Search results for ""UNKNOWN""

Collins brings the Queen of Crime, Agatha Christie, to English language learners. Agatha Christie is the most widely published author of all time and in any language. Now Collins has adapted her famous detective novels for English language learners. These readers have been carefully adapted using the Collins COBUILD grading scheme to ensure that the language is at the correct level for an intermediate learner. This book is Level 5 in the Collins ELT Readers series. Level 5 is equivalent to CEF level B2+ with a word count of 22,000 – 30,000 words. Each book includes:• Full reading of the adapted version available for free online• Helpful notes on characters• Cultural and historical notes relevant to the plot• A glossary of the more difficult words• Free online resources for students and teachers atwww.collinselt.com/readers The plot:Famous scientists from around the world are disappearing and nobody knows why. The one woman who can help uncover the truth is dying after a plane crash. How can they discover where the scientists are without her? Meanwhile, in a hotel room in Casablanca, Hilary Craven decides to end her life. But her suicide attempt is interrupted by a man who offers her an exciting alternative… About Collins ELT Readers CCollins ELT Readers are divided into 7 levels:Level 1 – elementary (A2)Level 2 – pre-intermediate (A2-B1)Level 3 – intermediate (B1)Level 4 – upper- intermediate (B2)Level 5 – upper-intermediate+(B2+)Level 6 – advanced (C1)Level 7 – advanced + (C2) Each level is carefully graded to ensure that the learner both enjoys and benefits from their reading experience.

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WALL STREET JOURNAL bestseller—now in paperback—offers a radically freeing guide to finding your way in work and in life.This brief, easy-to-read and inspiring book has given thousands of people the courage to trust themselves and take action—even if they're a little uncertain, even if they're a little scared.Ideal for: entrepreneurs, artists, open-minded individuals, innovators, graduates, and anyone who is figuring out their next steps at work or in life.If you are...· Looking for the courage to try something new· Feeling there's more but not sure what· Evaluating a decision or new venture· Developing a creative project· Facing an unexpected change· Graduating or retiring· Feeling burnt out· Finding yourself stuck...this full-color book will offer inspiring prompts, stories, drawings, quotes, and creative guidance to help you find your way.In RISK FORWARD, Hall of Fame speaker, consultant, and Wall Street Journal best-selling author Victoria Labalme shares insights that are practical, reassuring and radically freeing.

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Internationally renowned as an exciting guide to unknown peoples and places, Norwegian Carl Lumholtz was a Victorian-era explorer, anthropologist, natural scientist, writer, and photographer who worked in Australia, Mexico, and Borneo. His photographs of the Tarahumara, Huichol, Cora, Tepehuan, Southern Pima, and Tohono O’odham tribes of Mexico and southwest Arizona were among the very first taken of these cultures and still provide the best photographic record of them at the turn of the twentieth century. Lumholtz published his photographs in several books, including Unknown Mexico and New Trails in Mexico, but, because photographic publishing was then in its infancy, most of the images were poorly printed, badly cropped, or reworked by “illustrators” using crude techniques. Among Unknown Tribes presents more than two hundred of Lumholtz’s best photographs—many never before published—from the archives of the American Museum of Natural History in New York and the Museum of Cultural History in Oslo, Norway. The images are newly scanned, most from the original negatives, and printed uncropped, disclosing a wealth of previously hidden detail. Each photograph is fully identified and often amplified by Lumholtz’s own notes and captions. Accompanying the images are essays and photo notes that survey Lumholtz’s career and legacy, as well as what his photographs reveal about the “unknown tribes.” By giving Lumholtz’s photographs the high-quality reproduction they deserve, Among Unknown Tribes honors not only the Norwegian explorer but also the native peoples who continue to struggle for recognition and justice as they actively engage in the traditional customs that Lumholtz recorded.

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The focus of this work is Manual Azaña, the Second Republic's preeminent statesman, and it clarifies Spain's complex politics in the 1920s and 1930s.

