Search results for ""Author Neil""

Most professionals working in health or social care will be required to act as advocates as part of their work. A social worker or community nurse may need to obtain extra benefits or a particular service for a client; a housing official may need to help a tenant whose benefit has been delayed thus placing them at risk of homelessness; a voluntary body may decide to challenge a statement of special educational needs for a child.This is a practical guide to advocacy skills specifically written for those in the health and social care professions. Neil Bateman examines the function of advocacy within these professions and how to interview, negotiate and self-manage successfully. He provides a structure for advocacy, a guide to the ethical implications and advice on litigation and legal matters. Accessible and comprehensive, Advocacy Skills for Health and Social Care Professionals will be an essential resource for all those wishing to improve their practice.

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Being Alive is the sequel to Neil Astley’s Staying Alive, which became Britain’s most popular poetry book because it gave readers hundreds of thoughtful and passionate poems about living in the modern world. Now he has assembled this equally lively companion anthology for all those readers who’ve wanted more poems that touch the heart, stir the mind and fire the spirit. Being Alive is about being human: about love and loss, fear and longing, hurt and wonder. Staying Alive didn’t just reach a broader readership, it introduced thousands of new readers to contemporary poetry, giving them an international gathering of poems of great personal force, poems with emotional power, intellectual edge and playful wit. It also brought many readers back to poetry, people who hadn’t read poetry for years because it hadn’t held their interest. Being Alive gives readers an even wider selection of vivid, brilliantly diverse contemporary poetry from around the world. Being Alive was followed by a companion anthology, Being Human (2011), and by a fourth volume, Staying Human: new poems for Staying Alive (2020). These anthologies have been welcomed not only by poets but by a wide range of well-known people respected for their work in fields other than poetry – all avid readers of poetry. They want to recommend these books above all other anthologies of contemporary poetry.

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From the grey streets of Coventry, to the green jungles of India, Neil Kulkarni chases the sounds of his past and ancient songs from the sub-continent to try and find himself a new way of listening to some of the oldest music on earth. Part touching memoir, part ferocious polemic, An Eastern Spring confronts race and the ghosts of the past in a fearless attempt to map our past, present and future as western music listeners.

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Thinking about getting up and telling the world what you stand for is daunting. Actually doing it is terrifying but the rewards are incredible. Imagine spending every waking hour doing what you love... Authentic shows how to do just that. In Authentic, Neil Crofts offers inspiration for individuals tired of career conformity. He shows how we arrived at a situation where many of us are tied to jobs we don’t enjoy. He demonstrates the steps you need to take to find out who you are and what you want from life, and finally, he reveals how you can turn all that into a business idea that is Authentic to you. Authentic is a lifestyle book based on practical experience. Neil Crofts’ vision of a role that allowed him to be true to himself and make a positive impact on the world around him convinced him to break out of a conventional corporate career. Authentic is about giving others the courage to follow their hearts in the same way.

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Leeds United Memorabilia is a captivating photographic history of artefacts and paraphernalia connected with the famous club and its 100-plus-year history.Leeds United did not create football collectibles and souvenirs but they were one of the main drivers of the industry, especially in the 1960s and 70s when Don Revie rejuvenated the club and put them on the map of world club football. Together with well-known collector and historian Neil Barker, author Robert Endeacott brings the artefacts to life with fascinating information and entertaining anecdotes.Filled with eye-catching photos of rare collectibles, the book features contributions and interviews from major collectors like Chris Miller, David Kirkby, Ben Hunt, Pete Hopton, Mark Whelan and David Gaertner. There''s also a foreword by renowned sports artist and raconteur Paul ''The Beaver'' Trevillion, who is an integral part of the history of Leeds United memorabilia.Leeds fans of all a

