Search results for ""author ivan"

Arc New Voices from Europe and Beyond: 6The sixth in a much-praised series of bi-lingual anthologies which focus on the 'smaller' languages of Europe, and an ideal introduction to the 'here and now' of Slovak poetry.The sixth anthology in Arc's acclaimed series, this book features the work of six of Slovakia's leading poets: Ján Buzássy, Mila Haugová, Kamil Peteraj, Daniel Hevier, Peter Repka and Ivan Štrpka. With an introductory essay by translator Igor Hochel which sets the poets within a wider literary context, this bi-lingual edition features the Slovak original and the English translation on facing pages.

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The museum of contemporary art might be the most advanced recording device ever invented. It is a place for the storage of historical grievances and the memory of forgotten artistic experiments, social projects, or errant futures. But in late nineteenth and early twentieth-century Russia, this recording device was undertaken by artists and thinkers as a site for experimentation. Arseny Zhilyaev’s Avant-Garde Museology presents essays documenting the wildly encompassing progressivism of this period by figures such as Nikolai Fedorov, Aleksandr Rodchenko, Kazimir Malevich, Alexander Bogdanov, and others—many which are translated from the Russian for the first time. Here the urgent question is: How might the contents of the museum be reanimated so as to transcend even the social and physical limits imposed on humankind? Contributors: David Arkin; Vladimir Bekhterev; Alexander Bogdanov; Osip Brik; Vasiliy Chekrygin; Leonid Chetyrkin; Nikolai Druzhinin; Nikolai Fedorov; Pavel Florensky; R. N. Frumkina; M. S. Ilkovskiy; V. I. Karmilov; V. Karpov; Valentin Kholtsov; P. N. Khrapov; Yuriy Kogan; Natalya Kovalenskaya; Nadezhda Krupskaya; S. P. Lebedyansky; A. F. Levitsky; Vera Leykina (Leykina-Svirskaya); Ivan Luppol; Kazimir Malevich; Andrey Platonov; Nikolay Punin; Aleksandr Rodchenko; Yuriy Samarin; I. F. Sheremet; Andrey Shestakov; Natan Shneerson; Ivan Skulenko; M. Vorobiev; N. Vorontsovsky; Boris Zavadovsky; I. M. Zykov.

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The final issue in our new horizons set of covers, the art for the Autumn Bulletin was kindly provided by local painter Ivan Lindsay. This edition features pieces by both selectors and poets for the PBS Choice The Illegal Age by Ellen Hinsey, recommendations As Slow as Possible by Kit Fan, playtime by Andrew McMillan, The Distal Point by Fiona Moore, and Feral by Kate Potts. The Special Commendation is To the Many, a collection of the works of Lola Ridge. The Recommended Translation is Poems by Sextus Propertius, translated by Patrick Worsnip. The Pamphlet Choice is Fishtank by Selima Hill, and the Wild Card is Us by Zaffar Kunial. The remainder of the Bulletin is packed with poetry excerpts and eighteen short reviews of other upcoming titles.

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On the eve of the Crimean War, the young, headstrong Yelena, the daughter of aristocratic Russian parents, falls in love with a revolutionary from Bulgaria named Insarov. Facing the wrath and disapproval of her family, Yelena abandons her home to follow Insarov to Bulgaria. Their fateful match sets in motion a series of tragic events which challenge notions of love, revolution and idealism. A highly controversial work upon its original publication, Ivan Turgenev’s On the Eve is now recognized as one of the masterpieces of Russian literature and an essential document of the upheaval that dominated Russian society in the years prior to the Crimean War. Turgenev’s restrained, nuanced prose is rendered beautifully in Michael Pursglove’s new translation.

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We are all improvising. We are all making decisions. And we are all watching each other improvise. Together, we are improvising. Decisions become shared ones. We will have built this city together.　Convivial Ground invites the reader to discover the work of the transdisciplinary European design-build network Constructlab piece by piece. Taking Ivan Illich’s understanding of conviviality as departure point, the essays, conversations, stories, and images in the book reflect on the specificities of collaborative practices as situated experiments, as well as on their possible roles in the creation of convivial societies. Exploring contemporary conditions of togetherness, learning, and working, the book is not a "how-to" guide, but an invitation to cooperatively write new convivial narratives.

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When Valeros and his companions are tasked with tracking down a mysterious beast scarring the locals of Sandpoint, they find far more than they bargained for! A seemingly simple monster hunt becomes a twisted tale of danger and betrayal as the Cult of Lamashtu exacts its revenge on our iconic heroes. With an action-packed story written by Jim Zub (Samurai Jack, Skullkickers) and lavish artwork by newcomers Sean Izaakse and Ivan Anaya, this second volume continues the thrilling adventures of the Pathfinder heroes in the richly envisioned fantasy world of Golarion. Bonus materials include over thirty-pages of encounters and world detail for the Pathfinder Roleplaying Game, and a brand-new poster map.