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Kim Krans’s NEW YORK TIMES bestseller THE WILD UNKNOWN TAROT (375K copies sold) launched a culture-shifting brand that redefined tarot for the twenty-first century. Now comes Krans’s next deck in her bestselling series, THE WILD UNKNOWN ALCHEMY DECK AND GUIDEBOOK. This stunning oracle deck reveals insights into the ancient mysteries of alchemy: the metaphorical process of turning lead (unconsciousness) into gold (enlightenment). Alchemy is the doorway to the imagination and self-discovery. You do not need to be an expert in metals, symbols, astrology, or Latin to become an alchemist. Whether a baker, mechanic, surgeon, seamstress, or surfer—those who become masters of their materials are all alchemists. The magic of Alchemy is available to anyone who is willing to explore, observe, and invoke transformation. Paired with a 224-page, hand-lettered, fully illustrated guidebook written and designed by Kim Krans, THE WILD UNKNOWN ALCHEMY DECK includes 71 beautiful, easy-to-shuffle hexagon cards divided into six suits: The Cosmic Forces, The Colors, The Seasons, The Materials, The Mysteries, and The Operations. Illustrated in Krans’s iconic style of elegant line art and lush watercolor painting, each full-color card offers a tool for self-study and exploration, expressed through symbol, image, and language. The unique shape of the cards allows edges to meet and images to meld and transform, with all-new connecting spreads, including readings for revealing energetic and emotional blockages, identifying what is serving and what is draining, and much more. Through this profound experience of observing image, color, and materials with an alchemical perspective, new gifts and discoveries are revealed. This deck is a journey to awakening and reuniting us with what may be dormant or unseen as we begin to weave together the physical and mystical aspects of our lives.

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In American popular imagination, the mobile home evokes images of cramped interiors, cheap materials, and occupants too poor or unsavory to live anywhere else. Since the 1940s and '50s, however, mobile home manufacturers have improved standards of construction and now present them as an affordable alternative to conventional site-built homes. Today one of every fourteen Americans lives in a mobile home. In The Unknown World of the Mobile Home authors John Fraser Hart, Michelle J. Rhodes, and John T. Morgan illuminate the history and culture of these often misunderstood domiciles. They describe early mobile homes, which were trailers designed to be pulled behind automobiles and which were more often than not poorly constructed and unequal to the needs of those who used them. During the 1970s, however, Congress enacted federal standards for the quality and safety of mobile homes, which led to innovation in design and the production of much more attractive and durable models. These models now comply with local building codes and many are designed to look like conventional houses. As a result, one out every five new single-family housing units purchased in the United States is a mobile home, sited everywhere from the conventional trailer park to custom-designed "estates" aimed at young couples and retirees. Despite all these changes in manufacture and design, even the most immobile mobile homes are still sold, financed, regulated, and taxed as vehicles. With a wealth of detail and illustrations, The Unknown World of the Mobile Home provides readers with an in-depth look into this variation on the American dream.

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Dive deep with Science Comics: Whales, a new and exciting volume of First Second's nonfiction graphic novel series! Every volume of Science Comics offers a complete introduction to a particular topic-dinosaurs, the solar system, volcanoes, bats, robots, and more. Whether you're a fourth grader doing a natural science unit at school or a thirty-year-old with a secret passion for airplanes, these books are for you! In this volume, Zip, an enthusiastic beaked whale, is eager to share everything he can about whale pods by broadcasting his very own undersea podcast! He will travel across the global ocean interviewing a diverse assortment of whales and dolphins about their amazing behaviors and habitats, as well as their interactions with the human world. Can this one small whale tell the story of the whole ocean and the interconnectivity that affects us all?

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A delightful exploration of the fascinating octopus, taking young minds on an interactive journey of discovery! 'As exciting and entertaining as a non-fiction book can be' Greenpeace Magazine __________ What do the ocean and space have in common? How did octopuses and humans evolve? What exactly are cephalopods - and why do they have such a funny name? Octopuses are the oldest and most intelligent creatures on our planet, true aliens whose abilities amaze us. Michael Stavaric and Michèle Ganser have created a non-fiction book full of surprising twists and turns that offer much more than just imparting knowledge. Together with their readers, they embark on an adventure into the world of the octopus. Full of funny details and vivid descriptions, Amazing Octopus is a book that is as unusual as the octopus itself.

