules by national courts in four EU jurisdictions (England, France, Italy and Germany) and at the EU level in general; c) the problems arising in the application of Article 81(3) EC by arbitration tribunals. In addition to these issues, the participants also discussed whether the public enforcement of EC antitrust rules could be rendered more efffective by introducing sanctions applicable to the individuals responsible for their violation.

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This timely book explores the developing nature of international trade law,with particular emphasis on World Trade Organization law and its effects within the European Union. In the aftermath of the Seattle upheaval, vital questions are being raised as to the future course of global economic law; its overall legitimacy, implications for democracy, for national social and environmental policies, and for the well being of the world's people. This highly technical subject is rigorously analysed, yet the main legal developments and the major trade disputes are discussed in an accessible narrative style. The first section covers the common historical roots of the GATT and the EC, systems of integration that were part of an idealistic post-war heritage. The book goes on to demonstrate the idiosyncratic development of GATT law, leading to the launch of the WTO in 1995 and the controversial Uruguay Round Agreements which represented the beginning of an enormous proliferation of causes of action and a greatly enhanced legalism for the global trading system.

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Good faith is already a familiar concept in international commercial law and a recognised principle of substantive law in several major legal systems. In the United Kingdom,however, a role for good faith and, more fundamentally, the issue of whether or not there ought to be a general principle of good faith informing English and Scots contract and property law, are still matters for debate. This book, containing the papers delivered at the Symposium on Good Faith in Contract and Property Law held in Aberdeen University in October 1998, engages in that critical debate. While its central core reflects on good faith from the perspective of a mixed legal system (Scots Law), papers on good faith from an English and European perspective locate the debate, properly, within a broader jurisdictional context.

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A great read for students, academics, practitioners, and theater buffs. Lolly Susi's interviews with the actor and teacher George Hall is a unique insight into the mind of one of the greatest theatrical authorities. This book is full of revealing thoughts regarding the theater and acting industries.

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In this collection of seven provocative essays, acclaimed theater director and playwright Mick Gordon argues that the theater represents a physical corollary of the invisible workings of our minds. Gordon draws upon his five years of experience working with leading neurologists and cognitive psychologists.

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At the heart of this book is a cry for change in attitude - to respect nature and all that it provides. Virginia McKenna has pushed aside the glamour of movie stardom, the West End and Broadway where she starred in major shows like The King and I and A Little Night Music. Instead she focuses relentlessly on her personal mission with the Born Free Foundation or the plight of orphaned children across the world. Through the prism of memory a lifetime of experiences, ecstatic, amusing or tragic have flooded back in the form of anecdotes, meditations and poems to form this book. This book will inspire anyone who cares about the future of the planet and all the creatures dependent on it, including human beings. Part of the proceeds from each book sold will go to support Born Free Foundation campaigns.

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An adventure about what it means to be young and to believe in beyond the ordinary.

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The Spanish Golden Age was a period of flourishing in arts and literature, and in particular of drama, in Spain, coinciding with the political decline and fall of the Habsburgs. This term does not generally imply any great precision about dates, but it begins no earlier than 1492, ending with the death of he last great writer of the period, Pedro Calderon de la Barca, died in 1681.In 2003, the RSC produced a season of Spanish Golden Age plays, including classics such as "The Dog in the Manger", "House of Desires and Pedro", and "The Great Pretender" establishing an innovative working process that laid emphasis on the plays as pieces of theatre, dynamic and alive, and on the principle of respect for the plays' historical contexts. The essays in this book, written by some of the world's foremost scholars of the Spanish Golden Age, explore some of the many issues that arose from this season and the complex nature of translating and staging plays from the Spanish Golden Age on the English-speaking stage.

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In a remote mountain village in eastern Turkey, against a backdrop of mounting political turmoil, a father clings to the simple life he has created for himself and his family. As violence creeps ever closer, Haydar refuses to flee from the family home, a home he built with his bare hands. What keeps him here? Why do his silver birch trees seem more precious to him than the lives of his own children?

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"Man Across the Way" is a dazzling, anarchic new work about surveillance, tap-dancing and the new world order. Fraser and Dougie are cops carrying out surveillance on the man across the way. They suspect him of involvement in the recent terrorist attack on the city. But are their motives entirely pure? "Magpie Park" contains a Harvey Nicks store detective with a dodgy past and a florist with a missing sister. What brings them together in a room at The Queens Hotel? Part mystery, part romance, the play follows the two from Briggate's bright lights to the birds of Hyde Park.