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Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

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There’s a mole at the top of the KGB…A double agent is leaking crucial Soviet secrets to London from the heart of Moscow. He must be stopped before the leak becomes a full, raging meltdown.The KGB director turns to Ivan Bucharensky – codename Kyril – to smoke him out.Kyril becomes live bait for both sides. The British think he’s a double agent. The Russians in London know Kyril must die. The mole thinks Kyril suspects his identity.Hunted by East and West, only when the last traitor dies will Kyril know who’s won the deadliest game ever played…A classic Cold War espionage mole hunt from ‘the heir-apparent to le Carré’ (Today) lovingly reissued for a new audience with a brand new afterword from the author. Perfect for fans of Alan Furst, John le Carré and Martin Cruz Smith.Praise for The Man Called Kyril ‘Trenhaile has written a stunning and remarkable novel of treachery and betrayal… brilliantly conceived’ Booklist‘Does for the KGB what le Carré does for the British Intelligence Service’ Philadelphia Inquirer‘Kept me guessing to the very end… if you like Gorky Park you’ll like Kyril’ Newsday

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When you move somewhere new, you get to be someone new. I was ready. Sixth-grader Kammie Summers’s plan to be one of the popular girls at school hasn’t gone the way she hoped. She’s fallen into a well during a (fake) initiation into the Girls’ club. Now she’s trapped in the dark, counting the hours, hoping to be rescued. (The Girls have gone for help, haven’t they?) As the hours go by, Kammie’s real-life trouble mixes with memories of the best and worst moments of her life so far, including the awful reasons her family moved to this new town in the first place. And as she begins to feel hungry and thirsty and dizzy, Kammie discovers she does have visitors, including a French-speaking coyote and goats that just might be zombies. But they can’t get her out of the well. (Those Girls are coming back, aren’t they?) “Moving, suspenseful, and impossible to put down.” —Kirkus Reviews, starred review “Darkly humorous . . . Honest and forthcoming.” —The New York Times Book Review “I dare you to pick up this riveting novel without reading straight through to its heart-stopping conclusion.” —Katherine Applegate, Newbery Medal–winning author of The One and Only Ivan

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One of the most famous passages in modern literature reimagined in a graphic novel adaptation. Two acclaimed Russian artists have collaborated to create an original graphic novel adaptation of the most famous chapters of Fyodor Dostoyevsky’s The Brothers Karamazov: “Rebellion” and “The Grand Inquisitor.” Ivan Karamazov, after protesting a God who allows innocents to suffer, recites for his brother Alyosha a poem he has written about Jesus’ reappearance on earth during the Spanish Inquisition. One of the most famous passages in modern literature, this work raises important questions about free will, human nature, religion, power, and the radically subversive way of Jesus.

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Ivan Szelenyi was the Foundation Dean of Social Sciences at NYUAD in 2010–2014 and during his tenure there he carried out a study of Pakistani guest workers who had worked in the United Arab Emirates and were about to take up a job in this country. About 90 percent of the population of the UAE are guest workers (about half of this population is from India, Pakistan and Bangladesh). The critical research question for the study was: is it sustainable to build a nation with 90 percent who are not-nationals and have no legal channels to become citizens of the country where they spend occasionally a substantial part of their life? Can people from different ethno-sectarian background merge into a well functioning society? Given labor shortages in Europe and North America and extraordinary pressure to migrate to these countries these questions do have relevance well beyond the Gulf Monarchies.

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From the Velvet Revolution to the disturbing world of Franz Kafka, from the devestation of the Thirty Years War to the musical elegance of Mozart and Dvorak, Prague is steeped in a wealth of history and culture. PRAGUE IN BLACK AND GOLD is a first class history of this unique city, allowing us to unravel layer upon layer of startlingly symbolic sites and buidings to reveal the real Prague. "PRAGUE IN BLACK AND GOLD is an exceptional work - and exceptionally reliable ... I am sure that thiswill be an important and exciting guide for all who wish to learn more about the famous people and important events in the history of the Czech lands and their capital" Ivan Klima, The Times

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\u201cAll art and the love of art,\u201d Victor Brombert writes at the beginning of the deeply personal Musings on Mortality, \u201callow us to negate our nothingness.\u201d As a young man returning from World War II, Brombert came to understand this truth as he immersed himself in literature. Death can be found everywhere in literature, he saw, but literature itself is on the side of life. With delicacy and penetrating insight, Brombert traces the theme of mortality in the work of a group of authors who wrote during the past century and a half, teasing out and comparing their views of death as they emerged from vastly different cultural contexts. Leo Tolstoy, Thomas Mann, Franz Kafka, Virginia Woolf, Albert Camus, Giorgio Bassani, J. M. Coetzee, and Primo Levi—these are the writers whose works Brombert plumbs, illuminating their views on the meaning of life and the human condition. But there is more to their work, he shows, than a pervasive interest in mortality: they wrote not only of physical death but also of the threat of moral and spiritual death—and as the twentieth century progressed, they increasingly reflected on the traumatic events of their times and the growing sense of a collective historical tragedy. He probes the individual struggle with death, for example, through Tolstoy's Ivan Ilych and Mann's Aschenbach, while he explores the destruction of whole civilizations in Bassani, Camus, and Primo Levi. For Kafka and Woolf, writing seems to hold the promise of salvation, though that promise is seen as ambiguous and even deceptive, while Coetzee, writing about violence and apartheid South Africa, is deeply concerned with a sense of disgrace. Throughout the book, Brombert roots these writers' reflections in philosophical meditations on mortality. Ultimately, he reveals that by understanding how these authors wrote about mortality, we can grasp the full scope of their literary achievement and vision. Drawing deeply from the well of Brombert's own experience, Musings on Mortality is more than mere literary criticism: it is a moving and elegant book for all to learn and live by.

