Search results for ""Kerber Verlag""

As a book, Elín Jakobsdóttir—In the First Place is like a hunt for the sources of artistic creativity: the Icelandic artist’s (*1968) childhood home was buried under the ashes of a volcanic eruption. Themes that touch upon the power and beauty of nature are woven into her works of art. Her translocal references to Iceland, Scotland, and Berlin not only reflect these diverse places, but also make up the depth of her work. Jakobsdóttir’s oeuvre is characterised by a strong lyricism and intensity, with allusions to the subconscious. Text in English and German.

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Memory responds to the acquisitions Deutsche Bank has made over the past decade, many of which are by artists from Africa and/or are of African descent. By focusing on personal narratives, alternative perspectives and lesser-known stories, the exhibition seeks to identify the unstable, exploit the slippages, and make clear that the struggle against balance of power is the struggle of memory against forgetting. Artists: Yto Barrada, Sammy Baloji, Mohamed Camara, Samuel Fosso, Anawana Haloba, Lubaina Himid, Lebohang Kganye, Wangechi Mutu, Toyin Ojih Odutola, Zohra Opoku, Paulo Nazareth, Jo Ractliffe, Berni Searle, Mikhael Subotzky, Dineo Sehee Bopape, Kara Walker, Alberta Whittle, Joy Cheong Wong. Text in English and German.

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This monograph presents a thorough overview of the work of the Danish artist Thomas Bang (b. 1938). Essays by four Danish art historians trace his years as a painter in the early 1960s, his subsequent development as a sculptor in the late 1960s, and his activity on the New York art scene through the 1980s. The primary emphasis of the book is on Bang’s three-dimensional work and the analysis of the range of issues on which his object- and installation-oriented work has been focused for several decades. Thomas Bang has throughout his career focused on various issues of fragility and vulnerability as physical as well as psychological states. The emphasis of his sculpture is on creating a broad field of operations, where alterations of apparent initial intentions and meaning are gradually established in the development of the work.

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When do painterly gestures become objects or spaces? When the colours and lines in a picture become the subject, do they then flirt with or repel one another? Fascinated by the gaudy banality of day-to-day life, Anna Nero (*1988) scratches on the surface of things with the help of quotes from advertising, fashion, and comics as well as samples of abstract and concrete painting. The question of the 'thingness' of a picture as a painterly image or real ceramic object, the question of its material characteristics, its use, its “essence” is central to her work and also the focus of her first monograph. Text in English and German.

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Collapsing industrial buildings and overgrown wastelands suggest that Berlin's Schöneweide district once experienced a different present. Today, the numerous abandoned sites provide a place for many young people to meet in secret. Over three years, photographer Janina Wick established contact with them and visited them, explored the abandoned sites, portrayed the youngsters and also captured the architectural changes. With fresh design, the book documents her perceptive observations and research into youth culture. Text in English and German.

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First monograph by croatian artist Luiza Margan who is dealing with traces of the past and ruptures in official historiography. Text in English and German.

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Serena Ferrario (*1986) is the 7th winner of the renowned Horst Janssen Graphic Prize, which this year will be awarded at the Kunsthalle Hamburg for the first time. The catalogue accompanying the exhibition not only documents the various facets of Ferrario’s work with its large-scale installations, with a focus on her graphic works, collages, and films, but also explicitly takes a look behind the scenes with the title Where the Drawings Live. It is about an open process that not only provides insights into her studio work, but also reveals in particular the connection between the individual mediums in which her figures — whether drawn or real in film — live. In addition to numerous pictures, including installation views from the Kunsthalle Hamburg, the catalogue also contains an interview with Serena Ferrario. Text in English and German.

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In Mother Tongue, Mika Sperling (*1990) examines how origins and culture influence interpersonal relationships based on her personal family history. Language plays a key role in this. Her young daughter and her Vietnamese stepmother are the focus of the photographic examination. Sperling experiments with perspectives, close-ups, and reflecting surfaces and shows the surroundings and personal objects of the individuals portrayed. Trained in a documentary tradition, Sperling represents a new generation of photo-essayists that takes up historical references and processes them in various mediums and objects so as to engage more intensively with the audience. Text in English, with additional texts in German, Russian and Vietnamese.

