Search results for ""Nero""

How Romans used the world of the house to interpret and interrogate the role of the emperor.The Julio-Claudian dynasty, beginning with the rise of Augustus in the late first century BCE and ending with the death of Nero in 68 CE, was the first ruling family of the Roman Empire. Elite Romans had always used domestic space to assert and promote their authority, but what was different about the emperor's house? In The Ruler's House, Harriet Fertik considers how the emperor's household and the space he called home shaped Roman conceptions of power and one-man rule. While previous studies of power and privacy in Julio-Claudian Rome have emphasized the emperor's intrusions into the private lives of his fellow elites, this book focuses on Roman ideas of the ruler's lack of privacy. Fertik argues that houses were spaces that Romans used to contest power and to confront the contingency of their own and others' claims to rule. Describing how the Julio-Claudian period provoked anxieties not only about the ruler's power but also about his vulnerability, she reveals that the ruler's house offered a point of entry for reflecting on the interdependence and intimacy of ruler and ruled. Fertik explores the world of the Roman house, from family bonds and elite self-display to bodily functions and relations between masters and slaves. She draws on a wide range of sources, including epic and tragedy, historiography and philosophy, and art and architecture, and she investigates shared conceptions of power in elite literature and everyday life in Roman Pompeii. Examining political culture and thought in early imperial Rome, The Ruler's House confronts the fragility of one-man rule.

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While over the past decade a number of scholars have done significant work on questions of black lesbian, gay, bisexual, and transgendered identities, this volume is the first to collect this groundbreaking work and make black queer studies visible as a developing field of study in the United States. Bringing together essays by established and emergent scholars, this collection assesses the strengths and weaknesses of prior work on race and sexuality and highlights the theoretical and political issues at stake in the nascent field of black queer studies. Including work by scholars based in English, film studies, black studies, sociology, history, political science, legal studies, cultural studies, and performance studies, the volume showcases the broadly interdisciplinary nature of the black queer studies project.The contributors consider representations of the black queer body, black queer literature, the pedagogical implications of black queer studies, and the ways that gender and sexuality have been glossed over in black studies and race and class marginalized in queer studies. Whether exploring the closet as a racially loaded metaphor, arguing for the inclusion of diaspora studies in black queer studies, considering how the black lesbian voice that was so expressive in the 1970s and 1980s is all but inaudible today, or investigating how the social sciences have solidified racial and sexual exclusionary practices, these insightful essays signal an important and necessary expansion of queer studies.Contributors. Bryant K. Alexander, Devon Carbado, Faedra Chatard Carpenter, Keith Clark, Cathy Cohen, Roderick A. Ferguson, Jewelle Gomez, Phillip Brian Harper, Mae G. Henderson, Sharon P. Holland, E. Patrick Johnson, Kara Keeling, Dwight A. McBride, Charles I. Nero, Marlon B. Ross, Rinaldo Walcott, Maurice O. Wallace

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Big lies are told by governments, politicians and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos and gain power and wealth. Big lies are as old as civilisation. They corrupt public understanding and discourse, turn science upside down and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilise the world. The modern age has provided ever-more-effective ways of spreading lies but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book’s final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable and so does an allegation. BIG LIES soars across history: alighting on the “noble lies” of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of “othering” the vulnerable for personal gain; up to the equal-opportunity spotlight in America. “Belief is a choice”, Kurlansky writes, “and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world’s people if we do not keep asking what is true.”

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Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-González, Sandra L. Richards, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young

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Staging an important new conversation between performers and critics, Blacktino Queer Performance approaches the interrelations of blackness and Latinidad through a stimulating mix of theory and art. The collection contains nine performance scripts by established and emerging black and Latina/o queer playwrights and performance artists, each accompanied by an interview and critical essay conducted or written by leading scholars of black, Latina/o, and queer expressive practices. As the volume's framing device, "blacktino" grounds the specificities of black and brown social and political relations while allowing the contributors to maintain the goals of queer-of-color critique. Whether interrogating constructions of Latino masculinity, theorizing the black queer male experience, or examining black lesbian relationships, the contributors present blacktino queer performance as an artistic, critical, political, and collaborative practice. These scripts, interviews, and essays not only accentuate the value of blacktino as a reading device; they radiate the possibilities for thinking through the concepts of blacktino, queer, and performance across several disciplines. Blacktino Queer Performance reveals the inevitable flirtations, frictions, and seductions that mark the contours of any ethnoracial love affair. Contributors. Jossiana Arroyo, Marlon M. Bailey, Pamela Booker, Sharon Bridgforth, Jennifer Devere Brody, Cedric Brown, Bernadette Marie Calafell, Javier Cardona, E. Patrick Johnson, Omi Osun Joni L. Jones, John Keene, Lawrence La Fountain-Stokes, D. Soyini Madison, Jeffrey Q. McCune Jr., Andreea Micu, Charles I. Nero, Tavia Nyong'o, Paul Outlaw, Coya Paz, Charles Rice-González, Sandra L. Richards, Matt Richardson, Ramón H. Rivera-Servera, Celiany Rivera-Velázquez, Tamara Roberts, Lisa B. Thompson, Beliza Torres Narváez, Patricia Ybarra, Vershawn Ashanti Young

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The second book in the latest series from international bestselling author, Rick Riordan He was once an immortal God, now he's an awkward teenager. Things aren't going well for Apollo. There's only one way he can earn back Zeus' favour, and that's to seek and restore the ancient oracles - but that's easier said than done. Apollo must head to the American Midwest where, rumour has it, a haunted cave may hold answers. There are a few things standing in his way though. The cave could kill him, or drive him insane. Oh, and a Roman Emperor, whose love of bloodshed makes Nero look tame.To stay alive, Apollo needs the help of a mortal goddess, a bronze dragon, and some familiar faces from Camp Half-Blood. Will he survive the greatest challenge of his four thousand year existence? __________More books by Rick Riordan:The Percy Jackson series:Percy Jackson and the Lightning ThiefPercy Jackson and the Sea of MonstersPercy Jackson and the Titan's CursePercy Jackson and the Battle of the LabyrinthPercy Jackson and the Last OlympianPercy Jackson: The Demigod FilesThe Heroes of Olympus series:The Lost HeroThe Son Of NeptuneThe Mark of AthenaThe Heroes of Olympus: The Demigod FilesThe Kane Chronicles series:The Red PyramidThe Throne of FireThe Serpent's ShadowThe Magnus Chase Series:Magnus Chase and the Sword of SummerMagnus Chase and the Hammer of Thor Magnus Chase and the Ship of the Dead

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NAMED AS ONE OF GRANTA MAGAZINE'S BEST OF YOUNG BRITISH NOVELISTS 2023 FINALIST FOR THE ORWELL PRIZE FOR POLITICAL FICTION 2023 SHORTLISTED FOR THE NERO BOOK AWARDS 2023 FROM THE WINNER OF THE BOOKER PRIZE Birnam Wood is on the move... Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice, on the sides of roads, in forgotten parks, and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, the enigmatic American billionaire, has snatched it up to build his end-times bunker - or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other? A gripping psychological thriller from the Booker Prize-winning author of The Luminaries, Birnam Wood is Shakespearean in its wit, drama and immersion in character. A brilliantly constructed consideration of intentions, actions, and consequences, it is an unflinching examination of the human impulse to ensure our own survival.

