Search results for ""author thomas"

Sir Thomas Wyatt, "the first great English lyric poet", remains one of the most popular writer's of Henry VIII's court, and the most romantic, given his entanglement with Anne Boleyn, which resulted - legend has it - in some of his most passionate and vulnerable poems. This book contains a representative selection of his work: all the best-loved poems and many lesser-known pieces which illuminate a complex and sophisticated sensibility. Hardiman Scott sees Wyatt as a modern poet before his time and demonstrates the impact he and his younger contemporary the Earl of Surrey had on the development of English poetry. Wyatt introduced the sonnet, terza rima and other Italian verse forms into English and invented forms and processes of his own. Hardiman Scott's introduction and notes illuminate Wyatt's importance as "a modern poet before his time", "at a crossroads in English poetry", and provides a detailed outline of the social and literary context in which Wyatt worked and the impact he had on the development of English poetry.

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Over the course of three days in 1970, June 5, 6, and 7, simply sitting on a white bench in a Hamburg park, Thomas Bernhard delivered a powerful monologue for Three Days (Drei Tage), filmmaker Ferry Radax’s commanding film portrait of the great Austrian writer. Radax interwove the monologue with a variety of metaphorically resonant visual techniques—blacking out the screen to total darkness, suggestive of the closing of the observing eye; cuts to scenes of cameramen, lighting and recording equipment; extreme camera distance and extreme closeup. Bernhard had not yet written his autobiographical work Gathering Evidence, published originally in five separate volumes between 1975 and 1982, and his childhood remembrances were a revelation. This publication of Bernhard’s monologue and stills from Radax’s artful film allows this unique portrait of Bernhard to be savored in book form.

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An assessment of the first five years of Justice Clarence Thomas's time on the Court Clarence Thomas is one of the most vilified public figures of our day. Time magazine called him “Uncle Tom Justice,” and famed columnist Nat Hentoff accused him of “having done more damage, more quickly, than any Supreme Court Justice in history.” To date, however, his legal philosophy has received only cursory treatment. Scott Gerber provides a portrait of Thomas based not on the justice's caricatured reputation, but on his judicial opinions and votes, his scholarly writings, and his public speeches. And what Gerber finds is likely to surprise Justice Thomas’s critics and supporters alike.

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There are so many strange and wonderful connections and coincidences; shared passions and associations that tie these two cultural icons - BOB DYLAN and DYLAN THOMAS together. This provides a rich tapestry - from the ancient Welsh folk tales of the Mabinogion to the poems of the Beat Generation; from Stravinsky to John Cale; from Johnnie Ray to Charlie Chaplin. Rimbaud and Lorca, Sgt. Pepper's and 'The Bells of Rhymney', Nelson Algren and Tennessee Williams and much more. And the wonderful connections between authors K G Miles and Jeff Towns makes it the perfect partnership to write this book. Fifty-two years ago, author Jeff Towns opened his first bookstore in Swansea - he called it Dylans Bookshop - a youthful homage to the poet Dylan Thomas born and raised in Swansea, an author he admired. Eight years before that, in 1962, (when he had never really heard of Dylan Thomas), he had bought his first ever LP record, Bob Dylan's first ever LP release called Bob Dylan with a track list; In My Time of Dyin', Fixin' to Die, See That My Grave is Kept Clean and so on; baker's dozen of powerful songs. Jeff read that his new hero had been born Robert Zimmerman but had changed his name to BOB DYLAN, a homage to a Welsh poet named DYLAN THOMAS. From that moment on THE TWO DYLANS became a constant part of and backdrop to his life. And the two Dylans kept on giving - they were both on the cover of the Beatles Sgt Pepper album. Peter Blake who fashioned the cover of Pepper, was a huge fan on Dylan Thomas' radio play Under Milk Wood. Jeff went to see Peter, they became friends and still are. Peter gave permission to use his wonderful Tiny Tina image for the cover of this book. London co-author K G Miles has been inspired by BOB DYLAN since being an awestruck child at Bob's Isle of Wight Festival in 1969. He is now the co-curator the of the Dylan Room at London's Troubadour Club and was honoured to address the inaugural conference at the Tulsa Archive in 2019.

