Search results for ""biblioasis""

In the deep woods of the Maine borderlands, the legend of huntsman Pete Landry is still told around cottage campfires to scare children, a tragic story of love, lust, and madness. During the early summer of 1967, inseparable teenage beauties Sissy Morgan and Zaza Mulligan wander among the vacation cottages in the community of Boundary, drinking and smoking and swearing, attracting the attention of boys and men. First one, and then the other, goes missing, and both are eventually found dead in the forest. Have they been the victims of freak accidents? Or is someone hunting the young women of Boundary? And if there is a hunter, who might be next? The Summer of Love quickly becomes the Summer of Fear, and detective Stan Michaud, already haunted by a case he could not solve, is determined to find out what exactly is happening in Boundary before someone else is found dead.A story of deep psychological power and unbearable suspense, Andrée A. Michaud’s award-winning Boundary is an utterly gripping read about a community divided by suspicion and driven together by primal terror.

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"Rooke is an original...Deliberately eccentric ...deliciously inventive, always rewarding."--The Washington Post The two novellas and three short stories in this new collection by the critically-acclaimed, North Carolina-born author Leon Rooke are united by place and mood. Set largely in the post-WWII American South, peopled by Watermelon Queens and ten-year-old business men, these joyful, touching, brilliantly crafted pieces speak to a time and sensibility long forgotten. Leon Rooke is a novelist, short story writer, editor, and critic. He has published twenty-eight books, nearly three hundred short stories, and is the recipient of the North Carolina Award for Literature.

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"Schoemperlen's inventive language and narrative structures encourage readers to be free 'from the prison of everyday thinking.'"-The New York Times Book Review First Things First gathers eighteen of the best of Diane Schoemperlen's earliest and uncollected stories, with several being published in book form for the first time. Playfully inventive, comic, moving, and profound, this collection will reinforce Schoemperlen's importance as one of the leading short story writers of her generation. Diane Schoemperlen is the author of twelve books, most recently By the Book: Stories & Pictures.

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When Liz Meredith and her new baby move into the middle row-house on Onley Street--Liza having lived for years off-grid in an old railcar--there's more to get used to than electricity and proper plumbing. She's desperate to avoid her well-meaning social worker and her neighbours Alice and Tom, who, for reasons of their own, won't leave her alone. And then there is her other neighbour, the disfigured and reclusive John Green, better known to the world as Frankie Styne, the author of a series of violent bestsellers. When his latest novel is unexpectedly nominated for a literary prize and his private life is exposed in the glare of publicity, Frankie plots a gruesome, twisted revenge that threatens others who call Onley Street home. Frankie Styne and the Silver Man is unforgettable: a thrilling novel of literary revenge, celebrity culture and the power of love and beauty in an ugly world.

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After a fifteen-year hiatus from the world of guns, journalist, sports shooter, and former soldier A.J. Somerset no longer fit in with other firearm enthusiasts. Theirs was a culture much different than the one he remembered: a culture more radical, less tolerant, and more immovable in its beliefs, "as if [each] gun had come with a free, bonus ideological Family Pack [of political tenets], a ready-made identity." To find the origins of this surprising shift, Somerset began mapping the cultural history of guns and gun ownership in North America. Arms: The Culture and Credo of Gun is the brilliant result. How were firearms transformed from tools used by pioneers into symbols of modern manhood? Why did the NRA's focus shift from encouraging responsible gun use to lobbying against gun-safety laws? What is the relationship between gun ownership and racism in America? How have the film, television, and video game industries molded our perception of gun violence? When did the fear of gun seizures arise, and how has it been used to benefit arms manufacturers, lobbyists, and the far-right? Few ideas divide communities as much as those involving firearms, and fewer authors are able to tackle the subject with the same authority, humor, and intelligence. Written from the unique perspective of a gun lover who's disgusted with what gun culture has become, Arms is destined to be one of the most talked-about books of the year.

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Finalist for the 2015 Giller Prize Finalist for the 2016 Best Translated Book Award One of Quill & Quire’s Books of the Year, 2015 A twenty-five-thousand-copy bestseller in Quebec, Arvida, with its stories of innocent young girls and wild beasts, attempted murder and ritual mutilation, haunted houses and road trips heading nowhere, is unforgettable. Like a Proust-obsessed Cormac McCarthy, Samuel Archibald's portrait of his hometown, a model town design by American industrialist Arthur Vining Davis, does for Quebec's North what William Faulkner did for the South, and heralds an important new voice in world literature. Samuel Archibald teaches contemporary popular culture at the University of Quebec in Montreal, where he lectures on genre fiction, horror movies, and video games, among other subjects.

