Search results for ""Globe Pequot""

The Doors, James Brown, the Grateful Dead, the Sir Douglas Quintet, David Bowie—the list goes on. . . . From 1967 to 1973, Michael Oberman interviewed more than three hundred top musical artists. Collected together for the first time, Fast Forward, Play and Rewind presents more than one hundred interviews Oberman conducted with the most important musical artists of the day.Along the way, Oberman touches on the influence of his brother, who interviewed the Beatles and other top artists from 1964 to 1967. He also recounts stories from his later career working for the major Warner-Elektra-Atlantic recording company, where he produced concerts for Cellar Door Productions and managed recording artists. Want to know the true story of how David Bowie became Ziggy Stardust? That and dozens more true tales that might seem like fiction are waiting inside the pages of Fast Forward, Play and Rewind. Each short interview is an invitation for readers to relive (or live for the first time) one of the greatest periods in rock 'n' roll history.

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From John C. Payne, one of the foremost international authorities on marine electrical systems and electronics, comes an easy-to-understand yet thorough treatment of boat wiring and the technical issues facing every boat owner, whether sail or power.Concise, compact, and fully illustrated for easy reference, Understanding Boat Wiring: 2nd Edition has been fully revised throughout. This guide offers a comprehensive coverage of the following major topics: Boat wiring standards Basic electrical principles System voltages How to plan and install boat wiring Circuit protection and isolation Switchboards and panels Bilge pump wiring Mast and external wiring Grounding systems

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The movie High Fidelity is sacred ground for music lovers and cinephiles alike. The story of Rob Gordon and his coterie of vinyl snobs made it cool to let your geek flag fly and embrace your irrational enthusiasm. In Top Five, journalist Andrew Buss offers a rollicking oral history of the making of the film and its continued influence on popular culture.Usually, when a book that is as universally praised as Nick Hornby’s original novel, a film adaptation is a tricky thing. Top Five examines the difficulties that went into making it: although the book was set in London, the screenwriting team (which included star John Cusack) adapted it to fit their shared Chicago upbringing and to reflect their own experiences. As faithful as they remained to the book, the little tweaks allowed the material to feel authentic to the artists telling it. Despite the feeling that this might be an Americanized dilution of the source material, those doubts quickly subsided when fans of the book saw just how true the film stayed to Rob’s story.Buss draws on interviews with actors like John Cusack, Jack Black, and Iben Hjejle, along with all the key principals behind the scenes, including director Stephen Frears and the movie’s screenwriter, producers, and composer. Taken together, they offer a multi-perspectival picture that captures the legacy of the film, showing how it brilliantly captured a cross-section of ‘90s culture while anticipating the current era of cultural surfeit and content overload.

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For decades, British stage musicals struggled to compete against the dazzling Broadway productions that came roaring in from across the pond. But that tide was turned at last in 1978, when Tim Rice and Andrew Lloyd Webber’s production of Evita brought the West End back into contention with Broadway. It was just the first of several blockbuster productions that helped Britain dominate musical theater all over the world.In this revealing behind-the-scenes narrative, journalist and author Robert Sellers gives a definitive account of how Evita, Cats, Starlight Express, Les Misérables, Phantom of the Opera, Chess, and Miss Saigon changed the business of musical theater in the 1980s. These mega productions of the were larger than life, colorful, and spectacular. Sellers collects insightful, personal stories from cast members, set designers, musical supervisors, dancers, lighting designers, production managers, singers, and choreographers from the shows that finally put Broadway on its back foot. He also describes the backstage drama, production nightmares, and financial woes that threatened to derail the shows at multiple points. Whatever obstacles they faced, though, these productions swept the world and transformed the face of musical theater in ways that still resound today.

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The Way We Were is the definitive inside story of a landmark movie and its troubled making. Starring Barbra Streisand and Robert Redford, this iconic movie won multiple Academy Awards, but its success followed a variety of financial challenges, creative disputes, and the demands of the passionate individuals who fought to bring it into the world.With mingled reverence and wry humor, best-selling author Tom Santopietro embarks on an investigation to decode the enduring power of the movie. He analyzes the mysterious chemistry between Streisand and Redford, showing how their talents combined for an enthralling, once-in-a-lifetime blend that is cited in television shows and feature films to this day. Filled with first-hand accounts by actors, film historians, and members of the creative team, The Way We Were is the ultimate fiftieth anniversary account of a beloved movie that has remained an emotional touchstone for generations.