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Thomas Aquinas and the Philosophy of Punishment explores how Aquinas’s understandings of natural law and the common good apply to the contemporary philosophical discussion of punitive justice. It is the first book-length study to consider this question in decades, and the only book that confronts modern views of the topic.Peter Karl Koritansky presents Thomas Aquinas’s theory of punishment as an alternative to the leading schools of thought that have dominated the philosophical landscape in recent times, namely, utilitarianism and retributivism. After carefully examining each one and tracing its roots back to Immanuel Kant and Jeremy Bentham, Koritansky concludes that neither approach to punitive justice is able to provide a philosophically compelling justification for the institution of punishment. He explains how St. Thomas approaches the same philosophical questions from a markedly different set of assumptions rooted in his theory of natural law and his understanding of the common good.Not without its own difficulties, Aquinas’s approach offers a rationale and justification of punishment that is, Koritansky argues, much more humane, realistic, and compelling than either contemporary school is able to provide. Koritansky distinguishes his reading of the Angelic Doctor from that of other interpreters who tend to conflate Aquinas’s teaching with various aspects of recent thought. A final chapter considers the death penalty in John Paul II’s Gospel of Life and debates whether current Catholic teaching about the death penalty conflicts with Aquinas’s arguments in favour of the death penalty.

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An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

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This volume offers the first in-depth investigation of Thomas Heywood’s engagement with the classics. Its introduction and twelve essays trace how the classics shaped Heywood’s work in a variety of genres across a writing career of over forty years, ranging from drama, epic and epyllion, to translations, compendia and the design of a warship for Charles I. Close readings demonstrate the influence of a capaciously conceived classical tradition that included continental editions and translations of Latin and Greek texts, early modern mythographies and the medieval tradition of Troy. They attend to Heywood’s thought-provoking imitations and juxtapositions of these sources, his use of myth to interrogate gender and heroism, and his turn to antiquity to celebrate and defamiliarise the theatrical or political present. Heywood’s better-known works are discussed alongside critically neglected ones, making the collection valuable for undergraduates and researchers alike.

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Im monumentalen Format und in irritierender Figuration reaktivieren Thomas Schüttes Frauen das intensiv debattierte Feld des tradierten weiblichen Aktes, das am Ende des 20. Jahrhunderts weitestgehend als anachronistisch gilt. Die Monografie nähert sich der Werkgruppe der Frauen auf fünf Analysefeldern, die sich von der Herstellung der Figuren bis zu ihrer Ausstellung in verschiedenen Kontexten erstrecken. Sie verdeutlicht, an welchen Punkten, in welchen Erscheinungsweisen und mit welchen Funktionen ein Prinzip des In-der-Schwebe-Haltens produktiv wird, das die hunderte Kilo schweren Großplastiken und damit die offenen Fragen nach der menschlichen, weiblichen Figur und den Möglichkeiten ihrer Darstellung in monumentaler Plastik in Bewegung hält.

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A close look at a new installation by renowned contemporary artist Mickalene Thomas that marks the first time she has engaged with early American history Mickalene Thomas (b. 1971) has gained an international reputation for her dazzling portraits of Black women, as well as her large-scale installations that physically enfold viewers into lushly decorated, 1970s-inspired domestic interiors. This volume offers a window into Thomas’s unique, multifaceted approach and introduces a new living room–style installation by the artist, in which she creates, for the first time, a homelike environment reminiscent of the pre-abolition era. In addition to period-specific textile patterns and other decorative elements, her installation incorporates a selection of small-scale, early American portraits of Black women, men, and children—from miniatures and daguerreotypes to silhouettes on paper and engravings in books—as well as a group of works by Thomas and other contemporary artists in a wide range of media. The book’s essays examine both how Thomas’s engagement with early American history opens up previously unexplored and fertile ground for her artistic practice and how this project constructs evocative spaces (both physically and textually) in which the lives of early nineteenth-century Black Americans can be recognized on their own terms. With an artist’s statement and extensive photography that captures details of the installation, this presentation documents an exciting direction for one of today’s most acclaimed artists. Distributed for the Yale University Art Gallery Exhibition Schedule Yale University Art Gallery (September 8, 2023–January 7, 2024)