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"How many kisses do you want tonight?" Daddy Bear growls, cuddling Little Bear tight. "I want ONE," laughs Little Bear, "A big, loud kiss on my soft, brown hair." How many kisses do you want, young fellow?" Mommy Duck asks, fluffing Little Duck yellow. With simple, rhyming text, this adorable counting bedtime book celebrates the special ritual of goodnight kisses for animals and humans alike. Cozy up with your little one for a goodnight kiss -- or two, or three, or four...Varsha Bajaj's warm story and Ivan Bates's charming illustrations creates a sweet board book perfect for sharing with babies and toddlers.

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Perestroika is a historical fiction novel that provides thrilling insights into the late Communist era. The book opens in 1978 and introduces citizens of Slavia like artist Ludwig Kirchner, struggling to survive in concentration camps, whilst the terrifying elites of the regime live in luxury and moral depravity. It all changes in 1989, with Perestroika. In the revolutionary turmoil, former crime boss Ivan Fiorov leads the newly formed ‘Freedom Party’, heralding a wave of insecurity that resembles the previous dictatorship. Revenge, redemption and catharsis collide head on with recent European history. With Putin’s invasion of Ukraine, alongside a resurgence of populist leaders and neo-Nazi movements across the world, Perestroika is as much a lens into the present as an exciting epitome for the past.

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The Veloce company is well regarded for producing some of the best single-cylinder motorcycles in race form and for private use. It is not so well-known that Veloce Ltd also produced some twin-cylinder machines: the Roarer, for racing, and the Model O for production. These bikes had many engineering features in common, such as twin contra-rotating crank shafts, inline cranks, shaft drive, and swing arm rear suspension. The supercharged Roarer was never raced because of the advent of war; this also put paid to the development of the Model O, which would have been the first so-called "Superbike." After the war, the Goodman family, owners of Veloce Ltd, focused on the production of a "Motorcycle for Everyman" - an idea that had featured in their production bikes since the formation of the company. They drew on the ideas embodied in the Roarer and the Model O to produce the twin cylinder LE range of motorcycles. These, however, were not well received by the motorcycling public, and many blame the production of the LE for the eventual demise of the company. The purpose of the book is to present, from an engineering perspective, an analysis of the Roarer and the Model O, comparing and contrasting the methods adopted by their designers to meet the different design specifications of these bikes, and to illustrate how the ideas developed in this exercise appeared in the LE range of motorcycles. The authors, Brian Agnew and Ivan Rhodes, met in the 1960s when Brian worked at Rolls-Royce Derby. They spent their weekends tinkering with motorcycles, and both have an intimate knowledge of the Velocette twins both from their time spent together and from their personal projects.

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'The most magnificent novel ever written' Sigmund FreudThe murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone's faith in humanity is tested.Translated with an Introduction and notes by DAVID McDUFF

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Ivan Dixon's 1973 film, The Spook Who Sat by the Door, captures the intensity of social and political upheaval during a volatile period in American history. Based on Sam Greenlee's novel by the same name, the film is a searing portrayal of an American Black underclass brought to the brink of revolution. This series of critical essays situates the film in its social, political, and cinematic contexts and presents a wealth of related materials, including an extensive interview with Sam Greenlee, the original United Artists' press kit, numerous stills from the film, and the original screenplay. This fascinating examination of a revolutionary work foregrounds issues of race, class, and social inequality that continue to incite protests and drive political debate.

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Five children wake up in a mysteriously deserted city. They must learn to survive-alone. Ivan, Leila, Camille, Terry, Dodzi. Five children who have never met each other, who live very different lives in a small city. Then, one day, they all wake up in their empty homes, walk out into empty streets and wander through the empty city...No adults, no other children; just the five of them eventually finding each other, and forced to band together to face the inevitable questions - and the dangers of a modern city suddenly emptied of its inhabitants.

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" . . . Mr. Arad reports as a controlled and effective witness for the prosecution. . . . Mr. Arad's book, with its abundance of horrifying detail, reminds us of how far we have to go."—New York Times Book Review" . . . some of the most gripping chapters I have ever read. . . . the authentic, exhaustive, definitive account of the least known death camps of the Nazi era." —Raul HilbergArad, historian and principal prosecution witness at the Israeli trial of John Demjanjuk (accused of being Treblinka's infamous "Ivan the Terrible"), uses primary materials to reveal the complete story of these Nazi death camps.