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'The Royal Court has been at the centre of British cultural life for the past 50 years, an engine room for new writing and constantly transforming the theatrical culture' - Stephen Daldry. For half a century the Royal Court has been at the cutting edge of British theatre. Established by George Devine as a 'writers' theatre', the Court has consistently provided a platform for the most vital dramatic talents of the day. Illustrated throughout with photographs from the plays, and reproduces documents and rehearsal notes from the original productions, "Inside Out" considers the most notable productions from the tenure of each successive artistic director since the Court opened, and includes interviews with actors, writers, designers, technicians, and directors themselves.It lays bare the truth about controversies over productions like Look Back in Anger, Saved, Perdition, and Shopping and F**king, the closely fought battles over funding, and remarkable internal struggles between huge and competitive personalities at the heart of the Court. "Inside Out" combines a probing history with a unique collection of original and revealing anecdotes from everyone involved in the story of this most influential and important of cultural institutions.

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Since its first presentation of Twelfth Night in 1932, London's most famous al fresco theatre has wowed millions of playgoers with its dazzling productions and pastoral charm. Originally inspired by the desire to stage Shakespeare in the open air, the Park now also presents musicals, studio plays and concerts.A remarkable roll call of stars has acted on the Park's turf bank stage, from Vivien Leigh to Judi Dench, from Robert Stephens to Ralph Fiennes. The unique experience of watching a play at the Open Air Theatre, Regent's Park has been described as eccentric, imaginative, magical, unpredictable, charming and chilly!This celebration of the Park, published for its 75th anniversary, tells the story of one of Britain's best loved theatres.

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This collection of essays is the first to consider the full range of Barker's theatrical objectives and achievements, and reflects his international status as an artistic thinker and practitioner. Contributors from around the world consider key events and themes in Barker's plays such as death, sexuality, performance, blindness, politics, eroticism and cruelty. Overviews of Barker's career explore his rejection of standard dramatic and theatrical techniques and his pursuit of a new tragic form.

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This title features two plays by leading South African playwright, Reza de Wet. In "A Worm in the Bud", Katy stays in England while her sister Emma travels to South Africa, leading to obsession and madness for both of them. "Concealment", also set in South Africa, concerns a doctor and his two daughters: one a spinster, the other a widow with secrets about the events surrounding her missionary husband's death.

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An intellectual escapes the security and wealth of his Budapest life and heads for the dream land of Portugal. He stops in a remote poverty-stricken village where he refuses to become part of the community. He seduces the inn-keeper's daughter with his alluring sadness, but is pursued by his wealthy wife.This version is from a literal translation by Katalin Trencsényi and is part of the National Theatre's Channels (Hungary) season of rehearsed readings, initiated by the NT Studio and performed in the Cottesloe Theatre.

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Set against a background of Soho strip clubs, sexual fantasy and loneliness, Strip is the story of a stripper and her relationship with her sado-masochistic lover. It was produced at the Lyric Studio, Hammersmith in 1993.Snaphots, which opened at the Royal Exchange Manchester in March 2000, is a powerful look at the institutional violence wrenching at the experience of motherhood.

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An impoverished family are evicted from their country smallholding. They agree to go their separate ways for five years, then to meet again to reassess their fortunes. Swankiller, the thrusting eldest son, decides to try his luck in the big city. Homeless, jobless, penniless and eventually alone, he discovers the brutal undertow beneath the city's varied and beguiling surface. Steeped in the atmospere and folklore of Suffolk coastal towns, Swankiller describes a man's search for identity and happiness in a fallen world. A genuinely epic play, it was performed with a cast of fifty at Snape Maltings, Aldeburgh in 1996.

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John Osborne was born in London in 1929. He worked as a journalist for a number of trade magazines before becoming an Assistant Stage Manager and actor with several repertory companies. Look Back in Anger (1956) has come to stand as a key text for modern British Drama, and prompted other successes with The Entertainer and Epitaph for George Dillon. He was the first of many writers to be 'discovered' by the Royal Court Theatre, and Look Back in Anger was the first of the Royal Court's plays to be internationally recognised. Osborne adapted Look Back in Anger and The Entertainer for film. He also wrote an Oscar winning screenplay adaptation of Henry Fielding's novel Tom Jones.