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KSAN!: The Hippie Radio Revolution that Rocked America is an oral history of America’s first hippie underground FM station which broadcasted the countercultural consciousness of the ‘60s and ‘70s to a new generation. A communal radio band of intrepid hellraisers, pranksters, and drug-enlightened geniuses defined this psychedelic era, from the Summer of Love in Golden Gate Park, to the rebellion and bitter end of the late 1970s, which launched the Reagan Revolution.Founded in San Francisco by Tom Donahue, a 1996 inductee into the Rock & Roll Hall of Fame, an entire generation of Americans discovered a new musical universe among dance clubs, light shows and street fests––the original pop-ups. Almost overnight, KSAN became an audio clubhouse, where anyone could belong with friends and the cool cats and hipsters they just met.Rock gods, political stars, and literary celebrities, including Jerry Garcia, Ken Kesey, Sly Stone, and John Lennon were all interviewed by founder Tom Donahue and his cohorts, whose listeners “tuned in and turned on” to bands like Jefferson Airplane, The Grateful Dead, Janis Joplin, Quicksilver, Country Joe and the Fish, Hot Tuna, The Beatles and Santana, among others.Folk journalist Hank Rosenfeld was there during those final years––writing, producing, and announcing. His warm, funny voice presents a behind-the-mic experience at KSAN, the beloved, “Jive 95,” whose delicious dose of enlightened sunshine and 33 rpm LP dreamscapes ignited a radio explosion from coast to coast.So, how did KSAN go from a liberating voice to a corporate cliché? It’s all here in Rosenfeld’s insightful, hilarious account, which includes countless exclusive interviews with iconic performers and never before available in print or audio form.

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Roman Polanski: Behind the Scenes of His Classic Early Films is a rare portrait of the artist in the act of creation. Journalist, film historian, and playwright Jordan Young takes Polanski watchers onto the set of a movie made under the worst possible conditions, by a crew who hated each other and a cast barely on speaking terms.

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April 1945: Europe is in ruins and Berlin is burning. As the Red Army closes in on the last few blocks surrounding the Fuhrerbunker, a famous aviatrix lands her light aircraft in the center of the shattered German capital. Two days later she takes off again. With her is a man called Heinrich Bechmann, SS mass killer and personal bodyguard of the German chancellor Adolf Hitler—and with Bechmann is a file of documents.Nearly a century later, in the spring of 2020, Pope Francis announces that he intends to open the Vatican Secret Archives to the public. A week later, masked gunmen kill five people at an isolated Jesuit retreat in the mountains of Sicily. And two weeks after that, the body of a celebrated British historian is discovered in a beach house on Long Island. Aiden Blake, ex-Royal Marine and brother of the dead historian, believes there is a mysterious link between these events, stretching across seventy-five years of history.He’s right—and history itself will provide the clues. The trail will lead him and his brother’s New York-based researcher, Hannah Harper, across the Atlantic to the hidden bunkers of Berlin, a Gothic castle in the South Tyrol, Rome, Sicily, and deep into the past in a bid to find his brother’s killers—and expose a neo-Fascist plot to kill the present Pope and replace him with one more conducive to the party’s own political views and ambitions.

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This is the Golden Age of comic-book blockbusters. Since his introduction in August 1962, Spider-Man's pop culture reach has extended from comic books and clothing to video games, toys, and television shows. His strongest impact, however, is in the feature-film realm, where eight different Spider-Man movies collectively boast more than $7.2 billion in worldwide tickets sold. If Hollywood had a superhero throne, Spider-Man would be sitting on it. Of the five highest-grossing film franchises in Hollywood history, Spider-Man now plays a pivotal role in three: the Marvel Cinematic Universe; the four-film Avengers franchise; and the Spider-Man series. This ranks the character ahead of James Bond, the Transformers, every on-screen Batman, and Peter Jackson's complete Tolkien series in Hollywood's box-office hierarchy. Marvel's wall-crawler has come a long way since his earliest days, but his cinematic journey has yet to be documented. Unusual, since Spider-Man's Hollywood history is littered with A-list names (such as James Cameron and Leonardo DiCaprio), behind-the-scenes squabbles, franchise reboots, and Tom Holland preventing Disney from booting Spidey out of the MCU. The prized creation of Marvel guru Stan Lee has helped create and cultivate the current Golden Age of comic-book blockbusters, and lessons learned on the Spider-Man franchises are applied to all comic-book movies today. Veteran film reporter and author Sean O'Connell uses his exclusive access to directors, actors, producers, and screenwriters to get the inside angles on Spider-Man's climb to the top of the superhero heap in With Great Power.

