Search results for ""author arnold a."

This breakthrough book is a medical doctor's proven prescriptionfor a healthy prostate. Arnold Fox, M.D., who has successfullytreated prostate problems for over forty years, speaks directly toyour vital concerns, including: * Early symptoms of prostate problems and what to do about eachtype * The full range of traditional and alternative treatmentsavailable, notably the best drug-free, nonsurgical options * Easy-to-understand, step-by-step treatment plans for each type ofproblem * The pros and cons of common medications * Innovative treatments such as hyperthermia and cryosurgery * Checklists and brief quizzes to accurately assess your healthstatus * A detailed prevention program to maintain your good health * Important questions to ask your doctor now

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A Companion to Asian Art and Architecture presents a collection of 26 original essays from top scholars in the field that explore and critically examine various aspects of Asian art and architectural history. Brings together top international scholars of Asian art and architecture Represents the current state of the field while highlighting the wide range of scholarly approaches to Asian Art Features work on Korea and Southeast Asia, two regions often overlooked in a field that is often defined as India-China-Japan Explores the influences on Asian art of global and colonial interactions and of the diasporic communities in the US and UK Showcases a wide range of topics including imperial commissions, ancient tombs, gardens, monastic spaces, performances, and pilgrimages.

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A unique and haunting first-person Holocaust account by Zalmen Gradowski, a Sonderkommando prisoner killed in Auschwitz. On October 7, 1944, a group of Jewish prisoners in Auschwitz obtained explosives and rebelled against their Nazi murderers. It was a desperate uprising that was defeated by the end of the day. More than four hundred prisoners were killed. Filling a gap in history, The Last Consolation Vanished is the first complete English translation and critical edition of one prisoner’s powerful account of life and death in Auschwitz, written in Yiddish and buried in the ashes near Crematorium III. Zalmen Gradowski was in the Sonderkommando (special squad) at Auschwitz, a Jewish prisoner given the unthinkable task of ushering Jewish deportees into the gas chambers, removing their bodies, salvaging any valuables, transporting their corpses to the crematoria, and destroying all evidence of their murders. Sonderkommandos were forcibly recruited by SS soldiers; when they discovered the horror of their assignment, some of them committed suicide or tried to induce the SS to kill them. Despite their impossible situation, many Sonderkommandos chose to resist in two interlaced ways: planning an uprising and testifying. Gradowski did both, by helping to lead a rebellion and by documenting his experiences. Within 120 scrawled notebook pages, his accounts describe the process of the Holocaust, the relentless brutality of the Nazi regime, the assassination of Czech Jews, the relationships among the community of men forced to assist in this nightmare, and the unbearable separation and death of entire families, including his own. Amid daily unimaginable atrocities, he somehow wrote pages that were literary, sometimes even lyrical—hidden where and when one would least expect to find them. The October 7th rebellion was completely crushed and Gradowski was killed in the process, but his testimony lives on. His extraordinary and moving account, accompanied by a foreword and afterword by Philippe Mesnard and Arnold I. Davidson, is a voice speaking to us from the past on behalf of millions who were silenced. Their story must be shared.

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For more than 400 years, the secret of the golf swing has been one of the most fascinating and frustrating mysteries known to mankind. Despite remarkable advances in golf club technology, golf instruction, and golf course conditioning, the average golfer's handicap hasn't changed in the past 30 years. Not coincidentally, the nation as a whole is becoming less healthy due to the sedentary lifestyle that is harming our bodies at an alarming rate. We are then taking our dysfunctional bodies to the golf course. Roger Fredericks, a leading golf instructor and golf fitness pioneer who has worked with the likes of Jack Nicklaus, Gary Player, and Arnold Palmer, takes readers on a step-by-step journey to explain precisely why golfers have a hard time improving and more importantly, what to do about it. In The Flexible Golf Swing, he lays out his commonsense approach and explains in detail the true fundamentals of the golf swing, and precisely how the mechanics are merely symptoms of how a body functions.

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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

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This short book introduces the reader to the key concepts in art from ancient times to the present day. Unlike many previous publications, in which non-Western art is a mere add-on to the great artists and movements of the Western canon, this tells the story of art from a fresh perspective, integrating previously marginalised aspects of artistic creation into the principal narrative. The text focuses on illustrated examples, ranging from the iconic to the unusual, providing a stimulating and throught-provoking introduction to a complex and challenging subject. Concise and informative, the book is written in a clear, jargonfree style. While it is ideal for first-year students of art, art history and related subjects, it will also be invaluable for general readers wanting to know and understand more about art and culture.