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Germanicus (a.k.a. Germanicus Iulius Caesar) was regarded by many Romans as a hero in the mould of Alexander the Great. His untimely death, in suspicious circumstances, ended the possibility of a return to a more open republic and ambitions for the outright conquest of Germania Magna (Germany). This, the first modern biography of Germanicus, is in parts a growing-up story, a history of war, a tale of political intrigue and a murder mystery. It is a natural sequel to the author's first book, Eager for Glory, which discussed the life of Germanicus' natural father, Nero Claudius Drusus, for the first time. Born in 15 BC, Germanicus grew up to be a skilled diplomat and bold soldier. Married to the granddaughter of Augustus (by whom he fathered the future Emperor Caligula) and responsible for avenging Rome's humiliating defeat at the Teutoburg Forest through victory at Idistaviso (AD16) and the recovery of one of the lost standards, his reputation and popularity were immense. The Emperor Tiberius, his adoptive father, granted him a triumph, but refused to let him complete the reconquest of Germania, sending him instead to command in the East. Did Tiberius feel jealous and threatened?Germanicus fortunes waned when he fell out with one of Tiberius appointees, Piso. His death in mysterious circumstances, aged 34, brought great outpourings of public grief and anger, with many suspecting murder on the orders of Tiberius. Piso was put on trial but he committed suicide - or was he murdered? - before the senate could reach a verdict.

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'Exactly what I needed right now – a delightful, heartwarming, hilarious historical romp, overflowing with queer panic and terrible jokes. I loved it' - ALICE OSEMAN, bestselling author of HEARTSTOPPER 'Fun and genuinely funny, with lovely friendships and first-rate dialogue. Gwen and Art may not be in love, but I fell for both of them' - RAINBOW ROWELL, #New York Times bestselling author of the SIMON SNOW trilogy * Winner of the Books Are My Bag Readers' Award for Young Adult Fiction * * Shortlisted for the Café Nero Children's Fiction Award * * Instant New York Times Bestseller* _______________ Gwen, the quick-witted Princess of England, and Arthur, future lord and general gadabout, have been betrothed since birth. Unfortunately, the only thing they can agree on is that they hate each other. When Gwen catches Art kissing a boy and Art discovers where Gwen hides her diary (complete with racy entries about Bridget Leclair, the kingdom's only female knight), they become reluctant allies. By pretending to fall for each other, their mutual protection will be assured. But how long can they keep up the ruse? With Gwen growing closer to Bridget, and Art becoming unaccountably fond of Gabriel, Gwen's infuriatingly serious, bookish brother, the path to true love is looking far from straight … _______________ 'A total rollicking delight … Lex Croucher is one of my favourite romcom authors, and they should be yours too' - CASEY MCQUISTON, #1 New York Times bestselling author of I KISSED SHARA WHEELER and RED, WHITE & ROYAL BLUE 'Congrats to Gwen and Arthur on their permanent acquisition of my ENTIRE heart. Suffice it to say that I loved this book to a degree that’s slightly ridiculous' - BECKY ALBERTALLI, bestselling author of SIMON VS. THE HOMOSAPIENS AGENDA

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'A definite must for all fans of comic fantasy' - ENIGMA'Wacky humour bubbles through the polished narrative ... Holt doesn't skimp on the flashes of brilliance' - SFXEver been offered a promotion that seems too good to be true? You know - the sort they'd be insane to be offering to someone like you. The kind where you snap their arm off to accept, then wonder why all your long-serving colleagues look secretly relieved, as if they're off some strange and unpleasant hook ...It's the kind of trick that deeply sinister companies like J.W. Wells & Co. pull all the time. Especially with employees who are too busy mooning over the office intern to think about what they're getting into. And it's why, right about now, Paul Carpenter is wishing he'd paid much less attention to the gorgeous Melze, and rather more to a little bit of job description small-print referring to 'pest' control ...Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Bestselling author Douglas Jackson expertly brings the Roman Empire to life in this brutal and bloody historical adventure. Perfect for fans of Simon Scarrow, Ben Kane and Conn Iggulden. Readers are loving Gaius Valerius Verrens! "Breakneck action, vivid characters, a fresh, believable perspective, and a fabulous plot with a stunning, unexpected end. Don't want to read it yet? Are you barking mad?" - 5 STARS"A page turner that makes you want more" - 5 STARS"I couldn't put the book down" - 5 STARS"A cracking read" - 5 STARS"Hugely enjoyable" - 5 STARS******************************************************************AMIDST THE CHAOS AND CARNAGE OF CIVIL WAR, WHERE DO A HERO'S LOYALTIES LIE? AD 68: The Emperor Nero's erratic and bloody reign is in its death throes when Gaius Valerius Verrens is dispatched to Rome on a mission that will bring it to a close. With Nero dead, the city and the Empire hold their breath, pray for peace and await the arrival of his successor, Servius Sulpicius Galba, governor of Hispania. But they pray in vain. Galba promises stability and prosperity, but his rule begins with a massacre and ends only months later in chaos and carnage. And so starts the Year of the Four Emperors: a time of civil war which will tear Rome apart and test Valerius's skills and loyalties to their very limit. Fortunate to survive Galba's fall, Valerius is sent on a mission by Rome's new Emperor, Otho, to persuade his old friend Vitellius to halt his armies, stop them marching in the north and therefore prevent inevitable confrontation and disruption. In an epic adventure that will take him the length and breadth of a divided land, the one-armed Roman fights to stay alive and stave off a bloodbath as he is stalked by the most implacable enemy he has ever faced.Gaius Valerius Verrens's adventures continue in Enemy of Rome.

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A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, da Ponte, and many more. An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

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Rome is not one city but many, each with its own history unfolding from a different center: now the trading port on the Tiber; now the Forum of antiquity; the Palatine of imperial power; the Lateran Church of Christian ascendancy; the Vatican; the Quirinal palace. Beginning with the very shaping of the ground on which Rome first rose, this book conjures all these cities, past and present, conducting the reader through time and space to the complex and shifting realities--architectural, historical, political, and social--that constitute Rome.A multifaceted historical portrait, this richly illustrated work is as gritty as it is gorgeous, immersing readers in the practical world of each period. James McGregor's explorations afford the pleasures of a novel thick with characters and plot twists: amid the life struggles, hopes, and failures of countless generations, we see how things truly worked, then and now; we learn about the materials of which Rome was built; of the Tiber and its bridges; of roads, aqueducts, and sewers; and, always, of power, especially the power to shape the city and imprint it with a particular personality--like that of Nero or Trajan or Pope Sixtus V--or a particular institution.McGregor traces the successive urban forms that rulers have imposed, from emperors and popes to national governments including Mussolini's. And, in archaeologists' and museums' presentation of Rome's past, he shows that the documenting of history itself is fraught with power and politics. In McGregor's own beautifully written account, the power and politics emerge clearly, manifest in the distinctive styles and structures, practical concerns and aesthetic interests that constitute the myriad Romes of our day and days past.

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Bestselling classical historian Barry Strauss delivers “an exceptionally accessible history of the Roman Empire…much of Ten Caesars reads like a script for Game of Thrones” (The Wall Street Journal)—a summation of three and a half centuries of the Roman Empire as seen through the lives of ten of the most important emperors, from Augustus to Constantine.In this essential and “enlightening” (The New York Times Book Review) work, Barry Strauss tells the story of the Roman Empire from rise to reinvention, from Augustus, who founded the empire, to Constantine, who made it Christian and moved the capital east to Constantinople. During these centuries Rome gained in splendor and territory, then lost both. By the fourth century, the time of Constantine, the Roman Empire had changed so dramatically in geography, ethnicity, religion, and culture that it would have been virtually unrecognizable to Augustus. Rome’s legacy remains today in so many ways, from language, law, and architecture to the seat of the Roman Catholic Church. Strauss examines this enduring heritage through the lives of the men who shaped it: Augustus, Tiberius, Nero, Vespasian, Trajan, Hadrian, Marcus Aurelius, Septimius Severus, Diocletian, and Constantine. Over the ages, they learned to maintain the family business—the government of an empire—by adapting when necessary and always persevering no matter the cost. Ten Caesars is a “captivating narrative that breathes new life into a host of transformative figures” (Publishers Weekly). This “superb summation of four centuries of Roman history, a masterpiece of compression, confirms Barry Strauss as the foremost academic classicist writing for the general reader today” (The Wall Street Journal).

