Search results for ""PAPERBLANKS""

Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint document folder pays homage to the craft of delicate gold tooling. For this design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Paperblanks Visions of Paisley Ivory soft cover notebook draws inspiration from a striking French textile pattern featuring elements from the natural world. Intricate designs were handpainted or block-printed on paper to create this 1860s master pattern, highlighted here on the unique kraft paper cover of this Flexi journal.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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The Gutenberg Bible is the greatest celebrity in the history of book arts. In the 15th century Gutenberg invented printing from movable type, enabling the creation of his illustrated 42-line Bible. This Paperblanks Parabole journal cover reproduces an illuminated page by Gisela Maschmann, whose painting is modelled on Gutenberg’s masterwork.

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Our Paperblanks Mystique soft cover notebook is inspired by a cover said to have been designed by Le Gascon, a legendary but little-known 17th-century bookbinder. The original cover that inspired this Flexi journal was made of red Moroccan leather embossed and gilded with rosettes, spirals and dotted lines.

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Jules Verne (1828–1905) is the author of some of the world’s most famous books. This Paperblanks Embellished Manuscripts cover features a page from Verne’s handwritten draft of his masterpiece Around the World in Eighty Days, with the novel’s frontispiece, illustrated by Alphonse de Neuville, shown on the back cover of the journal.

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Jules Verne (1828–1905) is the author of some of the world’s most famous books. This Paperblanks Embellished Manuscripts cover features a page from Verne’s handwritten draft of his masterpiece Around the World in Eighty Days, with the novel’s frontispiece, illustrated by Alphonse de Neuville, shown on the back cover of the journal.

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Paperblanks Nocturnelle Flexi softcover notebook, a reproduction of an antique French binding, is based on a cover designed in 1829 by publishers A. & W. Galignani for The Poetical Works of Thomas Moore. This notebook cover suggests the fine Moroccan leather, structural sturdiness, careful finishing and ridged spine preferred for bindings of that era.

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This Hishi Dot-Grid Planner will help you achieve your goals and develop your creative ideas in style. Featuring a customizable index, page numbers, three ribbon markers, design stencil and, of course, a dot-grid interior, this Paperblanks Flexis softcover journal will inspire you to harness the organizational power of bullet journalling.

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Paperblanks Nocturnelle Flexi softcover notebook, a reproduction of an antique French binding, is based on a cover designed in 1829 by publishers A. & W. Galignani for The Poetical Works of Thomas Moore. This notebook cover suggests the fine Moroccan leather, structural sturdiness, careful finishing and ridged spine preferred for bindings of that era.

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We honour the genius of William Butler Yeats (1865–1939) and his masterful and devastating poem “Easter, 1916,” in this Paperblanks journal emblazoned with his handwriting. “Easter, 1916” is a powerful expression of the artist coming to terms with the tragic events of the Easter Rising rebellion staged in Ireland in 1916.

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Laurel Burch was a self-taught artist who relied on her intuition and passion, speaking from the heart with an unmistakable style that was the manifestation of her love of life and strong imaginative nature. Based on Laurel Burch’s original “Imagine” butterflies image, Paperblanks Flutterbyes journal is the perfect notebook to match any joyful lifestyle.

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Capturing the flavour of Renaissance-style bound books, Paperblanks Old Leather Flint journal pays homage to the craft of delicate gold tooling. For this cover design, we have incorporated a textured white design reminiscent of chalk, flint or limestone, adding an edginess to the look of finely wrought leather.

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In the “Maki-e” tradition, lacquerware is created by painting tree sap onto treasured objects and sprinkling them with metallic powder, such as gold, silver or copper, to create luxurious designs. Showcasing dramatic black and gold vines, this Paperblanks Karakusa journal features the image of an antique 19th-century Japanese lacquer box selected from a private collection in Kyoto.

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This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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The design reproduced on this Paperblanks Flexis Poetry in Bloom soft cover notebook, originally crafted by Riviere and Son, centres around a sensitive plant surrounded by other richly hued flowers, foliage and butterflies. The binding was used for The Sensitive Plant and Early Poems by Percy Bysshe Shelley and is a celebration of the creative spirit.

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Here is journal cover art that shows just how profound charm can be. Featuring the work of Canadian artist Tracy Walker, this Paperblanks Baby Elephant book design combines a folk-art naiveté with a timeless mid-century feel, as well as wondrous detail that is sure to elicit smiles upon closer inspection.

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The captivating image on the cover of this Paperblanks journal comes from the first edition of Scottish poet and anthropologist Andrew Lang’s The Olive Fairy Book. Compiled in 1907 by Lang and illustrated by Henry Justice Ford, the book was one in a 12-part series known as Lang’s Fairy Books, with each book named for the colour of its fairy.