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Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simple classification of a type of art, but rather the space where feminist politics and the domain of art-making intersect. The Companion provides readers with an overview of the developments, concepts, trends, influences, and activities within the space of contemporary feminist art—in different locations, ways of making, and ways of thinking. Newly-commissioned essays focus on the recent history of and current discussions within feminist art. Diverse in scope and style, these contributions range from essays on the questions and challenges of large sectors of artists, such as configurations of feminism and gender in post-Cold War Europe, to more focused conversations with women artists on Afropean decoloniality. Ranging from discussions of essentialism and feminist aesthetics to examinations of political activism and curatorial practice, the Companion informs and questions readers, introduces new concepts and fresh perspectives, and illustrates just how much more there is to discover within the realm of feminist art. Addresses the intersection between feminist thinking and major theories that have influenced art theory Incorporates diverse voices from around the world to offer viewpoints on global feminisms from scholars who live and work in the regions about which they write Examines how feminist art intersects with considerations of collectivity, war, maternal relationships, desire, men, and relational aesthetics Explores the myriad ways in which the experience of inhabiting and perceiving aged, raced, and gendered bodies relates to feminist politics in the art world Discusses a range practices in feminism such as activism, language, education, and different ways of making art The intersection of feminist art-making and feminist politics are not merely components of a unified whole, they sometimes diverge and divide. A Companion to Feminist Art is an indispensable resource for artists, critics, scholars, curators, and anyone seeking greater strength on the subject through informed critique and debate.

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A complete how-to guide to a 100% financed business. How to Buy aGreat Business with no Cash Down Bestselling author Dr. ArnoldGoldstein has successfully purchased 12 companies--including retailstores to printing plants--and he did it without investing anymoney of his own! Using his proven formula for success, he also hasguided hundreds of other enterprising but financially limitedpeople into their own 100% leveraged businesses. Now, the master ofthe "No Cash Down" takeover is ready to help you too. In thisimportant new book, he reveals all his secrets, including how tosuccessfully find, qualify, evaluate, structure, finance,negotiate, and take over any type or size business.using little orno cash of your own. In How to Buy a Great Business With No CashDown, you'll * Get over 50 proven "no cash down" techniques, strategies, andformulas that insure success through each phase of the buy-sellprocess * Discover how to prospect the very best no-cash deals * Learn how to avoid costly errors and common pitfalls * Find out how to calculate what a business is worth * Get all the same handy checklists, forms, and sample agreementsthe author uses * Learn how to attract the right investment partners * Discover how to negotiate a winning deal.each and everytime! * Find out how to quickly sell the business for an unbelievableprofit

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Four more extended episodes from the award-winning BBC Radio 4 series, specially compiled by producer Jon Naismith'ISIHAC is still unmissable. It remains the most thrillingly anarchic panel show in any media you care to name' Simon Mayo, Mail on Sunday‘The funniest comedy quiz show of them all’ Sue Arnold, The ObserverThe antidote to panel games returns with this sixteenth glorious collection, in which Jack Dee gives regular panelists Tim Brooke-Taylor, Barry Cryer and Graeme Garden silly things to do. Joining them in this compilation are special guests Rob Brydon, Victoria Wood, Susan Calman and David Mitchell.Highlights include Uxbridge English Dictionary, One Song to the Tune of Another, French Monopoly, Swanee Kazoo, Sound Charades, Pensioner’s Film Club, Complete Cats, 84 Chicken Cross Road, Hirsute Film Club, Unromantic Endings, Just a Minim, the delightful Add a Word, Ruin a Film and, of course, Mornington Crescent.Get ready to chuckle along with the gang as they deploy the finest wit and wordplay, accompanied by Colin Sell on the piano and the lovely Samantha keeping score.Duration: 2 hours 20 mins approx.