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Big lies are told by governments, politicians, and corporations to avoid responsibility, cast blame on the innocent, win elections, disguise intent, create chaos, and gain power and wealth. Big lies are as old as civilization. They corrupt public understanding and discourse, turn science upside down, and reinvent history. They prevent humanity from addressing critical challenges. They perpetuate injustices. They destabilize the world. The modern age has provided ever-more-effective ways of spreading lies, but it has also given us the scientific method, which is the most effective tool for finding what is true. In the book’s final chapter, Kurlansky reveals ways to deconstruct an allegation. A scientific theory has to be testable, and so does an allegation. BIG LIES soars across history: alighting on the “noble lies” of Socrates and Plato; Nero blaming Christians for the burning of Rome; the great injustices of the Middle Ages; the big lies of Stalin and Hitler and their terrible consequences; the reckless lies of contemporary demagogues, which are amplified through social media; lies against women and Jews are two examples in the long history of “othering” the vulnerable for personal gain; up to the equal-opportunity spotlight in America. “Belief is a choice,” Kurlansky writes, “and honesty begins in each of us. A lack of caring what is true or false is the undoing of democracy. The alternative to truth is a corrupt state in which the loudest voices and most seductive lies confer power and wealth on grifters and oligarchs. We cannot achieve a healthy planet for all the world’s people if we do not keep asking what is true.”

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AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'An outstanding book with the vivid battle scenes proving a highlight' ⭐ ⭐ ⭐ ⭐ ⭐'This is action packed and unputdownable . . . from the first page, you are transported back in time. A captivating book full of heroism and sacrifice' ⭐ ⭐ ⭐ ⭐ ⭐'Vigorous plot with unexpected twists' ⭐ ⭐ ⭐ ⭐ ⭐'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

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'When Tom Holt's on form, the world seems a much cheerier place' - SFX'Frantically wacky and wilfully confusing ... gratifyingly clever and very amusing' - MAIL ON SUNDAYOnce upon a time (or last Thursday, as it's known in this matrix) everything was fine: Humpty Dumpty sat on his wall, Jack and Jill went about their lawful business, the Big Bad Wolf did what big bad wolves do, and the wicked queen plotted murder most foul.But the humans hacked, cried havoc, shut down the wicked queen's system (mirrors 3.1) and corrupted her database - and suddenly everything was not fine at all. But at least we know that they'll all live happily ever after. Don't we?Computers and fairy tales collide to hilarious effect in the latest sparkling cocktail of mayhem, wit and wonder from the master of comic fantasy.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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AD 60. Britannia. The Boudica Revolt begins . . .Macro and Cato - heroes of the Roman Empire - face a ruthless enemy set on revenge The Roman Empire's hold on the province of Britannia is fragile. The tribes implacably opposed to Rome have grown cunning in their attacks on the legions. Even amongst those who have sworn loyalty, dissent simmers. In distant Rome, Nero is blind to the danger.As hostilities create mayhem in the west, Governor Gaius Suetonius Paulinus gathers a vast army, with Prefect Cato in command. A hero of countless battles, Cato wants his loyal comrade Centurion Macro by his side. But the Governor leaves Macro behind, in charge of the veteran reserves in Camulodunum. Suetonius dismisses concerns that the poorly fortified colony will be vulnerable to attack when only a skeleton force remains. With the military distracted, slow-burning anger amongst the tribespeople bursts into flames. The king of the Iceni is dead and a proud kingdom is set for plundering and annexation. But the widow is Queen Boudica, a woman with a warrior's heart. If Boudica calls for death to the emperor, a bloodbath will follow.Macro and Cato each face deadly battles against enemies who would rather die than succumb to Roman rule. The future of Britannia hangs in the balance.'An outstanding book with the vivid battle scenes proving a highlight' ⭐ ⭐ ⭐ ⭐ ⭐'This is action packed and unputdownable . . . from the first page, you are transported back in time. A captivating book full of heroism and sacrifice' ⭐ ⭐ ⭐ ⭐ ⭐'Vigorous plot with unexpected twists' ⭐ ⭐ ⭐ ⭐ ⭐'Scarrow . . . has the gift of combining wide knowledge of the period with a page-turning narrative' Sunday TimesSIMON SCARROW: 5 MILLION BOOKS SOLD WORLDWIDE!

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From the Sunday Times bestselling author Manda Scott, a high-octane, stirring and exciting historical adventure full of intrigue and action. Perfect for fans of Simon Scarrow, Robert Harris and Conn Iggulden."Intricately woven, cleverly plotted. Miss this at your peril!" -- BEN KANE"Intelligent, historical...I was bereft when I turned the final page." -- ROBERT LOW"A dazzling, wonderfully crafted tale. Spellbinding." -- GILES KRISTIAN"Manda Scott's 'Rome' is fast becoming one of my favourite series. Highly recommended." -- ***** Reader review"Definitely required reading for anyone interested in this phase of history, amongst others !!" -- ***** Reader review***********************************TO SAVE ROME HE MUST PLACE HIS TRUST IN ANOTHER. Sebastos Pantera, known to his many enemies as the Leopard and something of a lone wolf, is the spy the Emperor Nero uses only for the most challenging and important of missions. His next mission: to find the most dangerous man in Rome's empire and bring him to bloody justice.His prey is cunning, subtle and ruthless. Saulos has pledged to bring about the destruction of Rome and her provinces and now fate, good luck and planning have given him the means to do so.The brilliance of Saulos' plan will be difficult to combat, but Pantera has a new ally: a king in the making who could change the future of his people - a man he can finally trust. If they work together, they could bring a province back from the edge of ruin. But first, they must attempt the impossible; an assault on an invulnerable fortress, where failure means death to them both.The story continues in Rome: The Eagle of the Twelfth. Have you read Rome: The Emperor's Spy, where the story begins?

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In this volume distinguished scholars from both sides of the Atlantic explore the work of Tacitus in its historical and literary context and also show how his text was interpreted in the sixteenth through eighteenth centuries. Discussed here, for example, are the ways predilections of a particular age color one's reading of a complex author and why a reexamination of these influences is necessary to understand both the author and those who have interpreted him. All of the essays were first prepared for a colloquium on Tacitus held at Princeton University in March 1990. The resulting volume is dedicated to the memory of the great Tacitean scholar Sir Ronald Syme. The contributors are G. W. Bowersock ("Tacitus and the Province of Asia"), T. J. Luce ("Reading and Response in the Dialogus"), Elizabeth Keitel ("Speech and Narrative in Histories 4"), Christopher Pelling ("Tacitus and Germanicus"), Judith Ginsburg ("In maiores certamina: Past and Present in the Annals"), A. J. Woodman ("Amateur Dramatics at the Court of Nero"), Mark Morford ("Tacitean Prudentia and the Doctrines of Justus Lipsius"), Donald R. Kelley ("Tacitus Noster: The Germania in the Renaissance and Reformation"), and Howard D. Weinbrot ("Politics, Taste, and National Identity: Some Uses of Tacitism in Eighteenth-Century Britain"). Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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In this beautiful and richly illustrated book, the acclaimed author of Blue and Black presents a fascinating and revealing history of the color green in European societies from prehistoric times to today. Examining the evolving place of green in art, clothes, literature, religion, science, and everyday life, Michel Pastoureau traces how culture has profoundly changed the perception and meaning of the color over millennia--and how we misread cultural, social, and art history when we assume that colors have always signified what they do today. Filled with entertaining and enlightening anecdotes, Green shows that the color has been ambivalent: a symbol of life, luck, and hope, but also disorder, greed, poison, and the devil. Chemically unstable, green pigments were long difficult to produce and even harder to fix. Not surprisingly, the color has been associated with all that is changeable and fleeting: childhood, love, and money. Only in the Romantic period did green definitively become the color of nature. Pastoureau also explains why the color was connected with the Roman emperor Nero, how it became the color of Islam, why Goethe believed it was the color of the middle class, why some nineteenth-century scholars speculated that the ancient Greeks couldn't see green, and how the color was denigrated by Kandinsky and the Bauhaus. More broadly, Green demonstrates that the history of the color is, to a large degree, one of dramatic reversal: long absent, ignored, or rejected, green today has become a ubiquitous and soothing presence as the symbol of environmental causes and the mission to save the planet. With its striking design and compelling text, Green will delight anyone who is interested in history, culture, art, fashion, or media.