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Elgar Research Agendas outline the future of research in a given area. Leading scholars are given the space to explore their subject in provocative ways, and map out the potential directions of travel. They are relevant but also visionary.This Research Agenda for Social Wellbeing introduces scholars and planners to the importance of a 'wellbeing lens' for the study and promotion of social flourishing. It demonstrates the importance of wellbeing as a public good, not just a property of individuals.Synthesising wellbeing research from multiple disciplines, including sociology, public health, urban and social planning, moral philosophy and development studies, chapters illustrate how the wellbeing lens promotes positivity, understanding of a variety of viewpoints and systematic appreciation of lives in their social contexts. Encouraging appreciative learning and aspirational planning, Neil Thin looks beyond the implicit 'OK' line of minimal decent standards in order to appreciate and promote moral progress.As an illuminating summary of the field, offering new avenues for employing social wellbeing research across multiple disciplines, this book will be key reading for scholars and students of sociology, development studies and anthropology. It will also benefit practitioners, such as planners, evaluators and social workers in need of practical insights into social wellbeing issues.

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A Deeper Shade of Blue charts the tumultuous years of Chelsea Football Club between 1972 and 1977 when the glittering cup-winning side of the early 70s was broken up, and stars such as Peter Osgood and Alan Hudson departed, along with manager Dave Sexton. It was an era that saw Chelsea relegated to the Second Division while massive debts pushed them to the brink of extinction. But the Blues bounced back with the birth of Eddie McCreadie's brash, young and exciting side, led by the precociously talented Ray 'Butch' Wilkins. McCreadie guided the club back to the First Division only to leave acrimoniously in bizarre circumstances - a golden opportunity spurned by the club's owners. A Deeper Shade of Blue is the eagerly awaited sequel to Neil Fitzsimon's Rhapsody in Blue. It reveals how the author made the difficult transition from adolescence to adulthood as a Chelsea supporter during those turbulent times. We discover how the innocence of youth was replaced by the harsh experience of growing up in 1970s England.

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'He's here, he's there, he's every-f*cking-where, Gerry Gow, Gerry Gow' was an anthem that could often be heard reverberating around Ashton Gate in the 1970s as Bristol City climbed towards the first division. Gow was one of football's original cult heroes that emerged throughout the seventies and eighties; often sporting long hair and bushy moustaches. Gow pulled off both with style during spells at Bristol City and Manchester City. Written with the help of the Gow family, He's Here, He's There: The Gerry Gow Story celebrates the career of the Ashton Gate 'Enforcer'. It provides a fascinating insight into a player that fans of a certain vintage consider the greatest to wear the red of Bristol City. With fresh insight from Gerry's family, friends, team-mates and opponents, including the likes of Sir Alex Ferguson, Peter Reid and Chris Kamara, this is a captivating insight into a cult hero, a football hardman, a Bristolian icon; but also Gerry the man, and a man sorely missed but still loved by so many.

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Close Quarters is the inspirational, against the odds story of Wycombe Wanderers, the poorest club in League One, and how it shapes into a side that sustains a nine-month challenge for promotion before the global pandemic stops the team in its tracks. When the season restarts, Wycombe finds itself in the play-offs behind closed doors, an unprecedented opportunity through unprecedented turmoil. Led by the longest-serving boss in professional football, the charismatic Gareth Ainsworth, this becomes an astonishing campaign, witnessed up close by award-winning sportswriter Neil Harman thanks to his special access. Harman gets to the heart of the team, joins them in the dressing room, on the coach, in the medical room and in team meetings to chart this unparalleled challenge. He gets the inside story of Ainsworth's rise from a working-class upbringing on the back streets of Blackburn, through a rumbustious playing career, to a one-club manager moulding Wycombe while dealing with an American takeover that could make the difference between the club's life and death. Close Quarters is a book that resonates, not just with Wycombe supporters, but fans of underdog clubs everywhere.