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From the first Slavic migrations to the Romanovs’ rise to the Putin era, Russia has endured for centuries as a nation whose sheer size and diversity have challenged its rulers and shaped its identity. Restless Empire illuminates the epic sweep of Russian history in a beautifully illustrated full-color atlas depicting the essential cultural, political, economic, and military developments of Russia’s past.Like the double-headed eagle that is its state emblem, Russia has always looked abroad to both the East and West, searching for secure trade routes, trustworthy allies, and defensible frontiers. Expansion beyond Muscovy’s forested confines began in the fifteenth century, when Ivan III rejected Mongol rule and moved into the Russian steppe. The waterways linking the Baltic to the Black and Caspian seas were crucial to Russia’s development from the Middle Ages onward. The age-old quest to acquire warm-water ports culminated in the construction of St. Petersburg in the eighteenth century, when imperial Russia began to rival Europe’s Great Powers.From Ivan the Terrible to Catherine the Great, Lenin and Stalin to Yeltsin and Putin, Russia’s rulers have carved their nation’s destiny into world history, sometimes bending Russia toward despotism or democracy, internationalism or brusque independence. Russia’s titanic conflicts—against the Tatars and Turks, Napoleon, Nazi Germany, and the United States—and its political upheavals from the Time of Troubles to the Soviet Union’s downfall, as well as ongoing strife in Chechnya and Crimea, are presented chronologically in accessible text accompanied by detailed maps and illustrations.

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Shipwreck is the second part of Tom Stoppard's trilogy The Coast of Utopia. It continues the story of the anarchist Michael Bakunin, the critic Vissarion Belinsky, the writer Ivan Turgenev, and their circle, but as the action shifts from Russia to Paris in the year of European revolution, it is Alexander Herzen and his wife Natalie who come to occupy the focus. Isaiah Berlin called Herzen a writer and thinker of genius, one of the greatest of nineteenth-century Russians; and it was here, in the intoxicating anticipation and the dashed hopes of the 1848 revolution - when the loss of his political illusions were overshadowed by a series of personal calamities - that Herzen found his greatness, seeking the way forward for Russia, the just society and the good life.

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Ivan Turgenev's Fathers and Sons explores the ageless conflict between generations through a period in Russian history when a new generation of revolutionary intellectuals threatened the state. This Penguin Classics edition is translated from the Russian by Peter Carson, with an introduction by Rosamund Bartlett and an afterword by Tatyana Tolstaya. Returning home after years away at university, Arkady is proud to introduce his clever friend Bazarov to his father and uncle. But their guest soon stirs up unrest on the quiet country estate - his outspoken nihilist views and his scathing criticisms of the older men expose the growing distance between Arkady and his father. And when Bazarov visits his own doting but old-fashioned parents, his disdainful rejection of traditional Russian life causes even further distress. In Fathers and Sons, Turgeneve created a beautifully-drawn and highly influential portrayal of the clash between generations, at a time just before the end of serfdom, when the refined yet vanishing landowning class was being overturned by a brash new breed that strove to change the world.Peter Carson's elegant, naturalistic new translation brings Turgenev's masterpiece to life for a new generation of readers. In her introduction, Rosamund Bartlett discusses the novel's subtle characterisation and the immense social changes that took place in the 1850s Russia of Fathers and Sons. This edition also includes a chronology, suggested further reading and notes.If you enjoyed Fathers and Sons, you might like Leo Tolstoy's The Death of Ivan Ilyich and Other Stories, also available in Penguin Classics.'One of the first Russian novels to be translated for a wider European audience. It is a difficult art: in this superb new version, Peter Carson has succeeded splendidly' Michael Binyon, The Times 'If you want to get as close as an English reader can to enjoying Turgenev, Carson is probably the best' Donald Rayfield, The Times Literary Supplement

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Iconocracia uses photography to bring together approximately thirty creators of Cuban art from several generations who, despite their wide-ranging differences in biography, aesthetics and even politics, coincide in challenging what has been assimilated as Cuban photography and disseminated as such. The book is a collection of work by a series of artists who have managed to take in and process iconography with the steadfast goal of building, more than just an image, but a different imagery altogether from their individual positions and particular viewpoints. However, it also explores the very limits of photography as an act: the text by Ivan de la Nuez seeks to find a location other than the photographer's stance, radically stirring up what is usually considered to be a photographic object.

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An attempt to understand human attachment to the canis familiaris in terms of reciprocity and empathy, Melancholia's Dog tackles such difficult concepts as intimacy and kinship with dogs, the shame associated with identification with their suffering, and the reasons for the profound mourning over their deaths. In addition to philosophy and psychoanalysis, Alice A. Kuzniar turns to the insights and images offered by the literary and visual arts-the short stories of Ivan Turgenev and Franz Kafka, the novels of J. M. Coetzee and Rebecca Brown, the photography of Sally Mann and William Wegman, and the artwork of David Hockney and Sue Coe. Without falling into sentimentality or anthropomorphization, Kuzniar honors and learns from our canine companions, above all attending to the silences and sadness brought on by the effort to represent the dog as perfectly and faithfully as it is said to love.