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The gospel accounts of the birth and childhood of Jesus have puzzling discrepancies and contradictions. In particular, Matthew and Luke give different versions of the genealogy and birth of Jesus, and of the events that follow.A long forgotten tradition held that there were, in fact, two families and two Jesus children whose destinies would come together: one from the kingly line of Solomon, and the other from the priestly line of Nathan. There are various apocryphal texts, as well as works of art, in which both children clearly occur.Emil Bock shows how the pattern and structure of the four gospels support the stories of two boys called Jesus, living side by side in Nazareth until the age of twelve, right up to the dramatic day of their visit to the temple in Jerusalem. He also recreates the years between this time and Jesus' baptism.This book is essential reading for every Christology student, and for anyone who has ever wondered about the gospel accounts of Jesus' birth.

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Compiled by a leading scholar of Chinese poetry, Clouds Thick, Whereabouts Unknown is the first collection of Chan (Zen) poems to be situated within Chan thought and practice. Combined with exquisite paintings by Charles Chu, the anthology compellingly captures the ideological and literary nuances of works that were composed, paradoxically, to "say more by saying less," and creates an unparalleled experience for readers of all backgrounds. Clouds Thick, Whereabouts Unknown includes verse composed by monk-poets of the eighth to the seventeenth centuries. Their style ranges from the direct vernacular to the evocative and imagistic. Egan's faithful and elegant translations of poems by Han Shan, Guanxiu, and Qiji, among many others, do justice to their perceptions and insights, and his detailed notes and analyses unravel centuries of Chan metaphor and allusion. In these gems, monk-poets join mainstream ideas on poetic function to religious reflection and proselytizing, carving out a distinct genre that came to influence generations of poets, critics, and writers. The simplicity of Chan poetry belies its complex ideology and sophisticated language, elements Egan vividly explicates in his religious and literary critique. His interpretive strategies enable a richer understanding of Mahayana Buddhism, Chan philosophy, and the principles of Chinese poetry.

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A biography of the "Cinderella" of Egyptian cinema—the veneration and rumors that surrounded an unparalleled career, and the gendered questions that unsettled Egyptian society. Layla Murad (1918-1995) was once the highest-paid star in Egypt, and her movies were among the top-grossing in the box office. She starred in 28 films, nearly all now classics in Arab musical cinema. In 1955 she was forced to stop acting—and struggled for decades for a comeback. Today, even decades after her death, public interest in her life continues, and new generations of Egyptians still love her work. Unknown Past recounts Murad's extraordinary life—and the rapid political and sociocultural changes she witnessed. Hanan Hammad writes a story centered on Layla Murad's persona and legacy, and broadly framed around a gendered history of twentieth-century Egypt. Murad was a Jew who converted to Islam in the shadow of the first Arab-Israeli war. Her career blossomed under the Egyptian monarchy and later gave a singing voice to the Free Officers and the 1952 Revolution. The definitive end of her cinematic career came under Nasser on the eve of the 1956 Suez War. Egyptians have long told their national story through interpretations of Murad's life, intertwining the individual and Egyptian state and society to better understand Egyptian identity. As Unknown Past recounts, there's no life better than Murad's to reflect the tumultuous changes experienced over the dramatic decades of the mid-twentieth century.

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President Obama was elected on an anti-war platform, yet targeted killings have increased under his command of the 'War on Terror'. The US thinks of itself as upholding the rule of international law and spreading democracy, yet such targeted killings have been widely decried as extra-judicial violations of human rights. This book examines these paradoxes, arguing that they are partially explained by the application of existing legal standards to transnational wars. Critics argue that the kind of war the US claims to be waging - transnational armed conflict - doesn't actually exist. McDonald analyses the concept of transnational war and the legalinterpretations that underpin it, and argues that the Obama administration's adherence to therule of law produces a status quo of violence that is in some ways more disturbing than the excessesof the Bush administration.America's interpretations of sovereignty and international law shape and constitute war itself, with lethal consequences for the named and anonymous persons that it unilaterally defines as participants.McDonald's analysis helps us understand the social and legal construction of legitimate violence in warfare, and the relationship between legal opinions formed in US government departments and acts of violence half a world away.

