Search results for ""PICADOR""

The Big Green Tent is the kind of book for which the term "Russian novel" was invented. A sweeping saga, it tells the story of three school friends who meet in 1950s Moscow and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys - an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets - struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. Ludmila Ulitskaya's big, yet intimate novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: a work of politics, love, and belief that is a revelation of life in dark times. Named a must-read book by New York magazine, Travel Leisure, Flavor wire, and Bustle, and a Best Fiction Book of the Year by The Christian Science Monitor

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Eddie Coyle is a small-time punk with a big-time problem - who to sell out to avoid being sent up again. Eddie works for Jimmy Scalisi, supplying him with guns for a couple of bank jobs. But a cop named Foley is onto Eddie, and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. These and others make up the bunch of hoods, gunmen, thieves, and executioners who are wheeling, dealing, chasing, and stealing in the underworld of Eddie Coyle.

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This richly coloured memoir chronicles the exploits of a flamboyant Jewish family, from its bold arrival in cosmopolitan Alexandria to its defeated exodus three generations later. In elegant and witty prose, Andre Aciman introduces us to the marvellous eccentrics who shaped his life: the strutting daredevil, soldier, salesman, and spy; the two grandmothers, the Princess and the Saint, who gossip in six languages; and Aunt Flora, the German refugee who warns that Jews lose everything "at least twice in their lives." And through it all, we come to know a boy who, even as he longs for a wider world, does not want to be led, forever, out of Egypt.

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"I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams' mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own Mormon faith, and contemplates the notion of absence in art and in our world. When "Women Were Birds" is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

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