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The king’s coronation brings hope. Until a murderer strikes.Spring 1661: After years of civil war followed by Oliver Cromwell's joyless rule as Lord Protector, England awaits the coronation of King Charles II. The mood in London is one of relief and hope for a better future. But when two respectable gentlemen are found in a foul lane with their throats cut, it becomes apparent that England’s enemies are using the newly re-established post office for their own ends. There are traitors at work and plans to overthrow the king. Another war is possible. Thomas Hill, in London visiting friends, is approached by the king’s security advisor and asked to take charge of deciphering coded letters intercepted by the post office. As the body count rises and the killer starts preying on women, the action draws closer to Thomas – and his loved ones. He finds himself dragged into the hunt for the traitors and the murderer, but will he find them before it’s too late?

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Although Thomas Jackson (1579-1640) is recognized by scholars as the most important theologian of the Laudian church, hitherto there has been no comprehensive study of his philosophical theology. The reason for Jackson's neglect is that scholars have been puzzled by the sources, character and influence of his Christian Platonism. From a close and comprehensive reading of his magnum opus - a massive twelve book commentary on the Apostles' Creed - this book shows how Jackson regards the Platonic tradition as an essential and perennial resource for the Christian theologian, anticipating and informing central aspects of Christian theological speculation and belief, given by divine providence to help him interpret and defend his creed. Special attention is paid to the influence of Nicholas of Cusa (1401-1464) on Jackson, an important moment in the history of thought since the German cardinal is generally thought to have been without intellectual successors in the early modern period.

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London, 1728. A young, well-dressed man is driven through streets of jeering onlookers to the gallows at Tyburn. They call him a murderer. But Tom Hawkins is innocent and somehow he has to prove it, before the rope squeezes the life out of him.It is, of course, all his own fault. He was happy settling down with Kitty Sparks. He should never have told the most dangerous criminal in London that he was bored and looking for adventure. He should never have offered to help, the king's mistress. And most of all, he should never have trusted the witty, calculating Queen Caroline. She has promised him a royal pardon if he holds his tongue but then again, there is nothing more silent than a hanged man.Based loosely on actual events, Antonia Hodgson's new novel is both a sequel to The Devil in the Marshalsea and a standalone historical mystery. From the gilded cage of the Court to the wicked freedoms of the slums, it reveals a world both seductive and deadly. And it continues the rake's progress of Tom Hawkins - assuming he can find a way to survive the noose...

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'Paints a vivid picture of life aboard the mighty ship-of-the-line' - Daily ExpressCommander Thomas Kydd is eager to play his part in thwarting Bonaparte's plans for the invasion of England. Joining Admiral Nelson's command, Kydd and his ship soon find themselves at the heart of the action that leads up to the greatest sea battle in history: Trafalgar. Kydd's journey takes him from false sightings of the enemy and dramatic chases across the Atlantic, to the bloody annihilation of the enemy during the actual battle, and the heroic aftermath.******************What readers are saying about VICTORY'More of the same, please!' - 5 stars'The best Stockwin yet!' - 5 stars'A great read . . . I salute a terrific story teller of that bygone age!' - 5 stars'A masterly retelling of a real hero's tragic demise and a thoroughly enjoyable novel' - 5 stars'A marvelous book' - 5 stars

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An edited collection of Thomas Carlyle's seminal 19th century historical criticism of medieval history

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Soliman and Perseda, written c. 1588 and first published in 1592 or 1593, is a late Elizabethan romantic tragedy by Thomas Kyd, author of The Spanish Tragedy. It dramatises the triangular relationship of the Turkish emperor Soliman, his captive Perseda and her beloved Erastus, and the fortunes of the comic servant Piston and the braggart knight Basilisco, against the fictionalised backdrop of the Turkish invasion of Rhodes in the early sixteenth century. The introduction to this facsimile edition contains the fullest analysis of the text to date. It also provides an account of the play's editorial history, a detailed analysis of its original printing, and lists of all erroneous readings in the first quarto, together with significant differences between the first and second quartos. This edition provides the best access we have to an important play by one of Shakespeare's leading early contemporaries.