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Commissioned by the NYS Theatre Institute and performed both in New York and London. This tale of friendship and loyalty is an outstanding musical, brimming with adventure and fun. One day Kai is snatched away by the Snow Queen and taken to her icy palace. Gerda sets out to find her friend and free him from the grasp of the wicked queen.

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Edmund John Millington Synge (16 April 1871 - 24 March 1909) was an Irish playwright, poet, prose writer, travel writer and collector of folklore. He was a key figure in the Irish Literary Revival and was one of the co-founders of the Abbey Theatre. William Butler Yeats (13 June 1865 - 28 January 1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature as the first Irishman so honoured. Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929)

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Tomás Gutiérrez Alea’s Memories of Underdevelopment (1968) is a classic of Cuban revolutionary culture, and is hailed as a prime example of a radical style of 1960s political filmmaking that became known worldwide as Latin American “new cinema.” Darlene J. Sadlier’s detailed study approaches this much-written-about film from a new perspective. Her analysis situates the film in its historical context, considering how Cuban political history affected and informed the production of the film, particularly its use of archival footage. She discusses the film as an adaptation of Edmundo Desnoes’s novel Memorias del subdesarrollo (1965), exploring how the novel itself is “re-written” in significant ways by the film. Sadlier goes on to analyse the curious opening of the film on an outdoor scene of Afro-Cubans dancing to the “new” music of Pello del Afrokán, arguing that this opening scene prefaces the film’s exploration of both class and race. She focuses on the unique style of the film, particularly the use of voiceover, music and documentary footage to show how the themes of ennui, isolation, writing, and remembering are depicted. In doing so, she highlights the film’s lasting impact and its role in defining Latin American “new cinema”.

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This book bridges the gap between film theory and filmmakers’ thoughts and poetics, and proposes a new way to address and elaborate film theory. It brings together primary sources by filmmakers themselves, drawing on their films, interviews, books, texts, and manifestos. Divided into three parts, the book covers the main aspects of this approach. Part one discusses the concepts of ‘author’ and ‘filmmaker’. Part two evaluates the creative processes of a broad range of filmmakers, including Víctor Gaviria (Colombia), Kleber Mendonça Filho (Brazil), Jean-Luc Godard and Agnès Varda (France), Abbas Kiarostami (Iran) Pa. Ranjith (India), Andy Warhol (USA), Maya Deren (Ukraine-USA) and Nuri Bilge Ceylan (Turkey). The final part examines filmmakers’ various techniques, particularly the use of multi-images, after-(dialectical)-images, and the use of sound as a sensorial and narrative tool. This curated selection of writings, with contributors from a range of countries including the USA, UK, India, China, Portugal, Brazil, Belgium and New Zealand, reflects the global perspective of this new approach. The volume also discusses the ways in which filmmakers influence each other, the spectator as seen by filmmakers, and ways to critically address a filmography that takes into account filmmakers other than the director.

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Challenging the study of both celebrity and the cinema, Mandy Merck argues that modern fame and film melodrama are part of the same worldview, one that cannot resolve the relation of personal worth to social esteem. Tracing the history of this conundrum back to the philosophy of the 17th century and the theatre of the 18th, she demonstrates its convergence in stage melodrama and its intensification in the Hollywood star system. Are today’s celebrities worth our attention? In that demand for judgement and the hope for its visual guidance, the melodramatic imagination survives – permeating not only fiction film, but documentary, the artist’s film, and our self-exhibition on social media. Examining a range of classical and contemporary films from Charlie Chaplin's City Lights (1931) to Laura Poitras’s Citizenfour (2014) , the many remakes of A Star Is Born, the compulsory exhibitionism of political celebrity and the unmasking of whistle-blowers, Merck illustrates the ways in which the cinema constantly restages the moral evaluation of prominent individuals, whether they are actors, artists, politicians or activists.