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During the 1960s, a large number of independent bus and coach fleets existed, which varied enormously in size and scope of operation. They ranged from major operators such as Barton Transport (Nottinghamshire); Lancashire United and West Riding who operated stage carriage services as well as coach fleets; or Wallace Arnold Tours of Leeds, a major coach touring company in Britain and Continental Europe; to small operators who possessed just a handful of vehicles. The latter were sometimes involved only in private hire work, for such things as outings to sporting events or theatres, school or industrial contracts or often a combination of both. Smaller operators were based throughout the country, sometimes in tiny villages but also in the heart of large cities. Often the smaller operators bought redundant buses and coaches from major operators, whether BET, BTC (Tilling) or municipal concerns, or London Transport. Many got bargains from the latter, with surplus RT and RTL double-deckers sold following the disastrous bus strike and service cuts of 1958\. Conversely, redundant vehicles bought by independent fleets often brought types that came from as far away as Scotland to London and the south east. In the 1960s, the oldest buses and coaches with independent fleets were those employed on school or industrial contracts. These were not subject to the rigorous tests governing those carrying fare-paying passengers, so could be kept going until they were literally falling apart! These were known as �non-PSVs', i.e. non-public service vehicles. On the other hand, some very small independent fleets, often with the title �Luxury Coaches', took great pride in their fleets. They would purchase new coaches every two or three years and keep them in immaculate condition. The net result was that British independent bus and coach operators in the 1960s had a fascinating variety of chassis and body makes and styles, as well as liveries. This book shows many of these as they were between fifty and sixty years ago.

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On July 25, 2010, Arnold Ebneter flew across the country in a plane he designed and built himself, setting an aviation world record for aircraft of its class. He was eighty-two at the time and the flight represented the culmination of a dream he’d cultivated since his childhood in the 1930s. Eileen Bjorkman — herself a pilot and aeronautical engineer — frames her father’s journey from teenage airplane enthusiast to Air Force pilot and Boeing engineer in the context of the rise, near extermination, and ongoing interest in homebuilt aircraft in the United States. She gives us a glimpse into life growing up in a “flying family” with two pilots for parents, a family plane named Charlie, and quite literally, a propeller under her parents’ bed. From early airplane designs serialized in magazines to the annual Oshkosh Fly-in where you can see experimental aircraft on display, Bjorkman offers a personal take on the history of building something in your garage that you can actually (and legally) fly as well as how the homebuilt aircraft movement has contributed to aviation and innovation in America. Watch the book trailer: https://www.youtube.com/watch?v=T8PvowEMkmQ

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The hilarious, heartwarming and - unbelievably - true story of Maurice Flitcroft, the World's Worst GolferWhen 46-year-old crane driver Maurice Flitcroft chanced his way into the Open - having never before played a round of golf in his life - he ran up a record-worst score of 121. The sport's ruling classes banned him for life. Maurice didn't take it lying down. In a hilarious game of cat-and-mouse with The Man, he entered tournaments again - and again, and again - using increasingly ludicrous pseudonyms such as Gene Pacecki, Arnold Palmtree and Count Manfred von Hoffmanstel (more often than not disguised by a fake moustache). In doing so, he sent the authorities into apoplexy, and won the hearts of fans from Muirfield to Michigan, becoming arguably the most popular - and certainly the bravest - sporting underdog the world has ever known

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In an age of distraction, this issue of Plough Quarterly looks at inwardness – how sustainable human community and social activism must be rooted in the spiritual life. How much of your day is spent in reality, and how much in a fake world? We’ve learned that screen time is bad for you, too much media consumption damages your heart, and Facebook can make you mentally ill. We’re aware of the mind-altering power of advertising, the dehumanizing passions of our polarized politics, and the fact that millions of us have learned to multitask while watching footage of refugees drowning. But what are we to do about it? If this fake world is invading our souls, it’s in our souls that we must find the cure. Only a return to inwardness can bring distracted moderns back to Jesus and to constructive work for his kingdom. Here activists may object: Isn’t it the height of selfishness to retreat into our interior life when we ought to be out saving starving children? Yet Christians through the ages have insisted that inwardness is crucial to the life of discipleship. It’s what keeps us from falling for demagogues and false gospels, from wasting life on superficialities, and from ignoring our neighbor. In fact, throughout history it has often been the mystics who were most active in serving others. In true Plough fashion, this issue brings together a colorful cast of examples: from medieval Beguines and Benedictines to Gerard Manley Hopkins, Simone Weil, and Fannie Lou Hamer, to contemporary voices like Robert Cardinal Sarah, Johann Christoph Arnold, and three persecuted Syrian priests. These lives offer us glimpses of the real world from which our fake world seeks to distract us, and can guide us in our own refusal to conform. Also in this issue: • Poetry from Gerard Manley Hopkins and Malcolm Guite • Insights on inwardness from Meister Eckhart, Eberhard Arnold, Marguerite Porete, Simone Weil, and Isaac Penington • A forum on the Benedict Option with Rod Dreher, Ross Douthat, Jacqueline C. Rivers, and Randall Gauger • Artwork by Jason Landsel, Bruce Herman, Jane Chapin, Graham Berry, Fra Angelico, Francisco de Zurbarán, Eleanor Fortescue-Brickdale, Matthew J. Cutter, John August Swanson, Vittorio Matteo Corcos, and Leon Dabo Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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A critical overview of contemporary design and its place within the broader context of art history A Companion to Contemporary Design since 1945 introduces readers to a collection of specially commissioned essays exploring the complex areas of design that emerged through the latter half of the twentieth century, design history, design methods, design studies and more recently, design thinking. The book delivers a thoughtful overview of all design disciplines and also strives to stimulate inter-disciplinary debate and examine unconsidered convergences among design applications in different fields. By offering a new perspective on design, the articles assembled here present a challenging account of the boundaries between design history and its cognate disciplines, especially art history. The volume comprises five sections—Time, Place, Space, Objects and Audiences—that discuss environments for design and how we interact with designed objects and spaces. Notable features include: 24 new essays reflecting the current state of design history and theory, and examining developments on a global basis Contributions by eminent scholars and practitioners from around the globe Enriched throughout with illustrations A Companion to Contemporary Design since 1945 provides a new and thought-provoking revision of our conception and understanding of contemporary design that will be essential reading for students at both undergraduate and graduate levels as well as researchers and teachers working in design history, theory and practice, and in related fields.