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‘Nobody believes what they see on TV, so they want to look for something else, an alternate reality, or a conspiracy theory, and it’s interesting to explore it, Twitter is fucking full of it, especially now. It’s no wonder people round here are into it, but you don’t have to read all that shit, just have some mushrooms and wander round Lidl off your tits.’In these fourteen northern tales, Campbell takes us from the edgelands of Manchester to the cloistered villages of The Peak District, Northumberland and Scotland, and illuminates the lives of outsiders, misfits, loners and malcontents with an eye for the darkly comic. A wild-eyed man disturbs the banter in a genial bookshop. A fraught woman seeks to flee a collapsing reservoir. A failed academic finds solace in a crime writer’s favourite pub. A transit van killer stalks a railway footpath. A poet accused of plagiarism finds his life falling apart.

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The third part of Neil Campbell’s Manchester Trilogy, in which our struggling young writer finds love with a girl called Cho. Where a love song to Manchester becomes a love song to Cho.Lanyards explores how the jobs we wear around our necks dictate the ways we are identified.Building on the previous novel in the trilogy, Zero Hours, our protagonist finds himself on universal credit, taking agency jobs, moving from learning support work in schools and colleges to call centre jobs and back again, via a failed attempt at getting a job as a driver on the Metrolink tram network. Lanyards portrays the comic and poignant moments of working life. All the time reflecting back on the football career the narrator might have had were he not injured, his life as a writer, his experiences of being in a mixed race couple with the Hong Kong born Cho, the Manchester Arena bombing, the continuing success of his beloved Manchester City, the child sex abuse scandals in football, the disparities of wealth in contemporary Britain, and the death of a childhood friend that continues to haunt him.

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Martin Freeman is one of Britain's best-loved actors. After being cast in bit parts and cameos - such as The Bill (his first onscreen role) and the beat-boxing Ricky C in Ali G Indahouse - he made his big break as Tim Canterbury in The Office. Freeman was later cast, among other roles, as the mundane character of Arthur Dent in the sci-fi movie adaption of The Hitchhiker's Guide to the Galaxy, and, labelled an 'everyday' bloke by journalists, began to run the risk of being stereotyped. However, in 2010 he completely turned his career around when he took on the role of Dr John Watson in the incredibly successful Sherlock. His biggest role followed as he portrayed Bilbo Baggins in The Hobbit trilogy and, in recent years, Freeman has shown a dark edge to his thespian skills by portraying Richard III in the West End and Lester Nygaard in the critically acclaimed US drama series Fargo. An intensely private man, Freeman is in a long-term relationship with the actress Amanda Abbington, whom he met on the set of the 2000 Channel 4 TV movie Men Only and who played his on-screen partner in Sherlock. The Unexpected Adventures of Martin Freeman explores the rise to fame of this unassuming actor, how he has successfully managed to avoid the pitfalls of stardom, and how he has become one of the greatest actors of his generation. It is a must-read for any fan.

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This book explores the social and cultural constructions and debates of what are dogs and what is leisure. It looks at how working dogs play a significant role in leisure experiences such as ensuring the safety of air transport, and considers the differing roles and changing acceptance of dogs’ involvement in sport. Within the setting of the animal welfare and sentience debates, it examines the leisure needs of dogs and their owners. Providing an original contribution to our understanding of dogs as both participants and objects in the leisure experience, this book is a useful resource for researchers in leisure, hospitality and tourism.