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A New York Times Bestseller *Designed by Kim Krans*Large Keepsake Box with Lifting Ribbon*78 Full-Color Tarot Cards in Elegant Lift Top Box with Lifting Ribbon*Illustrated 200 Page Guidebook, Including 3 New Spreads From the beloved artist-seeker behind The Wild Unknown comes the long-awaited box set of her hit tarot deck and guidebook-together for the first time in a beautifully designed keepsake package. Kim Krans is not only a vanguard of the new tarot movement, but the person who is redefining it for the twenty-first century. For a legion of contemporary seekers, The Wild Unknown is more than a tarot deck; it's become a resonant guide for people all over the world, inspiring them to share countless images of their readings, tattoos, and art prints from the deck. Each of the seventy-eight cards in Krans's The Wild Unknown tarot deck is a work of art that explores the mysteries of the natural world and the animal kingdom. Hand drawn in her spare, minimalistic style, the striking images invite deep contemplation. The Wild Unknown guidebook is also an extraordinary cult art object-a hand-lettered and fully illustrated primer that leads readers through shuffling and cutting the tarot, creating spreads, and interpretations of all seventy-eight individual cards. Now, for the first time, Kim's The Wild Unknown tarot deck and tarot guidebook are available together in one beautiful, high-quality keepsake box set. Newly designed by Kim herself, and including never-before-published material, this boxed set retains the mystery, glamour, and allure that made her original deck a cult sensation, while introducing a whole new audience to its magic.

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In a spellbinding new masterpiece by #1 New York Times bestselling author Daniel Silva, Gabriel Allon undertakes a high-stakes search for the greatest art forger who ever livedLegendary spy and art restorer Gabriel Allon has at long last severed ties with Israeli intelligence and settled quietly in Venice, the only place where he has ever truly known peace. His beautiful wife, Chiara, has taken over the day-to-day management of the Tiepolo Restoration Company, and their two young children are discreetly enrolled in a neighborhood scuola elementare. For his part, Gabriel spends his days wandering the streets and canals of the watery city, bidding farewell to the demons of his tragic, violent past.But when the eccentric London art dealer Julian Isherwood asks Gabriel to investigate the circumstances surrounding the rediscovery and lucrative sale of a centuries-old painting, he is drawn into a deadly game of cat and mouse where nothing is as it s

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A figure emerges from a painting to pursue a bitter vengeance; the last transmission of a dying man haunts the airwaves, seeking to reveal his murderer; a treasure hunt disturbs an ancient presence in the silence of a lost tomb... From the vaults of the British Library comes a new anthology celebrating the best works of forgotten, never since republished, supernatural fiction from the early 20th century. Waiting within are malevolent spirits eager to possess the living and mysterious spectral guardians - a diverse host of phantoms exhumed from the rare pages of literary magazines and newspaper serials to thrill once more.

