Search results for ""Author V""

Sedimentology Review is a new series of books edited by the Postgraduate Research Institute of Sedimentology (PRIS) and published by Blackwell Scientific Publications. The series provides the practicing sedimentologist with a means of rapidly accessing new developments in sedimentology. Existing textbooks date rapidly and new journals continuously become available, making it difficult to remain current in all aspects of the subject. The series provides high quality reviews written in an accessible format, on a wide variety of topics in sedimentology-sedimentary geology. The series will be a major resource for students, teachers and researchers as well as to geologists. Rapid coverage of the most recent developments in sedimentology for students, researchers and professional geologists in industry Edited by a board of experts in their respective fields High quality, accessible information from international authorities Generously illustrated

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An excellent knowledge base in soil and water chemistry -the ideal basic text for students of the environmental sciences In Environmental Soil and Water Chemistry, leading soil and water authority V. P. Evangelou presents a complete overview of the principles and applications of soil science, addressing the subject by viewing the interactions between soil and water as a basis for understanding the nature, extent, and treatment of polluted soil and water. The text opens with a discussion of principles-the fundamental tenets of chemistry needed to understand soil and water quality and treatment of polluted resources-and continues with a look at applications for the control and treatment of soil and water. Suitable for advanced undergraduates and beginning graduate students, this extensive, timely volume covers: * Water chemistry and mineral solubility; soil minerals and surface chemical properties and their behavior; and electrochemistry and kinetics * The control of agricultural chemical pollution and land disturbance pollution; colloids and transport processes in soils; and technologies for measuring quality and executing treatment * Specific chemical contaminants and the procedures for their neutralization In a world where chemical pollutants pose a grave threat to the earth's natural resources, Environmental Soil and Water Chemistry offers students both an excellent textbook and a handy reference on the wide spectrum of environmental problems they will confront outside the classroom.

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A Turn in the South is a reflective journey by V. S. Naipaul in the late 1980s through the American South. Naipaul writes of his encounters with politicians, rednecks, farmers, writers and ordinary men and women, both black and white, with the insight and originality we expect from one of our best travel writers. Fascinating and poetic, this is a remarkable book on race, culture and country. ‘Naipaul’s writing is supple and fluid, meticulously crafted, adventurous and quick to surprise. And, as usual, there’s the freshness and originality of his way of looking at things’ Sunday Times ‘Naipaul writes as if a modern oracle has chosen to speak through him. It is a tissue of brilliantly recorded hearsay, of intense listening by a man with a remarkable ear’ New York Times Review of Books ‘This is a journey below the Mason–Dixon line into a society riven by too many defeats; the broken cause of the old Confederacy, and the frustrated anger of Southern blacks whose power is circumscribed . . . It is the best thing outside fiction that I have read on the Old South pregnant with the new since W. J. Cash’s The Mind of the South published over fifty years ago’ Sunday Telegraph

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In 1950, V. S. Naipaul travelled from Trinidad to England to take up a place at Oxford University. Over the next few years, letters passed back and forth between Naipaul and his family – particularly his beloved father Seepersad, but also his mother and siblings. The result is a fascinating chronicle of Naipaul’s time at university; the love of writing that he shared with his father and their mutual nurturing of literary ambition; the triumphs and depressions of Oxford life; and the travails of his family back at home. Letters Between a Father and Son is an engrossing collection continuing into the early years of V. S. Naipaul’s literary career, touching time and again on the craft of writing, and revealing the relationships and experiences that formed and influenced one of the greatest and most enigmatic literary figures of our age. ‘Rare and precious . . . if any modern writer was going to breathe a last gasp into the epistolary tradition, it was always likely to be V. S. Naipaul’ New Statesman

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A Way in the World is a vastly innovative novel exploring colonial inheritance through a series of narratives that span continents, swing back and forth between past and present and delve into both autobiography and fiction. V. S. Naipaul offers a personal choice of examples of Spanish and British imperial history in the Caribbean, including an imagined vision of Raleigh’s last expedition and an introduction to Francisco de Miranda, a would-be liberator and precursor to Bolívar, which are placed within a context of echoing modernity and framed by two more personal, heavily autobiographical sections sketching the narrator – an eloquent yet humble man of Indian descent who grew up in Trinidad but spent much of his adult life in England and Africa. Meditative and dramatic, these historical reconstructions, imbued with Naipaul’s acute perception, drawn with his deft and sensitive touch, and told in his beautifully wrought prose, are transmuted into an astonishing novel exploring the profound and mysterious effect of history on the individual.