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'Frantically wacky and wilfully confusing ... gratifyingly clever and very amusing' - Mail on Sunday'Frothy, fast and funny' - Scotland on SundayJ.W. Wells seemed to be a respectable establishment, but the company now paying Paul Carpenter's salary is in fact a deeply sinister organisation with a mighty peculiar management team. Paul thought he was getting the hang of it (particularly when he fell head over heels for his strangely alluring colleague Sophie), but death is never far away when you work at J.W. Wells. Unlike the stapler - that's always going awol. Our lovestruck hero is about to discover that custard is definitely in the eye of the beholder. And that it really stings.Tom Holt's exceedingly comic fantasies are populated with evil goblins, annoying sprites and people like us. However, it's not always possible to tell the difference.The third book to follow the hilarious adventures of Paul Carpenter - Tom Holt at his inventive best.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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'Tom Holt's comic fantasy is a great, uplifting read, fit to grace any reader's book collection' - Waterstones Books Quarterly'Holt's quirky characters and whimsical voice successfully infuse life into this entertaining romantic comedy' - Publishers WeeklyIt touches all our lives; our triumphs and tragedies, our proudest achievements, our most traumatic disasters. Alloyed of love and fear, death and fire and the inscrutable acts of the gods, insurance is indeed the force that binds the universe together.Hardly surprising, therefore, that Frank Carpenter, one of the foremost magical practitioners of our age, felt himself irresistibly drawn to it. Until, that is, he met Jane, a high-flying corporate heroine with an annoying habit of falling out of trees and getting killed. Repeatedly.It's not long before Frank and Jane find themselves face to face with the greatest enigma of our times: When is a door not a door? When it's a mousetrap.A madcap comic fantasy from one of Britain's funniest writers.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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This glorious saga unfolds against the backdrop of ancient Rome—from the Forum to the Coliseum, from banquet halls to summer retreats in Naples, from the luxurious houses of the nobility to the hovels of the poor, Quo Vadis richly depicts a place and time still captivating to the modern imagination. This radiant translation by W.S. Kuniczak restores the original glory and richness of master storyteller Henryk Sienkiewicz's epic tale.Set at a turning point in history (A.D. 54-68), as Christianity replaces the era of corruption and immorality that marked Nero’s Rome, Quo Vadis abounds with compelling characters, including: Vinicius, the proud centurion who has fallen deeply in love with a mysterious young woman who disappears the night they meet;Ligia, the elusive beauty. Vinicius will not easily win her love, for she is a Christian, one of the group of dedicated believers led by the apostle Peter. Christians are rare in pagan, hedonistic Rome, and suffer great persecution; Petronius, uncle to Vinicius, an elegant, witty courtier who scoffs at love and religion but finds his nephew’s passion charming; and Nero himself, enemy of all Christians, a despotic emperor who plunges Rome deeper and deeper into depravity. The decadence of his banquets is staggering; and even worse, his mad laughter is heard echoing in the amphitheater as gladiators duel to the death. As Nero’s appalling plans for the Christians become ever clearer, time appears to be running out for the young lovers. Vinicius must come to understand the true meaning of Ligia’s religion before it is too late.Grand in scope and ambition, Quo Vadis explores the themes of love, desire and profound moral courage. Lavish descriptions, vivid dialogue and brilliantly drawn characters make this one of the world’s greatest epics. Beloved by children and adults the world over, Quo Vadis has been the subject of five films, two of them in English.

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The paramount historian of the early Roman empire. Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus. Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola's career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus's other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66). Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount. The Loeb Classical Library edition of Tacitus is in five volumes.

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The paramount historian of the early Roman empire.Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus. Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola's career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus's other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66). Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount. The Loeb Classical Library edition of Tacitus is in five volumes.

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Marcus Agrippa personified the term Oright-hand manO. As Emperor AugustusO deputy, he waged wars, pacified provinces, beautified Rome, and played a critical role in laying the foundations of the Pax Romana for the next two hundred years D but he served always in the knowledge he would never rule in his own name. Why he did so, and never grasped power exclusively for himself, has perplexed historians for centuries. In his teens he formed a life-long friendship with Julius Caesar\'s great nephew, Caius Octavius, which would change world history. Following CaesarOs assassination on the Ides of March 44 BC, Agrippa was instrumental in asserting his friendOs rights as the dictator\'s heir. He established a reputation as a bold admiral, defeating Sextus Pompeius at Mylae and Naulochus (36 BC), culminating in the epoch-making Battle of Actium (31 BC), which eliminated Marcus Antonius and Queen Cleopatra as rivals. He proved his genius for military command on land by ending bloody rebellions in the Cimmerian Bosporus, Gaul, Hispania and Illyricum. In Gaul Agrippa established the vital road network that helped turn Julius CaesarOs conquests into viable provinces. As a diplomat, he befriended Herod the Great of Judaea and stabilised the East. As minister of works he overhauled Rome\'s drains and aqueducts, transformed public bathing in the city, created public parks with great artworks and built the original Pantheon. Agrippa became co-ruler of the Roman Empire with Augustus and married his daughter Julia. His three sons were adopted by his friend as potential heirs to the throne. Agrippa\'s unexpected death in 12 BC left Augustus bereft, but his bloodline lived on in the imperial family, through Agrippina the Elder to his grandson Caligula and great grandson Nero. MARCUS AGRIPPA is lucidly written by the author of the acclaimed biographies Eager for Glory and Germanicus. Illustrated with colour plates, figures and high quality maps, Lindsay Powell presents a penetrating new assessment of the life and achievements of the multifaceted man who put service to friend and country before himself.

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WINNER OF IRISH BOOK OF THE YEAR 2023SHORTLISTED FOR THE BOOKER PRIZE 2023SHORTLISTED FOR THE NERO BOOK AWARDS 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M. From one of our greatest comic novelists and the author of Skippy Dies comes a funny, thought-provoking story of one family desperately clinging on as their world falls apart . . .'A tragicomic triumph. You won't read a sadder, truer, funnier novel this year' GuardianThe Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman.His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home.Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil?Can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?‘The finest novel that Murray has yet written . . . will surely be one of the books of 2023’ Sunday Independent'Murray is a natural storyteller . . . Ambitious, expansive, hugely entertaining tragicomic fiction' Irish Times'It's a thing of beauty, a novel that will fill your heart' Observer‘Generous, immersive, sharp-witted and devastating . . . a triumph’ Financial Times‘It's been compared to Jonathan Franzen's The Corrections; I'd argue it's better’ Daily Mail

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Il fuoco di Sant’Antonio è una malattia, certo! Ma quale? Per noi Italiani è sicuramente l’Herpes zoster; ma è sempre stato così? Ebbene, no! Sant’Antonio Abate aveva la fama di taumaturgo e guaritore già in vita, nonostante si fosse ritirato in un remoto deserto. Così, quando le sue spoglie arrivarono in Europa dopo l’anno Mille, tutti coloro che soffrivano di malattie dolorose e urenti, imploravano Sant’Antonio che li guarisse da quel "fuoco" che li tormentava. Ma quali erano queste malattie così dolorose? Le antiche cronache sono spesso troppo succinte o troppo romanzate per orientarci nella diagnosi ma erisipela, sifilide, ergotismo hanno fatto certamente buona compagnia allo zoster. L’ergotismo, soprattutto, era una malattia terrorizzante perché compariva ad ondate imprevedibili e, come la peste, colpiva i virtuosi come i viziosi, scardinando l’interpretazione allora dominante, del dolore come conseguenza del peccato. Come se non bastasse, l’ergotismo non solo provocava terribili sofferenze ma spesso anche stati di confusione mentale e di delirio che erano (questi sì!) sicuramente attribuiti al demonio. Bisogna aspettare il XVIII secolo e l’età dei Lumi per mandare in soffitta le superstizioni che infestavano la medicina ed allora l’ergotismo si rivela essere non più una maledizione ma una solo una malattia, un effetto del consumo di pane nero alloiato Lo studio degli allucinogeni e la scoperta dell’LSD nel XX secolo, mettono la parola fine all’interpretazione mistico-religiosa di alcune patologie e gettano inaspettatamente nuova luce su quello che fu il segreto meglio custodito dell’Antichità: il culto dei Misteri Eleusini. In questo libro, la storia del fuoco di Sant’Antonio di dipana dai racconti medioevali sino all’odierna virologia e suggerisce che la curiosità e la scienza sono l’unico antidoto contro la superstizione e il mistero. Un filo rosso unisce i Misteri Eleusini al Fuoco di Sant’Antonio: questo filo è l’LSD. La molecola è la stessa ma il contorno è molto diverso e, di sicuro, molto appassionante.