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Out of print for more than half a century, LSD: A Journey into the Asked, the Answered, and the Unknown, is now available in a commemorative edition, with candid commentary, a new introduction by counterculture journalist Jessica Hundley, and a photographic portrait of a generation.In the midst of a raging national controversy around the indiscriminate use of LSD, two authorities – Richard Alpert, PhD (AKA Ram Dass) and psychoanalyst Sidney Cohen, MD – spoke out on the dangers, merits, legal regulations and control of the revolutionary psychedelic drug. Their book was illustrated with a groundbreaking photo essay by journalist Lawrence Schiller, whose cover story for Life magazine introduced America to the sweeping new LSD epidemic and was a precursor to the federal criminalization of the drug.As the first national photojournalist to capture the American acid scene from the inside, Schiller began with a single contact in Berkeley, California, and built a large network of young, receptive subjects who allowed him to document their private experiences with LSD. At first, his contacts were few and difficult. “Many of them were afraid,” and said no. There were others, however, who were trying to exercise their rebellion, “and some…had a sort of missionary quality. They not only wanted to tell about their experiences; they seemed as though they had to.”Schiller’s reporting expanded to include Timothy Leary, then on trial in Laredo, Texas, and the Merry Pranksters, who stopped by his studio for stroboscopic photos after the Hollywood Acid Test. The deeper he went into the story, the more questions he had. Questions like, “Is the LSD state reality or illusion?” and “Can you understand…without having had “the experience?” Figuring others did as well, he asked Alpert and Cohen to answer them for readers—from their two opposing points of view. The unexpected result is perhaps one of the most deeply informative documents on psychedelics ever published. It sold close to a million copies.At a time when the use of consciousness-expanding substances is again making headlines, the moment that LSD burst out from the rarified world of Timothy Leary and Richard Alpert’s experiments at Harvard to acid parties on the Sunset Strip is worth a second look.

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There was an owl sat up an oak;The more he heard the less he spoke;The less he spoke, the more he heard;Oh that we were all like that wise old bird. The verbatim monologues in Deep Heat are drawn from conversations Robin Soans has had or overheard, or are edited versions of interviews he has conducted in the course of research for his plays. Subjects range from people who have held high office to those who have blown them up; from those who live in large country houses to others whose home is two blankets and a pile of leaves in the corner of a disused garage. So much of what is passed on as historical fact is the version of events that those with an ulterior motive choose to project. This book doesn’t seek to judge, nor provide solutions; it seeks to redress the balance by giving a fair hearing even to those who may not share the same views as ours. Useful as audition pieces for actors, but equally of interest to the historian and sociologist in all of us. We are after all human, full of contradictions, and we can never inch our way towards greater self-knowledge if we don’t see more of the picture than is traditionally the case.

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Focusing on Los Angeles farmland during the years between the Immigration Act of 1924 and the Japanese Internment in 1942, Transborder Los Angeles weaves together the narratives of Mexican and Japanese immigrants into a single transpacific history. In this book, Yu Tokunaga moves from international relations between Japan, Mexico, and the US to the Southern California farmland, where ethnic Japanese and Mexicans played a significant role in developing local agriculture, one of the major industries of LA County before World War II. Japanese, Mexicans, and white Americans developed a unique triracial hierarchy in farmland that generated both conflict and interethnic accommodation by bringing together local issues and international concerns beyond the Pacific Ocean and the US-Mexico border. Viewing these experiences in a single narrative form, Tokunaga breaks new ground, demonstrating the close relationships between the ban on Japanese immigration, Mexican farmworkers' strikes, wartime Japanese removal, and the Bracero Program.

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In July 1917, a young man in the 12th East Surrey Regiment kept a journal of his experiences at the front. This poignant and moving account is narrated with a keen sense of observation, bringing to life the sights, sounds, smells, and horrors of war. The anonymous author candidly describes his daily life: dodging shells to fetch meals from the rations cart; his regiment lost on a march, straying perilously near enemy lines; the selfishness of his commanding officer; the daily distribution of rum; the soar of shells (‘whiz bangs’) above his head, communicating by sign with a captured German soldier living in his trench; catching sleep in snatches 10 or fifteen minutes; and always, the endless mud. He begins understatedly: ‘The first night passed uneventfully, except that we were shelled,’ describing his journey to the front: ‘It was nothing unusual to come across a dead horse sometimes two with great holes in their sides caused by shells, and now and then a dead comrade would be lying waiting for burial.’ Amid the horrors of war, there is humour, for example, in his pithy description of breakfast: ‘Bread and jam and mud but no drink,’ or in the account of the menacing shapes which advance slowly one foggy evening over a period of several hours. ‘In the morning we discovered that a good many of these Germans were nothing more than a few short willow shrubs waving about in the breeze. We had a good laugh.’ Gradually, he describes how one by one, his fellow soldiers in his beloved 12th East Surreys fall until he is left with just three of his mates. Trapped in a hole in the ground, he sees an enemy soldier lob a grenade at him and turns face down in the mud to receive the blow: ‘This I thought is the end, so far as I am concerned.’ Landing on his back, the grenade failed to explode. The narrative ends abruptly, as he is taken prisoner by the Enemy. This brief, highly personal and compelling account of one soldier’s experience, with a short introduction, will appeal to anyone with an interest in the human condition.