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20 years ago, animated features were widely perceived as cartoons for children. Today they encompass an astonishing range of films, styles and techniques. There is the powerful adult drama of Waltz with Bashir; the Gallic sophistication of Belleville Rendez-Vous; the eye-popping violence of Japan's Akira; and the stop-motion whimsy of Wallace & Gromit in The Curse of the Were-Rabbit. Andrew Osmond provides an entertaining and illuminating guide to the endlessly diverse world of animated features, with entries on 100 of the most interesting and important animated films from around the world, from the 1920s to the present day. Blending in-depth history and criticism, 100 Animated Feature Films balances the blockbusters with local success stories from Eastern Europe to Hong Kong. This revised and updated new edition addresses films that have been released since publication of the first edition, such as the mainstream hits Frozen, The Lego Movie and Spider-Man: Into the Spider-Verse, as well as updated entries on franchises such as the Toy Story movies. It also covers bittersweet indie visions such as Michael Dudok de Wit's The Red Turtle, Charlie Kaufman’s Anomalisa, Isao Takahata's Tale of the Princess Kaguya, the family saga The Wolf Children and the popular blockbuster Your Name. Osmond's wide-ranging selection also takes in the Irish fantasy Song of the Sea, France’s I Lost My Body and Brazil's Boy and the World. Osmond's authoritative and entertaining entries combine with a contextualising introduction and key filmographic information to provide an essential guide to animated film.

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“Brisk [and] forceful.” Sight & Sound "Lucidly argued.” Total Film Margarethe von Trotta and Volker Schlöndorff’s The Lost Honour of Katharina Blum (1975) was a pivotal film for the New German Cinema movement. Julian Preece considers what makes Katharina Blum new and radical, in particular in respect of women’s cinema and its portrayal of the ordeal of its female lead in a world run by men. Drawing on archival material including drafts of the screenplay, brochures and props, reviews and interviews, Preece traces the conception of the film and its development from Heinrich Böll’s original novel. Preece analyses how the film continues to resonate with our contemporary moment and has influenced film-makers from the German-Turkish director Fatih Akin to the British screenwriter Peter Morgan.

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In Music Films, Neil Fox considers a broad range of music documentaries, delving into their cinematic style, political undertones, racial dynamics, and gender representations, in order to assess their role in the cultivation of myth.Combining historical and critical analyses, and drawing on film and music criticism, Fox examines renowned music films such as A Hard Day''s Night (1964), Dig! (2004), and Amazing Grace (2006), critically lauded works like Milford Graves Full Mantis (2018) and Mistaken for Strangers (2013), and lesser-studied films including Jazz on a Summer's Day (1959) and Ornette: Made in America (1985). In doing so, he offers a comprehensive overview of the genre, situating these films within their wider cultural contexts and highlighting their formal and thematic innovations.Discussions in the book span topics from concert filmmaking to music production, the music industry, touring, and f

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The films of John Akomfrah represent one of the most significant bodies of artistic production in the post-war era in Britain, yet little attempt has been made to analyse the consistencies and divergences across them. James Harvey’s John Akomfrah is the first comprehensive analytic engagement with these films, offering sustained close engagement with the artist’s core thematic preoccupations and aesthetic tendencies. His analysis negotiates the contextual and theoretical layers of Akomfrah’s rich and complex films, from the intermedial diaspora aesthetics of Handsworth Songs (1986) to the intersectional spatial ecopolitics of Purple (2017). Positioning Akomfrah in the burgeoning black British arts and cultural scene of the 1980s as a member of Black Audio Film Collective, Harvey traces the evolution of a critical relationship with the postcolonial archive in his early films, through analysis of documentaries made for television in the 1990s and up to more recent film installations in museums and galleries.

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Return to the world of Little Brother and Homeland. Attack Surface takes us five minutes into the future, to a world where everything is connected and everyone is vulnerable. Masha Maximow has made some bad choices in life – choices that hurt people. But she's also made some pretty decent ones. In the log file of life, however, she can't quite work out which side of the ledger she currently stands. Masha works for Xoth Intelligence, an InfoSec company upgrading the Slovstakian Interior Ministry's ability to spy on its citizens' telecommunications with state-of-the-art software (at least, as state-of-the-art as Xoth is prepared to offer in its middle-upper pricing tier). Can you offset a day-job helping repressive regimes spy on their citizens with a nighttime hobby where you help those same citizens evade detection? Masha is about to find out. Pacy, passionate, and as current as next week, Attack Surface is a paean to activism, to courage, to the drive to make the world a better place. Praise for Cory Doctorow: 'The right book at the right time from the right author – and, not entirely coincidentally, Cory Doctorow's best novel yet' JOHN SCALZI 'A wonderful, important book... I think it'll change lives' NEIL GAIMAN on Little Brother 'One of our most important science fiction writers' KIM STANLEY ROBINSON