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This remarkable collection of letters reveals the debate over universal human rights. Prominent mid-twentieth-century intellectuals and leaders—including Gandhi, T.S. Eliot, W.H. Auden, Aldous Huxley, Jawaharlal Nehru, and Arnold Schoenberg—engaged with the question of universal human rights. Letters to the Contrary presents the foundation of the intellectual struggles and ideological doubts still present in today's human rights debates. Since its adoption in 1948, historians and human rights scholars have claimed that the Universal Declaration of Human Rights was influenced by UNESCO's 1947–48 global survey of intellectuals, theologians, and cultural and political leaders, that supposedly demonstrated a truly universal consensus on human rights. Based on meticulous archival research, Letters to the Contrary provides a curated history of the UNESCO human rights survey and demonstrates its relevance to contemporary debates over the origins, legitimacy, and universality of human rights. In collecting, annotating, and analyzing these responses, including letters and responses that were omitted and polite refusals to respond, Mark Goodale shows that the UNESCO human rights survey was much less than supposed, but also much more. In many ways, the intellectual struggles, moral questions, and ideological doubts among the different participants who both organized and responded to the survey reveal a strikingly critical and contemporary orientation, raising similar questions at the center of current debates surrounding human rights scholarship and practice. This volume contains letters and survey responses from Jacques Havet, Jacques Maritain, Arnold J. Lien, Richard P. Mckeon, Quincy Wright, Levi Carneiro, Arthur H. Compton, Charles E. Merriam, Lewis Mumford, E. H. Carr, John Lewis, Harold J. Laski, Serge Hessen, John Somerville, Boris Tchechko, Luc Somerhausen, Hyman Levy, Ture Nerman, R. Palme Dutt, Maurice Dobb, Pierre Teilhard De Chardin, Marcel De Corte, Pedro Troncoso Sánchez, Mahatma Gandhi, Chung-Shu Lo, Kurt Riezler, Inocenc Arnošt Bláha, Hubert Frère, M. Nicolay, W. Albert Noyes, Jr., Aldous Huxley, Ralph W. Gerard, Johannes M. Burgers, Humayun Kabir, A. P. Elkin, S. V. Puntambekar, Leonard Barnes, Benedetto Croce, Jean Haesart, F. S. C. Northrop, Peter Skov, Emmanuel Mounier, Maurice Webb, John Macmurray, Julius Moór, L. Horváth, Alfred Weber, Don Salvador De Madariaga, Frank R. Scott, Jawaharlal Nehru, Margery Fry, Isaac Leon Kandel, René Maheu, Albert Szent-Györgyi, Morris L. Ernst, Arnold Schoenberg, W. H. Auden, Melville Herskovits, Theodore Johannes Haarhoff, Ernest Henry Burgmann, Herbert Read, and T. S. Eliot.