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War never stops. There have been two world wars since 1914 lasting for ten years, but wars have continued for a hundred years since then in many parts of the world: wars between nations, tribes and factions, wars over religion and beliefs, wars fought for land or oil or history, civil wars, political wars, and the Cold War when the West remained on a war-footing while supposedly at peace. This anthology presents poems from a hundred years of war by poets writing as combatants on opposite sides, as victims or anguished witnesses. It chronicles times of war and conflict from the trenches of the Somme through the Spanish Civil War to the horrors of the Second World War and the Holocaust; and in Korea, the Middle East, Vietnam, Central America, Ireland, the Balkans, Iraq and Afghanistan and other so-called "theatres of war". There are poems from years when the world was threatened by all-out nuclear war and more recent poems written in response to international terrorism. Editor Neil Astley has selected many of the poems from his Staying Alive trilogy - the anthologies Staying Alive, Being Alive and Being Human - but has added many others from elsewhere to create this deeply moving testament to humanity caught up in a hundred years of war. Like the trilogy, this is a world poetry anthology featuring poets from a variety of nations writing from different perspectives, experiences and cultures. Where possible, the poems from each war or conflict are presented chronologically in terms of when they were written or set, building up a picture of what individual poets from different nations were experiencing at the same time, either on the same battlegrounds or in other parts of the world (including the home front), with, for example, British, French and German poets all writing of shared experiences in opposite trenches during the five-month Battle of the Somme. At different stages of each war there are also poets responding events in their own countries. For example, in just one three-month period, from August to November 1944, Polish poets join the Warsaw Uprising, Miklos Radnoti is herded on a forced march from Serbia to Hungary (where he is killed), other Hungarian poets witness deportations to camps, Dylan Thomas voices the anguish of Londoners under V-bomb attack, and Louis Simpson is a foot soldier caught up in the chaotic Battle of the Bulge. Just as the original Hundred Years' War in the 14th and 15th centuries was actually a series of nationalistic conflicts rooted in disputes over territory, so it has been in the wars fought over the past century, but with even worse suffering inflicted on countries and people subjected to warfare and mass killing on a scale unimaginable in any earlier time. And yet amidst all that horror, there are individual voices bearing witness to our shared humanity, somehow surviving the folly with defiance and hope, yet often aware that the lessons of history are rarely passed on from one generation to the next. As Germany's Gunter Kunert writes in his poem 'On Certain Survivors' in which a man is dragged out from the debris of his shelled house: 'He shook himself | And said | Never again. || At least, not right away.'

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In the Essex marshlands, twelve women are found abandoned in the back of a truck. Armed with knives but with nothing to say, except Grace. She will only speak to DI Stanley Low. Flown in to assist and aid his ex-colleague, and sometime lover, Met detective Ramila Mistry, Low finds himself confronting a global trafficking ring. They must hurry. Another truck is being prepared. Another twelve, vulnerable women are being groomed. Low can only find them by uncovering the ugliest of truths.

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Developments in AI, robotics and big data are changing the nature of education. Yet the implications of these technologies for the teaching profession are uncertain. While most educators remain convinced of the need for human teachers, outside the profession there is growing anticipation of a technological reinvention of the ways in which teaching and learning take place.Through an examination of technological developments such as autonomous classroom robots, intelligent tutoring systems, learning analytics and automated decision-making, Neil Selwyn highlights the need for nuanced discussions around the capacity of AI to replicate the social, emotional and cognitive qualities of human teachers. He pushes conversations about AI and education into the realm of values, judgements and politics, ultimately arguing that the integration of any technology into society must be presented as a choice. Should Robots Replace Teachers? is a must-read for anyone interested in the future of education and work in our increasingly automated times.

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In The Politics of Coercion, Neil Loughlin explains the persistence of Cambodia''s authoritarian regime for more than four decades. It provides a historically grounded investigation of the country''s ruling coalition: political elites, many drawn from within the state''s coercive apparatus, who, in coordination with state-dependent tycoons, have come to control Cambodia''s politics and its economy. Loughlin presents new empirical data foregrounding the coercive underpinnings of the modern Cambodian state and its party, the Cambodian People''s Party (CPP).The focus on coercion reflects the regime''s conflict and postconflict evolution and extractive political economy as the ruling coalition failed to channel popular interests through its political institutions, thus resorting either to low-intensity forms of coercion such as intimidation and surveillance or to high-intensity coercion such as violent crackdowns and extrajudicial killings.Throu