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Alexander Dubček is well-known, so one might think; nothing new can be written about him. Is this true? Dubček is the symbol of the Czechoslovak attempt to reform communism that gained worldwide admiration in 1968. The invasion of Warsaw Pact troops in the night of August 21, 1968 set a brutal end to the Prague Spring. Josette Baers new biography focuses on Dubčeks early years, his childhood in Soviet Kirghizia, his participation in the Slovak National Uprising in 1944 against Nazi Germany and the Slovak clerical-fascist government, and his career in the Slovak Communist Party in the late 1950s and early 1960s. It offers new insights into the political thought of the father of Socialism with a Human Face, based on archive material available to the Western reader for the first time. Who was Alexander Dubček -- a naïve apparatchik, an independent thinker, a courageous liberator, or a political dreamer?

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Few people today have ever heard of North Brother Island, though a hundred years ago it was place known to—and often feared by—nearly everyone in New York City. The island, a small dot in the East River, twenty acres slotted between today’s gritty industrial shores of the Bronx and Queens, was a minor piece of the New York archipelago until the late 19th century, when calls for social and sanitary reform—and the massive expansion of the city’s population—combined to remake NBI as a hospital island, a place to contain infectious disease and, later, other societal ills. Abandoned since 1963, North Brother Island is a ruin and a wildlife sanctuary (it is the protected nesting ground of the Black-crowned Night Heron), closed to the public and virtually invisible to it. But one cannot mistake its abandoned state as a sign of its irrelevance to the city’s history and culture. Traces of the extensive hospital campus remain, as do sites linked to notorious people (it was the final home of “Typhoid Mary”) and events (the steamship General Slocum sank by its shores). It has stories to tell. Photographer Christopher Payne (Asylum: Inside the Closed World of State Mental Hospitals) was granted permission by New York City’s Parks & Recreation Department to photograph the island over a period of years. The results are both beautiful and startling. On North Brother Island, devoid of human habitation for fifty years, buildings great and small are being consumed by the unchecked growth of vegetation. In just a few decades, a forest has sprung up where once there were the streets and manicured lawns of a hospital campus. North Brother Island: The Last Unknown Place in New York City includes a history by University of Pennsylvania preservationist Randall Mason, who has studied the island extensively, and an essay by the writer Robert Sullivan (Rats, The Meadowlands), who came along on one of the rare expeditions.

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The work presents -- as far as is now possible -- the language spoken by Lutsk Karaims in the second half of the 19th and in the first two decades of the 20th centuries. This is attempted by means of editing eleven private letters and five open letters written in Lutsk Karaim -- with Hebrew interpolations. The letters were written by different authors in Hebrew script.The present publication appears to be the first critical edition of this type of text written in this particular dialect. Previous editions of south-western Karaim manuscripts either concerned very short texts from Halych or were prepared with no intention of being professional.The linguistic description of the texts aims to present a grammar of the manuscripts' language. It is complemented with a separate chapter dealing with the Slavonic structural influences exerted on the authors' idiolects, and with the lexicon of the texts. A separate part deals with the orthography and the features of the writing itself. The transcription and translation of each manuscript are preceded with a concise palaeographic description and a summary of the content. The work closes with a glossary, several indexes, maps, and the facsimile of the manuscripts.