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The paramount historian of the early Roman empire.Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus. Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola's career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus's other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66). Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount. The Loeb Classical Library edition of Tacitus is in five volumes.

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With its apparently complete town plan, revealed by the Society of Antiquaries of London’s great excavation project, 1890-1909, Silchester is one of the best known towns in Roman Britain and the Roman world more widely. Since the 1970s excavations by the author and the University of Reading on several sites including the amphitheatre, the defences, the forum basilica, the public baths, a temple and an extensive area of an entire insula, as well as surveys of the suburbs and immediate hinterland, have radically increased our knowledge of the town and its development over time from its origins to its abandonment. This research has discovered the late Iron Age oppidum and allowed us to characterise the nature of the settlement with its strong Gallic connections and widespread political and trading links across southern Britain, to Gaul and to southern Europe and the Mediterranean.Following a review of the evidence for the impact of the Roman conquest of A.D. 43/44, the settlement’s transformation into a planned Roman city is traced, and its association with the Emperor Nero is explored. With the re-building in masonry of the great forum basilica in the early second century, the city reached the peak of its physical development. Defence building, first in earthwork, then in stone in the later third century are major landmarks of the third century, but the town can be shown to have continued to flourish, certainly up to the early fifth century and the end of the Roman administration of Britain. The enigma of the Silchester ogham stone is explored and the story of the town and its transformation to village is taken up to the fourteenth century.Modern archaeological methods have allowed us to explore a number of themes demonstrating change over time, notably the built and natural environments of the town, the diet, dress, health, leisure activities, living conditions, occupations and ritual behaviour of the inhabitants, and the role of the town as communications centre, economic hub and administrative centre of the tribal ‘county’ of the Atrebates.

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The paramount historian of the early Roman empire. Tacitus (Cornelius), famous Roman historian, was born in AD 55, 56 or 57 and lived to about 120. He became an orator, married in 77 a daughter of Julius Agricola before Agricola went to Britain, was quaestor in 81 or 82, a senator under the Flavian emperors, and a praetor in 88. After four years' absence he experienced the terrors of Emperor Domitian's last years and turned to historical writing. He was a consul in 97. Close friend of the younger Pliny, with him he successfully prosecuted Marius Priscus. Works: (i) Life and Character of Agricola, written in 97–98, specially interesting because of Agricola's career in Britain. (ii) Germania (98–99), an equally important description of the geography, anthropology, products, institutions, and social life and the tribes of the Germans as known to the Romans. (iii) Dialogue on Oratory (Dialogus), of unknown date; a lively conversation about the decline of oratory and education. (iv) Histories (probably issued in parts from 105 onwards), a great work originally consisting of at least twelve books covering the period AD 69–96, but only Books 1–4 and part of Book 5 survive, dealing in detail with the dramatic years 69–70. (v) Annals, Tacitus's other great work, originally covering the period AD 14–68 (Emperors Tiberius, Gaius, Claudius, Nero) and published between 115 and about 120. Of sixteen books at least, there survive Books 1–4 (covering the years 14–28); a bit of Book 5 and all Book 6 (31–37); part of Book 11 (from 47); Books 12–15 and part of Book 16 (to 66). Tacitus is renowned for his development of a pregnant concise style, character study, and psychological analysis, and for the often terrible story which he brilliantly tells. As a historian of the early Roman empire he is paramount. The Loeb Classical Library edition of Tacitus is in five volumes.

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In her international bestseller SPQR, Mary Beard told the thousand-year story of ancient Rome, from its slightly shabby Iron Age origins to its reign as the undisputed hegemon of the Mediterranean. Now, drawing on more than thirty years of teaching and writing about Roman history, Beard turns to the emperors who ruled the Roman Empire, beginning with Julius Caesar (assassinated 44 BCE) and taking us through the nearly three centuries—and some thirty emperors—that separate him from the boy-king Alexander Severus (assassinated 235 CE). Yet Emperor of Rome is not your typical chronological account of Roman rulers, one emperor after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Instead, Beard asks different, often larger and more probing questions: What power did emperors actually have? Was the Roman palace really so bloodstained? What kind of jokes did Augustus tell? And for that matter, what really happened, for example, between the emperor Hadrian and his beloved Antinous? Effortlessly combining the epic with the quotidian, Beard tracks the emperor down at home, at the races, on his travels, even on his way to heaven. Along the way, Beard explores Roman fictions of imperial power, overturning many of the assumptions that we hold as gospel, not the least of them the perception that emperors one and all were orchestrators of extreme brutality and cruelty. Here Beard introduces us to the emperor’s wives and lovers, rivals and slaves, court jesters and soldiers, and the ordinary people who pressed begging letters into his hand—whose chamber pot disputes were adjudicated by Augustus, and whose budgets were approved by Vespasian, himself the son of a tax collector. With its finely nuanced portrayal of sex, class, and politics, Emperor of Rome goes directly to the heart of Roman fantasies (and our own) about what it was to be Roman at its richest, most luxurious, most extreme, most powerful, and most deadly, offering an account of Roman history as it has never been presented before.

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WINNER OF IRISH BOOK OF THE YEAR 2023SHORTLISTED FOR THE BOOKER PRIZE 2023SHORTLISTED FOR THE NERO BOOK AWARDS 2023SHORTLISTED FOR THE WRITERS’ PRIZE FOR FICTION 2024ONE OF SARAH JESSICA PARKER’S BEST BOOKS OF 2023Book of the Year 2023 according to New York Times, New Yorker, The Sunday Times, The Economist, Observer, Guardian, Washington Post, Lit Hub, TIME magazine, Irish Times, The Oldie, Daily Mail, i Paper, Independent, The Standard, The Times, Kirkus, Daily Express, City A.M. From one of our greatest comic novelists and the author of Skippy Dies comes a funny, thought-provoking story of one family desperately clinging on as their world falls apart . . .'A tragicomic triumph. You won't read a sadder, truer, funnier novel this year' GuardianThe Barnes family is in trouble. Dickie's once-lucrative car business is going under - but rather than face the music, he's spending his days in the woods, building an apocalypse-proof bunker with a renegade handyman.His wife Imelda is selling off her jewellery on eBay while their teenage daughter Cass, formerly top of her class, seems determined to binge-drink her way to her final exams. And twelve-year-old PJ is putting the final touches to his grand plan to run away from home.Where did it all go wrong? A patch of ice on the tarmac, a casual favour to a charming stranger, a bee caught beneath a bridal veil?Can a single moment of bad luck change the direction of a life? And if the story has already been written - is there still time to find a happy ending?‘The finest novel that Murray has yet written . . . will surely be one of the books of 2023’ Sunday Independent'Murray is a natural storyteller . . . Ambitious, expansive, hugely entertaining tragicomic fiction' Irish Times'It's a thing of beauty, a novel that will fill your heart' Observer‘Generous, immersive, sharp-witted and devastating . . . a triumph’ Financial Times‘It's been compared to Jonathan Franzen's The Corrections; I'd argue it's better’ Daily Mail