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THEY'RE THE U.S. GOVERNMENT'S SECRET WEAPON. They call them the Taskforce. Designed to operate outside the bounds of law, trained to exist on the ragged edge of human capability, their existence is as essential as it is illegal. Recruited from top operators in the intelligence spheres and led by ex-Special Forces Operator Pike Logan, they are apex predators. An unrivalled hunting machine, until now. On a counter-terrorist mission in the triple frontier – the lawless border region where Argentina, Brazil, and Paraguay join – the Taskforce meets its match. And then the unthinkable happens, Logan's unit goes missing. As he heads to Brazil to investigate, Logan runs headlong into a crew of Russian assassins. Forged in combat, the Russians are the Taskforce's equal... but Logan's on the warpath. He'll do whatever it takes to save his team. Praise for Brad Taylor: 'It's an excellent read, and I greatly enjoyed it' Nelson DeMille 'Pike ranks right up there with Jason Bourne, Jack Reacher and Jack Bauer' John Lescroart 'Logan is a tough, appealing hero you're sure to root for Joseph Finder 'Fresh plot, great actions, and Taylor clearly knows what he is writing about' Vince Flynn

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TV scientist Ben Garrod presents the biggest extinction events ever, told from the point of view of evolution's superstars, the most incredible animals ever to swim, stalk, slither or walk our planet. Whether you're 9 or 90, his unique exploration of the most destructive, yet most creative, force in nature makes top level science fun. Here are the superstars of the story of life, from the super-weird to the super-ferocious. Usually a species has 10 million years or so of evolving, eating, chasing, playing, maybe doing homework, or even going to the moon before it goes extinct. Thylacine was super-hunted. Wiped out by humans. The last wild thylacine was shot in 1930, and the last captive one died in 1936. We humans are the only species with the power to eliminate other species from the story of life. But who are the winners and losers? A truly gripping and awe-inspiring series of books... An awesome way in which to learn tons and have a great time doing it' VIP Reading Collect all eight books about animals we have lost in mass extinctions caused by asteroids or mega-volcanoes, clashing continents and climate change. Past brought to full-colour life by palaeoartist Gabriel Ugueto

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TV scientist Ben Garrod presents the biggest extinction events ever, told from the point of view of evolution's superstars, the most incredible animals ever to swim, stalk, slither or walk our planet. Whether you're 9 or 90, his unique exploration of the most destructive, yet most creative, force in nature makes top level science fun. Usually a species has 10 million years or so of evolving, eating, chasing, playing, maybe doing homework, or even going to the moon before it goes extinct. Tyrannosaurus rex, the most famous and the most misunderstood superstar in the story of life! This mightiest of dinosaurs – massive, green and scaly – or, as we now know, massive and partially feathered, with a keen sense of hearing, smell and great vision dominated the Cretaceous landscape. Everyone knows about the giant asteroid which struck Earth 66 million years ago ending the Age of the Dinosaurs. Or did it? Collect all eight books about animals we have lost in mass extinctions caused by asteroids or mega-volcanoes, clashing continents and climate change. Also includes: * Past brought to full-colour life by palaeoartist Gabriel Ugueto * Ask an Expert contributions from leading scientists * Glossary and pronunciation guide

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TV scientist Ben Garrod presents the biggest extinction events ever, told from the point of view of evolution's superstars, the most incredible animals ever to swim, stalk, slither or walk our planet. Whether you're 9 or 90, his unique exploration of the most destructive, yet most creative, force in nature makes top level science fun. Usually a species has 10 million years or so of evolving, eating, chasing, playing, maybe doing homework, or even going to the moon before it goes extinct. Lisowicia was super-sized. Weighing in at 9 tonnes, it was one of the largest animals roaming the planet during the Late Triassic. It was a kind of cross between a reptile and a mammal, but not quite either! What did Lisowicia eat, how and where did it live and what caused the complete disappearance of this animal which lay undiscovered for over 200 million years? 'Eye-opening science with striking artwork' Sunday Times 'Best Children's Books for Summer 2021' Collect all eight books about animals we have lost in mass extinctions caused by asteroids or mega-volcanoes, clashing continents and climate change. Past brought to full-colour life by palaeoartist Gabriel Ugueto