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Despite the fact that most of jazz’s major innovators and performers have been African American, the overwhelming majority of jazz journalists, critics, and authors have been and continue to be white men. No major mainstream jazz publication has ever had a black editor or publisher. Ain’t But a Few of Us presents over two dozen candid dialogues with black jazz critics and journalists ranging from Greg Tate, Farah Jasmine Griffin, and Robin D. G. Kelley to Tammy Kernodle, Ron Welburn, and John Murph. They discuss the obstacles to access for black jazz journalists, outline how they contend with the world of jazz writing dominated by white men, and point out that these racial disparities are not confined to jazz but hamper their efforts at writing about other music genres as well. Ain’t But a Few of Us also includes an anthology section, which reprints classic essays and articles from black writers and musicians such as LeRoi Jones, Archie Shepp, A. B. Spellman, and Herbie Nichols. Contributors Eric Arnold, Bridget Arnwine, Angelika Beener, Playthell Benjamin, Herb Boyd, Bill Brower, Jo Ann Cheatham, Karen Chilton, Janine Coveney, Marc Crawford, Stanley Crouch, Anthony Dean-Harris, Jordannah Elizabeth, Lofton Emenari III, Bill Francis, Barbara Gardner, Farah Jasmine Griffin, Jim Harrison, Eugene Holley Jr., Haybert Houston, Robin James, Willard Jenkins, Martin Johnson, LeRoi Jones, Robin D. G. Kelley, Tammy Kernodle, Steve Monroe, Rahsaan Clark Morris, John Murph, Herbie Nichols, Don Palmer, Bill Quinn, Guthrie P. Ramsey Jr., Ron Scott, Gene Seymour, Archie Shepp, Wayne Shorter, A. B. Spellman, Rex Stewart, Greg Tate, Billy Taylor, Greg Thomas, Robin Washington, Ron Welburn, Hollie West, K. Leander Williams, Ron Wynn

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The Germany between the two world wars, which produced some of the greatest literary lights of the century, also produced a forum worthy of them: the brilliantly edited, crusading, lef-oriented (but not party-affiliated) Weltbühne. The present book tells the history of this weekly Berlin journal, discusses the men that ran it and wrote it, and outlines the causes for which it fought. The Weltbühne had three editors--the uncompromising style-conscious Siegfried Jacobsohn, the sharp-tongued, satirical Kurt Tucholsky, and the enigmatic, aristocratic Carl von Ossietzky, martyred by the Nazis. The radical, intellectual elite of Germany (and to come extent outside Germany) contributed to the journal -- Heinrich Mann, Alfred Polgar, Erich Kästner, Alfred Doblin, Bertolt Brecht, Leonhard Frank, Theodor Plievier, Rene Schickele, Lion Feuchtwanger, Ernst Toller, Arnold Zweig; also Arthur Koestler, Romain Rolland, Henry Barbusse, and Leon Trotsky. These men stood for the demilitarization of Germany, the purge of the reactionary administration and judiciary, the end of all restraints on human rights (including the restraints on abortion and homosexuality), complete equality of women, pacifist educational policies, the intellectualization of politics and politicization of the intellectuals, unity of the working-class parties, and socialism. When, on May 11, 1933, on Opera Square in Berlin, the stormtroopers burned books of fifteen authors sinning against the German Volk, thirteen of them had made contribution to the Weltbühne; and since many of them were Jews, the auto-da-fé gave special pleasure to the mob. Mr. Deak recreates with unusual empathy the atmosphere of the era, characterized by terrific social and political issues, which eventually lead to the disaster of the Thirties. The campaigns of the Weltbühne failed, and the contributors were killed or went into exile, with the journal itself moving from Berlin to Vienna to Prague to Paris before it died. Mr. Deak makes a lasting contribution to history by opening to a broader public the records preserved in the pages of this important but largely ignored journal, by selecting and interpreting the issues, and by brining to life the personalities that gave the era its intellectual profile. And understanding of the Weltbühne campaigns is indispensable for an appraisal of Central European politics in the first half of our century. Mr. Deak, in this readable book written with the passionate interest of a person who seems to have been a participant rather than a chronicler, makes this understanding possible by a lucid exposition and a searching analysis of the events. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1968.

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The hilarious, heartwarming and - unbelievably - true story of Maurice Flitcroft, the World's Worst Golfer'The story of its greatest anti-hero is just what the game needs' SpectatorWhen 46-year-old crane driver Maurice Flitcroft chanced his way into the Open - having never before played a round of golf in his life - he ran up a record-worst score of 121. The sport's ruling classes banned him for life.Maurice didn't take it lying down. In a hilarious game of cat-and-mouse with The Man, he entered tournaments again - and again, and again - using increasingly ludicrous pseudonyms such as Gene Pacecki, Arnold Palmtree and Count Manfred von Hoffmanstel (more often than not disguised by a fake moustache).In doing so, he sent the authorities into apoplexy, and won the hearts of fans from Muirfield to Michigan, becoming arguably the most popular - and certainly the bravest - sporting underdog the world has ever known'Hilarious' Esquire

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This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.