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How did the ancient Greeks and Romans envision the end of the world?What is the long-term future of the human race? Will the world always remain as it is or will it undergo a catastrophic change? What role do the gods, human morality, and the forces of nature play in bringing about the end of the world? In Apocalypse and Golden Age, Christopher Star reveals the answers that Greek and Roman authors gave to these questions. The first large-scale investigation of the various scenarios for the end of the world in classical texts, this book demonstrates that key thinkers often viewed their world as shaped by catastrophe. Star focuses on how this theme was explored over the centuries in the works of poets, such as Hesiod, Vergil, Ovid, and Lucan, and by philosophers, including the Presocratics, Plato, Epicurus, Lucretius, Cicero, and Seneca. With possibilities ranging from periodic terrestrial catastrophes to the total dissolution of the world, these scenarios address the ultimate limits that define human life and institutions, and place humanity in the long perspective of cosmic and natural history. These texts also explore various options for the rebirth of society after world catastrophe, such as a return of the Golden Age or the redevelopment of culture and political institutions. Greek and Roman visions of the end, Star argues, are not calls to renounce this world and prepare for a future kingdom. Rather, they are set within larger investigations that examine and seek to improve personal and political life in the present. Contextualizing classical thought about the apocalypse with biblical studies, Star shows that the seeds of our contemporary anxieties about globalization, politics, and technology were sown during the Roman period. Even the prevalent link between an earthly leader and the beginning of the end times can be traced back to Greek and Roman rulers, the emperor Nero in particular. Apocalypse and Golden Age enriches our understanding of apocalyptic thought.

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'Uniquely twisted...cracking gags...' - The Guardian (UK)'Wacky humor bubbles through the polished narrative... Holt doesn't skimp on the flashes of brilliance.' - SFXMaurice has just killed a dragon with a breadknife. And had his destiny foretold . . . and had his true love spirited away. That's precisely the sort of stuff that'd bring out the latent heroism in anyone. Unfortunately, Maurice is pretty sure he hasn't got any latent heroism. Meanwhile, a man wakes up in a jar in a different kind of pickle (figuratively speaking). He can't get out, of course, but neither can he remember his name, or what gravity is, or what those things on the ends on his legs are called . . . and every time he starts working it all out, someone makes him forget again. Forget everything. Only one thing might help him. The answer to the most baffling question of all. WHEN IS A DOOR NOT A DOOR?An absurdly witty novel of alternate universes and very unlikely heroes from one of Britain's best-loved comic writers - perfect for fans of Douglas Adams and Terry PratchettBooks by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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'Tom Holt's Doughnut presents a roller-coaster ride through the world of physics and the origins of the universe.' - Library Journal'One for physicists as well as Krispy Kreme-loving policemen.' - T3The doughnut is a thing of beauty. A circle of fried doughy perfection. A source of comfort in trying times, perhaps. For Theo Bernstein, however, it is far, far more. Things have been going pretty badly for Theo Bernstein. An unfortunate accident at work lost him his job (and his work involved a Very Very Large Hadron Collider, so he's unlikely to get it back). His wife has left him. And he doesn't have any money. Before Theo has time to fully appreciate the pointlessness of his own existence, news arrives that his good friend Professor Pieter van Goyen, renowned physicist and Nobel laureate, has died. By leaving the apparently worthless contents of his safety deposit to Theo, however, the professor has set him on a quest of epic proportions. A journey that will rewrite the laws of physics. A battle to save humanity itself. This is the tale of a man who had nothing and gave it all up to find his destiny - and a doughnut.From one of the best-loved comic writers in fantasy fiction comes another absurdly witty science fiction title - perfect for fans of Douglas Adams or Terry Pratchett.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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'Satisfying and entertaining.' - RT Book Reviews'Entertaining.... Holt has a zany humor that will appeal to fans of Terry Pratchett and Christopher Moore.' - Library JournalA HAPPY WORKFORCE, IT IS SAID, IS A PRODUCTIVE WORKFORCE.Try telling that to an army of belligerent goblins. Or the Big Bad Wolf. Or a professional dragon slayer. Who is looking after their well-being? Who gives a damn about their intolerable working conditions, lack of adequate health insurance, and terrible coffee in the canteen?Thankfully, with access to an astonishingly diverse workforce and limitless natural resources, maximizing revenue and improving operating profit has never really been an issue for the one they call 'the Wizard.' Until now.Because now a perfectly good business model-based on sound fiscal planning, entrepreneurial flair, and only one or two of the infinite parallel worlds that make up our universe-is about to be disrupted by a young man not entirely aware of what's going on.There's also a slight risk that the fabric of reality will be torn to shreds. You really do have to be awfully careful with these things.A story of overlords, underlings and inhuman resources, The Outsorcerer's Apprentice isthe hilarious new novel from comic fantasist Tom Holt.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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This volume celebrates 100 years of Harvard Studies in Classical Philology. It contains essays by Harvard faculty, emeriti, currently enrolled graduate students, and most recent Ph.D.s. It displays the range and diversity of the study of the Classics at Harvard at the beginning of the twenty-first century.Volume 100 includes: E. Badian, “Darius III”; D. R. Shackleton Bailey, “On Statius’ Thebaid”; Brian W. Breed, “Silenus and the Imago Vocis in Eclogue 6”; Wendell Clausen, “Propertius 2.32.35–36”; Kathleen Coleman, “Missio at Halicarnassus”; Stamatia Dova, “Who Is μακάρτατος in the Odyssey?”; Casey Dué, “Tragic History and Barbarian Speech in Sallust’s Jugurtha”; John Duffy and Dimiter Angelov, “Observations on a Byzantine Manuscript in Harvard College Library”; Mary Ebbott, “The List of the War Dead in Aeschylus’ Persians”; Gloria Ferrari, “The Ilioupersis in Athens”; José González, “Musai Hypophetores: Apollonius of Rhodes on Inspiration and Interpretation”; Albert Henrichs, “Drama and Dromena: Bloodshed, Violence, and Sacrificial Metaphor in Euripides”; Alexander Hollmann, “Epos as Authoritative Speech in Herodotos’ Histories”; Thomas E. Jenkins, “The Writing in (and of) Ovid’s Byblis Episode”; Christopher Jones, “Nero Speaking”; Prudence Jones, “Juvenal, the Niphates, and Trajan’s Column (Satire 6.407–412)”; Leah J. Kronenberg, “The Poet’s Fiction: Virgil’s Praise of the Farmer, Philosopher, and Poet at the End of Georgics 2”; Olga Levaniouk, “Aithôn, Aithon, and Odysseus”; Nino Luraghi, “Author and Audience in Thucydides’ Archaeology. Some Reflections”; Gregory Nagy, “‘Dream of a Shade’: Refractions of Epic Vision in Pindar’s Pythian 8 and Aeschylus’ Seven against Thebes”; Corinne Ondine Pache, “War Games: Odysseus at Troy”; David Petrain, “Hylas and Silva: Etymological Wordplay in Propertius 1.20”; Timothy Power, “The Parthenoi of Bacchylides 13”; Eric Robinson, “Democracy in Syracuse, 466–412 B.C.”; Charles Segal, “The Oracles of Sophocles’ Trachiniae: Convergence or Confusion?”; Zeph Stewart, “Plautus’ Amphitruo: Three Problems”; Sarolta A. Takàcs, “Politics and Religion in the Bacchanalian Affair of 186 B.C.E.”; R. J. Tarrant, “The Soldier in the Garden and Other Intruders in Ovid’s Metamorphoses”; Richard F. Thomas, “A Trope by Any Other Name: ‘Polysemy,’ Ambiguity, and Significatio in Virgil”; Michael A. Tueller, “Well-Read Heroes Quoting the Aetia in Aeneid 8”; and Calvert Watkins, “A Distant Anatolian Echo in Pindar: The Origin of the Aegis Again.”