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianThomas Paine Kydd, a young wig-maker from Guildford, is seized by the press gang to be a part of the crew of the 98-gun line-of-battle ship Royal William. The ship sails immediately and Kydd has to learn the harsh realities of shipboard life fast. Despite all the danger of tempest and battle he goes through, he comes to admire the skills and courage of the seamen - taking up the challenge himself to become a true sailor.Based on dramatic real events, it is classic storytelling at its very best, rich with action with exceptional characters and a page-turning narrative.*********************What readers are saying about KYDD'A cracking good read' - 5 stars'A first-class job' - 5 stars'A terrific book' - 5 stars'Excellent and very accurate' - 5 stars'I could not put it down' - 5 stars

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The chief aims of Thomas Aquinas on the Immateriality of the Human In­tellect are to provide a comprehensive interpretation of Aquinas’s oft-repeated claim that the human intellect is immaterial, and to assess his arguments on behalf of this claim. Adam Wood argues that Aquinas’s claim refers primarily to the mode in which the human intellect has its act of being. That the human intellect has an immaterial mode of being, however, crucially underwrites Aquinas’s additional views that the hu­man soul is subsistent and incorruptible. To show how it does so, Wood argues that the human intellect’s immateriality can also be put in terms of the impossibility of explaining its operations in terms of coordina­tion between bodily parts, states and processes. Aquinas’s arguments for the human intellect’s immateriality, therefore, can be understood as attempts to show why intellectual operations cannot be explained in bodily terms. The book argues that not all of them succeed in this aim and also proposes, however, a novel interpretation of Aquinas’s argu­ment based on human intellect’s universal mode of cognition that may indeed be sound. Wood concludes by considering the ramifications of Aquinas’s position on matters pertaining to the afterlife.Thomas Aquinas on the Immateriality of the Human Intellect represents the first book-length examination of Aquinas’s claim that the human intellect is immaterial, and so—given the centrality of this claim to his thought—should interest any scholars interested in understanding Thomas. While it focuses throughout on careful attention to Aquinas’s texts along with the relevant secondary literature, it also positions Thomas’s thought alongside recent developments in metaphysics and philosophy of mind. Hence it should also interest historically-minded metaphysicians interested in understanding how Thomas’s hylomor­phism intersects with recent work in hylomorphic metaphysics, philos­ophers of mind interested in understanding how Thomas’s philosoph­ical psychology relates to contemporary forms of dualism, physicalism and emergentism, and philosophers of religion interested in the possi­bility of the resurrection.

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New essays by leading scholars on major aspects of the most significant Austrian writer of the postwar generation. Since the death of Thomas Bernhard in 1989, the literary reputation of this complex and unique writer has risen to the point that he is now regarded as a major European figure. Bernhard emerged in the 1960s as one of Austria's major writers, challenging the popularity of such established writers as Heinrich Böll and Günter Grass on the German literary scene. His idiosyncratic prose consists of a tragic-comic blend of themes such as suicide, madness, and isolation combined with highly satirical and histrionic invectives against culture, tradition, and society. As a skillful impresario of public scandals by means of verbal assaults upon Austrian elite culture, Bernhard also earned himself the epithet of Übertreibungskünstler (artist of exaggeration). In this art of cultural and political provocation Bernhard remains unmatched to the present day. This volume of essays provides contributions by well-known critics that examine the most salient aspects of Bernhard's work, offering insights into literary strategies and public themes that made Bernhard one of Europe's masters of modern prose and drama. Essays examine Bernhard's complex artistic sensibility, his impact on Austria's critical memory, his relation to the legacy of Austrian Jewish culture, his representative value as Austria's prime literary export, and his cosmopolitanism and its significance forthe rapidly changing multicultural landscape of Europe. Matthias Konzett is associate professor of German at Yale University. He is the author of The Rhetoric of National Dissent in Thomas Bernhard, Peter Handke, and Elfriede Jelinek (Camden House, 2000). Click here to view the introduction (PDF file 97KB)

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Thomas Cole’s influence after his death, through both the finished and unfinished paintings that remained in his self-designed studio, was truly profound. This book brings new understanding to Cole’s last paintings and how they affected later artists. Written by one of the foremost American art historians, it examines the artist’s ambition to create paintings that expressed complex and elevated meanings. Images of works not seen for many years will illustrate Cole’s intentions and influence.