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The sixth volume in the award-winning series profiling the
American perspective in the Age of Sail, No Sacrifice Too Great, chronicles the swashbuckling adventures of 
the Cutler family as the United States takes on Great Britain 
in the War of 1812. Richard Cutler and his two 
sons, William and James, serve in the US Navy, weak in 
number of ships but strong in experience and fighting
spirit. Battles in which the family participates include high 
seas drama between Constitution and HMS Guerriere, fleet 
engagements on Lake Erie and Lake Champlain, the siege 
of Baltimore, and the epic Battle of New Orleans.

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The narrative of Tumult! The Incredible Life and Music of Tina Turner is an extended exploration of the magical transformation of shy country girl Anna Mae Bullock into the boisterous force of nature we know today as Tina Turner. This is creative alchemy in action: turning into Turner is actually also the captivating tale of someone who was already precociously there, a stellar talent just waiting to emerge and grab the global spotlight. Far from the early myths attached to her name by association with her talented but tormenting producer-husband, she was not a Svengali-like creation at all, but rather a fully formed, if vulnerable, young musical prodigy who was going to burst out of the creative shell imposed upon her one way or the other. Even though it took sixteen years to do so, her second career as a solo pop artist is the achievement for which she is rightly remembered. In Turner, we have a case study in triumph over adversity and sheer creative will power: singer, songwriter, dancer, actress, feminist icon. Often referred to as the Queen of Rock and Roll, she has sold over two hundred million records and sold more live concert tickets than any other solo performer in history. In 2019, she celebrated her eighieth birthday and was also lionized in the live Broadway version of her incredible life story, Tina: The Musical, starring Adrienne Warren. In Tumult!, we unearth and examine what uncanny skills enabled her to connect with so many people at such a deep heart-to-heart level. She is, in fact, a beating human heart in high heels.

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Narrated by Barry Singer—one of contemporary musical theater’s most authoritative chroniclers—Ever After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway. This new, second edition extends the narrative, taking readers from 2004 to the present. The book revisits every new musical that has opened since the last edition, with Barry Singer once again as guide. Before Ever After appeared in 2003, no book had addressed the recent past in musical theater history—an era Singer describes as “ever after musical theater’s many golden ages.” Derived significantly from Singer’s writings about musical theater for the New York Times, New York magazine, and the New Yorker, Ever After captured that era in its entirety, from the opening of The Act on Broadway in October 1977 to the opening of Avenue Q Off-Broadway in March 2003. This new edition brings Ever After up to date, from Wicked through The Book of Mormon to Hamilton and beyond. Once again, Ever After is the first book to cover this new age. And, once again, utilizing his recent writing about musical theater for Huffington Post and Playbill, Barry Singer’s viewpoint is comprehensive and absolutely unique.

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Phil Ochs is known primarily as a songwriter; however, his oeuvre extends far beyond that—to short stories, poetry, criticism, journalism, and satire, all of which are included in I’m Gonna Say It Now: The Writings of Phil Ochs, which represents the majority of what Ochs wrote outside of his large circle of songs. This comprehensive tome presents another side of the famous topical songwriter, showcasing his prose and poetry from across the full span of his life. From prizewinning stories and clear-eyed reporting while a journalism major in college to music criticism, satires, and political pieces written while part of the burgeoning folk scene of New York City in the early 1960s and during the tumultuous Vietnam War era; from sharp and lyrical poems (many previously unpublished) to reviews, features, and satires written while living in Los Angeles and the final, elegiac coda writings from near the end of his life—I’m Gonna Say It Now presents the complete picture. The book includes many rare or nearly impossible to find Ochs pieces, as well as previously unpublished works sourced from the unique holdings in the Ochs Archives at the Woody Guthrie Center. Additionally, never-before-seen reproductions from Ochs’s journals, notebooks, and manuscripts provide a closer look at the hand of the artist, giving a deeper context and understanding to his writings. Never before published photographs of Ochs bestow the visual cherry on top.