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'Holt is, as usual, absurd, funny, and light-handed enough with the completely ridiculous bits to keep the story moving, assuring that the reader doesn't actually notice how bizarre the story has become, or how tangled the mystery is, until it's nearly done.' - Booklist'Uniquely twisted . . . cracking gags.' - GuardianThere are all kinds of products. The good ones. The bad ones. The ones that stay in the garage mouldering for years until your garden gnome makes a home out of them. Most are harmless if handled properly, even if they do contain traces of peanuts. But some are not. Not the ones that contain traces of magic.Chris Popham wasn't paying enough attention when he talked to his SatNav. Sure, she gave him directions, never backtalked him, and always led him to his next spot on the map with perfect accuracy. She was the best thing in his life. So was it really his fault that he didn't start paying attention when she talked to him? In his defence, that was her job. But when 'Take the next right' turned into 'Excuse me,' that was when the real trouble started. Because sometimes a SatNav isn't a SatNav. Sometimes it's an imprisoned soul trapped inside a metal box that will do anything it can to get free. And some products you just can't return.Another slice of fantastic comic TOMfoolery.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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Ancient Rome was an imposing city even by modern standards, a sprawling imperial metropolis of more than a million inhabitants, a "mixture of luxury and filth, liberty and exploitation, civic pride and murderous civil war" that served as the seat of power for an empire that spanned from Spain to Syria. Yet how did all this emerge from what was once an insignificant village in central Italy? In S.P.Q.R., world-renowned classicist Mary Beard narrates the unprecedented rise of a civilization that even two thousand years later still shapes many of our most fundamental assumptions about power, citizenship, responsibility, political violence, empire, luxury, and beauty. From the foundational myth of Romulus and Remus to 212 ce—nearly a thousand years later—when the emperor Caracalla gave Roman citizenship to every free inhabitant of the empire, S.P.Q.R. (the abbreviation of "The Senate and People of Rome") examines not just how we think of ancient Rome but challenges the comfortable historical perspectives that have existed for centuries by exploring how the Romans thought of themselves: how they challenged the idea of imperial rule, how they responded to terrorism and revolution, and how they invented a new idea of citizenship and nation. Opening the book in 63 bce with the famous clash between the populist aristocrat Catiline and Cicero, the renowned politician and orator, Beard animates this “terrorist conspiracy,” which was aimed at the very heart of the Republic, demonstrating how this singular event would presage the struggle between democracy and autocracy that would come to define much of Rome’s subsequent history. Illustrating how a classical democracy yielded to a self-confident and self-critical empire, S.P.Q.R. reintroduces us, though in a wholly different way, to famous and familiar characters—Hannibal, Julius Caesar, Cleopatra, Augustus, and Nero, among others—while expanding the historical aperture to include those overlooked in traditional histories: the women, the slaves and ex-slaves, conspirators, and those on the losing side of Rome’s glorious conquests. Like the best detectives, Beard sifts fact from fiction, myth and propaganda from historical record, refusing either simple admiration or blanket condemnation. Far from being frozen in marble, Roman history, she shows, is constantly being revised and rewritten as our knowledge expands. Indeed, our perceptions of ancient Rome have changed dramatically over the last fifty years, and S.P.Q.R., with its nuanced attention to class inequality, democratic struggles, and the lives of entire groups of people omitted from the historical narrative for centuries, promises to shape our view of Roman history for decades to come.

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'Frantically wacky and wilfully confusing ... gratifyingly clever and very amusing' - MAIL ON SUNDAY'Frothy, fast and funny' - SCOTLAND ON SUNDAYColin Hollinghead is a young man going nowhere fast. Working for his dad might have seemed like a good idea at the time, but starting at the bottom in the widget-making industry has somehow lost its appeal. And now the business is in trouble. At least his father has a plan to turn things round - a new work force that will improve profit margins and secure the company's future for eternity. The deal looks great on paper, but they do say that the devil is in the detail - and the old rogue certainly seems to be involved in some capacity. Colin needs help. Perhaps his new friend from J.W. Wells & Co. (Practical and Effective Magicians, Sorcerers and Supernatural Consultants) can help. Sparkling with wit and oozing charm, Tom Holt's new comic caper will delight his readers and prove once and for all that going to work can actually be hell.And now the business is in trouble. At least his father has a plan to turn things round - a new work force that will improve profit margins and secure the company's future for eternity. The deal looks great on paper, but they do say that the devil is in the detail - and the old rogue certainly seems to be involved in some capacity. Colin needs help. Perhaps his new friend from J.W. Wells & Co. (Practical and Effective Magicians, Sorcerers and Supernatural Consultants) can help.Sparkling with wit and oozing charm, Tom Holt's new comic caper will delight his readers and prove once and for all that going to work can actually be hell.Books by Tom Holt: Walled Orchard Series Goatsong The Walled Orchard J.W. Wells & Co. Series The Portable Door In Your Dreams Earth, Air, Fire and Custard You Don't Have to Be Evil to Work Here, But It Helps The Better Mousetrap May Contain Traces of Magic Life, Liberty and the Pursuit of Sausages YouSpace Series Doughnut When It's A Jar The Outsorcerer's Apprentice The Good, the Bad and the Smug Novels Expecting Someone Taller Who's Afraid of Beowulf Flying Dutch Ye Gods! Overtime Here Comes the Sun Grailblazers Faust Among Equals Odds and Gods Djinn Rummy My Hero Paint your Dragon Open Sesame Wish you Were Here Alexander at World's End Only Human Snow White and the Seven Samurai Olympiad Valhalla Nothing But Blue Skies Falling SidewaysLittle PeopleSong for NeroMeadowlandBarkingBlonde BombshellThe Management Style of the Supreme BeingsAn Orc on the Wild Side

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ONE ROOM. FIVE SUSPECTS. THREE HOURS TO FIND A KILLER.'An impressive debut' James Oswald**************GUESS WHO A waitress. A cleaner. An actress. A lawyer. A student. Everyone is a suspect.WHERE In a locked room - with no escape, and no idea how they got there. WHAT In the bathtub, the body of a man they all knew. Someone murdered him. Someone in this room. WHY They have three hours to find out. Or they all die. THE RULES ARE SIMPLE. THE GAME IS NOT Imagine Agatha Christie had created an interactive Escape the Room game, and GUESS WHO would be the result. For fans of the DI Helen Grace series by MJ Arlidge, The Woman in Cabin 10 by Ruth Ware, Ragdoll by Daniel Cole, and Rattle by Fiona Cummins.**************What readers are saying about this gripping thriller from the new king of the locked room mystery, Chris McGeorge:'Guess Who boils with claustrophobic intensity. Packed with gripping twists and turns, Guess Who is an inventive, entertaining locked room mystery that kept me utterly hooked.' Adam Hamdy, author of Pendulum'Aningenious twisty mystery in a totally unique setting.' Claire McGowan, author of The Lost'An impressive debut and a sign of great things to come.' James Oswald, author of Natural Causes'Chris McGeorge's Guess Who is a fresh take on the locked room murder mystery. The plotting is intricate, the characters well drawn, and the pace never lets up as it drives headlong to the surprising end.' David C. Taylor, Edgar-nominated, Nero Wolfe Award-winning author of Night Life'Guess Who is an incredibly satisfying, intelligent thriller running at break-neck pace right until it's closing pages. A marvellous debut.' Francesca Dorricott, author of After the Eclipse'To say that I found ithard to put down would be an understatement indeed. And when we got to the reveal, I was gobsmacked! Well done that author, take a bow. Not only is it a wholly satisfying, cracking read but, for a debut, it is also very brave and indeed impressive.' Amazon reviewer, 5 stars'The story is incredibly well-written; it's one of those books that once started, can't be put down. The plot is solid and character development is good. A perfect, modern-day Agatha Christie-esque novel.' Amazon reviewer, 5 stars'I must admit I am somewhat daunted at the prospect of writing a review for this book - it was so fantastic that I am not sure I can encapsulate just good it was in this review.' Amazon reviewer, 5 stars