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Museum Frictions is the third volume in a bestselling series on culture, society, and museums. The first two volumes in the series, Exhibiting Cultures and Museums and Communities, have become defining books for those interested in the politics of museum display and heritage sites. Another classic in the making, Museum Frictions is a lavishly illustrated examination of the significant and varied effects of the increasingly globalized world on contemporary museum, heritage, and exhibition practice. The contributors—scholars, artists, and curators—present case studies drawn from Africa, Australia, North and South America, Europe, and Asia. Together they offer a multifaceted analysis of the complex roles that national and community museums, museums of art and history, monuments, heritage sites, and theme parks play in creating public cultures. Whether contrasting the transformation of Africa’s oldest museum, the South Africa Museum, with one of its newest, the Lwandle Migrant Labor Museum; offering an interpretation of the audio guide at the Guggenheim Bilbao; reflecting on the relative paucity of art museums in Peru and Cambodia; considering representations of slavery in the United States and Ghana; or meditating on the ramifications of an exhibition of Australian aboriginal art at the Asia Society in New York City, the contributors highlight the frictions, contradictions, and collaborations emerging in museums and heritage sites around the world. The volume opens with an extensive introductory essay by Ivan Karp and Corinne A. Kratz, leading scholars in museum and heritage studies.Contributors. Tony Bennett, David Bunn, Gustavo Buntinx, Cuauhtémoc Camarena, Andrea Fraser, Martin Hall, Ivan Karp, Barbara Kirshenblatt-Gimblett, Corinne A. Kratz, Christine Mullen Kreamer, Joseph Masco, Teresa Morales, Howard Morphy, Ingrid Muan, Fred Myers, Ciraj Rassool, Vicente Razo, Fath Davis Ruffins, Lynn Szwaja, Krista A. Thompson, Leslie Witz, Tomás Ybarra-Frausto

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Longlisted for the FT and McKinsey Business Book of the Year Award 2015. In September 2008, HBOS, with assets larger than Britain's GDP, was on the edge of bankruptcy. Its collapse would have created the biggest economic crisis since the 1930s and a major political disaster for the Labour government. With the help and support of Gordon Brown, HBOS was rescued by Lloyds TSB, one of the country's strongest banks, in circumstances that have since become the stuff of City legend. In the highly acclaimed Black Horse Ride, veteran financial journalist Ivan Fallon brings together the accounts of all the power players involved in this dramatic saga for the first time, including the key roles played by the Governor of the Bank of England, the Prime Minister and the Treasury. Through a compelling cast of prominent bankers, politicians and investors, Fallon reveals what really occurred in the aftermath of the crash of Lehman Brothers, perhaps the worst single day in banking history.

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Rapid advances in modern medicine and diagnostic techniques have revolutionized the way we think about death and the processes of dying. Where once death was defined as the absence of respiration or heartbeat, today patients can be kept alive for months or even years hooked up to a respirator and feeding tube. Ivan and Melrose carefully explain the various medical processes involved in death and dying. In so doing they also face the many ethical, moral and legal dilemmas that confront doctors today, as well as the decisions that may have to be taken by relatives. What, they ask, is the meaning of "life" when large areas of a person's brain have suffered irreversible damage? And what of the economic quandary when valuable hospital beds are occupied by people in a persistent vegetative state with no hope of recovery?

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Shireen's not exactly enjoying being sectioned, but she's been in worse places. That psychiatric unit in Brecon was a right dump. This one's alright, though. There's table tennis, art therapy and they even get to do a bit of gardening. There's only one problem. Shireen's roommate. Toshiko - she's a total space cadet, convinced the unit is overrun by aliens. Yeah, right. CAST: Naoko Mori (Toshiko Sato), Emma Kaler (Shireen), Linda Armstrong (Felicia Haynes), Nick Asbury (Ivan), Dylan Jones (Steffan Blayney). Other parts played by members of the cast. NOTE: Torchwood contains adult material and may not be suitable for younger listeners.

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The violent death of a journalist leads secret agent Gabriel Allon to Russia. But this is not the grim Moscow of Soviet times, but a new Moscow, awash in oil wealth and in thrall to a new generation of rich Stalinists plotting to challenge an old enemy: the United States.One such man is Ivan Kharkov, a former KGB colonel whose global empire is built on a lucrative and deadly business. Kharkov is an arms dealer - and he's about to sell Russia's most dangerous weapon to al-Qaeda. Unless Allon can learn the time and place of delivery, the world will suffer its deadliest terror attack since 9/11. The countdown to Armageddon has begun . . .