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TV scientist Ben Garrod presents the biggest extinction events ever, told from the point of view of evolution's superstars, the most incredible animals ever to swim, stalk, slither or walk our planet. Whether you're 9 or 90, his unique exploration of the most destructive, yet most creative, force in nature makes top level science fun. Here are the superstars of the story of life, from the super-weird to the super-ferocious. Usually a species has 10 million years or so of evolving, eating, chasing, playing, maybe doing homework, or even going to the moon before it goes extinct. Hallucigenia was a super-weird, spiky, armoured worm that lived 450 million years ago. Scientists were, at first, unsure of which way round it went, and which way up. But here you will discover all Hallucigenia's secrets: where it lived, what it ate, why it was so weird and why it is so important in the story of life. 'Eye-opening science with striking artwork' Sunday Times 'Best Children's Books for Summer 2021' Collect all eight books about animals we have lost in mass extinctions caused by asteroids or mega-volcanoes, clashing continents and climate change. Past brought to full-colour life by paleoartist Gabriel Ugueto.

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'The Contented Vegan is more than a cookbook. This is a practical guide to positive change to benefit future generations – and you'll truly enjoy the tasty dishes' Jane Goodall PhD, DBE How to lead a happy, healthy vegan lifestyle The Contented Vegan is your essential guide to transitioning to a vegan lifestyle, combining delicious recipes with practical, inspirational and reassuring advice on making the switch. Food writer Peggy Brusseau has been a vegan for over thirty years, and is often asked for guidance by people considering changing their diet. How do I get enough protein? How can I eat a plant-based diet when my partner doesn't want to? Is it safe for kids? In this book she answers all these questions and more, as well as providing over 100 simple, tasty recipes to inspire you in the kitchen, from breakfasts and snacks, through to easy midweek suppers and celebration feasts. Beautifully photographed throughout, The Contented Vegan provides all the information you need to become a happy, healthy, contented vegan.

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'Fitzek's thrillers are breathtaking, full of wild twists' HARLAN COBEN Emma's the one that got away. The only survivor of a killer known in the tabloids as 'the hairdresser' – because of the trophies he takes from his victims. Or she thinks she was. The police aren't convinced. Nor is her husband. She never even saw her tormentor properly, but now she recognises him in every man. Questioning her sanity, she gives up her job as a doctor in the local hospital and retreats from the world. It is better to stay at home. Quiet. Anonymous. Safe. No one can hurt her here. And all she did was take a parcel for a neighbour. She has no idea what she's let into her home. 'Sebastian Fitzek is without question one of the crime world's most evocative storytellers. He always serves up an intense, impossible to put down thriller and The Package is no exception. A gripping read with a surprising twist, this one is not to be missed' KARIN SLAUGHTER 'Sebastian Fitzek is simply amazing. I truly hope that one day I will be able to create suspense and plot twists in the way only Sebastian can. A true Master of his craft' CHRIS CARTER Sebastian Fitzek is Germany's most successful author. His books have sold 13 million copies, been translated into more than thirty-six languages and are the basis for international cinema and theatre adaptations. Sebastian Fitzek was the first German author to be awarded the European Prize for Criminal Literature. He lives with his family in Berlin. Coming soon: PASSENGER 23

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Safety comes at a price. Change comes at a cost. The Key Corporation has kept Westfall safe from pandemics for the last fifty years. But that's not all they've done... After discovering the shocking truth behind the Key Corporation, Elodie and Aiden have managed to escape in search of New Dawn – the stronghold for the Eos resistance movement. There, they can fight for a better world, one where everyone can decide their own futures. But things aren't always as they seem, and as they navigate the tricky paths between perception and reality, freedom and fighting for survival, the two young rebels must discover who they can trust, even as they learn more about who they really are... Praise for The Key to Fear: 'Easy to read and hard to put down... Powerful and satisfying' Grimdark Magazine 'A powerful dystopian novel' Armadillo Magazine

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The world won't stay safe for long... Reunited in Tulsa after a year apart, Zoey and the Nerd Herd are ready to celebrate her eighteenth birthday. But it seems nothing at The House of Night is ever as quiet as it seems. With rabid red vampyres closing in, the friends must come together again. But a year is a long time. Have they grown too far apart? When the world fractures and allies become enemies, will darkness devour friendships or will light save those Zoey loves? From the bestselling authors of The House of Night series comes a new series following the kick-ass heroine that is Zoey Redbird.