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First Published in 2004. Uncertainty is an aspect of existence among the Maasai in East Africa. They take ritual precautions against mystical misfortune, especially at their ceremonial gatherings, which exude displays of confidence, and generate a sense of time, space, community, and being. Yet their performances are undermined by a concern for clandestine psychopaths who are thought to create havoc through sorcery. Normally elders seek moral explanations for erratic encounters with misfortune, viewing God as the Supreme and unknowable figure of Providence. However, sorcery lies beyond their collective wisdom, and they look for guidance from their Prophet, as a more powerful sorcerer to whom they are bound for protection. This work examines the variation of this pattern, associated with different profiles of social life and tension across the Maasai federation.

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"Easily my favorite book of the year.” —Tillie Walden, Eisner Award–winning creator of Spinning A twisty, spellbinding adventure about a girl and her dog who want to save the world, Danger and Other Unknown Risks is the highly anticipated YA graphic novel debut from Eisner Award-winning and New York Times bestselling creators Ryan North and Erica Henderson.I'm gonna tell you a story, and I'm gonna ask that you let me finish before you say anything. Here’s the deal—on midnight of January 1st, 2000, the world ended. But it wasn’t technology that killed it: It was magic. Now, years later, the Earth has transformed. Magic works (sort of). People are happy (sort of). But this new world isn’t stable, and unless Marguerite de Pruitt and her canine pal, Daisy, do something about it, it’ll tilt into deadly chaos. Good thing they’ve been training their whole lives for this and are destined to succeed. Or so they think.Ryan North and Erica Henderson, the bestselling masterminds behind Unbeatable Squirrel Girl, serve up a graphic novel that is equally laugh-out-loud adventure and emotional gut punch. A story about the search for truth, chosen family, and rebirth, the journey of Marguerite and Daisy seeks to ask one vital question: How far are you willing to go to save the world?

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Longest serving Home Secretary until Theresa May, his tenure covering the Ripper murders, Fenian violence and social unrest, Matthews is notable as the first Catholic member of the Cabinet during a time of continued prejudice, yet this enigmatic character has been largely ignored or written off. Roger Ward challenges hostile judgements and examines Matthews' life and career in the context of turbulent times. A successful barrister, he entered the world of nineteenth century politics as MP for an Irish constituency, before becoming the sole Conservative MP in Chamberlain-controlled Birmingham. Championed by Lord Randolph Churchill, he found himself unexpectedly propelled into Salisbury's government of 1886-92, but lost his protector and was left to face a hostile press and Commons. Despite being born into solid Herefordshire gentry, Matthews grew up in Ceylon and was educated in Paris, multi-lingual, cosmopolitan and ill at ease in the brute ranks of the Tory party. Lone Catholic in Cabinet, lone Conservative in Birmingham, with no political coterie, he was an outsider on the inside. Raised to the peerage in 1895, he dedicated his life to Catholic causes. On his death he left instructions to burn his private papers, leaving tantalisingly few traces of a fascinating career.

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I'm gonna tell you a story, and I'm gonna ask that you let me finish before you say anything. Here’s the deal—on midnight of January 1st, 2000, the world ended. But it wasn’t technology that killed it: It was magic. Now, years later, the Earth has transformed. Magic works (sort of). People are happy (sort of). But this new world isn’t stable, and unless Marguerite de Pruitt and her canine pal, Daisy, do something about it, it’ll tilt into deadly chaos. Good thing they’ve been training their whole lives for this and are destined to succeed. Or so they think.

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This book is an original contribution to literary geography and commentaries on the work of David Ireland. It plots the relationship between the spaces and places of 1970s Australian capitalism as it evolves through Ireland’s 1971 Miles Franklin prize-winning novel The Unknown Industrial Prisoner. In particular, the book theorises the relationship between space and place in literature through two highly innovative arguments: a focus on the spatial unconscious as a means to assess and track the spatiality of capitalism in the novel form; and the articulation of a regime of space through the perceived, conceived and lived constitution of space. Drawing together concepts from radical geography and structural Marxist literary theory, it explores the dominance of the regime of abstract space in the Australian context. The text also examines the nature and possibilities of place-based strategies of resistance, and concludes by suggesting opportunities for future research and plotting the ways in which The Unknown Industrial Prisoner continues to speak to contemporary Australia.

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