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Italy has been, and remains, a dream destination for many tourists. Travellers to the country enjoy its cultural history, beaches, climate, and wonderful food, but if one looks behind the beautiful backdrop of the historical old cities and magnificent landscapes, one often encounters the other side of Italy: citizens’ dissatisfaction with their own country, poverty, chaos, environmental pollution, the mafia, and violence, as well as a corrupt, decadent political system. In his journeys from the south to the north of the country, the photographer Christian Jungeblodt (*1962), who lived in Italy for a long time himself, makes the closeness of beauty and ugliness, luster and squalor, grandeur and the abyss visible. Essays by renowned authors like Petra Reski and John Hooper accompany this photo book with its wealth of colour photographs and black-and-white smartphone photos. Text in English and Italian.

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'Real' animals are increasingly disappearing. Today, animals are 'optimised' almost entirely based on the ideas of people: they are created in the laboratory, bred as organ donors, and their flesh is grown in petri dishes. How are common perceptions of animals changing as a result? The designers and artists in the publication go on a search for the 'right degree' in designing such creatures. They delve through the possibilities of the human-animal relationship and design scenarios for a different future. Artists: Martin Avila, BLESS, Melanie Bonajo, The Center for Genomic Gastronomy, Kurzgesagt - In a Nutshell, Center for PostNatural History, Marcus Coates, Thalia de Jong, Aleksandra Domanovic, Konstantin Grcic, Christine Herdin/Katharina Wahl, Max Kosoric/Sanne Pawelzyk, Silvia Knüppel, Dietrich Luft, Christien Meindertsma, Next Nature Network, Ana Rajcevic, Veronica Ranner, Peter Schäfer, Johanna Schmeer, Susana Soares, Sputniko, ThreeASFOUR, Thomas Thwaites, Marije Vogelzang, Pinar Yoldas. Text in English and Dutch.

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Ellen Akimoto’s (*1988) painting is figurative, contemporary, and captivating in its inventiveness. As Wolfgang Ullrich notes, she does not simply cite “stylistic means from the repertoire of the more recent history of painting,” but instead combines them “in surprising, humorous relations to one another and, in combination, transforms them into something new.” Thus, the “monochrome surfaces of Suprematism” alternate with a meticulously detailed realism originating from Neue Sachlichkeit or a “painted landscape painting is suddenly transformed into an abstract painting” and “merges with the face of a woman.” Text in English and German.

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Marta Volkova (*1955) and Slava Shevelenko (*1953) were born in the Soviet Union, that distant country which seems to exist only in history books and all their work seems to stem from this legendary beginning. In the era of fabulators, perverse mechanics of alternative facts and ill-intentioned fake news forgers, Volkova and Shevelenko are like story tellers: their work is expressed in vast narrative installations. Their rich, multifaceted projects explore the boundaries between reality and fiction. Using subjects from the collective mythology - the Yeti, the so-called Tunguska meteorite in Siberia - they interweave these with moral, social, philosophical or political metaphors which in turn resonate with the realities of today's world. In this publication a number of selected projects are presented, made by Volkova and Shevelenko between 2009 and 2020.

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Tony Franz (*1985) challenges the perceptual habits of his viewers. His technically sophisticated drawings - done unfailingly with pencil on paper - open up diverse associative spaces. Franz always approaches his pictorial themes anew, deceiving the eye on a high illusionistic level and examining the close relationship between text and drawing. Drawing as a medium therefore allows him to reflect on the in part subconscious, in part superficial way in which images and words are perceived. The language of the world of advertising and consumption, how it is received, its raptures and contradictions, play a central role for Tony Franz. Text in English and German.