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Named to Kirkus Reviews' Best Story Collections of 2015 Featuring the story adapted into the Academy Award nominated film, 45 YEARS "I started reading these stories quietly, and then became obsessed, read them all fast, and started re-reading them again and again. They are gripping tales, but what is startling is the quality of the writing. Every sentence is both unpredictable and exactly what it should be."—A.S. Byatt, The Guardian The first American publication by one of the greatest living fiction masters, In Another Country spans David Constantine's remarkable thirty-year career. Known for their pristine emotional clarity, their spare but intensely evocative dialogue, and their fearless exposures of the heart in moments of defiance, change, resistance, flight, isolation, and redemption, these stories demonstrate again and again Constantine's timeless and enduring appeal. David Constantine is an award-winning short story writer, poet, and translator. His collections of poetry include The Pelt of Wasps, Something for the Ghosts (shortlisted for the Whitbread Poetry Prize), Nine Fathom Deep, and Elder. He is the author of one novel, Davies, and has published four collections of short stories in the United Kingdom, including the winner of the 2013 Frank O'Connor Award, Tea at the Midland and Other Stories. He lives in Oxford, where, until 2012, he edited Modern Poetry in Translation with his wife Helen.

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Finalist for the 2024 Firecracker Award in Creative Nonfiction • Shortlisted for the 2024 Lambda Literary Award for Transgender Nonfiction • Finalist for the 2024 Leslie Feinberg Award for Trans and Gender-Variant Literature • One of CBC Books'' Canadian Nonfiction to Read in the Fall • A Tyee Best Book of 2023 • A CBC Books Best Nonfiction Book of 2023 • A Hamilton Review of Books Best Book of 2023 • An Autostraddle Best Queer Book of 2023We need community to live. But what does it look like? Why does it often feel like it''s slipping away?We are all hinged to some definition of a community, be it as simple as where we live, complex as the beliefs we share, or as intentional as those we call family. In an episodic personal essay, Casey Plett draws on a range of firsthand experiences to start a convers

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"[Eleanor's] sense of respect, her tact, her utter lack of obsequiousness ...and her uncanny ability to ask difficult questions ...have endeared her to readers and listeners."-Carol Shields Eleanor Wachtel is one of the English-speaking world's most respected interviewers. This book, celebrating her show's twenty-five-year anniversary, presents her best conversations from the show, including Jonathan Franzen, Alice Munro, J.M. Coetzee, Zadie Smith, W.G. Sebald, Toni Morrison, Seamus Heaney, and nearly a dozen others who share their views on process and the writing life. Eleanor Wachtel has been host of CBC Radio's Writers & Company since its inception in 1990.

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Telephone wires, dark as a line in a schoolboy's notebook against the dawn; paint flakes from houses drifting down like dust; the hulking shadow of a desk that emerges, stock-still as a cow, in the moment of waking. Join poet Robert Melancon for a quiet celebration of his city, its inhabitants, and the language that gives it life. From "Eden": You go forth drunk on the multitudes, drunk on everything, while the lampposts sprinkle nodding streets with stars. Robert Melancon, former poetry columnist for Le Devoir is a recipient of the Governor General's Award, the Prix Victor-Barbeau, and the Prix Alain-Grandbois.

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A GLOBE & MAIL BEST BOOK OF THE YEAR FOR 2012 "Glover is a master of narrative structure." --Wall Street Journal In the tradition of E.M. Forster, John Gardner, and James Wood, Douglas Glover has produced a book on writing at once erudite, anecdotal, instructive, and amusing. Attack of the Copula Spiders represents the accumulated wisdom of a remarkable literary career: novelist, short story writer, essayist, teacher and mentor, Glover has for decades been asking the vital questions. How does the way we read influence the way we write? What do craft books fail to teach aspiring writers about theme, about plot and subplot, about constructing point of view? How can we maintain drama on the level of the sentence--and explain drama in the sentences of others? What is the relationship of form and art? How do you make words live? Whether his subject is Alice Munro, Cervantes, or the creative writing classroom, Glover's take is frank and fresh, demonstrating again and again that graceful writers must first be strong readers. This collection is a call-to-arms for all lovers of English, and Attack of the Copula Spiders our best defense against the assaults of a post-literate age. Douglas Glover is the award-winning author of five story collections, four novels, and two works of non-fiction. He is currently on the faculty of the Vermont College of Fine Arts MFA in Writing program. Praise for Douglas Glover "A master of narrative structure." - Darin Strauss, author of Half a Life, Wall Street Journal "So sharp, so evocative, that the reader sees well beyond the tissue of words into ...the author's poetic grace." - The New Yorker "Glover invents his own assembly of critical approaches and theories that is eclectic, personal, scholarly, and smart ...a direction for future literary criticism to take." - The Denver Quarterly "A ribald, raunchy wit with a talent for searing self-investigation." - The Globe and Mail "Knotty, intelligent, often raucously funny." - Maclean's "Passionately intricate." - The Chicago Tribune "Darkly humorous, simultaneously restless and relentless." - Kirkus Reviews