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THE NO.1 NEW YORK TIMES BESTSELLER, AND COMPANION NOVEL TO AMERICAN GODS.''Neil could never have known that he was writing for a confused Jamaican kid who, without even knowing it, was still staggering from centuries of erasure of his own gods and monsters'' MARLON JAMES''A warm, funny, immensely entertaining story about the impossibility of putting up with your relations - especially if they happen to be Gods'' SUSANNA CLARKE ''It''s virtually impossible to read more than ten words by Neil Gaiman and not wish he would tell you the rest of the story'' OBSERVER---''People think that funny and serious are mutually exclusives. They think they''re opposites, and that''s not actually true'' NEIL GAIMAN---Everything changes for Fat Charlie Nancy, the South London boy so called by his father, the day his dad drops dead while doing karaoke. Charlie didn''t know his estranged father was

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When Lynne offers money to a homeless man on Glasgow's Sauchiehall Street she is shocked to recognise Angus, her former art tutor from college. Lynne once revered him, even dreamed of becoming an artist under his tutelage. Now, she works as a supervisor at an insurance call-centre. And as for Angus, he has fallen on even harder times . . .She insists on inviting him to stay at her flat, but just as Angus doesn't go out of his way to explain the reasons for his misfortune, neither is Lynne's insistence on taking him in to her home purely altruistic.The Glasgow Coma Scale is a barbed love letter to the city, a dysfunctional romance, and a story about damage: the kind done unthinkingly, the kind done deliberately, and the worst sort - the harm we do even as we're trying to do 'the right thing'.'Neil Stewart is the kind of writer who appears once in a generation, gifts fully formed. Through the unforgettable duo of Angus and Lynne, he takes us to places where other novels fear to treat, from the perils of life on a park bench through the murky grey areas of love to the ineffable mysteries of art. Compassionate, brave, singing with life, The Glasgow Coma Scale is an outstanding debut from an extraordinary talent.' Paul Murray, author of Skippy Dies

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Company towns are often portrayed as powerless communities, fundamentally dependent on the outside influence of global capital. Neil White challenges this interpretation by exploring how these communities were altered at the local level through human agency, missteps, and chance. Far from being homogeneous, these company towns are shown to be unique communities with equally unique histories. Company Towns provides a multi-layered, international comparison between the development of two settlements-the mining community of Mount Isa, Queensland, Australia, and the mill town of Corner Brook, Newfoundland, Canada. White pinpoints crucial differences between the towns' experiences by contrasting each region's histories from various perspectives-business, urban, labour, civic, and socio-cultural. Company Towns also makes use of a sizable collection of previously neglected oral history sources and town records, providing an illuminating portrait of divergence that defies efforts to impose structure on the company town phenomenon.

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Wage stagnation, growing inequality, and even poverty itself have resulted from decades of neoliberal decision making, not the education system, writes Neil Kraus in his urgent call to action, The Fantasy Economy. Kraus claims the idea that both the education system and labor force are chronically deficient was aggressively and incorrectly promoted starting in the Reagan era, when corporate interests and education reformers emphasized education as the exclusive mechanism providing the citizenry with economic opportunity. However, as this critical book reveals, that is a misleading articulation of the economy and education system rooted in the economic self-interests of corporations and the wealthy.The Fantasy Economy challenges the basic assumptions of the education reform movement of the last few decades. Kraus insists that education cannot control the labor market and unreliable corporate narratives fuel this misinformation. Moreover, misguided public policies, such as accountability and school choice, along with an emphasis on workforce development and STEM over broad-based liberal arts education, have only produced greater inequality. Ultimately, The Fantasy Economy argues that education should be understood as a social necessity, not an engine of the neoliberal agenda. Kraus’ book advocates for a change in conventional thinking about economic opportunity and the purpose of education in a democracy.

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In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.