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The metal sculptures and drawings of Hans Uhlmann (1900 1975) shaped the image of German postwar modernism. Arrested by the National Socialists in 1933, Uhlmann sketched filigree wire heads during his incarceration. He went on to realise these pieces following his release. In the 1950s, his figurative forms developed further into abstract compositions. With around 80 works, the exhibition at the Berlinische Galerie traces Uhlmann's creative periods from the 1930s to the 1970s and explores not only his drawings and sculptures but also his role within the West Berlin art scene. This is the first comprehensive retrospective of his work in more than 50 years.Text in English and German.

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In the monograph with the title Premonition, Miguel Rothschild (*1963) presents a selection of works from his two most recent series. The Berlin-based, Argentine artist occupies himself in them with spirits and the apocalypse. The mystically connoted photographs of skies and forests are given a second level — in terms of both content and the visual — by means of burn holes. Here, the spirits of the forest ascend between the treetops, there it is a baroque or romantic sky that receives these demonic and at the same time alluring souls. Rothschild’s ambiguous visions prompt us to interrogate our relationship to nature.

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Show Time initially awakens thoughts of glittering entertainment, shiny surfaces, and fancy stunts — a world that does not really belong in a museum. But here the title is associated with something more literal: time being shown to us. In Sabine Groß's (*1961) exhibition at the Museum für Vor- und Frühgeschichte Saarbrücken, archaeological finds meet contemporary art for the first time. As a professor of sculpture, Groß has specialised for many years in this type of confrontation, practising a kind of “archaeology of the future” in which she presents recent significant works of art as potential archaeological objects. Published to accompany an exhibition Sabine Groß. Show Time – Eine Archäologie der Zukunft, which runs from 11 December 2020-7 November 2021 at Museum für Vor- und Frühgeschichte, Saarbrücken, Germany. Text in English and German.

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To mark one year from opening the new station, Art on the Underground launch a new publication on the work of Alexandre da Cunha at Battersea Power Station in London. Sunset, Sunrise, Sunset is a monumental kinetic sculpture for the Underground station. Stretching 95m and 60m in length, the artwork incorporates two friezes that face each other along the length of the ticket hall. The artwork was inspired by the former control room at Battersea Power Station and its system of vertical bars that regulated the production and output of electricity into the city. Combining this with resonances of the daily flow of dawn to dusk, Sunset, Sunrise, Sunset refers to cycles, routine, the everyday and eternity. Designed by Fraser Muggeridge Studio, the book features essays from art historian Dr Lisa Blackmore exploring the artist’s practice, a geographical and social history of the local area from architecture and design writer Gillian Darley, an essay on commissioning the work by Eleanor Pinfield and a creative prose work from experimental writer Rebecca Watson.

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The work of Li-Wen Kuo (*1980) documents a perpetual measuring of the space of painterly possibility. For her, any achieved position, any accomplished painting, bears in itself the task of being overcome. The logic of form which gives this development a direction, though, is concealed by the paintings’ independent existence. For each painting is, at the same time, grown out of itself; it possesses its own centre of force by which it is organised. By virtue of their individuality, these paintings allow a dialogical relationship with the spectator. Li-Wen Kuo’s work aspires to the inexhaustibility of this relationship. Text in English and German.

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Myriam Holme (*1971) walks a fine line between painting and sculpture. Her concept of painting is based on the experimental and processual, with both being observed from the material perspective. Her painting can be thought of as expansive and incomplete; it does not settle into what already exists but remains in constant motion. Holme has already received numerous awards for her work, and her pieces are on display in national and international museums and exhibition spaces. The monograph Myriam Holme, 2010–2020 features works from the past decade along with essays by Christiane Schürkmann and Jörg van den Berg. Text in English and German.

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The Eiffel Tower in China? Sebastian Acker: Traces of Other Places unites photos, film stills, and notes from an often surreal-looking journey undertaken by the Berlin-based artist Sebastian Acker (*1981) and his collaborator, Phil Thompson, through China’s copy-laden landscape, where not only have they erected sections of European cities, but also built a replica of an entire Austrian village. Simultaneously contemporary and anachronistic, the pictures in the book resist simple definitions of authenticity and imitation, not only by examining the theme of the reality experienced in the replicas, but also by shedding light on the tourism industry’s performative promotion of the European originals. Text in English and German.