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Capturing the flavour of finely wrought Renaissance-style leather bindings, Paperblanks Old Leather Black Moroccan journal pays homage to the craft of delicate gold tooling, originally brought to Europe via the flourishing trade routes to the East. The timeless beauty of an antique leather book is brought into the present on the cover of this intricately embellished, rich brown notebook.

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

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This Paperblanks journal design comes from an 1893 binding housing Voltaire’s Zadig, or The Book of Fate. First published in 1747, it tells the story of Zadig, an ancient Babylonian philosopher. The book is a philosophical treatise that provides thematic inspiration for the modern detective story, including for Edgar Allan Poe’s C. Auguste Dupin.

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This Paperblanks journal design comes from an 1893 binding housing Voltaire’s Zadig, or The Book of Fate. First published in 1747, it tells the story of Zadig, an ancient Babylonian philosopher. The book is a philosophical treatise that provides thematic inspiration for the modern detective story, including for Edgar Allan Poe’s C. Auguste Dupin.

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We have captured some of the splendid daybreak palette of ancient Venice with this Paperblanks softcover Flexi notebook. Our Aureo design is inspired by a 1600s Italian cover for a book called The Treatise on Colours. Our book cover embraces the Renaissance value of cultural rebirth by representing an ancient binding with contemporary bookmaking techniques.

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We have captured some of the splendid daybreak palette of ancient Venice with this Paperblanks softcover Flexi notebook. Our Aureo design is inspired by a 1600s Italian cover for a book called The Treatise on Colours. Our book cover embraces the Renaissance value of cultural rebirth by representing an ancient binding with contemporary bookmaking techniques.

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Our Paperblanks Flexis Aurelia soft cover notebook design is fit for a king. Its inspiration dates back to Paris in the mid-18th century and the original binding housed copies of King Louis XV’s procedures for Holy Week. This book design is a marvellous riot of gold-tooled rococo elements, featuring birds, flowers and leaves.

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If you are celestially minded, this brilliant Paperblanks journal is sure to enchant and delight. With its central star shape, Solis exerts an emotional pull akin to a warm, glowing sunrise after a long winter’s sleep. For those inclined to contemplate the cosmos, look no further than the books in our Nova Stella series.

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Paperblanks Safavid journal portrays a leather filigree pattern incorporating handtooled motifs, retaining the elegance and style of the Islamic Golden Age even in our modern context. Symmetry is the hallmark of this binding, which features medallions, a pentagonal envelope flap closure and elaborately decorated “doublures” (interior covers), exquisite creations in cut-out leather and gilding.

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Our Kikka soft cover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally hand-painted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

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Our Kikka soft cover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally hand-painted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

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This red and gold Paperblanks Equinoxe Carmine journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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Our Kikka soft cover notebook reproduces Michiko Kamee’s “full of chrysanthemum” design originally hand-painted with gold overglaze and colour on china by employing Kyo-Satsuma. In this Paperblanks Flexi cover design the viewer can see hints of the kaleidoscope of flowers in bloom, as well as fine boned artistry in every brush stroke and hue.

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In Search of Lost Time, Marcel Proust’s seven-volume masterpiece, is an examination of French society that almost completely lacks any sense of plot. Needless to say, it caused a sensation when the first volume was published in 1913. This Paperblanks journal cover shows a page from his lined notebook with his copious notes in the margins.

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This blue and gold Paperblanks Equinoxe Azure journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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Bukhara, one of Uzbekistan’s largest cities, was the birthplace of this dazzling eighteenth-century Islamic binding. The city’s rich intellectual and cultural lifestyle was shaped by Indo-Persian influences, particularly the golden age of the Samanids. Paperblanks Bukhara Adina journal features heart-shaped leaves, a centre rosette and intricate corner pieces, all executed with skill and artistry.

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This red and gold Paperblanks Equinoxe Carmine journal reproduces a 1688 binding protecting L’office de la Semaine Sainte. The original binding was adorned “à la fanfare,” a handtooled pattern edged in gilt. “Fanfare,” which was a style popular in the seventeenth century, required tremendous skill on the part of the bookbinder and was reserved for books of great importance.

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Paperblanks Gold Inlay journal cover reproduces a “Stil der Neorenaissance” (neo-Renaissance style) design popular in 19th-century Germany. The original binding, composed of solid metal, was covered in a fine layer of gold which was then meticulously engraved by skilled craftsmen. Bindings like this were highly valued and were frequently adorned with silk, cloisonné enamels or precious stones.