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Bringing together Eric Ormsby's entire poetic oeuvre thus far, including a healthy selection of previously unpublished poems, Time's Covenant is timeless, by one of America's best poets. Essential reading.

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Written between one January and the next, A Thaw Foretold is a passionate exploration of themes that are as timeless and recurrent as the seasons. In language that is both precisely vivid and particular, embracing both colloquial directness and formal elegance, the poems confront the elementals of love and loss, mortality and remembrance.

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A Grateful Dead concert, Ray Robertson argues, is life. Like life, it can be alternately compelling and lackluster; familiar and foreign; occasionally sublime and sometimes insipid. Although the Grateful Dead stopped the day Jerry Garcia’s heart did, what the band left behind is the next best thing to being there in the third row, courtesy of the group’s unorthodox decision to record all of their concerts. Meaning that it’s possible to follow the band’s evolution (and devolution) through their shows, from the R&B-based garage band at the beginning, to the jazz-rock conjurers at their creative peak, to the lumbering monolith of their decline.In All the Years Combine: The Grateful Dead in Fifty Shows, Robertson listens to and writes ecstatically about fifty of the band's most important and memorable concerts in order to better understand who the Grateful Dead were, what they became, and what they meant—and what they continue to mean.

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[This] series of Christmas ghost stories, miniature books chosen and illustrated by the cartoonist Seth [offers] chillsand charm.New York Times Book ReviewWorld-renowned cartoonist Seth returns with three new ghost stories for 2023.Maitland returns to his ancestral estate after having lived a largely solitary life. He soon finds himself increasingly obsessed with the magnificent field of poppies surrounding his home, as well as the man harvesting them. 

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Selected by editor Marcello Di Cintio, the 2024 edition of Best Canadian Essays showcases the best Canadian nonfiction writing published in 2022.Featuring:Lyndsie Bourgon • Nicole Boyce • Robert Colman • Daniel Allen Cox • Acadia Currah • Sadiqa de Meijer • Gabrielle Drolet • Hamed Esmaeilion • Kate Gies • David Huebert • Jenny Hwang • Fiona Tinwei Lam • Kyo Maclear • Sandy Pool

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Winner of Canada Reads 2024 • Longlisted for the 2024 Carol Shields Prize for Fiction • One of Tor.com''s Can''t Miss Speculative Fiction for Fall 2023 • Listed in CBC Books Fiction to Read in Fall 2023 • One of Kirkus Reviews'' Fall 2023 Big Books By Small Presses • A Kirkus Review Work of Translated Fiction To Read Now • One of CBC Books Best Books of 2023 • A CBC Books Bestselling Canadian Book of the WeekIn an alternate history in which the French never surrendered Detroit, children protect their own kingdom in the trees.In an alternate history of Detroit, the Motor City was never surrendered to the US. Its residents deal with pollution, poverty, and the legacy of racism—and strange and magical things are happening: children rule over their o

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ONE OF LIT HUB''S MOST ANTICIPATED BOOKS OF 2023 • ESQUIRE''s August 2023 Book Club Pick"If books are important to you because you''re a reader or a writer, then how books are sold should be important to you as well. If it matters to you that your vegetables are organic, your clothes made without child labor, your beer brewed without a culture of misogyny, then it should matter how books are made and sold to you."With Amazon’s growing power in both bookselling and publishing, considering where and how we get our books is more important now than ever. The simple act of putting a book in a reader’s hands—what booksellers call handselling—becomes a catalyst for an exploration of the moral, financial, and political pressures all indie bookstores face. From the relationship between bookselling and white supremacy, to censorship and the spread of misinformation, to the consolidation o