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In V. S. Naipaul's Magic Seeds we follow Willie Chandran, a man who has allowed one identity after another to be thrust upon him. In his early forties, after a peripatetic life, he succumbs to the encouragement of his sister – and his own listlessness – and joins an underground movement in India. But years of revolutionary campaigns and then prison convince him that the revolution ‘had nothing to do with what we were fighting for’, and he feels himself further than ever ‘from his own history’. When he returns to Britain where, thirty years before, his wanderings began, Willie encounters a country that has turned its back on its past and, like him, has become detached from its own history. He endures the indignities of a culture dissipated by reform and compromise until, in a moment of grotesque revelation – a tour de force of parodic savagery from our most visionary of writers – Willie comes to an understanding that might finally allow him to release his true self. ‘A radical further step in one of the great imaginative careers of our time . . . Magic Seeds demands our attention, and nothing more authoritative will be published this year’ Philip Hensher, Daily Telegraph

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". . . this is a remarkable book. It will occupy a significant place in the critical literature of African Studies." —International Journal of African Historical Studies"To read Mudimbe is to walk through a museum of many exhibits in the company of an erudite companion who explains, with much learned commentary, what you are seeing." —American Anthropologist"Mudimbe's sympathetic yet rigorous accounts of such diverse Africanist discourses as Herskovits's cultural relativism and contemporary Afrocentricity bring to the surface the underlying goals and contexts in which these were produced." —Ivan KarpA sequel to his highly acclaimed The Invention of Africa, this is V. Y. Mudimbe's exploration of how the "idea" of Africa was constructed by the Western world.

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Lindsay Gordon finds herself dragged into a sordid world of blackmail, prostitution, lies and murder when she investigates the case of a former colleague jailed for killing a notorious Glaswegian journalist. Third in the popular mystery series. When Alison Maxwell, a well-known Glaswegian journalist with an irresistible sexual attraction to both sexes, is found murdered the police look no further than the owner of the scarf used to strangle her. Lindsay Gordon, however, has other ideas. Maxwell was a serial seductress who kept a secret record of her encounters – including one with Lindsay herself. Recalling the threats that followed the end of the relationship, Lindsay knows all too well the feelings of rage, fear and passion that Alison Maxwell could invoke. Soon Lindsay is embroiled in an investigation involving blackmail,stolen government documents and the vested interests of a group of people determined to keep her from finding the truth.

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This textbook is intended for undergraduate and graduate students pursuing courses in chemistry and allied fields. It includes fundamental concepts, equations involved in organic reactions, chemical bonds (ionic and covalent bonds), hybridization, representation of a chemical reaction and mechanism of organic reactions. The book also discusses the displacement of bonding electrons involving inductive effect, electromeric effect, mesomeric effect, hyperconjugative effect and resonance. A number of organic reactions involving formation of intermediates such as carbocations, carbanions, free radicals, carbenes, nitrenes and benzynes have also been included. It also discusses different types of reagents involved in a chemical reactions along with types of additional reactions and its detailed mechanism. The book also includes the use of pedagogical elements such as multiple choice questions and end of chapter exercises to aid self-learning among students

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Continue V. E. Schwab's New York Times bestselling Shades of Magic series with A Conjuring of Light, now in a beautiful collector's edition. The precarious equilibrium among the four Londons has reached its breaking point. Once brimming with the red vivacity of magic, darkness casts a shadow over the Maresh Empire, leaving a space for another London to rise. Kell-once assumed to be the last surviving Antari-begins to waver under the pressure of competing loyalties. Lila Bard, once a commonplace-but never common-thief, has survived and flourished through a series of magical trials. But now she must learn to control the magic, before it bleeds her dry. Meanwhile, the disgraced Captain Alucard Emery and the Night Spire crew are attempting a race against time to acquire the impossible, as an ancient enemy returns to claim a crown and a fallen hero is desperate to save a decaying world...