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How risky encounters between American and Czech writers behind the Iron Curtain shaped the art and politics of the Cold War and helped define an era of dissent.“In some indescribable way, we are each other’s continuation,” Arthur Miller wrote of the imprisoned Czech playwright Václav Havel. After a Soviet-led invasion ended the Prague Spring, many US-based writers experienced a similar shock of solidarity. Brian Goodman examines the surprising and consequential connections between American and Czech literary cultures during the Cold War—connections that influenced art and politics on both sides of the Iron Curtain.American writers had long been attracted to Prague, a city they associated with the spectral figure of Franz Kafka. Goodman reconstructs the Czech journeys of Allen Ginsberg, Philip Roth, and John Updike, as well as their friendships with nonconformists like Havel, Josef Škvorecký, Ivan Klíma, and Milan Kundera. Czechoslovakia, meanwhile, was home to a literary counterculture shaped by years of engagement with American sources, from Moby-Dick and the Beats to Dixieland jazz and rock ’n’ roll. Czechs eagerly followed cultural trends in the United States, creatively appropriating works by authors like Langston Hughes and Ernest Hemingway, sometimes at considerable risk to themselves.The Nonconformists tells the story of a group of writers who crossed boundaries of language and politics, rearranging them in the process. The transnational circulation of literature played an important role in the formation of new subcultures and reading publics, reshaping political imaginations and transforming the city of Kafka into a global capital of dissent. From the postwar dream of a “Czechoslovak road to socialism” to the neoconservative embrace of Eastern bloc dissidence on the eve of the Velvet Revolution, history was changed by a collision of literary cultures.

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WHY WON T BATMAN SAVE THE WORLD?! 2023 Eisner Nominee - Best Limited Series. For centuries Ra s al Ghul has wanted to save the Earth from the worst of humankind, and for centuries he has failed. Recently his greatest obstacle has been the Dark Knight Detective, Batman. Ra s offered Batman a chance to be a part of his new world order, but Batman refused. For years their cold war has raged, but Ra s will have no more. Ra s will remove Batman from the equation and save the world, re-creating it in his image and bringing the peace and prosperity all the good-hearted souls of this Earth deserve. Don t miss this epic tragedy from the all-star creative team of Tom Taylor (Nightwing, Superman: Son of Kal-El, DCeased) and Ivan Reis (Detective Comics, Blackest Night)!

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The first definitive survey of works by the younger generation of Norwegian artists. Through the last decade we have witnessed a steadily increasing globalization of contemporary art. Norwegian artists are acknowledged as being part of a larger artistic milieu – a milieu in which they have become more visible and active participants. Among the artists: Jesper Alvær/Isabela Grosseová, Thora Dolven Balke, Siri Berqvam, Kyrre Bjørkås/Rune Andreassen, Ole Martin Lund Bø, Bjørn Båsen, Jan Christensen, Gardar Eide Einarsson, Ida Ekblad, Jan Hakon Erichsen, Matias Faldbakken, Jan Freuchen, Ivan Galuzin, Hjørdis Kurås, Ingvild Langgård, Jørgen Craig Lello/Tobias Arnell, Trine Lise Nedreaas, Martin Skauen, Eirin Støen, Stian Ådlandsvik, and Øystein Aasan.

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Towards the middle of the nineteenth century, following the example of the Brothers Grimm in Germany, Alexander Afanasyev embarked on the ambitious task of sifting through the huge repository of tales from Russian folklore and selecting the very best from written and oral sources. The result, an eight-volume collection comprising around 600 stories, is one of the most influential and enduringly popular books in Russian literature. This large selection from Afanasyev’s work, presented in a new translation by Stephen Pimenoff, will give English readers the opportunity to discover one of the founding texts of the European folkloristic tradition. Displaying a vast array of unforgettable characters, such as the Baba-Yaga, Ivan the Fool, Vasilisa the Fair and the Firebird, these tales – by turns adventurous, comical and downright madcap – will enchant readers for their raw beauty and constant ability to surprise and excite.

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'The foremost work on the key democratic task: helping people to identify and challenge the sources of their oppression ... a transformative text' George Monbiot, GuardianArguing that 'education is freedom', Paulo Freire's radical international classic contends that traditional teaching styles keep the poor powerless by treating them as passive, silent recipients of knowledge. Grounded in Freire's own experience teaching impoverished and illiterate students in his native Brazil and over the world, this pioneering book instead suggests that through co-operation, dialogue and critical thinking, every human being can develop a sense of self and fulfil their right to be heard.'Truly revolutionary' Ivan Illich