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Lonely Planet’s Experience Rome travel guide reveals exciting new ways to explore this iconic destination with one-of-a-kind adventures at every turn. Devour delicious pizza slices in Testaccio, toss a coin in Trevi Fountain, explore new underground levels at the Colosseum - using our local experts and planning tools to create your own unique trip.Inside Lonely Planet’s Experience Rome:- Local experts share their love for the real Rome, offering fresh perspectives into the city’s traditions, values and modern trends to make your travel experience even more meaningful- In the know tips to help you build on your experiences when visiting well-known sights and landmarks- Fun insights that will pique your curiosity and take you to the heart of the place - discover a thriving street-art scene in the districts of Ostiense, Garbatella and San Lorenzo; see the forgotten home of Nero, which lay undiscovered for centuries; enjoy a sumptuous alfresco aperitivo at Aqualunae in Prati- Experience the perfect day with our local writers who share their ideal itinerary from morning to afternoon and night- Insider scoop on the best festivals, secret hangouts, hidden locations, tantalising local food scene and photo-worthy views- Handy seasonal trip planner to guide you on where to go, when to travel and what to pack- Easy day trip building tools so you can escape to exciting nearby destinations that feel worlds apart- Practical information on money, getting around, unique and local ways to stay, and responsible travel- Comprehensive selection of maps throughout and beautiful full-colour photography to inspire you as you plan your unforgettable journey- Covers Ancient Rome, Centro Storico, Tridente, Trevi & the Quirinale, Vatican City, Borgo & Prati, Monti, Esquilino & San Lorenzo, Trastevere & Gianicolo, San Giovanni & Testaccio, Villa Borghese & Northern Rome, Southern RomeLonely Planet’s Experience Rome is an essential travel guide for all explorers looking to immerse themselves in the city’s culture. Each book within the Experience series contains handy trip building tools so that you can take your pick of the must-see attractions and activities as suggested by our local experts – and create your own dream travel itinerary to get away from the everyday. Unlock even more travel secrets using the QR codes throughout each guide and discover story-worthy travel moments that you’ll never forget.About Lonely Planet:Lonely Planet, a Red Ventures Company, is the world’s number one travel guidebook brand. Providing both inspiring and trustworthy information for every kind of traveller since 1973, Lonely Planet reaches hundreds of millions of travellers each year online and in print and helps them unlock amazing experiences. Visit us at lonelyplanet.com and join our community of followers on Facebook (facebook.com/lonelyplanet), Twitter (@lonelyplanet), Instagram (instagram.com/lonelyplanet), and TikTok (@lonelyplanet)."...these new Experience guides from Lonely Planet are irresistibly attractive." - The Washington Post Book Club

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Peace is like a flame – easily extinguished.21 BC. After the turbulence of civil war, Augustus Caesar now rules Rome. Yet his authority is fragile, holding only so long as the people believe Rome’s gods support him, particularly the beloved goddess of home and hearth, Vesta.Pomponia, now chief Vestal Virgin, continues to devote her life to the goddess. She has risen to a position of esteem in Rome and is a valued member of Caesar’s inner circle. But when a contagion starts to ravage the city, tensions rise among Rome’s inhabitants.Meanwhile, a malevolent nobleman called Soren starts plotting against her, threatening not just her friendship with Caesar, but everything she loves...Return to the meticulously researched world of Debra May Macleod’s ancient Rome in this gripping sequel to Brides of Rome. Perfect for fans of Colleen McCullough and Stephanie Dray.Praise for Brides of Rome 'A fascinating look inside the lives of the enigmatic Vestal Virgins of Rome, who tended the sacred flame of Vesta in her temple in the Forum. But they were at the heart of Roman politics as well, true 'brides of Rome' who had a ringside seat in events of Roman history, and had a hand in them as well. Macleod lets us enter their forbidden and mysterious lives in a page-turning story of the birth of the Roman empire' Margaret George, New York Times bestselling author of The Confessions of Young Nero'In an age of murderous warlords and ruthless politicians (often indistinguishable from one another) the seemingly benign Vestals could hold the balance of power. Debra May Macleod has written a fascinating mystery set within the relentlessly masculine world of Roman power politics, but seen through the lens of a unique, all-female institution. The Vestals did not just tend Rome's sacred flame. They guarded Rome's secrets' John Maddox Roberts, author of the Edgar-nominated SPQR Roman Mystery series'Riveting... This smart repartee captivates in every way' Steve Berry, New York Times bestselling author of The Warsaw Protocol'Macleod gives readers a very rich picture of what the day-to-day life of the Vestal Virgins was like. This is very intelligent and well-researched Roman historical fiction, populated with very strong female lead characters (including a scene-stealing rendition of Livia). A fine start to a promising series' Historical Novel SocietyThe Vesta Shadows seriesThe Vesta Shadows trilogy spans decades, from 45 BCE to 14 CE. It follows the life of the Vestal priestess Pomponia Occia, who is inspired by the real Vestal Occia who lived during this time, serving in the Temple of Vesta for more than fifty years.Set during the tumultuous years that saw the fall of the Roman Republic and the rise of the Roman Empire under Augustus - and beyond - it dramatises some of the major historical events that occurred during her lifetime while simultaneously bringing ancient Rome to life with fast-paced, engrossing and visceral storylines played out by a striking cast of characters.

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When passion is punishable by death, can one priestess keep her emotions concealed and help steer the course of history?Ancient Rome is a world of power and privilege, secrets and sacred duty. The esteemed priestesses of Vesta – the Vestal Virgins – are charged with ensuring the Eternal Flame in their temple never goes out. While it burns, Rome cannot fall. They are known as the Brides of Rome.Dedicated to a thirty-year vow of chaste service, Priestess Pomponia finds herself swept up in the intrigue, violence, wars and bedroom politics of Rome’s elite – Julius Caesar, Marc Antony and Cleopatra, Octavian and Livia – all the while guarding the secret affection she has in her heart.But when a charge of incestum – a broken vow of chastity – is made against the Vestal order, the ultimate punishment looms: death by being buried alive.Debra May Macleod skilfully recreates the world of ancient Rome with all its brutality and brilliance, all its rich history and even richer legend. A true page-turner that is as smart as it is compelling, this must-read novel brings the Vestal order to life like never before. Perfect for fans of Kate Quinn and Margaret George.Praise for Brides of Rome 'A fascinating look inside the lives of the enigmatic Vestal Virgins of Rome, who tended the sacred flame of Vesta in her temple in the Forum. But they were at the heart of Roman politics as well, true 'brides of Rome' who had a ringside seat in events of Roman history, and had a hand in them as well. Macleod lets us enter their forbidden and mysterious lives in a page-turning story of the birth of the Roman empire' Margaret George, New York Times bestselling author of The Confessions of Young Nero'In an age of murderous warlords and ruthless politicians (often indistinguishable from one another) the seemingly benign Vestals could hold the balance of power. Debra May Macleod has written a fascinating mystery set within the relentlessly masculine world of Roman power politics, but seen through the lens of a unique, all-female institution. The Vestals did not just tend Rome's sacred flame. They guarded Rome's secrets' John Maddox Roberts, author of the Edgar-nominated SPQR Roman Mystery series'Riveting... This smart repartee captivates in every way' Steve Berry, New York Times bestselling author of The Warsaw Protocol'Macleod gives readers a very rich picture of what the day-to-day life of the Vestal Virgins was like. This is very intelligent and well-researched Roman historical fiction, populated with very strong female lead characters (including a scene-stealing rendition of Livia). A fine start to a promising series' Historical Novel SocietyThe Vesta Shadows seriesThe Vesta Shadows trilogy spans decades, from 45 BCE to 14 CE. It follows the life of the Vestal priestess Pomponia Occia, who is inspired by the real Vestal Occia who lived during this time, serving in the Temple of Vesta for more than fifty years.Set during the tumultuous years that saw the fall of the Roman Republic and the rise of the Roman Empire under Augustus - and beyond - it dramatises some of the major historical events that occurred during her lifetime while simultaneously bringing ancient Rome to life with fast-paced, engrossing and visceral storylines played out by a striking cast of characters.

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