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ENTERTAINMENT WEEKLY'S BEST YA OF THE DECADE * NEW YORK TIMES bestseller * Brand new edition of Victoria Schwab's long out-of-print, stunning debut The Near Witch is only an old story told to frighten children. If the wind calls at night, you must not listen. The wind is lonely, and always looking for company. There are no strangers in the town of Near. These are the truths that Lexi has heard all her life. But when an actual stranger, a boy who seems to fade like smoke, appears outside her home on the moor at night, she knows that at least one of these sayings is no longer true. The next night, the children of Near start disappearing from their beds, and the mysterious boy falls under suspicion. As the hunt for the children intensifies, so does Lexi's need to know about the witch that just might be more than a bedtime story, and about the history of this nameless boy. Part fairy tale, part love story, Victoria Schwab's debut novel is entirely original yet achingly familiar: a song you heard long ago, a whisper carried by the wind, and a dream you won't soon forget.

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Features: New cover art In-universe short story Warm Up A teaser for the forthcoming sequel Vengeance Specially designed end papers - unique to this edition Victor and Eli started out as college roommates—brilliant, arrogant, lonely boys who recognized the same sharpness and ambition in one another. A shared research interest in adrenaline, near-death-experiences, and seemingly supernatural events reveals an intriguing possibility: that under the right conditions, someone could develop extraordinary abilities. But when their thesis moves from the academic to the experimental, things go horribly wrong. They become EOs, ExtraOrdinaries, leaving a body in their wake and turning on each other. Ten years later Victor has escaped from prison and is determined to get his revenge on the man who put him there, aided by a young girl with the ability to raise the dead. Eli has spent the years hunting down and killing every EO he can find, convinced that they are a crime against God, all except his sidekick, a woman whose power is persuasion and whom he cannot defy. Armed with terrible power on both sides, driven by the memory of betrayal and loss, the arch-nemeses have set a course for revenge—but who will be left alive at the end?

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A super-powered collision of extraordinary minds and vengeful intentions—V. E. Schwab returns with the thrilling follow-up to Vicious. Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her newfound power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other once more. With Marcella’s rise, new enmities create opportunity—and the stage of Merit City will once again be set for a final, terrible reckoning.

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A super-powered collision of extraordinary minds and vengeful intentions—V. E. Schwab returns with the thrilling follow-up to Vicious. Magneto and Professor X. Superman and Lex Luthor. Victor Vale and Eli Ever. Sydney and Serena Clarke. Great partnerships, now soured on the vine. But Marcella Riggins needs no one. Flush from her brush with death, she’s finally gained the control she’s always sought—and will use her newfound power to bring the city of Merit to its knees. She’ll do whatever it takes, collecting her own sidekicks, and leveraging the two most infamous EOs, Victor Vale and Eli Ever, against each other once more. With Marcella’s rise, new enmities create opportunity—and the stage of Merit City will once again be set for a final, terrible reckoning.

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A Bend in the River is V. S. Naipaul’s vivid exploration of post-colonial Africa at the time of Independence. With an introduction by Yiyun Li, author of A Thousand Years of Good Prayers.Salim has spent most of his life on the east coast of Africa, living and working with his family. When he sets out to build a new life for himself, moving to an unnamed country in the heart of the continent he believes he is doing so to fulfil his duty as a man. He buys a small shop in a sleepy town, at a bend in the river, where he sells sundries to the locals. First published in 1979, A Bend in the River is V.S. Naipaul's vivid exploration of post-colonial Africa at the time of Independence. Serving as a microcosm of this changing world, his bend in the river is a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author's most potent works – a truly moving story of historical upheaval and social breakdown.