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Create and apply responsive and adaptive marketing principles and practices with this guide to redesigning marketing structures, processes and culture, to be fit for purpose in today's changeable environment. Agile Marketing is an essential and practical roadmap to transforming your marketing by applying agile principles at scale and overcoming mindset and culture challenges to enable greater efficiency and quicker response times. Covering areas such as putting data and automation at the centre of agility, measuring success and creating and maintaining space for innovation, it features a range of invaluable frameworks, practical guidance and insightful examples from organizations such as Dell and Pepsi. Written by a recognized agile expert and marketing thought-leader who has worked with marketing teams in some of the largest global organizations, Agile Marketing also explores how to empower high-performing marketing teams and develop and pivot agile campaigns and content. Featuring tips and tools throughout and a step-by-step agile marketing transformation blueprint, it is a crucial resource for creating effective and streamlined marketing today and into the future.

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California has historically provided a fertile breeding ground for radical modes of architectural thinking, practice and building, which from the 1920s onwards was sparked by the presence of eminent émigré architects. It was also central to the birth of ‘cool’ mid-century Modernism – all in parallel with the intense concentration of design and experimentation in the film, aerospace and tech industries. This AD issue explores the influential formal tropes generated in the nexus between Los Angeles and the Bay Area, as well as the thriving theoretical preoccupations that have brought California's architects global attention. Between Hollywood and the Silicon Valley, this unique context has nurtured and become the platform for those who not only build buildings around the world, but have also founded and directed schools and educated emergent generations of architects. Contributors: Frances Anderton, Jasmine Benyamin, Blaine Brownell, Courtney Coffman, Heather Flood and Aaron Gensler, David Freeland and Brennan Buck, Craig Hodgetts, Max Kuo, Eva Menuhin, Nicole Meyer, Jill Stoner, and Grace Mitchell Tada. Featured architects: Atelier Manferdini, Ball-Nogues Studio, Faulders Studio, FreelandBuck, Hood Design Studio, Oyler Wu Collaborative, Preliminary Research Office, Stereobot, and Synthesis Design + Architecture.

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In this insightful book, Neil Thompson and Gerry R. Cox highlight the detrimental effects and pervasiveness of ageist stereotypes, structures and practices. Stressing the importance of dignity in later-life care, they provide a well-informed basis for understanding the complexities of ageing and challenging ageist assumptions.

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By the power of Greyskull! In their second big-screen collaboration after Shaun of the Dead (2004), with Hot Fuzz (2007) director and co-writer Edgar Wright and co-writer and star Simon Pegg took aim at the conventions of the Hollywood action movie, transplanting gratuitous slo-mo action sequences into the English village supermarket and local pub. In this first critical study of arguably the most influential British film-makers to emerge this century, Neil Archer considers to what extent a modestly funded film such as this can be considered 'British' at all, given its international success and distribution by an American studio, and how far that success depends upon what he calls its 'cultural specificity'. He considers the film as a parody of the action movie genre, and discusses exactly how parody works - not just in relation to the conventions of the action film but also in the depiction of English space. Exactly what and who is Hot Fuzz poking fun at?

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First survey of Copland's entire output for some 30 years - a period seeing some of his most important works. Aaron Copland was one of the twentieth century's most popular and distinguished composers. Copland was born in 1900 in Brooklyn, where he began his musical career, before moving to the Paris in the 1920s, where Stravinsky, Prokofiev and Les Six were the centre of attention. On his return to the United States at the end of the decade he began to produce a series of works which could leave no one in any doubt that American composers were capable of writing music equal to the best of their European contemporaries. This chronological survey of Copland's work discusses ever one of his compositions and examines his influential writings on music. Profusely illustrated with musicexamples and photographs, it includes a conversation on the piano music with Aaron Copland and Leo Smit and also features sketches of Copland in rehearsal by Milein Cosman. NEIL BUTTERWORTH was formerly Head of Music atNapier College, Edinburgh.