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The Knight is back and ready for another cartooning adventure with Edward the Horse! As every adventurer knows, you can’t have an epic journey without an epic new world to explore. They could fly to a floating metropolis or swim through an underwater empire, trek across a frozen tundra or climb to the top of a majestic mountain - the possibilities are endless! But before they do, they’ll need to draw it first. Luckily for them, the Magical Cartooning Elf is ready to help, with brand-new tips and tricks that will turn simple drawings into boundless worlds.

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The future of humanity is urban. It might seem a bad move for a magazine named after a farm tool to bring out an issue on cities. Especially if that magazine is published by an Anabaptist community that originated in a back-to-the-land movement and still has the whiff of hayfield and woodlot to it. Why not stick to what you’re good at? Why jump lanes? Because the future of humanity, pretty clearly, is urban. Urbanization is arguably the biggest change of habitat our species has ever undergone. For anyone who cares about the common good of humanity, then, cities need to matter. The modern city is an electrifying concentration of creativity, energy, and cultural dynamism. It’s also still the “cauldron of unholy loves” that Saint Augustine discovered in Carthage one and a half millennia ago. It’s the place where the cruelties of mammon, the hubris of power, and the perversions of lust manifest themselves most crassly. But cities have also given birth to culture and community and to remarkable movements of revival and renewal. In this issue, visit: - Belfast with Jenny McCartney - New York City with James Macklin - Medellín with Adriano Cirino - Pittsburgh with Brandon McGinley - Guatemala City with José Corpas - Philadelphia with Clare Coffey - Chicago with John Thornton Jr. - Paris with Jason Landsel You’ll also find: - Insights on cities from Jane Jacobs, Eberhard Arnold, Augustine, and Philip Britts - reviews of books by Jonathan Foiles, Bethany McKinney Fox, J. Malcolm Garcia, Tatiana Schlossberg, Tim Gautreaux, Philip Bess, and Frederic Morton - art by Gail Brodholt, Michelangelo Buonarroti, Ben Ibebe, Brian Peterson, Chota, Raphael, Gertrude Hermes, Valentino Belloni, Tony Taj, and Aristarkh Lentulov Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

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What happens when we let the living God into our practical lives? Everyone is looking for deeper meaning in their lives and for personal peace as well as peace for all. But are we ready for what can happen when we invite the living God to rule our personal lives and transform us and our society? Where religion, self-help, and the political ideologies of left and right have failed us, God enters with power to break the grip of money, violence, and tribalism and bring about a new life of justice and fellowship. This book is not for those who look to spirituality as an escape from reality. But for those who hunger for change that is genuine and tangible, for a personal peace of heart that is inseparable from justice and peace between nations, Arnold’s words will be a rousing encouragement to expect more than you ever dared hope. Experiencing God is the third volume in Inner Land: A Guide into the Heart of the Gospel

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In The Art of the Jewish Family, Laura Arnold Leibman examines five objects owned by a diverse group of Jewish women who all lived in New York in the years between 1750 and 1850: a letter from impoverished Hannah Louzada seeking assistance; a set of silver cups owned by Reyna Levy Moses; an ivory miniature owned by Sarah Brandon Moses, who was born enslaved and became one of the wealthiest Jewish women in New York; a book created by Sarah Ann Hays Mordecai; and a family silhouette owned by Rebbetzin Jane Symons Isaacs. These objects offer intimate and tangible views into the lives of Jewish American women from a range of statuses, beliefs, and lifestyles—both rich and poor, Sephardi and Ashkenazi, slaves and slaveowners. Each chapter creates a biography of a single woman through an object, offering a new methodology that looks past texts alone to material culture in order to further understand early Jewish American women’s lives and restore their agency as creators of Jewish identity. While much of the available history was written by men, the objects that Leibman studies were made for and by Jewish women. Speaking to American Jewish life, women’s studies, and American history, The Art of the Jewish Family sheds new light on the lives and values of these women, while also revealing the social and religious structures that led to Jewish women being erased from historical archives.