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Set in an unnamed African country, V. S. Naipaul's A Bend in the River is narrated by Salim, a young man from an Indian family of traders long resident on the coast. He believes The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it. So he has taken the initiative; left the coast; acquired his own shop in a small, growing city in the continent’s remote interior and is selling sundries – little more than this and that, really – to the natives. This spot, this ‘bend in the river’, is a microcosm of post-colonial Africa at the time of Independence: a scene of chaos, violent change, warring tribes, ignorance, isolation and poverty. And from this rich landscape emerges one of the author’s most potent works – a truly moving story of historical upheaval and social breakdown.

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In Half a Life we are introduced to the compelling figure of Willie Chandran. Springing from the unhappy union of a low-caste mother and a father constantly at odds with life, Willie is naively eager to find something that will place him both in and apart from the world. Drawn to England, and to the immigrant and bohemian communities of post-war London, it is only in his first experience of love that he finally senses the possibility of fulfilment. In its humorous and sensitive vision of the half-lives quietly lived out at the centre of our world, V. S. Naipaul’s graceful novel brings its own unique illumination to essential aspects of our shared history. ‘Parts are as sly and funny as anything Naipaul has written. Nobody who enjoys seeing English beautifully controlled should miss this novel’ – John Carey, Sunday Times

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The Early Reader's Bible will have your child not only saying, "I can read it myself!" but also, “I can’t wait to read it again!” as they read the 64 beloved Bible stories. Using child-friendly words that beginning readers can read on their own, the classic, bestselling Early Reader's Bible will help your young reader, ages 4 to 8, associate the words "I can" with reading and loving Scripture. The age-appropriate, thought-provoking questions at the end of each chapter encourage wonderful discussions between you and your children for an experience with God’s Word that will last.The Early Reader's Bible features: 64 easy-to-read Bible stories Colorful illustrations, stimulating questions, and real-life applications to increase children's understanding of God's Word A list of 250 basic words used in early reader books A list of over 200 new words, including Bible vocabulary, with fewer than five new words introduced in each story. Follow-up questions at the end of each story to help kids remember, relate to, and understand each Bible story Children will love the feeling of accomplishment that they get from doing things by themselves: getting dressed, tying their shoes, and reading The Early Reader’s Bible.

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Second novel in the series featuring reporter Lindsay Gordon. When her former lover is accused of murder in a women’s peace camp, Lindsay must bring all of her expertise as an investigative reporter into play. A protest group hits the headlines when unrest at a women's peace camp explodes into murder. Already on the scene, journalist Lindsay Gordon desperately tries to strike a balance between personal and professional responsibilities. As she peels back the layers of deception surrounding the protest and its opponents, she finds that no one – ratepayer or reporter, policeman or peace woman – seems wholly above suspicion. Then Lindsay uncovers a truth that even she can scarcely believe.

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There is no God waiting for you in paradise. No afterlife where friendships severed by death are reformed and family members reunited. There is only the Aether. A dimension of insatiable hunger, it will possess you no matter your beliefs or the life you led. Yet there is hope for a lucky few. Archivists, existing between the world of the living and the world of the dead, can offer salvation… for a price. Taking your essence in the final moments before death, they tether you to the physical world. They become your afterlife, linking you with the living while your body rots. When a newly-realised 18-year-old Archivist meets wayward teenager, Sun-young Kang, he finds himself the centre of a spate of suicides committed by schoolgirls. Believing himself to be the last born of his kind, the Archivist must come to terms with the reality that there is another archivist nearby. He soon learns of their plan to entrap him and, with the help of Sun-young, must unpick the mystery of the suicides before anyone else dies. The Archivist is an incredibly rich novel with a truly original concept. It is cinematic in its scope and details the haunting, but also beautiful, gift an archivist could offer a person in their final moments.