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A deeply personal search for meaning in Michelangelo’s frescoes—and an impassioned defence of the role of art in a fractured age.What do we hope to get out of seeing a famous piece of art? Jeannie Marshall asked that question of herself when she started visiting the Sistine Chapel frescoes. She wanted to understand their meaning and context—but in the process, she also found what she didn’t know she was looking for.All Things Move: Learning to Look in the Sistine Chapel tells the story of Marshall’s relationship with one of our most cherished artworks. Interwoven with the history of its making and the Rome of today, it’s an exploration of the past in the present, the street in the museum, and the way a work of art can both terrify and alchemize the soul. An impassioned defence of the role of art in a fractured age, All Things Move is a quietly sublime meditation on how our lives can be changed by art, if only we learn to look.

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Shortlisted for the 2023 Hilary Weston Writers’ Trust Prize for NonfictionA journalist and folklorist explores the truths that underlie the stories we imagine—and reveals the magic in the everyday.“I’ve always felt that the term fairy tale doesn’t quite capture the essence of these stories,” writes Emily Urquhart. “I prefer the term wonder tale, which is Irish in origin, for its suggestion of awe coupled with narrative. In a way, this is most of our stories.” In this startlingly original essay collection, Urquhart reveals the truths that underlie our imaginings: what we see in our heads when we read, how the sight of a ghost can heal, how the entrance to the underworld can be glimpsed in an oil painting or a winter storm—or the onset of a loved one’s dementia. In essays on death and dying, pregnancy and prenatal genetics, radioactivity, chimeras, cottagers, and plague, Ordinary Wonder Tales reveals the essential truth: if you let yourself look closely, there is magic in the everyday.

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The true story of the first Black team to win an Ontario Baseball Amateur Association championship. The pride of Chatham’s East End, the Coloured All-Stars broke the colour barrier in baseball more than a decade before Jackie Robinson did the same in the Major Leagues. Fielding a team of the best Black baseball players from across southwestern Ontario and Michigan, theirs is a story that could only have happened in this particular time and place: during the depths of the Great Depression, in a small industrial town a short distance from the American border, home to one of the most vibrant Black communities in Canada.Drawing heavily on scrapbooks, newspaper accounts, and oral histories from members of the team and their families, 1934: The Chatham Coloured All-Stars’ Barrier-Breaking Year shines a light on a largely overlooked chapter of Black baseball. But more than this, 1934 is the story of one group of men who fought for the respect that was too often denied them.Rich in detail, full of the sounds and textures of a time long past, 1934 introduces the All-Stars’ unforgettable players and captures their winning season, so that it almost feels like you’re sitting there in Stirling Park’s grandstands, cheering on the team from Chatham.

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Two crystalline novellas linked by one devastating crime: Say This is an immersive meditation on the interplay between memory, trauma, and narrative.It’s a cold spring in Baltimore, 2018, when the email arrives: the celebrity journalist hopes Eva will tell him everything about the sexual affair she had as a teen with her older cousin, a man now in federal prison for murder. Thirteen years earlier, Lenore-May answers the phone to the nightmare news that her stepson’s body has been found near Mount Hood, and homicide is suspected. Following Eva’s unsettling ambivalence towards her confusing relationship, and constructing a portrait of her cousin’s victim via collaged perspectives of the slain man’s family, these two linked novellas borrow, interrogate, sometimes dismantle the tropes of true crime; lyrically render the experiences of grief and dissociation; and brilliantly mine the fault lines of power and consent, silence, justice, accountability, and class. Say This is a startling exploration of the devastating effects of trauma on personal identity.

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Shortlisted for the Derek Walcott Prize for Poetry • Longlisted for the 2023 E.J. Pratt Family Poetry AwardA CBC Best Canadian Poetry Book of 2021 Drawing on Arthurian myth, the Romantic poets, the ill-fated "Great War" efforts of the Newfoundland Regiment, modern parenthood, 16-bit video games, and Major League Baseball, these poems examine the stories we tell ourselves about ourselves, both as individuals and as communities, in order to explain how and why we are the way we are. At its heart, Romantic interrogates our western society's idealized, self-deluding personal and cultural perspectives.