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Part of the Norton Library series “As Kate Holland notes in her fine introduction to these new translations, Nikolai Gogol is a hybrid: Ukrainian-Russian, Romantic-Realist, equal parts nightmare and satire. Michael Katz hears this hybrid tension. We sense the terror and fantasy of Ukrainian folklore flooding Petersburg space, revealing a Gogol for our haunted times.” —Caryl Emerson (Princeton University) The Norton Library edition of Selected Tales features a collection of Nikolai Gogol’s most regarded short fiction: “Ivan Fyodorovich Shponka and His Auntie,” “Nevsky Prospect,” “Notes of a Madman,” “The Nose,” “The Carriage,” “The Portrait,” and “The Overcoat” newly translated by Michael R. Katz. An introduction by Kate Holland situates the stories in the historical context of imperial St. Petersburg, inviting readers to appreciate Gogol’s incisive social critique and the transformative vision of his writing. The Norton Library is a growing collection of high-quality texts and translations—influential works of literature and philosophy—introduced and edited by leading scholars. Norton Library editions prepare readers for their first encounter with the works that they’ll re-read over a lifetime. Inviting introductions highlight the work’s significance and influence, providing the historical and literary context students need to dive in with confidence. Endnotes and an easy-to-read design deliver an uninterrupted reading experience, encouraging students to read the text first and refer to endnotes for more information as needed. An affordable price (most $10 or less) encourages students to buy the book and to come to class with the assigned edition. About the Authors: Michael R. Katz is C. V. Starr Professor Emeritus of Russian and East European Studies at Middlebury College. He has published translations of more than fifteen Russian novels, including Crime and Punishment, Notes from Underground, and The Brothers Karamazov. Kate Holland is Associate Professor of Russian Literature in the Department of Slavic Languages and Literatures at the University of Toronto. She is the author of The Novel in the Age of Disintegration: Dostoevsky and the Problem of Genre in the 1870s. She is President of the North American Dostoevsky Society.

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Considered one of the greatest sports feature films of all time, the Rocky 2025 Wall Calendar features iconic full-color photos from the multiple Oscar-winning franchise, including Rocky Balboa (Sylvester Stallone) and other legendary characters: Adrian (Talia Shire), Apollo Creed (Carl Weathers), Clubber Lang (Mr. T), Ivan Drago (Dolph Lundgren), and more.The official Rocky 2025 Wall Calendar features twelve iconic images and scenes from the Rocky film franchise, a perfect gift for any movie fan as well as for casual and die-hard sports fans alike. Moon phases Bonus spread for September–December 2024 Generous grids for adding appointments and reminders Includes major official world holidays Opens to 12 inches x 24 inches

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NO ONE IS EVER INNOCENT IN PARADISE.**THE TIMES CRIME BOOK OF THE MONTH**A small town. A closely guarded secret, stretching back decades. And blood in the water.''A masterful, stunning thriller. A twisting mystery epic in scale yet intricate in detail. Irresistible.'' Chris Whitaker''Epic. Shakespearean in depth and range'' The Times''Fierce, gripping and spine-chilling.'' Daily MailA body has washed up in an irrigation canal, the artery running through Yuwonderie, a man-made paradise on the border of the Outback. Stabbed through the heart, electrocuted and dumped under cover of night, there is no doubt that detectives Ivan Lucic and Nell Buchanan are dealing with a vicious homicide. The victim is Athol Hasluck, member of one of the seven dynasties who have controlled every slice of bountiful land in this modern-day Eden for generations.

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Ukrainian Cossacks used icon painting to investigate their relationship not only with God but also their relationship with the Russian tsar. Could Emperor Peter I and his adversary in the Battle of Poltava (1709)—the Cossack Hetman Ivan Mazepa—be depicted in the same icon? Why did the Cossack colonels commission icons with the portraits of their tsars, but not of their own Cossack leaders, the hetmans? Could a Catholic king be portrayed in an Orthodox icon? Why are the Russian tsars and Orthodox hierarchs missing on some of the Zaporozhian Cossack icons?In this groundbreaking study, Serhii Plokhy provides answers to these and many other questions pertaining to the political and religious culture of Ukrainian Cossackdom, as reflected in the Cossack-era paintings, icons, and woodcuts. By encouraging the iconography to “speak,” Tsars and Cossacks helps to broaden and deepen our understanding of Ukrainian iconography as well as Russian imperial political culture.

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An adapted and illustrated edition of the Russian classic, at an easy-to-read level for all ages! Dimitri is angry and reckless. Ivan is smart and logical. Alyosha is caring and forgiving. And their half-brother Smerdyakov is treated no better than a servant by their father. When Dimitri falls in love with a woman who isn’t his fiancée and sets out to get the money his father is keeping from him, tensions within the family run higher than ever. Can Alyosha bring the Karamazov family together before disaster strikes? About The Russian Classics Children's Collection: From the dazzling ballrooms of St. Petersburg to the blazing war-torn streets of Moscow, children can now experience the famous, epic Russian stories. Suitably adapted and illustrated for children aged 7+.

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'A very funny and original novel about political correctness and the fury between the generations with brilliant dialogue and characters who keep surprising. I read it all in one evening and laughed much of the time' Sally Emerson Bill and Pete, best friends since school, are approaching 70 and now retired, but still meet regularly to chew the fat about sport, politics, their stagnant love lives, mutual friends and, increasingly, Bill's fractious relationship with his rebellious son Ivan. Spanning the four years from the Brexit Referendum to the end of the first Coronavirus lockdown, we watch these characters, last seen in About Time, stumble their way through chaos, mistrust, generational differences and blossoming relationships, finding new life and unexpected happiness in uncertain times.