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'A BEAUTIFULLY WRITTEN STORY OF SISTERS AND THEIR FAMILIES WHOSE LIVES ARE PROFOUNDLY CHANGED BY WAR. GREY IS NOT AFRAID TO SEARCH IN THE SHADOWS FOR THE TRUTH. A TERRIFIC AND THOUGHT PROVOKING READ' ELIZABETH BUCHANIdentical twin sisters Freya and Shona take very different paths, leading to long-buried family secrets that reverberate through the generations in this thrilling novel of psychological suspense by the author of Tell Me How It Ends. There are some choices you can't come back from.It is 1944 in war-battered London. Freya and Shona are identical twins, close despite their different characters. Freya is a newly qualified doctor treating the injured in an East End hospital, while Shona has been recruited by the SOE. The sisters are so physically alike that they can fool people into thinking that one is the other. It's a game they've played since childhood. But when Shona persuades her twin to swap roles to meet her Polish lover, he is angered at being tricked.Then Shona proposes a far more dangerous swapping of roles. At first Freya refuses but finally she agrees, with consequences that threaten not only the happiness but the lives of both sisters.Forty-five years later in November 1989 Freya, now aged 69, is watching television with her daughter Kirsty. Freya is gripped as she witnesses crowds of Berliners attempting to knock down their hated Wall. This sight stirs long buried memories of her own and her sister's war, especially the tragedy of the Warsaw Uprising - memories that she has never shared with anyone. Even if she wanted to reveal them now, she can't. She's suffering from a brain tumour and is unable to speak although her reason is unimpaired. And this is what she's thinking: if they succeed in knocking down the Wall, what secrets will come tumbling through? If her own were revealed, it would be devastating for all those close to her, especially her daughter.

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The first book in V. S. Naipaul’s acclaimed Indian trilogy – with a preface by the author. An Area of Darkness is V. S. Naipaul’s semi-autobiographical account – at once painful and hilarious, but always thoughtful and considered – of his first visit to India, the land of his forebears. He was twenty-nine years old; he stayed for a year. From the moment of his inauspicious arrival in Prohibition-dry Bombay, bearing whisky and cheap brandy, he experienced a cultural estrangement from the subcontinent. It became for him a land of myths, an area of darkness closing up behind him as he travelled . . . The experience was not a pleasant one, but the pain the author suffered was creative rather than numbing, and engendered a masterful work of literature that provides a revelation both of India and of himself: a displaced person who paradoxically possesses a stronger sense of place than almost anyone. ‘His narrative skill is spectacular. One returns with pleasure to the slow hand-in-hand revelations of both India and himself’ – The Times

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Pratiquant la culture du mil dans les monts du Mandara, au Nord-Cameroun, les Ouldemes appartiennent a des communautes villageoises de langues tchadiques qui ont conserve une grande partie de leur organisation sociale, de leurs croyances et de leurs valeurs. Celles-ci sont notamment le sens de la solidarite, du sacre, de la fete, de l'hospitalite, de la responsabilite personnelle et du travail bien fait. D'un enracinement de nombreux siecles, dans ces zones accidentees, resulte une adaptation fine de l'agriculture a un milieu naturel pauvre. La tradition orale ouldeme comporte des mythes d'origine, une epopee, des recits historiques, des legendes sur les extra-humains, sur les relations homme-esprits, sur la magie et la sorcellerie, et des contes ou recits sur l'humain. Le corpus selectionne, a l'exception de l'epopee qui, elle, retrace l'arrivee et l'installation du heros fondateur, propose, a travers le filtre de l'imaginaire propre au genre conte, des scenes de la vie quotidienne qui nous renseignent sur la culture materielle et l'organisation des relations sociales, ainsi que des messages recevables par des lecteurs etrangers a cette culture. Il a ete evite de selectionner les mythes, recits et legendes qui traitent plus specifiquement des croyances et des histoires locales. Car, si elles temoignent d'une grande richesse culturelle, elles ont moins vocation a l'universel.

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