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“[Metcalf’s] talent is generous, hectoring, huge, and remarkable.”—Washington PostIn Temerity & Gall, Metcalf looks back on a lifetime spent in letters; surveys, with no punches pulled, the current state of CanLit; and offers a passionate defense of the promise and potential of Canadian writing.In a 1983 editorial letter to the Globe and Mail, celebrated Canadian novelist W.P. Kinsella railed that “Mr. Metcalf—an immigrant—continually and in the most galling manner has the temerity to preach to Canadians about their own literature.” Forty years later, in spite of Kinsella’s effort to discredit him in the name of a misguided nationalism both embarrassing and familiar, John Metcalf still has the temerity and gall to preach, to teach, and to write passionately (and uproariously) about literature in Canada. Part memoir, meditation, and apologia, part criticism and pure Metcalf, the present volume distills a lifetime of reading and writing, thinking and collecting, and continues his necessary work kicking against the ever-present pricks. As is the case with all of his critical work, Temerity & Gall will challenge, delight, anger, and inspire in equal measure, and is essential reading for anyone interested in literature in Canada and its place within the wider tradition of writing in English.Temerity & Gall is printed in a limited paperback edition of 750 copies signed and numbered by the author.

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“It makes no sense. You would be strangers / if not for this.” In Strangers, Rob Taylor makes new the epiphany poem: the short lyric ending with a moment of recognition or arrival. In his hands, the form becomes not simply a revelation in words but, in Wallace Stevens' phrase, “a revelation in words by means of the words.” The epiphany here is not only the poet’s. It’s ours. A book about the songlines of memory and language and the ways in which they connect us to other human beings, to read Strangers is to become part of the lineages (literary, artistic, familial) that it braids together—to become, as Richard Outram puts it, an “unspoken / Stranger no longer.”

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The twelfth installment of Best Canadian Essays speaks with striking prescience to our contemporary moment. “This book—like most that have found their way into the world this fall—began life in the Before Times,” writes editor Sarmishta Subramanian. Written and first published by leading magazines and journals in 2019, the essays selected here speak with striking prescience to our contemporary moment. From health concerns both global and individual; to decisions about how much of ourselves we should share, online and in person; to surveillance capitalism and cancel culture, public and private concerns intertwine throughout Best Canadian Essays 2020. Just as our current challenges in public health, policing, and justice require researchers, lawmakers, and citizen groups, writes Subramanian, they also require writers. Here she presents sixteen, “essaying in the French sense of the word to think it through.” Featuring work by: James Brooke-Smith • Larissa Diakiw • Jenny Ferguson • Wayne Grady • Alexandra Kimball • Amorina Kingdon • Andy Lamey • Michael LaPointe • Benjamin Leszcz • Alanna Mitchell • Alexandra Molotkow • Jeremy Narby • Andrew Nikiforuk • Michelle Orange • Christina Sharpe • Carl Wilson

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Faldistoire’s grandfather thinks he’s a ghost. Sylvie’s mother reads tarot and summons stormclouds to mete her witch’s justice. Behind his Dad of the Year demeanour, Sébastien’s father hides dark designs. It’s Croustine’s grandfather who makes the boy a pair of slippers from the dead family dog, but it’s his father, the cannily-named Kevin Lambert, who always seems to be nearby when tragedy strikes, and in the cemetery, under the baleful eyes of toads, small graves are dug one after the other: Chicoutimi, Quebec, is a dangerous place for children. But these young victims of rape, arbitrary violence, and senseless murder keep coming back from the dead. They return to school, explore their sexualities, keep tabs on grown-up sins—and plot their apocalyptic retribution. Surreal and darkly comic, this debut novel by Kevin Lambert, one of the most celebrated and controversial writers to come out of Quebec in recent memory, takes the adult world to task—and then takes revenge.

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On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites—and himself. “An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."—Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still—an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture—and, in the process, finding himself.

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The unbelievable true story of Canada’s first known spree killer, told by a veteran of the Royal Canadian Mounted Police. In June 1966, Matthew Charles Lamb took his uncle’s shotgun and wandered down Ford Blvd in Windsor, Ontario. At the end of the bloody night, two teenagers lay dead, with multiple others injured after an unprovoked shooting spree. In his investigation into Lamb’s story, Will Toffan pieces together the troubled childhood and history of violence that culminated in the young man’s dubious distinction as Canada’s first known spree killer—at which point the story becomes, the author writes “too strange for fiction.” Travelling from the border city streets, to the courtroom, to the Oak Ridge rehabilitation centre, and finally Rhodesia, Watching the Devil Dance is both a thrilling narrative about a shocking true crime and its bizarre aftermath and an insightful analysis of the 1960s criminal justice system.