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Combining the Latin words “filum” (thread) and “granum” (seed), silver “filigree” describes an art form that is achieved by first die cutting a base layer of silver sheets and then meticulously etching elaborate grooves into its surface. The polished binding seen on Paperblanks Silver Filigree Maya Blue journal is inspired by a 1697 French binding of Johann Arndt’s Paradiesgärtlein.

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The Lindau Gospels’ bindings were designed to inspire awe when the book was carried in processions or displayed on an altar. Paperblanks Lindau journal depicts the back cover of this bookmaking masterwork, created near Salzburg between 750 and 800 AD. It was tooled in gilt, silver and enamel and adorned with jewels, making for a powerful manifestation of art as a vehicle for belief.

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The captivating image on the cover of this Paperblanks journal comes from the first edition of Scottish poet and anthropologist Andrew Lang’s The Violet Fairy Book. Compiled in 1901 by Lang and illustrated by Henry Justice Ford, the book was one in a 12-part series known as Lang’s Fairy Books, with each book named for the colour of its fairy.

Read more less

Laurel Burch was a self-taught artist and “flower child” whose work spoke from her heart with an unmistakable style that was the manifestation of her love of life and strong imaginative nature. Paperblanks Soul & Tears journal is based on one of Burch’s famous images, inspired by the verse, “The soul would have no rainbow if the eyes had no tears.”

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William Morris (1834–1896), one of the most celebrated practitioners of the Arts and Crafts movement, created woven and printed textile designs using the ancient technique of hand woodblock printing. As seen on this Paperblanks Morris Windrush softcover Flexi notebook, his evocations of the natural world, with their depth of tone and magical gradation of tints, have become design classics.

Read more less

The image on the cover of Paperblanks Cabaret Cabaret journal was created in the 1930s by French illustrator and painter Gaston Girbal (1888–1978), best known for the posters he designed for Le Casino de Paris. While many of the costume and set designers who captured the look and feel of the Art Deco era remain unheralded, it is a testament to Girbal’s influence that his name is remembered.

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The image on the cover of Paperblanks Cabaret Cabaret journal was created in the 1930s by French illustrator and painter Gaston Girbal (1888–1978), best known for the posters he designed for Le Casino de Paris. While many of the costume and set designers who captured the look and feel of the Art Deco era remain unheralded, it is a testament to Girbal’s influence that his name is remembered.

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Connect with the ornate Dutch world of yesteryear with this stately gold on black geometric design.Reproducing an expensive goatskin leather book binding crafted in Amsterdam in 1835 by Friedrich W.J.C. Kolb, our Onyx journal celebrates the harmony between art and science. The binding was originally designed to contain a Latin oration on the physiology of plants by the renowned Dutch botanist Willem Hendrik de Vriese (1806–1862). De Vriese was a member of the Royal Dutch Institute of Sciences, Literature and Fine Arts and, in his studies, named many species of plants in the Asterales order (Asterids).Science and art have long found a common ground in Dutch history, with artists from the Netherlands pioneering the form of still life, so there is little wonder why this significant binding can be found in the KB, National Library of the Netherlands. Founded in 1798, the library holds the intention to celebrate the written word and share Dutch creativity and innovation with the world. We are honoured to partner with the KB, National Library to bring this beautiful binding to the Paperblanks collection.

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For over a century, the Cockerell family name represented the highest quality bookmaking. Though no longer in business, the Cockerell and Son Bindery remains celebrated for their unique style of paper marbling, developed by the late Sydney (Sandy) M. Cockerell.Described as a “latter-day Leonardo,” Sandy Cockerell possessed not only an artist’s talents, but a scientist’s mind and engineer’s skill as well. He took the painstaking tradition of handmade marbled papers and found a way to produce the strikingly complex designs at high speeds and volumes. By improving existing equipment and creating his own gadgets and tools when that which he needed did not already exist, Cockerell embraced new mass production techniques.For his contributions to the paper arts, Sandy Cockerell was awarded an OBE and an honourary doctorate from Cambridge. When we launched Paperblanks journals in the early 1990s, a selection of his designs graced some of our first covers. We are honoured to return these iconic marbled papers to our collection with this black, white and red Rubedo design.

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As the top-selling British artist of the 21st century, Amy Winehouse (1983–2011) revitalized soul music with her brassy, sweet-and-sour voice and her timeless sensibility. This Paperblanks journal cover depicts a self-portrait and lyrics from Winehouse’s song “Tears Dry On Their Own,” which she originally wrote in a Paperblanks notebook.

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