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In 1995, Neil Altman did what few psychoanalysts did or even dared to do: He brought the theory and practice of psychoanalysis out of the cozy confines of the consulting room and into the realms of the marginalized, to the very individuals whom this theory and practice often overlooked. In doing so, he brought together psychoanalytic and social theory, and examined how divisions of race, class and culture reflect and influence splits in the developing self, more often than not leading to a negative self image of the "other" in an increasingly polarized society.Much like the original, this second edition of The Analyst in the Inner City opens up with updated, detailed clinical vignettes and case presentations, which illustrate the challenges of working within this clinical milieu. Altman greatly expands his section on race, both in the psychoanalytic and the larger social world, including a focus on "whiteness" which, he argues, is socially constructed in relation to "blackness." However, he admits the inadequacy of such categorizations and proffers a more fluid view of the structure of race. A brand new section, "Thinking Systemically and Psychoanalytically at the Same Time," examines the impact of the socio-political context in which psychotherapy takes place, whether local or global, on the clinical work itself and the socio-economic categories of its patients, and vice-versa. Topics in this section include the APA’s relationship to CIA interrogation practices, group dynamics in child and adolescent psychotherapeutic interventions, and psychoanalytic views on suicide bombing.Ranging from the day-to-day work in a public clinic in the South Bronx to considerations of global events far outside the clinic’s doors (but closer than one might think), this book is a timely revision of a groundbreaking work in psychoanalytic literature, expanding the import of psychoanalysis from the centers of analytical thought to the margins of clinical need.

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This no-nonsense guide to one of our most enduring mysteries presents a short history of the strangest encounters, looks carefully at explanations from the blunt to the truly bizarre, offers insights into the strongest evidence that we are being visited by beings from another world and sources the best sceptical arguments that it can all be explained rationally. Concise, balanced and - occasionally - hilarious this is a story that has as much to tell you about the human race as it does about aliens.

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In Shakespeare the Illusionist, Neil Forsyth reviews the history of Shakespeare’s plays on film, using the basic distinction in film tradition between what is owed to Méliès and what to the Lumière brothers. He then tightens his focus on those plays that include some explicit magical or supernatural elements—Puck and the fairies, ghosts and witches, or Prospero’s island, for example—and sets out methodically, but with an easy touch, to review all the films that have adapted those comedies and dramas, into the present day. Forsyth’s aim is not to offer yet another answer as to whether Shakespeare would have written for the screen if he were alive today, but rather to assess what various filmmakers and TV directors have in fact made of the spells, haunts, and apparitions in his plays. From analyzing early camera tricks to assessing contemporary handling of the supernatural, Forsyth reads Shakespeare films for how they use the techniques of moviemaking to address questions of illusion and dramatic influence. In doing so, he presents a bold step forward in Shakespeare and film studies, and his fresh take is presented in lively, accessible language that makes the book ideal for classroom use.

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Ranging over all George Eliot's fiction and drawing as well on her letters, essays, and translations, in this book the distinguished critic Neil Hertz documents Eliot's lifelong questioning of the nature of authorship and of what it might mean, in the language of one of her early letters, for her "not simply to be, but to utter." Pursuing oddities of diction and figuration, of plotting and characterization, Hertz finds everywhere in Eliot's works passages of high mimetic realism that ask to be read as allegories of writing or as characters whose actions and destinies can only be understood if they are seen as disguised surrogates of their author. Each essay begins with an intriguing or problematic bit of language, then moves about within a particular work of fiction or criss-cross to other writings of Eliot's as well as to works by philosophers, psychoanalysts, and literary theorists.

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For the first time, the historic town of Maidstone gives up its darkest and eeriest secrets. Including previously unpublished accounts of ghostly activity and re-examining classic cases, this is a treasure trove of original material and atmospheric photography. From tales of haunted buildings to ghosts witnessed on winding roads, this volume of the strange sheds light on some of the town’s scariest mysteries as we peer into its darkest corners. With a foreword by Sean Tudor, the Blue Bell Hill ghost expert, it unravels stories which will send a shiver down the spine of any resident, historian or ghost-hunter.

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