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Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes. This book introduces the trailblazing Fields to audiences who may not know her name but surely know her five decades worth of work. Beginning in the 1920s, Fields was one of the few women writing for commercial theater, and she did it so remarkably well that her work was recognized with a Tony Award, an Oscar, and the accolades of ASCAP president Stanley Adams, who referred to her as "the most important woman writer in the history of ASCAP."

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Idaho's Remarakble Women 2 tells the history of the Gem State through the stories of fifteen pioneering women, all born before 1900, who made a profound impact on Idaho. Meet Sacajawea, Lewis and Clark's Shoshone guide; Jo Monaghan, who lived as a man for nearly forty years; Margaret Cobb Ailshie, who ran Idaho's biggest newspaper; and Nell Shipman, an actress, writer, and early filmmaker. Each woman in her own way displayed remarkable courage, hope, and love during a time when Idaho was still an untamed frontier. Read about their exceptional lives in this collection of absorbing biographies.

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John Corcelli, author of Frank Zappa FAQ, takes a deep dive into the comedic artistry of George Carlin, one of America's most important funny men. From his early radio days to his most successful comedy albums, Carlin changed the way stand-up comedy was written and performed. He was the king of all media: print, recordings, movies, television, and the thirteen quintessential HBO Specials that still resonate with fans. Carlin's gift for gab was founded on his ability to understand the human condition and express his politically incorrect views with powerful insights. Carlin's contributions to popular culture have had a salient and lasting impact as a result of their prescience and visionary nature. Along with Lenny Bruce and Richard Pryor, Carlin is considered part of the holy trinity of stand-up comedy. He opened the door to what was possible in stand-up beyond simple joke telling. Jon Stewart, Bill Maher, and Stephen Colbert all owe a little something to their success today from the groundbreaking work of George Carlin.In Outside Looking In, Corcelli reveals how Carlin's mother nurtured him as a child performer, his stint in the USAF, his first act with Jack Burns, and how he was able to transition from a clean-cut performer doing the "Hippy Dippy Weatherman" into the counter-culture satirist with a ponytail.

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Will Metz's main ambition in his first book, Music Theory for Self-Taught Musicians: Level 1: The Basics, was to define and introduce all the main concepts used in music theory (intervals, chords, scales, modes, etc.). He refers to these notions as "tools" because they are what musicians use to create music. Having a clear understanding of these notions is crucial, but it is only the first step . . . One must then understand how to actually use these tools and how they are combined and how they interact. More concretely, this book, Music Theory for Self-Taught Musicians: Level 2: Harmony, Composition, and Improvisation goes in depth into the notions of harmony, composition, and improvisation. It answers one of the most common and troubling questions of any musician, that is: What to play in any given musical context?This is what music theory is all about at the end of the day—learning a bunch of relatively complex notions would make no sense if they didn’t help to compose and create music. This is not rocket science, and anyone can understand the mechanisms of harmony. All of this is explained using the same principles that are in the first book, which means no (or very few) notes written on staff and clear, logical step-by-step explanations. As a self-taught musician, Metz would have given anything to have this book when he decided to start learning harmony and was dabbling with improvisation. Allow him to save you years of time and trial and error and to finally give you the clear and complete understanding of theory you deserve.

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Emily Mann: Rebel Artist in the American Theater is the story of a remarkable American playwright, director, and artistic director. It is the story of a woman who defied the American theater's sexism, a traumatic assault, and illness to create unique documentary plays and to lead the McCarter Theatre Center, for thirty seasons, to a place of national recognition. The book traces and describes Emily Mann's family life; her coming-of-age in Chicago during the exuberant, rebellious, and often violent 1960s; how sexual violence touched her personally; and how she fell in love with theater and began learning her craft at the Loeb Drama Center in Cambridge, Massachusetts, while a student at Radcliffe. Mann's evolution as a professional director and playwright is explored, first at the Guthrie Theater in Minneapolis, where she received an MFA from the University of Minnesota, then in New York City, and again in the Midwest, where she became recognized internationally, married, had a child, and divorced her husband. Mann's leadership of the McCarter is examined, along with her battles to overcome multiple sclerosis, and conquer—personally and artistically—the memories of the violence she experienced when a teenager. Finally, the book discusses her retirement from the McCarter Theatre Center, while she continues as a playwright, amplifying her journey as a female artist of sensitivity and originality.