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Apocalypse and beginning - what we might think of as contradictory is harmonised by the painter Willem Julius Müller (*1979). In Apocalypse as Beginning, he combines the states of decline and ascent, beginning and end, before and after. Even Müller’s painting is suspended in the (post)apocalyptic tension: in his apocalyptic, deserted, or abandoned landscapes we find ourselves before and after the apocalypse or at the beginning - in places that could be ending as well as beginning. Just as the so often proclaimed death of painting fuelled its own resurrection, the failure of humanity in Müller’s paintings may “refer to the continuation of humanity beyond the human” (Jörg Scheller). Text in English and German.

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For his new book 07:27:47, photographer Jonas Dahlström studied urban environments in Sweden. With the immediacy of street photography, he captured their beauty in a continuous sequence of images taking place during exactly 12 hours. Focusing on the interaction of light, shadows, and architecture, the aesthetics of his stunning photographs are strict, clear, and minimalist. Regardless, these external landscapes can be read as “internal landscapes” projected outwards. They tell a tale of fragility, loneliness, and isolation, of human existence holding out against such anonymous, concrete habitats. Text in English and Swedish.

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Reduction as a painterly approach: Master of Reduction shows juxtapositions of and relationships between painterly ideas by artist Daniela Trixl. Her work is a fund of abstract pictorial inventions, which can either be found on canvas or paper or for overpainting of a poster or newspaper picture. For Trixl, “reduction” always means the relation to visual reality. With an art historical classification by Katrin Dillkofer. Text in English and German.

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Without darkness, no light—without night, no day. In the past three years, Jürgen Heinrich has extensively occupied himself with the “night”: in art, literature, and music. He has personally circled around the phenomenon of the night in various phases of his work. In painting, drawing, and artist’s book, he has dedicated himself to all the facets of the night. For him, the night has become a metaphor of a pendulum swinging between the light and the dark, between melancholy and lightness. Literary texts and scholarly positions by various authors accompany these extraordinary pictorial worlds. Text in English and German.

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Seditiously garish paintings, watercolours, animated films, absurd journals, and extensive installations - all of these are only a small part of the practice of the young artist duo Mehmet & Kazim. Initially active in the graffiti and Hip Hop scene, both of them studied with Markus Oehlen at the Academy in Munich. Kissing Cousins is both an elaborately designed artist book and a detailed monograph on their work at the same time. Supplemented by a conversation with Florian Matzner, their pictorial strategies are shown very directly - subtly oriented toward art history, which is then promptly thrown 'out the window' again.

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Over three decades, the painting of Anton Henning (*1964) has been both a challenge and an inspiration. For him, “even more modern” means showing the lasting significance of modernism for the present. The first volume of his large-scale catalogue of works of 2018 was a basic introduction to his work as a painter. “Vol. 2” now offers an unexpected shift of perspective to his in-depth examination of art history from the Renaissance to Romanticism. A rare interview with Anton Henning about his practice and his artistic self-image supplements the extensive picture section. Text in English, German, French, and Japanese.

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Markus Oehlen (*1956) is one of Germany's most unmistakable painters. As an anarchic pictorial inventor, since the 1980s he has revolted against any visual convention and aesthetic convenience. Due to his integration of digital techniques and the contemporary reservoir of images, he creates stunningly hybrid paintings. Collage-like fragments of art history and popular culture interfere with each other. Abstraction and figuration swiftly blend into one another. With the utmost freedom, Oehlen expands the possibilities of today's painting in his both daring and calculated pictorial experiments.

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Since studying with Anthony Gormley and Timm Ulrichs, Josef Rainer (*1970) has created an artistic world theatre made up of incidental and overlooked things, in which perspectives and proportions communicate, big things move out of view, and small things appear on the stage. In his new book, the honeycomb architecture of bees, shrunken human beings in urban surroundings, speaking busts, and reading primates encounter one another. Supplemented by forays into mythology, the history of human development, science, and politics, all of this forms the material for a wondrous 'art chamber' in book form. Text in English, German and Italian.