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Darauf haben Interessierte und Kenner gewartet: Kindlers Literatur Lexikon neu aufgelegt. Von den ersten schriftlichen Zeugnissen der Menschheit bis zur Gegenwart versammelt das epochale Nachschlagewerk rund 13.000 Werke aus allen Literaturen der Welt. Völlig neu bearbeitet und um eine Fülle von Einträgen ergänzt, erschließt das Werklexikon in 17 Bänden und einem Registerband Belletristik, Briefe, Tagebücher und Memoiren, Populär-, Kinder- und Jugendliteratur sowie Sachtexte vielfältiger Disziplinen. Neu: Einleitende Biogramme (biografische Kurzinformationen) skizzieren die zentralen Lebensdaten der Autoren. Eine Vielzahl zusätzlicher Werkgruppenartikel eröffnet kompakte Einblicke in das Gesamtwerk einzelner Schriftsteller. Die komplett überarbeiteten Literaturangaben schaffen mit Hinweisen auf die wichtigsten weiterführenden Werke eine fundierte wissenschaftliche Basis. Rund 600 anonyme Werke und Artikel zu Stoffen der Weltliteratur runden das Lexikon ab. Ein unentbehrlicher und einzigartiger Wissensfundus.

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The long-awaited reprint of an important illustrated reference work on the general history of the watch from 1500 to 1980. When Watches was first published in 1965 it quickly gained for itself a reputation as the foremost general history of the subject and, following the expanded edition in 1979 which covered recent years past 1830, this has remained unchallenged in horological history. In this long-awaited reprinted edition, collectors and horological students can again make use of the reference illustrations and history in this work as approached by the leading horology historians and clockmakers of the twentieth century. Clutton and Daniels write expertly on the vast history of watches, through the changing tastes and styles of collectors and makers, as well as imparting their own knowledge on various technical aspects within the watches. The expansive historical section encompasses both decorative and mechanical aspects of mid-sixteenth to late twentieth century watches, including those by George Daniels himself, detailing the rich history behind more modern designs and fascinations. These later years include a variety of semi-experimental escapements, as well as covering the development of the precision watch and work leading to it by Ferdinand Berthoud and Pierre Le Roy, discussed alongside John Arnold in England, to satisfy the technical-minded collector. Horology and collecting have grown with the changing technologies, and watches continue to be produced to an exceptional technological standard. Precision watches from the 1730-1930 period are covered in detail, as well as high standard Swiss and American watches of the last hundred years; these highly complicated watches benefit greatly from having both colour and mono illustrations to clarify the details. For a truly comprehensive understanding of escapements, photographs of these have been included alongside a critical approach to this essential mechanism. Since its first publication, Watches has provided an essential work of reference and history behind some of the most renowned minds and creations. Now reprinted for a new generation of collectors and students, and featuring over 600 illustrations, the technical and decorative elements of historical watches can be studied and enjoyed once more.

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The intimate, multi-generational story of the Kennedy family as seen through their Hyannis Port compound on Cape Cod—the iconic place where they’ve celebrated, mourned, and forged the closest of bonds—based on more than a hundred in-depth interviews by a respected Esquire writer. Hyannis Port, Massachusetts, is synonymous with the Kennedy family. It is where, for a hundred years, America’s most storied political family has come to celebrate, bond, play, and, also, grieve. It is also the setting of so many events we remember: JFK giving his presidential acceptance speech, Jackie speaking with a Life magazine reporter just days after her husband’s assassination, Senator Edward Kennedy seeking refuge after the Chappaquiddick crash, Maria Shriver and Arnold Schwarzenegger tying the knot—and even Conor Kennedy courting pop star Taylor Swift. Anyone who has lived in, worked at, or visited the Kennedy compound in Hyannis Port has had a front-row view to history. Now, with extraordinary access to the Kennedy family—and featuring more than fifty rarely-seen images—journalist Kate Storey gives us a remarkably intimate and poignant look at the rhythms of an American dynasty. Drawing from more than a hundred conversations with family members, friends, neighbors, household and security staff, Storey delivers a rich and textured account of the Kennedys’ lives in their summer refuge. From the 1920s, when Rose and Joseph P. Kennedy rented then bought a home known as The Malcolm Cottage, to today, when many Kennedys have purchased their own homes surrounding what’s now called The Big House, this book delivers many surprising revelations across the decades, including what matriarch Rose considered the family’s greatest tragedy, the rivalrous relationship between brothers Jack and Joe, details about Jackie’s life at the compound, and previously unknown glimpses into JFK Jr. and Carolyn Bessette’s loving and ill-fated relationship. Fascinating, engaging, and illuminating, White House by the Sea provides a sweeping history of an American dynasty that has left an indelible mark on our nation’s politics and culture.