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'What a rollicking olden-days adventure this is, replete with mystery, secret passages, menacingly elusive enemies and a main character readers will truly root for' JOANNE OWEN, author of MARTHA MAYHEMTen-year-old Beatrix is very good at telling jokes, dancing and throwing knives. She also happens to be a queen of a distant land - though she doesn't know that yet. She also happens to be the queen who is quite possibly destined to lead the Wobblers to bold victory over the Evil Army - though she doesn't know that yet either. Beatrix lives in an enormous golden palace with Aunt Esmerelda the Terrible and Uncle Ivan the Vicious, but as she's only been allowed to see one new room per birthday, she's only ever been inside ten rooms of the palace. Her aunt and uncle have always told her that if she goes beyond the woods outside the palace she'll fall off the edge of the world. And the Dark, Dark Woods and all that lies beyond must be avoided at all costs - what if the dreaded Wobblers were to get her? But finally, the veil Beatrix has been living under is starting to slip. Beatrix knows she needs to be bold. Beatrix knows she needs to look for answers. And she's about to get them.

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Haunting, terrifying and hilarious, The Day of the Oprichnik is a dazzling novel and a fierce critique of life in the New RussiaMoscow 2028: Andrei Danilovich Komiaga, oprichnik, member of the czar's inner circle of trusted courtiers, rouses himself from a drunken stupor and prepares for another day of debauchery, violence, terror and beauty. In this New Russia, futuristic technology combine with the draconian world of Ivan the Terrible to create a dystopia chillingly akin to reality. Over the twenty-four-hour span of the novel, Komiaga will rape, pillage and torture, in the name of the czar he fears and adores. Shimmering with invention, fierce social commentary and razor-sharp wit, Day of the Oprichnik imagines a near future too disturbing to contemplate and too close to reality to ignore.

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Among early directors, Sergei Eisentein stands alone as the maker of a fully historical cinema. James Goodwin treats issues of revolutionary history and historical representation as central to an understanding of Eisentein's work, which explores two movements within Soviet history and consciousness: the Bolshevik Revolution and the Stalinist state. Goodwin articulates intersections between Eisentein's ideas and aspects of the thought of Walter Benjamin, Georg Lukács, Ernst Bloch, and Bertolt Brecht. He also shows how the formal properties and filmic techniques of each work reveal perspectives on history . Individual chapters focus on Strike, Battleship Potemkin, October, Old and New, projects of the 1930s, Alexander Nevsky, and Ivan the Terrible.

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Greenvoe, the tight-knit community on the Orcadian island of Hellya, has existed unchanged for generations, but Operation Black Star requires the island for unspecified purposes and threatens the islanders’ way of life. A whole host of characters - The Skarf, failed fishermen and Marxist historian; Ivan Westray, boatman and dallier; pious creeler Samuel Whaness; drunken fishermen Bert Kerston; earth-mother Alice Voar, and meths-drinker Timmy Folster - are vividly brought to life in this sparkling mixture of prose and poetry. In the end Operation Black Star fails, but not before it has ruined the island; but the book ends on a note of hope as the islanders return to celebrate the ritual rebirth of Hellya.

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Part II of the Selected Works of Ivan Georgievich Petrowsky, contains his major papers on second order Partial differential equations, systems of ordinary. Differential equations, the theory, of Probability, the theory of functions, and the calculus of variations. Many of the articles contained in this book have Profoundly, influenced the development of modern mathematics. Of exceptional value is the article on the equation of diffusion with growing quantity of the substance. This work has found extensive application in biology, genetics, economics and other branches of natural science. Also of great importance is Petrowsky's work on a Problem which still remains unsolved - that of the number of limit cycles for ordinary differential equations with rational right-hand sides.

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When one considers The Beatles' early history, there are several names that immediately come to mind, like Ivan Vaughan, Rod Davis, Stuart Sutcliffe and Pete Best. However, the story of the evolution of The Beatles from The Quarrymen to The Fab Four is about more than just the musicians in those groups. Other people, like George Smith, Joe Ankrah, Red Carter, Zancs Logie, Ian James, Marie Maguire, Colin Manley and Arthur Pendleton are all important to the story as well. These one hundred and four friends, family and musicians get a long overdue credit for their contributions to the musical development of the greatest pop group of all time: The Beatles.

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Why Politics Can't be Freed From Religion is an original, erudite, and timely new book from Ivan Strenski. Itinterrogates the central ideas and contexts behind religion, politics, and power, proposing an alternative way in which we should think about these issues in the twenty-first century. A timely and highly original contribution to debates about religion, politics and power – and how historic and social influences have prejudiced our understanding of these concepts Proposes a new theoretical framework to think about what these ideas and institutions mean in today&'s society Applies this new perspective to a variety of real-world issues, including insights into suicide bombers in the Middle East Includes radical critiques of the religious and political perspectives of thinkers such as Talal Asad and Michel Foucault Dislodges our conventional thinking about politics and religion, and in doing so, helps make sense of the complexities of our twenty-first century world

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