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Planet of the Apes was a concept that started life in 1963 as a quirky work by French literary novelist Pierre (The Bridge on the River Kwai) Boulle. His concept of a world where humans are ruled over by apes proceeded to become one of the biggest multi-media sensations in history. The 1968 Charlton Heston motion-picture adaptation of Boulle's book was celebrated and successful but was just the beginning. By 1973, said picture had spawned four sequels. It then spun off a live-action TV series, which in turn spun off the animated TV show Return to the Planet of the Apes. What with this, comic books, novelizations, and a tsunami of merchandising, the late sixties and first half of the seventies had a distinctly simian flavor. A new generation was introduced to the concept when, in 2001, Tim Burton's updating of the series appeared in cinemas. This itself was rebooted a decade later in the form of Rise of the Planet of the Apes and its two sequels. Despite all the fantasy (and money-chasing), however, the series has always been marked by thoughtfulness, exploring serious themes alien to most franchises. Planet of the Apes explores every aspect of this media phenomenon---from books to films to comic books to television shows to video games to merchandise---to provide an overview of Planet of the Apes that is truly definitive. With the help of new and exclusive interviews, it examines the contributions of producers, directors, writers, actors, and makeup artists in an attempt to gain an understanding of how this media property has changed the world.

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Renowned editor Lawrence Harbison brings together approximately one hundred never-before-published men’s monologues for actors to use for auditions and in class, all from recently produced plays. The selections include monologues from plays by both well-known playwrights such as Don Nigro, Theresa Rebeck, Rob Ackerman, Len Jenkin, Stephen Belber, and Tim Blake Nelson, and future stars such as David MacGregor, Reina Hardy, Chris Daftsios, Frank Baslo and Will Arbery. There are terrific comic and dramatic pieces, and all represent the best of contemporary playwriting. This collection is an invaluable resource for aspiring actors hoping to ace their auditions and impress directors and teachers with contemporary pieces.

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From Boston to Chicago, Miami to San Diego, America is chock-full of great cities and regions that are undeniably great places to spend a day, a weekend, or more. But where to take the kids? Whether one is a city-dwelling parent, a suburban day-tripper, or a vacationer, GPP Travel’s new Are We Almost There? series shows where. Readers will feel like locals in the know with these easy-to-use, highly portable, and kid-friendly guides—which have all the latest information on where to keep the kids entertained without ever getting bored yourself. Soon they’ll be the ones asking, “Are We Almost There?!” Each guide includes:• A clear, incredibly easy-to-use popout® map• Full-color interior, in a highly portable, 5 1/8 x 3 3/4 trim size• Information for families with children aged 2 to 12• Popular attractions such as museums, zoos, parks, and entertainment venues• Family-friendly places to stay and kid-friendly restaurants• A calendar of kid-friendly events

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Two decades after barbecue kingpins Vince Staten and Greg Johnson published their ode to the top 100 barbecue joints around the United States, they have logged thousands more miles—and at least as many rib racks—in their quest to monitor, taste, and even create the very best. Part travel guide, part recipe book, REAL BARBECUE is really a celebration of a way of life, peppered with such sage advice as, “A man that won't sleep with his meat don't care about his barbecue” (Early Scott). This update of the classic has a completely new design with photos, trivia, detailed locations of great eating joints coast to coast, sidebars about sauces and sides, columns about cook pits and shack architecture, sections devoted to Texas ribs, Cowboy-que, lowcountry pulled pig, California-que-zeen, and real-man reviews of rib joints such as Allen & Sons in Pittsboro and Vince Staten’s Old Time Barbecue in Prospect (he put his money where his mouth is). Secret recipes and mail-order finds are also included. This is your guide to the best barbecue across America, often identified only by a thick black column of smoke in the distance.A syndicated columnist and author of ten books, including Kentucky Curiosities(Globe Pequot Press), Vince Staten has appeared on such media as "Late Night with David Letterman," "Dateline NBC," "Today on NBC," and NPR's "Morning Edition." His varied career encompasses writing, lecturing, teaching, and co-owning Vince Staten's Old Time Barbecue in downtown Prospect, Kentucky. Greg Johnson is the Features Editor for The Courier-Journal in Louisville, Kentucky. "This book is to barbecue what Rand-McNally is to maps."—Playboy magazine"What Masters and Johnson did for sex, Staten and Johnson do for barbecue."—Willard Scott"This is a helluva readable book...There's as much flavor in the writing as in the Rev. Noble Harris' sauce at House of Prayer Bar-B-Que in Fort Lauderdale...Toss this on the dash and hit the road."—Gannett News Service

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