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After the end of hostilities in 1945, the fishing industry was quick to establish some semblance of recovery and a surge of new builds and restoration of Admiralty motor fishing vessels soon followed. In Fraserburgh, on Scotland’s east coast, several established yards satiated this desire amongst the fishing-boat owners for new craft. Thus it wasn’t surprising that a new yard sprung up at the end of the 1940s when three local apprentices from one of the yards decided to set up their own boatbuilding yard on the breakwater, in what was a very exposed position. And so the yard of Thomas Summers & Co. was born, a yard that became synonymous with fine seaworthy fishing boats suited to various methods of fishing. In the space of just thirteen years they produced eighty-eight fishing vessels and their output was more prolific than most of the other Scottish boatyards. Many of these boats survive to this day, some still working as fishing vessels, and others converted to pleasure, a testament to their superb design and solid construction. Here, Mike Smylie recounts the story of Thomas Summers & Co. through historic records and personal memories of both fishermen and family members, with many striking photographs of the boats they built.

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Metaphysical Themes in Thomas Aquinas III is Msgr. John Wippel’s third volume dedicated to the metaphysical thought of Thomas Aquinas. After an introduction, this volume of collected essays begins with Wippel’s interpretation of the discovery of the subject of metaphysics by a special kind of judgment (“separation”). In subsequent chapters, Wippel turns to the relationship between faith and reason, exploring what are known as the preambles of faith. This is followed by two chapters on the important contributions by Cornelio Fabro on Aquinas’s distinction between essence and esse and on participation. The volume continues with articles on Aquinas’s view of creation as a preamble of faith, Aquinas’s much-disputed defense of unicity of substantial form in creatures, his account of the separated soul’s natural knowledge, and Aquinas’s understanding of evil in his De Malo 1. The volume concludes with an article comparing Bonaventure, Aquinas, and Godfrey of Fontaines on the metaphysical composition of angelic beings.Most of these issues were disputed during Aquinas’s time by some of his contemporaries, and the proper understanding of each continues to be debated by various students of his thought today. Wippel’s purpose, therefore, is to help clarify our understanding of Aquinas’s thought on each of these topics, a task that requires the careful analysis of primary sources and of secondary literature and attention to the relative chronology of his writing.

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The story of an early pioneer in the field of African Studies is featured in this illuminating biography. In the late 1940s, Thomas Hodgkin set out--through his travels and writings--to overcome the false visions of African history and independence propagated under the colonial agenda, yet his interests were not restricted to Africa. A longtime Marxist shaped by the colonial effects on Palestine and Vietnam, Hodgkin was an unconventional scholar, sent all over the world to witness and document revolution in action.

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Virtually no subject—politics, slavery, religion, gardening, music, architecture, natural history, or science to name a few—escaped the interest and attention of Thomas Jefferson. Through nearly 800 excerpts of Jefferson's writing, ranging in length from one sentence to nearly a page, Thomas Jefferson: A Chronology of His Thoughts, allows readers to share in Jefferson's greatest triumphs and achievements and reflects on the moments that truly tested the very fiber of his soul, publicly and privately. From the glory of crafting the Declaration of Independence and assuming the mantle of leadership as the Republic's third president, through his moral struggle with slavery and the agony of losing his young wife and daughter, Jerry Holmes chronicles Jefferson's life through his own words. Thomas Jefferson: A Chronology of His Thoughts will fascinate both the serious Jefferson scholar as well as curious newcomers.