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Natalie Baron is a neglected teenager adrift in the world when she attaches herself to Barbara Hern and her family, followers of Envallism, an extreme Protestant sect. Their new relationship fulfills unmet needs for both women—and leads to a devastating series of events that forever changes the course of their lives. Years later, Natalie, now a well-respected academic, travels to Finland in an attempt to understand the origins of Envallism as well as her own past. The Story of My Face is both a gripping psychological thriller and the archaeology of an accident which shaped a life.

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In his debut collection of short stories, David Huebert brings us an assortment of wounded wanderers who remind us that we are all marooned on the shores of being, watching oceans rise. Veterinarians, prison guards, and prosthetic phallus designers develop various schemes to navigate the ruins of their capsizing lives and to confront the beauty of their bruised worlds.

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Spanning the first one hundred years of the newspaper (1849-1950), London Free Press: From the Vault is chock full of photographs from the London Free Press archives, with fascinating and fun chapter introductions by local historian Jennifer Grainger and a general introduction by James Reaney, a former reporter with the newspaper.

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As apt to channel the confessionalism of Anne Sexton as the red-in-tooth-and-claw nature poetry of Ted Hughes, Patrick Warner's voice ranges freely from the colloquial to the baroque. By harboring and honoring such fraught tensions, Warner has built a taut and original body of work. In Octopus we have him at his best.

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T.S. Eliot and Tennessee Ernie Ford, Buddha and Jesus, Jung and Heidegger. Love, solitude, obliteration, the ocean, and a sad neighbor who feeds pigeons. Metanoia is an aphoristically narrative poem that engages all of these, a book-length meditation on transformation, enlightenment, and on opening one's eyes. McCartney's work evinces that journey, the junket into the self. Sharon McCartney is the author of numerous poetry books. She has an MFA from the University of Iowa's Writers' Workshop and an LLB from the University of Victoria. She lives in Fredericton, New Brunswick, where she works as a legal editor.

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Longlisted for the 2016 Giller Prize "[Page] is a fierce writer."--Kirkus Reviews The stories in this collection focus on pairs: intense one-on-one relationships and encounters. Characters undergo genetic testing, garden, overeat, starve themselves, travel, fall pregnant, all while simultaneously driving each other towards moments where they--sometimes unwillingly--glimpse the meaning and shape of their lives, and who they might become. Kathy Page is the author of eight books, including the novels Alphabet (an Indie Next Great Read of 2014 and Kirkus Best Book of 2014), Frankie Styne & the Silver Man, and The Story of My Face, as well as many short stories.

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Gordie Howe, Steve Yzerman, Sergei Fedorov, Nicklas Lidstrom, Ted Lindsay, and Brendan Shanahan. Bob Duff's 50 Greatest Red Wings is the definitive list of Hockeytown's heroes. Including members of the famous Production Line and The Red Army, 50 Greatest Red Wings features full statistics and in-depth player analysis. With rarely seen photos and astonishing anecdotes, this book is essential to any hockey collection. Bob Duff has covered the NHL since 1988 and is a contributor to the Hockey News. Duff's other book credits include Marcel Pronovost, The China Wall: The Timeless Legend of Johnny Bower, and The Hockey Hall of Fame Book of Goalies.

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Originally published on Christmas in 1931 and widely regarded as A.M. Burrage's masterpiece, "One Who Saw" tells the story of a wrtier enchanted by a spectre of a weeping woman. His obsession builds until her ghostly hand falls from her face and he, in horror, becomes "one who sees."

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The characters in Bad Things Happen-professors, janitors, webcam models, small-time criminals-are between things. Between jobs and marriages, states of sobriety, joy and anguish; between who they are and who they want to be. Kris Bertin's unforgettable debut introduces us to people at the tenuous moment before everything in their lives changes, for better or worse. Kris Bertin's stories have appeared in the Walrus, the Malahat Review, the New Quarterly, PRISM International, and other magazines. He lives and writes in Halifax, Nova Scotia.