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This companion is a collection of newly-commissioned essays written by leading scholars in the field, providing a comprehensive introduction to British art history. A generously-illustrated collection of newly-commissioned essays which provides a comprehensive introduction to the history of British art Combines original research with a survey of existing scholarship and the state of the field Touches on the whole of the history of British art, from 800-2000, with increasing attention paid to the periods after 1500 Provides the first comprehensive introduction to British art of the eighteenth, nineteenth, and twentieth centuries, one of the most lively and innovative areas of art-historical study Presents in depth the major preoccupations that have emerged from recent scholarship, including aesthetics, gender, British art’s relationship to Modernity, nationhood and nationality, and the institutions of the British art world

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Two Posts and a Field is a unique look at Liverpool FC through the eyes of Neville Gabie (artist and lifelong fan) and Stephen Done (writer and curator at the LFC Museum). Richly illustrated, it is part travelogue, part exploration of the LFC Museum's hidden treasures and part personal story, as Neville takes us from his childhood listening to games on the radio in South Africa to watching his first match at Anfield in 1973. The book tells the story of Neville and Stephen's roadtrip to find the home and birthplace of Mo Salah in Egypt's Nile Delta and of Avi Cohen, a player who broke the cultural mould when he signed from Maccabi Tel Aviv in the 1980s. It shines a spotlight on the struggles of Liverpool's home-grown talent for racial equality, contrasting Trent Alexander Arnold with Howard Gayle, the first black player to be signed by Liverpool, with the backdrop of the Toxteth riots. The stories are brought to life by Gabie's beautiful goalpost photos, which stretch back 20 years.

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A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book

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A Companion to Contemporary Art is a major survey covering the major works and movements, the most important theoretical developments, and the historical, social, political, and aesthetic issues in contemporary art since 1945, primarily in the Euro-American context. Collects 27 original essays by expert scholars describing the current state of scholarship in art history and visual studies, and pointing to future directions in the field. Contains dual chronological and thematic coverage of the major themes in the art of our time: politics, culture wars, public space, diaspora, the artist, identity politics, the body, and visual culture. Offers synthetic analysis, as well as new approaches to, debates central to the visual arts since 1945 such as those addressing formalism, the avant-garde, the role of the artist, technology and art, and the society of the spectacle.

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In this innovative analysis of medicine and disease in colonial India, David Arnold explores the vital role of the state in medical and public health activities, arguing that Western medicine became a critical battleground between the colonized and the colonizers. Focusing on three major epidemic diseases - smallpox, cholera, and plague - Arnold analyzes the impact of medical interventionism. He demonstrates that Western medicine as practiced in India was not simply transferred from West to East, but was also fashioned in response to local needs and Indian conditions. By emphasizing this colonial dimension of medicine, Arnold highlights the centrality of the body to political authority in British India and shows how medicine both influenced and articulated the intrinsic contradictions of colonial rule.

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In Rhetoric, Poetics, and Literary Historiography, Stefan H. Uhlig offers a new account of the emergence of literary studies. Most histories of the early years of the field search for unifying origins of literature as a discipline and object of study. Uhlig turns to the decades around 1800 in Europe to reveal that the inception of the literary field was instead defined by intellectual diversity and contestation. He draws on an array of European writers to show how three schools of literary study—rhetoric teaching, theories of poetry, and literary history—emerged and clashed during this time, offering near-contemporaneous, yet divergent, visions of how to understand literature. Rhetoric and poetics thwarted criticism, to different ends, while literary historiography proved institutionally reassuring yet less useful as a tool for textual understanding. Uhlig details how Scottish writers like Adam Smith and Hugh Blair taught rhetoric as a form self-expression, while Anglophone and German theorists of poetry like William Wordsworth, Friedrich Schlegel, and Johann Wolfgang von Goethe both engaged with and resented critics. At the same time, varying opinions on the practice of literary history emerged, with Immanuel Kant and Thomas De Quincey arguing for the independence of literature from historical forces while writers like Matthew Arnold approached literature as a means of narrating cultural archives instead of drawing on close reading and analysis. Rhetoric, Poetics, and Literary Historiography traces current debates in literary studies back to this formative moment, serving as a guide to past and present controversies in the field.

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