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Africa is changing and digitisation is playing a pivotal role in it. Throughout the whole continent, digital practices are emerging which radically transform African societies and their worldwide perception. However, digital infrastructures remain marked by local and global asymmetries despite the widespread use of mobile phones. Over the course of two years and in three African and European cities, the interdisciplinary exhibition and research project Digital Imaginaries took this contradictory diversity of digital phenomena as its starting point in order to explore possible digital futures in Africa. Texts by Bethlehem Anteneh, Younes Baba-Ali / Aude Tournaye, Tegan Bristow, Mehdi Derfoufi, Mamadou Diallo / Judith Rottenburg, Sunny Dolat / Njoki Ngumi (The Nest Collective), Oulimata Gueye, Thomas Hervé, Francois Knoetze, Sénamé Koffi Agbodjinou / Manuel Bürger, Bettina Korintenberg, Siri Lamoureaux / Enrico Ille / Amal Fadlalla / Timm Sureau, Achille Mbembe, Maurice Mbikayi, Julien McHardy, Christopher McMichael, Marcus Neustetter / Mwenya Kabwe, Nanjala Nyabola, DK Osseo-Asare / Yasmine Abbas, Tabita Rezaire, Richard Rottenburg, Daniel Sciboz, Joseph Tonda, Michel Wahome, Philipp Ziegler

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André Butzer is one of today's most distinctive and influential painters. For the first time, this volume reveals a little-known side of his oeuvre: 139 never-seen-before works on paper executed between 2001 and 2019. New and exciting scholarship sheds light upon his predominant themes and motives. Following his breakthrough works in the early 2000s, throughout the years, one is able to witness the artistic verve and intimacy, which bring forth his uncompromising mature style.

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For their new book, photographers Vianca Reinig (*1989) and Philipp Schmidt (*1983) travelled to Scotland and captured the beauty of the northernmost isle of the Outer Hebrides: Lewis and Harris. In stark contrast to the local architecture, the ancient landscape almost becomes tangible in all its craggy shapes and rough colours. With alternating perspectives, sudden cuts between panoramic shots and minute details, this intricately designed artist book is arranged in a chronologically and filmic sequence of images, poetically bringing to life the vibrant experience of their travels on the remote isle.

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Defying traditional portraiture, Wolfgang Strassl (*1956) has made a series of photographs which encapsulates the rich, varied, eclectic and diverse population of London as seen in the democratising space of a carriage on the London Underground. By omitting the face in these portraits, Strassl allows us an undistracted and genuine perusal of these passengers and the stories, which their visual appearances are telling. This also challenges our ability to see, recognise and understand these stories. It is a gentle yet pervasive look at the great sea of humanity travelling in subterranean London and the rich diversity in this contemporary metropolis. Text in English and German.

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A very special artist friendship: in the 1950s, Carlfriedrich Claus (1930-1998) worked on experiments that led to an outstanding synthesis of written and drawn works toward the end of the decade. The artist couple Ilse (*1927) and Pierre Garnier (1928-2014), who were also working in the field of tension between picture-texts and text-pictures, began exchanging letters with him in 1963. Over time, an intensive friendship developed. The exhibition of the Chemnitz Art Collections bore witness to this special bond. The accompanying edition of their correspondence brings together works from nearly four decades of the artists' work as well as artist books, portfolios, and artist magazines. Text in German and French.

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Domeau & Pérès is a company that's known around the world for its high-quality designer furniture in extremely limited editions. But how are these unique pieces created? The catalogue Domeau & Pérès: From Idea to Form reveals the secret of the fascinating history of their development by providing a comprehensive look, from the sketch to the final execution. The publication impressively shows how craft tradition and design innovation come together in the work of Bruno Domeau and Philippe Pérès to create contemporary design. They have collaborated with many of the most important French designers of the past decades, for instance Ronan & Erwan Boouroullec, matali crasset, and Martin Szekely. The catalogue is hence also a mirror of the French design of the 1990s and 2000s. Artists: Bruno Domeau, Philippe Pérès, Ronan & Erwan Bouroullec, matali crasset, Eric Chevallier, Odile Decq, Jérôme Gauthier, Eric Jourdan, François Mangeol, Christophe Pillet, Elodie Descoubes und Laurent Nicolas, Martin Szekely, Michael Young, Sophie Taeuber-Arp. Text in German and French.