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The definitive biography of the poet who was almost as notorious for his 'rock 'n' roll' lifestyle as his artistic workDylan Thomas was a romantic and controversial figure; a poet who lived to excess and died young. An inventive genius with a gift for both lyrical phrases and impish humour, he also wrote for films and radio, and was renowned for his stage performances. He became the first literary star in the age of popular culture - a favourite of both T.S. Eliot and John Lennon.As his status as a poet and entertainer increased, so did his alcoholic binges and his sexual promiscuity, threatening to destroy his marriage to his fiery Irish wife Caitlin. As this extraordinary biography reveals, he was a man of many contradictions. But out of his tempestuous life, he produced some of the most dramatic and enduring poetry in the English language.

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianIt is 1797 and Thomas Kydd is now master's mate on Achilles, a 64-gun ship-of-the-line, on his way back from the Caribbean. After a dangerous rescue mission to Venice Kydd sails for England, but his joy at returning home after many years' absence is soon forgotten when he finds himself at the centre of one of the most extraordinary events in English history - the Mutiny at the Nore.Ten thousand men, one thousand guns and scores of ships hold the country to ransom: the government is near collapse; the economy on the brink of ruin.And Kydd is faced with a terrible choice. Abandon his friends and shipmates? Or join the rebellion and put his career - and even his life - on the line?******************What readers are saying about MUTINY'Another rip-roaring, compelling story' - 5 stars'I love this series' - 5 stars'Even better than the other sailing ship era books' - 5 stars'On the edge of your seat right to the end' - 5 stars'Excellent, thank you' - 5 stars

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'In Stockwin's hands the sea story will continue to entrance readers across the world' - GuardianThomas Kydd was promoted to acting lieutenant at the bloody Battle of Camperdown in October 1797. Now, he must sit an examination to confirm his rank - or face an inglorious return before the mast.But this is only the first of many obstacles for a man who was pressed into the King's Service and discovered a calling for the sea. Kydd is from humble origins, yet he attains the lofty heights of the quarterdeck as an officer in His Majesty's Navy. If he is to avoid spending the rest of his career as a tarpaulin officer, he must also become a gentleman.Kydd and his enigmatic friend Nicholas Renzi set sail in HMS Tenacious for the North American station. Aboard the old 64-gun ship, Kydd comes to doubt he will ever match up to the high-born gentlemen officers.********************What readers are saying about QUARTERDECK'Superb writing, superb characterisation' - 5 stars'Excellent reading' - 5 stars'Without question the best series I have read in years' - 5 stars'This book is of the highest standard' - 5 stars'A splendid story' - 5 stars

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Both major novelist and major poet, with a distinctive off-beat and intensely personal style, Hardy is a modern writer born out of his time.

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1808. Parted from his new bride, Captain Sir Thomas Kydd is called away to join the Northern Expedition to Sweden, now Britain's only ally in the Baltic. Following the sudden declaration of war by Russia and with the consequent threat of the czar's great fleet in St Petersburg, the expedition must defend Britain's dearly-won freedom in those waters. However Kydd finds his popular fame as a frigate captain is a poisoned chalice; in the face of jealousy and envy from his fellow captains, the distrust of the commander-in-chief and the betrayal of friendship by a former brother-in-arms now made his subordinate, can he redeem his reputation?In an entirely hostile sea Tyger ranges from the frozen north to the deadly confines of the Danish Sound - and plays a pivotal role in the situation ensuing after the czar's sudden attack on Finland. This climaxes in the first clash of fleets between Great Britain and Russia in history. To the victor will be the prize of the Baltic!******************PRAISE FOR JULIAN STOCKWIN'S THOMAS KYDD SERIES'Paints a vivid picture of life aboard the mighty ship-of-the-line' Daily Express'This heady adventure blends fact and fiction in rich, authoritative detail' Nautical Magazine on VICTORY'Fans of fast-paced adventure will get their fill with this book' Historical Naval Society on THE ADMIRAL'S DAUGHTER