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The bookshop is, and will always be, the soul of the trade. What happens there does not happen elsewhere. The multifariousness of human nature is more on show there than anywhere else, and I think it’s because of books, what they are, what they release in ourselves, and what they become when we make them magnets to our desires.A memoir of a life in the antiquarian book trade, A Factotum in the Book Trade is a journey between the shelves—and then behind the counter, into the overstuffed basement, and up the spine-stacked attic stairs of your favourite neighbourhood bookshop. From his childhood in rural Ontario, where at the village jumble sale he bought poetry volumes for their pebbled-leather covers alone, to his all-but-accidental entrance into the trade in London and the career it turned into, poet and travel writer Marius Kociejowski recounts his life among the buyers, sellers, customers, and literary nobility—the characters, fictional and not—who populate these places we all love. Cataloging their passions and pleasures, oddities and obsessions, A Factotum in the Book Trade is a journey through their lives, and a story of the serendipities and collisions of fate, the mundane happenings and indelible encounters, the friendships, feuds, losses, and elations that characterize the business of books—and, inevitably, make up an unforgettable life.

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Winner of the Alistair MacLeod Prize for Short Fiction • A Thomas Raddall Atlantic Fiction Award Finalist • A 2022 ReLit Award Finalist • A Siskiyou Prize Semi-Finalist • A Miramichi Reader Best Fiction Title of 2021 Oil-soaked and swamp-born, the bruised optimism of Huebert’s stories offer sincere appreciation of the beauty of our wilted, wheezing world. From refinery operators to long term care nurses, dishwashers to preppers to hockey enforcers, Chemical Valley’s compassionate and carefully wrought stories cultivate rich emotional worlds in and through the dankness of our bio-chemical animacy. Full-hearted, laced throughout with bruised optimism and sincere appreciation of the profound beauty of our wilted, wheezing world, Chemical Valley doesn’t shy away from urgent modern questions—the distribution of toxicity, environmental racism, the place of technoculture in this ecological spasm—but grounds these anxieties in the vivid and often humorous intricacies of its characters’ lives. Swamp-wrought and heartfelt, these stories run wild with vital energy, tilt and teeter into crazed and delirious loves.

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An antique collector hears of an ancient woman with a large collection of china. Hoping to complete a particular set, the collector pays a visit to the woman's ramshackle house, where she makes a terrifying discovery. This 1933 story confirmed Marjorie Bowen as one of our best ghost story writers.

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"Powerful ...full of dark nostalgia."--Nathan Englander The Lifeboat All night in his lifeboat my father sang to keep the voices of the other men who cried in the wreckage from reaching him, he sang what he knew of the requiem, of the hit parade and the bits of hymns, he sang until he would never sing again, scalding his raw throat with sea-water until his ribs heaved, until the salt wept from his eyes on dry land, flecked at his lips in his squalling rages, streaked the sheets in his night sweats as night after night the reassembled ship scattered its parts on the shore of his bed, and the lifeboat eased him out again to drown each night among singing men. Inspired by a shipwreck endured by her father during the Second World War, and by his struggle with post-traumatic stress disorder and eventual suicide, Inheritance is a powerful poetic debut by the winner of the 2013 Boston Review Fiction Contest and The Malahat Review Far Horizons Award.

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While the tone of Patricia Young's latest collection, Here Come the Moonbathers, is perhaps more dark, difficult and tragic than her earlier work, beautifully hedonic poems spark and sizzle throughout. The poems in this collection have wild freedom, different kinds of power, exploring the themes of love and longing and loss (especially the latter) with grace, bewilderment, playfulness, and occasionally anger. There's a surreal edge to many of these poems, a personal, political and ecological vision, and an incantatory vernacular and rhythm that makes these poems unforgettable. This collection is perhaps the more important and immediately human of Patricia Young's celebrated career.

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Reeling from the Night of Nights, an unexpected blockbuster art show, Floss, a transgender New York gallery owner, invites subversive installation artist Budsy and their best friend the Apostle John to cycle the Camino de Santiago. When Floss tells her friends about her shocking experience at the hands of the King of the New York art scene, the journey becomes an anti-pilgrimage—from spiritual discovery to revenge fantasy. Moving from New York to Spain to Dublin, My Camino is a book about misfits, identity, art and spirituality narrated by the audacious Apostle John whose telling sometimes rhymes, is often hilarious and is always a blistering account of the contemporary art world.

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Sophisticated, playful, and extremely funny, this collection begins the career of one of Canada's best humorists and storytellers. Featuring the adventures of Patchouli the Passionate, Sweet William, Paleologue, Passquick, Purlieu, Jasper, and Angus, with guest cameos by G.K. Chesterton and painter Raphael Santi, these odd Acadian episodes have delighted for decades.

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