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Canadian artist Kelly Richardson (*1972) belongs to a new generation of artists working with digital technologies to create hyperreal, symbolically highly charged landscapes. Her series of digitally-born works Pillars of Dawn imagines a desert landscape in which environmental conditions have crystallised the terrain. The series presents a scenario in which we might have to look beyond our current planet for refuge and survival, and they raise myriad questions about how we arrived as such a moment of environmental crisis.

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The Irrawaddy River, with its 2,170 kilometres is the longest river in Southeast Asia after the Mekong. It is also the biggest waterway and the most important transport route in Myanmar. The course of the river flows past innumerable Buddhist cultural sites, including Bagan. Past children playing on the riverbanks, past women doing laundry in the water of the river, past meditating monks, past the real life of Myanmar. On May 2, 2008, a cyclone ravaged wide areas of the Irrawaddy Delta and caused the death of over 200,000 individuals, while many others are still suffering today. Reinhard Becker has photographed the river and its people and in this book provides a fascinating look at the landscape, economy, politics, and everyday life along the Irrawaddy.

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Douglas Gordon is one of the most influential artists of his generation and is renowned internationally for his films and photographs but particularly also for his video and sound installations. This catalogue was published with the close cooperation of the artist and shows his latest works in the context of his earlier oeuvre. Gordon addresses the master pattern of perception in his great works, weaving in and reflecting on a wide variety of issues from personal biography, music, collective memory and everyday culture. The installations are documented in opulent series of pictures and accompanied by erudite texts and an interview with the artist. Text in English and German.

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Frank Stella (*1936) situates his oeuvre not only in the present. Abstraction or representation, simulacrum, sign, and ornament, as well as questions of surface and space have fascinated him anew time and again. The publication presents the following phases in his oeuvre in the context of the Museum Wiesbaden’s collection: the early works, the stripe paintings attributed to minimalism, the departure into space, and thus from the picture to the relief, as well as the use of ornament and arabesque. In interplay with current sculptures by the artist, not only the rigorousness of his oeuvre but also the relevance of his work until today is thus shown. Text in English and German.

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Following ten regular issues and the special Anniversary Issue (2022), The Opéra Magazine for Classic & Contemporary Nude Photography – rising like a phoenix from the ashes – will feature a completely new layout and a contemporary design concept courtesy of renowned design agency Studio Tillack Knöll. With outstanding contributions from the likes of Malerie Marder, Barbara Probst, Rob Woodcox, Iness Rychlik, as well as Prue Stent & Honey Long, The Opéra showcases work at the forefront of international, artistic nude photography. Once again, the focus is on a predominantly female perspective on the human body, authentically and vividly manifested in The Phoenix Issue through the work and accompanying statements by numerous female photographic artists.

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In the summer of 2021, the Nigerian artist Emeka Ogboh (*1977) transformed the centre of Frankfurt into a sound landscape on water and on land. The sound installation is dedicated to the city of Frankfurt am Main and offers a possible response to the crisis-ridden year 2020. For Emeka Ogboh, music is a medium for connecting people, regardless of their language, background, or religious denomination. The catalogue documents the staging of THIS TOO SHALL PASS in the city and provides insights into the creation and conception of the work with accompanying text contributions. Parts of the sound installation are made accessible through the integration of augmented-reality elements. Text in English and German.

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This monograph is the first comprehensive publication of Julius von Bismarck's work, which has already attracted considerable notice on account of its inventiveness. The artist uses installations, videos and performances to explore people's ability to perceive, and uses the laws of physics to challenge the way we are used to seeing things. His interdisciplinary approach involves asking questions about the world and nature in a creative way, which gradually transforms the individual. This publication includes accompanying texts that discuss some individual works and examine the questions that are central to his work as a whole. Text in English and German.

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