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'Paints a vivid picture of life aboard the mighty ship-of-the-line' - Daily ExpressThrilled at his first command, a little brig sloop called Teazer, Thomas Kydd must race to bring his ship to battle readiness - he is desperately needed to defend Malta against Barbary corsairs, ferocious privateers and the French who are frantically trying to rescue the remnants of their army in the Levant.But his jubilation does not last long - peace is suddenly declared and Kydd is left ashore on half pay.A rare chance gives him the opportunity to once again go to sea. He sets sail as captain of a convict transport for the penal colony in New South Wales - and challenges that will test both his seamanship and humanity to the limit.******************What readers are saying about COMMAND'Well done Julian for what is becoming a real tour de force' - 5 stars'Julian Stockwin has a superb way of writing bringing the way of life aboard ship to the reader' - 5 stars'Another really excellent sea yarn from Julian Stockwin' - 5 stars'Excellent in all respects' - 5 stars'Another great book written by the master of suspense' - 5 stars

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Offers a concise introduction to Jefferson's political philosophy, and aims to make a contribution to a prevailing historiographic controversy: was Thomas Jefferson a Lockean liberal or a classical republican? Sheldon claims that his thought followed a rich variety of theoretical traditions.

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The Night Climbers of Cambridge, published in 1937, documents the nocturnal climbing exploits of a group of Cambridge students along the university’s roofs and walls. In this interpretation, Thomas Mailaender presents archival photographs the climbers took of themselves in action.

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George Thomas, the former Labour Cabinet Minister and Speaker of the House of Commons, was the sycophant supreme of the British political system and arguably the most divisive figure in twentieth-century Welsh politics, whose transformation from a radical young socialist to Viscount Tonypandy, a fervent supporter of Margaret Thatcher and servile courtier to the English Royal Family who was perfectly described by poet Nigel Jenkins as 'The Lord of Lickspit'. Drawing on previously unpublished material from Thomas' vast personal and political archive in the National Library of Wales, and interviews with many who knew him during his career, award-winning journalist Martin Shipton reveals the real George Thomas, the complex character behind the carefully crafted facade of the devout Christian and ultra British-loyalist, and discovers a number of surprising and shocking personae - which have previously been unknown, downplayed or overlooked - of this ultimate Political Chameleon whose political legacy now lies in ruins: The devious draft-dodger during World War Two. The Communist sympathiser controlled by the Soviet Union. The secret Freemason. The self-proclaimed teetotaller who enjoyed alcohol in private. The close acquaintance of a controversial financier. The spiritual sidekick of a Saudi Arabian oil minister. The duplicitous informer for Harold Wilson. The shameless betrayer of the people of Aberfan. The die-hard opponent of devolution with a spiteful antipathy towards the Welsh language. The unscrupulous fixer of Honours and master of patronage. The 'confirmed bachelor' and Methodist lay-preacher who sought the company of 'rent boys'. Martin Shipton also investigates fresh evidence relating to the explosive allegation that Thomas was a child rapist and a predatory sexual abuser of young males. This is the book that his dwindling number of supporters feared and the book his political opponents have been waiting for. Political Chameleon dissects George Thomas chapter by chapter, exposing him as a sanctimonious hypocrite whose religious veneer was a sham.

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Reid's ideas on education are a direct development of his theory of the mind, and the writings in this volume form an integral part of his philosophy that has, until now, been ignored.

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Thomas Chayne has never managed to impress his overbearing father, and when a small act of rebellion has lasting consequences, Thomas finds himself exiled in disgrace. But with England on the brink of civil war, a larger revolution is in the air and Thomas has an opportunity to prove his worth by rallying a troop of royalists to defend Oxford from the escalating violence. But he soon faces an impossible choice between honouring his family and his loyalty to the crown .

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In this classic work by one of America's most distinguished historians, Daniel Boorstin enters into Thomas Jefferson's world of ideas. By analysing writings of 'the Jeffersonian Circle,' Boorstin explores concepts of God, nature, equality, toleration, education and government in order to illuminate their underlying world view. The Lost World of Thomas Jefferson demonstrates why on the 250th anniversary of his birth, this American leader's message has remained relevant to our national crises and grand concerns. "The volume is too subtle, too rich in ideas for anyone to do justice to it in brief summary, too heavily documented and too carefully wrought for anyone to dismiss its thesis...It is a major contribution not only to Jefferson studies but to American intellectual history...All who work in the history of ideas will find themselves in Mr. Boorstin's debt."--Richard Hofstadter, South Atlantic Monthly

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