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The final instalment in Elodie Harper''s Sunday Times bestselling Wolf Den TrilogyA courtesan in Rome. Playing for power. Haunted by her past. Her name is Amara. How will her fortunes fall?Amara's journey has taken her far, from a lowly slave in Pompeii's brothel to a high-powered courtesan in Rome. Yet she is still drawn back to her past. For while Amara is caught up in the political scheming of the Imperial palace, her daughter remains in Pompeii, raised by the only man she ever truly loved. And although she longs for her family, Amara knows they are safest while she is far away. But the year is AD 79, and Mount Vesuvius is preparing to make itself known...The Temple of Fortuna is the dramatic final instalment in Elodie Harper's Sunday Times-bestselling Wolf Den trilogy, which reimagines the lives of women who have long been overlooked.Praise for the Wolf Den Trilogy: ''C

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Martha – a home-maker Victoria – a social butterfly Serena – a free spirit Kirk – a hot-blooded man Eleni – a risk taker Tina – a young girl with a dark past Carolyn Grand is all of these people and none of them. Thirty years ago, her father, Hank, was jailed for child abuse, but not before Carolyn developed six distinct personalities as a coping mechanism for the trauma she went through. Now Hank Grand has been released, and Carolyn will have to confront the man who made her. All of her. 'A riveting, must-read tale of suspense, murder, and retribution' Reed Farrel Coleman 'A gut punch of a thriller... Butcher blade sharp' Lorenzo Carcaterra 'Taut. Unusual. Wholly absorbing. The most intriguing and deftly imagined mystery I have read in years' Thomas H. Cook

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‘A spellbinding tale of love, lust, magic and betrayal in Imperial Russia…..I couldn't put it down' Santa Montefiore A city in flames. A revolution raging. A woman on the run. Nadezhda has never wanted to be a witch. But the occult is in her blood. Her mother, Militza, conjured Rasputin and introduced him into the Romanov court, releasing the devil himself. Now he is dead but Militza still dreams of him – he stalks her sleep and haunts her waking hours. As Petrograd burns and the Russian Empire crumbles, Nadezhda escapes through the corpse-laden streets of the capital, concealing on her person a book of generational magic. Magic she once described as foolishness. But as danger grows ever closer, she may be forced to embrace her heritage to save what she loves most… Based on a true story, The Witch’s Daughter is an epic tale of women rising from the ashes of an empire, perfect for fans of Elodie Harper's The Wolf Den and Madeline Miller’s Circe. In The Witches of St Petersburg, we met Grand Duchesses Militza and her sister Anastasia, queens of the Dark Arts. This is Nadezhda’s story. Praise for Imogen Edwards-Jones: 'Richly imagined.' Daisy Goodwin 'Razor-sharp... brilliant.' Candace Bushnell 'I couldn't put it down.' Claudia Winkleman

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'Harffy’s Dunston is a fantastic creation – old, creaking and misanthropic. The forest is beautifully evoked. A treat of a book' The Times. AD 838. Deep in the forests of Wessex, Dunston's solitary existence is shattered when he stumbles on a mutilated corpse. Accused of the murder, Dunston must clear his name and keep the dead man's daughter alive in the face of savage pursuers desperate to prevent a terrible secret from being revealed. Rushing headlong through Wessex, Dunston will need to use all the skills of survival garnered from a lifetime in the wilderness. And if he has any hope of victory against the implacable enemies on their trail, he must confront his long-buried past – becoming the man he once was and embracing traits he had promised he would never return to. The Wolf of Wessex must hunt again; honour and duty demand it. 'A page-turner... Matthew Harffy tells a great story' Joanna Hickson. 'A breathtaking novel that sweeps the reader into a dark and dangerous world' Paul Fraser Collard. 'Harffy's writing just gets better and better... He is really proving himself the rightful heir to Gemmell's crown' Jemahl Evans. 'Harffy has a real winner on his hands... A genuinely superb novel' Steven McKay.

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